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We gaan die sunbounce ongeveer hier gaan gebruiken, misschien nog iets hoger
De flits staat volledig manueel zodanig dat je zelf altijd de volledige controle
zelf hebt
Hoe belachelijk het ook is, voordoen is vaak de beste manier
de schouders van de muur die naar omhoog gaat, zorgt dat het licht van vanonder komt, dat
is nooit mooi
De zon zit nu heel slecht he mensen, normaal werkt 't wel
Dat geeft echt zo'n glamouruze glow
De glamoureuze glow, het nieuwe boek van Suske en Wiske
Ok, so for this shot guys, i'm gonna do something risky.
I can do something traditional, have her stand up like this, the straight stiff, but i want
to get something real life, real action
So for this shot, i need to get some more sun bouncing here but i think i gonna get
her lit from sideways here.
I wanna get her looking back as if she's like laughing like she's hahahaha
like that
point your nose right at me a little more there you go
that's good, i like that
go ahead and.. there you go, that's great
perfect i like that
and the distance away from the subject it will tell you how your depth of field is
so i'm shooting any time at 1.2 and i'm 10 feet away, the distance will be about 2 inches.
So that makes it in front of her nose till the back of her eyes will be in focus
so if i know that already, than i know if i need a different distance ...
i would know if i need from here, to here, this distance, 6 inches that i need to go
to 1.8 or 2.0, i need to backup. If i backup, the depth of field widens. If i'm shooting
at 20 feet my depth of field is more like 6 or 7 inches. Just knowing that... I mean,
we need to know our gear. If we are to be experts, experts just do it.
You only have so long to shoot, if i only have 20 or 30 minutes to shoot the bride alone,
I only get as much as i can. I don't want to waste time guessing or if i spend half
of my time in the back of my camera and like "did i get it right?"
Then i'm goint go waste that time that i could be shooting
This is what i'll do at a reception, if it's super low light at a reception
i'll focus in at a candle on the table and i say, that's about 3 feet away. And everywhere
i go, i know, 3 feet. 3 feet
I don't even have to look through my lens. I'm shooting at 24mm
I can go over here and i know exactly...
i have 2 different shots, the sunbounce and without
This first shot is a full body shot, look after the left
Look up to the left There you go
Laugh like you know something i don't know
if you want to go her back, i'm just going to say it differently in America than you
do here. If i'm in America i say like "if you could
move back like 17 and a half millimeters,.. it always makes you laugh. Always.
Or here i could say could you move back like 3 or 4 inches, that would be cool and they
laugh And as soon as they say that, than you shoot