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This is the
tughra of Sultan Suleiman the Magnificent
made towards the end of his rule.
made towards the end of his rule.
Written is Suleyman
Sah,
Ibn
Selim
Sah,
Han,
Al-Muzaffer
then usually it ends with Dimen which means the victorious forever.
But the funny thing is it is really hard to read.
This signature is attached to every administrative document.
One can read it as a real symbol of the Sultan himself
representing his power.
When I was a child
I was always
getting lost
within these flowers.
I was always intrigued.
By looking closely
I really discovered
that there is a system.
That there is a beauty.
There is a sense of music
even behind how these flowers work together.
Then besides this of course there is all the historic context.
It’s not only an artistic language,
but it’s a world of man.
It’s a world of ruling powerful warriors
who were rivals of Europe.
The calligraphy looks actually
like a large
snake.
This all goes together with these flowers, which to me is rather
a symbol of a woman not the symbol of the ruling sultan.
The flowers are out of control,
but to draw them in such details
in this artwork everything is under control.
It’s the art of controlling.
And each section is different.
You have the Sadz leaves,
the split palmette,
the carnations
and you’ll find them everywhere.
And the whole vibration
of the gold
your eye tries to
figure out which section is in front and which is behind.
Suddenly the painting gets three-dimensional. When you look at it more and more the colors start living.
I can stand back and discover it in a different way.
I still have a little bit that naïve perception
of getting lost,
which is not really academic
but that’s at the end what makes us enjoy the art and let it get into you.