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This is pretty ***' cool, man.
You know, man, I have been waiting a long, long time to say this...
but everybody, we're Matchbox 20 and welcome to Storytellers.
This has been good for us, because we’ve noticed now...
through watching TV, and we watch it a lot, 'cause we're in a band...
flippin' through, you find 4 or 5 places that you can turn on a TV...
and see a band playing their instruments, you know? Live.
Which is just a novel approach to it these days, I think.
And so it's nice to be on that. We're gonna...
just kick off is what we'll do. This song was one of the first new ones.
It was written for the new record, and...
I remember it mostly because it's one of these ones where...
when I moved to New York I walked around SoHo, that's how I'd spend...
my whole time off, I'd sit in a room for a few hours and I'd write.
And then I couldn't write anymore, I'd just walk around the block...
like, 400 times, until the song just kept going through my head.
And with this song, I was walking around and I had it in my head...
just humming, I'm like, "That's a pretty good song. Who is that?
Gosh, that's me! That's our song!" I was stoked!
I was like, "We're on to something here, this is good. "
It was written like... I’ve never been a love song guy...
until I got married, we'll go into that later.
This was my version of a love song, co-dependent for the new millennium.
It was like two people were kinda saying...
"I'm all screwed up over here and you're all screwed up over here.
We can get together and it wouldn't matter if we were screwed up...
because we're together and that'd be fine. That's what this song's about.
Enough, enough!
If I fall along the way
Pick me up and dust me off
And If I get too tired to make it
Be my breath so I can walk
If I need some other love
Give me more than I can stand
And when my smile gets old and faded
Wait around I'll smile again Shouldn't be so complicated
Just hold me and then
Just hold me again Can you help me I'm bent
I'm so scared that I'll never
Get put back together
Keep breaking me In And this Is how we will end
With you and me
Bent
If I couldn't sleep could you sleep
Could you paint me better off
Could you sympathize with my needs
I know you think I need a lot I started out clean but I'm jaded
Just phoning it In
Just breaking the skin Can you help me I'm bent
I'm so scared that I'll never
Get put back together
Keep breaking me In And this Is how we will end
With you and me
Bent
You and me
You and me
Bent
Oh, bent
Start bending me It's never enough
TIII I feel all your pleces
Start bending me
Keep bending me until
I'm completely broken In
Again
Shouldn't be so complicated
Just touch me and then
Touch me again Can you help me I'm bent
I'm so scared that I'll never
Get put back together
Keep breaking me In And this Is how we will end
With you and me lending Without understanding
Hell, I go there again Can you help me I'm bent
I'm so scared that I'll never
Get put back together
You're breaking me In And this Is how we will end
With you and me
Bent
Thank you.
Thank you very much.
You know something else I think is funny?
If you go to Europe, if you go to England, "Bent" means gay...
and if you go to Australia, it means that you're a big pot smoker.
In both of these places there's giant posters of us that say "Bent".
You really can take your own meaning from it, wherever you are.
Any of them make us sound more interesting than we actually are...
so I'll go with it all.
We... the next song that we have is the title song of our record...
and... and we...
It was a song written... I always thought of it...
I write relationship songs, but it doesn't mean men and women songs.
A lot of times it's just how people react to each other...
in different situations, and what people bring out of each other.
And a lot of times when you're writing a song, you're writing it...
in one person, but really you're singing it to yourself.
A lot of songs are you analyzing yourself, the situation you're in.
Seems easier when you make it seem as if you talk about two people.
And this was one of those, this was me catching up on myself, this song.
It was like, "Now everything’s gone kinda crazy...
and let's see what kind of a person you are now" kind of a song.
That's what this is about. It's called "Mad Season".
Well, I feel stupid
But I know it won't last for long
And I've been guessing
But I coulda been guessin' wrong
You don't know me now I kinda thought you should somehow
Does that whole mad season got you down
Well, I feel stupid
But it's something that comes and goes
And I've been changin'
I think it's funny how no one knows
We don't talk about The little things that we do without
When that whole mad season comes around
So why you gotta stand there Looking like the answer now
It seems to me you'd come around
I need you now Do you think you can cope
You figured me out That I'm lost and I'm hopeless
I'm bleeding and broken
Though I've never spoken
I come undone
In this mad season
Well, I feel stupid
But I think I been catchin' on
I feel ugly But I know I still turn you on
You've grown colder now Torn apart, angry, turned around
Will that whole mad season knock you down
And are you gonna stand there Are you gonna help me out
We need to be together now
I need you now Do you think you can cope
You figured me out That I'm lost and I'm hopeless
But I'm bleeding and broken
Though I've never spoken
I come undone
In this mad season
And now I'm cryin' Isn't that what you want
And I've tried to live my life on my own
But I won’t at times
I do believe I am strong
So someone tell me why, why, why
Do I,I,I
Feel stupid
And I come undone
In this mad season
I need you now Do you think you can cope
You figured me out That I'm lost and I'm hopeless
But I'm bleeding and broken
Though I've never spoken
And I need you now Do you think you can cope
You figured me out I'm a child and I'm hopeless
But I'm bleeding and broken
Though I've never spoken, I come
Well, I come undone
In this mad season
In this mad season
It's been a mad season
Thank you very much.
It's like, big "Aahh!", and then "aahh... ", so...
And then it turns into the cocktail lounge.
"How are you people doing tonight? Good, good. "
Now, I'm gonna take it nice and easy.
The next song could be misunderstood, I think.
Not in a bad way, because I think either way it would work, but...
the next song is called "Black & White People".
It's not about black and white people, it's not about us and them.
It's more about the notion that sometimes me...
As the writer, I use me as a good example. We...
Like, you write it and you feel like a black and white person.
You know? Everybody else is in full color...
and everybody else has got it all figured out...
but then you yourself are stuck over here in Pleasantville, you know?
You got your own thing, and the idea of "Black & White People"...
you know, the black and white person was one person...
as opposed to the whole "us and them" theory...
and the single gunman theory.
I know it was a bad joke, and I knew right then I was taking a risk.
But... so, this is a song called "Black & White People".
One more day down
Well, everybody has those days
Where one soft sweet song Is just enough to clear my head
Fall on real life
Is anybody left there sane?
If we slide on over and accept fate
Then it's bound to be a powerful thing
If it's just that you're weak Can we talk about it
It's gettin' so damn creepy Just nursing this ghost of a chance
The fiction, the romance And the Technicolor dreams
Of black and white people
One boy, headstrong
He thinks that living here's just plain
And he's pushed down so hard You can hear him start to sink
And it's one last round Of petty conversation
You hold on boy'cause You won't go down like this
So just roll on over
And lay down till it's more than you can take
And If it's just that you're weak Can we talk about it
It's gettin' so damn creepy Just nursing this ghost of a chance
The fiction, the romance And the Technicolor dreams
Of black and white people
So one more day down
And hell, everybody’s changin'
But one soft sweet sound Is just enough to clear my
My head
My head, well, If it's just that you're weak
Can we talk about it
It's gettin' so damn creepy Just nursing this ghost of a chance
The fiction, the romance And the Technicolor dreams
Of black and white people
Yeah, so If you're weak Can we talk about it
It's gettin' so damn creepy Just nursing this ghost of a chance
The fiction, the romance And the Technicolor dreams
Of black and white people
We are black and white
We are black and white people
We're all black and white people
Thank you very much.
"Black & White People", ladies and gentlemen. Matchbox 20.
We're gonna do a stage setup here, right?
We're good? We're all set up here?
Look at that. Right on. I like the way this works.
There was this whole thing when this song came out...
it came out, it was "Push", and we put it out...
and then this whole misogynistic thing came along with it...
that we were trying to say that we wanted to push people around.
And then when you look at it, we're not pushing anybody around.
Look at us. We're not...
It's not gonna happen, so we just laughed it off and thought it funny.
I think a couple of feminist groups threw fruit at us or something...
but then it went away, because it couldn't 'ye been less true.
It's not our style, so to speak.
I don't know if it matters, but this is it.
She said I don't know If I've ever been good enough
Well I'm a little bit rusty and I think my head Is caving In
And I don't know If I've ever been really loved
By a hand that's touched me, and I feel like something’s gonna give
And I'm a little bit angry, well
This ain't over
No, not here
Not while I still need you around
You don't owe me, we might change
Yeah we just might feel good
I wanna push you around
Well I will, well I will
I wanna push you down
Well I will, man, I will
I wanna take you for granted
Well, I wanna take you for granted
Well I will
I will
She said I don't know why you ever would lie to me
Like, I'm a little untrusting when I think the truth Is gonna hurt va
And I don't know why you couldn't just stay with me
Couldn't stand to be near me when my face don't seem to wanna shine
'Cause it's a little bit dirty, well
Don't just stand there
Say nice things to me
'Cos I've been cheated, I've been wronged, and you
You don't know me
I can't change no more
And I won't do anything at all
I wanna push you around
Well I will, well I will
I wanna push you down
Well I will, man, I will
I wanna take you for granted
Well ,I wanna take you for granted
Well I will
Oh but don't bowl me over
Just wait a minute Well it kinda fell apart
Things get so crazy, crazy
Don't rush this, baby
I won't
Don't rush this, baby, baby
I wanna push you around
Well I will, well I will
I wanna push you down
Well I will, man, I will
I wanna take you for granted
I wanna take you and take you
Yeah, well I will
I will, I will
I will, yes I will
Well I will, Will
I will, yeah
Push you around And I'm gonna drag you around
I wanna push you around
Well I will
Thank you.
The next song wasn't really ever gonna make it on the record.
This song's...
We always remember about it, 'cause our record just came out in May.
But... this thing, we always remember about this song.
It wasn't gonna be on the record. I wrote it over the break...
right when I met my wife, and it was this situation where she had...
We had met and it was good, it was big, strong, it was gonna happen...
and she suddenly had this revelation that she was dating a musician.
Scared the hell outta her. "I don't want to. That's not gonna work. "
And so I wrote this song, it's kinda like a letter to her.
It's funny, because people said: "Did you guys break up?"
No, it's "If You're Gone". You have to pay attention.
So I wrote it, I played if for Paul and he was like, "Yeah, it's nice. "
We were in the studio mullin' it over, and we had a version of it...
that we thought was so much fun, it seemed such a sweet little song.
It needed to have a place on the album and we're glad that we did...
'cause it turned out to be one of our favorite songs, so...
I think I've already lost you
I think you're already gone
I think I'm finally scared now
You think I'm weak But I think you're wrong
I think you're already leaving
Feels like your hand Is on the door
And I thought this place was an empire
But now I'm relaxed And I can't be sure
I think you're so mean I think we should try
I think I could need this In my life
And I think I'm scared But I think too much
I know it's wrong It's a problem I'm dealing
If you're gone
Maybe it's time to come home
'Cause there's an awful lot of breathing room
But I can hardly move
If you're gone
Baby you need to come home
Come home
There's a little bit of something me In everything, In you
And I bet you're hard to get over
And I bet the room just won't shine
But I bet my hands I can stay here And I bet you need
More than you mind
I think you're so mean I think we should try
I think I could need this In my life
And I think I'm scared that I know too much
I can't relate And that's a problem I'm feeling
If you're gone
Maybe it's time to come home
There's an awful lot of breathing room
But I can hardly move
If you're gone
Baby you need to come home
Come home
There's a little bit of something me In everything, In you
I think you're so mean I think we should try
I think I could need this In my life
And I think I'm scared do I talk too much
I know it's wrong It's a problem I'm dealing
If you're gone
Maybe it's time to come home
There's an awful lot of breathing room
But I can hardly move
Well, If you're gone
Yeah, baby you need to come home
Come home
There's a little bit of something me In everything, In
You
- Something me - In everything
Something me
In you
Thank you very much.
Thank you very much.
Another guy's coming back out here again.
What he doin'? What the hell's going on?
My God. My God, you people and your cameras.
It's been all day. All we wanted to do was play.
It's all we’ve been doing. We start a sound check and it'd be like...
"Finally", after two hours sittin' behind the piano you start, and...
"One, two, three... " "Wait, wait!
We'll change all the lighting now. It's bad. We need new lighting. "
It's a whole different deal, this television thing.
We're moving on to this? Yeah?
Yeah, okay, we're moving on to that.
I’ve got a paper with everything I need to know, and it lied to me.
So, we don't need to tell the story. Go right to the song.
- I'm in, baby. - I like the story.
It'll be on the show. Yeah, they're gonna edit it.
- You're gonna talk before, or...? - We're just gonna ***' play it.
You know what? I wanna apologize for my language...
right now, because I have a bad mouth, and I apologize to you...
you, and you too, here. The most. Look, he's about to cry.
He's never heard language like that. I'm so sorry.
He has a New York Knicks T- shirt. He's heard that.
- Did they give him a microphone? - I have it.
You guys are a well-oiled machine, aren't you?
Hi. I just want...
Girl, you need to kick in for the curie, and you in the black...
you need to get on with your life, hon, and start respectin' yourself.
I just wanted to know what's the best for you guys.
Do you like touring or making the records?
I think it depends. Paul loves being in the studio.
That's Paul's favorite time. Am I right, Paulie-o?
Paul loves being in the studio. Kyle?
I enjoy being in the studio. I think it's...
You know, the road becomes terribly grating after a while.
Livin' outta your suitcase, then I start smellin' really bad...
and somebody gotta look after my stuff...
so, bein' in the studio... is where I enjoy bein' creative.
I think that's the place that's... That's my tempo. Me personally.
I'm never happy. In the studio, I can't wait to get on the road...
and then I think: "Why don't we go back in the studio and record?"
And then, when I'm off the road and not doing anything entirely...
I watch a lot of television, that's what we talked about.
- I have a question. - Yeah.
For Rob. He's ignoring me again. Hey, Rob. When did you...
wanna be a singer, a writer? Did you always wanna do this?
No. I still don't, actually.
I never wanted to write. I never wanted to sing...
because I hear myself... I still do. And everything sounds really good...
or I see myself on television doin' something and it sounds good...
until words and vocals come out of my mouth, and then I cringe.
Every time. It sounds like, "Eeeh", to me.
And by the same token I can never see myself on TV, because I think:
"I look swarmy. " And so I can't...
But at the same time I realized that, if I was gonna write songs...
I have an enormous ego and I didn't want anyone else to sing 'em but me.
My enormous ego got in the way and I thought I'd be a singer...
until somebody comes to me and says: "Please stop singing. "
And I lied, because plenty of people said to me, "Stop singing"...
and I'm still doin' it, but that was my plan when I started.
Any more questions? Right here. This young lady here has a question.
Off of both CDs, which do you feel...
...is your favorite song? - Wow. That's a hard question.
- "Burn"! - For Paul.
Paul's favorite is "The Burn". He loves "The Burn".
He quit the band until we played it.
It's hard for me, because it goes night to night. You know?
Dependin' on how I'm feelin' each night...
certain songs will feel better. If I'm really feelin' happy...
then sometimes happy songs, if I'm mad... Those are the best shows...
when you're fumin' about something, you go on stage and just...
and you walk off and you still hate everybody, but it was a good show.
But... I don't know. Maybe "You Won't Be Mine", I think.
On this record it's been one of my favorites. I think just...
as a writer and as a band, I think, all around the house.
Matt Serletic producing, and the arrangements that we put on...
everybody’s job playing, and as a writer...
I listen to the last record, to a song like "Back 2 Good"...
and that sounds like the bridge into whatever it is I wanna do next.
And when I listen to "You Won't Be Mine" it kinda gives me that too.
Like, "I have other avenues that I can try, and it never gets stale. "
And every now and then you need something to tell you that...
because you start to feel pretty "Eww... " about everything you do...
and to get down on yourself, so it's good to step outside yourself...
and see something that you can recognize as pretty good...
like, "Okay, I'm on the right track, everything’s workin' out okay. "
And that was what I felt for that song. So, the next song is...
the next song is, it sounds, it goes back to writing about relationships.
They're not necessarily boy-meets-girl kinda relationships.
And this was one that you can listen to over and over...
and that can be what's about, but it really is about old "friends"...
of ours, and it was kinda like a... to them when we wrote it.
That's funny, it was some musicians we used to know...
and so we wrote this kinda giving them the big middle finger.
And it sounds like you're giving the finger to ex-girlfriends.
When you're in a band, you're married to these guys.
You eat the same dirt, you travel the same miles...
you wind up hatin' each other and sometimes it sticks.
This is a song about that situation.
And we did it a different way for no special reason at all...
other than we just thought it would be a lotta fun.
Could everybody really quick give it up to our horn player friends?
This is Darren, this is Dawn, this is Art.
These are the Hooper Triplets on the horns, everybody.
Man I feel like hell, come over Be a love machine, be a friend
Ain't no shame Feel strong for each other
Make real true colors come end to end, then ***, change of pace
Think there's a piece of my heart on your face, shame to let it waste
How does it taste
How does it taste
Break it down In pieces Make it simple, I'm a simple man
All these things go changing like the weather till the weatherman says
One down, gonna waste, think there's a plece of my smile on your face
I would like it erased there ain't no two ways about it
Oh no, I don't wanna be the crutch
One step away from down
I don't wanna be the crutch
One step away from down, down
Bring it on then gone Use a lover like a cigarette
One sweet song that starts a little slow but then goes on and on
And moves around the room In circles Everybody wants to be you
Try to find my place on the map Of all the men you've been through
Dig a little deeper And you'll realize
AII I'm building up You're tearing down
I don't wanna be the crutch
One step away from down
I don't wanna be the crutch
One step away from down
Down, down, down
I could never be the crutch
One step away from down
All you needed was a crutch
And I'm gonna break you down
I don't wanna be the crutch
I don't wanna be the crutch
I could never be the crutch
One step away from one step away
From being down
Being down
Thank you.
Thank you very much.
This next song I can't tell you what is about because I didn't write it.
None of us did, but we're doing this for Sun Records.
There's a Sun Records tribute coming out and this is the song we heard...
that we thought it'd be a lot of fun to do. We played it in rehearsals...
and it was so much fun that we thought we'd do it here, tonight.
We'd just throw it on the fire.
This is an old, old, old Sun Records ditty called "Lonely Weekend".
I said I'm making' all right
From Sunday morning to Friday night
But oh, yeah
That lonely weekend
Since you left me
I'm as lonely as I can be
But oh, yeah
That lonely weekend
You said you'd be
Good to me
You said our love
Would never die
You said you'd be
Good to me
But baby
You didn’t even try
Gonna make it all right
From Sunday morning to Friday night
But oh, yeah
That lonely weekend
You said you'd be
Good to me
And you said our love, honey
Would never die
You said you'd be
Good to me
But baby
You didn’t even try
Since you left me
Since you left me
Since you left me
No, no, no lonely weekend
Lonely weekend
Lonely weekend
It's funny, you go out and you get these interviews...
and a lot of questions are the same, and the one I get all the time is:
"You know, Rob, everything’s doing well, your band's doing great...
your songs are doing wonderful and you're married now...
and you seem really happy, I talk to you and you seem a happy guy.
Why is your album so damn depressing all the time?"
And I don't know. It's like, 'cause you're writing, and as a writer...
it's supposed to represent the best and the worst of you...
at the same time, and if you do it right and use it in the right way...
then you can take all the depressing stuff, get it out and put it down...
have a place for it, and then you can be happy most of the time.
You can just kind go on with the rest of your life.
'Cause if you're happy... I'm not gonna write if I'm happy...
I'm gonna be happy. I'm only writing if I'm depressed about something.
I don't know. This is a song called "You Won't Be Mine".
Take your head around the world
See what you get
From your mind
Write your soul down word forward
See who's your friend
And who Is kind
And it's almost like a disease
And I know soon you will be
Over the lies, you'll be strong
You'll be rich, In love and you will carry on
But no
Oh no
No, you won't be mine
Take your straight line for a curve
And make it stretch
The same old line
And try to find If it was worth
What you spent
Why you're guilty for the way you're feeling now
It's almost like being free
And I know soon you will be
Over the lies, you'll be strong
You'll be rich, In love and you will carry on
But no
Oh no
No, you won't be mine
Take yourself out to the curb
And sit and wait
A fool for life
And it's almost like a disease
And I know soon you will be
You'll be over the lies, you'll be strong
You'll be rich, In love and you will carry on
But no, no
Oh no, oh no you won't
Won't be mine
Thank you.
The next song is... this is one...
There's a couple of songs, "Black & White People" and this song...
was written... I'd say 10 years ago, but I’ve said it for 3 or 4 years...
so it's gotta be 11 or 12 years ago.
I was 17 years old, I was hitchhiking from...
Orlando to Daytona, that was my plan for the weekend...
and I met this girl, as you do when you're 17.
We had this great week together and we were headed back to her place.
That was the plan, she lived in Tampa.
Somewhere down the road she stopped the car and kicked me out.
She pulled over, I was sleeping, she opened the door and said...
"Listen, this isn't gonna work out, sorry and thanks for playing. "
And she kicked me out. She didn't eyen take me to my exit. ***.
And it's funny, because when you're 17...
everything, you watch a lot of John Hughes movies and everything is...
a big affair of the heart and everything is huge.
And now, not so much. Now it's just a character-building funny story...
but at the time that messed me up, so...
I wrote this song about it, and here goes.
Just three miles from the rest stop
And she slams on the breaks
She said, I tried to be but I'm not
So could you please collect your things
And I don't wanna be cold I don't wanna be cruel
But I gotta find more Than what's happening with you
So If you'd open up the door
She said, while you were sleeping
I was listening to the radio and wondering what you're dreaming when
It came to mind that I didn’t care
So I thought, hell If it's over
I had better end it quick Or I could lose my nerve
Are you listening
Can you hear me
Have you forgotten
Just three miles from the rest stop
And my mouth's too dry to rage
The light was shining from the radio
And I could barely see her face
But she knew all the words that I never had said
She knew the crumpled-up promise Of this broken-down man
So as I opened up the door
She said, while you were sleeping
I was listening to the radio and wondering what you're dreaming when
It came to mind that I didn’t care
So I thought, hell If it's over
Well, I had better end it quick Or I could lose my nerve
Are you listening
Can you hear me
Oh, can you hear me
Can you hear me
Oh, can you hear me
While you were sleeping
I was listening to the radio and wondering what you're dreaming when
It came to mind that I didn’t care
So I thought, hell If it's over
Well, I had better end it quick Or I could lose my nerve
And are you listening
Can you hear me
While you were sleeping
Well I was listening to the radio and wondering what you're dreaming when
It came to mind that I didn’t care
Yeah, so I thought, hell If it's over
Well, I had better end it quick Or I could lose all my nerve
Are you listening
Can you hear
Me
Can you hear me
I can
Pull over
Thank you. Thank you very much.
What's that?
Biggest influence? It has to be either Tom Petty, maybe...
or Willie Nelson, one of the two. Tom Petty is the guy, you know?
He's made record after record after record of great, great songs.
And under the radar. It's never been about the Tom Petty hoopla...
or the Tom Petty circus coming to town, it's just been about...
"We'll give you a good record, hope you like it, then another one... "
And that's what's supposed to be about. You try and follow him...
in the music sense, in his philosophies on how to do things...
I think you can't go wrong.
The next song is...
one of those that you can use for whatever you want to use it for.
You can use it for relationships if that makes you feel better...
but it was written about a time when I was 12 or 13.
I didn't write it then, it's just about that time...
when my mother had cancer, and she's okay now...
but it was weird to be that age, taking care of yourself, your mom...
and, "Mom sleeps all the time, why?" You don't get it.
And that was the song that came out of it...
and nobody picked up on it, which, like I say, it's just as good...
because I think it would lose something universal about a song...
that makes it special to everybody because you take it into your own...
and use it for everyone, but if you want to, while you listen to it...
you can use it for that.
She said it's cold outside She hands me my raincoat
She's always worried about things like that
She said it's all gonna end and it might as well be my fault
And she only sleeps when it's raining
And she screams
And her voice Is straining
She says
It's 3 AM, I must be lonely
And she says, baby
Well I can't help but be scared of it all sometimes
But the rain’s gonna wash away I believe it
And she's got a little bit of something
And God it's better than nothing Nothing
And In her color portrait world she believes she's got it all
And she swears the moon don't hang Quite as high as it used to
I think she's crazy
And she only sleeps when it's raining
And she screams
But her voice Is straining
She says
If it's 3 AM,I must be lonely
And she says,baby
Well I can't help but be scared of it all sometimes
But the rain’s gonna wash away I believe it
And she believes that life’s made up of all that you're used to
And the clock on the wall Has been stuck at 3
For days and days and days
She thinks that happiness Is a mat that sits on her doorway
Yeah,but outside It's stopped raining
And she says
It's 3 AM,I must be lonely
She says,baby,baby
Well I can't help but be scared of it all sometimes
But the rain’s gonna wash away I believe it
Thank you very much.
CAPTIONS BY VIDEOLAR