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It helps to lever, just using the seven chords themselves, before I used them both. D, F, A, C, every thing's natural here. This
is a pretty accessible example. Then, G, F, D, or, I'm sorry, G, B, D, F. And then C,
E, G, B.
It's best not to improvise using an entire scale, but only pieces of the scale, and,
more importantly, embellishing those parts of the scale that are going to help you to
outline the chord that's being played, by the guitarist or the piano player. It's like
real important that you do that. Because, otherwise you can hang on the four tone of
any scale too long, that's a real oblique tone. And you kind of want to shy away from
the sixth, just a little bit, unless you're playing over an actual six chord. We'll get
into that later.