Tip:
Highlight text to annotate it
X
bjbjo 0:06 What we wanted to this exhibition 0:09 is telling the war in Algeria 0:11 through
the turbulent history and complex intellectuals during this period. 0:16 0:17 We chose to
tell from archival documents 0:20 which are, in essence, 0:22 unpublished and otherwise
rare 0:24 obviously coming from IMEC 0:28 but also other institutions and private collections.
0:29 These include archival material as well manuscripts as the "Barbary" by Jean Paulhan
0:33 0:35 leaflets leaflet as "OAS / SAO" OAS Anti sections 0:39 journals 0:40 as this
issue of the journal Belgian surrealist "nude lips" that 0:44 in 1956 0:46 shows the coverage
map 0:48 a France with Algerian become Name 0:51 of Algerian cities 0:53 a diary, calendar
of De Gaulle, one piece still exceptional 0:57 comes from the National Archives, which
shows the appointment very early from the August 8, 1958 1:01 1:02 Abderrahmane Fares,
future president of 1:04 provisional executive in Algiers John 1:07 Amrouche and De Gaulle,
very shortly after 1:12 the "I understand you" delivered at forum in June 1958. 1:16
posters, such as this poster watch 1:18 "Uniting for the revival and salvation French Algeria
"or that advocates union 1:22 for the renewal of Algeria French 1:24 Books like the "Djamila
Boupacha" 1:27 will be orchestrated by Gis Simone de Beauvoir and Halimi 1:31 drawings,
as shown in the drawing crossroads 1:34 between different options 1:36 FLN, NAM, De Gaulle,
Massu 1:40 And the centerpiece of exposure 1:43 the triptych Lapoujade 1:45 has never
been presented since it has been shown to 1:49 first time in Paris in 1961 1:53 ET having
1:54 on the left panel Djamila Boupacha precisely the Algerian Independence tortured 1:58 2:00
French paratroopers 2:03 Henri Alleg right which also sustained 2:05 abuse of these Parachute
2:09 ET center, a Deposition from the Cross in both colors flamboyant and cold 2:13 So
a magnificent piece. 2:14 2:17 So we took the party 2:19 to tell this story, not from
its end, which is now 2:22 well known but was ignored by the protagonists, 2:24 but
trying to put us in Bungalow with events and 2:28 stakeholders. 2:29 This involved refuse
any point view overlooking. 2:31 This meant also take advantage of the opening 2:35 ET
this opening must be threefold: 2:37 geographical, historical and political. Geographical 2:40
since it was 2:43 to consider players could be found both sides 2:46 of the Mediterranean.
2:47 At the same time, 2:49 writers 2:50 intellectuals like Jean Senac 2:52 who took advantage of
the independence Algerian and were able to produce 2:57 poems as one from a tract FLN
3:01 "Pacification = extermination" 3:02 writers like John Brown 3:04 that was on the side
of French Algeria and who also lived 3:08 in what is now called Algeria, 3:10 French
intellectuals but also well known as Sartre, Blanchot, 3:14 Mauriac, Breton ... 3:16 So
opening geographical 3:18 historic opening. Historic opening because it seemed to us a
3:22 bit narrow and simplistic approach to this war from the strict official dates 3:26
that is to say, in November 1954 3:30 ET March or July, depending, again the schools, 1962.
3:34 So we dug this time uphill 3:37 until May 1945, the massacres of Constantine who
3:41 can be considered as one of the triggers or in any case 3:44 catalysts, although the
origins can be traced back to later in the conflict 3:47 ET going until 1968 as it's
July 1968 date 3:52 the last amnesty decrees 03:54 for those implicated in As the OAS.
3:56 3:57 This is that time in 1968 including the drawing Bosc Representing 4:01 4:01 De
Gaulle pushed out by 4:03 a beautiful black foot behind. 4:06 Also open Politics 4:08
4:09 as we tried to open 4:10 the political spectrum as well as possible 4:13 taking into
consideration 4:14 as well 4:15 members of support networks FLN 4:19 ET this mimeographed
sheet clandestine "Truths for" 4:22 advocating desertion as a duty 4:25 is an example that
people who were in favor 4:29 Ag rie the French to engage in the OAS 4:31 ET this scarf shows
4:32 places of detention that were reserved 4:36 supporters of the OAS. 4:37 The exhibition
allows to portrait of two generations Algerian 4:40 those who came to politics 4:42 with
World War II, 4:45 Resistance, one can think 4:47 to Paulhan, Vercors ... 4:49 ET that
4:50 happens in politics the political consciousness with the war in Algeria. 4:54 But it can also
take 4:58 paths more tortuous. Examples include that of Frantz Fanon but 5:02 you can also
think about Aries 5:04 or Paul Rivet, 5:05 clearly defined in divergent. 5:07 Beyond
that, it allows reflect the commitment of 5:11 intellectuals and their place in society
and the city. 5:15 What are they? That it allowed them to do with the weapons that are
theirs? 5:19 writings, 5:20 Battle of writing Has they say, newspaper language. 5:24 Questions
emerge at this time, become central and not simply 5:28 anecdotal. 5:29 What are the foundations
of commitment, what should they be? 5:32 Moral? 5:33 Policies? 5:34 What to do with regard
to violence? How to deal with terrorism? 5:37 Should we kiss should he fight? 5:40 What
can these words really? What involved? 5:43 one thinks of the famous "I understand you"
De Gaulle was 5:47 hotly debated and is yet. 5:50 What finally made it appear work is also
a gap between 5:55 phenomena of overexposure 5:57 ET other occultation phenomena. 6:00
This allows to consider the construction 6:03 memory and the construction of History. 6:06
We see in particular that unlike which could be repeated 6:09 the question of torture is
quickly addressed early. Examples include 6:13 6:14 a text Bourdet 6:15 1951, and asks
6:19 "Y he a Gestapo Algerian." 6:20 On the contrary, 6:21 phenomena that will be phenomena
6:23 absolutely crucial for the population Algerian 6:26 as the regroupment camps that
affect 6:29 more than two and a half million Algerians 6:31 are hardly mentioned during
this period. 6:33 So it is both 6:35 to trace a history 6:37 to follow 6:38 the course of
these intellectuals rifts in their 6:42 ET in the complexity of their paths and at the
same time 6:45 initiate 6:46 reflection on a number of questions, which are questions
6:49 of time, but also issues 6:51 reconstruction 6:52 by history and the memory of this that
have taken place. So back to the 6:55 archive is also its dust view and discuss this story
differently. gdcK gdcK gdcK gdcK gdcK gdcK gdcK gdcK :pcK [Content_Types].xml u$Nw @8Jb
_rels/.rels theme/theme/themeManager.xml sQ}# theme/theme/theme1.xml V{oc'v G$$DA Tj%. W/W|
'$JBDY 2?k3 >EA6 ?xp| P>Ss ,\Ws {r>. 0e^' ]:o .