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- LOOK, THIS DIDN'T HAPPEN THE WAY THAT I WANTED IT TO.
- I GET IT, I JUST WANNA BE ON FOR THE PLAN--
- WAIT, THIS IS NO JOKE.
IF SOMEBODY SHOWS UP AND PAYS $3 MILLION,
I'M SELLING THAT HOUSE.
- WE BUILT GRAMERCY TO HAVE THIS FAMILY.
NOW YOU'RE SELLING THAT PROPERTY.
- WE'RE GONNA SELL THIS, ONE WAY OR ANOTHER.
WHAT CAN I BUY? - JESUS CHRIST.
WHERE WOULD YOU PUT A BABY IN THIS HOUSE?
- NO, YOU CAN'T HAVE-- YOU CAN'T--
WE NEED TO POSTPONE THAT.
IF I HAVE TO RAISE CAPITAL TO BUILD THE BUSINESS,
THEN I HAVE TO MAKE THAT SACRIFICE.
- IT ANNOYS ME 'CAUSE, WHY AREN'T WE
MAKING MONEY A DIFFERENT WAY?
WHY DO WE HAVE TO SELL THE HOUSE?
WE DIDN'T SNEAK IN A TRICK COPY
OF THAT CONTRACT, DID WE?
IT'S THE REAL DEAL?
- THIS PAINT LINE COULD BE A MULTIMILLION DOLLAR DEAL.
- MAKE SURE YOU BEHAVE YOURSELF.
- PROMISE.
- SO I NAMED MY FIRST WHITE--
"MILKY SURPRISE."
- IF JEFF PISSES HIM OFF,
IT'LL BE CURTAINS FOR THIS WHOLE THING.
- AND YOU MAY KISS THE BRIDE.
- AND BY THE WAY, ARE WE SURE JONATHAN
WANTS TO HAVE KIDS RIGHT NOW?
OR DOES HE NOT WANNA WAIT A LITTLE BIT?
- NO, WE'VE TALKED ABOUT IT.
- HMM.
DO YOU REMEMBER THAT DESIGN LUNCHEON
I WENT TO IN LAS VEGAS?
- YES. - ALL RIGHT.
SO I SAT AT MY TABLE WITH THIS WEALTHY WOMAN.
WE STARTED TALKING ABOUT REAL ESTATE.
SHE SAID SHE HAD A HOUSE IN CABO.
WELL, JENNI NEVER LEFT HER SIDE.
IF I TAKE YOU TO A LUNCHEON,
YOU'RE NOT TO LATCH ON TO SOMEONE
LIKE SOME SORT OF [bleep] BARNACLE,
AND THEN GO TO THEIR HOUSE IN CABO FOR A WEEK.
- IF THAT'S HOW YOU FEEL, THEN I SHOULDN'T BE WORK--
- IF YOU CAN'T [bleep] CONTROL YOURSELF,
THEN YOU SHOULD GO SOMEWHERE ELSE!
YOU [bleep] UP!
AND THIS WAS MAJOR.
- YOU NEED TO THINK ABOUT WHETHER YOU WANT
TO CONTINUE THE FRIENDSHIP OR NOT.
- WE GOTTA WORK ON AN EXIT STRATEGY.
- AND NOW, THE SEASON FINALE.
[upbeat rock music]
- [vocalizing]
♪ ♪
- ♪ HEY HEY HEY ♪
- ♪ HEY ♪
♪ HEY ♪
♪ ♪
- ARE YOU THINKING IT'S SICK?
- I DON'T KNOW.
- HE HAVE SOMETHING?
- HE THREW UP A LOT YESTERDAY.
- HE'S SNEEZING AND COUGHING.
- WELL, MONKEY AND I ARE GOING TO DR. DONNA
TO WORK OUT OUR ISSUES. HE'S ANGRY.
- I'M ANGRY AT JENNI.
I'VE CONFRONTED HER, BUT SHE HASN'T REALLY APOLOGIZED.
- SHE HASN'T?
- IT'S BEEN, "I'M SORRY THAT THAT HURT YOU,
BUT I NEVER MEANT TO KEEP IT FROM YOU."
WHICH I FEEL LIKE THAT IS A LIE.
- HAS DR. DONNA BEEN HELPING?
WHY DON'T YOU GO BACK TO HER?
- BUT WHAT'S THE POINT? - I DON'T KNOW.
I THINK THAT YOU GUYS HAVE BEEN TOGETHER
A REALLY LONG TIME, AND IT'S WORTH IT
TO TRY-- TO TRY TO WORK IT OUT.
IT'S REALLY MESSY BECAUSE, YOU KNOW,
IN ONE HAND, THIS IS A FIREABLE OFFENSE.
AND THEN YOU'VE TAKEN EVERYTHING THAT
THOSE TWO HAVE BEEN THROUGH TOGETHER.
HE REALLY IS KIND OF MISERABLE
WHEN SHE'S NOT THERE WORKING.
IT JUST PUTS HIM IN SUCH A DIFFICULT POSITION.
- I MEAN, 13 YEARS AND--
I MEAN, IT'S A BIG [bleep] UP, YES.
BUT, I MEAN, WHAT-- WHAT DO YOU DO?
- I DON'T KNOW.
[phone ringing]
- HELLO?
- HEY, JEFF.
- WELL, I'M GONNA MOVE OUT FRIDAY.
BUT I AM GONNA LEAVE FURNITURE THERE,
SO IT'S GONNA BE STAGED.
- NO, I KNOW.
THEN WHAT DID WE HAVE IT LISTED AT, $1,495,000?
- YES. YEAH. - GREAT, OKAY.
I'M VERY TAPPED IN TO WHAT THE MARKET IS LIKE
HERE IN LOS ANGELES.
AND AT THE MOMENT, IT'S HOT.
I'M SEEING PRICES GO UP.
I'M SEEING SALES HAPPEN FASTER.
SO I'M GONNA PUT SPRING OAK ON THE MARKET.
BUT I GAVE CARRIE AND BONNIE THE OPPORTUNITY
TO SELL GRAMERCY AND THERE HASN'T BEEN A BITE.
AND THE REASON THERE HASN'T BEEN A BITE
IS IT SHOULDN'T BE SHOWED UNTIL IT'S FURNISHED.
SO THE PLAN NOW IS TO MOVE FORWARD,
MOVE IN THE HOUSE, AND FURNISH IT.
- YEAH. WHERE AM I GONNA GO?
- ALL RIGHT, SO WE'VE GOT BLINDS, DRAPES,
BLINDS, BLINDS, DRAPES IN THE DINING ROOM,
DRAPES IN HERE. ALL RIGHT, LET'S GO.
- WHAT DID YOU GET IN THERE?
- JUST A TOILET PAPER HOLDER. - WHAT ABOUT TOWEL BAR?
- WE DON'T NEED IT,
'CAUSE THERE'LL BE HAND TOWELS ON THAT COUNTERTOP.
LET'S GO, MOVE IT.
LET'S GO, GO, GO. - GO, VANINA.
- PAY ATTENTION. LET'S GO.
- OBVIOUSLY I WAS A LITTLE EXCITED TO MOVE IN.
BUT IT'S A LITTLE NERVE-RACKING BECAUSE
I'M FEARFUL THAT HE'S GONNA TRY TO SELL GRAMERCY.
BUT HOPEFULLY WHEN WE MOVE IN,
HE'LL CHANGE HIS MIND AND WANT TO ACTUALLY LIVE THERE.
BECAUSE I FEEL LIKE, WITH A HOUSE LIKE GRAMERCY,
THOSE CONVERSATIONS CAN START AGAIN ABOUT A FAMILY.
BECAUSE THERE'S ROOM AND THERE'S SPACE TO GROW
AND TO HAVE A BABY THERE WITH US.
- I PROBABLY NEED SOME SORT OF ROPE HOOK OVER HERE.
- HOW MANY ROPE HOOKS?
- ONE DOUBLE ROPE HOOK.
- COULD WE DO TWO ROPE HOOKS HERE ACTUALLY?
'CAUSE HONESTLY--
HONESTLY, WE FIGHT OVER WHO GETS THE ROPE HOOK.
- OH, MY GOD.
- ALL RIGHT, SO JUST GET ME TWO DOUBLE ROPE HOOKS.
GAGE PUT SO MUCH OF HIMSELF IN GRAMERCY.
AND YOU KNOW, FOR A YEAR,
HE'S ENVISIONED HIMSELF LIVING THERE.
BUT GAGE NEEDS TO BE FLEXIBLE,
JUST IN CASE I END UP SELLING IT.
- DON'T YOU HAVE TO DO BLINDS IN HERE AGAIN?
- I WOULD LIKE THE OPTION TO CLOSE THOSE.
IF I'M WATCHING, LIKE, *** OR SOMETHING,
I JUST THINK IT'S WEIRD. - RIGHT.
- YEAH.
- YO, BRO, YOU LIKE IT LIKE THAT, HUH?
- ANDY, NO.
[laughter]
- IF JENNI WAS HERE, YOU'D GET WRITTEN UP.
[doorbell rings]
[dog barking] CASEY, COME ON.
HEY, HOW'S IT GOING? - HOW ARE YA?
- GOOD TO SEE YOU. both: IT'S BEEN A WHILE.
- COME ON IN. - HOW'S IT GOING?
- I HAVE TO BE HONEST WITH YOU,
I CHEATED ON YOU AND I WENT TO ANOTHER VET
BECAUSE MONKEY WAS THROWING UP, LIKE,
TWO OR THREE DAYS IN A ROW.
THEY HAD DONE X-RAYS AND THEY HAD
SEEN SOMETHING THAT LOOKED LIKE A MASS.
WE CUT HIM OPEN. - OKAY.
- THEY FIND NOTHING. - ALL RIGHT.
- GAS BUBBLES. - OH, BOY.
- I THINK MONKEY'S RECOVERING FROM THE SURGERY,
BUT IT WAS HEARTBREAKING ACTUALLY.
ESPECIALLY BECAUSE THE SURGERY REALLY WAS NOT NECESSARY.
THIS IS A MESS.
THIS IS A REALLY BIG MESS.
AND I WAS WORRIED ABOUT WHAT'S GONNA BE NEXT.
BECAUSE HE USUALLY GETS VERY STRESSED DURING THE MOVES,
SO I WORRY ABOUT HIS CONDITION.
I MEAN, HOW MUCH DOES HE EAT?
- HE EATS DRY FOOD, THREE CANS OF TUNA EVERY DAY.
- EVERY DAY. AND HE WEIGHS, LIKE--HE WEIGHS NOTHING.
- IF HE'S HYPERTHYROID, THAT'S PROBABLY
WHY HE'S EATING SO MUCH.
THEY JUST BECOME THIS METABOLIC MACHINE.
BUT HE'S GOT THIS EYE INFECTION.
AND PROBABLY WHAT THE EYE INFECTION IS,
IT'S PROBABLY CAT ***.
- APPARENTLY MONKEY HAS ***.
I'M JUST A LITTLE SHOCKED BY THAT.
I DON'T KNOW HOW TO-- I'VE NEVER HEARD OF THAT,
CAT--CATS HAVING ***.
- I ALSO BROUGHT ANOTHER PRODUCT.
IT'S AN AMINO ACID SUPPLEMENT
THAT TRIPS UP THE REPLICATION OF THE ***.
IT MAKES THEM BETTER FASTER.
- HOW DID MY CAT GET *** BY THE WAY?
- [chuckles] - I'M PRETTY SURE HE'S A ***.
I DON'T THINK IT'S SEXUALLY TRANSMITTED,
UNLESS SOMETHING'S GOING ON BEHIND MY BACK.
MAYBE IT WAS THAT STEWIE.
I THOUGHT HE WAS GAY.
WILL THIS HELP WITH ERECTILE DYSFUNCTION?
- [laughs]
- I FELT REALLY BAD LAST NIGHT.
- IS IT REGARDS TO THE WHOLE CABO THING?
- IT'S IN REGARDS TO A LOT MORE THAN THAT.
- MAYBE WE'RE JUST SPENDING TOO MUCH TIME TOGETHER.
THAT COULD HAVE SOMETHING TO DO WITH IT.
I JUST FELT LIKE WE GOT NOWHERE IN THAT THERAPY SESSION.
AND AT THE END, I WAS ANGRY.
I WANTED AN APOLOGY.
AND I WAS GETTING HALF-*** APOLOGIES.
LIKE, "OH, I'M SORRY THAT YOU INTERPRETED IT LIKE THAT.
"I'M SO SORRY THAT HURT YOU,
"THAT YOU REALLY THOUGHT THAT I WOULD DO THAT,
OR THAT YOU WOULD THINK THAT I WOULD--"
SHUT THE [bleep] UP.
JUST OWN UP TO IT, REALLY, AT THIS POINT.
- IF THE THINGS THAT YOU'VE REALLY SAID ABOUT ME
YOU BELIEVE, THEN I'M SAD 'CAUSE I FEEL LIKE
WE'RE GONNA LOSE EACH OTHER AS FRIENDS.
AND I WANNA TRY TO REPAIR THAT.
I MEAN-- I DON'T WANNA CRY.
[teary] I KNEW THIS WAS GONNA HAPPEN.
BUT I LOVE YOU LIKE A BROTHER,
AND I DON'T WANNA SEE YOU LEAVE MY LIFE.
I HOPE YOU BELIEVE THAT,
THAT I'VE ALWAYS WANTED THE BEST FOR YOU.
I LOVE YOU AND I CARE ABOUT YOU.
AND I WILL CARE ABOUT YOU FOR THE REST OF MY LIFE.
AND I WANNA SAVE THIS FRIENDSHIP, OKAY?
KICK ME OUT OF THE BUSINESS, LET ME GO.
BUT I WANT TO SAVE OUR FRIENDSHIP.
- OKAY.
- IF YOU DON'T, THEN THAT'S FINE.
- I'M NOT SAYING I DON'T WANT TO TALK TO YOU AGAIN.
ALL I'M SAYING IS I-I HAVE PRIORITIES,
AND MY BUSINESS IS MY PRIORITY.
I TAKE IT VERY SERIOUSLY.
- WELL, I'M SORRY THAT YOU DON'T THINK THAT I DO.
- YOU MUST BELIEVE WHAT SHE'S SAYING.
SO SHE'S LYING?
YOU'RE A LIAR? - I GUESS SO.
- WHY DON'T YOU JUST BREAK UP TOTALLY?
- WE ARE STUCK, GUYS.
STUCK. NOT MOVING.
AND WE CAN PRETEND, BUT YOU'LL JUST
KEEP CIRCLING AROUND TO CABO.
- YOU REALLY HAVEN'T TOTALLY 'FESSED UP.
YOU WANTED THAT TRIP.
YOU KNEW I WOULD SAY NO AND YOU DID IT ANYWAY.
AND I DON'T UNDERSTAND WHY YOU JUST CAN'T ADMIT THAT.
- I DON'T KNOW HOW TO RESPOND TO THAT.
- JEFF IS WAITING FOR YOU TO SAY,
"YOU'RE RIGHT, JEFF. I KNEW YOU WOULD SAY NO
AND I WANTED TO DO IT ANYWAY."
- I KNOW, BUT I DON'T WANNA SAY THAT,
'CAUSE THAT'S NOT WHAT HAPPENED.
- OKAY, SO WHAT IF YOU JUST SAY,
"I KNEW IT WAS WRONG.
"I KNEW THAT I SHOULD'VE NEVER ACCEPTED
THIS HUGE FAVOR FROM A COMPLETE STRANGER."
BECAUSE THERE'S ALWAYS STRINGS ATTACHED.
YOU'VE GOTTA PAY 'EM BACK SOMEHOW.
- THAT'S NOT HOW I LIVE MY LIFE.
SO I'M SUPPOSED TO SAY-- - NO, YOU JUST TAKE, TAKE, TAKE
WITHOUT ANY SORT OF REGARD OF PAYING PEOPLE BACK.
AND THAT'S THE DIFFERENCE BETWEEN SHE AND I.
- IF I HAD THIS ISSUE--
- OKAY. BECAUSE YOU GUYS TEND TO TALK
WHILE THE OTHER'S TALKING, WHOEVER'S HOLDING
THIS TISSUE GETS TO SPEAK.
- YOU CAN HOLD IT. - OKAY.
- IF HE DID FEEL LIKE I WAS GOING BEHIND HIS BACK,
AGAIN, I WANNA APOLOGIZE.
THAT WAS NEVER MY INTENT--
- SHE DID GO BEHIND MY BACK. - WAIT A MINUTE.
WAIT A MINUTE. I'M STILL HOLDING IT.
- YOU CAN'T RIP THE TISSUE.
HOLD THE BOX. YOU CAN'T RIP THE BOX.
- I PROMISE YOU THAT THAT WILL NEVER HAPPEN AGAIN EVER.
- DO YOU ACCEPT THAT?
- I ACCEPT HER PROMISE. - OKAY.
- BUT IT'S A HALF APOLOGY.
- BUT, JEFF, YOU MUST BELIEVE WHAT SHE'S SAYING.
SO SHE'S LYING?
YOU'RE A LIAR? - I GUESS SO.
- SHE KNEW IT WAS WRONG. SHE KNEW IT WAS WRONG.
SHE KEPT IT FROM ME.
SHE QUESTIONED IT SO MUCH
THAT SHE WENT TO HER FRIENDS TO ASK--
- I DIDN'T GO TO OTHER PEOPLE.
- I TOLD EVERYBODY-- - YOU WENT TO OTHER PEOPLE.
- I HAVE THE BOX. - YOU FELT LEFT OUT.
YOU FELT LEFT OUT.
- HMM.
SHE LEFT YOU OUT.
MAYBE THAT'S THE THING THAT'S REALLY KILLING YOU.
- YOU CAN PUT IT ANY WAY YOU WANT,
BUT IT WAS DECEPTIVE WHAT SHE DID.
IT'S NOT ABOUT ME FEELING LEFT OUT.
- YEAH, BECAUSE YOU ALSO DON'T WANNA BE ABANDONED BY HER.
'CAUSE YOU WANNA KEEP HER FOR YOURSELF.
AM I RIGHT?
- YES, BUT I THINK WHERE IT BECAME REALLY REAL FOR ME
IS WHEN SHE SAID, "I'M GONNA GET PREGNANT."
AND THEN I GOT SCARED.
THEN I THOUGHT, "OH, GOD, SHE'S GONNA LEAVE."
SO NOW I GOTTA BREAK UP WITH HER
BEFORE SHE BREAKS UP WITH ME.
- THERE IT IS. AND YOU HAVE TO BREAK UP WITH HER
BEFORE SHE BREAKS UP WITH YOU BECAUSE IT WILL HURT TOO MUCH?
- YEAH, THAT'S THE SOURCE OF MY ANGER.
- I THINK THAT JEFF HAS HUGE ABANDONMENT ISSUES.
RIGHTFULLY SO. HIS MOM DIED WHEN HE WAS 18.
I THINK BOTH OF US DON'T WANNA LET THIS GO,
BUT WE'RE ALSO MAYBE MOVING ON.
- WHY DON'T YOU JUST BREAK UP TOTALLY?
BREAK UP THE FRIENDSHIP, SHAKE HANDS TONIGHT,
AND JUST END THE WHOLE THING.
- UM, I THINK--
WELL, I CAN SPEAK FOR ME.
LIKE, I CARE A LOT ABOUT JENNI.
- DO YOU LOVE JENNI?
- YES.
BUT DON'T TELL ANYBODY I SAID THAT,
'CAUSE I'LL DENY IT. - OKAY.
- I THOUGHT IT WAS REALLY SWEET WHEN HE SAID THAT.
AND IT KIND OF BROUGHT OUR WHOLE 11 1/2 YEARS FULL CIRCLE.
YOU KNOW, I THINK THIS THERAPY ACTUALLY WAS
THE BEST THING THAT COULD'VE EVER HAPPENED IN A WAY,
'CAUSE WHEN HE SAID THAT, I KNEW THAT WAS HIS TRUE HEART.
- TELL ME HOW YOU FEEL ABOUT HIM.
- I LOVE HIM SO MUCH.
I HAVE THIS CONNECTION WHERE IT'S LIKE
I DON'T WANNA LET HIM GO.
- CAN WE LEAVE WHAT HAPPENED IN CABO ALONE?
- AS LONG AS, FOR THE RECORD... - YES.
- I KNOW THAT SHE'S LYING. - OKAY, OKAY.
CAN WE LEAVE THAT? - YEAH.
- DO YOU WANT HER TO STILL BE YOUR FRIEND?
- YES.
- DO YOU WANNA STILL BE PART OF JEFF'S BUSINESS?
- YES.
- DO YOU STILL WANT TO BE JEFF'S FRIEND?
- YES. - OKAY.
- BUT YOU'RE STILL NOT GETTING HEALTH INSURANCE.
HOW'S HE FEELING?
- JEFF, I THINK HE'S IN PAIN.
- YOU DO? - YEAH.
HE'S JUST, LIKE, ALL OVER,
WANTS TO BE ON MY COMPUTER, WANTS TO BE--
- I KNOW THAT PAIN MEDICATION-- YOU KNOW WHAT WE SHOULD DO?
LET'S GIVE HIM A PORTION OF IT.
A HALF OF A-- - I THINK HE NEEDS THE SHOT.
- OKAY, I'LL GET IT.
ALL RIGHT, NURSE, I WILL NEED YOUR HELP.
JENNI, COME HERE.
LET ME GIVE YOU SOME MEDICATION
TO HELP NUMB THE PAIN OF WORKING HERE.
- JEFF AND I HAVE A LONG HISTORY.
THERE'S A LOT THERE, WHICH MAKES IT COMPLICATED,
WHICH MAKES IT STICKY.
AND NOW WE'RE BACK AND WE'LL SEE, YOU KNOW?
I REALLY HOPE THAT IT CAN GET BACK TO NORMAL.
- ALL RIGHT, NURSE.
I NEED YOU TO PREP THE PATIENT, PLEASE.
- MONKEY, HAVE YOU CHANGED? - [chuckles]
HI, MONKEY, I'M DR. LEWIS.
OKAY, HE'S-- OH, [bleep].
OKAY. HERE, HERE, HERE, GIVE IT TO ME.
NO, NO.
ALL RIGHT, NURSE.
- DID HE GET IT? - GOT IT.
- AWW. - POOR BABY. HERE.
I ONLY GIVE HIM A THIRD. - GOOD.
- I GAVE JENNI THE REST.
YOU FEELING IT YET?
[laughs]
- WE'RE GONNA MOVE TO THE COMMERCIAL...
- OKAY.
- AFTER I SEE WHAT THE PLAN IS.
- ARE YOU NERVOUS?
- UM, I'M HOPING THAT HE'S GOT A REALLY GOOD PLAN.
- THE DUNN-EDWARDS PAINT LINE,
IT'S A REALLY GOOD DEAL FOR JEFF,
LET'S PUT IT THAT WAY.
IT TOOK A LONG TIME TO GET THAT.
AND I'M A LITTLE NERVOUS
BECAUSE I CAN'T THROW AWAY THOSE MONTHS
AND MONTHS AND MONTHS OF WORK.
both: HI.
- NO BRADLEY TODAY, HUH?
- HE'S ON HIS WAY. - HOW ARE YOU?
- HE'S STUCK IN TRAFFIC. I'M FINE.
- GOOD TO SEE YOU. - THANK YOU. HI, JENNI.
- AFTER ALL THE CONTRACTS WERE SIGNED AT DUNN-EDWARDS,
IT WAS TIME TO MOVE ON TO DEVELOPING COLOR.
SO WE MET WITH NICK TO START TALKING ABOUT
THE COLOR MAKING PROCESS.
- JEFF LEWIS DESIGN IS SO EXCITED
TO BE A PART OF THE TEAM, NICK.
- THAT'S FANTASTIC.
- YAY, DUNN-EDWARDS!
- OH, THAT'S GREAT. - [laughs]
- SO I'M NOT SEEING A LOT OF STUFF--
COLORS AND IDEAS AND DRAWINGS
AND BOXES AND FABRICS.
- WELL, WE HAVE AN IDEA.
WE HAVE IDEAS OF WHAT WE WANTED TO DO.
WE WANTED TO START WITH GRAYS IF WE COULD.
- UH-HUH.
DO YOU HAVE ANY WITH YOU?
- I FELT VERY UNPREPARED.
I DIDN'T GET THE SYLLABUS.
AND I THINK GAGE WAS CONCERNED ABOUT IT.
BUT I'M NOT GONNA HAVE 50 COLORS IN TWO WEEKS.
LIKE, THIS IS NOT THE WAY IT'S GONNA WORK FOR ME.
I WANNA LOVE EVERY ONE OF THOSE COLORS,
THAT'S HOW PERSONALLY CONNECTED I AM.
SO I'M NOT GONNA JUST CHOOSE A COLOR
BECAUSE I GOTTA CHOOSE IT TODAY.
- WHAT HE REALLY NEEDS TO DO IS SIT DOWN
AND GO THROUGH EVERY COLOR THAT HE'S THINKING.
- I THINK THAT WE SHOULD JUST CUT OUT
THE PIECES THAT HE WANTS, PUT IT ALL ON A BOARD,
SO YOU CAN LOOK AT IT AND VISUALIZE IT.
- RIGHT, BUT HE HAS TO FIGURE THAT OUT ON HIS OWN.
- YEAH.
- I WAS A LITTLE THROWN BACK.
LIKE, THESE ARE VERY CORPORATE GUYS, YOU KNOW?
I DON'T THINK THEY UNDERSTAND THE CREATIVE PROCESS.
WHAT IF I WANTED JUST A REALLY CLEAN,
LIGHT, LIGHT, LIGHT, LIGHT GRAY?
HOW DO I DO THAT, JUST MORE BLACK?
- YEAH, JUST MORE BLACK.
- YOU GUYS, MANNY ACTUALLY NEEDS TO TAKE OFF PRETTY SOON.
- IT SOUNDS LIKE WE'RE GETTING KICKED OUT.
- IF YOU GUYS CAN, LIKE, NARROW IT DOWN
AND BRING A BUNCH OF DIFFERENT STUFF,
AND THEN WE'LL COME BACK AND TINT LATER.
- JEFF HAS TO UNDERSTAND THE PROCESS.
AND YOU HAVE TO KIND OF UNDERSTAND THE RULES.
AND I WAS SO MAD BECAUSE THE PAINT OVERALL
IS SUPPOSED TO BE WHAT ALLOWS US TO RAISE KIDS.
AND NOW JEFF COULD REALLY [bleep] IT UP.
WELL, AFTER THIS WE'LL RECONVENE?
- AS LONG AS HE'S GOT THE IDEAS AHEAD OF TIME.
- ARE WE GONNA MEET NEXT WEEK?
- YEAH, I WAS JUST-- WE WERE TALKING SCHEDULE.
- IF YOU WANT, WE COULD GET HERE A LITTLE EARLIER
AND SPEND MORE TIME WITH YOU.
WE COULD HAVE LUNCH TOGETHER BEFOREHAND.
- [chuckles]
- YOU TELL ME WHAT IT IS THAT YOU'RE TALKING ABOUT--
- I DIDN'T NEED TO TELL YOU, BECAUSE YOU WERE
SUPPOSED TO WRITE IT DOWN.
IT PISSES ME OFF.
- CAN YOU CHECK THE PERIOD TRACKER?
'CAUSE I'D LIKE TO KNOW EXACTLY WHEN
YOU'RE THE MOST FERTILE, WHEN YOU'RE THE LEAST FERTILE.
- WOMEN, SOMETIMES THEIR PERIODS VARY BY A DAY OR TWO.
YOU KNOW THAT, RIGHT? - RIGHT.
BUT YOU SAID IT YOURSELF, LIKE, SOMETIMES
YOU'RE FOUR DAYS AND OTHER DAYS YOU'RE SIX.
- HE NOW WANTS TO KNOW WHEN I'M OVULATING
AND WHEN I WILL HAVE INTERCOURSE WITH JONATHAN.
YOU KNOW, ALL THE THINGS THAT AN EMPLOYER
SHOULD DISCUSS WITH HIS EMPLOYEE.
- DEAR DIARY, MY PERIOD TRACKER SAYS I'M OVULATING.
TONIGHT'S A BIG NIGHT.
- I HAVEN'T TOLD JEFF, BUT I'M LATE.
LET'S JUST SAY SOMEONE HAS MICHAEL PHELPS SWIMMERS,
DR. NASSOS.
YOU'RE SO FASCINATED.
THAT'S SO SWEET.
I'M NOT GONNA TELL JEFF BECAUSE
JEFF WILL OBSESS ABOUT THIS.
I MEAN, I ALREADY SEE IT.
HOW MUCH WEIGHT AM I GONNA GAIN?
WILL I BE ABLE TO LOSE IT?
I MEAN, IT'S FUN. IT'S LIKE A SCRIPT.
YOU CAN JUST WRITE IT OUT.
- JONATHAN'S FLYING IN EARLY. - [laughs]
- I PLAN TO SEDUCE HIM BY WEARING AN APRON
WITH NOTHING UNDERNEATH. - [laughs]
- THIS ONE HERE WOULD BE 43 1/2 WIDE.
- ALL RIGHT. SO HOW MANY TVs DID WE JUST DO?
- ONE, TWO, THREE, FOUR, FIVE.
- FIVE TVs. WHAT IS THIS WIRED FOR?
- WELL, IT'S UNIVERSAL, SO WE CAN USE
A NUMBER OF DIFFERENT THINGS.
- I DON'T WANNA DO THE CONTROL4 CRAP.
IT'S TOO EXPENSIVE.
OKAY, CAN WE WORK UP A PRICE RIGHT NOW?
FOR ME TO MOVE IN, THERE IS A LOT OF PREP.
'CAUSE REMEMBER, WE WORK OUT OF OUR HOME.
SO CERTAIN AMENITIES, LIKE, SECURITY SYSTEMS
AND BUILT-IN TELEVISIONS
AND BUILT-IN SPEAKERS AND THE CAMERAS
AND ALL THE STEREO EQUIPMENT.
WE CAN'T WAIT. YOU CAN'T--
YOU KNOW, A LOT OF TIMES THEY'LL MOVE INTO HOUSES
AND IT TAKES FOUR OR FIVE DAYS TO GET EVERYTHING WORKING.
WE NEED EVERYTHING WORKING BEFORE WE MOVE IN.
- DID YOU GUYS DO THE FAN? - NO, FRANCISCO DID.
BUT YOU BETTER MAKE SURE IT'S WORKING.
- I DON'T KNOW IF IT WORKS. - TEXT YOURSELF.
- I'LL TEXT MIKE.
- ALL RIGHT. SO YOU'LL HAVE TO REISSUE ALL OF THIS.
YOU HAVE TO--YOU'RE GONNA HAVE TO GO THROUGH ALL THIS.
AND DO NOT MISS A THING,
'CAUSE I HAVE 30 GRAND IN THE BUDGET.
I CANNOT SPEND ANYMORE.
- SO, GAGE, DO YOU KNOW WHAT TO DO?
- HE NEEDS TO GET THOSE REVISED NUMBERS.
- THERE WAS SOMETHING ELSE. DID YOU TEXT IT?
- NO.
- THERE WAS SOMETHING ELSE YOU WERE SUPPOSED TO DO.
- OKAY. WELL, WHAT WAS IT?
- DO YOU REMEMBER WHAT I SAID TO YOU?
I SAID, "TEXT YOURSELF." - YOU JUST SAID THAT.
- NO--AM I CRAZY?
- THEN YOU TELL ME WHAT IT IS THAT YOU'RE TALKING ABOUT--
- I DIDN'T NEED TO TELL YOU,
BECAUSE YOU WERE SUPPOSED TO WRITE IT DOWN.
IT PISSES ME OFF.
'CAUSE I COULD'VE [bleep] WRITTEN IT DOWN MYSELF.
I'LL TEND TO PICK ONE THING AND EXPLODE,
BUT IT HAS NOTHING TO DO WITH THAT ONE THING.
I'M CARRYING A LOT OF WORK STRESS, MONEY STRESS.
YOU KNOW, I HAVE SPENT SO MUCH MONEY AT GRAMERCY
THAT IT'S FRUSTRATING.
IT WAS KIND OF LIKE THAT ONE THING
THAT JUST SET ME OFF.
- ALL THAT I HAVE IS THE POST.
- THERE WAS SOMETHING ELSE.
I SAID TWO THINGS. - IT WAS THE FAN.
MAKE SURE THE FAN WORKS. - OH, THE FAN.
- THANK GOD SOMEONE'S [bleep] LISTENING. THANK YOU.
I'LL WRITE IT DOWN. "FAN AND POST."
SINCE I CAN'T RELY ON YOU TO DO IT, I'LL DO IT.
- 8:00 A.M. - 8:00 A.M.
WE'LL REVISE THIS TODAY.
- GAGE DIDN'T WRITE IT DOWN,
SO YOU MIGHT HAVE TO JUST TEXT HIM AND REMIND HIM.
- YEAH, I'M GONNA TEXT YOU A BUNCH TODAY.
- DON'T, UH--IT'S GONNA-- IT'LL BACKFIRE.
I'LL GET REAL ***.
- SO HOW ARE YOU PUTTING THIS TOGETHER, JEFF?
IS YOUR IDEA THAT YOU CAN MIX AND MATCH ANY OF THESE?
ROOM TO ROOM OR TRIM TO WALL? - YES, YES.
YOU COULD PICK ANY FIVE OF THESE COLORS,
FOUR OF THESE COLORS, PAINT YOUR WHOLE HOUSE,
AND THEN IT'S CONSISTENT THROUGHOUT.
- OKAY.
- WE HAD SCHEDULED ANOTHER MEETING AT DUNN-EDWARDS
TO GO AND MIX COLORS.
BECAUSE OF THE FIRST MEETING,
NICK'S EXPECTATIONS WERE VERY HIGH.
THIS COULD END UP BEING THAT DARK ACCENT COLOR
THAT I WANT FOR, LIKE, DOORS, WINDOWS, MOLDINGS, ACCENT WALLS.
SO IF THAT IS THE CASE, THEN MAYBE WE JUST
TAKE A LITTLE BIT OF THE RED OUT.
- YEAH, I DON'T THINK IT'S TOO DARK.
- OKAY.
- I'M HOPEFUL THE PAINT LINE COMES TOGETHER
BECAUSE THAT ALLOWS US TO FOCUS ON
STARTING A FAMILY TOGETHER.
- ONE OF THE THINGS YOU MIGHT WANNA DO
IS TAKE A LITTLE SAMPLE AND PUT IT RIGHT ON THERE,
SO YOU SEE HOW IT DRIES AND YOU CAN SEE
IF IT MADE THE CHANGE.
- OH, THAT'S A GOOD IDEA. - THAT'S SMART.
- JUST PUT IT, LIKE, RIGHT THERE.
IS THAT NOW A REALLY COMPLETE PALETTE?
DO YOU FEEL GOOD ABOUT IT?
- WELL, IF YOU ASK ME, I LOVE THAT RANGE.
- HE WAS LOVING IT.
HE WAS VERY, VERY PLEASED.
LIKE, I'M LIKE, "NICK, IS THIS YOU?"
I MEAN, HE VISIBLY LOOKED CALMER.
SO I HAVE WON NICK OVER.
I THINK HE'S IN LOVE WITH ME.
THIS ONE I'M GONNA CALL ***.
- NO, YOU'RE NOT.
- YES, I AM.
- NO, YOU'RE NOT.
- DO I WANNA EVEN KNOW WHAT HE SAID?
- NO, DON'T EVEN LISTEN. - OKAY.
[laughter]
[truck beeping]
- DO YOU WANT US TO UNSCREW THESE
WHILE YOU GUYS WRAP OTHER THINGS?
- WE CAN DO THIS FOR YOU.
- KEEP YOUR HANDS OFF MY POLE, VANINA.
- ANDY.
- IT'S MOVING DAY AND WE ARE A VERY ORGANIZED OPERATION.
EVERYONE COMES IN EARLY.
EVERYONE HAS THEIR RESPONSIBILITIES.
MY GOAL IS TO GET COMPLETELY OUT
AND COMPLETELY SETTLED IN GRAMERCY TODAY.
- ARE YOU EXCITED?
- A LITTLE NERVOUS.
- THE DAY'S FINALLY COME, GAGE.
THIS IS EXCITING.
DID THE FOR SALE SIGN GO OUT LAST NIGHT?
I'M KIDDING.
- I WAS THRILLED TO BE MOVING OUT OF SPRING OAK
AND INTO THIS NEW SPACE.
BUT WHAT I HAVE LEARNED WITH JEFF
IS EVERYTHING IN JEFF'S WORLD IS FOR SALE.
I'M PROBABLY--THERE'S PROBABLY A PRICE TAG ON ME.
- GAGE, I'VE GOT THE DOGS.
- I MEAN, HE IS READY TO GO.
- ALL THE WAY UP, YES.
THAT GOES OVER THERE.
THAT GOES OVER THERE.
ZOILA! ZOILA, LUPE?
WHERE THE [bleep] IS EVERYBODY?
ZOILA, WHERE ARE YOU GOING?
SHE'S TRYING TO ESCAPE. LOCK THE GATE.
IT'S GONNA BE A HARD DAY.
YOU KNOW, I'M LIKE A DRILL SERGEANT.
YOU KNOW, IT'S A BIG HOUSE AND FURNITURE
WAS COMING THROUGH THROUGH DIFFERENT DOORS.
SO EVERYONE HAD POSTS TO MEET THE MOVERS.
IT'S LIKE A MACHINE.
DON'T GET OUT OF YOUR POSITION.
STAY IN POSITION, PLEASE.
- THIS IS MY POSITION.
- NEXT. - HIGHER?
- LIKE AN INCH. STOP.
GREAT.
THANKS, GIRLS.
THAT WAS WONDERFUL.
- I FEEL LIKE JEFF'S RELATIONSHIP WITH GRAMERCY
IS KIND OF LIKE OUR RELATIONSHIP.
GRAMERCY WAS HAPPENING.
AND THEN HE GOT TIRED OF GRAMERCY,
SO THEN HE DIDN'T WANNA DEAL WITH IT ANYMORE.
I MEAN, YOU KNOW WHAT?
I FEEL LIKE GRAMERCY AND I SHOULD TALK.
WE'RE KINDRED SPIRITS.
BUT I THINK DEEP DOWN HE'S EXCITED.
THIS HOUSE IS SO DIFFERENT THAN WHEN YOU LIVED HERE.
IT'S SO CRAZY.
IT'S A MILLION DOLLARS DIFFERENT IS WHAT IT IS.
- YEAH, IT SURE IS.
I LOVE THIS HOUSE.
I'VE ALWAYS HAD A VERY STRONG EMOTIONAL CONNECTION
TO THIS PARTICULAR HOUSE.
- WE JUST BOUGHT GRAMERCY PLACE AGAIN.
- NO WAY.
- IT'S BEEN A LONG, TOUGH PROJECT.
IT'S CREATED PROBLEMS WITH MY RELATIONSHIP.
I WANT YOU TO CALL THE LANDSCAPER
THAT I'VE ASKED YOU TO CALL FOR THE LAST SIX MONTHS.
- DON'T MAKE IT SEEM LIKE I HAVEN'T
BEEN DOING ANYTHING HERE. - OH, [bleep]!
I DIDN'T EXPECT IT TO BE A YEAR REMODEL.
I DIDN'T EXPECT IT TO COST AS MUCH AS IT DID.
BUT I'M VERY, VERY HAPPY WITH WHERE WE ARE.
WE REPLACED 90% OF THE FINISHES IN THE HOUSE.
I MEAN, IT TOOK MONTHS OF WOODWORKING, MONTHS.
THE DETAIL, IT'S JUST--
I'VE NEVER DONE A HOUSE LIKE THIS, REALLY,
WITH THIS KIND OF DETAIL.
THE MASTER BATH WAS A MAJOR RENOVATION.
WE TOOK A GUEST BEDROOM AND TURNED IT INTO A CLOSET.
WE RE-LANDSCAPED THE ENTIRE PROPERTY.
WE RE-PLASTERED THE POOL AND RETILED THE POOL.
GRAMERCY IS SOME OF THE BEST WORK I'VE EVER DONE.
AND IT TOOK A LONG TIME TO GET THAT HOUSE READY FOR US.
BUT I CAN HONESTLY SAY NOW, IT WAS ALL WORTH IT.
- WHERE'S MONKEY AT?
COME ON. MONKEY.
THERE'S A SIGH OF RELIEF THAT NOW IT'S GONNA BE OUR HOME.
IT'S NOT A TO-DO LIST.
GRAMERCY IS THIS SPACE WHERE NOW THERE'S ROOM
TO LIVE, TO WORK, TO HAVE A KID, TO--ALL OF THAT.
YOU KNOW, IT'S AN EXCITING MOMENT.
GO GET HIM.
[crying]
- I THINK THIS IS THE WORST THING I'VE EVER DONE IN MY LIFE.
- WHEN DOES THE MUSEUM TOUR START?
- WHAT I'M GONNA DO IS I'M GONNA PUT A VELVET ROPE HERE
SO WHEN PEOPLE DO THE TOUR, THEY COULD JUST
COME BY AND WATCH US EAT.
- AND ZOILA'S WILL BE PLACED SOMEWHERE VERY SPECIAL.
- YEAH, HAVE YOU SEEN WHERE WE'RE PLACING IT?
ON THE WAY TO THE LAUNDRY ROOM.
- OH, YEAH, NO, NO, NOT AT ALL.
- WHAT'D YOU SAY? - NOTHING.
- JUST SO WE'RE CLEAR, AS FAR AS THE DIVA SCALE,
IT GOES YOU, THEN GAGE.
- YEAH, YOU ARE.
- IT GOES ME, YOU, GAGE, MONKEY.
- THAT'S A LITTLE MORE ACCURATE.
[laughter]
- HI.
both: HI.
- WHAT'S UP, JONATHAN? HOW ARE YA?
- I DIDN'T KNOW YOU MADE SUSHI NOW.
- SO ONCE WE GOT MOVED INTO GRAMERCY
AND COMPLETELY SETTLED, I WANTED TO FIND SOMEONE
WHO COULD DO A HOUSE BLESSING.
HI, PATTY. - HI, HOW ARE YOU?
- GOOD. COME ON IN. [dogs barking]
- HEY. HI, PUPPIES.
- CAN WE OFFER YOU ANYTHING?
DO YOU DRINK AND BLESS, OR HOW DOES THAT WORK?
- I DRINK, I BLESS.
SURE, I'LL HAVE A MARGARITA IF YOU'RE HAVING ONE.
- OKAY, YES. - ALL RIGHT.
- MAKE IT A DOUBLE, GAGE.
- NO SALT.
UM, I JUST FEEL A BIT OF, UM, HEAVINESS.
- WHEN I BOUGHT NEW HOMES AND REDID THEM,
I ALWAYS BROUGHT IN SOMEONE TO BLESS THE HOUSE,
'CAUSE I JUST WANTED TO CLEAR IT OF ANY SAD ENERGY.
A LITTLE HISTORY OF THE HOME.
I LIVED HERE BEFORE.
THEN I SOLD IT TO A REALLY LOVELY COUPLE.
THEY FELL ON HARD TIMES.
THEY LOST THE HOUSE TO THE BANK.
I THINK THEY MIGHT'VE BROKEN UP IN THE PROCESS.
- MAYBE THAT HEAVINESS THAT I FELT RIGHT AWAY
WAS THEIR BURDEN, THEIR HEAVINESS.
- RIGHT.
- I AM A PSYCHIC MEDIUM AND A WHITE WITCH.
I ONLY DO GOOD MAGIC.
I WORK ELEMENTALLY.
I WORK WITH AIR AND FIRE AND WATER.
- I WOULDN'T SAY JONATHAN WAS COMPLETELY COMFORTABLE.
BUT I THINK IT WAS GOOD FOR HIM.
IT WAS A GOOD LEARNING EXPERIENCE.
- WHEN PEOPLE MOVE INTO A NEW HOUSE,
YOU LITERALLY ARE MOVING IN
TO THE ENERGY OF EVERYTHING THAT WAS THERE BEFORE.
SO RIGHT NOW, I WANT ALL OF YOU
TO GET UP AND MOVE THINGS AROUND.
- OH, MY GOD. IS THAT A KNIFE?
- YES. - WOW.
WE'RE MAKING PROTECTION SIGNS RIGHT HERE.
BRINGING IN LIGHT AND LOVE AND--
- THE FACT THAT SHE'S A WITCH IS A LITTLE SCARY TO ME.
AND I IMMEDIATELY THOUGHT, "THIS IS JUST STUPID."
BUT SHE HAS KIND OF BEEN ABLE
TO CALM JEFF'S NERVES A LITTLE BIT.
AND I THINK FOR THAT REASON ALONE, IT WAS WORTH IT.
- CLEANING, CLEANING-- I WON'T HIT YOU.
OKAY. DOES IT FEEL ANY DIFFERENT IN HERE?
- IT DOES.
- IT DOES FEEL LIGHTER.
OH, MAYBE I'M JUST DRUNK.
- WHAT I'D LIKE TO DO NOW--
WE'RE GONNA DO SOMETHING CALLED A "MA CHANT."
OKAY, I WOULD LIKE EVERYBODY TO STAND UP.
DIG IN, JUST FOLLOW ME.
[chanting] MA.
[all chanting "ma"]
DEEP INSIDE, EVERYBODY.
- I FOUND HER VERY PROFESSIONAL.
AND I GUESS SHE TAKES IT SERIOUSLY.
I MEAN, SHE HAS A HAT AND A BROOM.
AS FAR AS I KNOW, THAT'S HOW SHE GOT HERE.
[all screaming]
THE LONGER I STAY AT GRAMERCY,
THE LESS MOTIVATED I AM TO SELL IT.
SO TRANSLATION: THE LONGER I STAY AT GRAMERCY,
THE MORE ATTACHED I AM GETTING.
- RIGHT NOW, EVERYBODY SAY WHAT YOU WANT OUT LOUD.
[overlapping dialogue]
- I WANT A FAMILY. - YOU WANT A FAMILY?
- I WANT TO MAKE MY HUSBAND HAPPY.
- YOU'RE GOING TO HAVE A FAMILY.
PICTURE A FAMILY IN THERE.
DOESN'T THAT FEEL GOOD?
AND THAT'S TELLING THE UNIVERSE WHAT WE WANT.
- NOW CAN WE CALL IN PEOPLE
THAT ARE CLOSE TO US THAT HAVE DIED OR WHATEVER?
- YES, YES. - OKAY.
I THINK I'M GONNA CONTACT JENNI'S DEAD RAP CAREER.
- THERE YOU GO. - [laughs]
- STOP IT.
- SO DO YOU THINK THAT WE SHOULD
MAKE THAT BLUE BEDROOM A KID'S BEDROOM?
- HOLD ON. - WHAT ARE YOU DOING?
WHO ARE YOU TEXTING? - I'M NOT TEXTING.
I'M TRYING TO FIND WHERE YOU'RE SUPPOSED TO GO,
BECAUSE IN ABOUT FIVE MINUTES YOU'RE GONNA START YELLING
THAT I DIDN'T TELL YOU WHERE YOU'RE SUPPOSED TO GO.
- I KNOW EXACTLY WHERE I'M GOING.
I'M TAKING CAHUENGA TO MULHOLLAND.
- WHAT'S THE ADDRESS?
- IT'S ON THE PAPER. - RIGHT.
- I THINK THAT GAGE DOES WANT
TO HAVE CHILDREN RIGHT AWAY.
AND I DON'T KNOW, MAYBE WE WILL.
I--YOU KNOW, FOUR MONTHS FROM NOW, WHO KNOWS?
BUT NOW THAT WE'RE AT GRAMERCY,
I FIGURED IT WAS A GOOD OPPORTUNITY
TO JUST KIND OF TALK ABOUT IT.
AND I WAS INTRODUCED THROUGH A FRIEND TO DR. SOPHY,
WHO IS THE MEDICAL DIRECTOR
FOR CHILDREN AND FAMILY SERVICES.
VERY NICE TO MEET YOU. - NICE TO MEET YOU.
WE'RE RIGHT IN HERE.
- AND HE WAS GRACIOUS ENOUGH
TO ALLOW US TO JUST TO BOUNCE OFF
ALL OF OUR CONCERNS.
- SO YOU'RE HERE.
- WE'RE HERE TO TALK ABOUT ADOPTION.
BUT IF YOU DO RELATIONSHIP COUNSELING,
WE COULD PROBABLY USE THAT TOO.
- IT'S ALL THE SAME THING. - [laughs]
- SO YOU LIVE TOGETHER NOW?
- YEAH. WE WORK TOGETHER ALSO.
- OKAY. HOW DID YOU GET TO WANTING TO HAVE A CHILD?
- IT'S SOMETHING THAT WE HAVE DISCUSSED
FROM THE VERY BEGINNING.
SO THERE ARE TONS OF OPTIONS.
I MEAN, HAVE YOU LOOKED AT FOSTER CARE?
THAT'S, LIKE, IF THE HOTLINE GETS A CALL
AND WE GOTTA GET A CHILD SAFE, AND THAT'S YOU GUYS.
BUT IT'S ALSO VERY DIFFICULT WHEN YOU SEE PEOPLE
WHO ARE SOMETIMES STRUGGLING THROUGH LIFE
WHO GET THEIR CHILDREN BACK.
- I DON'T KNOW HOW I COULD HANDLE THAT,
TO BE HONEST WITH YOU.
I MEAN, WE'RE TALKING ABOUT CHANGING OUR ENTIRE LIVES
TO ACCOMMODATE THIS CHILD,
AND THEN 12 MONTHS LATER
HAVING THIS CHILD RIPPED FROM OUR LIVES, IT'S--
- IT'S DEVASTATING.
- I DON'T KNOW IF I COULD RECOVER FROM THAT, TO BE HONEST.
- YEAH, BECAUSE YOU FALL IN LOVE.
- YEAH.
THE FOSTER PROGRAM IS NOT GONNA WORK FOR US.
THE GOAL OF THE FOSTER PROGRAM, WHAT I REALIZED,
IS TRYING TO REUNIFY THE CHILDREN WITH THEIR PARENTS,
EVEN IF THEIR PARENTS ARE TOTAL LOSERS, BY THE WAY.
- DID YOU LOOK AT SURROGACY?
- WE DIDN'T.
- REALLY, THERE'S SO MANY CHILDREN THAT NEED A HOME.
IT'S KIND OF SILLY FOR US TO MAKE A KID AND THEN--
WE COULD JUST RAISE AN ADOPTED KID THAT'S OUR OWN.
I'M JUST GENUINELY REALLY HAPPY
THAT JEFF IS AT THIS POINT
WHERE HE'S REALLY SERIOUS ABOUT THIS.
YOU KNOW, HE'S GONNA BE A REALLY GREAT DAD.
AND, YOU KNOW, SOME PEOPLE LOOK AT IT LIKE,
THE WAY HE TREATS EMPLOYEES, HE'S SO INTENSE
AND SO CONTROLLING.
BUT WITH, YOU KNOW, THE ANIMALS AND KIDS,
HE'S JUST--HE'S A WONDERFUL, WONDERFUL PERSON WITH THEM.
WELL, WHAT ABOUT WHEN YOU GO PRIVATE?
AREN'T THERE RISKS THERE AS WELL?
- YEAH, THE RISKS ARE LESSENED, THAT'S ALL--
THAT MOM COULD BE IN THE MIDWEST
OR DAD DOESN'T EVEN KNOW OR--
- AND MAYBE WE TAKE THE RISK, MAYBE WE TAKE THE RISK.
MAYBE PRIVATE ADOPTION IS THE ROUTE WE SHOULD TAKE.
- THAT'S MY POINT.
THERE'S RISK IN EVERY SINGLE OPTION YOU PICK.
BUT YOU KNOW WHAT?
YOU GUYS'LL BE GREAT PARENTS. - THANK YOU.
- JUST DO IT THE WAY THAT'S COMFORTABLE FOR YOU.
DON'T PUSH YOURSELF INTO SOMETHING.
- IF YOU THINK ABOUT IT,
IT'S AN OPPORTUNE TIME TO HAVE CHILDREN.
OF COURSE I WANTED TO MAKE SURE
THAT THE BUSINESS WAS DOING WELL.
AND IT CAME DOWN TO THE RIGHT HOUSE.
AND ALSO, THE ZOILA THING COMES INTO PLAY,
BECAUSE, AS YOU KNOW, SHE'S GETTING OLDER.
I JUST HEAR SO MANY HORROR STORIES ABOUT NANNIES.
AND I DON'T TRUST ANYONE MORE THAN ZOILA.
- AT THE END OF THE DAY, IT'S AN ADOPTION.
IT'S SOMEONE ELSE'S CHILD.
THAT CHILD WILL WANT TO KNOW WHO THEY ARE,
"WHY WAS I GIVEN UP?"
AND YOU HAVE TO BE CONFIDENT IN YOURSELVES
THAT THAT'S NOT GONNA ROCK YOU.
- IT WOULD HELP, THOUGH,
IF THE BIRTH PARENTS WERE BIG LOSERS.
BECAUSE THEN I WOULD SAY, "YOU KNOW WHAT?
"LET'S GET IN THE CAR AND WE'RE GOING
"TO CHINO STATE PRISON TODAY.
AND YOU CAN MEET YOUR PARENTS."
- [laughs]
- HI, HONEY. - SO, ZOILA, COME HERE.
CAN WE GO OVER SOME OF THIS STUFF?
- YEAH, I'LL STAY WITH HIM.
YOU OKAY, SWEETS?
THAT'S A GOOD BOY.
- I'M TAKING MONKEY TO THE VET.
SO, UM--
I DON'T KNOW IF YOU WANNA COME WITH ME OR--
- I DIDN'T KNOW WHAT WAS GOING ON.
JEFF, HE'S ACTING DIFFERENT.
I JUST KNOW JEFF SO WELL.
I COULD TELL HE WAS REALLY NERVOUS
AND SOMETHING WAS WRONG.
WAIT, WHAT'S GOING ON? - HE'S REALLY SICK.
- HE HAD A SEIZURE THIS MORNING.
AND HE'S GOT MASSES ALL OVER HIS STOMACH.
- MONKEY'S BEEN KIND OF ON A DECLINE FOR MONTHS.
THIS MORNING HE WAS HAVING TROUBLE BREATHING.
AND HIS TONGUE WAS STICKING OUT.
AND HIS EYES ROLLED TO THE BACK OF HIS HEAD.
I IMMEDIATELY CALLED THE DOCTOR
AND HE SAID HE WAS HAVING A SEIZURE,
AND THAT HE NEEDS TO COME IN.
DO YOU FEEL ALL THE BUMPS ON HIS HEAD
AND UNDERNEATH HIS NECK?
- YEAH.
- I THINK HIS BODY'S JUST SHUTTING DOWN.
HI. IS JASON IN?
- YEAH, I'LL LET THEM KNOW THAT YOU'RE HERE.
YOU CAN GO AHEAD AND HAVE A SEAT IN THERE
WHILE YOU'RE WAITING.
- ZOILA, HE HAD A SEIZURE THIS MORNING.
HE'S BEEN BREATHING HARD.
HE'S NOT RESPONDING TO ANY OF THE MEDICATION.
- I'M FEELING SO BAD.
SO SAD.
'CAUSE I LOVE MONKEY.
- HI. - WHERE'S MONKEY?
- HE'S HIDING.
- FOR THE LAST FEW DAYS, HE HASN'T HAD
REALLY MUCH TO EAT ALL.
THE BUMPS THAT WERE ON HIS STOMACH HAVE GOTTEN WORSE.
- AND IS HE--
- IT'S UNDER HIS LEFT FRONT LEG.
IT'S THIS KIND OF BIG, WET SORE.
- OKAY. OH, I'M SORRY, MONKEY.
- IT'S VERY PAINFUL.
HE DOESN'T WANNA BE PICKED UP.
- THERE'S NO DOUBT THAT HIS BODY IS BREAKING DOWN, YOU KNOW?
HE CAN'T LIVE WITHOUT THE STEROID.
AND HE CAN'T LIVE NOW WITHOUT THYROID MEDICATION.
AND SO, HE'S BASICALLY SUFFERING AT THIS POINT.
- I MEAN, WE'VE JUST TRIED EVERYTHING.
HE'S SO MISERABLE, HE'S--
I MEAN, IF WE DON'T PUT HIM DOWN,
WE'RE GONNA BE DOING IT A WEEK FROM NOW
OR THE FOLLOWING WEEK, BUT IT'S JUST GETTING WORSE.
- OKAY. I RESPECT THAT.
AND THAT'S WHAT WE SHOULD DO.
- THIS IS THE LAST THING I WANNA DO,
BUT I JUST THINK THAT WE'RE THERE.
- OKAY. - OKAY. WHAT DO WE DO?
- SO NOW WE NEED TO GIVE HIM A LITTLE SEDATIVE.
AND THEN WE'LL GIVE HIM THE DRUG.
[meowing]
- IT'S OKAY. IT'S ALL RIGHT.
- WHY DON'T I TAKE HIM IN? - ALL RIGHT.
IF YOU HOLD HIM REAL CLOSE, MAYBE HE'LL BE OKAY.
[cat growling]
WHEN I GOT MONKEY,
IT TAUGHT ME TO BE LESS SELFISH.
AND THIS LITTLE KITTEN WAS EIGHT WEEKS OLD
AND HE NEEDED ME.
AND HE WAS DETERMINED AND WILLFUL
AND STUBBORN AND DESTRUCTIVE.
BUT HE WAS MY CAT AND I LOVED HIM...
[sighs]
UNCONDITIONALLY.
[sniffles]
HERE, BABY. IT'S OKAY.
- HE'S STILL KIND OF-- A LITTLE BIT AWARE.
- [crying]
CAN I HAVE ONE MINUTE--
CAN I HAVE ONE MINUTE WITH HIM?
- [crying]
- [crying]
- OKAY. WE'RE READY.
WHEN HE WAS, UM--
WHEN HE WAS DYING,
I DIDN'T WANT HIM TO SEE ME CRY.
I DON'T WANT THAT TO BE THE LAST THING HE SEES.
SO I PUT ON THIS KIND OF, LIKE, PHONY SMILE,
'CAUSE I WANTED THAT TO BE THE LAST THING HE SAW.
BUT IT WAS SO STUPID, HE KNOWS ME SO WELL.
SO HE PROBABLY KNEW THAT WAS PHONY ANYWAY.
BUT I-I-I TRIED.
HI, MONKEY.
- OH, MY GOD. HE'S HERE, JEFF.
MY GOD, BOY.
DRIVING ME CRAZY.
- MY ONLY HOPE-- [sniffles]
MY ONLY HOPE IS THAT I WILL SEE HIM AGAIN SOMEDAY.
[crying]
[sighs]
I THINK THIS IS THE WORST THING I'VE EVER DONE IN MY LIFE.
- WE COULDN'T DO--
HE JUST COULDN'T GO ON.
- HE'S AT PEACE NOW.
- [crying]
- I'M SO SORRY, JEFF. - THANK YOU.
- I'M SO SORRY. [crying]
- IT WAS AN ENLIGHTENING DAY FOR ME.
BECAUSE I LOOKED AT JENNI AND I LOOKED AT ZOILA
AND I LOOKED AT GAGE DIFFERENTLY THAN I NORMALLY LOOK AT THEM.
WITH ALL THE TRIALS AND THE TRIBULATIONS
AND THE FIGHTS AND THE ARGUMENTS,
THAT THEY REALLY DO LOVE ME.
AND THEY WERE THERE FOR ME.
AND IT WAS A TERRIBLE DAY.
I THINK UNFORTUNATELY SOMETIMES YOU HAVE
TO GO THROUGH ADVERSITY AND SOMETIMES TRAGEDY
BEFORE YOU REALLY REALIZE WHAT'S IMPORTANT.
- OH, I'M SORRY. - [crying]
- DO YOU WANT JENNI TO DRIVE?
- HAVE YOU SEEN HER DRIVE?
HAVE YOU SEEN HER DRIVING?
I'M BETTER-- I'M A BETTER DRIVER
UNDER EMOTIONAL DURESS THAN SHE'LL EVER BE.
- HOW ARE YOU FEELING?
ARE YOU OKAY?
- I'M REALLY, REALLY SAD ACTUALLY.
- OH, MY GOD, I'M SO SORRY.
I DIDN'T EVEN KNOW THIS WAS GOING ON THIS BADLY.
I FEEL TERRIBLE.
YOU KNOW, WE'VE BEEN FIGHTING.
WE'VE HAD GREAT TIMES OVER THE LAST SEVERAL MONTHS
AND ALSO HARD TIMES.
AND MONKEY LEAVING KIND OF REESTABLISHED US ALL
COMING BACK TOGETHER AND SAYING THAT WE LOVE EACH OTHER.
I KNOW YOU DON'T LIKE HUGS
BUT IF YOU NEED ANY TODAY, JUST LET ME KNOW.
- THANK YOU SO MUCH. - YOU'RE WELCOME.
WELL, IT WAS NICE.
AT LEAST I'M NOT GONNA JUST COME UP AND HUG YOU.
I'M GIVING YOU ALL THE POWER.
- OKAY. THANK YOU.
- IF YOU DON'T WANT A HUG, JUST KNOW
THAT I'M HUGGING YOU.
- HOW MANY HUGS DO I GET, BY THE WAY?
- THEY'RE ENDLESS TODAY.
- ENDLESS HUGS? - ENDLESS HUGS, MM-HMM.
- OKAY.
[dog barking] NO. NO BARKING.
NO MORE BARKING, OKAY?
[kisses]
NO MORE BARKING.
- I'M SORRY.
I'M SO SORRY.
- THANK YOU.
- AFTER WE GOT BACK FROM THE HOSPITAL,
WE ALL SAT DOWN AS A GROUP.
AND WE WANNA KIND OF CELEBRATE HIS LIFE
AND WHAT HE WAS GIVEN.
AND I THINK YOU HAVE TO JUST PULL OUT THE POSITIVE
OF SITUATIONS LIKE THAT.
CAN WE TOAST TO SWEET LITTLE MONKEY?
- TO BABY MONKEY.
all: BABY MONKEY.
- CHEERS. - SWEET ANGEL.
- LOVE YOU FOREVER, BABY MONKEY.
- WE LOVE YOU.
- THIS YEAR, ALL OF THESE PEOPLE IN MY LIFE,
I'VE DOUBTED THEIR LOYALTIES AND THEIR INTENTIONS.
AND I THINK WHEN SOMETHING LIKE THIS HAPPENS,
IT ERASES ANY SORT OF DOUBT
I HAVE ABOUT THE PEOPLE IN MY LIFE.
PEOPLE AROUND ME WERE THERE FOR MONKEY,
BUT I THINK THEY WERE MOSTLY THERE FOR ME.
- DO YOU SIT AT THE BAR EVERY NIGHT?
- UM, YEAH, PRETTY MUCH.
THIS IS HOW I FALL ASLEEP.
- I COME IN THE NEXT MORNING AND I'M LIKE--
- 'CAUSE YOU KNOW GAGE FELL ASLEEP
WITH WINE IN HIS HAND AND SPILLED IT ALL OVER THE BED.
- AND THEN I LOOKED DOWN, IT WAS ALL RED
ALL OVER THE WHITE COVER.
- WE THOUGHT VANINA WAS AROUND. - DID YOU GET YOUR PERIOD?
- YEAH.
- H.R. - SORRY.
- THAT'S WHAT I CALL PAYBACK.
[laughter]
- ARE YOU DRUNK?
- YES.
[laughter]