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Contemporary discourse on art
no longer comes from art history or aesthetics
but rather from the press, from the empire of light judgment. This type of "emotional" discourse
nourishes mainstream opinion in postmodern discursive structures and
it's embedded in all areas of art, ranging from exhibitions to grant applications and prizes.
Ink from the press is the blood that runs through the veins
of contemporary art.
Contemporary discourse on art
no longer comes from art history or aesthetics
but rather from the press, from the empire of light judgment. This type of "emotional" discourse
nourishes mainstream opinion in postmodern discursive structures and
it's embedded in all areas of art, ranging from exhibitions to grant applications and prizes.
Ink from the press is the blood that runs through the veins
of contemporary art.
Contemporary discourse on art
no longer comes from art history or aesthetics
but rather from the press, from the empire of light judgment. This type of "emotional" discourse
nourishes mainstream opinion in postmodern discursive structures and
it's embedded in all areas of art, ranging from exhibitions to grant applications and prizes.
Ink from the press is the blood that runs through the veins
of contemporary art.
Contemporary discourse on art
no longer comes from art history or aesthetics
but rather from the press, from the empire of light judgment. This type of "emotional" discourse
nourishes mainstream opinion in postmodern discursive structures and
it's embedded in all areas of art, ranging from exhibitions to grant applications and prizes.
Ink from the press is the blood that runs through the veins
of contemporary art.
Contemporary discourse on art
no longer comes from art history or aesthetics
but rather from the press, from the empire of light judgment. This type of "emotional" discourse
nourishes mainstream opinion in postmodern discursive structures and
it's embedded in all areas of art, ranging from exhibitions to grant applications and prizes.
Ink from the press is the blood that runs through the veins
of contemporary art.
Contemporary discourse on art
no longer comes from art history or aesthetics
but rather from the press, from the empire of light judgment. This type of "emotional" discourse
nourishes mainstream opinion in postmodern discursive structures and
it's embedded in all areas of art, ranging from exhibitions to grant applications and prizes.
Ink from the press is the blood that runs through the veins
of contemporary art.
Contemporary discourse on art
no longer comes from art history or aesthetics
but rather from the press, from the empire of light judgment. This type of "emotional" discourse
nourishes mainstream opinion in postmodern discursive structures and
it's embedded in all areas of art, ranging from exhibitions to grant applications and prizes.
Ink from the press is the blood that runs through the veins
of contemporary art.
Contemporary discourse on art
no longer comes from art history or aesthetics
but rather from the press, from the empire of light judgment. This type of "emotional" discourse
nourishes mainstream opinion in postmodern discursive structures and
it's embedded in all areas of art, ranging from exhibitions to grant applications and prizes.
Ink from the press is the blood that runs through the veins
of contemporary art.