Tip:
Highlight text to annotate it
X
>> THE ARIZONAs SENATE SPONSORED THIS YEAR'S SENATE BILL AND THE
THIS YEAR'S SENATE BILL AND THE GILBERT REPUBLICANS QUICKLY
GILBERT REPUBLICANS QUICKLY ADDED MONEY TO THE PLAN TO BE
ADDED MONEY TO THE PLAN TO BE CLOSER IN LINE WITH THE SPENDING
CLOSER IN LINE WITH THE SPENDING REQUESTS PUT FORWARD BY GOVERNOR
REQUESTS PUT FORWARD BY GOVERNOR JAN BREWER EARLIER THIS YEAR.
JAN BREWER EARLIER THIS YEAR. THOSE INCREASES PUT FORWARD BY
THOSE INCREASES PUT FORWARD BY FEDS DID NOT SATISFY DEMOCRATS
FEDS DID NOT SATISFY DEMOCRATS WHO WANTED MORE MONEY FOR
WHO WANTED MORE MONEY FOR EDUCATION.
EDUCATION. DEMOCRATS AND REPUBLICANS IN THE
DEMOCRATS AND REPUBLICANS IN THE STATE SENATE ALSO TRIED TO ADD
STATE SENATE ALSO TRIED TO ADD FUNDING TO THE UNIVERSITY OF
FUNDING TO THE UNIVERSITY OF ARDS ARDS THOSE PROPOSALS DID
ARDS ARDS THOSE PROPOSALS DID NOT GET THE SUPPORT OF THE
NOT GET THE SUPPORT OF THE MAJORITY OF STATE SENATORS.
MAJORITY OF STATE SENATORS. SOCIAL SERVICES ESPECIALLY THE
SOCIAL SERVICES ESPECIALLY THE CHILD PROTECTIVE SERVICES BUCKET
CHILD PROTECTIVE SERVICES BUCKET WERE A LARGE TOPIC OF DEBATE IN
WERE A LARGE TOPIC OF DEBATE IN THE SENATE T. BUDGET APPROVED BY
THE SENATE T. BUDGET APPROVED BY THE SENATE EARMARKED $20 MILLION
THE SENATE EARMARKED $20 MILLION FOR THE CONVERSION OF CHILD
FOR THE CONVERSION OF CHILD PROTECTIVE SERVICES TO ITS OWN
PROTECTIVE SERVICES TO ITS OWN INDEPENDENT AGENCY.
INDEPENDENT AGENCY. THE HOUSE APPROPRIATIONS
THE HOUSE APPROPRIATIONS COMMITTEE WILL BEGIN ITS BUDGET
COMMITTEE WILL BEGIN ITS BUDGET DEBATES ON MONDAY AFTERNOON.
DEBATES ON MONDAY AFTERNOON. REPUBLICANS IN THAT CHAMBER ARE
REPUBLICANS IN THAT CHAMBER ARE EXPECTED TO PASS A PROPOSAL
EXPECTED TO PASS A PROPOSAL NEARLY IDENTICAL TO THE SENATE
NEARLY IDENTICAL TO THE SENATE PLAN.
PLAN. HOUSE DEMOCRATS RELEASED THEIR
HOUSE DEMOCRATS RELEASED THEIR OWN BUDGET PROPOSAL WITH A
OWN BUDGET PROPOSAL WITH A DEBATE IN THAT CHAMBER.
DEBATE IN THAT CHAMBER. THE COMMANDER TOLD THE VISTA
THE COMMANDER TOLD THE VISTA HERALD A PROPOSED ARMY WIDE
HERALD A PROPOSED ARMY WIDE BUDGET CUT COULD RESULT IN THE
BUDGET CUT COULD RESULT IN THE LOSS OF NEARLY 3,000 JOBS AT THE
LOSS OF NEARLY 3,000 JOBS AT THE SIERRA VISTA ARMY POST.
SIERRA VISTA ARMY POST. NEARLY HALF OF THE JOB LOSSES
NEARLY HALF OF THE JOB LOSSES WOULD BE CIVILIAN CONTRACTORS.
WOULD BE CIVILIAN CONTRACTORS. THE DEPARTMENT OF DEFENSE IS
THE DEPARTMENT OF DEFENSE IS REDUCING THE ARMY STAFF LEVELS
REDUCING THE ARMY STAFF LEVELS MILITARY WIDE AS INVOLVE:IN
MILITARY WIDE AS INVOLVE:IN AFGHANISTAN AND IRAQ WINDING
AFGHANISTAN AND IRAQ WINDING DOWN.
DOWN. THAT'S A LOOK AT TONIGHT'S
THAT'S A LOOK AT TONIGHT'S HEADLINES.
HEADLINES. >> THE OLD WAREHOUSE IN DOWNTOWN
>> THE OLD WAREHOUSE IN DOWNTOWN TUCSON IS STARTING
TUCSON IS STARTING CONVERSATIONS.
CONVERSATIONS. A SERIES OF LARM SCALE PHOTO
A SERIES OF LARM SCALE PHOTO MURALS INSTALLED OUTSIDE THE
MURALS INSTALLED OUTSIDE THE BUILDING IS AIMED AT ENGENDERING
BUILDING IS AIMED AT ENGENDERING DISCUSSIONS ABOUT THE PEOPLE,
DISCUSSIONS ABOUT THE PEOPLE, ANIMAL AND INDUSTRIES
ANIMAL AND INDUSTRIES SURROUNDING THE SANTA CLARITA
SURROUNDING THE SANTA CLARITA MOUNTAINS AND A PROPOSED COPPER
MOUNTAINS AND A PROPOSED COPPER MIN
MIN MINE.
MINE. >> THERE'S THE JOBS HE HAS
>> THERE'S THE JOBS HE HAS THERE.
THERE. THEY'RE EXCELLENT JOBS, TOO.
THEY'RE EXCELLENT JOBS, TOO. MINING ENGINEERS AND PEOPLE THAT
MINING ENGINEERS AND PEOPLE THAT DO WELDING.
DO WELDING. >> YOU CAN ALWAYS MAKE THAT
>> YOU CAN ALWAYS MAKE THAT ARGUMENT.
ARGUMENT. YOU CAN SAY WE NEED IT BUT YOU
YOU CAN SAY WE NEED IT BUT YOU HAVE TO DECIDE WHEN THE COST IS
HAVE TO DECIDE WHEN THE COST IS TOO HIGH.
TOO HIGH. >> IT'S A BEAUTIFUL PLACE TO THE
>> IT'S A BEAUTIFUL PLACE TO THE SOUL, IT SPEAKS TO THE BODY AND
SOUL, IT SPEAKS TO THE BODY AND WE ALSO NEED TO THINK ABOUT
WE ALSO NEED TO THINK ABOUT WATER.
WATER. >> I AM AN ARTIST, PHOTOGRAPHER,
>> I AM AN ARTIST, PHOTOGRAPHER, EDUCATOR AND COMMUNITY
EDUCATOR AND COMMUNITY ORGANIZERS, HERE HERE ON 16th
ORGANIZERS, HERE HERE ON 16th STREET IN FRONT OF THE SEINFELD
STREET IN FRONT OF THE SEINFELD WAREHOUSE.
WAREHOUSE. >> HE IS THE COORDINATOR OF A
>> HE IS THE COORDINATOR OF A PROJECT OF MEN ON THE LAND.
PROJECT OF MEN ON THE LAND. THE PHOTOGRAPHS WERE CORRECTED
THE PHOTOGRAPHS WERE CORRECTED FROM PROFESSIONAL PHOTOGRAPHERS,
FROM PROFESSIONAL PHOTOGRAPHERS, BIOLOGIST, COMMUNITY MEMBERS AND
BIOLOGIST, COMMUNITY MEMBERS AND THE LAND NEAR THE PROPOSED
THE LAND NEAR THE PROPOSED ROSEMONT MEAN.
ROSEMONT MEAN. >> AS A RESULT OF THE LENS ON
>> AS A RESULT OF THE LENS ON THE LAND AND EXHIBITION, WE
THE LAND AND EXHIBITION, WE DECIDED TO TAKE SOME OF THOSE
DECIDED TO TAKE SOME OF THOSE IMAGES AND SHARE THEM IN A MORE
IMAGES AND SHARE THEM IN A MORE PUBLIC WAY AND SO WE GOT
PUBLIC WAY AND SO WE GOT PERMISSION FROM THE FOLKS, THE
PERMISSION FROM THE FOLKS, THE TUCSON HISTORICAL COMMISSION AND
TUCSON HISTORICAL COMMISSION AND FROM THE FOLKS THAT RUN THE
FROM THE FOLKS THAT RUN THE SEINFELD.
SEINFELD. >> SCHECTER AND VOLUNTEERS FROM
>> SCHECTER AND VOLUNTEERS FROM THE AREA FACED THE IMAGES ON THE
THE AREA FACED THE IMAGES ON THE WALL USING A WEAK STATE PROCESS.
WALL USING A WEAK STATE PROCESS. A PROCESS HE SAYS INVOLVES
A PROCESS HE SAYS INVOLVES FLOWERS, SCISSORS AND WATER.
FLOWERS, SCISSORS AND WATER. THE ENTIRE PROCESS REQUIRES
THE ENTIRE PROCESS REQUIRES LARGE GROUPS OF PEOPLE WORKING
LARGE GROUPS OF PEOPLE WORKING TOGETHER.
TOGETHER. >> FOR ME, THIS SPEAKS TO THE
>> FOR ME, THIS SPEAKS TO THE DEMOCRATIC ASPECT OF ENGAGING
DEMOCRATIC ASPECT OF ENGAGING PEOPLE AND ISSUES THROUGH ART.
PEOPLE AND ISSUES THROUGH ART. NOT ONLY OBSERVING ART, DOING,
NOT ONLY OBSERVING ART, DOING, ACTUALLY INSTALLING THE WORK.
ACTUALLY INSTALLING THE WORK. RETASTING IS SUCH AN AFFORDABLE
RETASTING IS SUCH AN AFFORDABLE AND POWERFUL WAY TO GET THE
AND POWERFUL WAY TO GET THE COMMUNITY TO ENGAGE IN IT IN A
COMMUNITY TO ENGAGE IN IT IN A VERY INTERACTIVE WAY AND A
VERY INTERACTIVE WAY AND A PHYSICAL WAY.
PHYSICAL WAY. THE TINE AYE IMPACT.
THE TINE AYE IMPACT. IT CREATES A CONNECTION BETWEEN
IT CREATES A CONNECTION BETWEEN THE COMMUNITY AND THE ISSUE THAT
THE COMMUNITY AND THE ISSUE THAT WE'RE SPEAKING ABOUT TODAY.
WE'RE SPEAKING ABOUT TODAY. >> HE SAYS THE ISSUE HERE ALMOST
>> HE SAYS THE ISSUE HERE ALMOST NEVER, THE IMAGES IS THE
NEVER, THE IMAGES IS THE PROPOSED MINE PROJECT.
PROPOSED MINE PROJECT. MEMBERS OF THE NEIGHBORHOOD
MEMBERS OF THE NEIGHBORHOOD ASSOCIATION NEAR DOWNTOWN
ASSOCIATION NEAR DOWNTOWN RECENTLY STOPPED TO SEE THE
RECENTLY STOPPED TO SEE THE MURAL.
MURAL. >> MY NAME IS MIKE WHITE.
>> MY NAME IS MIKE WHITE. I AM THE PRESIDENT OF HABITATION
I AM THE PRESIDENT OF HABITATION REALTY HERE ACROSS THE STREET
REALTY HERE ACROSS THE STREET AND AIM ALSO THE PRESIDENT OF
AND AIM ALSO THE PRESIDENT OF IRON HORSE NEIGHBORHOOD
IRON HORSE NEIGHBORHOOD OFFICIALS.
OFFICIALS. >> HE SAYS THE ASSOCIATION
>> HE SAYS THE ASSOCIATION RECENTLY HELD ITS MEETING AT
RECENTLY HELD ITS MEETING AT FLEX GALLERYS.
FLEX GALLERYS. WHERE THE LEND OF THE LAND
WHERE THE LEND OF THE LAND EXHIBIT WAS ON DISPLAY.
EXHIBIT WAS ON DISPLAY. SHE SAYS THEY DEALT WITH IT
SHE SAYS THEY DEALT WITH IT DURING THE MONTHLY MEETING.
DURING THE MONTHLY MEETING. THEY WANT TO GET INVOLVED IN
THEY WANT TO GET INVOLVED IN CONVERSATIONS ABOUT THE EXHIBIT
CONVERSATIONS ABOUT THE EXHIBIT AND THE PROPOSED ROAD MINE
AND THE PROPOSED ROAD MINE PROJECT.
PROJECT. >> THERE WERE CONVERSATIONS.
>> THERE WERE CONVERSATIONS. I HEARD ABOUT THE NEW ROSEMONT
I HEARD ABOUT THE NEW ROSEMONT COPPER MINE.
COPPER MINE. >> YOU KNOW, TUCSON HAS BEEN A
>> YOU KNOW, TUCSON HAS BEEN A MINING TOWN FOR A LONG TIME.
MINING TOWN FOR A LONG TIME. IT SEEMS LIKE IT'S KIND OF A
IT SEEMS LIKE IT'S KIND OF A FALSE PROMISE SOMETIMES.
FALSE PROMISE SOMETIMES. PEOPLE SAY THERE'S SO MANY JOBS
PEOPLE SAY THERE'S SO MANY JOBS THAT ARE GOING TO BE AVAILABLE
THAT ARE GOING TO BE AVAILABLE BECAUSE OF THERE COPPER MINING.
BECAUSE OF THERE COPPER MINING. YOU KNOW, WE LOOK BACK AT STARCO
YOU KNOW, WE LOOK BACK AT STARCO AND CHP COPPER, A LOT OF THOSE
AND CHP COPPER, A LOT OF THOSE MINES CAN EVAPORATE.
MINES CAN EVAPORATE. I WENT TO A REAL TRADE SCHOOL
I WENT TO A REAL TRADE SCHOOL FOR WELDING AND THE MINE
FOR WELDING AND THE MINE APPLICATIONS AND THE GUYS THAT I
APPLICATIONS AND THE GUYS THAT I GRADUATED WITH, BOY, THEY DIDN'T
GRADUATED WITH, BOY, THEY DIDN'T FIND THOSE JOBS FOR COPPER BACK
FIND THOSE JOBS FOR COPPER BACK IN THE DAYS.
IN THE DAYS. >> WHITE SAYS HE'S PRO-BUSINESS
>> WHITE SAYS HE'S PRO-BUSINESS AND HE UNDERSTANDS THE ARGUMENT
AND HE UNDERSTANDS THE ARGUMENT FOR THE MINES.
FOR THE MINES. >> DRIVING A TRUST, WHICH I HAD
>> DRIVING A TRUST, WHICH I HAD AN ISSUE WITH TRANSPORTATION AS
AN ISSUE WITH TRANSPORTATION AS WELL AND INFRASTRUCTURE LEVELS
WELL AND INFRASTRUCTURE LEVELS COME IN.
COME IN. ALSO, YOU KNOW, THE PROMISE TO
ALSO, YOU KNOW, THE PROMISE TO BUILD SOME MORE CHP CAPACITY
BUILD SOME MORE CHP CAPACITY TOWARDS GREEN VALLEY FOR THE
TOWARDS GREEN VALLEY FOR THE RECHARGE.
RECHARGE. SO THERE IS A LOT OF THAT GOING
SO THERE IS A LOT OF THAT GOING AROUND.
AROUND. >> I'M ANDREW MOSER.
>> I'M ANDREW MOSER. I'M A CARTOONIST AND GRAPHIC
I'M A CARTOONIST AND GRAPHIC ARTIST.
ARTIST. I HAVE LIVED IN IRONHORSE
I HAVE LIVED IN IRONHORSE NEIGHBORHOOD ABOUT 22 YEARS AND
NEIGHBORHOOD ABOUT 22 YEARS AND I'M QUITE FAMILIAR WITH-WHOLE
I'M QUITE FAMILIAR WITH-WHOLE DOWNTOWN AREA.
DOWNTOWN AREA. >> MOSER SAYS HE AND HIS FAMILY
>> MOSER SAYS HE AND HIS FAMILY WENT THROUGH THE PROPOSED MINE
WENT THROUGH THE PROPOSED MINE FOUR YEARS AGO AND SAYS THE
FOUR YEARS AGO AND SAYS THE PHOTOGRAPHS DO A GOOD JOB OF
PHOTOGRAPHS DO A GOOD JOB OF REPRESENTING THE AREA.
REPRESENTING THE AREA. TO THOSE WHO MAY NOT HAVE
TO THOSE WHO MAY NOT HAVE EXPERIENCED IT, SHE SAYS THEY
EXPERIENCED IT, SHE SAYS THEY ARE A GOOD WAY TO GENERATE
ARE A GOOD WAY TO GENERATE CONVERSATIONS.
CONVERSATIONS. >> A LOT OF PEOPLE WHEN THEY
>> A LOT OF PEOPLE WHEN THEY HEAR, THERE IS GOING TO BE A
HEAR, THERE IS GOING TO BE A MINE STOP IN TOWN, THEY MAY BE
MINE STOP IN TOWN, THEY MAY BE THINKING IT'S AN AREA THAT
THINKING IT'S AN AREA THAT LOOKS, YOU KNOW, DESERT FLATS
LOOKS, YOU KNOW, DESERT FLATS AND CRE CREOSOTES, SCRUB LAND,
AND CRE CREOSOTES, SCRUB LAND, IT'S MUCH MORE THAN THAT, WHEN
IT'S MUCH MORE THAN THAT, WHEN YOU' AT THE PHOTOGRAPH, YOU ARE
YOU' AT THE PHOTOGRAPH, YOU ARE MUCH MORE AWARE OF WHAT IS LOST.
MUCH MORE AWARE OF WHAT IS LOST. >> I AM RETIRING AND I LIVE IN
>> I AM RETIRING AND I LIVE IN THE IRONHORSE NAKED AND I KNOW
THE IRONHORSE NAKED AND I KNOW FLUX GALLERY BECAUSE WE HAVE OUR
FLUX GALLERY BECAUSE WE HAVE OUR MONTHLY MEETINGS THERE.
MONTHLY MEETINGS THERE. >> SHE SAYS APPRECIATES THE
>> SHE SAYS APPRECIATES THE SHEER BEAUTY AND IS STRUCK AT
SHEER BEAUTY AND IS STRUCK AT THE MANY USES OF THE LAND.
THE MANY USES OF THE LAND. SHE SEEN REPRESENTATIVES BEFORE
SHE SEEN REPRESENTATIVES BEFORE IN THE GALLERY.
IN THE GALLERY. THIS IS HER FIRST TIME SEEING
THIS IS HER FIRST TIME SEEING THEM IN THE MURAL FORMAT.
THEM IN THE MURAL FORMAT. >> I THINK IT'S FABULOUS
>> I THINK IT'S FABULOUS BECAUSE, IT'S BIG, IT'S EASY TO
BECAUSE, IT'S BIG, IT'S EASY TO SEE, THE CHOICES ARE GOOD.
SEE, THE CHOICES ARE GOOD. >> WHICH ONE OF THESE ARE YOUR
>> WHICH ONE OF THESE ARE YOUR FAVORITES?
FAVORITES? >> WITH ONE RIGHT BEHIND.
>> WITH ONE RIGHT BEHIND. AND THE JAG ONE.
AND THE JAG ONE. >> SHE WENT BACK TO THE EXHIBIT
>> SHE WENT BACK TO THE EXHIBIT UP AT THE GALLERY AND NOTICED
UP AT THE GALLERY AND NOTICED MANY PEOPLE ENGAGED IN
MANY PEOPLE ENGAGED IN CONVERSATION ABOUT THE MINE AND
CONVERSATION ABOUT THE MINE AND THE LANDSCAPE.
THE LANDSCAPE. SME SHE SAYS THE FOR THE TOSSES.
SME SHE SAYS THE FOR THE TOSSES. >> I WISH THERE HAD BEEN MORE
>> I WISH THERE HAD BEEN MORE PEOPLE FOR THE MINE BECAUSE IT
PEOPLE FOR THE MINE BECAUSE IT WAS ALMOST LIKE PREACHING TO THE
WAS ALMOST LIKE PREACHING TO THE CHOIR.
CHOIR. ALMOST EVERYBODY WHO CAME
ALMOST EVERYBODY WHO CAME ALREADY KNEW, HAD THEIR MINDS
ALREADY KNEW, HAD THEIR MINDS FAIRLY WELL MADE UP.
FAIRLY WELL MADE UP. >> SHE SAYS THE TOPIC IS
>> SHE SAYS THE TOPIC IS TWICIVE, THEY HOPE THE IMAGES
TWICIVE, THEY HOPE THE IMAGES FROM THE LAND ARE ULTPLATTELY
FROM THE LAND ARE ULTPLATTELY ABLE TO GENERATE CONVERSATIONS.
ABLE TO GENERATE CONVERSATIONS. >> THIS EXHIBITION, IT ISN'TANT
>> THIS EXHIBITION, IT ISN'TANT CREATING DIVISION.
CREATING DIVISION. IT'S ABOUT CREATING DIALOGUE TO
IT'S ABOUT CREATING DIALOGUE TO GET PEOPLE TO THINK ABOUT IT OR
GET PEOPLE TO THINK ABOUT IT OR MAYBE JUST TO ENCOURAGE THEM TO
MAYBE JUST TO ENCOURAGE THEM TO THINK ABOUT IT FROM DIFFERENT
THINK ABOUT IT FROM DIFFERENT PERSPECTIVE
PERSPECTIVE PERSPECTIVES.
PERSPECTIVES. >> CLIMATE HAS ALWAYS BEEN ONE
>> CLIMATE HAS ALWAYS BEEN ONE OF THE MOST MARKETABLE
OF THE MOST MARKETABLE COMMODITIES.
COMMODITIES. IT'S APPEALING TO THE IMAGERY.
IT'S APPEALING TO THE IMAGERY. OUR STATE'S ICONIC LANDSCAPES
OUR STATE'S ICONIC LANDSCAPES HAVE SERVED AS A BACKDROP FOR A
HAVE SERVED AS A BACKDROP FOR A NUMBER OF SURPRISING RELEASES.
NUMBER OF SURPRISING RELEASES. IT'S A HISTORY THAT MY GUESTS
IT'S A HISTORY THAT MY GUESTS EXPLORES FROM HER NEW BOOK IN
EXPLORES FROM HER NEW BOOK IN ARIZONA THE SCREEN LEGACY OF THE
ARIZONA THE SCREEN LEGACY OF THE GRAND CANYON STATES.
GRAND CANYON STATES. THANKS, FOR JOINING US.
THANKS, FOR JOINING US. >> HI.
>> HI. >> WHAT INSPIRED YOU TO WRITE
>> WHAT INSPIRED YOU TO WRITE THIS BOOK?
THIS BOOK? >> WELL, DEFINITELY ARIZONA AND
>> WELL, DEFINITELY ARIZONA AND ITS HISTORY AND NATURAL BEAUTY.
ITS HISTORY AND NATURAL BEAUTY. WHAT INITIALLY INSPIRED THE
WHAT INITIALLY INSPIRED THE PROJECT WAS MY RESEARCH FOR MY
PROJECT WAS MY RESEARCH FOR MY FIRST BOOK.
FIRST BOOK. I WAS WRITING A BOOK ABOUT THE
I WAS WRITING A BOOK ABOUT THE AREA'S HISTORIC RANCHES AND
AREA'S HISTORIC RANCHES AND FARMS AND I WAS ALWAYS KIND OF
FARMS AND I WAS ALWAYS KIND OF STUMBLING UPON AS THESE STORIES
STUMBLING UPON AS THESE STORIES ABOUT HOLLYWOOD STARS, STAYING
ABOUT HOLLYWOOD STARS, STAYING OVERNIGHT, SOME RANCHES AND
OVERNIGHT, SOME RANCHES AND FARMS OUT DURING SHOOTING, THE
FARMS OUT DURING SHOOTING, THE VARIOUS THINGS AS WELL AS THE
VARIOUS THINGS AS WELL AS THE PROPERTIES, THEMSELVES, IN
PROPERTIES, THEMSELVES, IN DIFFERENT FILMS AND BEING KIND
DIFFERENT FILMS AND BEING KIND OF A FILM HISTORY MOVIE BUFF,
OF A FILM HISTORY MOVIE BUFF, YOU WANTED TO KNOW MORE ABOUT
YOU WANTED TO KNOW MORE ABOUT THAT.
THAT. >> WHO IS IT FOR?
>> WHO IS IT FOR? >> I THINK IT'S FOR A GENERAL
>> I THINK IT'S FOR A GENERAL AUDIENCE.
AUDIENCE. PEOPLE INTERESTED IN MOVIE
PEOPLE INTERESTED IN MOVIE HISTORY, FILM BUFFS.
HISTORY, FILM BUFFS. EVERYBODY LIKES MOISTS.
EVERYBODY LIKES MOISTS. I THINK IT'S FOUR TOURISTS AND
I THINK IT'S FOUR TOURISTS AND TRAVELERS AS WELL.
TRAVELERS AS WELL. THERE CERTAINLY IS A WEALTH OF
THERE CERTAINLY IS A WEALTH OF THINGS TO SEE.
THINGS TO SEE. IT'S IN TUCSON, IF YOU ARE
IT'S IN TUCSON, IF YOU ARE INTERESTED IN KIND OF
INTERESTED IN KIND OF MOVIE-RELATED TOURISM.
MOVIE-RELATED TOURISM. I THINK IT'S FOR PEOPLE WHO KNOW
I THINK IT'S FOR PEOPLE WHO KNOW HISTORY IN A GENERAL SENSE AND
HISTORY IN A GENERAL SENSE AND ANYONE READING A GOOD STORY.
ANYONE READING A GOOD STORY. >> SO WHAT'S THE STORY THEN?
>> SO WHAT'S THE STORY THEN? IN ITS HEYDAY, WHAT MADE ARIZONA
IN ITS HEYDAY, WHAT MADE ARIZONA ITSELF?
ITSELF? >> IT INITIALLY ATTRACTED A LOT
>> IT INITIALLY ATTRACTED A LOT OF FILM-MAKERS TO THE STATE AND
OF FILM-MAKERS TO THE STATE AND LOOKING AT MAKING THEM MOVIES
LOOKING AT MAKING THEM MOVIES HERE WAS THE NATURAL BEAUTY AND
HERE WAS THE NATURAL BEAUTY AND SCENERY.
SCENERY. CLEAR SKIES YEAR ROUND.
CLEAR SKIES YEAR ROUND. NO THREAT OF SNOWSTORMS
NO THREAT OF SNOWSTORMS OFTENTIMES.
OFTENTIMES. AS WELL AS A VARIETY OF
AS WELL AS A VARIETY OF LANDSCAPES AND EVEN THOUGH THAT
LANDSCAPES AND EVEN THOUGH THAT WAS WHAT INITIALLY INSPIRES A
WAS WHAT INITIALLY INSPIRES A FILM-MAKER IS MAKING IT BEFORE
FILM-MAKER IS MAKING IT BEFORE ARIZONA BECAME A STATE, THAT'S
ARIZONA BECAME A STATE, THAT'S WHAT STILL IS KIND OF BRINGING
WHAT STILL IS KIND OF BRINGING PEOPLE HERE.
PEOPLE HERE. >> ARIZONAENS KNOW ABOUT TUCSON,
>> ARIZONAENS KNOW ABOUT TUCSON, WHAT ARE SOME OF THE THINGS
WHAT ARE SOME OF THE THINGS CONNECTED WITH THAT?
CONNECTED WITH THAT? >> THAT'S KIND OF FUNNY.
>> THAT'S KIND OF FUNNY. I THINK A LOT OF PEOPLE HAVE
I THINK A LOT OF PEOPLE HAVE HEARD OF ALL TUCSON STUDIOS IN
HEARD OF ALL TUCSON STUDIOS IN THIS STATE.
THIS STATE. ALTHOUGH, I THINK PEOPLE COMING
ALTHOUGH, I THINK PEOPLE COMING FROM OTHER STATES THINK OLD
FROM OTHER STATES THINK OLD TUCSON IS A HISTORIC
TUCSON IS A HISTORIC NEIGHBORHOOD AND DON'T REALIZE
NEIGHBORHOOD AND DON'T REALIZE IT WAS A MOVIE SET.
IT WAS A MOVIE SET. SO THAT'S VERY EDUCATIONAL.
SO THAT'S VERY EDUCATIONAL. A LOT OF MOVIE STUDIOS HAVE KIND
A LOT OF MOVIE STUDIOS HAVE KIND OF COME AND GONE.
OF COME AND GONE. THERE IS APACHE LAND MOVIE RANCH
THERE IS APACHE LAND MOVIE RANCH UP IN PHOENIX WHICH
UP IN PHOENIX WHICH UNFORTUNATELY BURNED DOWN,
UNFORTUNATELY BURNED DOWN, HOWEVER, TWO OF THE BUILDINGS
HOWEVER, TWO OF THE BUILDINGS WERE MOVED THROUGH THE MOUNTAIN
WERE MOVED THROUGH THE MOUNTAIN MUSEUM NOW.
MUSEUM NOW. SO IF YOU ARE INTERESTED IN
SO IF YOU ARE INTERESTED IN GOING THERE FOR A DAY AND KIND
GOING THERE FOR A DAY AND KIND OF GETTING CAUGHT UP IN THAT
OF GETTING CAUGHT UP IN THAT AREA OF MOVIE HISTORY,
AREA OF MOVIE HISTORY, DEFINITELY CHECK OUT APACHE LAND
DEFINITELY CHECK OUT APACHE LAND NAY HAVE A VARIETY OF DIFFERENT
NAY HAVE A VARIETY OF DIFFERENT BUILDINGS USED AS WELL AS AT
BUILDINGS USED AS WELL AS AT SEDONA.
SEDONA. >> WHAT DO YOU THINK ARE THE
>> WHAT DO YOU THINK ARE THE CHALLENGES AND OPPORTUNITIES FOR
CHALLENGES AND OPPORTUNITIES FOR ARIZONA AS A LOCATION?
ARIZONA AS A LOCATION? THERE ARE SO MANY CHANGES.
THERE ARE SO MANY CHANGES. >> WELL, I THINK ONE OF THE
>> WELL, I THINK ONE OF THE CHALLENGES, OBVIOUSLY, IS IT'S
CHALLENGES, OBVIOUSLY, IS IT'S SOMETHING A LOT OF PEOPLE ARE
SOMETHING A LOT OF PEOPLE ARE TALKING ABOUT AND THE LACK
TALKING ABOUT AND THE LACK THEREOF.
THEREOF. ALTHOUGH, TUCSON HAS KIND OF
ALTHOUGH, TUCSON HAS KIND OF GRAVELY GONE THERE AND IS
GRAVELY GONE THERE AND IS OFFERING ITS OWN INTENTIONS NOW.
OFFERING ITS OWN INTENTIONS NOW. FROM MY RESEARCH AND FROM WHAT
FROM MY RESEARCH AND FROM WHAT OTHER PEOPLE HAVE TOLD ME WHO
OTHER PEOPLE HAVE TOLD ME WHO ARE EXPERTS IN THE FIELD, THERE
ARE EXPERTS IN THE FIELD, THERE IS AN ARGUMENT ON BOTH SIDES, IN
IS AN ARGUMENT ON BOTH SIDES, IN TERMS OF GETTING AN INCENTIVE TO
TERMS OF GETTING AN INCENTIVE TO FILM-MAKERS.
FILM-MAKERS. I THINK THE IN, FROM MY
I THINK THE IN, FROM MY PERSPECTIVE AND FROM WHAT I KIND
PERSPECTIVE AND FROM WHAT I KIND OF GATHERED, THAT IT'S A
OF GATHERED, THAT IT'S A WONDERFUL OPPORTUNITY FOR
WONDERFUL OPPORTUNITY FOR STUDENTS AS TO WORK ON PROJECTS,
STUDENTS AS TO WORK ON PROJECTS, CERTAINLY AT THE U OF A AND AT
CERTAINLY AT THE U OF A AND AT ARIZONA STATE.
ARIZONA STATE. SO THAT I THINK IS GOING TO BE
SO THAT I THINK IS GOING TO BE THE MAIN CHALLENGE IN THE
THE MAIN CHALLENGE IN THE FUTURE.
FUTURE. >> WELL, YOU DADE LOT OF
>> WELL, YOU DADE LOT OF RESEARCH ON LOCATIONS AND THE
RESEARCH ON LOCATIONS AND THE HUNDREDS OF FILMS AND TV SHOWS
HUNDREDS OF FILMS AND TV SHOWS SHOT IN ARIZONA, WHAT'S YOUR
SHOT IN ARIZONA, WHAT'S YOUR FAVORITE FILMS?
FAVORITE FILMS? >> I HAVE A LOT OF THEM.
>> I HAVE A LOT OF THEM. I LOVE TO HEAR THE STORIES FROM
I LOVE TO HEAR THE STORIES FROM LOCALS WHO HAVE BEEN IN ZONES
LOCALS WHO HAVE BEEN IN ZONES FROM A LONG TIME AGO.
FROM A LONG TIME AGO. IT'S JUST INCREDIBLE TO MEET
IT'S JUST INCREDIBLE TO MEET PEOPLE WHO HAVE BEEN PERSONAL
PEOPLE WHO HAVE BEEN PERSONAL SECURITY FOR AVA GUARDNER WHO
SECURITY FOR AVA GUARDNER WHO HAVE HELPED JANET LEIGH WITH
HAVE HELPED JANET LEIGH WITH DIFFERENT THINGS WHILE SHE WAS
DIFFERENT THINGS WHILE SHE WAS SHOOTING A FILM HERE.
SHOOTING A FILM HERE. SO THAT MAKES IT VERY MEMORABLE.
SO THAT MAKES IT VERY MEMORABLE. IT DOESN'T MATTER HOW
IT DOESN'T MATTER HOW INTERESTING THE STORY IS, JUST
INTERESTING THE STORY IS, JUST HEARING ABOUT THE PEOPLE THAT I
HEARING ABOUT THE PEOPLE THAT I GOT A BIG KICK OUT OF.
GOT A BIG KICK OUT OF. MY PERSONAL FAVORITE STORY WAS
MY PERSONAL FAVORITE STORY WAS THE AMOUNT OF THE DRINK I GOT IT
THE AMOUNT OF THE DRINK I GOT IT TWICE.
TWICE. ONCE MUSCAL.
ONCE MUSCAL. THIS BEING ON A MOVIE SET AND
THIS BEING ON A MOVIE SET AND SEEING EVERYTHING THAT WENT ON,
SEEING EVERYTHING THAT WENT ON, IT WAS SO EXCITING.
IT WAS SO EXCITING. >> HOW SO?
>> HOW SO? >> INTERESTING.
>> INTERESTING. IT'S TRULY MAGIC WHEN THE CAMERA
IT'S TRULY MAGIC WHEN THE CAMERA STARTS TO FILM.
STARTS TO FILM. THERE IS SOMETHING ABOUT IT.
THERE IS SOMETHING ABOUT IT. EVERYBODY IS QUIET.
EVERYBODY IS QUIET. YOU ARE LISTENING TO THE
YOU ARE LISTENING TO THE DIALOGUE.
DIALOGUE. YOU ARE STANDING WITH WRITERS
YOU ARE STANDING WITH WRITERS WHO HAVE WRITTEN THAT SCENE.
WHO HAVE WRITTEN THAT SCENE. IT'S JUST AMAZING.
IT'S JUST AMAZING. THE SPECIAL EFKT EFFECTS CAN BE
THE SPECIAL EFKT EFFECTS CAN BE AMAZING, TOO, I WAS SITTING ON A
AMAZING, TOO, I WAS SITTING ON A ROCK IN THE DESERT.
ROCK IN THE DESERT. THEY WERE FILMING A SHOOTOUT
THEY WERE FILMING A SHOOTOUT SCENE ABOVE ME.
SCENE ABOVE ME. I'M HEARING EVERYTHING GO OFF.
I'M HEARING EVERYTHING GO OFF. IT FELT LIKE THEY WERE SHOOTING
IT FELT LIKE THEY WERE SHOOTING AT ME.
AT ME. I KNOW IT OBVIOUSLY ISN'T WHAT'S
I KNOW IT OBVIOUSLY ISN'T WHAT'S GOING ON.
GOING ON. BUT THAT WAS JUST PRETTY IT WAS
BUT THAT WAS JUST PRETTY IT WAS EXCITING.
EXCITING. MADE ME THANKFUL I'M DOING AN
MADE ME THANKFUL I'M DOING AN EASY JOB OF WRITING ABOUT IT.
EASY JOB OF WRITING ABOUT IT. >> LAST 30 SECOND, WHAT DO YOU
>> LAST 30 SECOND, WHAT DO YOU THINK OF THIS LEGACY OF FILMING?
THINK OF THIS LEGACY OF FILMING? >> IF WESTERN IS CERTAINLY VERY
>> IF WESTERN IS CERTAINLY VERY IMPORTANT.
IMPORTANT. BUT I THINK WHAT THE LEGACY IS,
BUT I THINK WHAT THE LEGACY IS, IS NOT ONLY THE SHEER AMOUNT OF
IS NOT ONLY THE SHEER AMOUNT OF TIME, BUT ALSO THE DIVERSITY OF
TIME, BUT ALSO THE DIVERSITY OF FILMS SHOT HERE.
FILMS SHOT HERE. THINGS YOU DON'T EVEN THINK
THINGS YOU DON'T EVEN THINK ABOUT.
ABOUT. FROM WESTERNS TO COMEDYS TO
FROM WESTERNS TO COMEDYS TO SILENT FILMS TO SCI-FI FLICKS,
SILENT FILMS TO SCI-FI FLICKS, YOU KNOW, FAVORITES LIKE CAN'T
YOU KNOW, FAVORITES LIKE CAN'T FIND ANY LOVER, MARTIN SCORCESE.
FIND ANY LOVER, MARTIN SCORCESE. I'M GLAD I GOT TO DELVE IN MORE
I'M GLAD I GOT TO DELVE IN MORE DEPTH IN THE BOOK.
DEPTH IN THE BOOK. I THINK THAT'S THE LEGACY.
I THINK THAT'S THE LEGACY. >> THANKS, SO MUCH FOR JOINING
>> THANKS, SO MUCH FOR JOINING US.
. >> WITHIN I GO ON THE NEXT NEWS
>> WITHIN I GO ON THE NEXT NEWS HOUR, THE U.S. RESPONSE TO THE
HOUR, THE U.S. RESPONSE TO THE CRISIS IN UKRAINE.
CRISIS IN UKRAINE. THAT'S THURSDAY ON THE PBS NEWS
THAT'S THURSDAY ON THE PBS NEWS HOUR.
.
>>> FOR GENERATION, PEOPLE DEALT WITH CHOLERA.
WITH CHOLERA. >> THE THING YOU NEED IS A DECON
>> THE THING YOU NEED IS A DECON TAM NATION SYSTEM.
TAM NATION SYSTEM. THEY DIDN'T HAVE ONE BEFORE AND
THEY DIDN'T HAVE ONE BEFORE AND THEY DON'T HAVE ONE NOW.
THEY DON'T HAVE ONE NOW. >> WHY AN END TO HAITES CHOLERA
>> WHY AN END TO HAITES CHOLERA SEEMS SO FAR AWAY.
. >>> ACCORDING TO FOUNDER CHRIS
>>> ACCORDING TO FOUNDER CHRIS BLACK, THE MISSION OF CHAMBER
BLACK, THE MISSION OF CHAMBER LABS IS TO BREAK DOWN THE
LABS IS TO BREAK DOWN THE BARRIERS THAT OFTEN SURROUNDS
BARRIERS THAT OFTEN SURROUNDS CLASSICAL MUSIC.
CLASSICAL MUSIC. EACH YEAR, LET'S BRING TOGETHER
EACH YEAR, LET'S BRING TOGETHER AN ENSEMBLE OF PERFORMANCE AND
AN ENSEMBLE OF PERFORMANCE AND ASK ARTISTS NOT NEW YORKALLY
ASK ARTISTS NOT NEW YORKALLY ASSOCIATED WITH CLASSICAL MUSIC,
ASSOCIATED WITH CLASSICAL MUSIC, WE WILL SEE THE RESULT OF
WE WILL SEE THE RESULT OF CHAMBER'S LABS NEXT IN THIS
CHAMBER'S LABS NEXT IN THIS STO
STO STORY.
STORY. >> THE AUDIENCE PEOPLE WE LOVE.
>> THE AUDIENCE PEOPLE WE LOVE. WE HAVE AUDIENCES THAT NORMALLY
WE HAVE AUDIENCES THAT NORMALLY GO TO CLASSICAL CONCERTS, WHO
GO TO CLASSICAL CONCERTS, WHO DON'T NORMALLY GO TO CLUBS.
DON'T NORMALLY GO TO CLUBS. THEY HAVE A LOT OF FUN.
THEY HAVE A LOT OF FUN. THEY MAY HAVE PEOPLE THAT ARE
THEY MAY HAVE PEOPLE THAT ARE OUT EVERY NIGHT SEEING LIVE
OUT EVERY NIGHT SEEING LIVE MUSIC ANYWAY.
MUSIC ANYWAY. THEY'RE GOING TO BE THERE,
THEY'RE GOING TO BE THERE, THEY'RE GOING TO BE HANGING OUT.
THEY'RE GOING TO BE HANGING OUT. NOW, BOOM, A TRIO IN FRONT OF
NOW, BOOM, A TRIO IN FRONT OF THEM.
THEM. WE HAVE A BROWN ENSEMBLE.
WE HAVE A BROWN ENSEMBLE. THEY LOVE IT, TOO.
THEY LOVE IT, TOO. THEY'RE MUSIC LOVERS.
THEY'RE MUSIC LOVERS. AND WHERE THEY MIGHT NOT GO OUT
AND WHERE THEY MIGHT NOT GO OUT TO SEE SOMETHING AT A CONCERT
TO SEE SOMETHING AT A CONCERT HALL, THEY'LL CERTAINLY LOVE IT
HALL, THEY'LL CERTAINLY LOVE IT IF THEY DROP IT DOWN IN FRONT OF
IF THEY DROP IT DOWN IN FRONT OF THE PATIENTS IN THE NEIGHBORHOOD
THE PATIENTS IN THE NEIGHBORHOOD SO TO SPEAK.
SO TO SPEAK. MY NAME IS CHRIS BLACK.
MY NAME IS CHRIS BLACK. I'M A COMPOSER AND PERFORMER
I'M A COMPOSER AND PERFORMER LIVING HERE IN TUCSON, ARIZONA
LIVING HERE IN TUCSON, ARIZONA AND I STARTED AND I'M RUNNING
AND I STARTED AND I'M RUNNING THE CHAMBER LAB CONCERT MUSIC
THE CHAMBER LAB CONCERT MUSIC SERI
SERI SERIES.
SERIES. CHAMBER LAB IS A CONCERT SERIES
CHAMBER LAB IS A CONCERT SERIES OF I GUESS WHAT WE CAN CALL ALL
OF I GUESS WHAT WE CAN CALL ALL CLASSICALS.
CLASSICALS. IT'S CONCERT MUSIC.
IT'S CONCERT MUSIC. CHAMBER MUSIC, THAT COMES FROM
CHAMBER MUSIC, THAT COMES FROM COMPOSURES LIKE MYSELF THAT
COMPOSURES LIKE MYSELF THAT AREN'T A PART OF THE CLASSICAL
AREN'T A PART OF THE CLASSICAL WORLD AND WE ARE WRITING MUSIC
WORLD AND WE ARE WRITING MUSIC FOR CLASSICAL MUSICIANS WHO ARE
FOR CLASSICAL MUSICIANS WHO ARE A PART OF THE CLASSICAL WORLD,
A PART OF THE CLASSICAL WORLD, THEY'RE REALLY GOOD.
THEY'RE REALLY GOOD. AND THEN WE'RE PUTTING THE SHOWS
AND THEN WE'RE PUTTING THE SHOWS ON IN VENUES THAT ARE NOT AT ALL
ON IN VENUES THAT ARE NOT AT ALL A PART OF THE CLACKAL WORLD,
A PART OF THE CLACKAL WORLD, SUCH AS THE REALTO OR THE
SUCH AS THE REALTO OR THE CONGRESS AND THAT SORT OF THING.
CONGRESS AND THAT SORT OF THING. WE ARE BRINGING CONCERT MUSIC
WE ARE BRINGING CONCERT MUSIC INTO PLACES MORE NORMALLY
INTO PLACES MORE NORMALLY ASSOCIATED WITH ROCK OR PUNK OR
ASSOCIATED WITH ROCK OR PUNK OR COUNTRY OR JAZZ OR KUMBAYA.
COUNTRY OR JAZZ OR KUMBAYA. I ABSOLUTELY SEEK OUT PEOPLE
I ABSOLUTELY SEEK OUT PEOPLE FROM DIFFERENT BACKGROUND,
FROM DIFFERENT BACKGROUND, ESPECIALLY WITH THE COMPOSERS,
ESPECIALLY WITH THE COMPOSERS, I'M LOOKING FOR PEOPLE THAT ARE
I'M LOOKING FOR PEOPLE THAT ARE LIKE ME FROM MAYBE A ROCK
LIKE ME FROM MAYBE A ROCK BACKGROUND OR SORT OF A DIY CLUB
BACKGROUND OR SORT OF A DIY CLUB BACKGROUND, WHERE WE NORMALLY
BACKGROUND, WHERE WE NORMALLY PLAY A CLUB OR A CONGRESS OR
PLAY A CLUB OR A CONGRESS OR SOMETHING LIKE THAT.
SOMETHING LIKE THAT. I'M LOOKING FOR THOSE PEOPLE
I'M LOOKING FOR THOSE PEOPLE THAT LOVE CONCERT MUSIC AND CAN
THAT LOVE CONCERT MUSIC AND CAN ACTUALLY PUT NOTES ON PAPER TO
ACTUALLY PUT NOTES ON PAPER TO WRITE FILMS, RATHER THAN BEING
WRITE FILMS, RATHER THAN BEING SOME SORT OF ESTABLISHED,
SOME SORT OF ESTABLISHED, BECAUSE THERE IS A HUGE BARRIER
BECAUSE THERE IS A HUGE BARRIER BETWEEN CLASSICAL ROLE AND ALL
BETWEEN CLASSICAL ROLE AND ALL THE OTHER MUSIC IN THE WORLD.
THE OTHER MUSIC IN THE WORLD. WHETHER IT'S ROCK, POP, OR
WHETHER IT'S ROCK, POP, OR ANYTHING.
ANYTHING. CLASSICAL IS JUST BEHIND THIS
CLASSICAL IS JUST BEHIND THIS WALL FOR SOME REASON.
WALL FOR SOME REASON. I DON'T THINK ANYBODY LIKES
I DON'T THINK ANYBODY LIKES THAT.
THAT. NOBODY LIKES THE WALL IS THERE.
NOBODY LIKES THE WALL IS THERE. BUT IT'S THERE.
BUT IT'S THERE. SO BY GRABBING A BUNCH OF PEOPLE
SO BY GRABBING A BUNCH OF PEOPLE FROM THIS SIDE OF THE WALL AND
FROM THIS SIDE OF THE WALL AND HOOKING THEM UP WITH THESE OTHER
HOOKING THEM UP WITH THESE OTHER PEOPLE ON THIS SIDE OF THE WALL,
PEOPLE ON THIS SIDE OF THE WALL, EVERYONE HAS A TREMENDOUS AMOUNT
EVERYONE HAS A TREMENDOUS AMOUNT OF FUN.
OF FUN. IT JUST BRINGS A LOT OF STRANGE
IT JUST BRINGS A LOT OF STRANGE MUSIC INTO THE WORLD.
MUSIC INTO THE WORLD. I GOT OUR TU BA PLAYER AND OUR
I GOT OUR TU BA PLAYER AND OUR TROMBONE PLAYER ON THE TUBA
TROMBONE PLAYER ON THE TUBA PHONE.
PHONE. I PUT THEM TOGETHER AND HAD THEM
I PUT THEM TOGETHER AND HAD THEM PLAY NOTES THAT WERE THAT CLOSE
PLAY NOTES THAT WERE THAT CLOSE TOGETHER.
TOGETHER. A GOOD DISTANCE, THEN I GOT THE
A GOOD DISTANCE, THEN I GOT THE OTHER TWO TROMBONE PLAYERS.
OTHER TWO TROMBONE PLAYERS. I HAVE BEEN PLAYING THOSE
I HAVE BEEN PLAYING THOSE TOGETHER.
TOGETHER. SO EVERYTHING IS VERY MURKY AND
SO EVERYTHING IS VERY MURKY AND I HOPED VERY THICK AND STRANGE
I HOPED VERY THICK AND STRANGE AND MORE OF A PHYSICAL
AND MORE OF A PHYSICAL IMPRESSION THAN AN ACTUAL TUNE
IMPRESSION THAN AN ACTUAL TUNE THAT YOU CAN GO HOME.
THAT YOU CAN GO HOME. AND THEN, ALSO, THE EXCITING
AND THEN, ALSO, THE EXCITING PART WAS WE HAD THIS PERCUSSION
PART WAS WE HAD THIS PERCUSSION BACK THERE.
BACK THERE. WE HAD THE BIG BASS DRUMMINGS,
WE HAD THE BIG BASS DRUMMINGS, THE PHONES AND TYMPHONY.
THE PHONES AND TYMPHONY. I WILL PUT THE DRUMS IN HERE.
I WILL PUT THE DRUMS IN HERE. RIGHT ABOUT THE MIDDLE, I HAD
RIGHT ABOUT THE MIDDLE, I HAD THE KIND OF RHYTHM PART IN THE
THE KIND OF RHYTHM PART IN THE TROMBONES, THE TU BAS WENT RRRR,
TROMBONES, THE TU BAS WENT RRRR, RRRR, THEY JUST REPEATED THAT.
RRRR, THEY JUST REPEATED THAT. AND THEN THE BASS DRUM PLAYER
AND THEN THE BASS DRUM PLAYER CUT LOOSE.
CUT LOOSE. KA KA KABOOM, BOOM.
KA KA KABOOM, BOOM. THEN THE BIG SOUNDS.
THEN THE BIG SOUNDS. THEY ALSO HAD A TYMPHONY SOLO,
THEY ALSO HAD A TYMPHONY SOLO, HE WAS CHANGING THE *** AS HE
HE WAS CHANGING THE *** AS HE WAS ROLLING WITH A FOOT PEDAL,
WAS ROLLING WITH A FOOT PEDAL, IT WOULD GO MMMAA.
IT WOULD GO MMMAA. I REALLY HAD FUN MAKING SOUNDS
I REALLY HAD FUN MAKING SOUNDS WITH THAT ONE.
WITH THAT ONE. THERE WASN'T REALLY ANYTHING
THERE WASN'T REALLY ANYTHING THAT YOU WERE GOING TO GO HOME
THAT YOU WERE GOING TO GO HOME AND GO, REMEMBER THAT?
AND GO, REMEMBER THAT? DA DA DA.
DA DA DA. THERE WAS NO REAL MELODY THAT
THERE WAS NO REAL MELODY THAT STOOD OUT.
STOOD OUT. I WANTED TO MAKE A THICK BATCH
I WANTED TO MAKE A THICK BATCH OF SOUND AND IT WORKED OUT.
OF SOUND AND IT WORKED OUT. .
. I DECIDED I WANTED TO GO FIND A
I DECIDED I WANTED TO GO FIND A NEW PLACE TO LIVER.
NEW PLACE TO LIVER. I WENT OUT ON THE ROAD MYSELF
I WENT OUT ON THE ROAD MYSELF AND TOURED.
AND TOURED. EVERY TIME I CAME THROUGH
EVERY TIME I CAME THROUGH TUCSON, I HAD AN AMAZING TIME.
TUCSON, I HAD AN AMAZING TIME. I MET INCREDIBLE PEOPLE AND THE
I MET INCREDIBLE PEOPLE AND THE REASON THAT I STAYED HERE IS
REASON THAT I STAYED HERE IS BECAUSE IT REALLY FEELS LIKE US
BECAUSE IT REALLY FEELS LIKE US AND FELT LIKE IN ABOUT 1988.
AND FELT LIKE IN ABOUT 1988. ITS LAID BACK.
ITS LAID BACK. IT'S SUPER CHEAP TO LIVE AND
IT'S SUPER CHEAP TO LIVE AND THERE IS JUST TALENT EVERYWHERE.
THERE IS JUST TALENT EVERYWHERE. THERE IS ALL KIND OF ARTISTS,
THERE IS ALL KIND OF ARTISTS, MUSICIANS, BUT PAINTERS, WRITERS
MUSICIANS, BUT PAINTERS, WRITERS AND CHEFS AND DANCERS AND WE'RE
AND CHEFS AND DANCERS AND WE'RE ALL SORT OF IN THE NEIGHBORHOOD.
ALL SORT OF IN THE NEIGHBORHOOD. EVERYTHING IS REALLY CLOSE
EVERYTHING IS REALLY CLOSE TOGETHER.
TOGETHER. PARTICULARLY DOWNTOWN.
PARTICULARLY DOWNTOWN. IT'S SUCH AN AMAZING PLACE TO BE
IT'S SUCH AN AMAZING PLACE TO BE WHERE YOU CAN PUT TOGETHER
WHERE YOU CAN PUT TOGETHER PROJECTS LIKE THIS, JUST BY
PROJECTS LIKE THIS, JUST BY WALKING UP THE STREET FOR A
WALKING UP THE STREET FOR A LITTLE BIT AND SAYING, HEY, YOU
LITTLE BIT AND SAYING, HEY, YOU WANT TO DO A THING?
WANT TO DO A THING? HOW ABOUT YOU, YOU WANT TO PAY
HOW ABOUT YOU, YOU WANT TO PAY FOR THIS?
FOR THIS? YOU WANT TO COOK FOOD?
YOU WANT TO COOK FOOD? YOU ARE A CHEF.
YOU ARE A CHEF. JUST TO GET THINGS TOGETHER,
JUST TO GET THINGS TOGETHER, IT'S JUST VERY HAZY.
IT'S JUST VERY HAZY. .
. >> CHAMBER LAB'S NEXT PROJECT
>> CHAMBER LAB'S NEXT PROJECT WILL BE THE FILM THE GENERAL AT
WILL BE THE FILM THE GENERAL AT THE TUCSON THEATER.
WUMPB BOOK I LOVE IS THE FALSE PRINCE.
PRINCE. I REALLY HAD SOMEONE RECOMMEND
I REALLY HAD SOMEONE RECOMMEND IT TO ME.
IT TO ME. AND THERE ARE SO MANY PLOT
AND THERE ARE SO MANY PLOT TWISTS AND TURNS THAT MAKE YOU
TWISTS AND TURNS THAT MAKE YOU FEEL SO INTERESTED IN WHAT'S
FEEL SO INTERESTED IN WHAT'S HAPPENING AND I THOUGHT I KNEW
HAPPENING AND I THOUGHT I KNEW HOW THE END WOULD HAPPEN.
HOW THE END WOULD HAPPEN. THERE WAS SUCH A SURPRISE ENDING
THERE WAS SUCH A SURPRISE ENDING THAT I ALMOST CRIED BECAUSE IT
THAT I ALMOST CRIED BECAUSE IT WAS SO GOOD, LIKE A HAPPY ENDING
WAS SO GOOD, LIKE A HAPPY ENDING BUT SUCH A GOOD ENDING.
BUT SUCH A GOOD ENDING. IT WAS FANTASTIC.
IT WAS FANTASTIC. >> I WOULD RECOMMEND THIS BOOK
>> I WOULD RECOMMEND THIS BOOK FOR ANYBODY THAT WANTS TO READ.
FOR ANYBODY THAT WANTS TO READ. THE THIRD ONE KOIM CAME OUT.
THE THIRD ONE KOIM CAME OUT. I'M IN THE MIDDLE OF LOOKING AT
I'M IN THE MIDDLE OF LOOKING AT THAT.
THAT. >> I LIVE IN THE UNITED STATES.
>> I LIVE IN THE UNITED STATES. I HAVE THREE DAUGHTER, ALL OF US
I HAVE THREE DAUGHTER, ALL OF US ARE LEADERS.
ARE LEADERS. WE LOVE WAITING.
WE LOVE WAITING. MY ALL TIME FAVORITE IS THE POET
MY ALL TIME FAVORITE IS THE POET OF ONE.
OF ONE. IT'S FASCINATING.
IT'S FASCINATING. THERE IS A LOT OF RACISM,
THERE IS A LOT OF RACISM, APARTHEID IS GOING ON AND WHAT I
APARTHEID IS GOING ON AND WHAT I LIKE ABOUT THE BOOK IS THAT ON
LIKE ABOUT THE BOOK IS THAT ON THE ONE HAND IT SHOWS YOU ALL
THE ONE HAND IT SHOWS YOU ALL THE RACISM THAT WAS GOING ON AT
THE RACISM THAT WAS GOING ON AT THE TIME, BUT IT TELLS YOU HOW
THE TIME, BUT IT TELLS YOU HOW YOU CAN OVERCOME, IF YOU CHANGE
YOU CAN OVERCOME, IF YOU CHANGE YOUR ATTITUDE AND YOU THINK
YOUR ATTITUDE AND YOU THINK OUTSIDE THE MAIN STREAM APPROACH
OUTSIDE THE MAIN STREAM APPROACH AND DEFINE FRIENDSHIP ACROSS ALL
AND DEFINE FRIENDSHIP ACROSS ALL DIFFERENT GROUPS AND THAT'S VERY
DIFFERENT GROUPS AND THAT'S VERY MOTIVATING.
MOTIVATING. >> I AM FROM NASHVILLE,
>> I AM FROM NASHVILLE, TENNESSEE.
TENNESSEE. MY FAVORITE BOOK 100 YEARS OF
MY FAVORITE BOOK 100 YEARS OF SOLITUDE, IT'S A SAD BOOK.
SOLITUDE, IT'S A SAD BOOK. IT'S BEAUTIFUL.
IT'S BEAUTIFUL. THE ENTIRE BOOK IS LIKE READING
THE ENTIRE BOOK IS LIKE READING A DREAM.
A DREAM. >> HI, I'M CHRISTIAN GREENE.
>> HI, I'M CHRISTIAN GREENE. I LOVE TO READ.
I LOVE TO READ. A BOOK I LOVE IS CALLED "A DOG'S
A BOOK I LOVE IS CALLED "A DOG'S JOURNEY," BECAUSE IT LETS THE
JOURNEY," BECAUSE IT LETS THE READER SEE WHAT A DOG IS GOING
READER SEE WHAT A DOG IS GOING THROUGH, WHAT A DOG IS THINKING
THROUGH, WHAT A DOG IS THINKING OF EVERYTHING THAT HUMANS DO AND
OF EVERYTHING THAT HUMANS DO AND MONEY IS A PART.
MONEY IS A PART. IT'S AN EMOTIONAL ROLLER
IT'S AN EMOTIONAL ROLLER COASTER.
COASTER. ONE OF MY BOOKS IS CALLED
ONE OF MY BOOKS IS CALLED "IGNORANCE."
"IGNORANCE." .
. IT TALKS ABOUT HOW IGNORANT IT
IT TALKS ABOUT HOW IGNORANT IT WAS FOR SCIENTISTS TO GO TO THE
WAS FOR SCIENTISTS TO GO TO THE LAB TO FIND OUT INFORMATION.
LAB TO FIND OUT INFORMATION. >> WHAT I LEARN FROM THE BOOK
>> WHAT I LEARN FROM THE BOOK "IGNORANCE" IS THAT WE DON'T
"IGNORANCE" IS THAT WE DON'T NECESSARILY HAVE TO KNOW
NECESSARILY HAVE TO KNOW SOMETHING BEFORE WE GO INTO IT
SOMETHING BEFORE WE GO INTO IT AS LONG AS WE HAVE THE PASSION
AS LONG AS WE HAVE THE PASSION OR DESIRE WE CAN GO AROUND IN
OR DESIRE WE CAN GO AROUND IN THE PROCESS.
THE PROCESS. >> HI, I ACTUALLY WORK HERE ON
>> HI, I ACTUALLY WORK HERE ON CAMPUS IN THE WRITINGS PROGRAM
CAMPUS IN THE WRITINGS PROGRAM AND I'VE GOT A COUPLE BOOKS OUT.
AND I'VE GOT A COUPLE BOOKS OUT. MARIACCI *** AND PIE TWIST.
MARIACCI *** AND PIE TWIST. A BOOK I LOVE, REALLY LOVE IS
A BOOK I LOVE, REALLY LOVE IS JUSTINE BY LAWRENCE DERNEL, IT
JUSTINE BY LAWRENCE DERNEL, IT CAME OUT IN THE '50s, IT WAS A
CAME OUT IN THE '50s, IT WAS A PART OF THE ALEXANDRIA QUARTET.
PART OF THE ALEXANDRIA QUARTET. WE HAVE A NAR RATE TORE DARWOOD,
WE HAVE A NAR RATE TORE DARWOOD, HE IS IN LOVE WITH JUSTINE, HE
HE IS IN LOVE WITH JUSTINE, HE CAN'T HAVE HER.
CAN'T HAVE HER. HE'S NOT SEXY ENOUGH.
HE'S NOT SEXY ENOUGH. HE WRITES ABOUT HER, PINES AFTER
HE WRITES ABOUT HER, PINES AFTER HER.
HER. THEN WHEN YOU GET TO THE SECOND
THEN WHEN YOU GET TO THE SECOND BOOK, YOU FIND OUT THAT
BOOK, YOU FIND OUT THAT EVERYTHING DARWIN THOUGHT HE
EVERYTHING DARWIN THOUGHT HE KNEW WAS WRONG.
KNEW WAS WRONG. HE WAS COMPLETELY WRONG.
HE WAS COMPLETELY WRONG. HE HADN'T UNDERSTOOD ANYTHING
HE HADN'T UNDERSTOOD ANYTHING AND NEITHER HAD I THE FIRST TIME
AND NEITHER HAD I THE FIRST TIME I READ THE BOOK.
I READ THE BOOK. >> I'M IN THE TUCSON
>> I'M IN THE TUCSON METROPOLITAN AREA.
METROPOLITAN AREA. I HAVE BEEN READING SINCE I WAS
I HAVE BEEN READING SINCE I WAS NINE OR TEN-YEARS-OLD.
NINE OR TEN-YEARS-OLD. I ABSOLUTELY LOVE READING I READ
I ABSOLUTELY LOVE READING I READ ON AVERAGE 50 TO 100 BOOKS ONE I
ON AVERAGE 50 TO 100 BOOKS ONE I READ WAS "LES MISERABLES" FROM
READ WAS "LES MISERABLES" FROM VICTOR HUGO.
VICTOR HUGO. IT HAS EVERYTHING FROM LOVE AND
IT HAS EVERYTHING FROM LOVE AND I FIND IT SOMETHING THAT I AM
I FIND IT SOMETHING THAT I AM DRAWN TO AND KEEP READING TIME
DRAWN TO AND KEEP READING TIME AND TIME AGAIN.
AND TIME AGAIN. I WILL PROBABLY END UP READING
I WILL PROBABLY END UP READING IT ONE MORE TIME.
IT ONE MORE TIME. EVEN THOUGH THE BOOK WAS WRITTEN
EVEN THOUGH THE BOOK WAS WRITTEN IN 1880 BY VICTOR HUGO, IT'S
IN 1880 BY VICTOR HUGO, IT'S TIMELESS.
TIMELESS. THE SCENES IN THAT BOOK NEVER GO
THE SCENES IN THAT BOOK NEVER GO OUT OF STYLE AND SUCH A
OUT OF STYLE AND SUCH A REDEMPTIVE POWER AND THERE IS
REDEMPTIVE POWER AND THERE IS JUST SOMETHING I CAN IDENTIFY
JUST SOMETHING I CAN IDENTIFY WITH THAT CHARACTER AND I SEE A
WITH THAT CHARACTER AND I SEE A DIFFERENT PART OF MYSELF WHEN I
DIFFERENT PART OF MYSELF WHEN I READ THAT BOOK AND THE AMENITIES
READ THAT BOOK AND THE AMENITIES AND WHAT IT'S LIKE TO BE A
AND WHAT IT'S LIKE TO BE A MEMBER AND IT'S JUST A WONDERFUL
MEMBER AND IT'S JUST A WONDERFUL BOOK THAT I RECOMMEND HIGHLY FOR
BOOK THAT I RECOMMEND HIGHLY FOR ANYONE WHO WANTS TO READ AN OLD
ANYONE WHO WANTS TO READ AN OLD CLASSIC.
CLASSIC. >> YOU CAN HEAR MORE "BOOKS I
>> YOU CAN HEAR MORE "BOOKS I LOVE" TOMORROW WHEN ARIZONA
LOVE" TOMORROW WHEN ARIZONA SPOTLIGHT AIRS AT 8:30