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I produced a novel with an exegesis.
I produced a series of ceramic figurative sculptors.
It was a CD of original music in which I mashed up political speech.
I produced a creative work which was an audio visual performance piece that saw five musicians
accompanied by a VJ.
I produced a live public performance.
I see myself as a hybrid ethnomusicologist and music performer.
I'm represented by Watters Gallery in Sydney, where I've been showing for a few years.
Well, the crime novel was published by New Holland Publishing.
I started using paper and pencils, and a lot of traditional drawing tools, and through
the masters research began to expand my drawing into more of a performative element. The development
of the masters program for me, significantly introduced me to electronic projections, as
part of my performance drawing work.
My supervisors were really valuable in helping me to breach that gap between being a musical
artist and an academic.
You know we talk, we devise projects together, we get excited about things, there's a sort
of honest exchange.
I was able to connect with a fantastic network of musicians.
I was born locally, so I came back to the area because of family, so decided to take
up postgraduate research then.
I find small towns quite creative places, and allow you to spend a lot of time being
creative, and doing hands on stuff rather than sitting in traffic jams.
It's a very physically beautiful region which I personally find very inspiring.
Living amongst people who are interesting in so many different things your creative
impulse, juices if you like, get flowing.
So SCU's, or my studies here at SCU, enabled me to take a great leap forward I suppose,
in my own career aspirations.