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[birds chirping]
(John-Boy) WHENEVER I THINK BACK ON WALTON'S MOUNTAIN
AND ABOUT MY FAMILY,
I REMEMBER MOSTLY THE FEELING OF LOVE
AND THE HAPPINESS WE ALL SHARED.
BUT THOUGH THE MOUNTAIN NEVER CHANGED,
THERE WERE TIMES, RARE TIMES,
WHEN THOSE WE THOUGHT THE CLOSEST
FOUND THEMSELVES AT ODDS.
IT HAPPENS IN ALL FAMILIES, I SUPPOSE,
AND IT HAPPENED ONE DAY IN OURS.
GOOD MORNING, JOHN-BOY.
(John) GOOD MORNING, SON.
HELLO.
HI, JOHN-BOY.
(Olivia) RUNNIN' LATE?
NO, I GOT UP EARLY.
COOKED MYSELF SOME BREAKFAST.
THAT'S WHERE THAT GREASY FRYING PAN CAME FROM.
I'M SORRY, GRANDMA.
COME ON, CHILDREN, HURRY UP.
R SCHOOL.
YOU STILL HAVEN'T TOLD US ABOUT THE DANCE, MAMA.
(John) WHAT DANCE IS THAT, HONEY?
HERE, IN THE CIRCULAR. A BIG BARN DANCE TOMORROW NIGHT.
THE LIVERY STABLE.
LIV, WHEN WAS THE LAST TIME
OH, BACK ABOUT THE TURN OF THE CENTURY, I IMAGINE.
THINK YOU STILL REMEMBER HOW?
I THINK I COULD MANAGE.
CAN WE GO, MAMA? ALL OF US?
YOUR FATHER AND I WILL TALK ABOUT IT LATER.
WE'LL LET YOU KNOW IN PLENTY OF TIME.
JOHN, DOES IT SAY WHO THE CALLER'S GOING TO BE?
OGLETHORPE HANSEN. HAVE A LOOK.
(Grandma) BEST CALLER IN THE COUNTY.
NEVER HEARD OF HIM.
OGLETHORPE'S JUST HIS PROFESSIONAL NAME.
DON'T YOU REMEMBER FRED HANSEN?
OH, THAT LONG-LEGGED BEANPOLE.
[all laughing]
HE WAS THE BEST DANCER THIS SIDE OF THE JAMES RIVER.
MAYBE THEN, BUT NOT NOW.
DID YOU KNOW HIM, GRANDMA?
QUITE WELL.
QUITE WELL? YOU SHOULD'VE SEEN THE TWO OF THEM
SASHAYING AROUND THAT FLOOR, CUTTIN' FANCY STEPS--
GRE
WELL, I MAY HAVE DANCED A LOT WITH FRED,
BUT, UH, I ALWAYS SAVED OUR SPECIAL WALTZ FOR YOU.
(Mary Ellen) WHAT WAS THAT, GRANDMA?
MY WILD IRISH ROSE.
SHE WAS SO WILD, BY THE TIME SHE GOT THROUGH DANCIN' WITH HIM,
SHE WAS SO WORE OUT, SHE COULDN'T KEEP UP WITH ME.
COME ON, CHILDREN. HURRY UP.
OFF YOU GO.
E, DADDY.
GOODBYE, HONEY.
[all chattering]
ALL RIGHT. TAKE CARE NOW.
(Jason) BYE, GRANDMA.
[all chattering]
(Olivia) GO ON.
(John) ALL RIGHT. SLOW DOWN THERE.
WHAT WAS THAT SONG, PA?
♪ WILD IRISH ROSE ♪
♪ THE SWEETEST FLOWER THAT GROWS ♪
♪ SOMEDAY FOR MY SAKE SHE MAY LET ME TAKE ♪
♪ THE BLOOM FROM MY WILD IRISH ROSE ♪♪
[Grandpa laughing]
[children chattering]
MORNIN', MA'AM.
MORNIN'.
I'M FROM THE JEFFERSON COUNTY ELECTRIC COMPANY.
JOHN!
YOUR BILL'S WAY PAST DUE, MA'AM.
I KNOW. WE'VE BEEN-- WE'VE BEEN MEANIN' TO SEND IT IN BUT...
(John) WHAT IS IT, LIV?
THIS MAN IS FROM THE ELECTRIC COMPANY.
YOUR BILL'S PAST DUE, AND MY ORDERS ARE
EITHER TO COLLECT IT OR TURN OFF YOUR POWER.
WE'VE BEEN EXPECTIN' YOU.
I GOT A LOT OF ROUNDS TO MAKE.
IF YOU AIN'T GOT THE MONEY...
DO WHAT YOU HAVE TO DO. IT'S AROUND BACK THERE.
FOLKS, I'M AWFUL SORRY, BUT I'VE GOT MY ORDERS.
WHAT'S GOING ON OUT HERE?
THE ELECTRIC COMPANY'S GONNA TURN OFF
OUR ELECTRICITY.
COULDN'T PAY THE BILL.
THEY CAN'T DO THAT.
I'M AFRAID THEY CAN, PA.
JOHN!
I'M GOIN' OVER O ANKER BARNES.
HE'
Y
EKS.
HE'S IN THE SAME BOAT WE ARE.
NOBODY'S GOT THE CASH.
I CAN AT LEAST ASK HIM.
MAYBE HE'S GOT ENOUGH TO TURN
THE POWER ON TOMORROW.
IT'S A SHAME, THAT'S WHAT IT IS.
A SHAME AND A DISGRACE.
[coins rattling]
EXACTLY 22 CENTS TO OUR NAME.
HERE, GRANDPA, YOU TAKE THIS.
WHY ME?
CANDLES. WE'RE GONNA NEED SOME LIGHT WHEN THE CHILDREN COME HOME.
OH, THAT IS A VERY GOOD IDEA.
WELL, MAYBE I'D BETTER GET ON DOWN
TO IKE GODSEY'S NOW.
I'VE BEEN SO FEARFUL THIS DAY WOULD FINALLY COME
W P
IF YOU FEAR A THING ENOUGH, YOU'RE ASKIN' FOR IT.
[birds chirping]
WHY, MR. WALTON! COME IN.
MISS EMILY.
SISTER, IT'S MR. WALTON.
GOOD MORNING, MR. WALTON.
LADIES, I HAVE CALLED TO MAKE YOU A PROPOSITION.
OH, MY GOODNESS.
NOW I HAPPEN TO KNOW
YOU'VE GOT SOME LOOSE DRAINPIPES THAT NEED FIXIN'.
I DON'T WANT YOU BOTHERIN' ME
WHEN IT GETS TO BE BAD WEATHER.
SO I WILL FIX 'EM FOR $2.50
AND THE USE OF YOUR AUTOMOBILE
TO THI
TESVILLE
OH, YOU'RE GOING TO CHARLOTTESVILLE THIS AFTERNOON?
WELL, I AIM TO, IF IT'S A BARGAIN.
IT'S A BARGAIN, ON ONE CONDITION.
WHAT'S THAT?
THAT YOU TAKE US WITH YOU.
WELL, LADIES, IT WILL PLEASURE ME TO DO SO
PROVIDIN' I CAN MAKE
ONE BUSINESS STOP BEFORE 5:00.
NOW, UH, LEAD ME TO THOSE PIPES.
[laughing]
JOHN-BOY, HAVE YOU EVER BEEN TO A BARN DANCE BEFORE?
YEAH.
WHAT HAPPENED?
WHAT DO YOU MEAN WHAT HAPPENED?
YOU'VE BEEN TO A DANCE, YOU KNOW WHAT HAPPENS.
LAST YEAR, WHEN MAMA WAS SICK.
THAT WAS DIFFERENT. I WAS WITH G.W.
WHAT HAPPENS IF YOU'RE NOT WITH ANYBODY?
I DON'T KNOW WHAT YOU'D DO. YOU'RE A GIRL.
BUT I BEING A BOY
HAVE TO PICK MY PARTNER FIRST.
WHAT IF NOBODY PICKS ME?
THEN I GUESS YOU HAVE TO PICK SOMEBODY.
YOU COULD PICK JASON HERE.
OH, NO.
IF YOU HAD TO.
MY OWN BROTHER?
YOU JUST START OFF TOGETHER, SILLY,
AND THEN YOU SWITCHIN' OFF.
AND THEN PRETTY SOON,
EVERYONE'S DANCIN' WITH EVERYONE ELSE.
WELL, JASON DOESN'T EVEN KNOW HOW TO DANCE.
WELL, THIS WOULD BE A PERFECT TIME
FO
.
NA
I SEE THE CHILDREN, BUT I--I DON'T SEE ZEB.
DON'T WORRY, GRANDMA. HE'LL BE ALONG.
I CAN'T HELP WORRYIN'.
THAT OLD FOOL COULD'VE BEEN TO THE STORE AND BACK
15 TIMES BY NOW.
GRANDMA, IF ANYTHING HAD HAPPENED, WE WOULD'VE HEARD.
(Elizabeth) HI, MAMA!
(Mary Ellen) WE'RE HOME.
(Olivia) PUT YOUR BOOKS AWAY, AND START YOUR CHORES.
(all) OK.
(Jason) ANNA LISTEN TO THE RADIO.
JOHN-BOY, I WANNA TALK TO YOU.
I WANT YOU TO GO DOWN TO IKE GODSEY'S
AND SEE IF YOU CAN FIND YOUR GRANDPA.
WE SENT HIM DOWN THERE THIS MORNING TO GET SOME CANDLES.
CANDLES?
THE POWER COMPANY CAME AND TURNED OFF THE ELECTRICITY.
OH, I KNEW THAT WAS GONNA HAPPEN.
HURRY UP, WILL YOU?
GRANDPA'S BEEN GONE ALL DAY.
AND YOUR GRANDMA'S WORRIED SICK.
YOU KNOW WHERE HE IS, DON'T YOU?
HE'S DOWN AT IKE'S PLAYIN' POOL.
S WRONG
I WANNA LISTEN TO JACK ARMSTRONG.
I'LL EXPLAIN IT TO YOU, JASON.
OH, WHAT A BEAUTIFUL DAY FOR A DRIVE.
ISN'T THIS A TREAT, EMILY?
IT CERTAINLY IS.
YOU'RE A SPLENDID DRIVER, MR. WALTON.
THANK YOU.
I HOPE I GET MY LICENSE BACK SOON.
WHEN MAMIE DRIVES, WE SING TUNES
AND SHE KEEPS TIME WITH HER FOOT ON THE ACCELERATOR.
IT MAKES FOR SUCH A JOYFUL RIDE.
IF YOU LADIES CARE TO RAISE YOUR VOICE IN SONG,
I'LL BE HAPPY TO KEEP TIME WITH YOU.
(all) ♪ ON TOP OF OLD SMOKEY ♪
♪ ALL COVERED WITH SNOW ♪
♪ I LOST MY TRUE LOVER ♪
♪ FOR COURTING TOO SLOW ♪
♪ FOR COURTING'S A PLEASURE ♪
♪ BUT PARTING IS GRIEF ♪
AND THEN IT'S GOT THE DIFFERENT SIZES
SO THAT YOU CAN GRIND JUST ABOUT ANYTHING YOU WANT TO.
HEY, JOHN-BOY.
WHY DON'T YOU LOOK IT OVER AND, UH, I'LL BE RIGHT BACK?
HEY, IKE. IS MY GRANDPA AROUND?
NOPE. I AIN'T SEEN YOUR GRANDPA IN, OH, I DON'T KNOW, IN 3 OR 4 DAYS.
T M D
ORNING
TO PICK UP SOME CANDLES.
CANDLES?
YEAH, UH, WE NEED SOME CANDLES.
OH, WELL, A LOT OF FOLKS NEED CANDLES THESE DAYS,
BUT, UH, I AIN'T SEEN YOUR GRANDPA, JOHN-BOY.
NOT TODAY.
THAT'S REALLY STRANGE.
UH, IKE, WE NEED THOSE CANDLES SO...
I'M SURE MY GRANDPA'S GOT SOME MONEY ON HIM.
YOU THINK YOU COULD YOU LET ME HAVE THEM NOW
AND I'LL PAY YOU BACK AS SOON AS I FIND HIM?
I GUESS IT'LL BE OK.
I'LL BE RIGHT WITH YOU, FOLKS.
YOU Y?
UH, 7 OR 8 OUGHT TO DO IT.
COME ON, LADIES.
THIS WILL HAVE TO BE OUR LAST STOP.
THEY DON'T LET ME DRIVE MUCH AFTER TWILIGHT,
AND IT'LL SOON BE GETTIN' DARK.
OH, YES.
WE'LL GET ON HOME
AS SOON AS WE PAY OUR RESPECTS TO MR. HARPER.
THERE YOU ARE.
WELL, WELL, LADIES, LADIES,
WHAT A PLEASURE IT IS TO SEE YOU AGAIN.
GOOD DAY, MR. HARPER.
WE JUST COULDN'T VISIT TOWN WIT
YEAH, GOOD TO SEE YOU AGAIN, ZEB.
OH, YEAH, OLLIE.
PAPA PURCHASED ALL HIS MEDICINE
FROM DURI
IT WAS A PLEASURE TO DO BUSINESS
WITH SUCH A DISTINGUISHED GENTLEMAN
AS JUDGE BALDWIN.
MR. HARPER USED TO DELIVER THE MEDICINE
PERSONALLY ALL THE WAY TO OUR HOUSE.
AND HE NEVER LEFT
WITHOUT SHARIN' SOME OF THE RECIPE.
[all laughing]
THE RECIPE.
WE HAVE A SURPRISE FOR YOU.
YOU DON'T MEAN TO TELL ME...
IT'S FROM A BATCH THAT PAPA MADE IN 1925,
E IT
LE.
!
HOW--HOW VERY THOUGHTFUL OF YOU.
NOW, UH, YOU MUST LET ME DO SOMETHING FOR YOU.
I KNOW.
HOW ABOUT 3 CHOCOLATE SODAS ON THE HOUSE?
MR. WALTON, HAVE WE TIME?
CHOCOLATE?
WELL, IT'S BEEN A LONG TIME SINCE I'VE HAD A SODA.
I DON'T SEE HOW A CHOCOLATE SODA
COULD POSSIBLY INTERFERE WITH MY DRIVIN'.
LET'S INDULGE OURSELVES.
OH, MR. HARPER,
YOUR HOSPITALITY IS POSITIVELY OVERWHELMING.
ALL RIGHT, 3 CHOCOLATE SODAS COMING UP IN A JIFFY.
NOW, WHY DON'T YOU JUST BROWSE AROUND?
I'LL CALL YOU WHEN THEY'RE READY.
ISN'T HE A LOVELY GENTLEMAN?
HE SEEMS TO BE.
LOOK, SISTER. PERFUME.
IT SMELLS POSITIVELY WICKED.
WHAT DO YOU EXPECT?
LOOK AT THAT NAME. L'AMOUR.
THOSE FRENCH WOMEN HAVE NO SHAME.
THERE SEEMS TO BE ALL KINDS HERE.
"MY RAPTURE."
I THINK I'D LIKE
TO GET SOME OF THAT FOR MY ESTHER.
WHAT KIND DOES SHE PREFER, MR. WALTON?
I DON'T EXACTLY REMEMBER.
IT'S--IT'S RASPBERRY, I THINK.
RASPBERRY?
WELL, THAT IS HER FAVORITE FLAVOR
IN A-- IN A PUNCH DRINK. RASPBERRY.
WELL, HERE'S A NICE COLOGNE.
"EVENIN' MIST."
[sniffing]
IT DON'T EXACTLY SMELL LIKE RASPBERRY TO ME.
BUT IT'S AND DELIC
AND IT'S ONLY 39 CENTS.
39 CENTS. I--I THINK MAYBE I COULD GO FOR THAT.
DO YOU SUPPOSE
HE'D WRAP IT UP AS A GIFT FOR ME?
OH, I'M SURE HE WILL.
THERE YOU ARE, LADIES. ALL SET.
DON'T THEY LOOK DELICIOUS?
THEY CERTAINLY DO.
OH, MR. HARPER, WOULD YOU WRAP THIS AS A GIFT
FOR MR. WALTON?
WHY, I'D BE HAPPY TO. THAT'S 39 CENTS.
39. HERE YOU ARE.
THANK YOU, ZEB.
[cash register dings]
ISN'T THIS A TREAT, SISTER?
OH, A DIVINE TREAT.
LIFE JUST HAS ITS LITTLE REWARDS,
DOESN'T IT, MR. WALTON?
INDEED IT DOES.
GRANDMA, WE OUGHT TO LIGHT TH
AND FEED THE CHILDREN NOW.
WHERE COULD THAT OLD MAN BE?
OH, HE'S PROBABLY OUT WITH JOHN SOMEWHERE.
WELL, JOHN-BOY SAID THAT
ZEB NEVER REACHED IKE GODSEY'S STORE.
HE COULD BE LYING ALONGSIDE THE ROAD
SOMEWHERE, HURT OR...
COME ON, GRANDMA, LET'S FEED
(John-Boy) THAT'S A DOG. THAT'S RECKLESS.
itates
IT'S GOT A SPLIT LIP.
HERE'
MAKE A CRAB, JOHN-BOY.
A CRAB?
IT'S LIKE A TICK GOIN' UP A LEG.
(Mary Ell IT'S UP
(John-Boy) CRAWLING UP YOUR KNEE.
HELLO, EVERYONE.
HI, DADDY.
HI, DADDY.
IT'S LIKE OLD TIMES.
(Elizabeth) DADDY, WATCH JOHN-BOY MAKE A CRAB.
KNOW HOW TO MAKE A DUCK? WATCH THIS.
JOHN.
ISN'T ZEB WITH YOU?
NO, MA. I WAS OUT TRYING TO SELL A HOG
ALL DAY WITH ANKER BARNES.
GOT THE MONEY, TOO.
WHAT'S WRONG?
GRANDPA STARTED FOR IKE GODSEY'S STORE
THIS MORNING SHORTLY AFTER YOU LEFT.
ONLY HE NEVER GOT THERE,
AND WE HAVE NO IDEA WHE
I, UH, I THINK WE SHOULD DRIVE AROUND AND SEE
I
...
ALL RIGHT, MA.
WE'VE HAD DINNER, BUT I'LL KEEP YOUR SUPPER WARM.
LET'S GO.
JOHN, STOP.
THERE'S SOMETHING OVER THERE AT THE SIDE OF THE ROAD.
NO, MA, IT'S NOTHIN'. IT'S JUST AN OLD LOG.
[knocking]
[crickets chirping]
(John) NOBODY HOME.
CAN'T SAY I'M SORRY.
IF I THOUGHT THAT OLD MAN HAD BEEN IN THERE ALL DAY,
DRINKIN 'THAT RECIPE...
HE'S PROBABLY WITH ONE OF HIS FRIENDS, MA.
WHICH ONE? HE'S GOT FRIENDS ALL OVER THESE MOUNTAINS.
YOU KNOW HIS FRIENDS BETTER THAN I DO.
WHAT ABOUT ALAN?
[car approaching]
WASN'T THAT...
IT SURE WAS, MA.
YOU GO GET HIM.
WELL, SON, WHAT ON EARTH ARE YOU DOIN' HERE?
WE'VE BEEN LOOKIN' FOR YOU, PA.
JOHN WALTON, HOW NICE TO SEE YOU.
HELLO, MISS MAMIE AND MISS EMILY.
DO COME IN AND HAVE SOME REFRESHMENT, MR. WALTON.
I'M AFRAID NOT. YOU SEE, MY MA IS WAITIN' IN THE TRUCK.
ESTHER?
OH, MY GOODNESS. MAYBE SHE'LL JOIN US.
I WOULDN'T BE SMILIN' IF I WERE YOU, PA.
MRS. WAL SEE YOU
(Emily) IT'S BEEN SOME TIME.
THAT HUSBAND OF YOURS
JUST HAS TO BE THE KINDEST MAN
IN THE ENTIRE STATE OF VIRGINIA.
HE DR INTO
E WAY
HE'S A KIND ONE, ALL RIGHT.
WON'T YOU COME IN FOR A VISIT?
I'M SORRY.
GOT SOME FOLKS HOME
OUT US.
MAYBE SOME OTHER TIME, LADIES.
OH, WELL, IF YOU MUST GO...
THANK YOU AGAIN, MR. WALTON.
IT WAS A MOST DELIGHTFUL TRIP.
MY PLEASURE, LADIES.
A DIVINE TREAT.
(John) YOU BETTER GET IN NOW, PA.
[engine starting]
GOODBYE.
GOODBYE, ALL.
GOODBYE! THANK YOU
GOODBYE!
I'LL BET YOU CAN'T GUESS WHY I WENT INTO TOWN TODAY.
WELL, IT WASN'T TO BUY CANDLES.
YOU TOOK OUR LAST 22 CENTS.
OH, CANDLES, MY LAND!
I COMPLETELY FORGOT ABOUT IT.
YOU'D RATHER GO GALLIVANTIN' AROUND
WITH 2 SINGLE LADIES
INSTEAD OF CARIN' FOR YOUR OWN?
ESTHER, YOU DON'T REALLY MEAN THAT.
YOU SMELL LIKE A JUNE BRIDE.
WELL, ALL RIGHT, THEN. I JUST WON'T TELL YOU.
YOU'RE THE ONE
THAT'S IN FOR A SURPRISE, OLD MAN.
YOU'LL BE SLEEPIN' ON THE COUCH TONIGHT.
♪[Grandpa singing]
I LET THE KIDS KNOW THAT I'M SAFE AND SOUND.
YOU, TOO?
WELL, YOU COULD'VE TOLD US YOU WERE DRIVIN' THE BALDWINS TO TOWN.
WELL, WHAT AM I, SOME LITTLE SHIRTTAIL KID
THAT HAS TO REPORT TO HIS MAMA EVERY TIME HE TURNS AROUND?
IF YOU COULD'VE
.
THAT'S THE TROUBLE WITH HER.
SHE WORRIES TOO MUCH.
WHERE IS SHE?
I SUPPOSE SHE'S SITTIN' IN OUR ROOM POUTIN'.
I'M GONNA GO SEE IF SHE'S ALL RIGHT.
WHY, IF I MADE HER A BED OF ROSES,
SHE'D ONLY COMPLAIN ABOUT THE THORNS.
WHAT'S SHE DOIN'? SITTIN' IN THERE BROODIN',
MOST LIKELY WITHOUT EVEN A LIT CANDLE.
AT LEAST WE'LL HAVE THE LIGHTS
TURNED ON TOMORROW, THANK HEAVEN.
HUH?
YEAH.
I FINALLY SOLD THAT HOG ANKER BARNES PAID ME WITH.
GOIN' IN TO SETTLE UP TOMORROW.
WELL, THERE'S NO NEED TO DO THAT.
THAT'S WHAT I WENT INTO TOWN FOR TODAY.
YOU DID WHAT?
I FIXED THE BALDWINS' DRAINPIPES.
THEY GAVE ME ENOUGH MONEY TO PAY THE BILL.
THE MAN WILL BE OUT TO TURN IT ON IN THE MORNING.
FOR HEAVEN'S SAKE, WHY DIDN'T YOU TELL MA THAT?
'CAUSE SHE'S BEEN LETTIN' HER MIND
RUN WILD WITH JEALOUSY HERE LATELY.
I DECIDED TO LET HER STEW IN HER OWN JUICES.
I STILL THINK YOU OUGHT TO TELL HER.
NOPE. DON'T YOU TELL HER, EITHER.
IT'S BETWEEN THE TWO OF US.
SHE'LL FIND OUT IN THE MORNIN'.
MAYBE THEN SHE'LL HAVE A REGRET OR TWO
FOR THE WAY SHE'S BEEN ACTIN'.
WELL, LIVIE, WHAT ON EARTH YOU GOT THERE?
YOUR BEDCLOTHES FOR THE NIGHT.
YOU MEAN TO SAY SHE WAS SERIOUS
ABOUT HAVIN' ME SLEEP ON THAT COUCH?
SOUNDED MIGHTY SERIOUS TO ME.
WELL, WE'LL JUST SEE ABOUT THAT.
ESTHER.
ESTHER.
NOW, SEE HERE, OLD WOMAN,
THERE IS A LIMIT TO MY PATIENCE.
YOUR PATIENCE?
DID YOU SPEND THE DAY WORRYING YOURSELF SICK?
YOU DON'T CARE ABOUT ME.
ALL YOU CARE ABOUT IS HAVIN' YOURSELF A FLING.
ESTHER, YOU HAVE GOT A DARK AND SUSPICIOUS MIND.
AND YOU SMELL
TO HIGH HEAVEN OF TOILET WATER.
IT'S PERFUME.
THERE'S AN EXPLANATION FOR THAT, TOO.
OH, YOU COULD EXPLAIN AWAY THE DEPRESSION
IF YOU HAD THE CHANCE.
NOW, WILL YOU LEAVE ME ALONE?
I'VE TAKEN ALL I CAN FOR ONE DAY.
I AM NOT SLEEPIN' ON ANY COUCH.
ALL RIGHT, THEN. YOU TAKE THE BED.
I'LL SLEEP ON THE COUCH.
ESTHER, I WILL NOT PUT UP WITH THIS.
THERE'S NOTHING YOU CAN DO ABOUT IT.
[door slams]
MA, DID YOU AT LEAST GIVE HIM A CHANCE TO EXPLAIN?
THERE'S NOTHIN' TO EXPLAIN.
HE'S AN OLD FOOL AND HE'S PROVED IT.
NOW, MA, I HAPPEN TO KNOW THERE'S A REASON
THAT HE WENT TO CHARLOTTESVILLE.
AND IF YOU ASKED HIM, HE'D TELL YOU.
OH, YOU MEN. THE WAY YOU STICK TOGETHER.
MA, WOULD YOU AT LEAST ASK HIM?
I'VE DONE ALL THE LISTENIN'
AND TALKIN' I'M GOING TO.
IF HE WANTS
,
HE CAN SHARE MY TROTH DURING THE DAY.
[footsteps approaching]
I WILL BE SAYIN' GOODBYE.
WHERE ARE YOU GOING THIS TIME OF NIGHT?
IF THAT WOMAN DOESN'T WANT ME IN HER BED,
SHE DON'T WANT ME IN HER HOUSE.
PA, WHY DON'T YOU JUST COOL OFF A LITTLE BIT?
IF YOU HAVE TO GO, GO IN THE MORNIN'.
YEAH, GRANDPA. SLEEP ON IT.
IT'S HIGH TIME THAT THIS FAMILY LEARNED
THAT ZEB WALTON CAN TAKE CARE OF HIMSELF.
(John) WELL, WHERE ARE YOU GOING?
OH, I HAVE A FRIEND.
WHAT DO YOU MEAN, A FRIEND? WHAT FRIEND? NOW, WAIT A MINUTE.
JUST LEAVE ME BE.
[crockery clinking]
MORNIN'.
(all) GOOD MORNING, JOHN-BOY.
WHERE'S GRANDPA?
DID HE FINISH HIS BREAKFAST ALREADY?
NO.
IS GRANDPA SICK?
NO, HE'S NOT SICK.
NOW YOU--YOU HURRY UP AND FINISH YOUR BREAKFAST.
MAMA, TONIGHT'S THE NIGHT.
WHAT NIGHT?
THE NIGHT OF THE BIG BARN DANCE.
YOU TOLD US YOU'D LET US KNOW.
I'LL LET YOU KNOW LATER, MARY ELLEN.
MAMA, I DON'T SEE WHY YOU CAN'T MAKE UP YOUR MIND.
THE DANCE IS FREE. IT WON'T COST A FORTUNE TO GET IN.
I'VE GOT SO MUCH TO THINK ABOUT.
(Olivia) I SAID WE'LL TALK ABOUT IT LATER.
(Mary Ellen) BUT I NEED TO KNOW, MOM.
IF WE'RE GOING, I HAVE TO IRON MY DRESS.
WOULDN'T HARM YOU NONE TO DO SOME IRONIN' WHETHER YOU GO OR NOT.
HOW CAN YOU IRON WITH NO ELECTRICITY?
THAT'S RIGHT.
YOU PUT THE IRON ON THE STOVE.
THAT'S WHAT YOU USED TO DO, ISN'T IT GRANDMA?
IT WASN'T THAT KIND OF AN IRON.
IT WAS THIS KIND OF AN IRON.
SO IF YOU WANT TO IRON, YOU JUST GO RIGHT AHEAD.
I DON'T HAVE TIME. HERE, ELIZABETH, FINISH THIS, HONEY.
I GOTTA SEE GRANDPA.
WAIT, JOHN-BOY.
WHAT DO YOU-- WHAT DO YOU WANT TO SEE HIM FOR?
I GOTTA GET SOME MONEY FROM HIM
TO FINISH PAYIN' FOR THE CANDLES.
WELL, UH, HE'S NOT IN OUR ROOM.
OH, WHERE IS HE?
HERE'S SOME MONEY YOUR DADDY GAVE ME.
GRANDMA'S ACTING KIND OF FUNNY.
I NOTICED.
ALL RIGHT, YOU CHILDREN, SATURDAY'S CHORES ARE WAITING.
HURRY UP. COME ON.
[birds chirping]
HEY, DADDY.
WHAT'S GOIN' ON AROUND HERE?
AH, IT SEEMS GRANDPA LEFT IN A HUFF LAST NIGHT.
HE AND YOUR GRANDMA WERE SPATTIN'.
HE HAD ENOUGH.
WHERE'D HE GO?
STAYIN' WITH ONE OF HIS OLD CRONIES, I GUESS.
WHAT HAPPENED?
WELL, IT SEEMS HE WORKED FOR THE BALDWIN SISTERS YESTERDAY
AND MADE A LITTLE MONEY,
WENT INTO CHARLOTTESVILLE, AND PAID THE ELECTRIC BILL.
HE WAS TRYING TO TELL YOUR GRANDMA, BUT SHE WAS YELLIN' TOO MUCH.
THAT'S WHAT THEY'RE FIGHTIN' ABOUT?
SOMETHIN' LIKE THAT.
WELL, I RECKON I BETTER GET ON OVER TO IKE'S.
FINISH PAYIN' FOR THOSE CANDLES.
COME ON, BLUE.
[bell tinkling]
(John-Boy) HEY, IKE.
HEY, JOHN-BOY. AM I EVER GLAD TO SEE YOU.
DID YOU THINK I WASN'T GOING TO PAY YOU BACK?
NO, IT'S NOT THIS. IT'S THAT.
[Grandpa snoring]
SO HE CAME HERE, EH?
YEAH. ABOUT MIDNIGHT.
WOKE ME UP AND ASKED ME TO BED HIM DOWN.
I DIDN'T MIND LAST NIGHT.
BUT, I MEAN, THIS MORNING... I GOT CUSTOMERS COMIN' IN.
YOU WANT ME TO WAKE HIM UP, IS THAT IT?
WELL, I'D BE MUCH OBLIGED, JOHN-BOY.
[murmurs]
OK.
[snoring]
GRANDPA.
[sputtering]
[whispers] GRANDPA.
[grunts]
OH, UH, JOHN-BOY.
DID YOU HAVE A GOOD SLEEP?
I HAVE HAD WORSE.
YOU HUNGRY?
HUNGRY AS I AM, ME A SODA POP
AND A COUPLE OF CRACKERS FROM IKE.
THAT'S NO BREAKFAST.
DID YOUR GRANDMA SEND
NO, NOBODY KNEW YOU WERE HERE.
JUST AS WELL.
YOU'RE NOT PLANNIN' TO COME HOME, EH?
NOT UNLESS...
ONLY UNDER CERTAIN CONDITIONS.
OH.
IS THE ELECTRICITY TURNED BACK ON YET?
IT WASN'T WHEN I LEFT.
WELL, IT OUGHT TO BE BACK ON PRETTY SOON NOW.
I KNOW. DADDY TOLD ME HOW YOU PAID FOR IT.
SOON AS ESTHER LEARNS THE TRUTH,
SHE'LL HAVE A CHANGE OF HEART.
I HOPE SO.
IN THAT CASE, I DON'T SEE NO HARM
IN LETTIN' CERTAIN PARTIES KNOW WHERE I'M AT.
CE,
THERE'S NO REASON TO STOP HER.
YOU MEAN, APOLOGIZE?
GRANDMA?
UH, IT'S UP TO HER.
LET HER CONSCIENCE BE HER GUIDE.
[grunts]
HEY, IKE, GOOD MORNIN', IKE.
GOOD MORNING, MR. WALTON.
NOW, I THINK I HAVE
ABOUT 16 CENTS ON ME AND A POWERFUL APPETITE.
WONDER IF YOU COULD FIX ME UP.
WHY DON'T YOU JUST LOOK AROUND
AND SEE WHATEVER SUITS YOUR FANCY?
JOHN-BOY, HERE'S YOUR CHANGE.
LOOK, WHY DON'T YOU JUST APPLY IT TO HIS BILL?
IT.
A SODA POP, PLEASE.
HT UP.
[Ike laughing]
MARY ELLEN, CAN'T YOU FIND SOMETHIN' TO
NO.
THEN GO ON OUTSIDE
AND PLAY WITH THE OTHER CHILDREN.
I DON'T FEEL LIKE PLAYIN'.
THEN DO SOME WORK.
GO ON OUT AND HELP YOUR MOTHER.
SHE DOESN'T NEED ANY HELP.
IF YOU THINK THAT MOPIN' AROUND THE HOUSE ALL DAY
IS GO TO THA
U
YOU'RE SADLY MISTAKEN.
MARY ELLEN, WHEN I WAS YOUR AGE
AND JUST THOUGHT I MIGHT GET TO GO TO A DANCE,
I DID EVERYTHING TO GET INTO MY MAMA'S GOOD GRACES.
I WAS BRIGHT AND HELPFUL.
I GOT EVERYTHING READY, LIKE THE DRESS.
MAMA CAN AT LEAST GIVE ME AN ANSWER.
YOUR MAMA'S GOT A LOT ON HER MIND.
WE ALL DO.
(radio announcer) PRESENTING AMERICA'S FAVORITE,
THE BLUE NETWORK BREAKFAST CLUB WITH DON McNEILL.
[radio announcer chattering]
HOW DID THAT THING START WORKIN'?
TAKE CARE.
[birds chirping]
[engine starting]
HE TURNED THE POWER BACK ON.
THAT'S RIGHT, MA.
BUT YOU HAVEN'T PAID THE BILL YET.
WELL, PA PAID IT YESTERDAY.
THAT'S WHY HE WENT INTO CHARLOTTESVILLE.
BUT HOW COULD HE? HE...
HE EARNED SOME MONEY
WORKIN' FOR
THEN WHY DIDN'T HE JUST COME OUT AND SAY SO?
I GUESS YOU DIDN'T GIVE HIM ANY CHANCE TO.
OU KNOWN?
SINCE LAST NIGHT.
THEN WHY DIDN'T YOU TELL ME?
I PROMISED HIM I WOULDN'T.
HE SAID IT WAS JUST BETWEEN YOU TWO.
THERE'S NO FOOL LIKE AN OLD FOOL,
AND I DON'T MEAN YOUR PAPA.
POOR GRANDMA.
YOU SHOULD HAVE T
.
MAYBE YOU'RE RIGHT, BUT I PROMISED HIM I WOULDN'T.
IT'S BETWEEN THEM, ANYWAY.
(John-Boy) HEY,
GUESS WHO I SAW AT IKE'S?
GRANDPA!
(John) GRANDPA!
THAT'S RIGHT!
DID HE SAY IF HE'S COMIN' HOME?
WELL, HE SAID HE WOULD UNDER CERTAIN CONDITIONS.
I TH TO G
TELL HER WHERE HE IS.
IT'S UP TO HER WHAT SHE WANTS T
I COULD USE A HAND, SON.
OK, LET ME TURN BLUE OUT.
JOHN-BOY SAW GRANDPA.
HE'S DOWN AT IKE GODSEY'S.
WHAT WAS HE DOIN'?
OH, FEELING HURT AND PUT OUT, MOST LIKELY.
MOST LIKELY.
WELL, HE DID WHAT HE DID FOR OUR SAKES,
AND THEN NOT TO BE APPRECIATED...
IF THE OLD FOOL HAD JUST COME RIGHT OUT
AND TOLD THE TRUTH...
YOU KNOW MEN.
JOHN-BOY WAS UNDER THE IMPRESSION
HE'S PLANNING TO STAY AWAY UNTIL...
TILL I APOLOGIZE?
I KNOW IT'S HARD.
I'VE BEEN MEANIN TO GO DOWN TO IKE'S
TO--TO PRICE A FEW THINGS.
[laughs]
I'LL SEE IF JOHN-BOY CAN DRIVE YOU.
WELL, NOW, YOU GIVE ME A MOMENT TO FRESHEN UP.
JOHN-BOY, ARE--ARE--ARE YOU GOING TO WRITE
ALL THIS DOWN IN YOUR BOOK?
NO, NOT IF YOU DON'T WANT ME TO.
WELL, I-I'D RATHER YOU DIDN'T. BUT...
WELL, I-IF YOU WERE GONNA WRITE IT DOWN, AND, UH,
HOW WOULD YOU PUT IT?
I MEAN, HOW WOULD YOU ZE?
I'D HAVE YOU SAY, "I'M SORRY."
[stammering] UH, I--I MEAN, WELL, HOW WOULD YOU PUT OUR MEETING?
WELL, I GUESS GRANDPA'S FACE
WOULD JUST LIGHT UP WHEN YOU WALKED IN.
AND YOU'D BE VERY GENTLE WITH HIM,
AND SAY, "I'M SORRY."
AND THEN HE'D PROBABLY *** UP HI
"WELL, LET'S GET ON HOME WHERE WE BELONG, OLD WOMAN."
I'D LIKE THAT.
[bell tinkling]
OH, HI, MRS. WALTON. HOW ARE YOU TODAY?
MORNIN', IKE.
JUST COME IN TO PRICE A FEW THINGS,
IF YOU DON'T MIND.
OH, NO, UH, FEEL FREE TO BROWSE AROUND.
WHATEVER YOU WISH.
UH, YOU ALONE HERE, IKE?
YEAH,
UH, I THOUGHT MAYBE GRANDPA WOULD BE HERE.
NO, HE LEFT, OH, ABOUT 15 MINUTES AGO.
OH, THAT'S FUNNY. WE DIDN'T PASS HIM ON THE ROAD.
DID HE SAY WHERE HE WAS GOIN'?
YEAH, HE WAS GOIN' OVER TO THE, UH, BALDWIN SISTERS'.
WE'LL BE GOIN' HOME NOW.
REAL LIFE ISN'T LIKE A STORY, IS IT, JOHN-BOY?
MR. WALTON! COME IN.
MORNIN', MISS EMILY.
SISTER, IT'S MR. WALTON.
HOW NICE OF YOU TO DROP BY, MR. WALTON.
UH, TH THAT P
OT
I BOUGHT IN CHARLOTTESVILLE LAST NIGHT.
YOU KNOW, THAT SWEET-SMELLING STUFF I GOT FOR ESTHER?
OH, YES, THE COLOGNE.
I'VE LOOKED ALL OVER THE CAR FOR IT,
BUT IT'S NOT THERE.
PERHAPS I BROUGHT IT IN WITH MY THINGS.
I'LL HAVE A LOOK.
SS EMILY.
WON'T YOU SIT DOWN, MR. WALTON?
OH, WELL, NO, I DON'T BELIEVE SO.
MY JOINTS ARE A LITTLE STIFF THIS MORNING.
WELL, I KNOW JUST THE CURE FOR THAT.
A TOUCH OF THE RECIPE.
WELL!
PAPA ALWAYS USED TO SAY:
"THERE'S NOTHING LIKE A TOUCH OF THE RECIPE
TO LOOSEN THE MAN UP."
WELL, HE CERTAINLY HAD SOMETHIN' THERE.
THERE YOU ARE.
MISS MAMIE, YOU ARE A GRACIOUS WOMAN.
(Emily) HERE IT IS.
I DID PUT IT IN MY BAG.
OH, GOOD.
WILL WE BE SEEING YOU AT THE DANCE TONIGHT,
MR. WALTON?
TONIGHT? WELL, THERE'S ALWAYS THE POSSIBILITY
THAT I'D BE THERE.
GOOD MORNIN', LADIES.
GOOD MORNIN'.
[sighs]
ipe bubbling]
[birds chirping]
[car approaching]
WHY, JOHN-BOY!
HOWEVER DID YOU KNOW I WAS UP HERE?
IKE TOLD ME.
WELL, I GOT THIS PRESENT FOR YOUR GRANDMA DOWN IN CHARLOTTESVILLE
AND I FORGOT IT AT THE BALDWIN SISTERS' LAST NIGHT.
I FIGURED IT MIGHT BE A GOOD IDEA TO HAVE IT WITH ME
IF YOUR GRANDMA COMES TO TALK TO ME.
OWN THERE.
HUH?
SHE WAS THERE WHEN IKE TOLD ME YOU WERE AT THE BALDWINS'.
UH-OH.
I JUST THOUGHT YOU OUGHT TO KNOW THAT.
MAD, HUH?
SHE WAS MORE LIKE AN ICEBERG.
JEALOUSY. THAT GREEN-EYED MONSTER.
GRANDPA, WHY DON'T YOU JUST GO HOME
AND EXPLAIN TO HER WHAT'S BEEN GOIN' ON?
'CAUSE AFTER 50 YEARS,
I DON'T THINK A MAN SHOULD BE RESPONSIBLE
FOR EVERY MOVE HE MAKES.
HERE, YOU TAKE THIS PRESENT ON BACK TO YOUR GRANDMA.
TELL HER WHY I WENT BACK TO THE BALDWINS' TO GET IT,
THEN DRIVE ME BACK TO IKE'S.
YOU DON'T REALLY THINK SHE'S GONNA GO BACK THERE, DO YOU?
WELL, BUT I
PUT UP WITH HER SCORNFULNESS ANY LONGER.
MAYBE IT'S BETTER JUST THE WAY IT IS.
YOU DON'T MEAN THAT.
WHEN 2 PEOPLE START MISTRUSTIN' ONE ANOTHER,
MAYBE IT'S BETTER FOR BOTH OF 'EM TO STAY APART.
GRANDPA, THIS THING WAS JUST A SPAT.
YOU AND GRANDMA COULD NO MORE DO WITHOUT EACH OTHER
THAN THE SUN AND THE MOON.
I GOT ME A COUSIN OVER IN FLUVANNA COUNTY.
I HAVEN'T SEEN HIM FOR QUITE A SPELL.
MAYBE AFTER A WHILE WITH HIM, I'LL FEEL BETTER. IF NOT...
GRANDPA.
DO YOU REALIZE THAT THIS WHOLE THING IS JUST A MISUNDERSTANDING?
WARS HAVE BEEN STARTED ON MISUNDERSTANDINGS, JOHN-BOY.
YOUR GRANDMA AND I, WE'VE GOT A LOT IN COMMON.
EVERY TIME I MAKE A MOVE OF MY OWN,
THAT IS TOO HARD TO PUT UP WITH.
NOW YOU TAKE ME ON DOWN TO IKE'S.
DO AS I SAY, JOHN-BOY.
[engine starting]
[knocking on door]
COME IN.
I BROUGHT YOU A SANDWICH, GRANDMA.
WE'VE HAD OUR LUNCH.
THANKS, LIVIE, BUT
GRANDMA, THIS THING HAS GOTTEN COMPLETELY OUT OF HAND.
YOU KNOW,
THIS IS THE FIRST REAL GIFT ZEB HAS
IN YEARS.
I NEEDED FOR THE HOUSE,
OR SOMETHING I NEEDED TO WEAR.
YOU KNOW, ONE CHRISTMAS, WHEN WE HAD REAL BAD WEATHER,
HE GAVE ME A SET OF LONG UNDERWEAR.
BUT NEVER TOILET WATER.
GRANDMA, YOU SHOULD BE TELLING THESE THINGS TO GRANDPA.
I WOULD IF HE WAS HERE.
I JUST CAN'T GO
WE COULD SEND JOHN-BOY.
AND TELL HIM WHAT?
THAT ESTHER WALTON IS SORRY THAT SHE'S JEALOUS?
I'M NOT SORRY.
I'VE ALWAYS BEEN JEALOUS OF ZEB.
[sighs] I LOVE THAT OLD FOOL.
I KNOW.
I'M TOO PROUD TO GO DOWN THERE, LIVIE.
AND HE'S TOO PROUD TO COME HERE.
ARE YOU BLAMING ME, LIVIE?
NO.
I GUESS I'D FEEL THE SAME WAY ABOUT JOHN.
I'M ALMOST FINISHED, MAMA. ALL THE IRONING.
THAT MARY
I'VE DONE EVERYTHING, INCLUDING MY PARTY DRESS.
THAT'S GOOD. YOU'RE GONNA NEED IT FOR THE DANCE TONIGHT.
I CAN GO?
YOU AND ALL THE OTHER CHILDREN, TOO.
I CAN'T WAIT TO SEE GRANDMA'S OLD BEAU.
AND WHO MIGHT THAT BE?
OGLETHORPE WHAT'S-HIS-NAME.
THE GUY THAT GRANDPA USED TO BE JEALOUS OF.
THE ONE THAT GRANDPA
USED TO BE JEALOUS OF.
GRANDMA,
I WANT YOU TO GET UP OUT OF THAT CHAIR,
DO SOMETHIN' WITH YOUR HAIR, AND IRON YOUR BEST DRESS.
WHAT ARE YOU TALKING ABOUT?
WE ARE GOING TO A DANCE.
ALL OF US. THE WHOLE WALTON CLAN.
I CAN'T GO TO ANY DANCE.
YOU CAN AND YOU WILL.
SO WILL GRANDPA, IF WE CAN GET JOHN-BOY TO PERSUADE HIM.
BUT--
IT'S SIMPLE.
IT'S TIME GRANDPA LEARNED
THAT JEALOUSY IS A 2-WAY STREET.
WHAT ARE YOU ALL SO SPIFFED UP ABOUT?
I'M GOING TO THE DANCE.
WHAT DANCE?
WHAT DANCE? EVERYBODY'S GOIN' TO THE DAN
THE BARN DANCE.
MA, TOO?
GRANDMA?
OH, SHE'S MORE EXCITED THAN ANYONE ELSE.
SHE'S HOME FRIZZIN' HER HAIR.
I KIND OF THINK IT'S 'CAUSE SHE WANTS TO SEE
THAT OLD FRIEND OF HERS, THAT CALLER. WHAT'S HIS NAME?
FRED HANSEN.
YEAH, THAT'S HIM. YOU GOIN', IKE?
WOULDN'T MISS IT.
I DIDN'T KNOW IT WAS GETTIN' SO LATE.
YOU MEAN TO SAY ESTHER IS GETTIN' ALL DOLLED UP
TO SEE THAT LONG-LEGGED SQUIRT?
YEAH. I SUPPOSE YOU DON'T INTEND TO GO, DO YOU?
WHO SAYS I'M NOT?
YOU JUST HOLD ON.
♪[music playing]
[people clapping]
(Fred) BREAK AND CENTER. EVERYBODY, SWING!
[Fred calling out]
PACK THE LOAD AND STICK OUT THE LEG!
LADIES, SWING IN. GENTS, SWING OUT.
ME ON, JASON!
(Erin) GO ON.
CENTER, AND EVERYBODY SWING!
[Fred continues calling]
THAT'S ALL.
ESTHER.
FRED.
YOU HAVE GROWN MORE BEAUTIFUL THAN I REMEMBER YOU, ESTHER.
O B
OH, THIS IS MY SON AND MY DAUGHTER-IN-LAW.
HOW ARE FRED?
AND THEIR YOUNGEST.
MIND IF I BORROW
THIS, UH, PRETTY LITTLE LADY FOR A DANCE?
THAT'S UP TO HER.
ESTHER?
IT'S BEEN A LONG TIME, FRED.
AND I HAVEN'T HAD A PARTNER AS GOOD
IN ALL THESE YEARS.
WELL, LOOKS LIKE IT'S YOU AN
ALL YOU'VE GOTTA DO IS CUT IN.
[grunts]
TWO CAN PLAY AT THIS GAME.
MISS EMILY, WOULD YOU DO ME THE HONOR?
WOULD YOU DANCE WITH ME?
[all clapping]
NOW, ESTHER, YOU BE SURE AND
R DANCE.
I BETTER GO BACK TO WORK NOW.
FRED, CAN I MAKE A SPECIAL REQUEST?
[people chattering]
♪[band playing music]
MAMIE, WOULD YOU PLEASE DO ME THE HONOR FOR THE NEXT?
WHY, MR. WALTON, HOW DIVINE!
MAMIE,
AREN'T THEY PLAYING MY WILD IRISH ROSE?
OH, YES, THEY ARE.
MISS MAMIE, FORGIVE ME. E
I'VE PROMISED THAT WALTZ TO ANOTHER.
EXCUSE ME.
EXCUSE ME, MAY I CUT IN, PLEASE?
I DIDN'T RECOGNIZE THE TUNE, ESTHER.
I ALWAYS SAVED IT FOR YOU, ZEB.
SO YOU DID.
(John-Boy) WE ARE ALL DANCERS.
IN EACH OF US,
THERE IS A NEED TO MOVE TO THE BEAT OF MUSIC,
TO CIRCLE, TO TEMPT, TO EMBRACE,
AND FINALLY TO MOVE TOGETHER IN PAIRS.
AND WHEN ALL ELSE OF 1934 IS FORGOTTEN,
I WILL STILL TREASURE THIS HOUSE, THIS YEAR,
AND THIS NIGHT.
[crickets chirping]
(Grandma) ZEB.
(Grandma) HMM?
YOU SUPPOSE MISS MAMIE WAS OFFENDED
WHEN YOU QUIT DANCIN' WITH HER?
SHE'S AN UNDERSTANDIN' WOMAN.
I'M GLAD.
GOOD NIGHT, ESTHER.
GOOD NIGHT, ZEB.
YOUR FEET ARE COLD.