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- PREVIOUSLY ON CHEF ROBLE & CO....
- I NEED A WONDERFUL SOUTHERN TEA.
- I WANT TO BE IN CHARGE OF THE FLOWERS.
WHAT'S SO HARD ABOUT THAT?
- BECAUSE THAT'S STILL PART OF WHAT I DO.
- ARTIE NEEDS TO TAKE CREDIT FOR EVERYTHING.
- THESE LAMPS I WANT TO MOVE THERE.
WHAT THE FRONT OF THE HOUSE NEEDS TO EXECUTE AN EVENT--
I'M STILL IN CHARGE OF ALL THAT.
- YOU'RE NOT IN A POSITION TO EVEN HAVE AN ATTITUDE
BECAUSE YOU WEREN'T HERE.
- YOU GAVE ME THE DAY OFF! - I DIDN'T--
- IF A DECISION'S GONNA BE MADE,
JUST CALL ME AND LET ME KNOW, PERIOD.
- I DON'T HAVE TIME TO CALL YOU. I DON'T HAVE TIME TO CALL YOU.
I HAVE A LOT ON MY PLATE.
LIKE, I DON'T HAVE TIME FOR THIS RIGHT NOW.
- I GET ONE [bleep] DAY OFF!
- [bleep].
THAT IS [bleep] UGLY, ARTIE.
- TRUST ME ON TASTE.
I'M NOT PUTTING FOOD ON THAT, ARTIE.
IT LOOKS LIKE HAMMERED [bleep].
[funky music]
♪ ♪
♪ ♪
WHAT YOU WHIPPING UP OVER HERE, MAN?
- DOGGY DOG, WHAT'S HAPPENING, MAN?
- CHILLING.
- AW, IT AIN'T NOTHING, MAN.
JUST A LITTLE TOKEN OF MY APPRECIATION, MAN.
A NICE EGG WHITE FRITTATA.
- I'M WITH THAT, MAN.
IT'S ABOUT TIME SOMEBODY COOKED FOR ME.
- YEAH, MAN.
YOU KNOW, I KNOW YOU GUYS BEEN LETTING ME CRASH, MAN,
SO I FIGURED, YOU KNOW, I'D HOP UP EARLY IN THE MORNING,
MAKE SOMETHING NICE.
- IT'S ALL GOOD, MAN. - YOU KNOW WHAT I MEAN?
- YOU DON'T HAVE TO DO THAT. - I MEAN--
- BUT I LIKE IT. - YEP.
- CHE'S LIFE RIGHT NOW IS SPLIT BETWEEN TWO CITIES.
HE SPENDS MOST OF HIS TIME IN D.C.
HE HAS A FAMILY DOWN IN D.C.
HE HAS A ONE-YEAR-OLD SON.
BUT WHENEVER I'M BUSY, HE DROPS WHATEVER HE'S DOING
AND HE COMES UP AND HELPS ME.
I'M GONNA START CHARGING YOU RENT, THOUGH.
I WANT, LIKE, 35¢ A DAY.
- WHATEVER YOU NEED, CAPTAIN.
- THAT EQUALS OUT TO ME GETTING A FREE BUS PASS FOR THE WEEK.
- SO STUPID, YO.
- THAT'S MY BOY. HE HAS MY BACK.
AND IT'S GOOD TO HAVE SOMEBODY AROUND THAT YOU CAN TRUST 100%.
- GOOD MORNING, FELLAS.
- HEY. - HEY.
- IT'S SMELLING GOOD OUT HERE.
- YEAH, CHE WHIPPING UP SOME BREAKFAST.
- I GOT SOME GOOD NEWS.
- REALLY, SHARE, PLEASE.
- WE MADE IT IN THE PAPER.
THE POST.
- REALLY? - YEP.
- LET ME SEE. WHAT, PAGE SIX?
- YEAH. - REALLY?
- AND IT'S, LIKE, NICE GOSSIP.
"WE HEAR, WE HEAR THAT ROBLE ALI OVERSAW A PARTY
THROWN BY REAL HOUSEWIVES OF ATLANTA'S PHAEDRA PARKS."
IT'S A START TO A GOOD MORNING.
- RIGHT THERE WITH, UM, VICTORIA BECKHAM.
- YEAH. - AND BRAD PITT.
- OKAY. - YEAH, THAT'S WHAT'S UP.
- YOU'RE NOT MAD AT THAT.
- THAT'S--I'M NOT MAD AT THAT AT ALL.
- IT'S GOOD COMPANY TO BE IN.
- YEAH, NEXT TIME I WANT THEM TO PUT MY PICTURE IN THERE.
- YOU LOOK GOOD NEXT TO BRAD. I LIKE GOOD BUZZ.
- THAT'S PAGE SIX. THAT'S HUGE.
- MOM JUST PROBABLY BOUGHT EVERY NEWSPAPER
IN THE WHOLE CITY.
YOU KNOW THIS, RIGHT? - YEAH.
- YOUR MOTHER HAS EVERY NEWSPAPER.
- I LIKE THAT THEY USED MY PROPER NAME
AND DIDN'T CALL ME CHEF ROBLE.
- EXACTLY--ROBLE ALI.
- I'VE BEEN MENTIONED IN PAGE SIX BEFORE
AS ROBLE, AS A CHEF,
BUT THIS IS THE FIRST TIME I'VE BEEN MENTIONED
AS THE OWNER OF MY OWN COMPANY,
AND THAT'S LIKE A BIG, FAT FREE COMMERCIAL.
THAT'S KIND OF A BIG DEAL, MAN.
- THAT'S PROPADOPOLIS.
- YOU MAKE THAT UP JUST NOW?
- YEAH, I TRY.
- HE SAID "PROPERDOPOLIS."
[phone ringing]
- EXCUSE ME.
HELLO?
OH, HELLO, DARLING. I'M WONDERFUL.
HOW ARE YOU?
REALLY?
- DUDE, WE GOT TO GO TO--
- GIVE ME--GIVE ME A LITTLE MORE INFORMATION.
JEEZ, OKAY, SO, LIKE, WE'RE TALKING ABOUT, LIKE, FRIDAY?
I CAN'T WAIT. THANK YOU FOR THINKING OF US.
BYE-BYE.
- WHO WAS THAT? - B. SCOTT.
- REALLY? - YES.
- HE GONNA BE IN NEW YORK? - AND--TOMORROW.
WANTS TO DO AN EVENT.
- THAT'S GREAT.
I-I'VE BEEN WANTING TO WORK WITH HIM.
- I LOVE HIM.
- HEY, UH, CHE.
- DO YOU KNOW B. SCOTT? - NO, I DON'T.
- OKAY, I'M GONNA SHOW YOU RIGHT NOW.
HOLD ON. - YES, OKAY.
B. SCOTT IS THIS GUY THAT LOOKS LIKE A GIRL
THAT'S AN INTERNET PHENOMENON.
HIS YOUTUBE VIDEOS HAVE BEEN WATCHED BY MILLIONS.
YOU'LL SEE HIM TALKING ABOUT FASHION, MUSIC--
HELL, EVEN HIS NEXT-DOOR NEIGHBOR.
HE'S AN ENTERTAINER.
- YEAH, YEAH.
- YEAH, HE GOT, LIKE, 300,000-PLUS ON TWITTER.
- HE'S THE MAN. - THAT'S BANANAS.
- AND HE'S BEAUTIFUL, AND HE'S SWEET, AND HE'S KIND.
BUT I HAVE A FEELING
HE'S GONNA BE SUPER, SUPER DEMANDING.
WHILE I AM SUPER EXCITED TO BE DOING HIS PARTY,
WHAT I KNOW IS,
YOU DON'T MESS WITH THE QUEENS, HONEY.
- YOU NEVER KNOW WHO'S GONNA BE THERE.
LIKE, HE HAS A LOT OF CELEBRITY FRIENDS.
- I KNOW HE DOES, SO WE HAVE TO SHOW OUT.
I WANT ANOTHER MENTION IN THE PAPER.
- YEAH.
- CAN I CLEAR THIS FOR YOU, MA'AM?
- YOU CERTAINLY CAN, SIR. - HOW ABOUT YOURSELF, SIR?
- NO, DUDE, I'M GONNA EAT EVERY LAST BITE OF THIS.
- OKAY.
- THIS HOTEL'S LOVELY. I REALLY LIKE IT.
- I REALLY LIKE IT TOO. I MIGHT HAVE TO COME.
- ARE STRAIGHT PEOPLE ALLOWED TO SLEEP HERE?
- YES, THEY ARE. - I'M CERTAIN--
I'M CERTAIN THAT YOU'LL BE FINE.
[laughs] YOU'LL BE FINE.
[upbeat music]
BUT HE'S GORGEOUS!
- HI. - OH!
- HEY, LOVE MUFFINS. HOW ARE YOU?
- HOW'S IT GOING? LONG TIME NO SEE.
- AIR KISSES. - YOU LOOK BEAUTIFUL.
- DON'T MESS UP MY MAKEUP.
- HI! - HI!
NICE TO MEET YOU. - NICE TO MEET YOU.
- WELL, DON'T YOU LOOK FABULOUS. - THANK YOU.
- YOU LOOK TALLER THAN LAST TIME.
- IT'S THE HEELS.
[laughter]
- SO WE'RE EXCITED TO HEAR ABOUT YOUR EVENT.
CAN YOU JUST START FROM THE BEGINNING
AND JUST LET US KNOW?
- SINCE 2007, WHEN MY BUSINESS LAUNCHED,
I HAVEN'T HAD A TIME TO THROW AN EVENT.
I JUST BEEN HUSTLING... - OKAY.
- FROM ONE THING TO ANOTHER.
SO THIS EVENT IS ALL ABOUT CELEBRATING
ALL THE WONDERFUL BLESSINGS THAT I HAVE GOING ON.
THE THEME OF THE NIGHT IS ANDROGYNY.
WHEN PEOPLE LOOK AT ME, THEY DON'T KNOW WHAT TO THINK.
THEY SEE ME, AND THEY'RE LIKE, "WHAT IS IT?
IS IT A GUY? IS IT A GIRL?"
YOU KNOW, "WHAT RACE?"
WHAT I WANT PEOPLE TO DO WHEN THEY TASTE THE FOOD--
I WANT THEM TO FEEL LIKE, "WHAT IS IN MY MOUTH?
LIKE, WHAT FLAVOR IS THAT? WHAT FOOD IS THAT?"
I WANT PEOPLE NOT TO KNOW WHAT THEY'RE EATING.
YOU KNOW, THAT'S REALLY GONNA BRING THE ANDROGYNY TO LIFE.
- RIGHT. - OKAY.
- I WANT PEOPLE TO THINK IT'S ONE THING,
BUT IT'S ACTUALLY SOMETHING ELSE.
- OKAY.
- YOU MAY LOOK AT ME AND THINK I'M A WOMAN,
[in a deep voice] BUT I'M ACTUALLY A MAN.
- IT ISN'T MY FAVORITE THING TO DO,
MAKING GIMMICKY FOOD.
I WANT TO JUST MAKE FOOD.
BUT I'M A CATERER.
IT'S MY JOB TO MAKE WHAT MY CLIENT WANTS.
- I DON'T EAT BEEF OR PORK.
- YOU DON'T WANT TO SEE IT IN THE HOUSE FOR ANYONE.
- NO, I DON'T WANT TO SMELL IT. I DON'T WANT TO SEE IT.
- OKAY. - WOW, NO PORK.
SO WE CAN DO CHICKEN. WE CAN DO FISH.
WE CAN DO ALL THAT.
- DO WE HAVE A LOCATION YET?
- MAYBE A SEXY DOWNTOWN LOFT?
- OKAY. - LET'S SAY SOHO.
- SOHO. - I LOVE SOHO. OR TRIBECA.
- I THINK WE CAN FIND A COUPLE OF LOFTS DOWN THERE.
- YEAH. - OKAY, HOW MANY GUESTS?
- I WANT TO KEEP IT KIND OF INTIMATE.
MAYBE, LIKE, YOU KNOW, 75. - OKAY.
TELL US A BIT ABOUT HOW YOU WANT THIS ROOM
AND HOW YOU WANT THE SETUP TO LOOK LIKE.
- I WANT A ICE SCULPTURE,
SOMETHING LIKE A HEART SHAPE
WITH A BIG OLD "B" IN THE MIDDLE.
I WANT BIG PHOTOS OF ME BLOWN UP,
LIKE, LARGER THAN LIFE, ON THE WALL.
AND OF COURSE I HAVE TO HAVE A GRAND ENTRANCE.
- YOU DON'T JUST WALK IN. - I DON'T JUST WALK IN!
I WALK IN!
- OKAY. - I WANT TO BE CARRIED.
THE FIRST TIME MY FEET TOUCHES THE FLOOR
IS THE STAGE.
- OKAY, SO NOW YOU'VE COME IN,
YOU'VE MADE YOUR GRAND ENTRANCE,
WE HAVE CARRIED YOU TO THE STAGE--
- YES, AND THEY THINK I'M GONNA PERFORM, BUT I'M NOT.
- AND YOU DON'T. - RIGHT.
- AND I'M GONNA SAY,
"YOU THINK I'M GONNA SWEAT FOR YOU GUYS?
I DON'T THINK SO."
- AND SO THEY SHOULD HAVE THE MIC READY FOR YOU.
- YES.
- A LOT OF TIMES WHEN YOU HAVE CLIENTS LIKE THIS,
WHO HAVE A LOT OF SPECIFICS,
AND YOU CAN TELL THAT THEY'VE THOUGHT THEIR PARTY THROUGH
FORWARDS AND BACKWARDS,
A LOT OF TIME, THOSE PEOPLE END UP BEING A PAIN IN THE ***.
- AND THEN I'M THINKING, I WANT FIVE OR SIX BIG BURLY MEN.
I MEAN CHEST RIPPLING,
MUSCLES JUST THROBBING-- PULSATING--
TO BRING ME IN.
- I GOT--I'LL TELL YOU, I LOVE THIS PROJECT.
ARTIE, I CAN TAKE OVER HERE.
- CASTING, WE SHOULD DO A CASTING FOR THEM.
I WANT REAL MODELS.
AND I'M GONNA SIT IN ON THAT TOO.
- GOT IT.
- [exhaling]
MY SISTER IS PROMISING ALL THESE THINGS,
AND IT'S GOT ME A LITTLE NERVOUS.
- I WANT FANS TOO. - OKAY.
- OKAY, MAYBE LIKE FOUR OR FIVE,
BECAUSE I'M NOT ABOUT
TO BE SWEATING ON STAGE AT MY PARTY.
- 'CAUSE YOU'RE GONNA GET HOT, AND YOUR HAIR,
AND YOUR LIP GLOSS, AND YOU DON'T WANT IT.
I DON'T KNOW IF I'VE BEEN PREMENOPAUSAL SINCE I WAS FIVE,
BUT I HATE BEING HOT.
SO WHEN B. SCOTT TELLS ME HE DOES NOT WANT TO BE HOT,
I COMPLETELY UNDERSTAND.
- WE HAVE TO GET IT RIGHT, BECAUSE AT THE END OF THE DAY,
IF THIS GOES LEFT, IT'S ON ME.
- RIGHT.
- I DON'T CARE WHO HELPED ME DO IT.
IT'S GONNA BE, "B. SCOTT PARTY WAS MEH.
B. SCOTT MEH-MEH-MEH."
AND I AIN'T GONNA HEAR NO MM-MM-MM.
- WE'RE NOT DOING THAT.
- SO IF SOMETHING'S WRONG, I'MA GO LIKE THIS.
- OH. - OKAY, THAT'S THE SIGN.
- THAT'S A SIGN. - THAT MEANS I'M UPSET.
AND IF SOMEBODY DON'T COME OVER HERE,
I'M GONNA *** SOMEBODY.
SO GET IT RIGHT.
AS I SAY, HEADS WILL ROLL.
- WE DON'T WANT HEADS TO ROLL.
- OTHER THAN THAT, IT'S GONNA BE,
"HEY, HOW ARE YOU? HEY!"
YOU DON'T WANT TO SEE ME ANGRY!
- DON'T AT ALL.
- I BELIEVE THAT. I BELIEVE THAT.
THIS IS GONNA BE INTERESTING. - VERY INTERESTING.
- WE PROMISED TOO MUCH.
OUR JOB IS TO LISTEN TO WHAT THE CLIENT SAYS
AND TO REEL THEM IN.
BECAUSE NOW HE LEFT THERE,
HE'S EXPECTING A MOUNTAIN FROM US.
- IT'S HIS MOMENT!
- YEAH, IT IS HIS MOMENT-- - NO, NO, NO, NO--
- BUT YOU CAN'T SAY YES TO EVERYTHING.
- I JUST--I JUST LISTENED.
- WE CAN'T OVERPROMISE AND UNDERDELIVER.
THAT'S WHY I LIKE ARTIE TO LEAD THE MEETINGS,
BECAUSE HE KNOWS WHEN TO SAY YES AND WHEN TO SAY NO.
ARTIE IS AN EVENT DIRECTOR,
AND JASMINE IS IN CHARGE OF DESIGN AND STAFFING.
I NEED YOU TO IMPART THE WISDOM
OF KNOWING WHEN TO CURB IT OR TO CALM IT DOWN.
- YOU KNOW WHAT, FROM NOW ON,
WE NEED TO ESTABLISH BEFORE WE WALK INTO A MEETING
WHO'S RUNNING IT.
- I'M DOWN FOR THAT.
- I LOVE YOUR EXCITEMENT, BUT WE JUST GOT TO--
- LISTEN, I'M ONLY IN MY SECOND YEAR OF SCHOOL HERE, SIR.
- JASMINE'S A VERY TALENTED LADY,
BUT SHE STILL NEEDS TO ACKNOWLEDGE HER LIMITATIONS
AS SOMEONE WHO'S VERY NEW TO THIS.
- THEN SHE'LL HAVE US HAVING FIREWORKS AND A UNICORN.
- OH, GOD. - YOU LOVE UNICORNS.
- A WINGED UNICORN. - OH, NOT A PROBLEM!
- LIONS AND TIGERS AND BEARS, OH MY!
- I DON'T NEED YOUR CURSING AND YELLING AT ME
LIKE YOU'RE A [bleep] PRIMA DONNA.
YOU'RE ACTING LIKE A LITTLE ***.
- I'M A LITTLE ***.
- WHAT DO YOU HAVE HERE?
- GOAT CHEESE AND STRAWBERRIES.
- IS THAT WHAT THOSE ARE?
- GOAT CHEESE AND STRAWBERRIES.
- YES, SIRREE, STRAWBERRY.
- ARE WE GONNA GO ON A SHOPPING RUN AFTER THIS?
THINK WE STILL NEED SOME MORE STUFF FOR THE KITCHEN.
- WE DO, BUT I JUST BOOKED A MEETING FOR THIS RESTAURANT
THAT I'M GONNA BE CONSULTING ON UP IN HARLEM.
- OKAY.
- AND SPEAKING OF HARLEM, I WAS THINKING
THAT YOU AND I COULD MEET UP IN HARLEM LATER ON THIS EVENING,
BECAUSE KIKU--
- I HAVE SOMEBODY THAT I WOULD LIKE FOR YOU TO MEET.
- OW! - OH, YEAH? WHO'S THIS?
- SHE'S MY FRIEND, AND WE'VE BEEN FRIENDS FOR, LIKE--
FOR, LIKE, TEN YEARS.
- YOU THINK WE'RE GONNA BE A GOOD MATCH?
- I THINK SO.
SHE'S A REALLY SWEET GIRL.
AND SHE'S REALLY CUTE.
- BUT SHE'S ALSO REALLY AFRICAN AMERICAN.
- YES. - OH, YEAH?
- THAT'S THE KICKER.
- YEAH, SHE'S BLACK-A-RONI AND CHEESE.
- BLACK-A-RONI AND CHEESE?
- YEAH. - BLACK-A-RONI AND CHEESE.
[laughter]
- YOU REMEMBER RAY'UANA, MY HOMIE.
- YEAH.
- SO I WAS GONNA MEET UP WITH HER IN HARLEM.
WE COULD ALL MEET UP TOGETHER.
SO IT MAKES IT A LITTLE MORE COMFORTABLE OF A SITUATION.
YOU KNOW, YOU GOT YOUR HOMIES THERE.
YOU GOT TWO PEOPLE YOU ALREADY KNOW,
YOU HAVE ONE NEW PERSON, YOU KNOW--
- NO PRESSURE.
- WHAT DO YOU THINK? HUH?
- ALL RIGHT.
- WAIT, HAVE YOU EVER GONE OUT WITH A BLACK GIRL BEFORE?
- UH, IN COLLEGE.
- HE'S NOT NEW TO THIS. - HE'S NOT NEW TO THIS.
- NO, I DIDN'T EVEN KNOW THAT.
- SHE WAS FROM SWITZERLAND TOO.
- THERE ARE BLACK PEOPLE IN SWITZERLAND?
- UH-HUH. - RIGHT?
[laughter]
- HI! - HI!
- I'M ERIN. - JASMINE. GREAT TO MEET YOU.
- NICE TO MEET YOU. - HI, ERIN. I'M ARTIE.
- HI, ARTIE, NICE TO MEET YOU. - NICE TO MEET YOU.
- COME ON IN. - LOVELY SPACE YOU HAVE HERE.
- THANK YOU VERY MUCH.
- HIGH CEILINGS, YAY.
THIS LOCATION IS A QUINTESSENTIAL DOWNTOWN LOFT.
IT'S IN THE HEART OF SOHO, SUPER TRENDY,
AND EXACTLY WHAT B. WANTS.
- I SEE WHERE OUR STAGE IS GOING, GIRLS.
- YAY! - STAGE RIGHT THERE.
- RIGHT THERE? - UNDER THOSE--
LOOK AT THOSE LIGHTS!
- THAT'S JUST FANTASTIC.
- CAN YOU MAKE IT BETTER THAN THAT?
- YOU CAN'T MAKE IT BETTER THAN THAT.
WHAT YOU CAN DO, HOPEFULLY, FOR US, ERIN...
- OKAY.
- IS THAT COUCH IS LOVELY. - YES.
- THAT MIRROR'S LOVELY.
- WE WANT TO KEEP THE MIRROR. - SURE, YEAH.
- WHAT'S YOUR A.C. LIKE?
'CAUSE A QUEEN DOESN'T WANT TO SWEAT.
- UM, SO, WELL, THE GOOD THING IS THAT, UM,
ONE OF OUR MAIN A.C.s WOULD BE RIGHT BY THE STAGE FOR HIM.
- OKAY.
- SO WE HAVE THIS ONE AND THIS ONE IN THE FRONT.
AND THEY KEEP THE PLACE REALLY NICE AND COOL.
- IS IT POSSIBLE FOR US-- OUR PARTY'S FRIDAY--
LIKE, LITERALLY TO, LIKE, BLAST IT
FRIDAY MORNING ALL DAY... - YES, ABSOLUTELY.
- 'CAUSE HE--ONE OF HIS THINGS IS HE--
I HATE TO SWEAT. HE HATES TO SWEAT.
- MAKEUP, SWEATING.
- HE DOESN'T WANT HIS GUESTS TO SWEAT.
LIKE, HE'S-- ONE OF HIS, LIKE, THINGS.
I DON'T WANT PEOPLE TO BE COLD.
I WANT THEM TO BE FREEZING COLD.
- I WILL DEFINITELY MAKE SURE THAT THE A.C.'S ON EARLY,
YOU KNOW, SO THAT IT'S A GOOD TEMPERATURE IN HERE
BEFORE PEOPLE COME IN.
- FREEZING, LET'S JUST MAKE IT FREEZING,
'CAUSE WHEN ALL THOSE PEOPLE GET IN HERE
AND THEY'RE EATING THIS FOOD AND DRINKING--
- WE'RE IN HERE BY 8:00 A.M. SO WE'LL HAVE IT ON FOR THE DAY.
- THIS IS FANTASTIC. - YEAH!
- HOW CAN THIS BE MORE PERFECT?
- OKAY, BOYS.
WE'RE GONNA TALK ABOUT THE HORS D'OEUVRES.
BANKS IS GONNA MAKE THE SALMON ROE AND TOFU SALAD,
BUT IT'S NOT ACTUALLY GONNA BE SALMON ROE OR TOFU.
IT'S GONNA BE LITTLE PEARLS OF WATERMELON
WITH FETA CHEESE AND SOME MICRO HERBS.
WE'RE ALSO GONNA DO SOME PULLED PORK SANDWICHES,
BUT THEY'RE ACTUALLY GONNA BE TURKEY.
I'VE NEVER HAD TO MAKE FOOD BEFORE
THAT LOOKED LIKE ONE THING THAT'S ACTUALLY SOMETHING ELSE.
AS LONG AS IT TASTES GOOD, PEOPLE ARE GONNA LIKE IT.
WE'RE GONNA DO SOME STEAK AND EGGS,
BUT IT'S GONNA BE OSTRICH INSTEAD OF STEAK.
I DON'T KNOW IF YOU'VE EVER SEEN OSTRICH BEFORE,
BUT IT LOOKS VERY SIMILAR TO BEEF.
AND MR. B. SCOTT DOESN'T LIKE BEEF.
- SO YOU'RE GONNA TWIST-- FREAK HIS MIND OUT A LITTLE BIT.
- YEAH. - YEAH.
- AND LOOK, IF HE COMES UP IN THE KITCHEN
TRYING TO JUMP ON ME, MAN,
YOU'RE MY BODYGUARD.
- OKAY, I GOT YOU.
- I'M BOUNCE--I'M RUNNING,
AND YOU STAND BETWEEN ME AND HIM.
- OKAY.
- UNTIL I CAN EXPLAIN TO HIM
IT'S ACTUALLY NOT PORK AND IT'S ACTUALLY NOT BEEF.
ALSO, WE'RE GONNA DO SOME TY KU SAKE COCKTAILS.
HAVE YOU HAD TY KU YET? - IT'S GOOD STUFF.
- WE CAN THROW THAT IN A THERMO WHIP AND CARBONATE IT.
- YEAH, ALL RIGHT, LET'S GET TO IT, BOYS.
- ALL RIGHT, LET'S ROCK.
[upbeat music]
- OH, THAT SMELLS SO GOOD.
- WHOO, WHOO, WHOO, WHOO.
- IT'S HOT IN THESE HEELS.
- I HEAR THE VOICE! - THESE HEELS--
- I HEAR THE--
- HI!
- HEY!
- HA-HA-HA-HI! - JAS!
- GET IT, GET IT, GET IT. - YEAH!
- HI!
I MISS YOU! HOW ARE YOU?
IT'S GETTING GOOD. IT'S GETTING--
- WHY IS THE ORACLE HERE?
- DON'T START, OKAY?
PLEASE DON'T START.
- ARTIE AND SHAWN FIGHT LIKE AN OLD MARRIED COUPLE,
AND I THINK IT'S SUPER FUNNY,
JUST NOT IN FRONT OF THE CLIENT.
B. SCOTT WANTS TO COME JOIN US TO PICK OUT THE MODELS,
AND THEY BETTER BEHAVE.
YOU GUYS CAN GET ALONG.
DO I HAVE TO SEPARATE YOU TWO LIKE WE'RE IN HIGH SCHOOL?
- I DON'T NEED TO BE SEPARATED.
- SO WHAT'S WRONG? - I AM IN MY SPOT.
- I KNOW WHO I AM.
- SO HERE'S THE DEAL:
BECAUSE THEY'RE NOT A PART OF OUR STAFF,
WE NEED TO EDUCATE THEM ON HOW WE DO THINGS.
DON'T NEED NOBODY SHAKING THEIR DING-A-LING AROUND.
- WHAT'S WRONG WITH THAT? - WHATEVER.
WE DON'T NEED--
NO MALES WITH NO SHIRTS GOING INTO ROBLE'S KITCHEN.
LIKE, YOU KNOW, WE DON'T NEED ANY OF THAT STUFF.
- WE DON'T WANT ANY RAW MEAT.
- SO WE WANT TO JUST GET THEM,
YOU KNOW, EDUCATED ABOUT HOW CHEF ROBLE & CO. WORKS.
- I ACCIDENTALLY DID.
- SEE THERE?
- MY NAME IS ROBLE. COMPANY'S CALLED ROBLE & CO.
THAT'S IT. DONE.
AND WHEN PEOPLE DON'T UNDERSTAND THAT
THAT ARE IN HIGH POSITIONS IN MY COMPANY,
I'M GONNA LOSE MY [bleep].
I'M SORRY.
MY OWN SISTER DOESN'T KNOW THE NAME OF MY COMPANY.
- ROBLE, THAT'S NOT TRUE.
- WHAT THE [bleep]? MY COMPANY IS CALLED ROBLE & CO.
- FIRST OF ALL, STOP CURSING.
I'M NOT CURSING AT YOU.
- JUST SAY MY COMPANY CORRECTLY, PLEASE.
THAT'S ALL I WANT, LADY. DONE.
- YEAH, WELL, THAT'S FINE, BUT DON'T CURSE AT ME.
- OKAY, I WON'T [bleep] CURSE YOU ANYMORE, I PROMISE.
- AND I WON'T CALL IT CHEF ROBLE & CO. ANYMORE.
YOU'RE CHEF ROBLE,
SO I'M GONNA CALL YOU CHEF ROBLE.
I'M SORRY.
LIKE, I REALLY, HONESTLY DON'T GET IT.
- TWO PEOPLE. - ♪ OM ♪
- I CAN'T TAKE IT. NO.
- ♪ OM ♪
I LOVE MY BROTHER.
WHAT I DON'T LOVE IS THE WAY THAT HE COMMUNICATES.
AND I EXPECT BETTER OUT OF HIM.
[gasps]
- HI, GUYS! - GOD, YOU LOOK HOT!
- HOW ARE YOU?
HI. - HI.
- THIS-- - HI, I'M SHAWN.
- YES, SO NICE TO MEET YOU. - THIS IS SHAWN.
OKAY, I JUST WANT TO PREPARE YOU A BIT.
WE'VE CALLED AROUND TO SOME AGENCIES.
- OKAY. - I'M EXCITED--
- BUT YOU DO HAVE BIG, BURLY MEN.
- THAT'S WHAT I'M HOPING-- - MUSCULAR.
- THIS IS WHAT THEY--
YOU KNOW HOW SOMETIMES THEY TRICK YOU WITH THE PHOTOS.
- WE'RE GONNA HAVE THREE RULES. - OKAY.
- THEY HAVE TO MAKE ME SMILE.
THEY HAVE TO TAKE OFF THEIR SHIRT.
- OKAY. - OF COURSE.
- AND THEY HAVE TO BE ABLE TO PICK ME UP.
- OKAY.
- BECAUSE IF YOU CAN'T PICK ME UP,
THEN YOU CAN'T PICK ME UP.
- YOU CAN'T-- - HA-HA-HA!
[all shouting]
- I'VE NEVER BEEN TO A CASTING WHERE THE REQUIREMENT
IS TO TAKE OFF YOUR SHIRT, TO MAKE SOMEONE SMILE,
AND TO BE HOISTED INTO THE AIR.
- WELL, LET'S SEE THE FIRST ONE. I WANT TO SEE!
AWW. - LOOK AT YOU!
- HEY, GUYS.
- I--LIKE I SAID, I WAS LOOKING FOR BIG AND BURLY.
I FEEL LIKE IF YOU PICK ME UP,
YOU MIGHT START SHAKING A LITTLE BIT.
- YOU NEVER KNOW, NOW. - YOU NEVER KNOW.
- OH!
- WHY DON'T YOU TRY-- WHY DON'T WE TRY IT?
- CAN YOU TAKE OFF YOUR SHIRT PLEASE?
- OH, SURE.
- OH, HE'S CUTE.
- HE IS CUTE.
JUST LET HIM PICK YOU UP. - OKAY, JUST FOR THE--
IF YOU DROP ME, I SWEAR FO' GOD.
- YOU CAN PUNCH ME.
- WHOO! OH! - HOLD ON.
AM I SHAKING? - MM-MM.
- NO. - OOH! BUT I'M SHAKING.
[laughter]
WHOO!
OKAY, YOU KNOW, I FELT SAFE.
- WELL, GOOD. - WE'LL BE IN TOUCH.
THANK YOU FOR COMING IN.
- HE JUST WON ME OVER.
- ALL RIGHT, ALL RIGHT!
- MEOW!
- [gasps]
- OH MY.
- LIONS AND TIGERS AND BEARS, OH MY.
[cheering]
- WOW. - OKAY, HE'S A KEEPER.
- DOWN, BOY, GET IT.
- LOOK AT THOSE BAGEL BUNS.
I GOT TO GO GET ME--
[laughter]
- OOH. - OOH, A ASIAN.
I NEED YOU TO PICK B. UP. - THAT'S THE TEST.
- YEAH! - OH!
OH... - OH, OH.
- OH, NO.
- WHY?
YOU WOULD BE SO AWESOME.
- OH, HE'S SO CUTE AND INNOCENT.
MMM. - HELLO!
- HELLO. - UH, WHAT'S YOUR NAME?
- I'M CLINTON.
- OOH, BABY.
- OH, YOU'RE ALREADY SWEATING.
- OOH!
- OH, WHAT--
OKAY.
- DOG, DOG, DOG.
- OKAY.
- JUST MAKE SURE.
YEAH, AND HE'S SMILING.
IT HAS NOTHING TO DO WITH-- NOTHING.
IT TAKES HIM ZERO EFFORT, JUST SO YOU KNOW.
- HERE'S MY SOCIAL SECURITY NUMBER,
MY ADDRESS, PHONE NUMBER, EVERYTHING THAT--
- YES, YES.
- CLINTON, I'LL CALL YOU LATER ON TODAY.
- ALL RIGHT. - ALL RIGHT?
- ALL RIGHT. - THANK YOU FOR COMING IN.
- AND HERE'S A DNA SAMPLE.
[laughter]
- THANK YOU... - ALL RIGHT, BYE, EVERYBODY.
- FOR LETTING US *** YOU.
THANK YOU.
- OOH, I THANK GOD FOR THIS CASTING.
THANK YOU, JESUS!
- THEN GET YOUR [bleep] TOGETHER THEN!
- DON'T CURSE AT ME.
both: GET YOUR [bleep] TOGETHER.
- GET THE [bleep] OUT OF HERE.
- STRESS HAS TAKEN MY BROTHER AND LEFT SOMEONE
THAT I DO NOT KNOW.
[funky music]
♪ ♪
- I'VE BEEN ON A BLIND DATE BEFORE.
I DON'T REALLY MIND THEM.
I WOULD BE MORE WORRIED ABOUT GOING TO A JOB INTERVIEW.
- IT'S REALLY NICE.
- YOU NEVER BEEN HERE BEFORE?
- I NEVER BEEN HERE BEFORE. - REALLY?
NO, THIS IS MY FIRST TIME TOO.
- OH, COOL.
SO YOU'RE A ***?
- YES, I CAN SAY THAT I'M A *** IN THAT WAY.
- [laughs]
- I JUST GOT OUT OF TWO BACK-TO-BACK
TWO-YEAR RELATIONSHIPS, SO I'M CHILLING.
I'M PLAYING THE FIELD. I'M HAVING A GOOD TIME.
I'M NOT TAKING ANYTHING SERIOUSLY.
YOU KNOW ADAM? - YEAH.
- ALL RIGHT, SO, BUSTED. - THE COOL WHITE BOY.
- YES, THE COOL WHITE BOY, RIGHT?
KIKU'S FRIEND-- HER NAME IS ANISHIKA--
SISTER GIRL--
IS ON HER WAY HERE,
AND THEY'RE GONNA MEET FOR THE FIRST TIME.
IT'S A BLIND DATE.
- NO WAY. - YEAH.
- WELL, YOU NEVER KNOW. SHE MIGHT BE--STEP UP HIS SWAG.
- YEAH, I THINK SHE COULD.
SO THIS SHOULD BE, UH-- - INTERESTING.
- INTERESTING.
- BLIND DATES ARE INHERENTLY AWKWARD,
SO WE'RE BASICALLY THERE AS HIS WING MAN TEAM.
- ADAM! - HEY.
- OH, HEY, WHAT'S UP, BANKS?
- ALWAYS GOOD TO SEE YOU. - GOOD TO SEE YOU AGAIN.
- HOW'S EVERYTHING? - WONDERFUL.
- ARE YOU NERVOUS?
- NO, WHY WOULD I BE NERVOUS?
- OH, THERE SHE IS.
- HI, HI. - HEY, HOW'RE YOU DOING?
- ADAM.
- HEY, THIS IS ADAM BANKS. - NICE TO MEET YOU.
- NICE TO MEET YOU.
- HERE, HAVE A SEAT HERE.
I'LL SIT OVER HERE. - OKAY.
I'VE HEARD A LOT ABOUT YOU.
SO NICE TO FINALLY MEET YOU.
- YOU TOO. - OKAY.
- [slurps]
- UM...
CAN I GET SOMETHING FUN AND FESTIVE AND ***?
- [laughs]
- PLEASE?
- UM...
- I'M NERVOUS FOR HIM.
HE'S MAKING ME UNCOMFORTABLE.
- WHERE ARE YOU FROM?
- I GREW UP IN MANHATTAN. - OH.
- SO I'VE BEEN NEW YORKING IT FOR QUITE A WHILE.
- MM-HMM, I WAS BORN IN LOUISIANA.
AND IT'S PART-- LIKE, I GREW UP ON A FARM.
- DAMN.
RIGHT NOW, ADAM'S STRUGGLING.
- MY GRANDMA USED TO KILL THE CHICKENS.
SHE'D, LIKE, WRING THEIR NECKS AND DEFEATHER THEM,
AND WE'D EAT IT FOR DINNER.
- THAT MAKES MORE SENSE TO ME
THAN GOING TO A STORE AND BUYING
JUST RANDOM CHICKEN IN A STYROFOAM...
- I AGREE.
- CONTAINER WRAPPED IN PLASTIC
THAT YOU DON'T KNOW WHERE IT CAME FROM.
- MM-HMM.
- SO OUR FOOD HAS ARRIVED.
- AND I LIKE THAT THEY'RE NOT AFRAID
TO SEASON THEIR FRIES.
SOMETIMES FRIES WILL BE COOKED PERFECTLY,
BUT THEY WON'T PUT SALT ON IT.
THAT'S JUST SOMETHING THAT COULD'VE BEEN AWESOME,
BUT IT'S NOT.
- THAT'S INTERESTING.
- YEAH, THAT MADE TOTAL SENSE.
- I LIKE MAKING SENSE. I'M GOOD AT THAT.
- YOU ALWAYS DO.
- DO YOU GUYS SPEND A LOT OF TIME TOGETHER?
LIKE, OUTSIDE OF WORK?
- I SPEND MORE TIME WITH HIM THAN 95% OF HUMANS THAT I KNOW.
LIKE, DUDE--
LIKE, WE'RE CAUGHT UP IN A BAD BROMANCE, OKAY?
- I SEE. NO WAY. - YEAH.
- THAT'S KIND OF-- THAT'S KIND OF NICE.
- WHAT DO YOU THINK ABOUT ADAM? - PRETTY NICE.
I MEAN, KIKU SAID HE WAS EXTREMELY NICE,
QUIET BUT NICE.
- KIKU HAS TO WORK ON HER ADJECTIVES.
[laughter]
- SHE SAID YOU WERE REALLY FUNNY TOO.
- WELL, THAT'S TRUE.
- ADAM'S LIKE A NINJA.
HE'S REAL QUIET,
BUT THEN HE'S JUST GONNA POP OUT, DO HIS THING.
LIKE, THAT'S WHAT HE DOES.
- YOU'RE NOT TOO ANGRY AT KIKU?
- NO, NOT AT ALL. - OKAY.
- I ENJOYED MYSELF.
- HE'S ACTUALLY QUITE THE CHARMER.
- THANK YOU. - THANK YOU VERY MUCH.
- HAVE A GOOD NIGHT. - THANK YOU.
- NO PROBLEM, B.
- WE NEED PHOTOS OF ME-- - WE'RE ALL OVER IT.
YOU SENT THEM THE DIGITALS,
SO THEY'RE GONNA GET THEM PRINTED
AND BLOWN UP.
- I GOT IT. TELL HIM I GOT IT.
I GOT IT.
- OKAY, HEY, HOLD ON-- - NO, I GOT IT.
- HOLD ON, HOLD ON, HOLD ON.
OKAY, JAS IS RIGHT HERE.
- I GOT IT. I'M DONE. I'M ON IT.
I'M ALL OVER IT.
- SHE'S ALL OVER IT, SO THERE SHOULD BE NO ISSUE
WITH YOUR BIG LIFE-SIZE PHOTOS BEING ON THE WALL
AND LOOKING AMAZING.
- SOUNDS GOOD. OKAY, BYE-BYE.
HOW MANY MINUTES WAS THAT PHONE CALL?
- THAT WAS A LONG TIME. HOW DID YOU DO THAT?
- I REALLY SHOULDN'T BE ON THE PHONE
TALKING TO B. SCOTT ABOUT ANY OF THIS KIND OF STUFF.
I NEED MY SISTER TO TAKE THIS SITUATION, OWN IT,
SO I DON'T HAVE TO WORRY ABOUT IT.
I GOT MY OWN [bleep] TO DO.
- CAN YOU GIVE ME FIVE MINUTES, THEN,
BEFORE YOU GO BACK INTO YOUR WORLD?
- WHAT'S UP?
- I KNOW YOU WERE STRESSING YESTERDAY.
I KNOW THAT YOU AND I GOT INTO, LIKE,
A LOUD CONVERSATION THAT HAD TO DO WITH CURSING.
MY ISSUE, FIRST OF ALL, I DON'T LIKE BEING CURSED AT.
MAMA NEVER EVEN SAID DAMN IN FRONT OF US,
SO I'M NOT USED TO CURSING YOU OR ANYBODY I LOVE.
AND I DEFINITELY DON'T THINK WE SHOULD EVER DO IT
IN FRONT OF OUR STAFF.
AND I UNDERSTAND THE CHEF ROBLE THING--
- YEAH, EVERY TIME YOU DO THAT, I'M GONNA CURSE AT YOU.
- DON'T YELL AND CURSE AT ME AGAIN.
- YOU'RE GONNA REALLY [bleep] *** ME OFF.
DON'T [bleep] DO IT. - YOU JUST DID IT AGAIN.
- THEN DON'T DO IT. THEN DON'T [bleep] DO IT.
I TOLD YOU--
- SO YOU'RE CURSING AND YELLING RIGHT NOW.
- YES, DON'T SAY [bleep] CHEF ROBLE & CO. TO ME EVER AGAIN.
- SO WHAT YOU'RE NOT GONNA DO IS CURSE OR YELL AT ME.
- THEN GET YOUR [bleep] TOGETHER THEN!
- DON'T CURSE AT ME.
both: GET YOUR [bleep] TOGETHER.
- GET THE [bleep] OUT OF HERE.
- ROBLE, DON'T DO IT-- - GET THE [bleep] OUT OF HERE.
- I'M TELLING YOU RIGHT NOW-- - GET AWAY FROM ME.
- I WILL LEAVE-- - GO! THEN GO AWAY!
- SO YOU WANT ME TO GO... - GO, GO AWAY.
- AND STOP WORKING ON YOUR EVENT?
- GO AWAY. - [bleep] YOU.
IT JUST WENT FROM 0 TO 60.
I'VE NEVER SEEN ROBLE ACT LIKE THIS.
- WELL, STOP BEING AN IDIOT! - STOP--
SO NOW I'M AN IDIOT?
CLEARLY STRESS HAS TAKEN MY BROTHER
AND LEFT SOMEONE THAT I DO NOT KNOW.
I'VE NEVER DISRESPECTED YOU. - YES, YOU HAVE.
IT'S DISRESPECT NOT TO KNOW THE NAME OF THE COMPANY
THAT YOU'RE WORKING FOR.
- I DON'T WORK FOR YOU. I WORK WITH YOU, FIRST OFF.
- I DON'T GIVE A [bleep]. - WELL, STOP CURSING AT ME!
- I DON'T NEED DRAMA.
- I DON'T NEED YOUR CURSING AND YELLING AT ME
LIKE YOUR A [bleep] PRIMA DONNA.
YOU'RE ACTING LIKE A LITTLE ***.
- I DON'T EVEN NEED YOU TO BE HERE.
I DON'T. - WHAT DID YOU [bleep] SAY?
WHAT DID YOU SAY? - I SAID--
ME AND ARTIE BEEN DOING THIS FOR MONTHS.
- SO YOU DON'T NEED ME? - NOPE.
[line ringing]
- ARTIE, YOU BETTER TALK TO THIS BOY
BEFORE HE STARTS CURSING AT ME AGAIN.
- I [bleep] CURSE.
I'M A CHEF. I'M SUPPOSED TO CURSE.
THIS IS NOT A BUSINESS TO BE SENSITIVE IN AT ALL.
WE PULL NO PUNCHES.
THERE'S BLOOD. THERE'S FIRE.
AND THERE'S LOTS OF CURSING, SO GET USED TO IT.
- AND NOW HE'S LIKE, "I DON'T NEED YOU, GO!"
GOOD-BYE. SO YOU DON'T NEED ME?
THEN [bleep] OFF AND DO YOUR OWN EVENT.
YOU'RE A LITTLE ***!
- I'M A LITTLE ***.
- SO, KIKU, I GO ON A DATE WITH YOUR FRIEND
AND YOU DON'T EVEN ASK ME ABOUT IT?
- WERE THERE, LIKE, STARS IN YOUR GUYS' EYES?
- WE'RE ADORABLE.
- OH, [bleep], NOW I HAVE TO CALL HER
AND ASK HER WHAT HAPPENED.
- WE'RE GONNA HANG OUT AGAIN.
- ARE YOU? - YEAH.
- GOOD.
SO I DID A GOOD JOB.
- YEAH, YOU DID.
- SO CAN I, LIKE, START PICKING OUT
WEDDING INVITATIONS AND [bleep]?
- NO. - OKAY.
- MOM, OKAY-- MOM, MOM.
ME AND ARTIE DON'T ARGUE.
I DON'T HAVE NO PROBLEMS WITH ARTIE.
I TELL ARTIE WHAT I NEED, AND HE GETS IT DONE.
THAT'S IT.
JASMINE IS A LOT MORE SENSITIVE THAN I AM.
THE LAST PERSON I CURSED AT BEFORE HER?
I CAN'T EVEN REMEMBER.
SHE FELT SHE NEEDED TO CALL MY MOM.
OKAY, MOM, I'M GONNA TRY TO BE NICER, OKAY?
AND I'M GONNA TALK TO HER.
I'M AN ADULT.
I DON'T CALL MY MOM EVERY TIME THERE'S A LITTLE PROBLEM.
ALL RIGHT, MA, I GOT TO GO TO WORK.
- OKAY, I LOVE YOU. - ALL RIGHT, LOVE YOU TOO.
OKAY, BYE-BYE. - BYE.
- YO, WHAT'S UP, MAN? - HEY.
HOW'S IT GOING? - CHILLING.
- SO THEY'RE GONNA LOOK PRETTY ONCE THEY'RE DONE, RIGHT?
- THAT'S JUST THE CAKE.
THEY'RE GONNA BE ICED AND DECORATED.
- COOL, SO Y'ALL ARE ON-- Y'ALL ARE ON GOOD TIME?
- OH, YEAH. - WE'RE ON POINT.
- OKAY, GOOD. - WE'RE ON AWESOME TIME.
- OH, NICE, DOG.
THAT'S EXACTLY WHAT I WANTED THAT TO LOOK LIKE.
THAT IS REALLY GOOD, MAN.
IT TASTES LIKE PULLED PORK.
- WHAT IS IT INSTEAD?
- THAT'S TURKEY.
- LET'S TALK BEFORE WE GO IN HERE.
- OKAY.
- I NEED YOU TO TELL ME WHAT HAPPENED.
IT SOUNDED HORRIBLE. I JUST--
- A-ARTIE.
HE JUST FLIPPED OUT.
I DON'T KNOW THIS GUY.
I DON'T KNOW THIS ROBLE.
ROBLE, ALL MY LIFE, HAS NEVER CURSED ME OUT.
I NEED ARTIE TO UNDERSTAND THAT THIS IS NOT, LIKE,
A SMALL BROTHER-AND-SISTER FIGHT.
NO, ROBLE'S OUT OF CONTROL.
- WE'RE GONNA HAVE TO SIT DOWN AND TALK
BECAUSE WE HAVE TO RESPECT EACH OTHER.
- I DO. LET HIM RETURN THE FAVOR.
- BUT-- - HE SAID HE DOESN'T NEED ME.
SO WHAT I AM GONNA DO IS FINISH MY B. SCOTT JOB,
AND THEN WE'LL GO FROM THERE.
- HEY, HEY, HOW ARE YOU?
HI, GUYS. HI, ROBLE.
- WHAT'S GOING ON, ARTIE?
ARE YOU COMING HERE TO GIVE US A HARD TIME?
- NO, I'D LIKE TO TALK TO YOU, THOUGH.
- OH, DID YOU BRING THOSE PLATTERS?
- YES, I DID BRING THEM. - IT'S ON.
- LET'S GO UPSTAIRS, BUT--
- NO, I JUST HAVE TO BE QUICK, ARTIE.
I'M RIGHT IN THE MIDDLE OF DOING SOMETHING.
THESE ARE NICE, YO.
- BUT, ROBLE, WE NEED TO TALK.
I WAS ON THE TELEPHONE LISTENING TO YOU AND JASMINE.
JASMINE IS YOUR SISTER.
- I'M NOT--I'M NOT HAVING THIS CONVERSATION.
I ALREADY TALKED TO MY MOM ABOUT IT.
THAT'S ALL I NEED TO DO.
- I HATE TO GET IN THE MIDDLE OF FAMILY SQUABBLES,
BUT IT CROSSES THE LINE
'CAUSE IT'S INTERFERING WITH BUSINESS.
[sighs] ROBL--
OKAY, ROBLE, THIS IS A CONVERSATION
AT SOME POINT WE NEED TO HAVE.
- ARTIE, ME AND YOU ARE GOOD. LET'S JUST STAY GOOD.
I'M NOT HAVING THIS CONVERSATION.
- THIS IS HELL!
- I'M WATCHING A TRAIN WRECK IN SLOW MOTION.
THIS IS HORRIBLE.
- WE NEED SOME CHAIRS FOR B. SCOTT.
LOOK AT THAT.
HE'S GONNA LOVE THAT.
[gasps] LOOK AT THAT THRONE.
CAN I PRETEND TO BE B. SCOTT, PLEASE?
- OH, BUT, I HAVE THE HEIGHT AND THE WAIST.
- YOU SAID THE WAIST?
I WILL SMACK THE [bleep] OUT OF YOU, ARTIE.
- WE'RE--WE'RE--
- I--DON'T DO IT, ARTIE.
I AM VOLUPTUOUS.
THIS IS YOUR SECOND TIME CALLING ME FAT, BASICALLY.
- I HAVE NOT CALLED YOU FAT.
- YOU'VE INSINUATED IT.
- YOU'RE A FULL-FIGURED WOMAN.
- I'M ALWAYS GONNA HAVE A BIG ***.
AND I'M ALWAYS GONNA HAVE THESE GIRLS.
AND I LOVE THAT.
- YOU SIT YOUR TALL SKINNY *** DOWN.
- MMM.
- LIKE, THIS BAR LIGHTS UP, AND IT'S ALL PRETTY,
BUT THE OTHER BAR?
IT'S JUST GONNA BE A TABLE?
- SHAWN!
- WHERE DID HE GO?
- AND HE HAS DISAPPEARED.
SHAWN.
- YEAH?
- THOSE GLASSES AREN'T GONNA MOVE BY THEMSELF.
- OKAY.
WHERE IS JASMINE?
- SHE'S COMING. SHUT UP.
- WE'RE ALREADY LATE.
WE COME AN HOUR EARLY, WE'RE STILL [bleep] LATE.
ME AND MY SISTER HAD AN ARGUMENT.
IS THAT THE FIRST TIME? NO.
WILL IT BE THE LAST TIME? HELL NO.
LET'S GO, MAN.
JAS MIGHT STILL BE MAD, BUT I'M OVER IT.
I GOT TO GET TO WORK.
- OH, YEAH, WE CAN WORK WITH THIS.
OH, WE GUCCI, YO. WE GUCCI.
THIS IS NICE.
- ALL RIGHT, LET'S GET SET UP.
- WE GOT ELECTRICAL SOCKETS? OUTLETS?
- WE HAVE TWO PLUGS THERE, BUT IT MIGHT BLOW.
- THROW THAT OVER THERE.
- ONE THING THAT SEPARATES CATERING FROM RESTAURANTS IS,
EVERYWHERE WE GO, WE HAVE TO BUILD A NEW KITCHEN.
CAN WE GET RID OF THAT TOASTER OVEN
AND DROP THIS RIGHT THERE WHERE THAT IS?
THERE WE GO.
YOU MIGHT BE OUTSIDE IN A BACKYARD SOMEWHERE.
YOU MIGHT BE IN A ELEVATOR SHAFT.
BUT I LIKE IT. BECAUSE YOU KNOW WHAT?
I HATE ROUTINE.
I'LL PROBABLY NEVER GET MARRIED.
- HI, EVERYBODY!
- [screams]
- HEY, TWIN POP.
- OOH.
- I'M STILL SUPER PISSED OFF AT ROBLE.
I'M ANGRY. I'M HURT.
BUT I HAVE TO PUT ALL OF MY FEELINGS ASIDE.
WE'VE PROMISED B. SCOTT A PARTY, AND I HAVE TO DELIVER.
PUT THAT ONE OVER ON THE CORNER.
- YES! - ONE BEHIND THE BAR.
- HEY, I WANT YOU TO BE VERY NICE TO THIS.
WASH THAT, PLEASE?
- WASH IT? - YOU KNOW WHAT THAT IS?
- AN OSTRICH EGG.
- YES, YOU EVER SEEN ONE OF THOSE BEFORE?
- NOT IN REAL LIFE, BUT I SEEN IT ON TV.
- OKAY, SO I DON'T KNOW IF THAT'S OSTRICH POOP.
WE GOT TO WASH THAT OFF OF THERE.
- ALL RIGHT. - OKAY, THANKS.
- CAKES ARE LIKE UGLY GIRLS.
YOU PUT ENOUGH MAKEUP ON THEM AND THEY BECOME GORGEOUS.
- NO, CAKES ARE LIKE UGLY GIRLS.
DRINK ENOUGH BEER, THEY BECOME BEAUTIFUL.
- [laughs]
- ALL RIGHT, SO THESE ARE DONE.
- WE CAN GET THOSE IN THAT FRIDGE.
- ALL RIGHT, GUYS, HERE'S WHAT YOU'RE GONNA DO.
YOU'RE GONNA LIFT ME UP.
OUR HOST IS ABOUT MY HEIGHT.
HE MAY BE A LOT-- A LITTLE LIGHTER THAN ME.
ALL RIGHT, LET'S TRY IT.
[funky music]
IT'S OKAY.
B. SCOTT IS NOT GONNA DO A WALK-THROUGH BEFORE THE PARTY.
SO WE HAVE TO MAKE SURE THAT EVERYTHING IS ON POINT.
YOU GOT ME A LITTLE NERVOUS THERE.
- CAN WE GET THE REST OF THE PHOTOS UP OF B. SCOTT?
- YEAH.
- CAN SOMEBODY WITH A LIGHTER
LIGHT ALL THESE CANDLES, PLEASE?
I GUESS THAT'D BE ME.
- [bleep], MOTHER[bleep].
- DID IT BLOW AGAIN?
- OH, MY GOD, MAN. THEY'RE BOTH BLOWN.
WHAT THE [bleep]?
- THEY BLEW OUT? - YEAH.
THAT'S ALL IT KEEPS DOING IS BLOWING.
- IS THIS STILL ON?
- NO.
- THIS IS NOT IDEAL.
OKAY, THIS IS NOT GONNA TAKE ALL THIS.
WE CAN ONLY HAVE ONE FRYER ON AT ONCE.
- WHOO!
- I HAVE OVENS, FRYERS.
I HAVE A HOT PLATE.
AND I CAN'T KEEP IT ALL ON AT THE SAME TIME
BECAUSE CIRCUITS KEEP BLOWING.
THIS ONE CAN GO AWAY.
IT'S JUST...
ELECTRICAL PANDEMONIUM.
- 30 MINUTES.
LET'S ALL GET OUT ON THE FLOOR,
AND WE GOT TO CLEAN IT UP.
- WHY IS THE AIR CONDITIONING OFF?
- WHAT'S UP? IT WENT OUT AGAIN?
- YEAH, MAN.
- NO, NO, NO, IT SAYS IT'S GOING.
- WHAT IS THAT? - WHERE IT SAYS IT'S GOING?
AIN'T NO GREEN LIGHT ON.
- I WAS GOING BACK AND FORTH TO THAT FUSE BOX
LIKE EVERY FIVE MINUTES.
WE TURN THE A.C. ON, WE CAN'T TURN ANYTHING ON IN THE KITCHEN.
IF WE TURN THINGS ON IN THE KITCHEN,
THEN THE A.C. GOES DOWN.
THIS "EVENT SPACE" THAT WE'RE IN
CAN'T EVEN HANDLE THE ELECTRICAL LOAD
THAT AN EVENT PUTS UPON A SPACE.
WE'RE SCREWED, BASICALLY.
- OOF! OH, LORD!
[laughter]
CHILD!
I DIDN'T THINK MENOPAUSE WAS GONNA START AT 39.
WHOO!
- CHILD!
- I AM MOIST!
[line ringing]
- HELLO, THIS IS ERIN.
- HI, ERIN. THIS IS ARTIE.
- NOT GOOD. WE GOT BIG PROBLEMS HERE.
WE GOT BIG ELECTRICAL PROBLEMS.
- THE A.C. HAS GONE DOWN.
WE CAN'T GET IT BACK UP.
I GOT PEOPLE WAITING OUTSIDE.
WE CAN'T LET ANYBODY IN, IT'S SO HOT IN HERE.
- OKAY, WE NEED YOU TO GET THAT OVER ASAP,
'CAUSE WE'RE RUNNING OUT OF TIME.
- ALL RIGHT, THANK YOU.
- WE NEED A AIR CONDITIONER RAPIDO.
- WE HAD THIS PROBLEM LAST TIME
SOMEWHERE IN DEAD-SMACK MIDDLE IN THE SUMMER--NO A.C.
- WHY IS THIS HAPPENING TO US, THOUGH?
- ROBLE. - WHAT'S UP?
- SO THE GENERATOR'S COMING.
AND SO I'M NOT GONNA HAVE THE HOUR OF JUST COCKTAILS.
WE'RE GONNA START EVERYTHING ALL AT ONCE, OKAY?
- ALL RIGHT.
- THAT LOOKS GREAT, ADAM.
BEING HOT IS PART OF WORKING IN A KITCHEN,
BUT THIS IS EXTREMELY HOT,
AND I'M EXTREMELY PROUD OF MY TEAM
FOR WORKING THROUGH IT.
THEY'RE PUMPING OUT THE FOOD. EVERYTHING LOOKS GOOD.
[bleep] AWESOME.
- CHECK THE FREEZER?
- ARE THEY HOLDING?
- JUST BARELY.
- SO THEY'RE NOT MELTING.
- NO, THEY'RE NOT MELTING,
BUT IT'S NOT VERY, LIKE, COLD IN THERE.
- IT'S NOT GETTING ANY BETTER, SO--
- WELL, SUPPOSEDLY THERE'S SUPPOSED TO BE A GENERATOR
TO GET THIS *** COLD.
- THAT GENERATOR'S BEEN ON ITS WAY FOR AN HOUR, GUYS.
COME ON.
- I'D RATHER YOU SAVE YOUR ENERGY.
PLEASE SIT DOWN.
WE DON'T HAVE ENOUGH INSURANCE TO COVER EXHAUSTION.
I'D LIKE EVERYONE NAKED--
- TELL HER TO STOP TALKING SO MUCH
'CAUSE SHE'S NOT GONNA BE ABLE TO TALK TOMORROW.
SHE'S GONNA LOSE HER VOICE.
WHEN YOU'RE LIVE AT AN EVENT,
IT'S BALLS TO THE WALL.
IT'S NO JOKE.
AND THERE'S DEFINITELY NO TIME
FOR GETTING OVERWHELMED MENTALLY OR EMOTIONALLY.
- IS THAT A FAN? COME ON.
- I NEED YOU TO STOP SCREAMING.
- I DON'T WANT TO SCREAM. - THEN DON'T.
THESE PEOPLE LOOK LIKE THEY'RE GONNA--
- THEN DON'T.
- THE NAKED PEOPLE ARE GONNA FAINT.
- I WOULD EXPECT A LITTLE MORE PROFESSIONALISM.
- LOOK AT MY ***. LOOK AT MY ***.
YOU WOULD THINK I WAS IN A BROTHEL.
DO YOU UNDERSTAND THAT B. SCOTT SAID, "I WANT TO BE FREEZING"?
AND WE HAVE THE OPPOSITE OF FREEZING.
- AND WE HAVE NO CONTROL OVER THIS RIGHT NOW.
- I KNOW THAT.
THE ONE THING THAT THE VENUE PROMISED US
WAS THAT THIS WOULD NOT BE A PROBLEM.
- IT'S TOO HARD TO DO ANYTHING.
ALL MY ENERGY'S GONE.
- SO WE'RE GONNA LET GUESTS UP IN FIVE MINUTES.
THEY'VE BEEN STANDING THERE NOW FOR 52 MINUTES.
- OKAY.
- I'D RATHER HAVE THEM HERE THAN NOT.
I WANT YOU TO HAVE AS MANY COCKTAILS AVAILABLE
FOR THEM AS POSSIBLE.
THEY'LL BE HOT, BUT THEY'LL BE DRINKING.
- [bleep] DO NOT LIKE THE HEAT.
THEY NEED A.C. OR ELSE THEY'RE GONNA MELT.
ALL THAT MAKEUP'S JUST GONNA MELT RIGHT THE [bleep] OFF.
- WE'RE TELLING ALL THE WAITERS WHAT IT'S PRETENDING TO BE.
SO IF THERE'S A FOOD ALLERGY OR WHATEVER,
THEY CAN ANSWER THE QUESTION?
- I THINK THAT WE SHOULD TELL THE GUESTS WHAT IT IS,
BUT WE SHOULD NOT TELL B. SCOTT WHAT IT IS.
B. SCOTT WANTS FOOD THAT LOOKS LIKE ONE THING
BUT IT'S SOMETHING ELSE, KIND OF LIKE HIM.
THE CONCEPT IS CALLED TROMPE-L'OEIL.
LET'S GET TO IT.
WE HAVE A SALAD.
IT IS WATERMELON BALLS WITH FETA.
WHAT WE DID IS, WE JUICED WATERMELON,
AND WE MADE IT INTO LITTLE SPHERES.
SO IT ACTUALLY LOOKS LIKE SALMON ROE,
OR SALMON EGGS, WITH TOFU.
- WATERMELON BALLS, AMAZING.
THEY LOOK LIKE CAVIAR. SO GOOD.
- B. SCOTT SAID NO PORK AT HIS PARTY.
I HAVE A SURPRISE FOR HIM.
I'M GONNA GIVE HIM SOMETHING THAT LOOKS LIKE PORK
AND TASTES LIKE PORK,
BUT IT'S ACTUALLY BARBECUED PULLED TURKEY.
- MMM!
- B. SCOTT ALSO SAID THAT HE DIDN'T WANT ANY BEEF
AT HIS PARTY.
SO WHAT DO I DO? I MAKE STEAK AND EGGS.
BUT I'M NOT GONNA USE BEEF TO DO IT.
I'M USING OSTRICH MEAT,
WHICH LOOKS JUST LIKE BEEF AT A GLANCE.
ALSO, INSTEAD OF USING CHICKEN EGGS,
WE'RE GONNA USE THE OSTRICH EGG.
- OH, YEAH.
- THIS BEEF IS GOOD.
- WELL, I HAVE SOMETHING TO REVEAL TO YOU.
- WHAT'S THAT?
- THAT'S OSTRICH EGG, AND THAT'S OSTRICH MEAT.
- ALL RIGHT, SIR! - IT'S REALLY--
- PERFECT. - SO GOOD.
- EVEN THOUGH IT'S HOT AS HELL IN HERE,
THE GUESTS SEEM TO BE ENJOYING THE FOOD,
SO THAT'S ONE THING TO BE HAPPY ABOUT.
- CHEERS. - TO B. SCOTT.
- AND SOME REALLY GOOD FOOD ALONG THE WAY.
- HONEY. - AND GOOD DRINKS.
- THIS IS WHAT IT IS:
YOU'RE EATING,
AND YOU'RE NOT PUTTING ANY WEIGHT ON
BECAUSE YOU'RE SWEATING IT OUT.
- AAH! - ALL THE WEIGHT.
BY THE TIME YOU LEAVE OUT OF HERE,
YOU'LL BE TEN POUNDS LIGHTER.
- UH, WAITER?
TWO TY KU SAKE COCKTAILS.
- MMM, THAT'S GOOD.
- ROBLE, THE A.C. AND GENERATOR ARE HERE.
- THIS IS-- THEY BOTH NEED OIL?
- YEAH, THEY BOTH NEED OIL.
- OH, THERE'S NO OIL IN THEM AT ALL,
SO YOU CAN'T EVEN TRY TO START THEM?
- YEAH, SON OF A ***.
IT CAN BE NO WORSE THAN IT IS RIGHT NOW.
IT'S BEYOND REPAIR NOW.
THIS IS [bleep] SO STUPID.
I SWEAR TO GOD.
THIS IS UNFIXABLE.
- ALL RIGHT, GUYS, LISTEN UP!
I WANT YOU ALL TO BE READY.
B. SCOTT IS COMING!
[suspenseful music]
♪ ♪
[cheers and applause]
- LOVE MUFFINS!
WHOO!
SEE THIS-- THIS DON'T REALLY WORK.
[people laughing and cheering]
I AM SO APPRECIATIVE--
[cheers and applause]
I-I KNOW IT'S HOT IN HERE.
ONE THING I SAID IS, I DON'T WANT MY GUESTS TO BE HOT.
THIS IS--NOT ONLY IS THIS HOT.
THIS IS HELL!
[laughter]
I'M IN HELL!
I'M WATCHING A TRAIN WRECK IN SLOW MOTION.
THIS IS...
HORRIBLE.
- THESE ARE MY PEOPLE.
I TOLD YOU THAT THIS IS MY PEOPLE.
THESE ARE FRIENDS.
THESE ARE CONTACTS. THESE ARE BLOGGERS.
THESE ARE PEOPLE THAT CAN GO AROUND, LIKE,
"B. SCOTT'S PARTY WAS NA-NA-NA-NA.
B. SCOTT WASN'T THIS, WASN'T THAT."
THIS WENT--NOT ONLY DID IT GO WRONG,
IT WENT SO LEFT,
I CAN'T PRETEND LIKE IT WENT RIGHT.
- THIS IS NOT A PARTY.
THIS IS MORE LIKE THE END OF THE WORLD.
- I HAVE TO GO
BECAUSE IT'S TOO HOT IN HERE FOR ME TO THINK.
- THIS IS [bleep] HUMILIATING.
- I FEEL LIKE A WILTED FLOWER.
AND I'M A ROSE, BABY,
NOT A DANDELION.
LOVE YOU MUCH.
- I HAVE NEVER IN MY CAREER HAD THIS KIND OF A FAILURE.
THE GUESTS LOVED THE FOOD.
THE SERVICE WAS ON POINT.
THE ROOM LOOKED AMAZING.
BUT IF THE CLIENT'S NOT HAPPY,
I GOT TO GO MAKE IT RIGHT.
OKAY, B., LET'S TALK.
- WHAT THE [bleep] HAS BEEN HAPPENING UP HERE?
- I'M SORRY.
IF THIS WAS IN-- UNDER MY REALM OF CONTROL,
IT WOULD NOT BE THIS WAY, BUT IT'S NOT.
- BUT AS I STAND HERE, MELTING, EMBARRASSED--
- I'M EMBARRASSED AS WELL.
- I NEED TO KNOW FROM YOU THAT YOU WOULD THROW ME A PARTY...
- YES. - LIKE I ASKED FOR.
- YES.
- I HAVE YOUR WORD.
- YOU HAVE MY WORD. YES, YOU DO.
I-I'M GLAD THAT HE'S GIVING US A SECOND CHANCE.
- I NEED A HUG.
- HE DESERVES ANOTHER EVENT.
AND WE'RE GONNA MAKE IT RIGHT.
SORRY.
WE CAN TALK ABOUT IT AND NOT HAVE A FIGHT.
- I'VE NEVER EVEN CALLED YOU A NAME, EVER.
IT'S HORRIBLE.
- YOU WANT SOME WATER, ARTIE? - SURE.
- LAST NIGHT'S EVENT WAS A NIGHTMARE,
AND MY BROTHER AND I HAD THE WORST FIGHT WE'VE EVER HAD.
- DON'T SAY ANYTHING AWFUL WITHOUT ME BEING THERE, PLEASE.
SITUATION APPRECIATION?
- WE HAVEN'T EVEN DEALT WITH IT,
AND I'M STILL REALLY HURT.
SO RIDICULOUS.
- I'M SO GLAD WE'RE SITTING DOWN AND TALKING.
- I WAS VERY, VERY DISAPPOINTED WITH THE B. SCOTT EVENT.
AND I WAS REALLY UPSET ABOUT IT. - NO--
- BUT BEFORE THAT, YOU KNOW,
I FEEL LIKE I WAS--
YOU KNOW, YOU ASKED ME TO COME BACK,
AND I CAME BACK.
I'VE CHANGED MY LIFE AGAIN. - MM.
- BUT YOU SAID YOU DIDN'T NEED ME.
I MEAN, YOU LITERALLY SAID, "I DON'T NEED YOU."
- THAT WAS ME LOSING MY TEMPER.
AND I JUST LET IT OUT, AND I DID IT IN THE WRONG WAY,
AND IT WAS NOT RIGHT.
WE NEVER IN OUR LIVES EVER HAD A--
- I KNOW.
- THAT KIND OF AN ARGUMENT, EVER.
- THAT WAS HORRIBLE. - IT WAS HORRID.
- I'VE NEVER EVEN CALLED YOU A NAME, EVER, IN YOUR LIFE.
I'VE NEVER CURSED YOU OUT OR CALLED YOU A NAME.
- AND I NEVER WANT TO MAKE YOU CRY.
- THAT HURT ME DEEPLY. - NO, I'M SORRY.
I PROMISE YOU I WILL NOT LOSE MY TEMPER WITH YOU.
OKAY? - YEAH.
- ALL RIGHT.
- IS THERE RESOLUTION? SURE.
BUT RIGHT NOW IT'S JUST WORDS.
WE'LL SEE IF IT ACTUALLY HAPPENS.
I PERSONALLY JUST WANT TO HAVE BETTER COMMUNICATION,
BECAUSE I'M JUST COMING BACK IN,
AND, YOU KNOW, AND I'M--
YOU KNOW, I'M TRYING TO GET READJUSTED
TO THE WAY THINGS ARE BEING RAN NOW.
- ARE--DO YOU GUYS FEEL
LIKE YOU'RE STEPPING ON EACH OTHER'S TOES RIGHT NOW?
LET'S BE REAL.
LIKE, WE CAN TALK ABOUT IT AND NOT HAVE A FIGHT, HOPEFULLY.
- I DON'T NEED TO FIGHT. WE DON'T NEED TO FIGHT.
- DO--IS THAT--ARE--ARE--
ARE WE STEPPING ON EACH OTHER'S TOES?
- HE GETS TO TALK NOW. - I WOULD LOVE FOR YOU TO SPEAK.
- I WOULD LOVE TO. THANK YOU SO VERY MUCH.
SO [clears throat]. I THINK THAT AT SOME--
SOMETIMES WE ARE STEPPING ON EACH OTHER'S TOES.
- MM-HMM.
- WHEN WE'RE IN THE MIDDLE OF A PARTY,
YOU CANNOT BARK.
- OKAY.
- EVERYBODY HAS TO UNDERSTAND
THAT HE'S IN CHARGE ON THE FLOOR.
IF THE PEOPLE ON THE FLOOR SEE EVEN AN INKLING
OF DISRESPECT BETWEEN US,
IT'S NOT GOOD.
WE'VE ALL BEEN GUILTY OF IT.
NOW WE NEED TO SEW THAT [bleep] UP.
JASMINE AND ARTIE ARE BOTH VERY GOOD AT WHAT THEY DO.
THEY JUST NEED TO FIGURE OUT HOW TO MAKE IT WORK.
I HOPE YOU'RE BEING A HUGE RESOURCE FOR EACH OTHER.
- I FEEL LIKE I'M-- I FEEL LIKE HE'S--
- LIKE, LIKE, LIKE, LIKE, YOU'RE LOOKING AT, YOU KNOW,
20 YEARS' EXPERIENCE RIGHT HERE.
- CLEARLY.
- AND, AND, AND, AND YOU'RE LOOKING AT
SOMEBODY WHO'S A NATURAL AT DESIGNING
AND MAKING EVENTS GREAT.
I'M HOPING THIS IS JUST GROWING PAINS
AND THEY'LL FIGURE IT OUT.
HIGH FIVE.
- WE'VE DONE A LOT OF HIGH FIVING
AND HANDSHAKING AND MAKING A LOT OF PROMISES.
I WISH I WAS DICTATING ALL THIS STUFF RIGHT NOW.
- BECAUSE THE MOMENT IT DOESN'T HAPPEN,
YOU KNOW I'M GONNA [bleep] SNAP...
CRACKLE AND POP.
- ON THE NEXT EPISODE OF CHEF ROBLE & CO....
OUR CLIENT IS A PROFESSIONAL POLO PLAYER.
- NICE.
- HOW'S IT GOING?
- NIC ROLDAN IS SUPER HOT,
AND IF ANYONE SAID HE ISN'T, THEN YOU'RE A LIAR.
ARTIE? - WHAT?
- IF YOU HAVE SOMETHING TO SAY, SAY IT NOW.
I WANT YOU TO SAY IT.
- IF YOU WANT TO BE IN CHARGE OF DESIGN,
YOU HAVE TO FOLLOW IT THROUGH, MISS JASMINE.
AT THE LAST [bleep] MINUTE,
SOMEBODY'S COMING TO ME ABOUT COCKTAIL NAPKINS.
- IF YOU WANT TO LOSE IT, LOSE IT IN HERE,
NOT IN FRONT OF THE CUSTOMERS.
HE GOT TO GET IT TOGETHER.
- DUDE, ALL THE BUGS ARE FLYING INTO THAT LIGHT
AND DYING INTO OUR PANS.
- REALLY GROSS.