In an ideal world, I'd bounce between big projects and no-budget TV dramas with fantastic scripts.

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I like happy sets. Happy sets are good, and I think people feel comfortable on them.

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A lot of Hollywood films tend to be bloated, bombastic, loud. At the same time, I do like the infrastructure of making a blockbuster; it's like having a big train set.

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Personally, I read a lot of scripts.

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I like to create an atmosphere where actors feel safe enough to take risks.

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