I was very camera shy. People like hot girls, so I put my music to hot girls and it just became a trend. The whole 'enigmatic artist' thing, I just ran with it. No one could find pictures of me.

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I usually don't like to 'spoon feed' my audience, because I grew up idolizing story tellers who tell stories using symbolism, so it was in my nature to do the same.

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When you're traveling constantly, every day you become inspired, and it shows in my work, sonically, lyrically, visually. Conversations with women with different accents and stories told in those...

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'Trilogy' was more of a claustrophobic body of work. Before it was released, I hadn't left my city for 21 years, and I had never been on a plane, not once. I spent my entire life on one setting;...

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'House of Balloons' was special because I had no deadlines, and nobody knew me, so there were no expectations. Spent a year making it perfect. Every song had at least, like, 7 different versions to...

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'Kiss Land' is the story after 'Trilogy'; it's pretty much the second chapter of my life. The narrative takes place after my first flight; it's very foreign, very Asian-inspired. When people ask me,...

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I'm the most boring person to talk to.

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I make good music for long journeys.

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Why you rushing me baby It’s only us alone I don't wanna die tonight baby So let me sip this slow I’ll give you what you called for Just let me get in my zone I’ll be making love to her through...