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CAPTIONING MADE POSSIBLE BY PARAMOUNT PICTURES CORPORATION
♪ THROUGH SUNSHINE AND SHADOW ♪
♪ FROM DARKNESS TILL NOON ♪
♪ OVER MOUNTAINS THAT REACH ♪
♪ FROM THE SKY TO THE MOON ♪
♪ A MAN WITH A DREAM ♪
♪ THAT WILL NEVER LET GO ♪
♪ KEEPS SEARCHING TO FIND EL DORADO ♪
♪ SO RIDE, BOLDLY RIDE ♪
♪ TO THE END OF THE RAINBOW ♪
♪ RIDE, BOLDLY RIDE ♪
♪ TILL YOU FIND EL DORADO ♪
♪ THOUGH WINDS BECOME BITTER ♪
♪ THE SKY TURNS TO GRAY ♪
♪ HIS BODY GROWS WEARY ♪
♪ HE CAN'T FIND HIS WAY ♪
♪ BUT HE'LL NEVER TURN BACK ♪
♪ THOUGH HE'S LOST IN THE SNOW ♪
♪ FOR HE HAS TO FIND EL DORADO ♪
♪ SO RIDE, BOLDLY RIDE ♪
♪ TO THE END OF THE RAINBOW ♪
♪ RIDE, BOLDLY RIDE ♪
♪ TILL YOU FIND EL DORADO ♪
♪ MY DADDY ONCE TOLD ME ♪
♪ WHAT A MAN OUGHTA BE ♪
♪ THERE'S MUCH MORE TO LIFE ♪
♪ THAN THE THINGS WE CAN SEE ♪
♪ AND THE GODLIEST MORTAL ♪
♪ YOU EVER WILL KNOW ♪
♪ IS THE ONE WITH THE DREAM OF EL DORADO ♪
♪ SO RIDE, BOLDLY RIDE ♪
♪ TO THE END OF THE RAINBOW ♪
♪ RIDE, BOLDLY RIDE ♪
♪ TILL YOU FIND EL DORADO ♪
BUENOS DIAS, JEFE.
BUENOS DIAS, MIGUEL.
♪ EL DORADO ♪♪
TOMAS...
A BIG FELLA, ABOUT 6'4",
RIDING THAT APPALOOSA STUD OUT THERE,
HE CAME IN HERE A LITTLE WHILE AGO?
HE IN THE WASHROOM.
HE SHAVES. HE CLEANS UP.
THANKS.
HI, COLE.
THAT'S A VOICE I'D KNOW ANYWHERE--
J.P. HARRAH.
WAIT'LL I GET
SOME OF THIS SOAP OUT OF MY EYES.
I HEARD YOU WERE MADE SHERIFF.
WHAT'S THE IDEA OF THE GUN?
TILL I FIND OUT WHICH SIDE YOU'RE ON.
WHAT DO YOU MEAN?
I HEARD YOU WERE WORKING FOR BART JASON.
WELL... NOTHING'S SET YET.
HE OFFERED ME GOOD MONEY, BUT I HAVEN'T FOUND OUT
WHAT I HAVE TO DO TO EARN IT.
WOULD YOU LIKE TO HEAR?
YEAH...GO AHEAD.
COLE...
THAT'S ABOUT CLOSE ENOUGH TO THAT GUN.
I JUST WANTED TO SEE IF YOU'D SLOWED DOWN ANY.
NOT THAT MUCH.
WHAT WERE YOU SAYING ABOUT JASON?
HE SHOWED UP HERE AROUND THE END OF THE WAR
WITH A POCKETFUL OF MONEY.
NOBODY KNOWS WHERE HE GOT IT FROM,
BUT EVERYBODY ELSE AROUND HERE WAS BROKE.
YOU KNOW HOW IT WAS THEN.
YEAH, ALL OVER TEXAS.
HAVING MONEY, HE STARTED TO GROW.
NOW HE CAN'T GROW ANY BIGGER
UNTIL HE GETS MORE WATER.
THERE'S ONLY ONE PLACE TO GET IT.
TROUBLE IS SOMEBODY WAS THERE AHEAD OF HIM,
ABOUT 20 YEARS AHEAD.
KEVIN MacDONALD GOT HERE
WHEN THERE WAS NOTHING BUT INDIANS AND COYOTES.
MR. MacDONALD'S GOT FOUR BOYS AND A GIRL,
AND THEY'VE ALL WORKED REAL HARD.
THEY HUNG TOGETHER THROUGH ALL THE ROUGH TIMES.
NOW THAT THINGS ARE BEGINNING TO LOOK UP,
MacDONALD'S IN NO MIND TO SELL.
SO HE'S HOLDING, AND, UH, JASON'S PUSHING,
AND I'M STANDING RIGHT IN THE MIDDLE.
IT'S NOT THE WAY IT WAS TOLD TO ME.
THAT'S THE WAY IT IS, COLE.
I GUESS YOU'RE SUPPOSED TO TAKE CARE OF ME.
WELL, NOT THAT I COULDN'T DO IT, HARRAH,
BUT I DON'T THINK I'D LIKE THAT.
I'M GLAD TO HEAR YOU SAY THAT.
NOT THAT I COULDN'T HANDLE YOU,
BUT I DON'T THINK I'D LIKE THAT, EITHER.
SUPPOSE I TELL JASON
THAT I HAD A LONG TALK WITH YOU
AND YOU SCARED ME OFF.
GOOD ENOUGH?
GOOD ENOUGH.
YOU CAN PUT THAT THING DOWN NOW.
SOMETHING FAMILIAR ABOUT THAT GUN.
I JUST HAD IT FIXED UP
THE WAY YOU HAD YOURS.
YOU GOT LUCKY WITH IT. THOUGHT I'D TRY IT.
HAH!
[KNOCK ON DOOR]
COLE THORNTON, YOU DECENT?
YOU BETTER BE, 'CAUSE I'M COMING IN.
AH, IT'S GOOD TO SEE YOU.
WHEN THEY TOLD ME YOU WERE HERE,
I DIDN'T BELIEVE THEM.
I THOUGHT YOU'D FORGOTTEN ALL ABOUT ME.
OH, HI, J.P.
WHAT'S SO FUNNY?
THIS WHOLE THING. HA HA HA HA!
DO YOU KNOW WHAT SHE'S LAUGHING ABOUT?
I GATHER YOU KNEW HIM BEFORE YOU KNEW ME.
I KNEW HER WHEN SHE WAS A KID!
DIDN'T YOU KNOW THAT, J.P.?
NO. YOU NEVER MENTIONED THAT.
UP UNTIL NOW, I THOUGHT YOU HAD GOOD TASTE.
AND UP UNTIL NOW,
I THOUGHT SHE HAD GOOD TASTE.
I'M AWFUL GLAD YOU TWO ARE FRIENDS.
WE MAY NOT BE WHEN WE THINK THIS THING OVER.
IF YOU AREN'T, I'M THROUGH WITH BOTH OF YOU.
COLE, I THINK WE'D BETTER GET OURSELVES A NEW GIRL.
YEAH.
BETTER NOT.
WHY NOT?
I'M GIRL ENOUGH FOR BOTH OF YOU.
CAN I BUY YOU A DRINK?
I'D LIKE THAT VERY MUCH,
BUT I PROMISED J.P. I'D DO SOMETHING FOR HIM.
YES, YOU DID.
'COURSE, IF YOU WANT TO DO MY ERRANDS--
NO. YOU DO YOUR OWN WORK, COLE.
BUY US THAT DRINK A COUPLE OF HOURS FROM NOW?
SURE WILL.
WHERE IS THIS BART JASON'S PLACE?
TAKE THE MAIN ROAD NORTH OUT OF TOWN,
AND AFTER YOU CROSS THE CREEK,
YOU COME TO A BIG ROCK.
BIG ROCK.
THAT'S MacDONALD'S BOUNDARY.
MacDONALD'S?
YOU RIDE EAST FROM THERE ABOUT 3 MILES,
AND YOU GET TO BART JASON'S RANCH.
UH-HUH.
MAUDIE, REMEMBER, I'M COMING BACK.
OH, I LEFT SOME THINGS--
I'LL TAKE CARE OF IT.
THANKS.
YOU MAD AT ME, J.P.?
YOU KNOW BETTER THAN THAT, MAUDIE.
YOU MUST LIKE THAT MAN.
YOU WANT ME TO TELL YOU ABOUT HIM?
YOU DON'T HAVE TO.
I KNOW.
THAT'S WHY I WANT TO.
I MET COLE RIGHT AFTER MY HUSBAND WAS KILLED.
I DID TELL YOU THAT.
YEAH, YOU TOLD ME.
WELL, THERE I WAS, STRANDED,
A GAMBLER'S WIDOW, NOT A CHIP TO MY NAME.
COLE WAS AWFUL GOOD TO ME.
GAVE ME A STAKE.
HELPED ME GET ON MY FEET.
NEVER WOULD TAKE A...
I DON'T KNOW, J.P.
WITH COLE AND ME, I GUESS IT'S A...
I'LL ALWAYS THINK OF HIM AS A...
HE'S A TOP HAND.
I GUESS SO.
YEAH, WELL, COLE ALWAYS WAS PRETTY LUCKY.
HAVE YOU KNOWN HIM A LONG TIME?
YEAH, SINCE BEFORE THE WAR.
WE'VE, UH, WE'VE TRAVELED SOME TOGETHER.
SURE, I KNOW WHAT THAT MEANS.
IT MEANS EITHER YOU SAVED HIS LIFE
OR HE SAVED YOURS OR BOTH,
AND NEITHER ONE OF YOU WILL TALK ABOUT IT.
MEN.
WOULD YOU LIKE IT SET TO MUSIC, MAUDIE,
WITH A FULL ORCHESTRA?
I'LL SEE YOU, MAUDIE.
DON'T FORGET TO COME BACK.
I'M CERTAINLY NOT LEAVING YOU ALONE WITH HIM.
YOU'RE NOT A FRIEND.
AW, HELL!
MacDONALD? CAPTAIN MacDONALD.
HOWDY, ROY.
SOMETHING WRONG?
DOC MILLER SENT ME OUT. SAID TO TELL YOU
BART JASON HIRED HIMSELF A GUNHAND--
COLE THORNTON.
THORNTON RODE OUT THERE ABOUT AN HOUR AGO.
DOC WANTED YOU TO KNOW.
SAID TO BE CAREFUL.
THANKS, ROY.
TELL DOC I'M MUCH OBLIGED TO BOTH OF YOU.
MATT, YOU AND SAUL STAY WITH ME.
WE'LL TAKE THESE HORSES BACK TO THE RANCH.
JOEY, GO TELL JARED TO GET BACK TO THE RANCH
AS SOON AS HE CAN.
OK, PA.
LUKE!
YES, PA?
GET UP ON THAT ROCK.
IF YOU SEE ANYBODY COMING,
FIRE A SHOT IN THE AIR.
ALL RIGHT, PA.
WAIT A MINUTE! I AIN'T FINISHED YET!
SOON AS YOU FIRE THAT SHOT,
JUMP ON YOUR HORSE AND HIGHTAIL IT.
I HEAR YOU, PA.
ALL RIGHT, LET'S GO!
[GUNSHOTS]
WHERE CAN I FIND MR. JASON?
HE'S UP AT THE MAIN HOUSE.
GRACIAS.
MR. JASON, YOU GOT A VISITOR.
COLE THORNTON?
THAT'S RIGHT.
I'M BART JASON.
BEEN EXPECTING YOU.
GET OFF YOUR HORSE AND MAKE YOURSELF COMFORTABLE.
I WON'T BE HERE LONG ENOUGH FOR THAT.
HERE'S WHAT'S LEFT OF YOUR EXPENSE MONEY.
SORRY ABOUT THE REST OF IT,
BUT THAT'S THE CHANCE YOU TAKE.
I'VE DECIDED AGAINST WORKING FOR YOU.
BEFORE YOU EVEN TALKED ABOUT IT?
NO, YOU WOULDN'T DO THAT.
YOU MUST HAVE TALKED TO SOMEBODY.
I DID--THE SHERIFF.
HIS STORY'S A LITTLE DIFFERENT FROM YOURS.
WELL...
PERHAPS THE LAW DOESN'T QUITE SEE IT MY WAY,
BUT SINCE WHEN DID HIRED GUNS GET CHOOSY?
YOU'RE PAID TO--
I'M PAID TO RISK MY NECK,
AND I'LL DECIDE WHERE AND WHEN I'LL DO IT.
THIS ISN'T IT.
YOU KNOW, THORNTON,
I GOT AN IDEA YOU JUST DON'T
WANT TO GO UP AGAINST SHERIFF J.P. HARRAH.
YOU KNOW, YOU'RE JUST ABOUT RIGHT.
YOU THINK HE'S THAT GOOD?
I TELL YOU HE'S THAT GOOD.
AND, MR. JASON, I SEE YOU DON'T WEAR A GUN,
SO I GUESS YOU ALWAYS HIRE IT DONE.
SO, I'LL GIVE YOU A LITTLE PIECE OF ADVICE.
IF THIS BUNCH IS ALL YOU'VE GOT,
DON'T TANGLE WITH HARRAH,
'CAUSE THEY DON'T LOOK TOUGH ENOUGH TO ME
TO STOMP A STRINGY JACK RABBIT.
WELL, THORNTON, IF THAT'S THE WAY YOU THINK,
I DON'T WANT YOU.
WELL, THAT'S GOOD ENOUGH--
HEY, FANCY VEST!
GO AHEAD AND PULL THAT RIFLE, IF YOU WANT TO,
BUT YOU BETTER SPEAK TO YOUR BOSS
BEFORE YOU USE IT,
'CAUSE HE'LL BE DEAD BEFORE I HIT THE GROUND.
DON'T BE A DAMN FOOL, JOE.
GET OVER THERE AND STAND WITH THE OTHERS,
WHERE HE CAN SEE YOU.
I'LL REMEMBER WHAT YOU SAID, MR. THORNTON.
YOU DO THAT.
HYAH!
DON'T SHOOT NO MORE, MISTER.
PLEASE?
I WON'T.
LET ME HAVE A LOOK AT IT.
IT'S BAD, ISN'T IT?
IT ISN'T GOOD.
MY INSIDES FEEL LIKE THEY'RE ON FIRE.
MAYBE I CAN--
NO, DON'T TOUCH ME!
PLEASE, DON'T.
WHAT'S YOUR NAME, SON?
MacDONALD... LUKE MacDONALD.
I CAN'T STAND IT.
KEVIN MacDONALD'S BOY?
ONE OF THEM.
I'M GOING TO HAVE TO GET YOU HOME.
NO. NO, DON'T MOVE ME.
PLEASE, DON'T MOVE ME.
IT'S NO USE.
I KNOW IT AIN'T NO USE.
MY PA TOLD ME.
JUST DON'T TOUCH ME.
WELL...
THERE WERE TWO SHOTS, PA.
I HEARD 'EM.
LUKE OUGHTA BE BACK.
I KNOW.
[GUNSHOT]
OH...NO.
ARE WE GOING, PA?
WHERE?
PA, LUKE COULD BE IN BAD TROUBLE.
IF HE IS, WE CAN'T HELP HIM NOW.
HE WENT THERE TO WARN US.
HE'S WARNED US.
WE'RE BETTER OFF HERE WHERE THERE'S COVER.
SAUL, FIND A GOOD PLACE INSIDE THAT SHED.
JOSE AND MIGUEL, GO WITH HIM.
DANNY, FELIPE, COME HERE.
OVER BEHIND THAT WALL.
YOU GALS, GET IN THE HOUSE.
MATT, WE'LL WAIT INSIDE.
ALL RIGHT, PA.
MATT, GET OVER TO THAT WINDOW.
DON'T DO ANYTHING TILL I SAY.
MacDONALD.
KEVIN MacDONALD!
COME OUT AND GET YOUR BOY.
HE'S DEAD, AIN'T HE?
HE'S DEAD.
JOSE, MIGUEL, GET HIM DOWN FROM THERE.
WHAT HAPPENED?
LUKE. HE'S BEEN KILLED.
WELL, I'M WAITING TO HEAR WHAT HAPPENED.
WELL, I'LL TELL YOU WHAT HAPPENED.
YOU LEFT A BOY OUT THERE TO DO A MAN'S JOB.
HE WENT TO SLEEP.
WHEN I CAME BY, HE WOKE UP,
JUMPED UP, AND STARTED FIRING HIS GUN.
ALL I SAW WAS SOMEBODY SHOOTING AT ME
FROM THE ROCKS.
COLE THORNTON?
YES, MA'AM.
I DON'T BELIEVE YOU.
WELL, I DON'T CARE MUCH, MISS,
WHETHER YOU DO OR NOT.
PA'S HANDLING THIS.
JUST WAIT.
GET IN THE HOUSE, GIRL.
YOU SAID HE WAS ASLEEP.
HOW DO YOU KNOW HE WAS ASLEEP?
HE TOLD ME THAT.
HE TOLD ME HIS NAME.
THAT'S HOW I KNEW WHERE TO BRING HIM,
AND HE SAID YOU TOLD HIM
WHAT HAPPENS TO A MAN THAT'S GUT SHOT,
HOW HE HASN'T GOT MUCH OF A CHANCE.
DID YOU TELL HIM THAT?
YEAH. I TOLD HIM THAT.
WELL, THEN YOU'RE PARTLY TO BLAME.
YOU'LL FIND TWO BULLETS IN HIM.
ONE OF THEM'S MINE.
HE WAS HURTING WORSE THAN HE COULD STAND,
HAD A HANDGUN THAT I DIDN'T SEE.
ANY MORE QUESTIONS YOU WANT TO ASK?
NO. I GUESS YOU'RE TELLING THE TRUTH.
I GUESS IF YOU WEREN'T,
YOU WOULD NEVER HAVE BROUGHT HIM HERE.
I'M MUCH OBLIGED TO YOU FOR THAT.
IT DON'T HELP MUCH.
I RECKON YOU WON'T SHOOT
ANY MORE LITTLE BOYS, MISTER.
NEXT TIME YOU SHOOT SOMEBODY,
DON'T GO NEAR 'EM TILL YOU'RE SURE THEY'RE DEAD.
I DON'T KNOW WHY YOU'RE STILL ALIVE.
I DON'T KNOW HOW I MISSED YOU
FROM THAT RANGE.
YOU DIDN'T MISS.
NOW GET OUT OF HERE.
J.P., OPEN THAT WINDOW, WILL YOU?
THERE, THAT'S BETTER.
THE SMELL OF THAT CHLOROFORM
IS PUTTING ME TO SLEEP.
BETTER HOLD HIM, MAUDIE.
DON'T LET HIM MOVE TOO SUDDEN.
UH...
HE'LL BE WAKING UP NOW.
[GROANS]
IT'S ALL RIGHT, COLE. IT'S MAUDIE.
WHO ARE YOU?
THE NAME'S MILLER.
SOME PEOPLE CALL ME A DOCTOR,
AND SOME OTHER THINGS,
BUT I'M THE ONLY ONE IN TOWN.
DID YOU GET THE BULLET OUT?
NOPE.
WELL, THEN WHY THIS BANDAGE?
LET'S GET TO IT.
I CAN'T.
WHY NOT?
BECAUSE I'M NOT GOOD ENOUGH.
THAT BULLET'S RIGHT UP AGAINST YOUR SPINE.
IF I GO HACKING AROUND IN THERE TO GET IT,
I'LL ONLY FINISH WHAT SOMEBODY ELSE STARTED.
SO, WHAT HAPPENS?
WELL, YOU'LL HEAL ALL RIGHT.
WHEN YOU GET TO A BIG TOWN,
FIND A DOCTOR WHO KNOWS MORE THAN I DO,
ONE OF THEM NEWFANGLED SQUIRTS.
THEY'LL FIX YOU UP,
BUT DON'T WAIT TOO LONG TO DO IT.
ANY CHANCE OF GETTING SOME COFFEE
OR A SHOT OF WHISKEY AROUND HERE?
LINDA?
LINDA, BRING BOTH OF THEM.
DOCTOR, CAN HE BE MOVED?
SURE, IN A COUPLE OF HOURS,
BUT DON'T GO BOUNCING HIM AROUND.
HE CAN STAY HERE. I'LL MAKE HIM COMFORTABLE.
I'VE GOT A FINE BED OVER AT MY PLACE.
IT'S NARROW AND IT'S HARD AND IT'S UNCOMFORTABLE,
BUT HE WON'T GET BOUNCED AROUND.
[PLAYING THE GIRLS OF FRANCE]
¿QUE ES?
SEÑOR BULL. HE COMES.
BULL ALWAYS ANNOUNCE HIS ARRIVAL THAT WAY?
SAME WAY, DIFFERENT TUNE.
YOU BETTER LET HIM IN.
WHAT'S THAT YOU'RE BLOWING, BULL,
ADVANCE OR RETREAT?
NARY ONE.
COULDN'T LET ONE
OF GENERAL HOOD'S TEXAS CAVALRY BOYS
GO WITHOUT PLAYING GOOD-BYE.
WHO'S GOING AWAY?
COLE'S LIGHTING OUT.
HE'S LEAVING TONIGHT.
Cole: YOU GOT ANY OBJECTIONS, DOC,
I DON'T WANT TO HEAR 'EM.
Doc: I'M GLAD TO GET YOU
OFF MY HANDS.
WHERE YOU GOING?
SONORA.
FOLKS DOWN THERE GOT A SILVER MINE.
LITTLE TROUBLE.
THINK I MIGHT BE OF HELP.
WELL, I BRUNG ALONG A LITTLE REDEYE,
IN CASE THE SHERIFF RUNS OUT.
RECKON HE HAS.
BEEN HERE A LONG TIME.
NOBODY'S OFFERED ME A DRINK.
WHY DIDN'T YOU SPEAK UP, BULL?
THOUGHT YOU'D NEVER ASK.
MAUDIE, GET HIM A GLASS, WILL YOU?
WHAT DO WE DRINK TO FIRST?
OH, MAUDIE...
I GUESS I SHOULD HAVE TOLD YOU.
COLE, SOMETIMES YOU...
I WAS HOPING TO SEE YOU ALONE
BEFORE YOU LEFT.
IT'S BETTER THIS WAY, MAUDIE.
COME BACK, WILL YOU?
I WILL, WHEN...
WHEN YOU CAN FORGET LUKE MacDONALD
AND WHEN YOU CAN LOOK AT THE OTHER MacDONALDS
AND NOT... NOT FEEL YOU OWE THEM?
PRETTY WISE FOR A KID, MAUDIE.
I THINK YOU MUST BE THE ONLY PERSON
WHO THINKS OF ME AS A KID, COLE.
I RECKON I REALLY DON'T.
PLEASE DON'T.
I'LL SEE YOU, MAUDIE.
HEY!
THAT THE WAY YOU MAKE YOUR LIVING?
BY GOLLY, COLE, SURE IS GOOD TO SEE YOU.
WHAT SHERIFF WOULD HIRE YOU FOR A DEPUTY?
YOU'RE LOOKING AT HIM. HIYA, COLE.
DODD DRAPER.
THE LAST TIME I SAW YOU TWO,
YOU WERE 10 JUMPS AHEAD OF A POSSE,
RAISING DUST FOR MEXICO.
HEY, HEARD YOU GOT SHOT.
YEAH, BUT THAT WAS SIX OR SEVEN MONTHS AGO.
HOW ABOUT SUPPER?
I'LL BUY YOU A BEER, TOO.
WE'D LIKE TO,
BUT WE'RE WORKING MEN.
HOW ABOUT THAT CANTINA UP THE STREET?
GOOD PLACE TO EAT?
GOOD AS ANY. YOU STICKING AROUND?
DAY OR TWO.
WE'LL SEE YOU LATER, COLE.
SEÑOR, YOUR DINNER WILL BE READY IN ONE MINUTE.
MUCHISIMAS GRACIAS.
AH, ¿QUIEN ESTÁ GAÑANDO?
ELLA.
BUENAS NOCHES, SEÑORES.
FIX SOMETHING TO EAT. COMIDAS.
SI, SEÑOR.
PLENTY OF IT.
SOMETHING TO DRINK ALSO.
COMING UP.
SEÑOR, ¿JUEGO?
OH.
5 AND A 1.
LASTIMA.
CHARLIE HAGEN.
YEAH?
YOU WANT SOMETHING FROM ME?
YOU DON'T REMEMBER ME.
NO.
YOU REMEMBER THIS HAT?
WHY WOULD I REMEMBER A HAT?
YOU KILLED THE MAN THAT WAS WEARING IT.
LADIES...
SI, SEÑOR, SI.
WHO WAS THIS FELLA I KILLED,
A FRIEND OF YOURS?
I GUESS YOU COULD SAY THAT.
WHEN DID I DO THIS, BOY?
TWO YEARS AGO COME SEPTEMBER.
YOU AND THREE OTHERS.
NATCHEZ-UNDER-THE-HILL, ON THE MISSISSIPPI.
THERE WAS A GAMBLER NAME OF JOHNNY DIAMOND,
AND HE WAS KIND OF AN OLD MAN.
SHOULDN'T HAVE TAKEN FOUR OF YOU.
DO YOU REMEMBER, CHARLIE?
YEAH, I REMEMBER.
HE WAS A CARD SHARP. HE WAS CHEATING.
NO. NO, HE WAS GOOD.
DIDN'T HAVE TO CHEAT.
IT REALLY SHOULDN'T HAVE TAKEN FOUR OF YOU, CHARLIE.
NO, IT SHOULDN'T HAVE.
I'M SURE GLAD YOU REMEMBER, MR. HAGEN.
THE OTHER THREE DID.
THE OTHER THREE?
YEAH. I CAUGHT UP WITH THEM.
YOU'RE THE LAST.
AND NOW I THINK YOU BETTER STAND UP.
STAND UP, CHARLIE.
I'M CURIOUS TO SEE HOW HE DOES THIS.
HE DOESN'T HAVE A GUN,
AND LIKE HE SAID,
IT SHOULDN'T HAVE TAKEN FOUR OF YOU.
STAND UP, CHARLIE.
YOU, WITH THE HAT.
YOU KILLED CHARLIE
'CAUSE HE KILLED YOUR FRIEND, RIGHT?
THAT'S RIGHT.
CHARLIE WAS A GOOD FRIEND OF MINE.
LET'S SEE IF YOU CAN DO THAT TRICK TWICE.
I'D LET IT DROP, FRIEND.
ME?
YOU.
HOPE YOU DON'T MIND.
ALWAYS SEEMS TO TAKE MORE THAN ONE.
THAT'S BECAUSE THEY'RE NO GOOD.
PICK UP YOUR GUN.
WHAT?
YOU WANT TO TRY AGAIN NOW?
PICK UP YOUR GUN.
AGAINST HIM OR YOU?
ME FIRST.
WHY SHOULD YOU GO FIRST?
PICK IT UP.
TELL ME ABOUT IT LATER.
I'LL TELL YOU NOW--
SHUT UP! GO ON.
YOU WERE PLENTY WILLING AGAINST A KID--
HOLD IT.
HOLD IT.
DON'T GET MAD, MISTER.
BEFORE YOU START ANYTHING,
I CAN'T AFFORD TO LOSE ANOTHER MAN.
YOU PROMISE TO TAKE MILT'S PLACE?
YOU GOT FAITH IN ME, NELSE?
FAITH CAN MOVE MOUNTAINS, MILT...
BUT IT CAN'T BEAT A FASTER DRAW.
THERE'S ONLY THREE MEN I KNOW
WITH HIS KIND OF SPEED--
ONE'S DEAD,
THE OTHER'S ME,
AND THE THIRD IS COLE THORNTON.
THERE'S A FOURTH.
WHICH ONE ARE YOU?
I'M THORNTON.
YOU GLAD YOU DIDN'T TRY, MILT?
PICK UP YOUR GUNS, BOTH OF YOU, REAL EASY.
LIKE HE SAID--
REAL EASY.
AND TAKE HIM OUT OF HERE.
THORNTON, I'D LIKE TO TALK TO YOU.
I'M NELSE McLEOD.
I THOUGHT SO.
PRETTY FAR OFF YOUR RANGE.
A LITTLE. CAN I BUY YOU A DRINK?
WHY NOT?
YOU, TOO.
GLASSES.
YOU WORKING NOW, THORNTON?
NO.
IS IT ALL RIGHT IF MUSIC PLAY NOW?
YEAH, SURE.
MUCHACHOS, MUSICA.
YOU SAY YOU'RE NOT WORKING.
WHAT DO YOU SAY IF I HIRE YOU ON?
FIRST, I'D ASK ABOUT THE MONEY.
MONEY'S GOOD.
AND THEN I'D ASK ABOUT THE JOB.
WELL, GOOD EVENING. THANKS FOR THE DRINK.
JUST A MINUTE, SON.
I AM NOT YOUR SON.
MY NAME IS ALAN BEDILLION TREHEARNE.
LORD ALMIGHTY.
YEAH. WELL, THAT'S WHY MOST PEOPLE
CALL ME MISSISSIPPI.
MISSISSIPPI?
I WAS BORN ON THE RIVER.
YOU'RE PRETTY GOOD WITH A KNIFE.
CAN YOU USE A GUN?
WELL, IF I COULD, I'D BE USING ONE.
GOOD EVENING.
JUST A MINUTE, MISSISSIPPI.
WOULD YOU MIND TELLING ME
WHY YOU HAVE SUCH A PASSION FOR MY COMPANY?
WILL YOU JUST RELAX
FOR A COUPLE OF MINUTES?
YOU WERE TELLING ME ABOUT THE JOB.
THERE'S A RANGE WAR IN THE EL DORADO COUNTRY.
EL DORADO?
MIND TELLING ME WHO HIRED YOU?
FELLA NAMED BART JASON.
DO YOU KNOW HIM?
WE MET.
HE OFFERED ME THE JOB.
I DIDN'T TAKE IT.
YOU KNOW WHO YOU'RE GOING UP AGAINST?
YEAH. THE SHERIFF-- J.P. HARRAH.
UNDERSTAND HE WAS PRETTY GOOD WITH A GUN.
NOT JUST PRETTY GOOD, McLEOD. HE'S THE--
THE FOURTH MAN YOU WERE TELLING ME ABOUT.
THAT'S RIGHT.
WELL, HE USED TO BE. HE'S NOT ANYMORE.
WHAT HAPPENED?
WHAT USUALLY HAPPENS TO A MAN--A WOMAN.
SEEMS LIKE HE TANGLED
WITH SOME WANDERING PETTICOAT.
HE'S BEEN DRUNK EVER SINCE.
YOU MOVING IN BEFORE HE SOBERS UP
OR BEFORE THEY GET A NEW SHERIFF?
AND YOU'RE NOT COMING IN?
NO.
I SUPPOSE YOU HAVE YOUR REASONS.
IT'S PROBABLY JUST AS WELL.
WITH TWO LIKE US IN THE SAME BUNCH,
SOONER OR LATER WE'D HAVE TO FIND OUT
WHICH ONE'S FASTER.
YEAH.
I GUESS YOU'RE RIGHT.
SO LONG, THORNTON.
OH, UH...
I THOUGHT WE WERE GOING.
MISSISSIPPI, JUST LISTEN.
McLEOD, WOULD YOU LIKE TO WALK OUT THAT DOOR FIRST,
AHEAD OF US?
NOPE.
I DON'T BELIEVE I WOULD.
I DIDN'T THINK SO.
PEDRO, MILT, CAN YOU HEAR ME?
Milt: WE HEAR YOU.
I'M COMING OUT.
WHERE ARE YOU?
¡AHI, JEFE! OVER HERE!
COME ON OUT.
FURTHER INTO THE LIGHT. HURRY.
NOW DROP YOUR GUNS.
COME OVER HERE.
INSIDE.
THAT ALL RIGHT, THORNTON?
GOOD ENOUGH.
MISSISSIPPI, GET THEIR GUNS.
IF IT'S ALL RIGHT WITH YOU, McLEOD,
WE'LL DROP THEM AT THE SHERIFF'S OFFICE.
YOUR BOYS CAN GET THEM ON THEIR WAY OUT OF TOWN.
SOUNDS REASONABLE.
MUCH OBLIGED.
CALL IT PROFESSIONAL COURTESY.
WANT TO GET SOMETHING TO EAT, MISSISSIPPI?
MR. THORNTON,
I WOULD'VE WALKED RIGHT INTO THOSE TWO FELLAS
IF YOU HADN'T STOPPED ME.
ARE YOU HUNGRY?
I'M TRYING TO THANK YOU.
I'M HUNGRY.
THAT SHIVAREE YOU PUT ON IN THERE
INTERRUPTED MY SUPPER.
WORE OUT OUR WELCOME.
WE'LL HAVE TO FIND SOMEPLACE ELSE TO EAT.
NOW?
NOW.
MMM.
¿QUE QUIERES MAS?
HUH? WHAT?
YOU WANT SOMETHING ELSE?
UH...
NO. JUST COFFEE.
CAFE.
CAFE, POR FAVOR.
NOT VERY HUNGRY, HUH?
NO, NOT SO MUCH.
LITTLE GREEN AROUND THE GILLS.
YEAH.
I JUST FINISHED SOMETHING TONIGHT
I'VE BEEN TWO YEARS DOING.
WHAT DO YOU FIGURE ON DOING NEXT,
GO BACK TO THE RIVER?
I'VE HAVEN'T THOUGHT MUCH ABOUT WHAT I'LL DO NEXT.
THE RIVER WON'T BE THE SAME WITHOUT OLD--
IF YOU'RE STAYING HERE,
I'VE GOT SOME ADVICE FOR YOU--
GET RID OF THAT HAT,
LEARN HOW TO USE A GUN.
I DON'T FIGURE ON GETTING RID OF THAT HAT.
NO?
NO.
JOHNNY DIAMOND, HE'S THE FRIEND I, UH...
THE--THE MAN THAT RAISED ME...
ALL HE LEFT BEHIND WAS A GOLD WATCH AND HIS HAT.
HAD TO SELL THAT GOLD WATCH A YEAR OR SO BACK,
SO I GUESS I'LL JUST HANG ONTO THAT HAT.
WHAT ABOUT LEARNING TO USE A GUN?
JOHNNY DIDN'T BELIEVE IN GUNS.
HE ALWAYS THOUGHT--
HE'S DEAD.
THINK ABOUT THAT,
UNLESS YOU CAN LEARN TO STAY OUT OF TROUBLE.
THAT'S ONE THING EVEN OLD JOHNNY
COULDN'T TEACH ME TO DO.
WELL, I'LL BE MOVING ALONG.
GOOD LUCK TO YOU.
YOU DON'T SUPPOSE I COULD RIDE ALONG WITH YOU?
NO.
WELL, THAT'S PLAIN ENOUGH.
I HOPE EVERYTHING WORKS OUT ALL RIGHT.
WHAT WORKS OUT?
WHATEVER IT IS YOU'RE GOING TO DO.
HUH. PAY FOR THE MEAL, WILL YOU?
SO LONG.
AAH!
HOLD IT, COCHISE.
STEADY, BOY.
WON'T TAKE A MINUTE.
COLE!
COLE THORNTON!
WHERE ARE YOU?
CLOSE ENOUGH TO BLOW YOUR HEAD OFF,
IF I HADN'T RECOGNIZED IT.
WHAT ARE YOU DOING HERE?
LOOKING FOR YOU.
KNOW BETTER THAN TO FOLLOW A MAN THAT WAY?
SORRY. I DIDN'T KNOW THERE WAS ANOTHER WAY.
YOU ALMOST GOT SHOT.
YOU FALL OFF YOUR HORSE?
YEAH.
YOU HURT?
NO.
THERE'S SOMETHING WRONG WITH YOU.
A BULLET'S IN MY BACK.
SOMETIMES IT PRESSES AGAINST SOMETHING,
AND I GET A SCREAMING PAIN,
AND THEN THERE'S NOTHING. IT GOES NUMB,
AND I CAN'T USE THIS HAND.
HOW LONG DOES THAT LAST?
JUST FOR A WHILE.
WHY ARE YOU FOLLOWING ME?
I GOT TO THINKING ABOUT WHAT YOU'RE GONNA DO.
AND JUST WHAT AM I GONNA DO?
YOU'RE GOING TO THAT TOWN EL DORADO
AND HELP YOUR FRIEND AGAINST McLEOD AND HIS BUNCH.
HOW DO YOU KNOW HE'S MY FRIEND?
HMMPH! THAT LOOK ON YOUR FACE
WHEN YOU HEARD HE TURNED INTO A DRUNK.
WELL, THIS THING'S WEARING OFF.
GIVE ME A HAND UP ON MY HORSE.
YOU SURE YOUR FRIEND'S WORTH HELPING?
YOU JUST SPENT TWO YEARS CHASING SOME FELLAS
THAT KILLED A FRIEND OF YOURS.
YOU THINK YOUR FRIEND WAS WORTH TWO YEARS?
I GUESS I ASKED A FOOL QUESTION.
YOU DID.
GIVE 'EM A BREATHER.
SLOW 'EM DOWN.
I WAS WONDERING...
JUST HOW GOOD IS THIS McLEOD?
I DON'T KNOW FIRSTHAND,
BUT THEY SAY HE'S ONE OF THE BEST.
I FIGURE HE'D BE PRETTY MAD YOU TURNING HIM DOWN
AND SHOWING UP ON THE OTHER SIDE.
I HOPE HE IS.
HOW COME?
FELLA IN HIS BUSINESS HASN'T GOT A RIGHT TO GET MAD.
HE GETS MAD, HE'S NOT SO GOOD,
SO THE MADDER HE GETS, THE BETTER I LIKE IT.
SURE WISH I WAS THERE TO SEE THAT.
WHY DO YOU KEEP STICKING YOUR NOSE IN THIS?
MAYBE I COULD HELP.
YOU SAVED MY LIFE TWO TIMES.
BUT I'LL BE TOO BUSY TO KEEP DOING THAT.
YOU CAN'T EVEN USE A GUN.
YOU COULD TEACH ME.
I NEED SOMEBODY TO TEACH ME.
JOHNNY DIAMOND ALWAYS SAID TO GET THE BEST.
HE WAS RIGHT THERE,
BUT YOU'RE NOT GOING TO EL DORADO.
OH, I'M NOT, HUH?
NO, YOU'RE NOT.
"GAILY BEDIGHT, A GALLANT KNIGHT,
"IN SUNSHINE AND IN SHADOW
HAD JOURNEYED LONG--"
WHAT'S THAT ALL ABOUT?
JUST A POEM.
ONE OF JOHNNY DIAMOND'S FAVORITES.
LET'S SEE...
"GAILY BEDIGHT, A GALLANT KNIGHT,
"IN SUNSHINE AND IN SHADOW
"HAD JOURNEYED LONG, SINGING A SONG
"IN SEARCH OF EL DORADO.
"OVER THE MOUNTAINS OF THE MOON,
"DOWN THE VALLEY OF THE SHADOW,
RIDE, BOLDLY RIDE."
ALWAYS LIKED THAT POEM, TOO.
MAKES ME WANT TO...
RIDE, BOLDLY RIDE?
WELL, IT DON'T WORK OUT THAT WAY.
I'M LEARNING THAT.
OH, HELL.
HOLD IT, COCHISE.
STEP DOWN OFF THAT HORSE.
YOU ALWAYS GIVING PEOPLE ORDERS?
YOU WANTED TO LEARN TO SHOOT.
RIGHT OUT THERE.
HOLD IT, MISSISSIPPI.
THAT'S NO WAY TO USE A HANDGUN.
YOU GOT TO DRAW AND FIRE
AND BE QUICKER THAN SOMEBODY
DOING THE SAME THING.
OH.
I SEE.
HOW'S THAT?
WERE YOU AIMING AT THAT CHOLLA?
NO. THE PLACE YOU WERE SHOOTING AT.
AFRAID IT'S USELESS.
WELL, WE'LL BE PASSING THROUGH CUERVO.
I'LL HAVE A TALK WITH THE SWEDE.
WHO'S THE SWEDE?
AN OLD FRIEND OF MINE.
A GUNSMITH.
UHH...
THIS IS THE PLACE.
WHY, COLE THORNTON.
SWEDE, GOOD TO SEE YOU.
WHAT BRINGS YOU AROUND HERE?
I'M LOOKING FOR A GUN
FOR A FELLA THAT CAN'T SHOOT--
MISSISSIPPI.
SWEDE LARSEN.
CAN YOU HELP US OUT?
I GOT YUST THE GUN YOU'RE LOOKING FOR.
WELL, GOOD.
WOW.
HOW WIDE WILL THAT SHOT SPREAD?
I MEAN, HOW BIG A PATTERN?
I DON'T KNOW.
THE FELLA WHO USED IT BEFORE,
HE COULDN'T SEE TOO GOOD.
HE YUST SHOOT
WHERE HE HEAR SOMEBODY TALK.
WHAT HAPPENED TO HIM?
HE HAS A FIGHT IN A SALOON.
THE PIANO PLAYER, HE MAKE SO MUCH NOISE,
HE COULDN'T HEAR THE OTHER MAN,
SO HE YUST SHOOT THE PIANO PLAYER,
AND THEY HUNG HIM.
LOOKS PRETTY GOOD TO ME.
SHOOTS GOOD, TOO.
HOW ABOUT AMMUNITION?
FOUR OR FIVE BOXES OUGHT TO BE ENOUGH.
GOOD.
WELL, MISSISSIPPI, LOOKS LIKE WHAT YOU NEED.
YEAH, SURE IS.
PAY THE MAN.
SWEDE.
COLE, YOU COME BACK SOON.
A LIKELY SPOT TO TRY THAT NEW GUN.
TRY THAT CACTUS.
YOU CAN'T MISS WITH THAT.
IT'S ALL RIGHT.
HOW FAR IS IT FROM HERE TO EL DORADO?
WE'LL BE IN THERE AROUND MIDNIGHT.
WELL, WHERE ARE WE HEADED FOR?
TO SEE A GIRL.
TO SEE A GIRL?
YES, A GIRL.
DON'T YOU THINK I CAN KNOW A GIRL?
ALWAYS MAKE YOU MAD, DON'T I?
MOSTLY.
HOLD IT.
THIS, YEAH, THIS IS IT.
[TAPPING]
COLE.
COLE!
MAUDIE, KEEP IT QUIET.
I'VE GOT TO TALK TO YOU.
I'LL LET YOU IN.
KEEP YOUR EYES OPEN.
COLE, YOU SURE PICK THE DARNEDEST TIMES TO--
WHO'S YOUR FRIEND?
MY NAME IS ALAN BEDILLION TREHEARNE--
JUST CALL HIM MISSISSIPPI FOR NOW.
HI, MISSISSIPPI.
STAY OUT HERE AND WATCH.
COULDN'T I--
NO.
COLE, I'M SO GLAD TO SEE YOU.
I GOT SO MANY THINGS TO TELL YOU.
THERE'S LOTS OF THINGS I OUGHT TO SAY TO YOU,
BUT FIRST I'VE GOT TO HAVE SOME ANSWERS.
ARE THERE ANY STRANGERS IN TOWN?
NO. I'D HAVE KNOWN IF THERE WERE.
THIS ONE YOU'D HAVE NOTICED.
HE'S A DARK, THIN-FACED MAN
WITH A SCAR HERE AND A MARLED EYE.
NELSE McLEOD.
NELSE. I'VE HEARD OF HIM.
SHOULD'VE HAD FOUR OR FIVE RIDERS WITH HIM.
HE'S NOT HERE YET.
WELL, GOOD. AT LEAST WE BEAT THEM IN.
NOW, ABOUT J.P.
WANT THE WHOLE STORY?
JUST DON'T MAKE IT TOO LONG.
AFTER YOU LEFT, I DIDN'T SEE MUCH OF HIM.
HE'D DROP IN FOR A DRINK ONCE IN A WHILE.
GUESS HE WAS LONELY.
ONE DAY, A GIRL CAME INTO TOWN.
JUST STEPPED OFF THE STAGE,
AND, WELL, YOU KNOW THE KIND--
YEAH. SHE PROBABLY HAD BIG SAD EYES
AND A LONG SAD STORY. THAT'S HIS TYPE.
SHE WAS NO GOOD.
I TRIED TO TELL HIM. SO DID OTHERS.
BULL TOLD HIM. HE KNOCKED BULL DOWN.
SO J.P. HAD FOUND OUT THE HARD WAY.
SHE RAN OFF WITH A DRUMMER.
HE'S NOT BEEN SOBER SINCE.
IT'S BEEN ABOUT TWO MONTHS.
HE HAS TO GET OVER IT IN A HURRY.
IS HE OVER AT THE JAIL?
HE'S STILL SHERIFF, THOUGH I DON'T KNOW WHY.
WELL, WE'LL MOSEY OVER--
OH, HAVE YOU GOT A ROOM FOR MISSISSIPPI AND ME?
SURE. SAY, HAVE YOU EATEN ANYTHING LATELY?
NO.
I'LL HAVE SOMETHING READY FOR YOU WHEN YOU GET BACK.
I'M GLAD YOU'RE HERE.
DON'T TELL ANYBODY YOU SAW US.
I WON'T.
WELL, I FOUND ONE THING OUT.
WHAT'S THAT?
YOU KNOW A GIRL.
HOLD IT!
THAT'S AS FAR AS YOU CAN COME NOW...
UNLESS YOU GOT SOME BUSINESS HERE.
I SURE HAVE GOT BUSINESS HERE, BULL.
COLE THORNTON.
COLE THORNTON.
IF IT WASN'T SO DARK,
I MIGHT'VE SPOTTED YOU.
I MIGHT HAVE ANYHOW
IF I HADN'T BEEN TRYING TO FIGURE OUT
WHAT THAT OTHER FELLA'S
GOT ON HIS HEAD.
IT'S CALLED A HAT.
WELL, I'LL HAVE TO TAKE YOUR WORD FOR IT.
HE'S A FRIEND OF MINE. THEY CALL HIM MISSISSIPPI.
GLAD TO KNOW YOU.
GLAD YOU'RE HERE, COLE.
OUR FRIEND THE SHERIFF
AIN'T SO GOOD.
I JUST TALKED TO MAUDIE.
HE'S BACK THERE... SLEEPING.
BEING AS HOW YOU'VE KNOWN HIM
LONGER THAN I HAVE, YOU KNOW ENOUGH
TO BE CAREFUL HOW YOU WAKE HIM,
'CAUSE HE'S A BAD 'UN WHEN HE'S DRINKING.
HE AIN'T PUT THAT STOPPER
BACK IN THAT BOTTLE IN A ***'S AGE.
YOU GOT SOME PLACE TO PUT THESE HORSES UNDER COVER?
SURE.
GIVE HIM A HAND, MISSISSIPPI.
I'D JUST AS SOON EVERYBODY DIDN'T KNOW
WE WERE BACK IN TOWN YET.
WHAT'S UP, SOMETHING IN THE WIND?
JASON STARTING SOME MORE TROUBLE.
I AIN'T SURPRISED.
I GOT AN ITCH ON THE BACK OF MY NECK
LIKE I USED TO GET
WHEN A COMANCHE WAS AROUND AND I COULDN'T SEE HIM.
HEY!
YAAH!
DAMN YOU, BULL.
[SPITTING]
DAMN.
WHAT THE HELL ARE YOU DOING HERE?
I'M LOOKING AT A TIN STAR WITH A...
DRUNK PINNED ON IT.
COLE THORNTON.
HOW ABOUT THAT?
WHOO-HOO!
HOW ABOUT THAT? IT'S GOOD OLD COLE.
HELP ME UP OUT OF HERE, COLE.
JUST PULL ME RIGHT ON UP.
COLE!
HE WON'T FEEL IT.
WELL, I OWE HIM ONE.
EITHER ONE OF YOU KNOW A...
FAST WAY TO SOBER A MAN UP?
HOWLING INDIANS OUT FOR HAIR DO IT THE QUICKEST.
JOHNNY DIAMOND HAD A RECIPE.
LET'S SEE.
CAYENNE PEPPER,
MUSTARD--THE HOT KIND--
IPECAC,
ASAFETIDA,
AND OIL OF CLOVES, OR WAS IS IT--
NO, IT WAS CROTON OIL.
CROTON OIL?
I'LL BE A SUCK-EGG MULE.
YOU KNOW WHAT THAT MIXTURE'LL
DO TO A FELLA?
GUARANTEED TO KILL OR CURE.
BULL, COULD YOU GET THAT STUFF THIS LATE?
GREENER'S STORE WOULD HAVE IT.
MAY HAVE TO WAKE HIM UP.
GO WITH HIM, MISSISSIPPI.
MAKE SURE HE DOESN'T FORGET ANYTHING.
LOOK OUT, COLE!
UNH!
AREN'T YOU GONNA GET THAT STUFF?
HE'S ALL RIGHT.
JUST GET IT BEFORE HE WAKES UP AGAIN.
SURE.
LET'S SEE.
WE GOT IPECAC AND MUSTARD
AND CAYENNE.
THAT LEAVES US ASAFETIDA.
ARE YOU SURE THAT JOHNNY DIAMOND
WASN'T AN EMBALMER?
HERE'S YOUR GUNPOWDER.
GUNPOWDER?
YUP. MISSISSIPPI REMEMBERED IT
ON THE WAY TO THE STORE.
PUT IT IN, BULL.
ALL OF IT?
UH-HUH, ALL OF IT.
I HOPE YOU DON'T BLOW HIM UP.
YEAH...
IT LOOKS DONE.
WELL, LET'S GET IT INTO HIM.
BULL, YOU SIT ON HIS LEGS.
COLE, PIN DOWN HIS ARMS.
DON'T WORRY ABOUT US.
GET A HOLD OF HIS NOSE.
IF HE CAN'T BREATHE, HE'LL HAVE TO SWALLOW.
GIVE HIM AN EXTRA ONE FOR ME.
[SNORING]
[CHOKING]
[SWALLOWING]
ALL DOWN.
LET'S GET OUT OF HERE!
UGH!
LOCK HIM IN.
BULL.
WE'RE COMING IN.
COME AHEAD.
HOWDY, COLE, MISSISSIPPI.
HOW'S OUR FRIEND?
AHH, NARY A PEEP.
NOT ONE TWITCH IN THE LAST TWO HOURS.
RECKON HE'LL BE ALL RIGHT, COLE?
BETTER ASK MISSISSIPPI.
IT'S HIS CONCOCTION.
I DON'T KNOW HOW HE'LL BE,
BUT HE WON'T BE DRINKING FOR A WHILE.
HOW COME?
IT DOES SOMETHING TO A MAN'S STOMACH
SO IT WON'T HOLD LIQUOR.
YOU SURE OF THAT?
SURE I'M SURE-- GIVEN HE'S HUMAN.
HE'S HUMAN ALL RIGHT.
NO OTHER CRITTER ON EARTH
WOULD MAKE SUCH A FOOL OF ITSELF.
Harrah: HEY, BULL. COME OPEN THIS DOOR.
HE'S STILL DRUNK.
OPEN IT YOURSELF. IT AIN'T EVEN LOCKED.
[COUGHING]
MY FRIENDS...
MY DEAR GOOD FRIENDS.
YOU DIRTY, LOUSY, ROTTEN, SHEEP-HERDING--
WHAT DID YOU DO TO ME?
WHAT DID YOU GIVE ME?
I'M ALL CRAWLING INSIDE.
JUST HANG ON, SHERIFF.
IT'LL FETCH YOU AROUND.
WHO ARE YOU?
WE MET LAST NIGHT.
LAST NIGHT? WHEN WAS THAT?
ALL RIGHT. COME ON. WHERE IS IT?
TOP DRAWER OF YOUR DESK.
AIN'T NOBODY GONNA TRY AND STOP ME?
NOBODY.
WELL, THAT'S A GOOD THING.
OOH, YOU DIRTY...
OHH...
COLE...
TAKE A LOOK.
HYAH!
GIDDYUP!
HYAH! COME ON! GIDDYUP!
GIDDYUP!
ALL RIGHT, BULL, YOU BETTER WAKE UP.
BART JASON JUST BROUGHT HIS OUTFIT INTO TOWN.
COULD BE TO MEET McLEOD.
YEAH, COULD BE.
ARE YOU GOING TO TELL THE SHERIFF?
NO, LET HIM SLEEP.
HERE COMES SOME MORE OF THEM.
WHOA!
YOU GALS GO DO YOUR SHOPPING.
WE'LL MEET YOU BACK HERE. STAY TOGETHER NOW.
GO ON WITH THEM, JOEY.
WHEW! DUSTY OUT THERE.
WHO ARE THOSE PEOPLE THAT JUST COME IN?
THE MacDONALDS.
THEY COME TO TOWN EVERY SATURDAY AFTERNOON.
THIS IS ONE SATURDAY I WISH THEY HADN'T.
BULL, WOULDN'T IT BE A GOOD IDEA
IF YOU HUNG AROUND WHERE THE MacDONALDS ARE?
I GUESS I'D BETTER.
WATCH OUT FOR THEM.
WE'LL KEEP AN EYE
ON OUR FRIEND ACROSS THE STREET.
IF THERE'S TROUBLE AND I NEED YOU,
I'LL TOOT MY BUGLE, AND YOU COME RUNNING.
"TOOT MY BUGLE."
[WHISTLING]
[CELL DOOR BANGS]
HELLO, J.P.
HI.
CAN YOU SEE A LITTLE CLEARER FROM HERE?
HEY, COLE.
HOW LONG YOU BEEN HERE?
I GOT IN LAST NIGHT.
DID, UH... DID WE HAVE A, UH...
A FIGHT OR SOMETHING?
OR SOMETHING.
YEAH.
WELL, UH...
WHAT ARE YOU DOING HERE, COLE?
I'M WAITING FOR A FELLA.
NAME'S NELSE McLEOD.
OH? NELSE McLEOD WITH THE...
THAT ONE.
YOU WANT SOME COFFEE?
NO, I DON'T WANT COFFEE.
I MET HIM DOWN NEAR THE BORDER.
SAID HE WANTED ME TO WORK WITH HIM ON A JOB--
RANGE WAR.
BUT HE SAID IT'D BE EASY.
ALL WE HAD TO WORRY ABOUT
WAS A DRUNKEN SHERIFF.
SURE YOU DON'T WANT SOME COFFEE?
UGH...
NELSE McLEOD AND, UH...
HE'S WORKING FOR JASON?
THAT'S WHAT HE SAID.
WELL...
I TURNED THE JOB DOWN.
WELL, THEN, UH...
THEN WHY ARE YOU HERE, COLE?
I OWE THE MacDONALDS.
IS THAT ENOUGH?
YEAH, THAT'S, UH...
THAT'S, UH, THAT'S PLENTY, COLE.
COLE, I--I GOT TO HAVE A DRINK.
YOU WON'T FIND ANYTHING AROUND HERE.
WHY?
I TOLD BULL TO THROW IT AWAY.
NOW WOULD YOU LIKE A CUP OF COFFEE?
NO, I DON'T WANT ANY COFFEE, COLE.
I WANT A DRINK!
I'VE GOT TO HAVE IT.
WELL, GO GET ONE.
WHERE'S MY HAT?
IS THIS YOURS?
WHO ARE YOU?
WE MET LAST NIGHT AND AGAIN THIS MORNING.
IS THIS YOUR HAT?
NO, IT'S NOT MY HAT, BUT IT'LL DO.
[PIANO MUSIC PLAYS]
LET ME HAVE SOME WHISKEY.
Bartender: JUST HOLD YOUR HORSES, SHERIFF.
GOOD EVENING, SHERIFF.
HERE YOU ARE.
I DON'T WANT A DRINK. I WANT THE WHOLE BOTTLE.
WELL, I'LL HAVE TO FILL ONE UP FOR YOU.
ISN'T THAT, UH...
THAT'S McLEOD, ALL RIGHT.
WELL, WELL, I'M GLAD TO SEE YOU.
I'VE BEEN WAITING FOR YOU.
I BROUGHT SOME BOYS WITH ME.
IT'S A GOOD TIME TO INTRODUCE YOU
TO THE MAN I WANTED YOU TO MEET. SHERIFF...
THIS IS NELSE McLEOD.
McLEOD, THIS IS J.P. HARRAH,
THE SHERIFF OF EL DORADO.
[LAUGHTER]
HE'S THE MAN WHO'S RESPONSIBLE
FOR KEEPING ORDER IN THIS TOWN.
HERE YOU ARE, SHERIFF.
HE'S JUST GETTING HIS EVENING BOTTLE.
DON'T YOU THINK YOU BETTER
GET OUT OF THE MIDDLE OF THE STREET?
COLE...
COLE, THEY LAUGHED AT ME...
RIGHT IN FRONT OF McLEOD,
THEY JUST LAUGHED AT ME.
THEY'VE BEEN LAUGHING AT YOU...
FOR A COUPLE OF MONTHS.
YOU JUST HAVEN'T BEEN SOBER ENOUGH TO HEAR IT.
THEY'LL LAUGH NO MORE.
I'LL SHOW THEM.
[GUNSHOTS]
[BUGLE CALL]
WHAT'S THAT?
NEEDS HELP!
WHAT IS IT?
NOW WAIT A MINUTE. WAIT FOR--
WAIT FOR ME.
WHY?
COLE, OVER HERE!
THE MEN THAT DONE IT TOOK OFF DOWN THIS WAY!
JUST A MINUTE!
JARED, OH, I ASKED YOU NOT TO COME.
I ASKED YOU.
YOU'RE ALWAYS AROUND WHEN ONE OF MY BOYS GET HURT.
HOW IS HE?
HE'S ALIVE.
JOEY'S GONE FOR THE DOCTOR.
Cole: WHO DID IT?
MATT, YOU WERE WITH JARED. WHAT HAPPENED?
IT WAS THREE OF JASON'S MEN.
ONE OF THEM TOOK MY GUN.
THEN THEY STARTED CALLING JARED NAMES.
ONE GRABBED HIS ARM. THE OTHER ONE SHOT HIM.
THEN THEY RAN AWAY.
WHAT DID THEY LOOK LIKE?
I KNOW WHAT THEY LOOKED LIKE.
ONE WAS TALL, ONE WAS SHORT,
ONE HAD A BAD LEG.
LET'S GO.
YOU'RE NOT GOING TO FIND ANYBODY.
WELL, LOOK WHO'S HERE?
YOU'RE A LITTLE LATE.
DID YOU STOP FOR A DRINK?
LATE. MAYBE TOO LATE.
NO REASON FOR THE REST OF YOU TO GET SHOT.
YOU'RE OUTCLASSED.
SHERIFF'S RIGHT.
JASON'S HAD YOU BEAT
EVER SINCE NELSE McLEOD
AND THOSE FOUR GUNMEN RODE IN.
NELSE McLEOD?
JASON'S BEEN WAITING FOR HIM.
GO AGAINST HIM,
YOU'LL BE DOING JUST WHAT JASON WANTS.
WHAT DO YOU EXPECT US TO DO?
WHY DON'T YOU ASK THE SHERIFF?
THE SHERIFF?
YOU THINK I'M GOING TO WAIT ON HIM?
JUST GIVE ME AN HOUR, MacDONALD.
YOU CAN WAIT THAT LONG TO DIE.
BACKING HIM UP, THORNTON?
NO! HE'S NOT.
LET'S SAY I'M ON YOUR SIDE,
AND THIS IS NO JOB FOR AMATEURS.
THEY RUN DOWN THIS STREET
AND TURNED LEFT--
TOO MANY FOR ONE MAN TO TAKE AFTER.
IF I WAS YOU,
I WOULDN'T BE TOO IN A HURRY
TO GO UP THAT STREET.
THEY ACTED LIKE THEY WANTED SOMEBODY
TO FOLLOW THEM.
I'VE SEE'D INDIANS ACT LIKE THAT.
WELL, I'M GOING DOWN THIS SIDE.
WHAT ARE YOU DOING HERE?
I'M GOING DOWN THE OTHER SIDE.
REMEMBER I DIDN'T ASK YOU.
COME ON, BULL. YOU FOLLOW ME.
NOT TOO CLOSE, THOUGH.
[WHISTLE]
SEÑOR,
PLEASE DON'T TURN AROUND.
IT'D BE BETTER
IF NO ONE SEES ME TALKING TO YOU.
MISSISSIPPI.
JUST A MINUTE.
GO AHEAD.
IS IT THAT YOU LOOK FOR THREE MEN?
THAT'S RIGHT.
ONE WALKS WITH A LEG WHICH IS NOT GOOD?
ANOTHER IS VERY TALL?
THEY'RE THE ONES.
THEY RAN TO THE OLD CHURCH.
THEY HAVE NOT COME OUT YET.
I'VE WATCHED.
AHH, THANK YOU.
NO, YOU DO NOT NEED TO THANK ME.
I DO NOT LIKE BART JASON OR HIS MEN.
THANKS, AGAIN.
WHAT KEPT YOU?
A GIRL SAID SHE SAW--
A GIRL?
DON'T YOU THINK I CAN KNOW A GIRL?
SHE SAID THE MEN WE WANT RAN TO THE OLD CHURCH.
THEY'RE STILL THERE?
YES, SIR.
WE CAN FIND OUT IN A HURRY.
J.P.
GIRL SAID THEY WERE UP AT THAT CHURCH.
WHAT ARE YOU GOING TO DO, SHERIFF?
GET A LITTLE CLOSER.
[GUNSHOTS]
THE GIRL WAS RIGHT. THEY'RE STILL UP THERE.
SURE ARE. HIT ME IN THE BUGLE.
LOOK. GOT A DENT IN IT.
ALONGSIDE THAT BIG BELL IN THAT TOWER.
I'LL SHOW YOU.
[BELL RINGS]
AIN'T THAT PRETTY?
BULL, YOU GO ON SHOOTING.
WE'LL TRY TO MOVE UP CLOSER.
JUST GIVE ME ANOTHER GUN,
AND I'LL PLAY MARCHING THROUGH GEORGIA.
ALL RIGHT, START PLAYING.
[BELL RINGS]
LET'S GO.
COME ON UP, BULL! WE'LL COVER YOU!
BULL, WE'RE GOING TO SHAKE THEM UP A LITTLE.
YOU KEEP THEM OCCUPIED WHILE WE MOVE IN. READY?
LET'S MAKE SOME MUSIC.
[BELLS RING]
HERE THEY COME!
ALL RIGHT, MISSISSIPPI.
YOU WATCH THAT ROOF AND WATCH IT GOOD.
SHERIFF, YOU--
YOU ALL RIGHT?
NO, YOU AIN'T.
[BELLS RING]
[CLANG]
I'M GETTING OUT OF HERE.
MISSISSIPPI, I'M GOING TO HIT THAT DOOR.
YOU GET AROUND THAT--
WATCH THAT OTHER DOOR!
LOOK OUT UP HIGH!
[GUNSHOT]
[BELLS RING]
ONE OF THEM GOT AWAY.
YOU OUGHT TO KNOW. YOU MISSED HIM.
MISSISSIPPI!
OVER HERE!
MISSISSIPPI!
WHERE DID YOU COME FROM?
I HEARD A NOISE.
DID YOU GET HIM?
WHO?
THE FELLA THAT RAN OUT OF THE CHURCH.
WELL, YES AND NO.
I HIT THE SIGN, AND THE SIGN HIT HIM.
HE WAS LIMPING WHEN HE LEFT.
HE WAS LIMPING WHEN HE GOT HERE.
WE DID SOME DAMAGE. THERE'S BLOOD HERE.
ANYWAY, HE GOT AWAY.
NOT VERY FAR.
WHERE DID HE GO?
THAT SALOON UP THE STREET.
JASON'S PLACE.
WELL, SHERIFF...
IF YOU ASK ME ONE MORE TIME
WHAT I'M GOING TO DO NEXT,
I'M GOING TO FLAT QUIT
AND LEAVE THE WHOLE THING IN YOUR HANDS.
HERE. GIVE ME THAT.
WE'LL BE HERE ALL WINTER.
WELL, I GUESS I'LL HAVE TO GO IN AFTER HIM.
YOU KNOW WHO'LL BE IN THERE, DON'T YOU?
WELL, THERE'S TWO MEN I GOT TO GET.
TWO MEN?
THERE'S THE MAN THAT SHOT THE MacDONALD KID,
AND THE MAN THAT SENT HIM OUT TO DO IT.
BART JASON.
THAT'S RIGHT.
I WAS WONDERING
WHEN YOU'D GET AROUND TO THAT.
I MAY BE A DRUNK.
I MAY NOT BE ABLE TO LOAD MY OWN GUN,
BUT I DON'T NEED YOU
TO TELL ME HOW TO DO MY JOB.
I JUST HOPE YOU'RE GOOD ENOUGH.
SO DO I.
SO DO I.
BULL, LOOK HERE,
I'M GOING TO GO AROUND THE BACK.
YOU WALK ALONG THAT SIDE OF THE STREET.
IF THEY GOT SOMEBODY POSTED OUTSIDE,
YOU WALK ON UP TO THE JAILHOUSE
AND JUST WAVE TO ME.
YOU'RE GOING TO NEED THIS.
WAY YOUR HAND'S SHAKING,
DON'T LET IT GET NEAR THE TRIGGER.
DON'T GET ON ME, BULL.
I AIN'T STARTED YET.
THIS IS GOING TO BE SOMETHING TO SEE.
WHO THE HELL ARE YOU?
WAIT A MINUTE, J.P.
HE'S A LITTLE GREEN,
BUT THE FELLA YOU'RE AFTER'S
GOT A BAD LEG.
SURE.
THE BACK DOOR'S THROUGH THERE.
IF YOU GO IN REAL QUIETLIKE,
THEY MAY NOT EVEN KNOW YOU'RE THERE.
NOW GIVE ME TIME TO GET AROUND FRONT.
WE'LL WATCH YOU.
YOU BEING FAIR?
WHAT DO YOU MEAN?
LETTING HIM GO IN THERE.
I'D HATE TO BE THE ONE TO TRY AND STOP HIM.
THEY LAUGHED AT HIM, MISSISSIPPI.
THAT'LL MAKE THE DIFFERENCE.
[WHISTLES]
ALL RIGHT.
LET'S GET ON WITH IT.
IF YOU HAVE TO USE THAT THING,
MAKE SURE WHICH WAY IT'S POINTED.
[PIANO PLAYING]
WHAT DO YOU WANT HERE, SHERIFF?
I WANT TWO THINGS.
FIRST, I WANT TO GET
THE MAN THAT JUST CAME IN HERE.
NOBODY CAME IN HERE.
YOU JUST STAY AWAY FROM THAT GUN.
MOVE UP THE OTHER END OF THE BAR.
NO. I WOULDN'T DO IT, McLEOD.
THE REST OF YOU, DON'T PLAN ANYTHING.
SO YOU DECIDED
TO TAKE A HAND, AFTER ALL.
NEVER FIGURED IT ANY OTHER WAY.
KEEP THAT GUN POINTED RIGHT AT THIS TABLE,
BOTH BARRELS.
GO AHEAD, J.P.
YOU...
YOU SAID THAT NOBODY CAME IN HERE.
THAT'S RIGHT. NOBODY CAME IN.
THEN HOW COME THERE'S A TRAIL OF BLOOD
LEADING RIGHT UP TO THAT TABLE?
JOE, YOU'RE PLAYING A LOT OF SOUR NOTES
ON THAT PIANO.
I KNOW I AM.
YOU DON'T LOOK VERY HAPPY.
I'M CERTAINLY NOT.
LIKE TO MOVE AWAY FROM THAT PIANO?
DARN RIGHT I WOULD.
WELL, THEN, MOVE!
NOW, YOU SAID--
I TOLD YOU, ELMER!
GET AWAY FROM THAT GUN.
GET UP THE OTHER END OF THE BAR.
YOU WERE SAYING THAT, UH,
NOBODY WALKED IN HERE.
YOU GET UP.
GET UP.
NOBODY CAME IN HERE, HUH, LAUGHING BOY?
LET ME HEAR YOU LAUGH.
COME ON, LET ME HEAR YOU LAUGH!
NOW YOU, JASON.
GET OUT OF MY WAY.
YOU THOUGHT IT WAS PRETTY FUNNY, TOO.
WHY AREN'T YOU LAUGHING NOW?
IT'S THE SAME DRUNKEN SHERIFF,
THE SAME HAT, THE SAME OUTFIT.
LET ME HEAR YOU LAUGH!
I DON'T KNOW WHO YOU THINK YOU ARE, JASON--
J.P.!
ALL RIGHT, COLE.
YOU'RE A LUCKY MAN, JASON...
'CAUSE I WANTED TO KILL YOU BAD.
NOW COME ON. YOU'RE UNDER ARREST.
YOU JUST GONNA SIT THERE, McLEOD?
WELL, THERE REALLY ISN'T VERY MUCH
I CAN DO RIGHT NOW,
IS THERE, JASON?
I'LL GIVE YOU $1,000
THE DAY YOU GET ME OUT OF JAIL.
$1,000.
LET ME TELL YOU SOMETHING, McLEOD.
YOU MAKE ONE MOVE TOWARD THAT JAIL,
YOU'LL HAVE A HARD TIME COLLECTING.
YOUR BOSS WILL BE THE FIRST MAN SHOT.
YOU AND YOUR BOYS
GET OUT OF TOWN BY MORNING.
YOU READY, COLE?
WHENEVER YOU ARE.
LET'S GO.
COVER US.
GET OUT OF THE WAY.
ALL RIGHT, MISSISSIPPI.
WHAT ARE YOU LOOKING AT?
THERE'S SOMEBODY OUT THERE WITH A GUN.
EVERYBODY IN TOWN'S GOT A GUN.
YEAH. NOT POINTING AT US, THOUGH.
WHERE WAS THIS FELLA?
IN THAT LIVERY STABLE ACROSS THE STREET.
IT'S TOO SOON FOR ONE OF THE McLEODS.
I'LL TAKE A LOOK.
I DON'T KNOW, MISSISSIPPI.
I'LL BE CAREFUL.
THEN GO AROUND THE BACK WAY.
OUT THE DOOR, TURN TO YOUR RIGHT.
IF YOU'RE NOT BACK IN FIVE MINUTES,
I'LL COME AFTER YOU.
LISTEN, SHERIFF--
YOU LISTEN.
YOU WANT ANYTHING MORE THAN BREAD AND WATER
UNTIL THE U.S. MARSHAL GETS HERE,
YOU BE ABSOLUTELY QUIET.
WELL, WE GOT AWAY WITH IT.
YEAH.
YOU WERE... PRETTY GOOD IN THERE,
LIKE OLD TIMES.
DON'T TELL ME HOW GOOD I WAS.
I JUST GOT AWAY WITH IT
BECAUSE I HAD A HANGOVER.
I WAS TOO MAD TO BE SCARED
AND TOO SICK TO WORRY ABOUT IT.
I'VE BEEN THERE.
WELL, NEXT TIME'S
NOT GOING TO BE SO EASY.
NEXT TIME, THEY'LL BE READY FOR YOU.
SAY, WHO FIGURED OUT THAT STUFF
YOU POURED INTO ME?
MISSISSIPPI.
WHERE IS HE?
WHERE IS MISSISSIPPI?
WHO IS MISSISSIPPI?
THAT'S THE FELLA AROUND WITH US ALL NIGHT.
WHERE IS HE?
THAT'S WHAT I WAS ASKING BULL.
ACROSS THE STREET AT THE STABLE.
SAW SOMEBODY POINTING A GUN.
HE OUGHT TO KNOW BETTER THAN THAT.
YOU WANT ME TO GO AFTER HIM?
YOU OUGHT TO KNOW BETTER.
THE FIRST TIME IN TWO MONTHS
I'VE FELT LIKE DOING NOTHING FOR YOU.
NOW YOU DON'T WANT ME TO DO IT.
WAS THERE SOMETHING WRONG WITH THAT,
OR IS IT JUST MY HANGOVER?
YOU MADE BETTER SENSE WHEN YOU WAS DRINKING.
MUST BE SOME WHISKEY
AROUND HERE SOMEPLACE.
HEY, YOU'RE A GIRL.
OF COURSE I AM.
WELL...HOLD ST--
JUST HOLD STILL NOW.
YOU'RE GOING TO LOSE YOUR CLOTHES
IF YOU KEEP THAT UP.
ALL RIGHT.
ALL RIGHT, I'LL QUIT.
YOU SURE?
I TOLD YOU, DIDN'T I?
ALL RIGHT.
HOW DID YOU KNOW I WAS HID HERE?
WELL, I, UH, SAW YOUR GUN BARREL
STICKING OUT THAT WINDOW.
WHO YOU AFTER, ANYWAY?
BART JASON,
BUT YOU ALL WERE SO CLOSE AROUND HIM,
I COULDN'T GET A CLEAR SHOT.
YOU GOING TO KEEP SITTING ON MY STOMACH?
WELL, I'M, UH, COMFORTABLE.
HEY. I TOLD YOU NOT TO DO THAT.
DON'T DO IT. HOLD STILL.
WHAT'S YOUR NAME?
JOEY.
JOEY?
JOSEPHINE MacDONALD.
MacDONALD?
OH.
COME ON.
WELL, IF YOU REALLY ARE A MacDONALD,
I GUESS YOU'RE RIGHT
TO BE WANTING TO SHOOT JASON.
I KNOW WHO YOU ARE.
YOU'RE ONE OF THE ONES THAT TOOK HIM TO JAIL.
YES, MA'AM.
I RECOGNIZE THE HAT.
WHY DO YOU WEAR THAT SILLY THING?
WELL, NEVER MIND.
WHY?
IT WAS GIVEN ME
BY AN OLD CHEROKEE MEDICINE MAN
WHO SAID AS LONG AS I WORE IT,
PEOPLE WOULDN'T ASK ME FOOL QUESTIONS.
THAT WASN'T A FOOL QUESTION.
WELL, THEN, I'LL ASK YOU ONE.
WHY DO YOU WEAR YOUR HAIR
LIKE SOME WILD MUSTANG
THAT NEEDS A CURRYCOMB AND A BRUSH?
DON'T DO THAT AGAIN.
I CAN HIT HARDER THAN YOU.
DAMN YOU.
IF YOU ARE WHO YOU SAY YOU ARE,
I'M ON YOUR SIDE.
UH, I WAS WRONG.
I OUGHT NOT TO BE HITTING YOU AT ALL.
I OUGHT TO BE THANKING YOU FOR HELPING US.
COULD I HAVE MY RIFLE BACK?
NOT TILL WE FIND OUT WHO YOU REALLY ARE.
I TOLD YOU WHO I AM.
YOU SAY SO. WE'LL FIND OUT.
BULL, WHAT DID MISSISSIPPI SAY?
HE WAS GOING TO THE STABLE
OVER ACROSS THE STREET.
I BETTER FIND OUT--
[KNOCKING ON DOOR]
HEY, IN THE JAIL! MISSISSIPPI.
OPEN THE DOOR.
HOLD YOUR HORSES.
I FOUND THIS GIRL IN THAT STABLE
POINTING A GUN.
HELLO, JOEY.
SHERIFF. HELLO, MR. THORNTON.
JOEY.
MAY I HAVE MY GUN?
SURE.
THANKS.
JUST WHO WERE YOU AIMING TO SHOOT?
JASON.
DIDN'T THE LAST TIME YOU SHOT A MAN
TEACH YOU ANYTHING AT ALL?
IT DID.
BUT THERE AIN'T ANY MISTAKE ABOUT JASON.
WE DIDN'T HAVE MUCH HOPE YOU'D GET HIM, SHERIFF.
PA AND THE OTHERS ARE WAITING FOR HIM
IN DIFFERENT PLACES ON THE STREET.
WE DIDN'T THINK YOU WERE GOOD ENOUGH.
SOBER ENOUGH.
WELL, WE WERE WRONG.
JOEY, YOU BETTER ROUND UP YOUR FAMILY
AND TELL THEM TO GO BACK HOME AND STAY THERE.
YOU CAN TELL THEM
WE GOT THE MEN THAT SHOT YOUR BROTHER.
HOW IS YOUR BROTHER?
THE DOC SAYS HE'S GOT A GOOD CHANCE.
YOU GONNA BE ABLE TO HOLD MR. JASON, SHERIFF?
OH, HE'LL STAND TRIAL.
WILL HE GET WHAT HE DESERVES?
I'M NOT THE JUDGE.
I'M JUST THE SHERIFF HERE.
WOULD IT BE ALL RIGHT IF I COULD SEE HIM,
TALK TO HIM?
WHY, SURE, JOEY.
JUST LET ME HAVE THAT GUN.
NEVER MIND.
GUESS I'LL BE GOING.
YOU WANT ME TO GO WITH YOU?
WHY?
WELL, UH...
I DON'T KNOW.
THEY HAVEN'T GOTTEN AROUND
TO SHOOTING WOMEN YET.
I RECKON YOU ALL ARE DOING
WHAT YOU THINK IS RIGHT,
AND FOR WHAT YOU'RE DOING...
THANKS,
ALL OF YOU.
SHE WOULD HAVE SHOT THAT FELLA.
SHE SHOT ME.
UH, SH-SHE, UH...
HMM.
SHE'S SOMETHING.
HYAH!
HYAH!
[HARMONICA PLAYING]
COLE, McLEOD AND FOUR OF HIS MEN
JUST LEFT FROM ACROSS THE STREET.
YOU DON'T FIGURE HE'S PULLING OUT, DO YOU?
FELLA IN HIS LINE OF WORK CAN'T PULL OUT
ONCE HE TAKES A JOB.
I HEAR HE'S PART INDIAN.
COULD BE HE MUST JUST WANT US TO THINK HE'S LEAVING.
COULD BE.
I GOT THAT ITCHY FEELING ON THE BACK OF MY NECK
THAT SAYS INDIAN TROUBLE'S COMING.
WHAT TIME YOU RECKON IT IS?
OH, AROUND 11:00, 12:00.
SHERIFF SAID AS HOW HE WANTED TO BE WOKE UP.
WHAT FOR?
WELL, BEFORE HE TRIED TO DRINK THE TOWN DRY,
WE USED TO MAKE A PATROL ABOUT THIS TIME.
WELL, DON'T WAKE HIM UP.
HE'S BEEN THROUGH ENOUGH FOR ONE NIGHT.
MISSISSIPPI...
HMM?
YOU AND I WILL HAVE A LOOK AROUND.
IF'N YOU'RE GONNA DO THAT,
HERE'S A COUPLE OF BADGES.
NOW RAISE YOUR RIGHT HAND.
I FORGOT THE WORDS,
BUT YOU'D BETTER SAY "I DO."
I DO.
NOW YOU'RE DEPUTIES.
YOU SUPPOSE THESE WILL DO ANY GOOD
IF SOMEBODY TAKES A SHOT AT US?
GIVE THEM A GOOD MARK TO SHOOT AT.
YOU BETTER COME LOCK THIS DOOR AFTER US.
TAKE A LOOK-SEE IN AT JASON'S.
I'LL TAKE THIS SIDE.
JEFE.
CON PERMISO, AMIGOS.
[BIRD CALL]
WHAT WAS THAT?
I DON'T KNOW, BUT I DON'T LIKE IT.
HYAH!
LOOK OUT!
[GUNFIRE]
GET HIM INSIDE!
CLOSE THE DOOR.
YOU HIT BAD?
NO, JUST NICKED ME.
I DON'T THINK HE GOT THE BONE.
WHAT HAPPENED OUT THERE?
I TOLD YOU TO STAY OUT OF SIGHT.
HOW'S A BODY GONNA SEE ANYTHING
AROUND A CORNER?
I GOT TO CUT THIS PANT LEG.
WELL, GO AHEAD! YOU GOT A--A KNIFE?
UH, I SUPPOSE I'VE ASKED THIS BEFORE,
BUT WHO--WHO IS HE?
TELL HIM YOUR NAME, MISSISSIPPI.
ALAN BEDILLION TREHEARNE.
WELL, NO WONDER HE CARRIES A KNIFE.
YOU'RE GOING TO NEED A DOCTOR.
BULL, SUPPOSE YOU CAN SLIP OUT
AND GET DOC MILLER
WITHOUT GETTING YOURSELF SHOT?
IF I THOUGHT I'D GET SHOT,
I WOULDN'T GO.
BE BACK AS SOON AS I CAN.
HERE. YOU CAN USE THIS
TILL THE DOCTOR GETS HERE.
COLE, HOW DID THIS MESS GET STARTED?
WELL, A BUNCH OF MEN ON HORSEBACK
CAME FLYING AROUND THE BEND...
WHAT WAS THE IDEA
OF DIVING UNDER THOSE HORSES?
DIVING UNDER THOSE HORSES?
A MAN CAN'T SHOOT GOOD
WHEN HIS HORSE IS JUMPING,
AND A HORSE WON'T STEP ON A MAN.
HE WON'T.
HE WILL?
ALAN BEDILLION TER-WHO?
TERHANE.
TREHEARNE.
TREHEARNE.
YEAH.
WELL, THERE'S NOTHING IN THERE.
SHERIFF, YOU'VE GOT NOTHING
TO WORRY ABOUT.
LIFT YOUR LEG UP A LITTLE, PLEASE.
THORNTON, DID YOU EVER GET THAT BULLET
OUT OF YOUR BACK?
NO, I NEVER DID.
I TOLD YOU YOU NEEDED SOMEBODY BETTER THAN ME
TO GET IT OUT.
HERE'S THE MAN WHO CAN DO IT.
DR. DONOVAN,
CAN YOU SPARE A MINUTE?
YES, DOCTOR.
HOLD YOUR FINGER RIGHT HERE.
NO, NO. HERE.
THAT'S IT.
THIS FELLA'S GOT A BULLET IN HIM.
IT WENT IN THE LEFT SIDE
ABOUT HERE
AND MOVED TOWARD THE SPINE.
ABOUT HERE?
A LITTLE HIGHER.
OH, YES. I FEEL IT.
THIS MAY HURT.
IT DID.
THAT'S VERY ODD.
DOES IT HURT HERE?
Cole: NO.
UH, DOCTOR?
JUST A MINUTE, SHERIFF.
WHAT DO YOU THINK, CHARLES?
IT'S A CHALLENGE, ISN'T IT?
I RECKON HE'S GOT A MORE INTERESTING MISERY
THAN YOU GOT, SHERIFF.
DOCTOR, I DON'T WANT TO TAKE UP YOUR TIME,
BUT MINE'S STILL BLEEDING.
YOU'VE NOTHING TO WORRY ABOUT.
THAT'S A GOOD CLEAN WOUND.
IT'S GIVING YOU TROUBLE, ISN'T IT?
I WOULDN'T--
TELL HIM THE TRUTH.
I CAN GUESS.
THERE'S A SUDDEN SPASM OF PAIN IN THIS AREA
FOLLOWED BY PARALYSIS OF ONE SIDE.
IT DOESN'T LAST VERY LONG.
BUT IT LASTS LONGER EACH TIME.
WHAT ARE YOU SAYING?
THAT IF HE DOESN'T GET THAT BULLET OUT,
HE'LL HAVE AN ATTACK THAT WON'T PASS.
McLEOD MAY SETTLE THE PROBLEM FOR US,
BUT IF I'M HERE AFTER THIS IS OVER,
I'LL COME AND SEE YOU.
NOW, DOCTORS, IF YOU PLEASE,
COULD ONE OF YOU STEP OVER HERE
SO THAT I COULD REST MY FINGER?
SURELY, SHERIFF.
COLE.
J.P., WHY DON'T YOU SETTLE DOWN?
I CAN'T HELP IT. I'VE GOT THE SHAKES.
YOU'VE HAD THEM BEFORE.
BUT NOT WITH A HOLE IN MY LEG
AND A BUNCH OF UNFRIENDLY PEOPLE
WAITING OUTSIDE.
WHAT DO YOU WANT TO DO,
QUIT?
ONLY THING I CAN FIGURE
IS JUST DON'T GO OUTSIDE.
YOU MEAN HOLE UP.
THEY WON'T COME IN AFTER US.
WHEN DO YOU EXPECT THE MARSHAL?
I DON'T REMEMBER
THE LAST TIME HE WAS HERE.
HE WAS HERE.
GAVE HIM A BIG WELCOME-- FLUNG A BOTTLE AT HIM.
AN EMPTY BOTTLE.
YEAH. HE WASN'T THAT FAR GONE.
WHEN'S THE MARSHAL DUE?
OH, FOUR OR FIVE DAYS.
YOU GOT ENOUGH FOOD?
PLENTY OF COFFEE AND WATER.
YOU SUPPOSE YOU COULD SLIP OUT THAT BACK DOOR
AND BRING US SOME FOOD?
WITHOUT GETTING SHOT?
I WISH YOU WOULD.
WHAT'S HE WANT ME TO DO, GET SHOT OR GET FOOD?
WANT ME TO GO WITH YOU?
YEAH. IF I GET SHOT,
YOU CAN BRING BACK THE FOOD,
AND I'M ALSO GOING TO BRING BACK
A BIG BAR OF SOAP.
THIS PLACE WILL NEVER BE DELMONICO'S,
BUT THE FOOD WOULD TASTE BETTER
IF A FELLA I KNOW WOULD USE THAT SOAP.
BULL, JUST GET.
I'M GOING.
I SUPPOSE I COULD USE A LITTLE BATH.
I'D APPRECIATE IT.
[DOOR OPENS]
MORNING, JOEY.
MORNING, BULL. I BROUGHT SOME--
GOOD MORNING, SHERIFF.
JOEY, I'M TAKING A BATH.
OH, DON'T MIND ME.
I WAS RAISED WITH FOUR BROTHERS.
I'M NOT YOUR BROTHER.
DOC MILLER SENT YOU THESE CRUTCHES
AND SOME CLEAN CLOTHES.
HE ALSO SENT YOU A BAR OF SOAP.
I BROUGHT ALONG AN EXTRA ONE.
YOU ALREADY HAVE SOME.
I'VE GOT A LOT OF FRIENDS.
I GUESS I'LL BE GOING.
GOOD MORNING.
JOSEPHINE.
JOEY, WHAT ARE YOU DOING STILL IN TOWN?
WE CAME TO TAKE MY BROTHER HOME THIS MORNING.
HE'S A LOT BETTER.
WHEN YOU GET BACK TO THE RANCH--
I REMEMBER WHAT YOU SAID.
"STAY CLOSE AND WATCH OUT."
YOU LOOK A LOT BETTER WITHOUT THAT HAT.
WELL, THANK YOU, MA'AM.
WAIT. DON'T CLOSE THAT DOOR.
MORNING, JOEY.
HI, MISSISSIPPI. MORNING.
MORNING, COLE.
GOOD MORNING, GOOD MORNING.
I'D HAVE MORE PRIVACY
AT THE EL PASO RAILROAD STATION.
HELLO, J.P. HOW ARE YOU?
THINKING OF SELLING TICKETS, MAUDIE.
I'M JUST IN TIME.
HERE'S A BAR OF SOAP FOR YOU.
JUST WHAT I NEED.
HEY, WHAT HAPPENED TO YOUR LEG?
MAUDIE!
WILL YOU GET OUT?
ALL RIGHT, J.P.
WHAT HAPPENED TO HIM?
OH, HE'LL BE ALL RIGHT.
GOT NICKED LAST NIGHT.
MAUDIE, YOU SHOULD HAVE BETTER SENSE
THAN COMING AROUND HERE
AFTER WHAT HAPPENED LAST NIGHT.
JUST BRINGING FOOD. MAYBE I'LL TAKE IT BACK.
NOW, JUST A MINUTE...
COLE, SOMETIMES YOU MAKE ME SO MAD THAT--
MAUDIE...
WHAT?
HE'S JUST SAYING IN HIS OWN SWEET WAY
THAT IT'S NOT SAFE COMING HERE ANYMORE.
SOMEBODY SEES YOU HERE, THEY TELL McLEOD,
THEN McLEOD USES YOU TO GET TO US.
I NEVER THOUGHT OF IT THAT WAY.
SOMETHING ELSE.
SHE OUGHTN'T GO OUT THE FRONT.
McLEOD AND HIS--
WELL...
ALL RIGHT.
LET HER COME THROUGH THIS WAY.
I'LL CLOSE MY EYES.
COME ON.
MA'AM, YOU MIGHT AS WELL LEAVE THAT BASKET.
SURE, MISSISSIPPI.
COME ON, MAUDIE.
HEY, YOU IN THE JAIL.
WHO IS IT?
IT'S POLLY. I GOT A NOTE FOR YOU.
DON'T SEE NOBODY WITH HER.
COME ON IN, POLLY.
HI, SHERIFF.
HI.
MAUDIE ASKED ME TO BRING THIS TO YOU.
I'M SCARED, SHERIFF.
ALL THE GIRLS ARE SO SCARED.
I KNOW, POLLY.
WHAT'S SHE SAY, COLE?
JUST WHAT I FEARED. SOME OF McLEOD'S MEN
ARE HANGING AROUND HER PLACE.
SAYS WATCH OUT FOR OURSELVES BECAUSE SHE OVERHEARD ENOUGH
TO KNOW THEY'VE GOT SOMETHING PLANNED.
I GUESS YOU BETTER GO ON DOWN THERE, COLE.
YEAH.
MISSISSIPPI, YOU WANT TO RIDE, BOLDLY RIDE AGAIN?
MIGHT BE SOME TROUBLE.
OVER THE MOUNTAINS OF THE MOON,
DOWN THE VALLEY OF THE SHADOW...
HERE WE COME.
COME AHEAD, COLE.
[PIANO PLAYS]
LOOK OUT.
THE WINDOW. GET THEIR ATTENTION.
STEADY DOWN.
A MAN CAME IN HERE.
OUT THE BACK WAY.
THROUGH THAT DOOR.
COLE!
DON'T THESE FELLAS LOOK FAMILIAR?
OUR FRIENDS FROM THE BORDER.
MILT AND PEDRO.
WHERE'S McLEOD?
I DON'T KNOW.
THESE PEOPLE
WAIT FOR PEOPLE OUTSIDE OF DOORS.
MAKES YOU WONDER ABOUT THAT DOOR,
DOESN'T IT?
YOU'RE LEARNING, MISSISSIPPI.
ANY PARTICULAR REASON
WHY YOU WANT US TO GO OUT THAT WAY?
HE WENT OUT THAT DOOR.
THAT'S THE TRUTH.
IT BETTER BE
BECAUSE YOU'RE BOTH GOING OUT.
MILT'S FIRST.
NO...NO, PLEASE.
NOT THAT WAY.
OH!
I'M TIRED OF BEING TAKEN FOR A FOOL. MOVE!
PLEASE...
ON YOUR WAY.
[GUNSHOT]
I LIED.
THERE'S SOMEBODY OUT THERE.
I KNOW IT!
WAIT. I'LL GO. I'LL GO.
YOU SURE WILL.
DON'T SHOOT! IT'S MILT. DON'T SH--
[GUNFIRE]
ALL RIGHT, PEDRO. IT'S YOUR TURN.
NO, NO.
NO, NO, PLEASE.
GO ON, PEDRO, MO--
UH...OH...
COLE, YOU ALL RIGHT?
WHAT IS IT, COLE?
WELL, THORNTON,
THIS IS BETTER THAN I EXPECTED.
TAKE HIM OUT OF HERE.
JOE, GIVE HIM A HAND.
CAN YOU SEE ANYTHING?
THERE'S HARDLY ANYBODY MOVING ON THE STREET.
THEY RUN INTO TROUBLE, SURE ENOUGH.
THEY SHOULD HAVE BEEN HERE AN HOUR AGO.
[KNOCKING]
WHO IS IT?
MISSISSIPPI. COME ON. OPEN UP.
WHERE'S COLE?
McLEOD'S GOT HIM.
AFTER THAT, THIS FELLA COME UP FROM BEHIND ME
AND GIVE ME A HEADACHE.
I BET JIM PURVIS, JASON'S FOREMAN.
AFTER THAT, ONLY MAUDIE CAN TELL YOU.
IS COLE ALL RIGHT?
YEAH, WHEN I SAW HIM LAST,
EXCEPT HIS SIDE SEEMED NUMB.
THEY TAKE HIM AWAY?
THEY CARRIED HIM OUT.
WE GOT MISSISSIPPI INTO MY ROOM,
BUT WHEN THEY RETURNED,
THEY DIDN'T SEEM TO WANT HIM ENOUGH
TO TAKE HIM BECAUSE THEY HAD COLE.
YEAH.
WELL, IT'S NOT TOO GOOD, IS IT?
Bull: SURE AIN'T.
I WOULDN'T LOOK SO HAPPY.
IF ANYTHING HAPPENS TO COLE--
[GUNSHOT]
GET BACK!
STAY BACK.
SHERIFF!
SHERIFF, CAN YOU HEAR ME? IT'S NELSE McLEOD.
YES, I HEAR YOU.
THORNTON'S GOT SOMETHING WRONG WITH HIM,
BUT IT WASN'T OUR DOING.
WE GOT FIVE GUNS ON HIM FROM ACROSS THE STREET,
SO DON'T TRY AND MOVE HIM.
BULL, WATCH JASON. MISSISSIPPI...
WE'VE GOT GUNS ON YOUR BOSS, TOO.
I EXPECTED THAT.
ALL RIGHT, McLEOD, WHAT'S YOUR DEAL?
YOU SEND OUT JASON ALIVE,
AND YOU GET YOUR FRIEND.
[MUFFLED SPEECH]
ALL RIGHT, BULL.
LET HIM OUT.
SHERIFF, YOU CAN'T DO IT.
FREE JASON, McLEOD CAN DO
ANYTHING HE WANTS.
WHAT CHANCE YOU GOT THEN?
JUST OPEN THE DOOR, BULL.
THAT'S FAR ENOUGH, JASON.
COME ON, BULL. COME WHERE YOU CAN WATCH HIM
ALL THE WAY OUT THE DOOR.
ALL RIGHT, JASON. COME ON.
MISSISSIPPI, GET BACK HERE BY THIS WINDOW.
DON'T OPEN IT. JUST STAND READY.
SLOWLY, NOW.
GO ON. RIGHT THROUGH THE DOOR.
CLOSE IT BEHIND YOU.
I CAN'T CLOSE IT WITH HIS FEET THERE.
MOVE THEM.
THAT'S RIGHT.
SLOWLY.
GET HIM OUT OF HERE.
GET SOMETHING IN FRONT OF THAT DOOR.
ARE YOU ALL RIGHT, COLE?
I GUESS SO.
WELL, J.P., YOU MADE A GREAT BARGAIN.
YOU SOLD OUT THE WHOLE MacDONALD FAMILY.
FOR WHAT?
GO AHEAD. TELL ME ABOUT IT, COLE.
TELL ME ABOUT HOW IF IT WAS YOU,
YOU'D HAVE DONE IT DIFFERENT.
WELL, YOU'RE GOING TO HAVE TO FACE THEM.
IT'S MY FAULT, BUT THEY'LL BLAME YOU.
YEAH.
McLeod: IN THE JAIL!
THORNTON, I'M SORRY IT HAD TO END THIS WAY.
I'LL ALWAYS WONDER WHICH ONE OF US WAS BEST.
GRACIAS.
CAN YOU FEEL THAT?
NO.
OR THAT?
IT'S ALMOST LIKE IT WAS LAST NIGHT.
THEN YOUR WHOLE SIDE WAS DEAD.
NOW IT'S JUST YOUR ARM.
IT NEVER LASTED ALL NIGHT BEFORE.
YOU MAY HAVE WAITED TOO LONG.
CAN'T YOU OPERATE AND GET THAT BULLET OUT?
HE'D BE LAID UP.
HE SAYS THERE'S WORK TO DO.
HOW HE CAN, WHO KNOWS?
BULL, YOU GONNA STAND THERE,
LOOK OUT THAT WINDOW ALL DAY?
YEP.
McLEOD LET US LEAVE TOWN TOO EASY.
JOEY MacDONALD AND SAUL MacDONALD'S WIFE'S COMING.
COULD BE BRINGING TROUBLE.
MISSISSIPPI, SLIP OUT BACK.
SEE IF ANYBODY'S FOLLOWING THEM.
BULL, YOU WATCH THEM, TOO.
BULL.
MR. THORNTON.
SHERIFF, WE WANT TO TALK TO YOU.
WHAT'S WRONG, JOEY?
JASON'S MEN TOOK MY HUSBAND.
TOOK HIM?
YES. THEY'VE GOT HIM.
JOEY, DIDN'T YOU TELL YOUR FAMILY TO WATCH OUT?
CATTLE GOT TO BE WATERED.
A YOUNG MEXICAN BOY WAS WITH SAUL.
HE RETURNED WITH A MESSAGE--
WE CAN HAVE SAUL BACK
IF PA TURNS OVER OUR WATER RIGHTS.
AND HE'S GOING TO?
THERE'S NO CHOICE.
THEY'LL NEVER GIVE SAUL BACK, RIGHT, SHERIFF?
JASON DOESN'T WANT SAUL
OR YOUR FATHER AROUND TO TESTIFY
HOW HE GOT THE DEED TO THAT WATER.
YOU GOT TO DO SOMETHING, SHERIFF.
NOBODY TRAILING THAT I CAN SEE.
WHEN'S THIS SUPPOSED TO HAPPEN?
TONIGHT.
8:00. THEY'RE BRINGING SAUL TO JASON'S SALOON.
PA'S SUPPOSED TO BRING THE DEED.
SAID THEY'D KILL SAUL IF ANYBODY TRIED ANYTHING.
YOU SAID THAT ABOUT JASON, SHERIFF--
THAT YOU'D KILL HIM.
AND THEN YOU DIDN'T.
NO, HE DIDN'T.
WHAT ARE YOU GOING TO DO?
THEY'VE GOT McLEOD AND THEIR GUNHANDS,
AND THEY'VE GOT YOUR BROTHER.
TAKE A LOOK AROUND. WE GOT TWO CRIPPLES,
A GREEN KID, AND A NOISY OLD--
INDIAN FIGHTER.
HOW IN THE HELL DO I KNOW WHAT TO DO?
JOEY, GO BACK AND TELL YOUR PA
WE'RE GOING TO DO WHATEVER WE CAN,
BUT IT'S UP TO HIM
WHETHER HE GIVES UP OR NOT.
GUESS IT'S MY FAULT. IF I HADN'T SHOT YOU,
NONE OF THIS WOULD HAVE HAPPENED.
YOU WILL TRY, THOUGH?
YES, MA'AM. WE'LL TRY.
I RECKON WE'LL BE GOING.
WELL, SHERIFF, WHAT ARE WE GOING TO DO?
I DON'T KNOW, BULL.
LIKE I TOLD THE LADY--
I JUST DON'T KNOW.
[GUN ***]
CAN YOU HIT ANYTHING THAT WAY?
IF I CAN GET CLOSE ENOUGH.
LOAD IT, WILL YOU?
HOW YOU GOING TO GET CLOSE ENOUGH?
RIDE UP IN FRONT OF JASON'S IN A WAGON.
YOU GOT A WAGON, RIGHT?
GOT A BIG ONE.
ARE YOU CRAZY?
HE'S MAKING SENSE.
THEY WON'T THINK I'M ANY GOOD.
I GOT AWAY WITH IT. HE CAN.
LAST TIME YOU HAD THE FRONT.
THIS TIME WE'LL TRY
THE OTHER WAY AROUND.
WE BETTER GO BEFORE WE THINK TOO MUCH.
BEST TIME TO GET THERE
WOULD BE JUST BEFORE THEY EXPECT MacDONALD.
8:00, JOEY SAID.
WELL, BULL, GUESS YOU BETTER HOOK UP A COUPLE OF WAGONS.
COME ON, MISSISSIPPI,
'FORE THEY THINK UP SOMETHING ELSE.
GIVE ME THE GUN.
CAN YOU SEE IT FROM THERE?
CAN'T SEE A THING.
HOW YOU GETTING DOWN FROM THERE?
THAT'S EASY.
I'M GOING TO FALL DOWN.
J.P., HOW WE GOING TO TIME THIS?
THEY'RE SURE TO HAVE SOMEBODY
OUT BACK WATCHING.
YOU TELLING ME HOW TO RUN MY JOB?
NO, BUT I'M A LITTLE INTERESTED.
HOW LONG SHOULD I KEEP THEM BUSY?
WE'LL BE AS QUIET AS WE CAN BE.
IF WE FINISH BEFORE YOU START SHOOTING,
LISTEN FOR BULL'S HORN.
WHAT IF THEY START SHOOTING BEFORE THAT?
WELL, THEN YOU'RE ON YOUR OWN.
WAIT A MINUTE. I GOT AN IDEA.
CAN I RIDE IN WITH YOU?
IT ISN'T GOING TO BE PRETTY.
I'D LIKE TO BE AROUND.
WILL YOU GET OFF WHEN I SAY SO?
I'LL GET OFF.
COME AHEAD.
GIVE ME SOMETHING TO LEAN ON.
"AND WHEN HIS STRENGTH
"FAILED HIM AT LENGTH,
"HE MET A PILGRIM SHADOW.
"SHADOW, SAID HE...
"WHERE CAN IT BE,
THIS LAND CALLED EL DORADO?"
I'LL SEE YOU, COLE.
I HOPE SO.
HYAH.
BULL!
I'M COMING.
WHAT ARE YOU DOING
WITH THAT BOW AND ARROW?
WE GOT TO BE QUIET ABOUT THIS.
CAN YOU HIT A BARN WITH THAT?
AIN'T HITTING A BARN.
JUST A MAN.
"OVER THE MOUNTAINS OF THE MOON,
"DOWN THE VALLEY OF THE SHADOW,
"RIDE, BOLDLY RIDE, THE SHADE REPLIED,
IF YOU SEARCH FOR EL DORADO."
HYAH!
[BUGLE CALL]
WHOA.
WELL, MAUDIE,
THIS IS AS FAR AS YOU GO.
ALL RIGHT.
AREN'T YOU GOING TO SAY ANYTHING?
WOULD IT DO ME ANY GOOD TO SAY IT,
THAT THIS IS CRAZY?
NO, I'M NOT GOING TO SAY ANYTHING.
I'M JUST GOING TO BUY YOU A PINE BOX.
ABOUT 6'6" OUGHT TO--
MAUDIE.
THE MacDONALDS.
STALL THEM.
TELL THEM TO GIVE US FIVE MINUTES. HURRY.
BYE, COLE.
WHOA!
[PIANO PLAYS]
THEY'VE GOT A LOOKOUT, ALL RIGHT.
GOT TO GET RID OF HIM.
RECKON YOU COULD HIT HIM WITH THAT?
CAN'T MISS.
ANY CHANCE HE'LL YELL OUT?
PLENTY.
WELL, HOLD IT.
I GOT AN IDEA.
HOLD THAT...
AND TAKE GOOD CARE OF THAT.
WHAT IN TARNATION ARE YOU DOING?
CHONG *** FONG.
SEE YOU RATER.
[SPEAKING MOCK CHINESE]
WHAT ARE YOU SAYING?
[SPEAKING MOCK CHINESE]
YOU CAN'T GO IN THERE.
OH, NO?
SO SOLLY.
COME ON.
GO ON IN, BULL.
[PIANO CONTINUES]
JOE NEVER WAS MUCH GOOD ON THAT PIANO, WAS HE?
AND YOU SHOOTING THEM STRINGS OUT
DIDN'T HELP NONE, NEITHER.
McLEOD!
COLE THORNTON'S COMING.
JACK, YOU AND A COUPLE BOYS STAY WITH THE KID.
WHOA.
DIDN'T EXPECT TO SEE YOU HERE, MR. THORNTON.
HELLO, McLEOD.
I SAID--
MY SHOW, JASON.
HI, THORNTON.
THERE'S A LITTLE QUESTION UNANSWERED BETWEEN US.
WHICH ONE OF US IS BEST?
THAT'S RIGHT.
I DON'T THINK
WE'LL FIND OUT THE ANSWER.
NO?
NO.
YOUR GUN HAND'S NO GOOD.
JUST GIVE ME TIME TO GET OFF THIS WAGON,
AND WE'LL FIND OUT.
WHY SHOULD I GIVE YOU TIME?
CALL IT PROFESSIONAL COURTESY.
DON'T LISTEN. WHY GIVE HIM TIME?
CURIOSITY, JASON.
ALL RIGHT, BULL.
GET THAT ONE CLOSEST TO MacDONALD.
WHEN YOU HIT HIM, BLOW THAT BUGLE.
UHH...
MY BETTER JUDGMENT SAYS--
[BUGLE BLOWS]
FREEZE RIGHT THERE, JOHNNY.
IN THERE!
HE'S ALL RIGHT.
I SAID STAY OUT.
THIS IS ONE TIME I'M GLAD SHE DIDN'T.
I'M MUCH OBLIGED, JOEY.
I OWED YOU SOMETHING.
COLE?
McLEOD?
YOU DIDN'T GIVE ME
ANY CHANCE AT ALL, DID YOU?
NO, I DIDN'T.
YOU'RE TOO GOOD TO GIVE CHANCES.
YEAH.
I LET A ONE-ARMED MAN TAKE ME.
J.P., LOOK.
NOW THAT I DON'T NEED THIS THING,
IT'S WORKING PRETTY GOOD.
THAT'S ALWAYS THE WAY, ISN'T IT?
HEY, BULL. WHAT'S GOING ON OUT THERE?
TOWN'S FIT TO BUST OUT.
BE A BIG TIME TONIGHT.
EVERY SON FEELS LIKE HOLLERIN'.
HOW'S YOUR LEG, COLE?
ASK THE DOC.
IT'S NOT TOO BAD.
YOU KNOW THESE ARE BUCKSHOT WOUNDS?
I THOUGHT THEY WERE.
WHO WAS USING A SHOTGUN?
THERE'S A CERTAIN YOUNG--
I WAS USING A SHOTGUN, DOC.
THOUGHT YOU WERE ON THEIR SIDE.
HE WAS.
I TOLD YOU I WAS NO GOOD WITH A GUN.
TROUBLE IS, COLE WAS IN FRONT OF HIM.
THE SAFE PLACE IS BEHIND MISSISSIPPI
WHEN HE SHOOTS THAT THING.
YOU, TOO, BULL, HUH?
THINK I'LL TAKE A LITTLE WALK.
SEE THAT GAL?
WHAT GAL?
THE ONE THAT HATES THAT HAT.
TELL HER WHY YOU'RE WEARING IT.
I'VE ALREADY TOLD HER.
SHE'S AWFUL MAD.
SAYS YOU LET HER MAKE SUCH A FOOL OF HERSELF.
A HOST OF FRIENDS.
I HAVE A HOST OF FRIENDS.
I'M SORRY ABOUT THAT LEG.
FORGET IT.
YEAH.
I'LL SEE YA.
MR. THORNTON,
THAT'LL BE SORE A FEW DAYS,
BUT IT'LL BE OK.
I HOPE YOU LET ME FIX YOUR BACK.
SOON AS THIS LEG HEALS, DOC.
I'LL BE READY.
HEY, COLE...
WHERE'S MAUDIE?
I WAS WONDERING ABOUT THAT, TOO.
I LEFT HER DOWN THE STREET BEFORE THIS RUCKUS STARTED.
SHE'LL PROBABLY BE AROUND PRETTY SOON.
I WOULDN'T COUNT ON THAT.
HMM?
I JUST TALKED TO HER.
WELL?
IF'N YOU WAS RUNNI'' FOR PRESIDENT,
YOU WOULDN'T GET HER VOTE.
WHAT DID I DO?
WELL, SHE SAID SHE WAS PLUMB THROUGH
WAITING ON A MAN
WHILST HE'S RUNNING AROUND
BEING A TARGET FOR ANYBODY
WITH A NOTION TO SHOOT A GUN.
SAID SHE'D HAD ENOUGH.
SHE DID?
YEAH, THAT
AND A FEW FRILLS AND DRESSIN'.
THE MAIN IDEA WAS,
THE DOOR WAS CLOSED.
WELL.
[WHISTLES]
WHAT ARE YOU GOING TO DO?
WHAT CAN I DO?
CAN'T ARGUE WITH A CLOSED DOOR.
GLAD TO HEAR IT.
BETTER JUST DROP IT.
WHAT CAN I DO?
SOME OTHER FOOL'D TRY TO TALK TO HER.
IT'S TROUBLE-- WOMEN LIKE THAT.
REMEMBER WHAT HAPPENED TO ME.
YOU SAYING I'M IN THE SAME MESS YOU WERE?
NO, I DIDN'T SAY THAT.
YOU THINK I'M AS FOOLISH AS YOU?
YOU SAID YOURSELF,
YOU CANNOT STAND BEING TIED DOWN.
MAYBE I'VE DONE ENOUGH RUNNING AROUND,
SELLING MY GUN ARM ALL OVER THE PLACE.
YOU SAID YOURSELF--
DON'T PUT WORDS IN MY MOUTH.
I'M NOT--
IF I HAVE SOMEBODY TELL ME ABOUT WOMEN,
IT ISN'T GOING TO BE YOU.
WHERE IS MAUDIE?
HER PLACE.
THAT'S MY CRUTCH.
WHERE'S THE OTHER ONE?
RIGHT UNDER YOUR NOSE.
I CAN MAKE UP MY OWN MIND.
IT'S UNDER THE WRONG ARM.
HOW WOULD YOU KNOW? YOU BEEN USING IT
FIRST UNDER ONE ARM, AND THEN THE OTHER.
FINE FRIEND.
TRYING TO KEEP A FELLA
FROM DOING WHAT HE WANTS TO DO.
HEE HEE HEE!
I RECKON YOU CAN GET HIM TO DO SOMETHING
BY TELLING HIM NOT TO.
NOT IF HE DIDN'T WANT TO ALREADY.
RECKON HE'LL STAY HERE?
COULD BE.
BE A GOOD THING TO HAVE HIM HERE.
YOU'LL LIKELY WAIT A BIT,
FIND A NEW GAL,
MAKE A FOOL OF YOURSELF ALL OVER AGAIN.
MOST LIKELY. IF YOU LEAVE,
I COULD BE DRIVEN TO IT.
I AIN'T SAID NOTHING.
YOU NEARLY SAID IT.
NOW, STOP PUTTING WORDS IN MY MOUTH.
I CAN'T DO ANYTHING RIGHT,
ACCORDING TO YOU.
BULL, I NEED YOU.
YOU WHAT?
I NEED YOU, BULL.
YOU START BEING NICE, I'LL QUIT FOR SURE.
SHOCK WOULD BE TOO MUCH.
I'D SOONER HAVE YOU HUNG OVER AND NASTY.
SPEAKING OF THAT,
HOW ABOUT A LITTLE DRINK, BULL?
DARN IT, IT TOOK YOU A LONG TIME
TO THINK OF THAT ONE.
THAT WAS GOOD WORK, SHERIFF.
THANK YOU, FRED.
SHERIFF, LOOKS LIKE YOU'RE GONNA KEEP YOUR JOB.
IT'LL BE A NICE, QUIET TOWN
AFTER YOU LEAVE, COLE.
HOW DO YOU KNOW I'M LEAVING?
WE JUST DON'T NEED YOUR KIND AROUND HERE.
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