What I think happens, and that you have to acknowledge though, is that a director uses a book as a launching pad for his own work and that's always very flattering.
We're also far enough from the publishing power that we have no access to the politics of publishing, although there are interpersonal politics, of course.
And while national military forces have historically resisted the full participation of women soldiers, female talent has found plenty of scope in revolutionary and terrorist groups around the planet.
The more potent, unasked question is how society at large reacts to eager, voluntary violence by females, and to the growing evidence that women can be just as aggressive as men.