The commercialization of dubstep isn't something I'm part of.

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In terms of writing more club tracks, writing more electronically influenced - I feel like it was all electronically influenced, but now that influence has come to me in a different way.

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I never really approach collaborations as kind of normal things where they're arranged and they happen because you've arranged them. I've always been like this, I just have friends I hang out with,...

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A lot of the vocal music I've been doing recently has been quite clubby. But that's mainly because I've had more time to go to clubs, and that normally breeds that kind of influence.

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At some stage in the process, most mainstream pop records are being manipulated and possibly completely rebuilt on a computer, with a visual program.

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I've been really trying to hone the art of songwriting in a way that doesn't follow any sort of guideline.

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We live with incessant music, all the time. It's like some weird musical purgatory, there is absolutely no rest for the ears, no space to absorb and reflect.

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I was trying to sound like some of the people I was listening to, like Mala and Coki.

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I think the music that you make, often it's even better if you identify with other people.

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It really surprises me that people in this day and age still write such busy music and fill up every space with layer upon layer of sound... it's like musical landfill.

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