My come-out record, '10 Day,' was the thing people were supposed to hear and figure out 'he's good' or 'he's not good.' 'Acid Rap' is the comeback tape, and it asks way bigger and better questions...
People always tell me I'm the complete opposite of Chief Keef and act like I'm supposed to stop him from making his music. But I like Chief Keef, so it's always super awkward. I just make music I...
When you're a Chicago artist, to play Lollapalooza, that's not a normal thing. It's artists on a path to a certain place that do that. Chief Keef did it; Kids These Days did it; Cool Kids did it. And...
The weird thing about rap is that you don't get compared in the same way that athletes do, even though it's probably the most competitive sport in music. In basketball, they look at a player and say:...
One of the first times I ever performed in front of a big group of people was at my kindergarten graduation. I did, like, a Michael Jackson impersonation as, like, a five year old. I had the suit and...
The whole point of 'Acid Rap' was just to ask people a question: does the music business side of this dictate what type of project this is? If it's all original music and it's got this much emotion...
I don't really have control over my direct impression on people anymore. I used to be the person putting my CD in people's hands. But I'm kind of a mainstream artist now. Not by choice.
With 'Acid Rap,' I allowed myself to be really open-minded and free with who I allowed into my musical space. I wanted to make a cohesive product, but I also just want to make a bunch of dope songs...
Music can kind of make you one-dimensional. People see what's on the surface and what you rap about, and they make their decision on who you are from there.
It wasn't until I left that I realised it's not weird to grow up in certain cities and, by the age of 27 or 28, for all of your friends to still be alive. I can think of a lot of kids that I knew in...