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[wings flapping]
[rock music]
♪ ♪
[glass shatters]
-HE SAVED OUR LIVES! -NEVER AGAIN.
[tires screech]
[screams]
-LYDIA? -[growls]
[snarls]
♪ ♪
HOW MUCH TIME DO WE HAVE?
THEY'LL BE GONE AN HOUR.
WHEN WE FIRST MEET SCOTT MCCALL, HE IS--IS HE 15?
I THINK HE'S A LITTLE KID. I THINK HE'S A SOPHOMORE.
HE IS THIS KID WHO WANTS SO BADLY TO BE POPULAR AND JUST--
JUST BE NOTICED.
AND HE'S JUST ALWAYS IN THE SHADOWS.
HE'S THE FLY ON THE WALL, DOESN'T REALLY HAVE TOO MANY FRIENDS.
HE NEVER HAS A GIRLFRIEND, YOU KNOW.
AND HE WANTS TO CHANGE THAT.
[thud]
DUDE, WATCH THE PAINT JOB.
AND HE'S GOT, YOU KNOW, ONE MAIN BEST FRIEND, AND THAT'S STILES STILINSKI.
-UGH! -AAH!
[both scream]
STILES, WHAT THE HELL ARE YOU DOING?
YOU WEREN'T ANSWERING YOUR PHONE!
POSEY: THEY DON'T DO ANYTHING WITHOUT EACH OTHER,
SO THEY GO OUT AND LOOK FOR A DEAD BODY IN THE FIRST SEASON,
AND SCOTT GETS BIT BY A WEREWOLF.
[snarls]
[screams]
[roars]
STILES REACTS PRETTY SEVERELY TO SCOTT BECOMING A WEREWOLF.
I MEAN, IT'S HIS FRIEND TURNING INTO A WOLF, YOU KNOW.
SO HE'S SCARED, BUT ALSO IT'S SORT OF COOL,
SO HE'S ALSO KIND OF EXCITED.
BUT ULTIMATELY, YOU KNOW, HE'S CONCERNED FOR HIS WELL-BEING
AND HE WANTS TO PROTECT HIM.
THE WAY YOU MOVED, YOUR SPEED, YOUR REFLEXES--
PEOPLE CAN'T JUST SUDDENLY DO THAT OVERNIGHT.
[cell phone rings]
[phone beeps]
MOM, THREE CALLS ON MY FIRST DAY IS A LITTLE OVERDOING IT.
EVERYTHING EXCEPT A PEN.
OH, MY GOD, I DIDN'T ACTUALLY FORGET A PEN.
CLASS, THIS IS OUR NEW STUDENT, ALLISON ARGENT.
PLEASE DO YOUR BEST TO MAKE HER FEEL WELCOME.
POSEY: WHEN SCOTT FIRST MET ALLISON,
I THINK IT WAS LITERALLY, YOU KNOW, LOVE AT FIRST SIGHT.
-ALLISON IS A REALLY SWEET... -THANKS.
KIND SOUL.
SHE'S SCOTT'S FIRST LOVE. SCOTT HAS NEVER FELT THIS WAY ABOUT A GIRL BEFORE.
THIS GIRL IS GIVING HIM HER HEART,
AND HE IS COMPLETELY, HEAD OVER HEELS IN LOVE WITH HER.
WHY DID YOU DO THAT?
♪ NEED SOMETHING TO CHASE ♪
BECAUSE I LOVE YOU.
♪ HOW WE ALL NEED
♪ SOMETHING TO CHASE
♪ RIPPING MY HEART
♪ WAS SO EASY
♪ SO EASY ♪
COME ON.
[engine revs]
POSEY: AT THE END OF SEASON ONE,
SHE FOUND OUT THAT SCOTT'S A WEREWOLF,
BUT THEY'VE ALREADY GOT SUCH GOOD HISTORY WITH EACH OTHER,
THAT SHE'S VERY ACCEPTING OF IT.
♪ IF IT IS HARD TO BEAR ♪
THEY WANT TO TRY TO KEEP THE RELATIONSHIP GOING AS MUCH AS THEY CAN,
BUT THEY KNOW THAT IT'S GOING TO BE TRICKY
BECAUSE ALLISON'S SITUATION WITH HER FAMILY.
THE ARGENTS HUNT WEREWOLVES.
THAT'S THEIR JOB, AND THEY DO THAT VERY WELL,
BUT SCOTT CAN EASILY LOOK PAST THAT
AND STILL BE IN LOVE WITH ALLISON.
[roars]
SHE'S A WEREWOLF HUNTER, AND SCOTT'S A WEREWOLF NOW,
SO THEY HAVE TO BE VERY SECRETIVE WITH THEIR LOVE.
IT REALLY IS A ROMEO AND JULIET-ESQUE TYPE OF RELATIONSHIP.
DO THE RIGHT-SIDE BRAKES ON YOUR DAD'S SUV SQUEAK A LITTLE BIT?
YEAH.
THEN WE'RE DEAD.
IF YOU DON'T TRUST ME ENOUGH TO LET ME HAVE A LOCK ON MY DOOR,
THE LEAST YOU CAN DO IS KNOCK.
MOM!
CRYSTAL REED: ALLISON AND SCOTT DO COME
FROM TWO COMPLETELY DIFFERENT BACKGROUNDS.
WHEN LOVE IS INVOLVED, IT JUST--
IT DOESN'T--IT DOESN'T MATTER. YOU JUST FIND A WAY TO MAKE IT WORK
DESPITE WHATEVER COMES UP.
HEY, LYDIA.
YOU LOOK... LIKE YOU'RE GOING TO IGNORE ME.
[stomps foot]
-YOU'RE THE CAUSE OF THIS, YOU KNOW? -UH-HUH.
O'BRIEN: I THINK IT'S PRETTY OBVIOUS THAT STILES HAS A CRUSH ON LYDIA.
HE HAS SINCE HE WAS, LIKE, EIGHT.
AND I ALWAYS THOUGHT IT WAS ONE OF THOSE THINGS WHERE,
YOU KNOW, STILES IS JUST, LIKE,
HE'S JUST A ONE-WOMAN KIND OF GUY.
-YOU WANT TO DANCE? -PASS.
YOU KNOW WHAT? LET ME TRY THAT AGAIN.
LYDIA...
GET OFF YOUR CUTE, LITTLE *** AND DANCE WITH ME NOW.
LYDIA AND STILES--
I'VE ALWAYS SAID THEY ARE TWO DIFFERENT SIDES OF THE SAME COIN.
THEY HAVE A REALLY GREAT FRIENDSHIP, POSSIBLY MORE,
SO IT'S GREAT TO SEE THEM ON-SCREEN TOGETHER.
LYDIA!
RUN!
[growls]
PETER HALE IS MY UNCLE. HE KIND OF BECOMES THIS BAD-GUY FIGURE.
DON'T KILL HER. PLEASE.
TELL ME THE TRUTH...
OR I WILL RIP HER APART.
LYDIA DOESN'T REACT TO THE BITE.
SHE'S, LIKE, IMMUNE TO IT.
-IT'S COMPLETELY HEALED? -NO, NOT AT ALL.
WE DON'T KNOW WHAT SHE IS OR WHAT'S UP WITH HER.
THE BITE'S NOT HEALING LIKE IT DID WITH ME.
SHE'S NOT A WEREWOLF.
THEN WHAT THE HELL IS SHE?
AT THE END OF SEASON ONE, PEOPLE WEREN'T SURE IF SHE WAS EITHER GOING TO PASS AWAY,
AND THERE WAS GOING TO BE NO MORE LYDIA MARTIN.
[laughs] THAT WAS OPTION "A."
YOU SPEND MUCH OF SEASON TWO WONDERING, "WHY ISN'T SHE TURNING?
WHY DIDN'T SHE DIE? DOES THAT MEAN SOMETHING ELSE?"
[water bubbles]
[eerie music]
♪ ♪
[coughs]
[screams]
O'BRIEN: EVERYTHING THAT LYDIA'S GOING THROUGH ALWAYS AFFECTS STILES.
HE KIND OF JUST LIVES TO PROTECT THOSE THAT HE LOVES.
SHE CAME HERE? YOU'RE SURE?
THIS IS WHERE THE SCENT LEADS.
MAYBE SHE CAME HERE ON INSTINCT, LIKE SHE WAS LOOKING FOR DEREK.
YOU MEAN, LOOKING FOR AN ALPHA.
[bones crack]
-[snarls] -DEREK WAS VERY CLOSE TO HIS FAMILY
WHEN HE WAS YOUNGER,
AND THEN HE LOST ALMOST ALL OF HIS FAMILY TO THE ARGENTS.
[agonized screams]
IN SEASON TWO, DEREK'S GOAL IS REALLY TO FIND THAT PLACE OF
HAVING A SENSE OF FAMILY AGAIN AND BELONGING.
SO HE NEEDS TO, YOU KNOW, SOLIDIFY HIS PACK AND TO MAKE HIMSELF STRONGER.
WHAT IF I TOLD YOU THAT ALL OF THIS COULD GO AWAY?
[coughs, pants]
THE SIDE EFFECTS...
PUT HER ON HER SIDE! PUT HER ON HER SIDE!
[gasping]
AND WHAT IF ALL THOSE THINGS NOT ONLY WENT AWAY,
BUT EVERYTHING ELSE GOT EVEN BETTER?
HOECHLIN: DEREK RECRUITS KIDS WHO CAN BE HELPED BY THIS,
WHO ALL HAVE WEAKNESSES, AND WHO ARE ALL BEING PUSHED.
[glass shatters]
WELL, THAT WAS YOUR FAULT.
POSEY: I THINK DEREK JUST WANTS PROTECTION.
I THINK HE IS ALL ABOUT BUILDING AN ARMY
TO PROTECT HIMSELF FROM THE HUNTERS.
[growls]
IT'S TRUE. IT IS ABOUT POWER.
[hisses]
KANIMA IS THIS CRAZY LIZARD CREATURE THAT CAN CRAWL ON CEILINGS AND WALLS.
AND IT'S GOT, LIKE, THIS POISON STUFF THAT COMES FROM THE CLAWS AND THE TAIL.
AND IF HE JUST NICKS YOU A LITTLE BIT, YOU CAN'T MOVE.
COME ON.
[screeches]
[gunshots]
O'BRIEN: IT'S A KILLING MACHINE, ESSENTIALLY,
AND IT TAKES ON A MASTER, AND BASICALLY, YOU KNOW, BECOMES ITS HIT MAN.
[screeches]
[groans]
HOECHLIN: GERARD IS THE FATHER OF CHRIS ARGENT.
HE'S THE LEADER OF THE HUNTERS, BASICALLY.
HE'S JUST-- HE'S A VERY DANGEROUS MAN
BECAUSE HE DOESN'T REALLY HAVE A CODE THAT HE ABIDES BY.
[snarls]
[electricity crackles]
[screams]
POSEY: WHEN SCOTT SEES GERARD CUT THE OTHER WEREWOLF IN HALF,
IT MAKES HIM REALIZE HOW REAL THE SITUATION IS.
YOU KNOW, THESE GUYS AREN'T SCREWING AROUND.
THAT COULD HAVE BEEN SCOTT UP THERE.
IT PUTS FEAR INTO SCOTT THAT THESE GUYS ARE SERIOUS.
LOOK! LOOK AT THEM! YOU SEE WHAT THEY DO?
WE HAVE A CODE.
NO CODE.
NOT ANYMORE.
FROM NOW ON, THESE THINGS ARE JUST BODIES WAITING TO BE CUT IN HALF.
WE FIND THEM, WE KILL THEM.
WE KILL THEM ALL.
LINE IT UP! FASTER.
MAKE DADDY PROUD.
IN SEASON ONE, SCOTT THOUGHT THAT THE BITE WAS DEFINITELY A CURSE.
IN SEASON TWO, HE FEELS ALMOST LIKE HE WAS BLESSED, I GUESS, IN A WAY, WITH THIS POWER,
AND THAT HE HAS TO USE HIS POWERS FOR GOOD.
HERE WE GO.
[blows whistle]
POSEY: SCOTT'S BIGGEST RESPONSIBILITY IN SEASON TWO
IS TO SAVE AS MANY LIVES AS HE CAN.
-[blows whistle] -EVEN IF IT'S NOT PEOPLE THAT HE LOVES,
HE STILL FEELS THAT EVERYONE DESERVES THE BENEFIT OF THE DOUBT.
[chatter on police radio]
DON'T TELL THEM.
PLEASE, DON'T TELL THEM.
POSEY: SCOTT DOES FEEL VERY PROTECTIVE OVER ISAAC, ERICA,
AND BOYD 'CAUSE HE CAN REALLY RELATE WITH THEM.
THEY ARE ALL KIND OF THE UNDERDOGS, YOU KNOW?
THEY'RE THE FLIES ON THE WALL OF THE SCHOOL, THE UNPOPULAR KIDS.
SCOTT CAN RESPECT THEIR SITUATION,
AND KNOWS THAT, YOU KNOW, THE OFFER AT HAND OF THEM
BECOMING A WEREWOLF SOUNDS LIKE A REALLY COOL THING, BUT KNOWS THAT IT JUST IS NOT.
IT'LL MESS UP THEIR LIFE.
IF YOU'RE LOOKING FOR FRIENDS, YOU CAN DO A LOT BETTER THAN DEREK.
DEREK: THAT REALLY HURTS, SCOTT.
I MEAN, IF YOU'RE GOING TO REVIEW ME,
AT LEAST TAKE A CONSENSUS.
ERICA, HOW'S LIFE BEEN FOR YOU SINCE WE MET?
HMM.
IN A WORD...
TRANSFORMATIVE.
[grunts]
[snarls]
[grunts]
[coughs]
[grunts]
DON'T YOU GET IT? HE MAKES YOU FEEL LIKE HE'S GIVING YOU SOME KIND OF GIFT,
WHEN ALL HE'S DONE IS TURN YOU INTO A BUNCH OF GUARD DOGS!
IT'S TRUE. IT IS ABOUT POWER.
SEASON TWO, DEREK AND SCOTT ARE STILL ON THIN ICE WITH EACH OTHER.
SCOTT AND DEREK HAVE TWO COMPLETELY DIFFERENT APPROACHES
TO SOLVING PROBLEMS.
DEREK IS JUST DEATH AND VIOLENCE AND KILL.
AND SCOTT IS LIKE, "WHOA, WHOA, WHOA.
LET'S--LET'S FIGURE IT OUT. LET'S TRY TO TALK IT OUT."
SCOTT: DEREK'S OUTSIDE, WAITING FOR LYDIA.
WAITING TO KILL HER?
IF HE THINKS SHE'S THE KANIMA, THEN YES.
[hisses]
IT'S NOT HER.
IT DOESN'T MATTER, BECAUSE DEREK THINKS IT'S HER.
I THINK THE REASON WHY SCOTT FEELS LIKE HE HAS TO PROTECT LYDIA,
HE THINKS THAT SHE IS IN THE SAME SITUATION THAT HE WAS IN.
SHE'S GOING CRAZY AND LOSING CONTROL OF HER POWERS
BECAUSE SHE HAS NO IDEA WHAT SHE'S DOING...
IF WE'RE STUDYING AT SCOTT'S HOUSE, THEN WHERE'S SCOTT?
MEETING US HERE.
POSEY: AND HE FEELS BAD FOR HER.
-IT'S ME. -WHAT'S WRONG?
YOU NEED TO GET HERE NOW.
POSEY: HE DOESN'T WANT HER TO BE KILLED
FOR AN UNJUST REASON, SO HE HAS TO PROTECT HER.
THAT'S HIS MENTALITY.
SERIOUSLY?
WHAT IS GOING ON WITH EVERYONE?
HOECHLIN: DEREK KNOWS MUCH MORE THAN SCOTT HOW BAD THINGS CAN GET.
SO THE IDEA OF ELIMINATING A THREAT QUICKLY,
EVEN IF IT MEANS, YOU KNOW, SOMEONE GETTING HURT,
I THINK HIS MENTALITY IS THAT THAT'S BETTER
THAN LETTING SOMETHING SPIRAL OUT OF CONTROL
TO WHERE YOU CAN'T CONTAIN IT ANYMORE.
THEY'RE NOT HERE TO SCARE US, OKAY?
THEY'RE HERE TO KILL LYDIA.
[objects crashing]
[growling, snarling]
[sighs]
I THINK I'M FINALLY GETTING WHY YOU KEEP REFUSING ME, SCOTT.
YOU'RE NOT AN OMEGA.
YOU'RE ALREADY AN ALPHA OF YOUR OWN PACK.
BUT YOU KNOW YOU CAN'T BEAT ME.
[thumping]
[snarls]
WOULD SOMEONE PLEASE TELL ME WHAT THE HELL IS GOING ON?
-[hisses] -IT'S JACKSON.
JEFF DAVIS, OUR CREATOR, WOULDN'T TELL US WHO THE KANIMA WAS,
SO EVERYONE ACTUALLY DID THINK IT WAS ME.
[screeches]
AND WHEN I FOUND OUT IT WAS JACKSON, I THOUGHT IT WAS A GREAT TWIST.
I THINK NOT A LOT OF PEOPLE EXPECTED HIM.
SCOTT HAS SYMPATHY FOR EVERYBODY WHO WENT THROUGH HIS SITUATION.
ALL RIGHT, I GOT IT. KILL JACKSON.
PROBLEM SOLVED.
HE RISKED HIS LIFE FOR US, AGAINST PETER. YOU REMEMBER THAT?
IF WE CAN SAVE HIM, WE SHOULD TRY.
IF HE SEES SOMEONE IN DANGER, HE'S GOING TO RESCUE THEM OR DIE TRYING, YOU KNOW?
[gasps]
DON'T MOVE.
NOW, YOU'RE GOING TO DO ME A FAVOR ONE OF THESE DAYS,
AND YOU'RE GOING TO DO IT BECAUSE IF YOU DON'T, THIS KNIFE GOES IN HER.
WHEN GERARD THREATENS SCOTT'S MOM,
POSEY: I THINK THAT'S WHEN IT STEPPED IT UP TO ANOTHER WHOLE LEVEL WITH SCOTT,
WHERE HE'S LIKE, "OKAY, NOW I HAVE TO REALLY BE CAREFUL WITH WHAT I DO."
[hisses]
SCOTT'S RESPONSIBILITIES, I THINK, GREW, IN TRYING TO PROTECT HIS FAMILY MORE.
SCOTT?
THE SCENE WHERE SCOTT REVEALED TO HIS MOM THAT HE IS A WEREWOLF,
I THINK SHE WAS, YOU KNOW, SAD, SCARED, FREAKED OUT, CONFUSED.
THERE WAS SO MANY EMOTIONS.
MOM, WE'RE GOING TO HAVE TO TALK ABOUT THIS EVENTUALLY.
BUT THEY'RE FAMILY, SO SHE ACCEPTS SCOTT'S SITUATION
AND THEY GET CLOSER TO ONE ANOTHER.
EVERYTHING THAT I SAID BEFORE, FORGET IT. ALL OF IT, OKAY?
IF YOU CAN DO SOMETHING TO HELP, THEN YOU DO IT.
YOU HAVE TO.
I WILL.
[screams]
[dance music]
♪ ♪
THE TOP OF SEASON ONE, ALLISON, YOU KNOW,
SHE'S LIVING A 17-YEAR-OLD GIRL'S LIFE.
BUT THEN SHE FINDS OUT SHE'S FROM A FAMILY OF WEREWOLF HUNTERS...
[snarls]
WHICH MAKES HAVING A RELATIONSHIP WITH A WEREWOLF QUITE DIFFICULT.
[gasps]
[gasps, pants]
IS THIS HOW WE'RE GOING TO DO FATHER-DAUGHTER TALKS FROM NOW ON?
NO.
THIS IS HOW WE'RE GOING TO TRAIN YOU.
OUR SONS ARE TRAINED TO BE SOLDIERS...
OUR DAUGHTERS TO BE LEADERS.
WHEN ALLISON'S FATHER TELLS HER THAT SHE'S GOING TO BE THE LEADER OF HER FAMILY,
I THINK SHE'S PROBABLY SLIGHTLY INTIMIDATED BY THAT,
BUT ALSO, I THINK, A LITTLE CHALLENGED.
AND I THINK THAT SHE REALLY FINDS HERSELF IN SEASON TWO.
[dramatic music]
♪ ♪
IT'S A DELICATE BALANCE BETWEEN THE SUPERNATURAL PART OF HER LIFE
AND THE NORMAL PART OF BEING A TEENAGE GIRL.
♪ OH, OH, OH, OH
♪ OH, OH, OH
♪ OH, OH, OH, OH
♪ OH, OH, OH ♪
ALLISON PURSUES HER RELATIONSHIP WITH SCOTT
EVEN THOUGH HER FAMILY DOESN'T WANT HER TO
BECAUSE SHE BELIEVES IN WHAT'S RIGHT AND WRONG,
AND SHE BELIEVES IN HER INTUITION.
HEY!
AND THAT'S SOMETHING THAT I RELATE TO WITH ALLISON.
-WHAT ARE YOU DOING? -JUST TRYING TO FIND YOU.
DID ANYONE SEE YOU LEAVE?
SCOTT AND ALLISON'S RELATIONSHIP IS, I WOULD SAY,
PRETTY TYPICAL TO ANY OTHER TEENAGER'S RELATIONSHIP,
CERTAINLY TO ONES THAT I'VE HAD IN THE PAST.
ONE MOMENT, THEY ARE CRAZY IN LOVE,
AND THE NEXT MOMENT, THEY'RE ON THE VERGE OF BREAKING UP.
WHAT ARE YOU DOING?
WHAT AM I SUPPOSED TO DO?
YOU'RE SUPPOSED TO TRUST ME!
I TRUST YOU MORE THAN ANYONE!
THIS ISN'T GOING TO WORK.
WHAT DO YOU WANT ME TO DO? OKAY, I CAN--I CAN FIX IT.
PLEASE, PLEASE, SCOTT. JUST TELL ME!
-JUST STAY OUT OF THE WAY. -SCOTT!
JUST STAY OUT OF THE WAY!
REED: THEY'VE HAD SOME, YOU KNOW, MISUNDERSTANDINGS AND TRUST ISSUES,
BUT I THINK THAT IS WHAT, YOU KNOW, MAKES SCOTT AND ALLISON SO GREAT TO WATCH,
BECAUSE THEY OVERCOME ALL THESE ODDS.
THEY'RE NOT MEANT TO BE TOGETHER,
THEY'RE NOT SUPPOSED TO BE TOGETHER, BUT THEY ARE.
♪ AFTER YOUR LAST
♪ MORE FLIGHT
♪ ♪
REED: ALLISON'S MOTHER LOVES HER DAUGHTER,
AND THAT TRANSLATES INTO HER DAUGHTER'S SAFETY.
AND THE IDEA THAT SHE'S GOING OUT WITH SOMEBODY WHO,
MORE THAN LIKELY, WOULD KILL HER, I THINK,
IS WHAT DRIVES HER TO BREAK THEM UP.
ARE YOU HAVING SEX WITH MY DAUGHTER?
[dramatic music]
♪ ♪
[pencil sharpener whirs]
REED: ALLISON'S MOM DEFINITELY INTIMIDATES SCOTT.
I THINK ALLISON'S MOM INTIMIDATES EVERYBODY.
SHE'S JUST GOT THAT THING ABOUT HER.
NO.
I'M NOT HAVING SEX WITH YOUR DAUGHTER.
I CERTAINLY HOPE NOT.
SHE GOES TO THE EXTREME WITH SCOTT.
I MEAN, SHE TRIES TO KILL HIM.
-[tire screeches] -[thud]
HMM, THIS TYPE OF WOLFSBANE IS ONE OF MY FAVORITES.
LOVELY SMELL.
WHAT ARE YOU DOING?
ISN'T IT OBVIOUS? I'M KILLING YOU.
UH-UH-UH.
[dramatic music]
♪ ♪
[groans]
[snarls]
[whimpers]
♪ WE MUST BE KILLERS ♪
REED: PART OF ONE OF THE RULES OF BEING A WEREWOLF HUNTER
IS THAT IF YOU ARE BITTEN BY A WEREWOLF,
YOU TAKE YOUR OWN LIFE. AND SO THAT'S WHAT SHE GRACEFULLY DOES.
♪ KILLERS ♪
I CAN'T DO THIS MYSELF.
♪ WHERE WE GOT LEFT TO RUN? ♪
CHRIS, HELP ME.
♪ CHILDREN, CHILDREN ♪
NOW.
♪ OF THE WILD ONES ♪
[groans]
♪ CHILDREN OF THE WILD ONES
♪ OOH ♪
[cries, sniffles]
♪ OOH, OF THE WILD ONES
♪ ♪
NO! NO, DAD! NO, DAD!
IF THIS IS SOME KIND OF SICK TRAINING SESSION, YOU BETTER--
YOU BETTER TELL ME! YOU BETTER TELL ME!
I'M SORRY.
REED: THE SCENE IN THE HOSPITAL WASN'T IN THE ORIGINAL SCRIPT.
THAT SCENE WAS ADDED, AND I THINK THAT SCENE IS SO IMPORTANT
TO UNDERSTAND ALLISON'S MIND-SET MOVING FORWARD,
BECAUSE YOU SEE HER AS THIS, YOU KNOW, THIS SORT OF SWEET, NAIVE GIRL,
AND THEN SOMETHING MASSIVE HAPPENS.
-AND THEN IT'S, YOU KNOW... -I'M SORRY.
REVENGE.
[dramatic music]
♪ ♪
AS YOU KNOW, YOUR MOTHER WROTE A SUICIDE NOTE
TO EXPLAIN AWAY OUR DIFFICULT SITUATION TO THE POLICE.
SHE WROTE THIS NOTE TO EXPLAIN IT TO YOU.
IF THIS WERE MY MOTHER, IF THESE WORDS WERE WRITTEN FOR ME,
ANY PITY I'D HAVE FOR DEREK AND HIS PACK
WOULD BE BURNED OUT BY A WHITE-HOT DESIRE FOR RETRIBUTION.
IT DOESN'T MATTER WHO YOUR MOM IS, SHE'S YOUR MOM,
AND YOU HAVE ONE OF THEM.
AND WHEN SHE'S GONE, SHE'S GONE.
WHAT ALLISON DOESN'T KNOW IS THAT DEREK WAS PROTECTING SCOTT
WHEN HE BIT HER MOTHER, SO ALLISON, YOU KNOW, IS REALLY BITTER.
WHAT DO WE DO NOW?
MAYBE YOU SHOULD TELL US. THAT AUTHORITY FALLS TO YOU NOW.
MAKE THE DECISION, AND WE'LL FOLLOW YOUR LEAD.
I WANT DEREK DEAD.
WHAT ABOUT SCOTT?
AND WHAT ABOUT THE OTHERS?
[arrow whistles]
[screams]
-DEREK'S PACK? -[grunts]
[snarls]
IF THEY TRY AND PROTECT HIM...
[arrow whistles]
PLEASE, ALLISON, STOP!
THEN WE KILL THEM.
ALL OF THEM.
OH, JEEZ!
ALLISON.
WHERE'S DEREK?
WHAT ARE YOU DOING?
IF YOU'RE NOT GOING TO TELL ME, THEN GET OUT OF MY WAY.
-WHAT HAPPENED? -SCOTT, YOU NEED TO STAY AWAY FROM ME RIGHT NOW.
YOU NEED TO GO.
JUST STAY OUT OF MY WAY!
SO WHAT'S YOUR BRAND OF PSYCHOSIS?
REALLY?
WE'RE BOTH HERE FOR SOMETHING.
WE DON'T HAVE TO BE ASHAMED OF IT.
I HAVE AN ACUTE PHOBIA OF PEOPLE PRYING INTO MY PERSONAL LIFE.
IN SEASON TWO, LYDIA WAS JUST A MADWOMAN.
OH, MY GOD, WHAT DID YOU DO TO YOURSELF?
RODEN: EVERYONE JUST WANTED TO SAY, "WHAT ARE YOU, AND WHAT ARE YOU DOING?"
BECAUSE MOST SCENES CONSISTED OF ME GOING CRAZY...
TO SOME SORT OF HALLUCINATION.
[sinister music]
♪ ♪
[sobbing]
[blows air]
LYDIA?
[sobbing]
OKAY THEN.
ANYBODY ELSE WANT TO TRY ANSWERING?
THIS TIME IN ENGLISH?
[laughter]
THERE WAS ALWAYS THIS PERPLEXED LOOK ON MY FACE
BECAUSE SHE HAD NO IDEA WHAT WAS GOING ON
THROUGHOUT ALL OF THESE DIFFERENT SCENARIOS
OF SEEING GHOSTS AND ARE THEY GHOSTS
OR ARE THEY, YOU KNOW, JUST HALLUCINATIONS OF HER OWN MIND?
BUTTERFLY.
BUTTERFLY.
LYDIA?
DANAUS PLEXIPPUS.
HUH.
I WOULD HAVE SAID WOLF.
[ominous music]
♪ ♪
[growls]
[screams]
O'BRIEN: IT'S HARD TO EXPLAIN WHAT'S GOING ON WITH LYDIA.
WE DON'T KNOW WHAT SHE IS OR WHAT'S UP WITH HER.
I THINK SHE'S, LIKE-- SHE'S LIKE A FAIRY.
LYDIA?
LYDIA!
WELL...
IS ANYONE GOING TO GET ME A COAT?
I THINK LYDIA KNOWS STILES LIKES HER,
BUT IT'S NOT GOING TO HAPPEN RIGHT NOW.
IT'S JUST WE HAVEN'T REALLY TALKED SINCE THAT NIGHT, AND--
JACKSON, CAN YOU, LIKE, LOOK AT ME FOR HALF A SECOND?
RODEN: JACKSON WHITTEMORE WAS LYDIA MARTIN'S TRUE LOVE.
THEY'RE SORT OF THE PROM KING AND QUEEN, SO TO SPEAK, OF FRESHMAN YEAR.
AND THEN WE BROKE UP IN SEASON TWO.
LYDIA, WE'RE NOT GETTING BACK TOGETHER.
WHAT?
I THINK LYDIA SIGNS UP FOR COMPLICATION IN ALL OF HER RELATIONSHIPS.
I WILL GIVE YOU ONE PIECE OF ADVICE.
IF I WERE YOU, I'D STAY HOME TONIGHT.
WHAT DOES THAT MEAN?
RODEN: IN HIGH SCHOOL, OUR DECISION-MAKING SKILLS ARE NOT FULLY DEVELOPED.
-[laughs] -IT'S A FULL MOON.
RODEN: I THINK IT'S THE FRONTAL LOBE OF YOUR BRAIN
THAT CAN'T QUITE GET WITH IT TO MAKE THE RIGHT DECISION,
AND THERE'S NO EXCEPTION WITH LYDIA.
-BUSY AFTER SCHOOL? -ALWAYS.
WELL, UN-BUSY YOURSELF.
I THINK THE REASON LYDIA WAS ATTRACTED TO THE YOUNG GUY IS BECAUSE HE WAS SO CUTE.
[laughs]
HE SHOWED HER ATTENTION...
CAN I GIVE YOU A FLOWER?
RODEN: BUT EVEN MORESO, IT'S A GOOD DISTRACTION FROM JACKSON.
SHE STARTS DEVELOPING THIS LITTLE MINI-RELATIONSHIP WITH THIS GUY
AND HAVING A FEW ENCOUNTERS WITH HIM,
ONLY TO FIND OUT THAT THAT IS ALSO A FIGMENT OF HER IMAGINATION.
[gasps]
IS SOMETHING WRONG?
RODEN: SHE KNEW AT THAT POINT, AFTER SHE'D HAD SEVERAL ENCOUNTERS WITH THIS GUY,
IT TURNED OUT TO BE YOUNG PETER HALE
THAT WAS JUST A FIGMENT OF HER IMAGINATION.
POSEY: WHEN LYDIA IS HALLUCINATING,
SHE IS BASICALLY EXPOSED TO THE WHOLE SUPERNATURAL WORLD OF BEACON HILLS.
ALL OF THIS MUST BE...
TERRIBLY CONFUSING.
RODEN: BECAUSE LYDIA WAS IMMUNE TO HIS WEREWOLF BITE,
PETER KNEW THAT SHE WAS THE ONLY ONE
THAT COULD BRING HIM BACK FROM THE DEAD.
IF THERE'S ONE THING THAT I'VE LEARNED IN LIFE,
IT'S TO ALWAYS HAVE A BACKUP.
THAT WOULD BE YOU.
LYDIA...
RODEN: LYDIA MARTIN IS NEVER LYDIA MARTIN IN SEASON TWO.
SHE'S EITHER UNDER SOME SORT OF SPELL, UNDER A HALLUCINATION,
THINKS SHE'S SEEING GHOSTS, IS ACTUALLY SEEING GHOSTS.
AND SO THE REASON SHE DRAGGED DEREK INTO HIS HOUSE
IS BECAUSE SHE WAS UNDER THE SPELL OF PETER HALE.
[groans]
[panting]
[gasps]
I HEARD THERE WAS A PARTY.
RODEN: WE KNOW THAT LYDIA IS A CONDUIT FOR PETER'S INTENTIONS,
BUT WE DON'T KNOW IF IT'S LYDIA
BEING THE MEDIUM HERSELF OR IF IT'S PETER IMPOSING THE POWERS THROUGH HER.
DON'T WORRY.
I INVITED MYSELF.
[alarm ringing]
[grunts]
[growls]
IN SEASON TWO, DEREK'S GOAL IS REALLY TO,
YOU KNOW, SOLIDIFY HIS PACK AND TO MAKE HIMSELF STRONGER.
[growls]
[roars]
ISAAC BREAKING OUT OF JAIL, TRYING TO KILL STILES--
THIS IS THE FIRST TIME YOU SEE AN ALPHA INTERACTING WITH THEIR BETA.
HOW DID YOU DO THAT?
I'M THE ALPHA.
HOECHLIN: I THINK IT WAS JUST A GREAT WAY OF SHOWING THE POWER
THAT AN ALPHA CAN HAVE OVER THEIR PACK.
[rock music]
♪ ♪
IN SEASON TWO, DEREK DEFINITELY HAS MORE RESPONSIBILITY,
HAVING TO BE IN CHARGE AND RESPONSIBLE FOR THESE THREE LIVES
THAT HE'S KIND OF, I GUESS, IN A WAY CREATED.
THEY'RE NOW PART OF HIS FAMILY, PART OF HIS PACK.
DOES ANYONE WANT TO TRY NOT BEING COMPLETELY PREDICTABLE?
[grunts]
THAT'S THE LAST TIME YOU DO THAT.
ARE WE DONE?
I GOT ABOUT 100 BONES THAT NEED A FEW HOURS TO HEAL.
-HMM? -UH-HUH.
[screams]
101. YOU THINK I'M TEACHING YOU HOW TO FIGHT? HUH?
I THINK THE WAY HE HANDLES THEM IS--
I ALWAYS KIND OF LOOKED AT IT AS, LIKE, A BASEBALL COACH.
I'M TEACHING YOU HOW TO SURVIVE!
HOECHLIN: YOU'RE HARDEST ON THE ONES YOU LOVE AND THE ONES YOU BELIEVE IN.
IT'S JUST BECAUSE, I MEAN, HE KNOWS WHAT'S AT STAKE,
AND I THINK HE KNOWS THE RISK THAT COMES WITH THE KANIMA.
I'VE SEEN A LOT OF THINGS, SCOTT.
I'VE NEVER SEEN ANYTHING LIKE THIS.
EVERY NEW MOON'S JUST GOING TO MAKE HIM STRONGER.
-THEN HOW DO WE STOP HIM? -I DON'T KNOW.
THE SCOTT-DEREK RELATIONSHIP-- IT'S PRETTY FRAGILE IN THE BEGINNING, ACTUALLY.
YOU KNOW WHO IT IS.
BUT SEASON TWO KIND OF GROWS THIS MUTUAL RESPECT IN A WAY.
JACKSON.
I'M GOING TO HELP YOU STOP HIM AS PART OF YOUR PACK.
IN THE END, OBVIOUSLY, THE KANIMA BRINGS THEM TOGETHER,
AND THEY HAVE A COMMON ENEMY.
IF YOU WANT ME IN, FINE, BUT WE DO IT ON ONE CONDITION:
WE'RE GONNA CATCH HIM, NOT KILL HIM.
-AND? -AND WE DO IT MY WAY.
HOECHLIN: IT DOES BECOME MORE OF THAT BIG BROTHER, LITTLE BROTHER.
BUT I THINK DEREK'S ULTIMATE GOAL IS JUST TO FIND THAT PLACE
OF HAVING A SENSE OF FAMILY AGAIN AND BELONGING.
WE'VE MADE UP OUR MINDS.
WE LOST, DEREK, ALL RIGHT? IT'S OVER.
WE'RE LEAVING.
NO. NO, YOU'RE RUNNING.
HOECHLIN: WHEN BOYD AND ERICA LEAVE, IT'S A HIT TO DEREK'S EGO.
I THINK IT'S JUST ONE PROBLEM PILING ON TOP OF A MOUNTAIN OF OTHER PROBLEMS.
I'D EXPECTED A SLIGHTLY WARMER WELCOME, BUT...
POINT TAKEN.
-WHAT DO YOU WANT? -I WANT TO HELP.
YOU'RE MY NEPHEW, THE ONLY RELATIVE THAT I HAVE LEFT.
YOU KNOW, THERE'S STILL A LOT THAT I CAN TEACH YOU.
CAN WE JUST TALK?
SURE. LET'S TALK.
[grunts]
DEREK'S BEEN HAVING TROUBLE DEALING WITH THE KANIMA,
AND PETER IS HIS WAY INTO, MAYBE, JUST ONE SLIGHT ADVANTAGE
OF MAKING THAT HAPPEN AND BEING ABLE TO GET RID OF IT.
GERARD IS WINNING. HE'S TAKING HIS TIME.
HE'S TOYING WITH SCOTT. HE'S GOING AFTER YOUR WOLVES, ONE BY ONE.
HE'S RELISHING IN HIS VICTORY.
HOW ABOUT YOU TELL ME SOMETHING I DON'T KNOW?
OH, I'M GOING TO,
BECAUSE I'M GOING TO TELL YOU HOW TO STOP JACKSON.
WHAT DO YOU MEAN? YOU KNOW HOW TO KILL HIM?
ACTUALLY, HOW TO SAVE HIM.
[groans]
POSEY: THE KANIMA IS A-- IT'S ACTUALLY A VERY SAD, SYMPATHETIC CREATURE.
IT WANTS TO FIND AN OWNER, AND GERARD THOUGHT HE HAD IT UNDER CONTROL.
[hisses]
AS YOU CAN SEE, SCOTT, THERE'S BEEN SOME INTERESTING DEVELOPMENTS LATELY.
I THINK GERARD IS KIND OF THE MAIN REASON
WHY THERE'S A LOT OF "EVILNESS" IN THE ARGENT FAMILY.
LET HER GO.
WE CAN TALK ABOUT WHATEVER YOU WANT.
I WANT DEREK AND HIS PACK.
[coughs]
ARE YOU OKAY?
I DON'T KNOW WHAT'S HAPPENING, BUT WHATEVER HE WANTS, JUST GIVE IT TO HIM.
WE DON'T HAVE MUCH IN COMMON, SCOTT,
BUT AT THE MOMENT, WE HAVE A COMMON ENEMY.
CHRIS ARGENT OFFERS TO HELP SCOTT WITH THE KANIMA.
IT KIND OF REVEALS TO SCOTT THAT MAYBE, IN THE FUTURE, THEY CAN BE ALLIES.
[gunshots]
[roars]
[knives slash]
[groans]
ALLISON!
[knives clatter]
[gasps]
NOT YET, SWEETHEART.
-WHAT ARE YOU DOING? -HE'S DYING.
I AM. SCIENCE DOESN'T HAVE A CURE FOR CANCER YET, BUT THE SUPERNATURAL DOES.
SCOTT...
HE'LL BE AN ALPHA.
[grunts]
[screams]
[groans]
WHAT DID YOU DO?
POSEY: GERARD THOUGHT THAT HE HAD A PLAN,
AND HE THOUGHT THAT HE WAS GOING TO TAKE EVERYBODY DOWN,
HE THOUGHT THAT HE WAS THE MAN.
YOU DROPPED THIS.
BUT IT TURNS OUT THAT SCOTT OUTSMARTED GERARD
BY PUTTING MOUNTAIN ASH IN HIS MEDICATION.
MOUNTAIN ASH!
[screams]
THE MOMENT WHEN ALLISON FINDS OUT THAT GERARD IS DECEIVING HER
IS A WHOLE 'NOTHER LOW.
HER AUNT'S DIED, HER MOM WAS MURDERED,
HER DAD WAS LYING TO HER, HER GRANDFATHER WAS MANIPULATING HER.
AND SO WHO DOES SHE TRUST?
KILL THEM ALL!
[crash]
DID I GET HIM?
-WHOA! -[hisses]
[screams]
-JACKSON! -LYDIA!
[dramatic music]
♪ ♪
[coughing]
DO YOU--
-DO YOU STILL-- -I DO.
I DO STILL LOVE YOU.
I DO. I DO STILL LOVE YOU.
RODEN: BY THE END, YOU DID SEE THE TRUE LOVE THAT JACKSON AND LYDIA DID HAVE.
THIS VILLAIN IS NOW CURED, SO TO SPEAK,
AND HE'S NOW GONE FROM THE KANIMA TO A WEREWOLF,
AND IT WAS BECAUSE OF LYDIA'S LOVE THAT PULLED HIM OUT OF THAT.
[growls]
♪ IN MY MIND
♪ YOU COME THROUGH
♪ LIKE A LIGHT
♪ IN THE DARK
♪ GIVE ME SIGHT ♪
-WHERE'S GERARD? -HE CAN'T BE FAR.
♪ DON'T FEAR GOD ♪
I'M SORRY, ESPECIALLY FOR WHAT I HAVE TO DO NOW.
-IT'S OKAY. -SCOTT, I'M TRYING TO BREAK UP WITH YOU.
I KNOW...
♪ DON'T FEAR ♪
AND IT'S OKAY.
POSEY: ALLISON IS SCOTT'S EVERYTHING.
SHE IS HIS WHOLE LIFE. HE JUST WANTS TO PROTECT HER
AND MAKE SURE THAT SHE IS HAPPY.
I CAN'T MAKE YOU WAIT FOR ME. I'M NOT GOING TO DO THAT.
YOU DON'T HAVE TO...
BECAUSE I KNOW WE'RE GONNA BE TOGETHER.
REED: AT THE END OF THE SEASON, SHE FEELS ISOLATED.
SHE JUST DOESN'T WANT ANYTHING TO DO WITH ANYBODY.
AND THEN SEASON THREE, SHE SORT OF COMES TO TERMS WITH IT,
WHICH I'M REALLY EXCITED FOR.
♪ THAT'S HOW THE ARGUMENT
♪ GOES
♪ ♪
ARE YOU REALLY GOING TO LEAVE ALL OF THIS UP TO A COUPLE OF KIDS?
THEY'RE MORE CAPABLE THAN YOU THINK.
AND ARE YOU GOING TO TELL THEM WHAT'S COMING?
YOU HAVEN'T TOLD HIM EVERYTHING YET, HAVE YOU?
-WHAT DOES THIS MEAN? -IT MEANS THEY'RE COMING.
-WHO? -ALPHAS.
-MORE THAN ONE? -A PACK OF THEM.
HOECHLIN: THE ALPHA PACK IS LIKE AN ALL-STAR PACK OF WEREWOLVES.
THEY'RE JUST A VERY DANGEROUS THREAT,
AND IT'S SOMETHING THAT DEREK'S GOING TO HAVE TO DEAL WITH
VERY HEAVILY IN SEASON THREE.
THEY'RE NOT COMING. THEY'RE ALREADY HERE.
[rock music]
SEASON THREE'S AN EMOTIONAL ROLLER COASTER.
YOU MIGHT SEE A SIDE OF DEREK THAT INVOLVES LOVE A LITTLE BIT.
IT'S A DIFFERENT BEACON HILLS. THE LINES HAVE BEEN DRAWN.
SEASON THREE IS GOING TO BE BLOODIER AND SEXIER AND SWEATIER
THAN ANY SEASON BEFORE.
[wolf howls]
EVERYONE AROUND ME GETS HURT.
YOU KNOW WHAT I WANT FOR MY BIRTHDAY?
MMM.
I THOUGHT YOU'D STAY OUT OF ALL THIS.
I CAN TAKE CARE OF MYSELF.
I WANT ONE.
[roars]
UNH!
DON'T YOU REALIZE WHAT YOU'RE DEALING WITH?
-HOW MANY ARE THERE? -A PACK OF 'EM.
WE CAN'T BEAT A PACK OF ALPHAS.
THEY'RE TOO FAST FOR US. THEY'RE TOO STRONG.
TOO RABID.
I'M ALL ABOUT DISCOVERING NEW TALENTS.
YOU WANT ME TO KILL MY OWN PACK?
NO. I WANT YOU TO KILL ONE OF THEM.
DO THAT AND I WON'T HAVE TO ASK YOU TO KILL THE OTHERS.
YOU'LL DO IT ON YOUR OWN.
PEOPLE ARE GETTING MURDERED AGAIN.
AAH!
AM I THE ONLY ONE RECOGNIZING THE LACK OF WEREWOLFITUDE IN THESE MURDERS?
SO IF THESE AREN'T RANDOM KILLINGS, THEN WHAT ARE THEY?
I HAVE NO CLUE HOW I ENDED UP FINDING THAT BODY.
OH!
I THINK I KNOW WHAT'S HAPPENING.
NOW I'M COMING FOR YOU.
GET DOWN! GET DOWN!
YOU AND EVERYONE YOU LOVE.
I'M COMING FOR ALL OF THEM.
EVERY TIME I TRY TO FIGHT BACK, IT JUST GETS WORSE.
PEOPLE KEEP GETTING KILLED.
I DON'T KNOW WHAT ELSE TO DO.
HOW DO I STOP THEM?
DON'T STOP THEM. LEAD THEM.
AAH!
SCOTT?
SCOTT?
SCOTT.