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Well, now. Let's continue on with our liquid type text here. As we can see here, I've got-I
went in here and played with my lighting effects a little bit more, and I brought it up just
a little bit more because I want some more white burnout on this. So now, what I'm going
to do is, let's go into "Filter." Actually, you know what? Let's just go ahead and copy
this layer. Now we got a new layer. Now let's go to "Filter." Let's go to "Sketch." We're
going to sketch chrome. What we're going to do is, we want to-let's bring our detail down
a little bit. Let's bring our smoothness down quite a bit, too. And see how shiny we can
really get this here. Something along those lines. Let's take our detail. There we go.
Something around six and one. Let's take our... There we go. Let's say seven and one. That
looks pretty good. Let'*** Command-D to deselect that. And, actually, you know what?
That's a little bit much. Let's get out of that. Let's step back a little bit. Let's
go to-do that again. "Filter, Sketch, Chrome." It's going to be different with each different
type of text you use. So let's take our detail down a little bit more. Let's say three and
one. There we go. That's a little bit better. So, as you can see here, we've got a-Command-D
to deselect it. As you can see here, we're getting a little bit of a liquid metal look
going on here. So, what we're going to do now is, you know what? Let's add a little
Bevel and Emboss to it. Let's just double-click here. Let's come down to "Bevel and Emboss,"
like so. And now we can-let's choose this one here. There we go. That's getting a good
look on there. Let's see. We can do a chisel soft. As you can see, the more and more we
play with this, the more liquifying it's become. Take our size up some. Not too much. Let's
take it up to one. That looks pretty good. We'll go ahead and hit "OK" on that. And you
can just play around with this and do this however you want to. So, what we'll do is,
we'll pause here, and we'll pick this up in the next part.