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- Do you want to see it?
- Where is it?
- Here you are.
- I've done this part. Here.
- Did you do it yourself? - Yes.
- Which part did you do?
- This one.
- All of this? - Yes.
- Mamma mia! It's a big work.
- Yes, it shouldn't have been...
- My name is written here.
- At the beginning?
- Here.
- Ah, but that's all written in... in English.
- Not my name!
This is my name. And it's written in.. Italian!
- See, it says 'Michele Graffieti'.
- The other texts instead are half Italian and half English
because it's an international magazine, so they have English translations.
- Who's this man?
- It's Freud.
- Politecnico of Milan...
- Freud, the inventor of psychoanalysis.
- "Creative director..."
- As you can see I know everything.
- It's all right.
It's hard for anyone to recognize him in photo.
- All right.
And if it's not all right, never mind.
- All right.
- Have I explained to you why I am doing this video-project?
- No.
- This...
... On the internet I found this competition for which, all over the world,
... people have got to shoot a little video, a movie, today.
With no limitations.
But it has to tell something about one's...
... one's... one's experiences. Well, everyone's experiences, finally.
So, anyone in the world who wants to take part in the project, today has to pick up the camera
and go shooting around what is important to him/her, or what is...
- What is...
- What everybody wants.
That's why I came here. This is a very important place to me.
Because I grew up here.
- Right.
- But now you... you have to...
- To put all the shooting together, edit it... That's right. But I have a week time.
- And you have to include voices in it also.
- Yes.
- Maybe I will translate it in English because it will be viewable from all the world.
And I could be selected to be part of a bigger movie, made up of the best movies people are producing today.
The final movie is by an important director who...
- So they are choosing all the interesting scenes.
- Yes, they select.
Maybe my contribution is not interesting to them, but to me it was.
So, who cares if they don't select me!
We could watch it in the future, together.
- If I am selected, instead, I'm going to Hollywood!
- Who knows? You're lucky, usually. Maybe you can do it.
- It depends on what you do and you don't do...
- Listen, I'm filming you
so if they don't choose me, it's your fault.
- Oh. If I knew, I would have fancied up.
- See me? I put the shirt on purpose. But you have shirt, too.
Actually, you've got also a hat.
- I'm genuine. Movies have to be genuine, right?
- Have you seen the stool I've made?
Do you like it?
- What's for?
- Sorry?
- What is the stool for?
- To sit at the window at night.
To breath fresh air.
- Last night the air was so nice.
- This is the brunt your grandfather is bearing, you know.
- That's fine.
- As long as I can do it...
Today, for instance, I can breath better then usual with this breeze.
Because it refreshes the air before my nose.
Oh I really breathed well last night. I was fine.
We should change bed places, Maria, because, in the corner where I am, you wouldn't get too much air.
- What?
- You should sleep on my side of the bed.
Because you would receive less air on my side.
If only there were air!
- All right.
- Are you still sleepy?
- Now he is sleepy of course. Go to bed. - What time did you go to bed?
- At... 3.00.
- A.M.?
- Yes.
- Oh! That's why dear! - Go to sleep.
- Go to sleep. You have still time to sleep. It's only 9.30am.
- You have still time to take a nap.
- No.
Now I can't sleep. Sun is up.
People sleep when it's dark.
- Close the shutters.
- Why don't you go to sleep upstairs? If you close the shutters it's dark.
- It's true.
- Now I stand up and... sleep goes away.
And I'm having rehearsal at 11.00.
I'm going to the theatre to rehearse.
- When is the debut planned for?
- On 18th September.
- Oh! There's a lot of time.
- Well!
- Today I'm cooking pudding because I found out that milk is going off today.
At least one litre.
- Right then.
- So I'm cooking pudding.
It cools fast. Maybe it will be ready for midday. I'm starting now.
- All right. I'm going outside to work, now.
- I'm going too. See you at 01.00pm.
- All right.
- Thank you.
- So, let's go.
Let's go.
- You have time to come back and have lunch.
- I switch off the lights.
- All right.
- All right.
- All right.