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Now I'm going to show you my way of doing this. I know that there's probably about twenty
different ways that you can go about doing this. I'm just going to show you my way and
you can figure out on your own or play around with it, you know based on how I'm going to
show you. So, as we look here you can see that I already have my subject up. And of
course, it's Miss Natalie Portman. So, what I'm going to do here is I'm going to try erase,
well let's take a look first. We can see that we're going to get rid of her head here, but
we've got to see that this wall has two different colors here. We've got a dark color and a
light color. And also her neck's going to come down and cut off the line of her dress
here, so we've got to be able to draw in the back of the dress here with of course this
neck line and of these colors here. And also we have her arm that comes down and lies over
the cloth here. So, we've got to be able to fake this in here as well as all these bobbles
that come down the seam of the shirt here. And of course this bracelet that goes around
her arm right here. So, what we're going to do is we're going to kind of avoid these areas
first. We're going to go to the simples section. It's going to be her legs down here. So, what
I'm going to do is I'm going to start with my clone stamp tool by hitting S and adjust
my tool. And since this is going to be kind of in parallel with this wall here, we're
going to keep this gradient as it comes over. I'm going to go ahead and make this my marker
point here. I'm going to go ahead and click in and we'll point. As you can see I've got
a soft brush going in here. I'm going to harden that brush up a little bit. So, I'm going
to hold down shift and ending square parenthesis bracket. There we go. It's going to paint
in. It's going to paint that texture, which is going to be fine for right now. We'll be
changing that as time goes on. So, take your time and come through here or whenever you
choose your beginning point and make sure when you get to the cloth, don't get in there
too much. I'm going to leave that little black outline because that is the ending part of
the dress and that is the way the natural light's going to flow around it. So, we will
pause here and we will come back and pick this up in the next part.