Victoria de los angeles

With Geoffrey, it was the first time we did music together, we understood that everything could be well, and without any problem. And we didn't need to rehearse too much.

This quality, I mean Geoffrey was with me, was very easy doing - he loved me very much, I loved him very much, and we understood each other so well that it was a pleasure to make music.

Not unless I do all these ancient and Italian or French or Baroque in the beginnning, I do German.

Yes, it must be something that goes very well with my voice, let's say something that I understand that this would be good communication with the others, and I don't pretend for instance, to look for...

I like what it is to sing, or to be with the others singing, to make music, but the fuss and all the things that are the exterior part of a career, has never interested me.

Of course the death of Geoffrey has caused a lot of trauma to me generally.

In reality I have said very little things; I didn't point out many things to Geoffrey, I trusted very much not only his understanding of what I was doing, or what I wanted to do, in that moment.

I don't like traditions, I am very personal, very independent, I don't like intimate ladies, I mean in German lieder there's a lot of copy, a lot of imitation, a lot of tradition, and this I have put...

And after I compose my programs, but it is very easy because I look to the music in a very natural way without fuss, and so I look always music, in my home, like books and books and books, choose...

But I think it is more difficult to do a career as a lieder singer, and there have been less lieder singers.