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There's magic out there.
FEMALE REPORTER: Beloved television host, Emmet Cole, has been reported missing.
We can find his ship.
We can find him.
CLARK: The network will pay, but they want every moment on camera.
I am not leaving this close to finding your father.
MAN: A major branch of genomics is still concerned with sequencing the genomes of various organisms.
What are you doing? WOMAN: Curing boredom.
It's not boring if you actually listen to what they're saying.
Come on, put the phone away.
Put it away.
You grew up in front of cameras.
You should be used to this.
(CELL PHONE VlBRATES) My mom.
Go ahead.
I can take notes for you.
No, thanks.
I've seen your notes and I can't even read your notes.
What? (CELL PHONE VlBRATES) Mom, I'm in class.
Whoa, whoa, whoa, slow down.
Wait, wait.
Well, he's been out of touch before.
He always How long? Ah, okay, um, all right, I'll get on the next flight.
Okay.
What's wrong? It's my dad.
He's missing.
Dad! Emmet! Dad! What the hell happened here? It's like everyone just disappeared.
This car hasn't been used in months.
So, listen, what do you think this place is? Could be a mission.
Maybe a research facility, biological, botanical.
I think it's drug runners, more likely.
Something happened here, Tess.
No one's gonna blame you if you want to turn around.
Emmet was here.
I'm not turning around.
Not now.
Not without him.
(SlGHS) (SAT PHONE SPEED DlALS) (PHONE RlNGlNG) (BEEPS) (WOMAN SPEAKlNG GERMAN) (BEEPS) Dad! Dad! Lincoln, maybe we shouldn't make so much noise.
(MUSlC PLAYlNG FAlNTLY) What should we do? We go in.
Whoa! Mom, come on.
Whoever was here before, they're not here now.
It (WOMAN SlNGlNG lNDlSTlNCTLY) (MUSlC GETTlNG LOUDER) (PLAYER TURNlNG OFF) Someone turned it on.
(CLARK PLAYlNG A NOTE ON PlANO) Still in tune.
"Hugh, Pivis and Douglas.
"Molecular Genetics and Genome Sequencing and Synthesis.
" I read these books in class last year.
TESS: It's like they barricaded themselves in.
AJ: Guys, look.
Footprints.
Looks like blood.
(MAN COUGHlNG) (WOMAN COUGHlNG) TESS: Animals must have got in here.
KURT: No.
Animals would have picked all of this food clean.
- (lNHALES DEEPLY) - TESS: Ugh.
The smell isn't coming from this food.
(MAN COUGHS) Oh, man! Oh, God.
Lincoln.
It's Dad's.
Oh, my God! Dad! Em! Dad! Emmet? Are you in here? (FAlNT BUZZlNG) Do you guys hear that? It's like a buzzing sound.
CLARK: It's coming from here.
(BUZZlNG GETTlNG LOUDER) You hear that? AJ: Yeah.
(OPENS LATCH) - (FLlES BUZZlNG LOUDLY) - Ugh! Ah, jeez! Mmm.
(GROANS) - Oh! - (TESS SCREAMS) - You all set, Sammy? - On it.
- AJ? - Yeah.
Let's go sell a TV show.
Tess! Hidey ho.
(DOOR CLOSES) Uh, Clark, I think the maid's missing too.
Very funny, very funny.
Tess? Tess.
Tess, it's me, darling.
You have to get up.
Whatever it is, I don't care.
Listen, I just need a minute Turn off the cameras, Clark.
Show's over.
I'm not giving interviews anymore.
No, no, no, no, no.
Listen to me.
(CHUCKLES) This isn't an interview.
Tess.
You know you've been saying for months that Emmet is not dead, and everybody has been looking at you like you were mad, including myself.
His beacon, it went off.
You really should answer your phone.
When they couldn't reach you, they called me.
Tess, the Coast Guard got a signal.
Somewhere in the Amazon.
They didn't get an exact location, but it was his.
You might have been right all along.
Emmet might still be alive.
(WHlSPERS) Oh, my God.
(SlGHS) Emmet.
Yeah.
What do we do? How do we do this? What we We could We have to go down there.
We can find him, right? But how are we going to We don't have the money to mount an expedition.
I don't know how we do this.
I've already raised the money.
(WHlSPERS) Oh, Clark! Ooh! (LAUGHS) Oh! I don't know how to thank you! Mmm.
(SlGHS) There's just one catch.
(WHlSPERS) Clark, (NORMAL VOlCE) those are people in there.
Those are dead bodies.
Emmet, you don't think it's It can't be, right? It can't be.
Well, someone has to go in there and check.
AJ.
Don't even think about it.
It's a room full of (BLEEP) corpses, all that (BLEEP) in your face.
LlNCOLN: I'll go.
We have to know, right? All right, here we go.
(LlNCOLN GRUNTS) (EXHALES SHARPLY) CLARK: Good luck.
Jonas, you ready? If you see him in there, I want to know, all right? (BUZZlNG) (COUGHS) AJ: Where are you off to, Kurt? (LlQUlD SQUlSHlNG) (JONAS GROANS) (GAGS) CLARK: Whoa, whoa, what's going on? What are you doing? I'm sorry.
I just I can't, with the smell.
(JONAS GASPlNG) (GASPlNG) He's not in there.
(RETCHlNG) (COUGHS) (SAT PHONE SPEED DlALS) (CELL PHONE RlNGlNG) (CONTlNUES RlNGlNG) (METAL DOOR BANGS) (CONTlNUES RlNGlNG) (SPEAKlNG GERMAN) (SlGHS) (CELL PHONE CONTlNUES RlNGlNG) AJ: It's me! It's me! Did you follow me? - I follow everyone.
- You shouldn't have.
What, is that a threat? You're gonna shoot? (WHlSPERS) Shut up.
(WATER DRlPPlNG) We're not alone.
LlNCOLN: There's about 20 bodies.
It's hard to tell.
More parts than bodies.
Massive avulsions, like they were ripped off.
Other places there were teeth marks.
I don't know Like the way they were collected.
It's like they were piled up in place.
For what? JONAS: It's a freezer.
What do you think? Food? Tess, I'm sorry to be the one to say this out loud, but everyone in this facility is dead.
Something did this, okay? And it could still be here.
So please, gather up everybody, we are leaving.
No, we're not! Clark! This is not the time.
I'm trying to take care of everybody here.
- You don't get to take care of anything! - Mom, Mom, Mom.
He's right.
We should go.
Thank you.
Where the hell is Kurt? Kurt? AJ! CLARK: This place is bloody huge, they could be anywhere.
LlNCOLN: This is an operating room.
These are genetic maps, cellular alteration and mutation.
It looks like they were doing some kind of pharmaceutical research.
CLARK: A research facility? In the middle of the bloody Amazon? JONAS: Holy (BLEEP) (MAN GASPS) TESS: I think it's a Xulo.
One of the tribesmen who rescued Emmet.
Whoever worked here must have found one.
No, they killed one.
That's the symbol on your necklace.
TESS: What's that? I think it's bone.
CLARK: It's coming out of his back.
What the hell was going on here? KURT: I've got someone who might know.
Rabbit! You're alive! I was looking for Dr.
Cole.
Found her hiding in a tub.
Have you seen Emmet? Where is he? Is he still here? Hey, Mom, Mom, easy, easy.
She's in shock.
She left your father to die.
She deserves whatever happens to her.
What's that? (HOWLlNG) They're coming.
(SCREAM lN DlSTANCE) They're hungry.
(ROAR lN DlSTANCE) Everyone, come on.
Let's go, come on.
Just keep going.
Uh, that sounds like it's getting closer.
WOMAN: Shh! (HOWLlNG) (ROARlNG) Oh (BLEEP) (RABBlT WHlMPERS) (SNARLlNG) (GUN FlRlNG) (LENA AND TESS SCREAM) (ROARS) (LENA AND TESS GASPlNG) (lNDlSTlNCT SHOUTlNG) (ROARS) Good news.
You can kill them.
Do you have enough bullets? Depends on how many there are.
Let's go! Come on! - CLARK: Oh, my God! - Let's go! Oh, God! LlNCOLN: Come on! Get in, get in, get in.
(LENA AND TESS SCREAMlNG) (GRUNTS) (POUNDlNG ON DOOR) Are there any outside? Uh One, two, three.
They're just waiting.
Yeah? Waiting for what? - (GROWLS) - I'm gonna say "dinner.
" What the hell are those things? Bloody hell! Just open the door, it'll be easier.
(HOWLlNG CONTlNUES) When you were here, did you see him at all? I'm so sorry.
So sorry.
I left him.
I didn't mean to.
- Listen to me, Rabbit.
Was Emmet here? - I just wanted to go home.
Was he here? Uh-huh.
In the infirmary when I got here.
He hadn't woken up yet.
The doctors, they said he was gonna be okay.
They were helping him when it happened.
When what happened? They changed.
(GROWLlNG) Have you seen him since? (GASPlNG) (LOUD ROARlNG) (POUNDlNG SUBSlDES) CLARK: Tess, if Emmet was here No.
It doesn't mean anything.
I'm sorry we left you, Jonas.
It's not your fault.
It's Emmet's.
I let it happen.
I don't blame you.
You don't blame the sheep for following the shepherd.
LlNCOLN: There's some damaged video records in this laptop.
If I can recover them, maybe we can find out what happened here.
Maybe how to stop those things.
All right, let me try.
You're really good with the blood and the guts but the electronics, not so much.
And this battery's not gonna last forever.
When did you learn how to do all this? When we were kids, the only thing you were into were bugs.
That wasn't the only thing.
Snakes.
(TYPlNG) What if my dad, what if he didn't make it? And all this is (WHlSPERS) It's just I know he did.
My mom's been saying he's alive for months.
But somehow when you say it, it feels true.
LENA: There.
That should do it.
File's clear.
Open it.
(PUSHES BUTTON) MAN: No sign of arterial atherosclerosis.
No transmural infarcts.
No occlusions.
Specimen must be over 50 with a cardiovascular system of a teenager.
I think this place was a lab.
It looks like they were looking for a cure to cancer.
In the middle of the Amazon? They didn't exactly have the most ethical method.
You saw that body in the tank? They were looking for a specific gene sequence in the Xulos.
Watch.
MAN: No sign of arterial atherosclerosis.
No transmural infarcts.
No occlusions.
Specimen must be over 50 with a cardiovascular system of a teenager.
They managed to isolate part of the variant gene and recombine it into a retrovirus.
When it was ready, it was meant to act as a cure.
But this is where it goes bad.
Hana, we have a breakthrough.
I need a transport ready right away.
This woman comes in.
I think she's the head of security.
MAN: I'll fly the sample back to the main lab for review.
What are you doing? Hana? (SPEAKlNG GERMAN) Wait! Wait! Let's No! The sample's still reactive! The viruses! Clear the room! Clear the room! Only the people inside the room were exposed.
That's at least five doctors and that security woman who did the shooting.
They must have got out, killed the rest.
Records show there were at least 60 people here.
(SPEAKlNG GERMAN) (SPEAKlNG GERMAN) AJ: Hey.
The girl in that video was the girl in the picture with you.
What the hell was she doing here? Huh? (BLEEP) What the hell are you doing here? What is that? A signal mirror? RABBlT: It's coming from the infirmary.
Maybe somebody's trapped in there.
They must have heard us.
They're trying to signal us.
It's Emmet.
(MUZAK PLAYlNG) MAN: Excuse me? Aren't you You were the girl on that show! Wow.
I can't believe it's you.
So you work here now? Is there something I can help you find? No, I just I used to watch that show all the time.
Uh, I'm sorry about Dr.
Cole.
Me, too.
Are you okay? They're still out there! Who's still out there? My dad, Emmet, they're still alive.
CLARK: Hey, whoa, whoa, whoa, please! How do we know that's Emmet up there? Who else could it be? If Rabbit survived, so can Emmet.
We have to get over there.
And go through all those bloody monsters? No (BLEEP) way.
The ones in the hallway, they are leaving.
They do that sometimes.
They just disappear.
Ten minutes, maybe 30.
But never long enough to leave.
Yeah, but where are they going? What are they doing? Is there another way to get to the infirmary? There's tunnels that connect the buildings.
Let's do it.
(WHlSPERS) It's clear.
Move.
You go first.
Go.
Show us the way.
Go! (CREATURE SNORES) All right, listen.
CLARK: Tess, wait.
It's them! (GASPS) They're sleeping.
We have to get out of here.
Don't.
It's the only way.
Let's go.
(PANTlNG) (WHlSPERlNG) Okay.
Come on.
Come here.
It's okay, it's okay, it's okay.
Lena.
(SHOE SCUFFS GROUND) Shh! Go, go.
Come on.
Let's go.
LlNCOLN: AJ, where's Kurt? Where's Kurt? (JONAS SPEAKlNG) LlNCOLN: What's he doing? JONAS: I don't know, he's just standing there.
Leave.
(GUNFlRE) AJ! (BLEEP) KURT: They won't be coming after us.
Go.
LlNCOLN: Let's go! Let's go, come on! RABBlT: The infirmary is up the stairs to the left.
TESS: Emmet? He should be right here.
(OBJECTS CLATTER) It's a wind chime.
It isn't him.
Emmet's gone, isn't he? He's dead.
(SlGHS) Everyone was right all along.
And l I wanted to believe so badly that Oh (SlGHS) Mom.
(CRYlNG) Lincoln, - I'm so sorry.
- It's okay.
It's okay.
I'm so sorry.
I wanted a second chance.
For all of us.
(SOBBlNG) Mom.
I don't think it's over.
Mom! Every time we've seen a dragonfly, it feels like we've been getting closer to finding Dad.
(lNSECTS BUZZlNG) What is that? It's Dad! If you ever find yourself thinking that you can improve on Mother Nature's master plan, take a look around you.
Look what she does for her friends, the butterfly and the dragonfly.
When food runs short, or there's a drought, some of these species retreat into a nymphal stage.
They stay there for months, years sometimes, just conserving resources until a better time comes for them to emerge.
No matter how bad the conditions are, nature always offers a way.
CLARK: What is that? Kurt, give me your knife.
(GRUNTS) (SQUlSHlNG) Emmet! Emmet! Oh, my God! (TESS AND LlNCOLN GRUNTlNG) - Dad! - Whoa, whoa, whoa, whoa, whoa! I got him! I got him! TESS: Aah! Aah! His airway's clear.
TESS: He's alive! He's alive! His pulse is weak.
He's alive! He's alive! He's alive! He's alive! (ROARlNG lN DlSTANCE) Clark, help me! AJ: I guess you didn't get them all, eh? We need to leave now.
CLARK: Come on, come on.
There you go.
Lena, Lena, Lena.
(ROARlNG lN DlSTANCE) (LENA AND TESS SCREAM) Go, go, go! Come on! Go, go! Get them! Oh, my God! Come on, come on, come on.
(ROARlNG) (HOWLlNG) Keep going! Go! - (SALSA BARKlNG) - Salsa! Come on.
Come on.
(PANTlNG) Come on! (GASPlNG) Come on! Almost there.
Almost there.
(SALSA BARKlNG) AJ! - Almost there.
- Go! - Here, take his weight.
- I got him.
- You found him! - Emilio, get us moving, now! One push.
Here you go! Take him, take him.
Come on, Salsa.
Come on, buddy, let's go! Emmet's home, you did it! Come on, buddy! LENA: What's wrong with him? (SPEAKlNG SPANlSH) That's okay.
He did his job.
Let's go! Why isn't he awake? When is he gonna come out of this? I don't know.
He was trapped in there for what could have been months.
Going into that state may have kept him alive.
He is alive.
Yes, he is.
Thank you, Mom, for bringing me out here.
We have him back because of you.
(lNAUDlBLE) (FOOTSTEPS APPROACH) (WHlSPERS) Hey.
You should eat something.
Thanks, but I think after today, it's gonna take me a little while to get my appetite back.
So then it's over.
We're going home.
Yeah, home.
(SCOFFS) It's hard to imagine, you know.
I can't even remember what my apartment looks like.
You in an apartment doesn't feel right.
It's like a falcon in a jacket.
Lena, you should know, back in Chicago I probably should have said something sooner, but I've got a A someone.
Yeah.
Yeah.
I don't know if it's She was there for me when I thought my dad died and I don't know what it is now, but just It's okay.
You don't have to explain.
You just have to take care of your dad.
You've eaten? Feeling better? We're gonna stop at the first village we find and get Emmet to a hospital.
And I suggest you find your own way from there.
Thank you.
You could have left me back there.
And maybe you should have.
Remember that.
When the reporters come to your door and ask you what happened to Emmet Cole out there, you remember what we did for you.
And you choose your words carefully.
(RABBlT GROANS) (ROARS) (SQUlSHlNG) (CRUNCHlNG) Oh, man, you do not look well.
(SPEAKlNG GERMAN) Look, man, I'm really sorry about what happened.
But you've got to tell me the truth.
Look, Cole's back, we're on the home stretch, all right? Once this job's over, I'll be on to the next.
All this will be one insane memory, all right? This is not for the show.
This is just for me.
I want to know what you're really doing here.
Come on, man, in English, please.
What's that? (MUFFLED SCREAM) (ROARlNG lN DlSTANCE) (PANTlNG) (SPEAKlNG SPANlSH) AJ: How many bullets you got? Not enough probably.
- TESS: Clark! - Tess, get in here.
Quick! What's going on out there? I have no idea, but it doesn't sound good.
KURT: Whereveryou are, lock yourselves in.
They're back.
I only saw two of them.
There could be more.
I can see one on the stern.
Lena, where's Lincoln? Is Emmet okay? (CRYlNG) Yes, and Lincoln's right here.
(BANGlNG) AJ: What are you waiting for? Shoot her! - What's he doing? - I don't know.
Hana! (SPEAKlNG GERMAN) (SPEAKlNG SPANlSH) Hana! AJ: Kurt! Kill her! Kurt! (BANGlNG) Love you.
(THUDDlNG) Lincoln, what's going on? Kurt just took one of them out.
He said there were two.
Where's the other one? Mom! No! No! No! Mom! - (GUN FlRES) - Oh! (THUDDlNG) (ALL PANTlNG) So how was my funeral?