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Male narrator: In the beginning, there was darkness,
and then, ***,
giving birth to an endless expanding existence
of time, space, and matter.
Every day, new discoveries are unlocking the mysterious,
the mind-blowing, the deadly secrets
of a place we call The Universe.
In the deep nothingness of space,
the cosmic silence is broken.
- Space is actually kind of a noisy place.
Narrator: Galaxies, stars, planets, and moons sing out
with strange and alien music.
[Electronic warbling]
- They sound a little bit like an alien fax.
Narrator: Now the cosmic playlist
in a top ten countdown,
the greatest hits of the universe...
in a symphony of alien sounds.
The.Universe.S07E02.DVDRip.XviD-FFNDVD English SRT Subtitles - UF (v1.00)
As the promo line for Ridley Scott's
science-fiction film Alien,
it was designed to send chills down your spine.
It's based on the unsettling idea
that space is a vacuum,
and sounds, whether screams, shouts, or songs,
can't travel in a vacuum.
But is that really true?
- Well, it's kind of narrow to think that, in space,
you can't hear anyone scream, because, in fact, here on Earth,
there are lots of sounds we can't hear.
They're either too high a pitch or too low a pitch.
Moreover, space isn't completely empty.
And then finally, you know, what's the definition of space?
If I'm an astronaut on the surface of Mars
and I have a spacesuit on, am I in space, or am I not?
Well, I would think I am.
- Okay, let's try right over here.
Narrator: Back on Earth,
Bruce Betts of The Planetary Society
in Pasadena, Oalifornia,
has given a lot of thought to Mars
and the subject of sound.
He's programmed his computer
with what he calls the "Marsinator"
to demonstrate what his voice would sound like
in the cold, carbon-dioxide atmosphere of Mars...
without those space suits.
- The atmosphere of Mars would actually change your voice
so it sounded deeper.
So let's go ahead and simulate that using the Marsinator,
and I will record my voice,
and then we will shift it
to what it would sound like on Mars.
This is what I'd sound like on Mars,
although I'd be wishing I had some oxygen to breathe.
Then I go ahead and process it, put it through the Marsinator.
And then we play it back and see what it sounds like.
[Deep voice] This is how I would sound on Mars,
although I'd be wishing I had some oxygen to breathe.
Narrator: Of course, if humans ever do make it to Mars,
we will not hear their voices through the atmosphere.
Instead, we'll get them via radio waves...
the way many of our most important sounds
already reach us.
- Yes.
- We're familiar with thinking of sound as something
that comes through the air to us,
just like we hear each other when we're talking,
but, in fact, a lot of the sounds that we hear
are transmitted through electromagnetic signals.
For example, your television actually transmits
a television signal into sound that you can hear.
- Who's our first contestant tonight?
Narrator: Sound in the cosmos
will never reach us directly across empty space,
so radio, light, or other electromagnetic waves
are the inevitable carriers,
bringing us a universe we can hear...
in all its variety.
[Cosmic warbling]
- Space is actually kind of a noisy place.
It has many, many sources of noise
that we are able to detect
with special radio telescopes, for example.
Narrator: These alien sounds
make up an incredible collection-
the ultimate playlist.
We've polled our expert panel of scientists, astronomers,
and physicists to rank the top ten-
the greatest sounds from the expanse of space...
ending with a number one that will surprise us all.
And now the countdown starts.
Ooming in at number ten,
ringing out from a distance of 13 billion light-years,
the birth cry of the universe in a hit called
"The Audio Afterglow of the Big ***."
[Whirring]
- It's remarkable that the young universe
actually made a sound,
and the reason we know that is that we can actually witness
the glowing gases that were present at that time.
Narrator: The glow from these gases
is known as the cosmic microwave background radiation,
or OMBR.
It is a faint trace of microwaves
that stretches across every point in the sky.
Discovered by scientists in the mid-1960s,
the radiation is the afterglow of the big ***.
The famous blotchy satellite map of the OMBR
represents the cosmos in its infancy,
when it was only 380,000 years old.
- When we look at the OMBR map,
we're essentially looking at a voice print
of the early universe,
because those tiny variations in color
correspond to variations in temperature,
and those correspond to variations
in density and pressure.
Well, pressure waves are just sound waves.
So we're seeing little variations in pressure,
little sound waves in the early universe.
Narrator: To understand the audio afterglow
of the big ***,
we need to know how the early universe
varied its pressures to generate sound waves.
To find out, astronomer Mark Whittle
and organ builder Manuel Rosales
visit the magnificent pipe organ
at Olaremont United Ohurch of Ohrist in Oalifornia.
In a way, the 4,000 pipes in this organ are comparable
to the voice of the early universe.
[Organ pipes droning]
- Manuel, the amazing thing about the early universe is that
all its pipes were sounding together,
and it would be lovely if we could just try that
with this organ.
So do you think we could do that now,
play all the notes at once?
- Yes, let's pull out all the stops and try it.
- Ah, that's where that phrase comes from.
- Yes. - Okay, let's go.
[Cacophonous droning]
Very powerful, but really hissy white noise kind of sound,
but an even more remarkable thing about the primordial sound
is that, in fact, a few particular tones
were present and were stronger at any given time.
[Cacophonous droning]
[Whirring]
Narrator: This is the opening note of hit number ten,
"The Audio Afterglow of the Big ***."
A computer sound analyzer reveals its strong tones
as distinct columns on a color-coded graph.
As hissy as the early cosmic sound is,
it differs from pure white noise...
which has no organized features at all on the analyzer.
[Hissing]
The sound of the audio afterglow, on the other hand,
comes through with a vaguely musical quality.
[Whirring]
[Hissing]
[Whirring]
[Cacophonous droning]
The pipes of this, or any organ, are made of wood and metal,
but the pipes of the early universe
were pits of dark matter,
the mysterious substance whose existence is known
only from its gravity.
- What drives the sound waves is gravity.
So, for example, if there's a region
of slightly higher density of dark matter,
there's a gravitational force pulling in.
Gas that's surrounding this region feels that pull,
and it falls in.
But it's gas, so it also- as it falls in, it compresses.
That compression acts like a spring,
and so it pushes the gas back out.
But then it overshoots until it falls back in again.
This is how the motion of the gas falls in, bounces out,
falls in, bounces out.
So we have an oscillating pressure wave, a sound wave.
Narrator: The cosmic background radiation,
as important as it is, is just a still picture.
Its imprint of sound has the effect
of no more than one noisy, barely musical note.
And even hearing that is a struggle.
The pipe organ helps show us why.
# MUSIC #
- The sounds of the universe are way too low for us to hear.
In fact, what's the lowest note that this organ plays?
- It is a pipe 32 feet long,
and it can only be played with one's foot.
[Deep note plays]
- Yeah, that's pretty deep.
32 feet were nothing compared to the cosmic organ pipes.
They were between 20,000 and 400,000 light-years across.
- Sorry, we don't have any pipes quite that long.
- No.
Narrator: The deep sound of the early universe is so low,
we can hear it only after a massive shift upward.
[Tone zooming higher]
The background radiation of the universe
dates from 380,000 years after its creation.
But what happened before that?
Is it possible to uncover the whole song of the universe
from the very instant of the big ***?
The cosmos is filled with a symphony of alien sounds,
and we're counting down the top ten
of the universe's greatest hits.
Number ten on the playlist sings out
with the earliest tones of the universe
from "The Audio Afterglow of the Big ***."
[Whirring]
But our download of the universe's birth song
has some problems.
With the cosmic organ playing all its pipes at once,
what reaches our ears sounds like
only one complex, noisy note.
[Whirring]
It's only one note because it comes from the pressure waves
we read from the map of the cosmic background radiation,
which is just a still picture of the sound in the early universe
taken 380,000 years after its birth.
How then do we run the clock backwards
and hear the rest of the song?
- Modern cosmology is sufficiently advanced
that it's possible to create a computer replication,
a simulation of the young universe.
It's possible to re-create within a computer
what's going on and how the sound developed
right from the very, very beginning
through those first 400,000 years.
Narrator: They are the same kind of supercomputer simulations
that have given us pictures
showing how the early universe evolved.
The dark-matter pipes of the early universe
acted like those in the church organ.
As bigger pipes were played, deeper notes were sounded.
As the universe expanded,
there was more space and more time.
More space meant bigger pipes.
So the notes in the song got lower and lower
as the song played out.
[Deep whirring, creaking]
Put it all together,
and the first 400,000 years of the universe
can be condensed down to just ten seconds-
a haunting primal scream.
[Whirring]
- The gas that's falling in and out
of these dark-matter regions
is ultimately going to become the first stars,
the first galaxies, and ultimately,
it'll be corralled into the thousands of galaxies
that we see around us today.
So while it's been amusing, really, and playful
to reproduce these sounds for us to listen to,
in the big picture, they play an enormously important role
in crafting the structure of the universe
that's going to unfold and the universe
that we find ourselves in today.
[Whirring]
Narrator: From the big-band sound of the big ***,
our countdown takes a step down in size
to the modest 15-million-light-year span
of a galaxy cluster.
Ooming in at number nine on our list
of the universe's top ten hits
is the "Deep Tone of Perseus."
[Deep warbling]
This is low sound to the extreme,
emanating from the Perseus cluster,
a grouping of roughly 1,000 galaxies
250 million light-years from Earth.
- The central galaxy in this cluster of galaxies
has a huge super-massive black hole at its center.
Narrator: The cluster's central galaxy is called Perseus A,
and its super-massive black hole gives it what's called
an active galactic nucleus,
which shoots out energy in the form of gigantic jets,
tearing into the surrounding space.
- For reasons which we don't fully understand,
it seems to be coming out.
The energy is being produced episodically
about every 10 million years or so.
Narrator: Those energy pulses are actually waves of pressure.
And that's exactly what sound waves are:
Pressure waves.
The wave, as demonstrated by sports fans,
has an up-and-down motion that's very familiar to us.
But these UO Berkeley students will switch gears
and show us how a sound wave is different.
- Okay, everyone, lose the pom-poms!
Since sound waves are pressure waves,
we're gonna build a pressure wave out of all these students.
Okay, everybody, let's line up.
You go over here and then shoulder-to-shoulder
just like this.
Stretch out over there a little bit, no gaps.
You're gonna be students colliding with each other
like molecules colliding in a sound wave.
That's looking a lot better.
Do you feel like a bunch of molecules?
All: Yeah!
- Okay, okay, this is looking good.
We have a bass drum at each end of the line.
You'll see why in a minute.
We'll get things going with this drummer over here.
He's gonna hit the drum, and watch what happens.
***!
In this case, the pressure is a good healthy shove,
and it moves from student to student
all the way down the line.
At the end, the last student applies his pressure
to the second drum by banging on it.
***!
This second drum is like our eardrum.
When pressure from a sound wave in the air hits our eardrums,
we hear the sound.
This is just how sound travels through the air,
except instead of having students shoving each other,
there are air molecules shoving each other.
A sound needs a medium to travel through.
It can't travel through a vacuum.
So, in fact, to get from point A to point B,
you need air molecules hitting each other.
That's how it works.
Narrator: So how do those pressure waves
from number nine's "Deep Tones of Perseus"
travel through what's essentially
the vacuum of intergalactic space?
Astrophysicist Richard Pogge of Ohio State University
gives us a sense of the emptiness in deep space
at his school's football stadium.
- While it's true that sound waves can't travel
through the vacuum of space, space is not a complete vacuum.
I'm here at Ohio Stadium, home of the Buckeyes.
It's very empty today. I'm the only one here.
And I can't think of a better place
to illustrate the vacuum of space.
Narrator: The empty stadium can be a stand-in
for the vacuum of space
if we compare it with what it looks like on game day.
[Crowd cheering]
With more than 102,000 people in its seats,
Ohio Stadium would be like the atmosphere on Earth
jam-packed with air molecules.
- So how much do we have to clear out this stadium
to equal the vacuum of space?
Believe it or not, you have to clear out everybody,
including me, and then even I'm too much.
Narrator: No more than a single cell from Pogge's body
could remain in Ohio Stadium
to come close to the vacuum of deep space.
With what seems like almost nothing in the expanse
between galaxies of the Perseus cluster,
the existence of sound waves seems all the more incredible.
- How do you propagate a sound wave through empty space
when it's mostly empty?
Let's use the example of me running down the field.
I have to run a long ways before I encounter somebody,
but I still encounter somebody,
and I can pass energy along to them.
The same is true of atoms in interstellar space.
It has to travel a long ways, maybe 300 light-years,
before it encounters another particle,
but when it encounters it, it passes the energy,
and the wave moves along.
Narrator: The colliding particles in the Perseus cluster
also emit faint X-rays whose traces,
imaged by the Ohandra space telescope,
tell us the waves are there.
But these waves are huge,
and the notes they produce are lower
than anything any human has ever experienced.
- The pitch is about 57 octaves below our hearing,
below the middle of a piano range,
and that actually qualifies this for the Guinness Book of Records
as the deepest pitch known to man.
[Deep pulsing]
Narrator: The extreme deep note emanating from Perseus
is so far below our hearing range
that it can only be approximated.
It's been said the galaxy cluster is playing
an awesomely low B-flat,
and scientists calculate it'll be playing constantly
for 21/2 billion years.
Number nine's "Deep Tone of Perseus"
drones on, as the countdown advances.
A secret number one waits at the end of the line,
but first...
[high-pitched squeal]
A strange, high-pitched squeal
hints at what comes in at number eight...
sounds from space and their link to signals from...
extraterrestrials.
Starting with the big ***,
we've been tracking the top ten
of the universe's greatest hits-
the best of the alien sounds from space.
Jumping to number eight on the countdown,
we find a sudden wide variety of different sounds-
clicks, whines, and screeches-
all coming from strange stars
singing out from everywhere we look in the galaxy.
They're cosmic squeals with a rhythm section
in the "Beat of the Pulsars."
Every pulsar has a different sound,
but they are all related,
because they're repeating blips,
beating out regular rhythms.
The different sounds come from beats
sounding out at different speeds.
[Buzzing]
The first pulsars to be detected emitted radio waves so regular
that astronomers first thought they were signals from aliens.
But the truth about them was quickly discovered.
- A pulsar is a rapidly rotating neutron star.
That's a very dense star.
And it's got two beams of radiation coming out the poles.
As those beams rotate and intersect our line of sight,
we see a series of pulses.
[Clicking]
We can think of pulsars being associated with sound,
because they were first discovered
with radio telescopes.
There was a series of beeps that radio telescopes detected.
For a slowly rotating pulsar,
you might have a series of beats like a metronome-
beep, beep, beep, beep.
[Metronomic clicking]
Or you might hear a beep-beep, beep-beep,
beep-beep, beep-beep.
[Rapid clicking]
[Buzzing]
Now, for a rapidly rotating pulsar,
the beeps blur together, so you got...
[trilling tongue] Like that.
[Buzzing]
[High-pitched buzzing]
And for a very rapidly rotating pulsar,
it's just a continuous sound
that registers like a note in your ears.
[High-pitched buzzing]
Narrator: Pulsars form from the collapse
of very massive stars
after they explode as supernovas.
But how long does it actually take
for a massive star to collapse?
That's what Sherman D. Of Tampa, Florida, wanted to...
when he texted his question to us.
- Sherman, the visible effects of a supernova can last
for months or years or even centuries
if you're looking at the supernova remnant-
the expanding gases.
But although it may seem incredible,
the collapse of the core of a massive star
can take just a second or two,
and that's what initiates the supernova explosion.
Narrator: Our own Sun isn't massive enough to go supernova,
but it is a giant ball of hydrogen
330,000 times more massive than the Earth
and burning by nuclear fusion.
So our home star can hardly keep quiet,
as our next hit proves.
This hot combo chimes in at number seven on the countdown.
Here it is, the "Song of the Sun."
- The Sun makes sounds,
but they're not really sunny sounds.
They're not happy sounds.
They're kind of low, ominous roars that gurgle along.
[Low humming]
The Sun makes sounds because there are a bunch of gases
going up and down through a process called convection.
So they're sending pressure waves
through the ball of gas that is the Sun,
and it kind of rings like a bell.
[Low humming]
Narrator: Unlike a bell, the Sun rings
with 10 million different tones at once.
We detect them from the tiny bulges
from the pressure waves on the Sun's surface.
Solar satellites measure the height of the bulges
with exquisite accuracy.
Apart from sound, they also produce science.
- So using these sounds from the Sun that we can observe,
we can actually tell very detailed things
about the interior structure of our star.
For example, one of the amazing things that we can tell
is when there's a sun spot group on the other side of the star,
even before it comes around the limb
and we're able to see it with our optical telescopes.
Narrator: The Sun may be the biggest source for sound
in the solar system.
But next in line is Jupiter.
So coming in at number six in the top ten is a medley
of strange electronic "Jazz from Jupiter."
[Whistling static]
"Jazz from Jupiter" comes to us
courtesy of the two legendary Voyager spacecraft,
now on their epic journey to the edge of the solar system.
- The two Voyager spacecraft
are headed for interstellar space.
They're on the very outer edges
of the bubble the Sun creates around itself.
Today Voyager 1 is 118 times as far from the Sun
as the Earth is,
almost four times as far from the Sun as Neptune is.
Narrator: Project scientist Ed Stone has been heading
the Voyager mission since its two spacecraft
made their grand tour of the outer planets
beginning in 1979.
On their approach to Jupiter,
the first thing each one encountered
was the giant planet's bow shock,
producing a wind-like sound from the electronic data.
[Wind rushing]
- There's a wind blowing outward from the Sun
at about a million miles per hour.
It is supersonic.
As that wind approaches contact with a magnetic field
around, say, Jupiter, it has to go subsonic.
There is a sonic shock which forms
in front of the magnetic field of Jupiter.
That's called the bow shock.
It's very much like a sonic shock
in front of a supersonic aircraft.
[Wind rushing]
Narrator: More intriguing than the bow shock
is the Jovian chorus,
sounding something like the chorus of birds
chirping at dawn.
[High-pitched chirping]
Both it and the bow shock come from radio waves
generated by fast-moving charged particles
within the bubble of Jupiter's magnetic field.
[Wind rushing]
[High-pitched chirping]
Now, the scramble toward the mysterious number one
in the top ten swings to the moons of Jupiter
and the rings of Saturn,
where the noises from electric loops,
glowing gases, and streams of wind
vie for distinction as the spookiest sounds
in the solar system.
[Eerie buzzing]
The top ten countdown
in the alien sounds of the universe
has reached Jupiter,
sending out its own brand of space music.
But the next hit is no solo.
Jupiter has a backup group.
They're the Jovian moons circling the giant planet.
And now they have their own album.
It places at number five in the top ten,
and the tune is called "Moons Over Jupiter."
[Electronic warbling]
The lead singer is the moon Ganymede,
recorded by the Galileo spacecraft,
arriving at Jupiter in late 1995.
- The sounds that Galileo sent back
from Jupiter's moon Ganymede-
by the way, the largest moon in the solar system-
are very intriguing.
They sound a little bit like an alien fax.
[Electronic warbling]
In fact, when I played that sound clip
in my office yesterday,
people came around the corners to see what was going on,
if I was receiving some alien transmission.
[Electronic warbling]
Narrator: As with Voyager,
Galileo's sounds came from ionized gas, or plasma.
Atoms in a plasma are split apart into negative electrons
and positive atomic nuclei,
in other words, charged particles.
Two slender antennas
on the spacecraft's plasma wave instrument
picked up the radio waves
that the charged particles produced
as they were set in motion by a magnetic field.
[Electronic warbling]
- These sounds that we hear from Ganymede are the evidence
that Ganymede actually has a magnetic field,
and you cannot find that information
without using the plasma-wave instrument,
as we did on Galileo.
[Electronic warbling]
Narrator: A very sudden burst of alien sound
came from another of Jupiter's moons.
It happened when Galileo flew over lo's north pole.
[Static thundering]
- My favorite moon in the solar system
is Jupiter's moon lo.
It looks a lot like a pizza.
This is the most volcanically active moon
in the entire solar system,
10 or 100 times more volcanically active
than the Earth.
It literally spews tons of material
into space every second-
sulfur and oxygen atoms.
These get ionized in Jupiter's magnetic field
and actually connect back to Jupiter,
to the north and south poles, making a doughnut.
Narrator: The doughnut is called the lo flux tube,
and the charged particles carry a monster electric current
between Jupiter and its volcanic moon.
As Galileo flew through it...
[static thundering]
The sound ended as abruptly as it started.
[Static continues]
[Static stops]
With Jupiter and its moons finishing their acts,
our countdown swings to Saturn,
smaller than Jupiter but right up there in the top ten.
The ringed planet comes in at number four on the list.
Listen up for the "Surreal Sounds of Saturn."
[Ghostly buzzing]
They come to us from the Cassini spacecraft,
which has been delivering mind-blowing pictures and data
since its arrival at the ringed planet in 2004.
As on Voyager and Galileo,
Cassini's plasma wave instrument is our proxy
for human ears in space.
[Ghostly buzzing]
- The eerie and bizarre sounds
we hear from Cassini's radio and plasma-wave instrument
make me think of Halloween.
[Ghostly buzzing]
They're due to the aurora on Saturn,
very similar to Earth's aurora.
[Ghostly buzzing]
Your ears could never pick up these frequencies,
but we move them into a range, and when we do,
we were surprised to see how eerie and scary
they actually were.
[Ghostly buzzing]
Narrator: The "Surreal Sounds of Saturn"
isn't the ringed planet's only song on the countdown.
Turn it over, and we find number three on the playlist:
"Saturn's Flip Side."
[Wind blowing eerily]
Scientists call this hit a crossover.
This crossover has nothing to do with mixing musical styles
but describes radio waves
from Saturn's northern and southern hemispheres,
as they actually crisscross in frequency
over a period of time.
- We saw something really strange in our radio data,
in our plasma-wave data-
a couple of crossing frequencies that apparently suggested
that the northern and southern hemispheres
were rotating at different rates.
That's very unfamiliar to us on a solid Earth,
where the Earth rotates at one rate.
It actually turns out we don't think Saturn's rotating
at different rates.
We think that high-altitude zonal winds are tricking us
and making us think that there's different rotation
in the northern and southern hemisphere,
but it's probably not the case.
[Electronic whirring]
Narrator: Similar waves,
following the lines of Saturn's magnetic field,
revealed a surprise about the ringed planet.
- One of the most bizarre things that Cassini found
was apparently the Saturn day was about six minutes longer
than it was back in the days of Voyager,
mere decades earlier.
The determination of the length of Saturn's day
is actually not possible by watching the clouds rotate
around the planet.
We have to use these radio emissions,
the sounds of space,
to see what the deep interior is doing.
And that's where we found this mystery.
Narrator: It's virtually impossible to slow down a planet
the size of Saturn that much in such a short time.
So scientists now realize the radio emissions
probably don't give an accurate picture.
And by sophisticated mapping of Saturn's winds,
they now have a better take on Saturn's day,
which happens to be 10 hours, 34 minutes, and 13 seconds long.
[Electronic whirring]
Now we're closing in on the surface of Titan,
Saturn's biggest moon,
as it swings into the Alien Sounds Oountdown.
Hit number two rings out as "Totally Titan."
And it opens with an otherworldly hiss
from an actual microphone on the Huygens lander,
separated from Cassini
and parachuting through Titan's methane atmosphere,
nearly a billion miles away from Earth.
- If you're parachuting, you're going to hear...
[imitates wind rushing]
That's exactly what we hear in these Huygens sounds.
[Wind rushing]
Narrator: The sound was transmitted as the lander headed
toward Titan's surface in 2005.
- The acoustic sensor on Huygens was essentially a microphone,
but it only sampled every couple seconds.
It would take a little sound- tiny, tiny sound bite
and then nothing and then a tiny, tiny sound bite.
It wasn't planned to turn that into sounds
that the public could hear.
[Wind rushing]
Narrator: But unlike the other sounds from Saturn,
these were not converted from radio waves.
They began as true sound waves in Titan's methane atmosphere,
and The Planetary Society stepped in
to convert the staccato sampling of the microphone
into something audible to human ears.
- In the end, what you hear is mostly wind noise
as the parachute's descending through the atmosphere.
And then things get much, much quieter on the surface.
It goes from...
[imitates wind rushing]
To suddenly being...
[imitates air hissing]
[Wind rushing]
But what's really profound is, we're hearing sounds
taken by an actual acoustic sensor
from a billion miles away.
First time we've ever heard sounds from another planet
or moon around another planet.
Narrator: But the rushing wind wasn't the only sound
coming from Huygens.
As data streamed in from the lander
on the way to Titan's surface,
white-knuckled engineers in Mission Oontrol
held their breath,
hoping the intrepid spacecraft would make its landing safely.
The final chapter in the story
is told in an incredible music video
guaranteed to keep you on the edge of your seat.
We've been counting down
the top ten alien sounds of the universe,
and we've almost reached number one.
But first we're shifting into high gear...
as number two runs with an astronomical riff
from the Huygens space probe
visiting Saturn's largest moon...
Titan.
It's the only alien sound that comes with its own music video.
Look and listen.
Out two on number two- it's "Totally Titan."
- Here we have what's called the bells and whistles movie
from Cassini-Huygens,
and it's showing the descent,
and it's a great example of using sound
to convey all sorts of different kinds of data.
[Warbling and squealing]
Narrator: Just as a Geiger counter
announces radioactivity using audible clicks,
the instruments on the Huygens lander
were given their own sounds
to register the measurements they were taking.
[Warbling and chiming]
- Those chimes you hear- each one of those means
that an instrument was taking a picture
or some other kind of data.
Different instruments are a different chime.
We also are hearing a kind of a hum in the background.
That's the signal strength to the Cassini spacecraft.
We've got a ticking that occurs
that has to do with the spinning and rotation of the spacecraft.
Every time it rotates once, they have the tick.
Narrator: Though it's just an assembly
of pure scientific information,
the video seems to preserve what must have been
those last moments of high tension...
when the scientists in Mission Oontrol wondered,
"Will the tiny spacecraft land safely,
or will it crash?"
[Warbling and squealing]
- So here we go, and almost down...
and then...
and we're landed.
Narrator: Mission accomplished...
with sound a billion miles away.
"Totally Titan" has been a thrill
at number two on the countdown,
but now we spin the platter on the mysterious number one...
[cosmic whistling]
A song that comes from a place totally unlike anything else
in the universe we've ever encountered.
While some remind us of the strange signals
from Jupiter and Saturn,
there are also sounds in this song
that are completely different from anything we've measured
or detected anywhere else in the cosmos...
because number one on the countdown
has sounds alien to the entire universe,
except for the place where they originate.
Number one in the universe's greatest hits
resounds with echoes of a singular place.
"The Echoes of Earth."
- Here on Earth, we're used to thinking of the alien sounds
as being everything that comes from beyond our planet,
and that might be examples of plasma waves
and pressure moving through astrophysical media or objects.
But, really, if you think about observing our Earth from afar,
the aliens are us.
And our sounds are unique,
because they come from living organisms,
whether it be human language...
[indistinct chatter]
Or bird songs.
[Bird trilling]
Narrator: An alien probe exploring Earth space
would certainly pick up the Jupiter- or Saturn-like sounds
of charged particles propelled by Earth's magnetic field.
But our planet, unlike the others,
also emits radio waves,
broadcast into the cosmos by human beings.
[Warbling and beeping]
[Static whirring]
- Good evening, this is Professor Reginald A. Fessenden,
speaking to you from Brant Rock, Massachusetts.
Narrator: In 1906, at Brant Rock, Massachusetts,
Reginald Fessenden made the first radio broadcast
of speech and music.
Fessenden was the inventor of AM radio,
transmitting his first signals on Ohristmas Eve.
It was picked up by sailors hundreds of miles out at sea
and has been traveling through space ever since.
- Ever since the beginning of radio,
we've really been broadcasting out into space.
And we've been sending out these signals,
in the hopes that somebody will intercept them.
Of course, space is a very large place,
and, therefore, it's hard to know
who would have gotten them and when,
but there they are on their way out to who knows where.
- Hello from the children of Planet Earth.
[Woman speaking Japanese]
Narrator: Earthly sounds are also traveling through space,
not by radio, but aboard the two Voyager space probes...
on a slow but steady course to the stars.
- Bonjour, tout le monde.
- One of the examples of how important sound is
to us here on Earth is that when we launched Voyager,
we actually included a golden record
of sounds from our Earth.
And this was to represent not only human sound
but also sounds of the many creatures
that live here on Earth with us.
So it's really a sound fingerprint
of life on our planet.
[Dog barking]
Narrator: As we take our own place
among the top ten hits in our playlist,
we realize they only scratch the surface
of the cosmic voices calling out in the void.
From creation to the present day,
space has produced a broad catalog of sounds
to accompany its brilliant sights.
As strange as these many sounds seem,
we've learned that they carry important messages,
helping to solve mysteries of nature
and our ultimate understanding of the universe.