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Been saving it all for you
Only love can last
She's so fine
And she's thine
She'll be yours
Till the end of time
'Cause you made her feel
Yes, you made her feel
She has nothing to hide
Like a ***
Touched for the very first time
Like a ***
When your hearts beat
Both in time
Like a ***
Feels so good inside
When you hold her and you touch her
She's so fine
And she's mine
Makes me strong
Yes, she makes me bold
Now her love thawed out
Yes, her love thawed out
What was scared and cold
Like a ***
Touched for the very first time
Like a ***
When your hearts beat
Both in time
Like a ***
Feels so good inside
When you hold her
And you touch her
When you hold her
And you touch her
[MUSIC STOPS]
Like a ***
CHRISTIAN: Harold Zidler's brilliant
lies had once again averted disaster.
But no lie, however brilliant,
could save Satine.
PHYSICIAN:
Monsieur Zidler...
...Mademoiselle Satine is dying.
She has consumption.
My little sparrow is dying?
ZIDLER:
She mustn 't know, Marie.
The show must go on.
CHRISTIAN: All night, the penniless
sitar player had waited.
And now, for the first time...
...he felt the cold stab of jealousy.
Where were you last night?
I told you...
...I was sick.
You don't have to lie to me.
We have to end it.
Everyone knows.
Harold knows.
Sooner or later,
the Duke will find out too.
On opening night,
I have to sleep with the Duke.
And the jealousy will drive you mad.
- Christian...
- Then I'll write a song.
We'll put it in the show
and whatever happens...
...when you hear it or sing it
or hum it...
...it'll mean we love each other.
I won't get jealous.
Things don't work that way, Christian.
We have to end it.
Never knew...
...I could feel like this
Like I've never seen the sky...
...before
Want to vanish...
...inside your kiss
CHRISTIAN: This new scene is where
the sitar player...
...writes a secret song for
the courtesan, so whatever happens...
...however bad things are,
they remember their love.
We could take it from your line, Satine.
Let's take it from there.
We must be careful.
Fear not. We will conduct our love
affair under the maharajah's...
Seasons may change
Winter to spring
Honestly, amigo, this is impossible!
But I love you
Until the end...
...of time
Come what may
Come what may
I will love you
Until my dying day
Suddenly, the world
Seems such a perfect place
My dear, a little frog!
Suddenly it moves
With such a perfect grace
Suddenly my life doesn 't...
...seem such a waste
It all revolves around you
And there's no mountain
Too high
No river too wide
Sing out this song
And I'll be...
...there by your side
Storm clouds may gather
And stars may collide
But I love you
I love you
Until the end...
...of time
Come what may
Come what may
I will love you
[GASPS]
The magical sitar falls from the roof
and says:
"The greatest thing you'll
ever learn...
...is just to love and be loved
in return."
This ending is silly.
Why would the courtesan
go for the penniless writer?
Whoops. I mean, sitar player.
TOULOUSE-LAUTREC:
Come what may
ARGENTINEAN:
I will love you
ALL:
Come what may
Yes, I will love you
Come what may
I will love you
Till my dying day
I don't like this ending.
Don't like the ending?
Why would the courtesan choose...
...a penniless sitar player
over the maharajah...
...who is offering a lifetime of
security? That's real love.
Once the sitar player
has satisfied his ***...
...he will leave her with nothing.
I suggest that in the end,
the courtesan choose the maharajah.
But, but... Sorry.
That ending does not uphold
the Bohemian ideals of...
...truth, beauty, freedom...
I don't care about
your ridiculous dogma!
Why shouldn't the courtesan
choose the maharajah?
Because she doesn't love you!
Him.
Him. She doesn't love...
...she doesn't love him.
Now I see.
Monsieur Zidler.
This ending will be rewritten...
...with the courtesan choosing
the maharajah...
...and without the lovers' secret song.
It will be rehearsed in the morning,
ready for the opening tomorrow night.
My dear Duke,
that will be quite impossible.
Harold.
The poor Duke is
being treated appallingly.
These silly writers let their
imaginations run away with them.
Why don't you and I...
...have a little supper?
Then afterwards...
...we can let Monsieur Zidler know
how we would prefer the story to end.
Thank you, Elizabeth.
I don't want you to sleep with him.
He could destroy everything.
It's for us.
You promised.
You promised me
you wouldn't be jealous.
It will be all right.
Yes, it will.
He's waiting.
No.
Come...
...what may
Come what may.
CHRISTIAN: She had gone to the tower
to save us all.
And for our part...
...we could do nothing but wait.
My dear Duke. I hope I have not
kept you waiting.
Don't worry, Shakespeare.
You'll get your ending.
Once the Duke gets his...
...end in.
ARGENTINEAN:
Nini. No, no.
Keep your hands off me!
Never fall in love with a woman
who sells herself.
It always ends bad!
The boy has a ridiculous obsession
with me.
I indulge his fantasy
because he's talented.
We need him... but only
until tomorrow night.
ARGENTINEAN:
We have a dance...
...in the brothels of Buenos Aires.
It tells the story...
[TANGO MUSIC PLAYS]
...of a ***...
...and a man...
...who falls in love...
...with her.
First...
...there is desire!
Then... passion!
Then suspicion!
Jealousy! Anger! Betrayal!
When love is for the highest bidder,
there is no trust.
Without trust, there is no love!
Jealousy...
- yes, jealousy...
- will drive you mad!
Roxanne
You don 't have to
Put on that red light
Walk the streets for money
You don 't care if it's wrong
Or if it's right
Roxanne
You don 't have to
Wear that dress tonight
Roxanne
You don 't have to
Sell your body to the night
His eyes upon your face
His hand upon your hand
His lips caress your skin
It's more than I can stand
Roxanne
Why does my heart cry?
Roxanne
Feelings...
...I can 't fight
You're free to leave me
But just don 't deceive me
And please believe me
When I say
I love you
When this production succeeds...
...you will no longer be
a cancan dancer...
...but an actress.
I will make you...
...a star.
Accept it...
...as a gift from this maharajah
to his courtesan.
And...
And the ending?
Let Zidler keep his fairy-tale ending.
Roxanne
Why does my...
...heart cry?
Feelings...
...I can 't fight
You're free to leave me
But just don 't deceive me
And please believe me
When I say
I love you
[MUSIC ENDS]
Come what...
...may
I will love you
Till my dying...
...day
No.
No?
I see.
It's our very own
penniless sitar player.
- My dear Duke...
- Silence!
You made me...
...believe that you loved me!
[MUSIC CONTINUES]
Why does my...
...heart cry?
Feelings...
...I can 't fight
[MUSIC ENDS]
I couldn't.
I couldn't go through with it.
I saw you there, and I felt
differently and I couldn't pretend.
And the Duke, he saw!
He saw and he...
Christian, I love you.
It's okay.
I couldn't do it. I didn't want to
pretend anymore.
I didn't want to lie. I don't.
And he knows. He knows and he...
You don't have to pretend anymore.
We'll leave.
We'll leave tonight.
Leave?
But the show...
I don't care.
I don't care about the show.
We have each other.
That's all that matters.
Yes.
As long as we have each other.
We have each other.
Chocolat, take Satine to
her dressing room to pack.
- No one must see you.
- I understand.
Darling, you go and pack.
I'll be waiting.
It's the boy.
He has bewitched her with words.
I want her back, Zidler. Find her.
Tell her...
...that the show will end my way...
...and she will come to me
when the curtain falls...
...or I'll have the boy killed.
Killed?
Killed.
Forgive the intrusion, cherub.
You're wasting your time.
You don't understand.
The Duke is going to kill Christian.
He is insanely jealous.
Do his ending and sleep with him
tomorrow night...
...or the Duke will
have Christian killed.
He can't scare us.
He's a powerful man.
You know he can do it.
ZIDLER: What are you doing?
SATINE: I don't need you anymore!
You always made me believe I was only
worth what someone would pay for me!
But Christian loves me.
He loves me.
He loves me.
And that is worth everything.
We're going away from you, away from
the Duke, away from the Moulin Rouge!
Goodbye, Harold.
You're dying, Satine.
You're dying.
Another trick?
No, my love.
The doctor told us.
Marie?
I'm dying.
I was a fool...
...to...
...believe
A fool...
...to believe
It all...
...ends today
Yes, it all...
...ends...
...today
ZIDLER:
Send Christian away.
Only you can save him.
He'll fight for me.
Unless he believes you don't love him.
What?
You're a great actress, Satine.
Make him believe you don't love him.
No.
Use your talent to save him.
Hurt him.
Hurt him to save him.
There is no other way.
The show must go on, Satine.
We're creatures of the underworld.
We can't afford to love.
Today's...
...the day...
...when dreaming...
...ends
Another hero...
...another mindless crime
Behind the curtain...
...in the pantomime
ZIDLER SINGS:
On and on
Does anybody know
What we are living for?
Whatever happens
We leave it all to chance
Another heartache
Another failed romance
On and on
Does anybody know
What we are living for?
The show must go on
The show must go on
Outside, the dawn is breaking
On the stage
That holds our final destiny
The show must go on
The show must go on
Inside, my heart is breaking
My makeup may be flaking
But my smile...
...still stays on
The show must go on
The show must go on
I'll top the bill
I'll earn the kill
I have to find the will to carry
On with the
On with the
On with the show
ZIDLER:
On with the show!
On with the show!
The show...
...must go...
...on
What's wrong?
I'm staying with the Duke.
After I left, the Duke came to see me
and he offered me everything.
Everything I've ever dreamed of.
He has one condition.
I must never see you again.
I'm sorry.
What are you talking about?
- You knew who I was.
- What about last night?
The difference between you and I is
that you can leave any time you choose.
But this is my home.
The Moulin Rouge is my home.
There must be something else.
This can't be real.
Something's wrong. Tell me what it is.
Tell me the truth.
Tell me the truth!
The truth?
The truth is...
...I am the Hindi courtesan.
And I choose the maharajah.
That's how the story really ends.
[THUNDER]
Jealousy has driven him mad!
CHRISTIAN:
Satine!
Satine!
Satine!
Things aren't always as they seem.
Things are exactly as they seem.
Christian, you may see me only as
a drunken, vice-ridden gnome...
...whose friends are just pimps
and prostitutes.
But I know about art and love...
...if only because I long for it
with every fiber of my being.
She loves you. I know it.
I know she loves you.
Go away, Toulouse. Leave me alone.
Go away.
Go away!
CHRISTIAN: I wanted to shut out
what Toulouse had said...
...but he had filled me with doubt.
There was only one way to be sure.
I had to know.
So I returned to the Moulin Rouge...
...one last time.
She is mine!
[MUSIC PLAYS]
[APPLAUSE]
TOULOUSE-LAUTREC SINGS:
I only speak the truth
I only speak the truth
[SINGS IN HINDl]
[CHEERING]
[SATINE SINGS]
[GASPS]
Kiss
Hand
Diamonds
Best friend
Kiss
Grand
Diamonds
Best friend
Men
Cold
Girls
Old
And we all lose our charms
In the end
Diamonds are a
Diamonds are a
Diamonds are a
CHORUS SINGS:
Diamonds are a
Diamonds are a
Diamonds are a
Diamonds are a...
...girl's...
...best...
...friend
She is mine.
She is mine.
[APPLAUSE AS MUSIC ENDS]
I know she still loves him.
There must be a reason.
How about one of them
is a duke and...?
Then you agree something is wrong.
But what? What?
I raise high
my ceremonial wedding sword...
...and welcome my loyal subjects
to join with us...
...in celebration...
What a magnificent performance.
A little bit more for me, lovey.
That's a girl.
The boy is here.
ZIDLER: I told Satine if he came
near her, he'd be killed!
He very soon will be.
He will be killed.
That's why she's pushing him away.
To save him.
That's it.
Christian! Ah!
Ah!
Oh, God, this is high up.
I've come to pay my bill.
You shouldn't be here, Christian.
Just leave.
Killed. Killed.
I must warn him!
You made me believe you loved me.
I should pay you.
- Please.
MARIE: She has to go on-stage!
ZIDLER: Jealousy has driven the sitar
player into hiding.
You did your job very well.
STAGE MANAGER:
Persian army, go!
The boy's taken Satine.
I should pay you
like everyone else does!
Don't, Christian. There's no point.
Just leave.
[MUSIC STARTS]
They're going to kill the poor boy!
I have found them.
Stop him.
[SCREAMS]
If you don't love me and it wasn't real,
why can't I pay you?
ZIDLER: Let the palace doors open!
- Christian!
Christian!
Open the doors!
Let me pay! Let me pay!
Open the doors.
Tell me you don't love me!
Open the doors!
Christian!
Tell me you don't love me!
[LOUD ***]
[MUSIC STOPS SUDDENLY]
Ha, ha, ha!
I am not fooled!
Though he has shaved off his beard
and adopts a disguise...
...my eyes do not lie!
For it is he!
The same penniless sitar player!
[AUDIENCE REACTS]
Driven mad by jealousy!
[AUDIENCE REACTS]
Oh, God, no.
[WOMAN IN AUDIENCE GASPS]
She is yours now.
I've paid my ***!
I owe you nothing.
And you are nothing to me.
Thank you for curing me of
my ridiculous obsession with love.
I can't remember my line.
This sitar player...
...doesn't love you.
See? He flees the kingdom!
Pumpkin, it's for the best.
You know it is.
The show must go on.
And now, my bride...
...it is time for you to raise
your voice to the heavens...
...and say your wedding vows.
I've got it!
Christian!
[TOULOUSE SCREAMS]
The greatest thing you'll
ever learn...
...is just to love...
...and be loved...
...in return!
Never knew...
...I could...
...feel...
...like this
[MUSIC STARTS]
It's like I've never seen
The sky before
Want to vanish...
...inside...
...your kiss
Every day I'm loving you
More and more
Listen to my heart
Can you hear it sing?
Come back to me
And forgive...
...everything
Seasons may change
Winter to spring
I love you.
Till the end...
...of...
...time
Come what may
Come what may
Come what may
Come what may
I will love you
I will love you
Until my dying...
...day
Come what may
Come what may
I will love you
Until my dying...
Christian, he's got a gun!
[SCREAMS]
They're trying to kill you!
Shut up!
He has a gun!
Guards, seize them!
Vive la vie de bohème!
No problem. Go back to work!
No matter what you say
The show is ending our way
Come on and stand your ground
For freedom
Beauty
Truth and love
One day I'll fly away
CHRISTIAN SINGS:
My gift is my song
I will love you
Yes, I will love you
I will love you
My way!
My way!
My way! My way!
[APPLAUSE]
Stand by for curtain call.
Dancers, positions, please.
Satine!
[GASPS]
[SATINE COUGHS]
Satine? What's the matter?
What is it?
Tell me. What's the matter?
Tell me. Satine?
What's the matter?
Oh, my God.
Somebody get some help!
Hold the curtain. Fetch the doctor.
I'm sorry, Christian.
I'm dying.
- It's all right.
- I'm so sorry.
No, you'll be all right.
I know you'll be all right.
I'm cold. I'm cold.
Hold me.
I love you.
You've got to go on, Christian.
I can't go on without you.
You've got so much to give.
Tell our story, Christian.
Promise me.
Promise me.
That way...
...I'll always be with you.
[CHRISTIAN WEEPING]
TOULOUSE-LAUTREC:
There was...
...a boy
A very strange...
...enchanted...
...boy
[TYPING]
CHRISTIAN: Days turned into
weeks. Weeks turned into months.
And then,
one not so very special day...
...I went to my typewriter,
I sat down...
...and I wrote our story.
A story about a time...
...a story about a place...
...a story about the people.
But above all things...
...a story about love.
A love that will live forever.
The...
...end.
TOULOUSE-LAUTREC:
The greatest thing
You'll ever learn
Is just to love
And be loved...
...in return
Subtitles by
SDI Media Group
[ENGLISH SDH]