Tip:
Highlight text to annotate it
X
>> PREVIOUSLY ON
PROJECT RUNWAY: ALL STARS...
I WOULD LIKE TO INTRODUCE
SOMEONE YOU'RE GOING TO
RECOGNIZE, NINA GARCIA.
>> YAY!
>> AHH!
>> YOU'RE EACH GONNA TEAM UP
WITH ONE BLOGGER TO IDENTIFY
A FASHION TREND.
>> TELL ME ABOUT YOUR TREND FOR
2014.
>> COLOR BLOCKING WITHIN SEAMS.
>> IT'S LACE AND MILITARY.
>> I ABSOLUTELY LOVE A WHITE
SUIT.
>> TEXTURE AND COLOR.
>> GOOD GIRL GONE BAD.
♪ ♪
>> THIS IS THE STAR.
IT'S THE BEST.
AND YOU NAILED IT.
>> I LOVE IT.
>> YOU ARE THE CLEAR WINNER.
>> THANK YOU SO MUCH.
>> I DO UNDERSTAND WHAT YOU'RE
GOING FOR.
I JUST THINK IT MISSED THE MARK.
>> THE MOTORCYCLE JACKET IS
HAVING A MOMENT RIGHT NOW, BUT
THIS IS A CHALLENGE ABOUT
TRENDS.
>> IT'S A FUNNY COLOR.
>> IT'S LIKE SEAWEED THAT HAS
COME OUT OF THE SWAMP.
>> THANK YOU.
>> THAT'S NOT A COMPLIMENT.
>> THE DESIGNER GOING HOME
TONIGHT IS VIKTOR.
11 OF THE BEST DESIGNERS
FROM PROJECT RUNWAY ARE BACK.
AND THIS TIME THE COMPETITION
IS TOUGHER THAN EVER.
EACH WEEK, THEIR SKILLS ARE
TESTED AS THEY COMPETE FOR THE
BIGGEST PRIZE IN RUNWAY HISTORY.
WHO WILL BE CUT, AND WHO WILL
HAVE IT ALL SEWN UP?
THIS IS PROJECT RUNWAY:
ALL STARS.
♪ ♪
HELLO, DESIGNERS.
>> all: HI.
>> ALL FOUR OF YOU ARE GETTING
CLOSER TO THE BIGGEST PRIZE IN
PROJECT RUNWAY HISTORY.
HOW DOES THAT FEEL?
>> INSANE.
IT'S SEEMS UNREAL THAT I'M
EVEN HERE RIGHT NOW.
I'M IN TOP FOUR.
I'M THIS CLOSE FROM THE BIGGEST
PRIZE OF ALL STARS.
I HOPE I WIN THIS CHALLENGE.
I HOPE I WIN THE ENTIRE
COMPETITION.
>> TELL ME, HOW MANY CHALLENGES
HAVE YOU ALL WON NOW?
>> I'VE WON ONE.
>> YEAH, ME TOO.
>> I WON TWO.
>> SETH AARON?
NONE?
ZERO?
IT'LL ALL CHANGE THIS WEEK,
RIGHT?
>> YEAH.
>> IF YOU'RE GOING TO SUCCEED IN
FASHION, YOU HAVE TO KNOW ALL
ASPECTS OF THE INDUSTRY.
LAST WEEK, YOU CAME FACE TO FACE
WITH REAL CUSTOMERS.
NOW IT'S TIME TO DELVE INTO
THE TRUE BUSINESS OF FASHION,
READY-TO-WEAR.
>> AHH!
>> READY-TO-WEAR, IT'S BASICALLY
SOMETHING THAT'S VERY WEARABLE
BY ANYONE.
>> IT'S READY-TO-WEAR.
THIS IS WHAT I DO.
I'M READY.
I'M SO READY.
>> PROJECT RUNWAY: ALL STARS
HAS ALWAYS SUPPORTED
THE NEW YORK GARMENT DISTRICT BY
CELEBRATING DESIGNERS WHO
PRODUCE RIGHT HERE IN THE CITY.
THIS WEEK'S CLIENT IS ONE OF THE
ONLY NEW YORK-BASED FASHION
HOUSES TO DO ALMOST EVERYTHING
FROM DESIGN TO PRODUCTION HERE
IN THE GARMENT DISTRICT.
>> WOW.
>> SHE'S KNOWN FOR HER
FASHION-FORWARD AND FEMININE
DESIGNS.
SHE'S DESIGNER MICHELLE SMITH,
AND HER FASHION LABEL IS, OF
COURSE, MILLY.
>> OH, MY GOD!
>> OH, MY GOD.
>> AHH!
I LOVE MILLY.
THEY USE A LOT OF NEON COLORS
JUST LIKE ME.
>> YOU'RE GOING TO CREATE A
DESIGN FOR MILLY'S CLIENTELE
USING MICHELLE SMITH'S CUSTOM
FABRICS.
>> OOH.
>> ALL FOR SUGGESTED RETAIL
PRICE OF $400.
>> DONE.
>> THE WINNING DESIGN WILL BE
MANUFACTURED AND SOLD AT MILLY.
>> AWESOME.
>> THIS IS GOING TO BE SOLD
WITHIN THE MILLY COLLECTION.
I DON'T--I AM JUST BLOWN AWAY.
>> THE PROFITS GO TO THE
CHARITY SAVE THE GARMENT
CENTER.
>> OH, THAT'S SO SWEET.
>> YOU HAVE TWO DAYS FOR THIS
CHALLENGE.
>> THANK YOU, JESUS.
>> MICHELLE IS WAITING FOR YOU
AT THE STUDIO TO TELL YOU MORE
ABOUT THE CHALLENGE.
BYE.
>> BYE.
>> WE LEAVE PARSONS AND, I MEAN,
WE'RE IN THE HEART OF THE
GARMENT DISTRICT.
IT'S AMAZING, ALL THE HISTORY.
YOU SEE ALL THESE DESIGNERS,
THE SPIRITS THAT HAVE COME
BEFORE YOU.
IT'S LIKE YOU'RE GETTING THIS
FRESH AIR AND YOU'RE ABOUT TO
START A NEW JOURNEY,
READY-TO-WEAR.
♪ ♪
>> OH, HEY.
>> HI!
>> I'M SETH AARON.
>> NICE TO MEET YOU, SETH.
MICHELLE.
>> KORTO.
>> CHRISTOPHER.
>> ELENA.
>> HI, ELENA.
SO MY FIRST JOB WAS A JOB ON
SEVENTH AVENUE WORKING FOR A
COAT COMPANY, BUT IT REALLY
TAUGHT ME SO MUCH ABOUT THE
BUSINESS SIDE OF FASHION,
THAT IT'S NOT JUST ABOUT MAKING
BEAUTIFUL CLOTHES.
YOU HAVE TO MAKE BEAUTIFUL
CLOTHES THAT ARE GOING TO SELL
AND THAT WORK INTO A PARTICULAR
PRICE STRUCTURE.
I'VE BEEN THINKING ABOUT SORT OF
AN URBAN TRIBAL LOOK FOR THIS
COLLECTION.
I'D LIKE THE DESIGN YOU MAKE TO
TRULY BE YOURS, BUT I WOULD LIKE
FOR YOU TO STAY WITHIN THAT
MILLY AESTHETIC WHICH IS
FEMININE WITH AN EDGE.
>> DEFINITELY.
>> THE PRICE HAS TO RETAIL FOR
$400.
IT HAS TO BE APPROVED BY OUR
PRESIDENT AND CEO,
ANDREW OSHRIN.
HE'LL LOOK AT THE FABRICS YOU'VE
CHOSEN, YOUR SKETCH.
HE'LL SEE HOW WORKS INTO THE
COST STRUCTURE.
>> IF IT DOESN'T?
>> IF IT DOESN'T, RE-SKETCH.
>> SO ALTHOUGH WE'RE DESIGNING A
GARMENT FOR MILLY'S COLLECTION,
THERE ARE DEFINITELY SOME
PARAMETERS, 'CAUSE IF IT'S OVER
400, EHH, YOU'RE DONE.
>> BUT NOW IS THE FUN PART.
YOU GET TO CHOOSE FROM FABRICS
FROM MY COLLECTION.
[all cheering]
>> YAY!
SO HAVE FUN, AND I LOOK FORWARD
TO SEEING YOUR DESIGNS.
THANK YOU.
>> OH, COOL.
>> WE'RE LITERALLY IN MICHELLE'S
PRODUCTION ROOM.
PEOPLE ARE SEWING AND CUTTING.
>> IT'S THE REAL
BEHIND-THE-SCENES.
IT IS INCREDIBLE.
>> I LOVE THIS.
THE THEME FOR MICHELLE'S
COLLECTION IS URBAN TRIBAL.
TRIBAL IS ONE OF THOSE THINGS
THAT DOESN'T GO OUT OF STYLE FOR
ME.
I'M AFRICAN.
I'M FROM A TRIBE.
I DON'T KNOW, IT JUST STICKS.
SO THERE'S THIS ONE PRINT THAT
CATCHES MY EYE.
IT'S VERY COLORFUL.
I THINK I'M GONNA GO FOR IT.
>> LOOK AT THIS ONE, CHIFFON-Y.
>> I TOOK A PIECE.
SO THE THREE FABRICS THAT I
CHOSE, A WHITE COTTON SATEEN,
A PRINTED CHIFFON, AND A VEGAN
STRETCHED LEATHER.
I'VE NEVER USED STRETCHED
LEATHER.
I'M ALWAYS TRYING TO USE
DIFFERENT FABRICS.
I'M COMING OUT OF MY COMFORT
ZONE.
>> OH, LOOK, LOOK.
I GRAB THIS REALLY COOL
STOP SIGN-ISH FABRIC.
I MEAN, THIS IS A GORGEOUS,
DIMENSIONAL TEXTILE, SO I'M
GETTING REALLY EXCITED.
>> IT'S LIKE WE'RE SHOPPING AT
ELENA'S.
>> ELENA'S FABRIC STORE.
>> [imitating Elena]
HELLO, I'M ELENA.
>> I GRAB WHITE LEATHER AND THIS
MESH FABRIC, AND I ALSO GRAB
SOME NEON.
CANNOT GO WITHOUT MY NEON.
THAT'S MY FAVORITE, FAVORITE
COLOR EVER.
OH, MY GOD, I'M OBSESSED
WITH EVERYTHING.
MILLY'S STUDIO IS AMAZING.
THIS IS LIKE MY FUTURE BRAND.
THIS IS WHAT I WANT FOR MYSELF.
>> I THINK WHEN I'M DONE,
I'M GONNA APPLY FOR A JOB HERE
'CAUSE THIS IS RIGHT UP MY
ALLEY.
>> I KNOW, RIGHT?
>> I'M GOING TO MAKE A NICE
LITTLE DRESS.
IT'S GONNA HAVE A FULL SKIRT.
IT'S GONNA BE HIGHER, SO IT'S
YOUNG, FLIRTY, SPRING.
I THINK EVERYTHING THAT EMBRACES
THIS BRAND.
>> I START--I'M GOING TO DO
A, LIKE, A RACERBACK ***
DRESS, BUT THE RACERBACK PART
WOULD ACTUALLY TURN INTO A BELT.
REALLY KIND OF DIFFERENT AND
STILL FEMININE AND EDGY.
>> I HAVE A REALLY GOOD SKETCH.
IT HAS THIS ASYMMETRICAL PIECE,
AND IT HAS A TRIBAL PRINT
CHIFFON SKIRT OVER A LEATHER
DRESS.
AND I FEEL LIKE IT FITS RIGHT
INTO HER COLLECTION.
>> MY PLAN OF ATTACK IS TO
CREATE SOMETHING REALLY COOL AND
STRUCTURED.
I'M GONNA USE THE NEON AS THE
LINING.
AND FOR THE SHELL, I'M GONNA USE
THE WHITE AND THE LEATHER.
WIN OR LOSE, I'M GONNA DO IT
BEING ELENA.
>> HI, HOW ARE YOU?
>> PART OF THE CRITERIA IS WE
NEED TO GET OUR SKETCHES
APPROVED ON BUDGET BY ANDREW,
THE PRESIDENT OF MILLY.
>> OKAY, LET'S SEE WHAT YOU HAVE
RIGHT HERE.
>> UM, THAT'S KIND OF THE IDEA.
I THOUGHT THESE WERE REALLY
GREAT AS FAR AS TEXTURE.
I LOVE THIS BOLD ZIPPER.
>> OKAY.
I'M CONCERNED ABOUT THE ZIPPER
'CAUSE THAT'S TOO EXPENSIVE IN
MATERIAL TO EXECUTE UNDER
THE $400 PRICE POINT.
BUT I-I WOULD LIKE TO MAKE THIS
STYLE IF YOU'RE ABLE TO EDIT
THAT ZIPPER A BIT.
>> I WILL EDIT THE ZIPPER TO DO
THIS STYLE FOR YOU.
>> OKAY.
I APPROVE THE DESIGN.
>> I WAS THINKING OF USING SOME
KIND OF A STRUCTURED FABRIC.
IS THE LEATHER EXPENSIVE?
EVEN IF I DO IT ON SMALL
PORTIONS--
>> I THINK IF YOU USE SMALL
PORTIONS, WE CAN MANUFACTURE THE
STYLE.
>> IT WOULD JUST BE A TIGHT
DRESS IDEALLY WITH THIS DRAPE
OVER IT.
>> I THINK THAT THIS WILL FIT
WITHIN OUR PRICE PARAMETER.
IT'S APPROVED.
>> YAY.
>> I'M THINKING OF A *** DRESS
USING THIS PRINT.
>> FROM A MATERIAL PERSPECTIVE,
YOU'VE PICKED SOME VERY
EXPENSIVE MATERIALS.
THE *** LENGTH DRESS WITH THE
MATERIALS THAT YOU'VE CHOSEN
WILL NEVER MAKE IT UNDER A $400
DRESS.
>> HOW MUCH IS THIS CHIFFON?
LIKE, SERIOUSLY?
I HAVE CHAMPAGNE TASTE AND
LEMONADE POCKETS.
WHAT IF I SHORTENED IT?
I'M ONLY NEEDING ABOUT HALF A
YARD, MAYBE A YARD OF THIS.
>> IF THE DRESS WERE SHORTER,
IT COULD WORK.
SO WITH THE CORRECTIONS, I
APPROVE THE DESIGN, AND I WISH
YOU LUCK.
>> THANK YOU SO MUCH.
>> HOME SWEET HOME.
>> OH, MY GOD.
ONLY FOUR DESKS LEFT.
IF YOU WOULD'VE TOLD ME EIGHT
WEEKS AGO THAT I WOULD BE IN
THE FINAL FOUR, I WOULD'VE NEVER
BELIEVED YOU.
WE MADE IT THIS FAR, SO IT'S
LIKE, I DON'T--I'M, LIKE,
FREAKING OUT A LITTLE.
>> OH, I LIKE THESE ALDOS.
>> REALLY PRETTY.
>> QVC WALL CHANGES DAILY.
SO BEFORE IT WAS ALL GRABBED UP,
I WANTED TO MAKE SURE I GOT MY
LITTLE PIECE OF CAKE.
>> QVC, CAN I STEAL THESE?
>> THAT CHIFFON, SERIOUSLY,
I HAVE TWO YARDS.
>> IT'S PRICE.
>> AND I'M BARELY USING ANY OF
THIS SKIN, AND I'M RIGHT AT
BUDGET.
I HAVE LESS THAN 2 YARDS OF
FABRIC TO MAKE A FABULOUS DRESS.
IT'S A LITTLE NERVE-RACKING.
ONCE YOU CUT IT, THAT'S IT.
THERE'S NO GOING BACK.
HERE GOES.
I JUST MARRIED MY FABRIC, Y'ALL.
♪ ♪
>> WHAT ARE YOU GOING FOR?
>> IT'S A DRESS, BUT I WANT IT
TO BE VERY SPORTY.
>> YOU KNOW, STARK WHITE WASN'T
IN MILLY'S COLLECTION.
THERE WERE SO MANY PRINTS, AND
THERE WERE SO MANY PATTERNS, AND
THERE WERE SO MANY COLORS.
AND SHE STUCK TO WHITE.
I HOPE SHE DIDN'T SCREW HERSELF
THERE.
♪ ♪
>> WHAT I WANT TO DO FOR MILLY'S
LINE IS A CLASSIC CUT COCKTAIL
DRESS.
IT'S GONNA BE BLACK AND WHITE
SEAMED CHEVRON, SO IT'S NOT
GONNA BE A PRINT.
IT TOOK IT TO LUXURY VERSUS JUST
A PRINTED BODICE.
♪ ♪
>> THE CHIFFON, IT'S REALLY
TRICKY BECAUSE THERE ARE
DIFFERENT SHAPES AND LINES.
IF IT'S EVEN AN INCH OFF, IT
THROWS YOUR EYE OFF.
SO I DON'T WANT TO BREAK UP THE
CHIFFON, SO I'M GONNA MAKE, YOU
KNOW, SEPARATES.
THERE'S GONNA BE A TOP WITH
A BACK ZIPPER, AND A BOTTOM WITH
A SIDE ZIPPER.
IT'S GONNA LOOK LIKE ONE DRESS,
BUT IT'LL BE TWO.
♪ ♪
>> [gasps]
OH, MY GOD.
LOOK WHAT I DID.
>> YOU RIPPED IT?
>> [groans]
HERE I AM, I THINK I'M IN
A GREAT PLACE, AND THIS LEATHER
RIPS.
OH, MY GOD.
WHEN LEATHER RIPS, YOU CANNOT
REPAIR IT.
OH, MY GOD.
[bleep]!
THERE'S NOTHING YOU CAN DO.
[screams]
>> COMING UP O
>> [screams]
HERE I AM, I THINK I'M IN
A GREAT PLACE, AND THIS LEATHER
RIPS.
[screams]
>> I DON'T--I DON'T EVEN KNOW
HOW YOU DID THAT.
>> I WAS PUTTING THE SLEEVE ON.
I'M NOT DOING [bleep] AT ALL, SO
I'M JUST GONNA SIT HERE.
I CAN'T DO THIS ANYMORE.
I'M A LITTLE BIT WORRIED.
[moaning]
I'M GONNA SLEEP ON IT
TONIGHT AND SEE WHAT I CAN DO
TOMORROW TO CHANGE IT.
ALL RIGHT, GUYS, IT'S TIME TO
GO.
♪ ♪
>> OH.
>> UGH, NOBODY FINISHED IT.
>> [laughs]
THIS WEEK WE HAVE
A TWO-DAY BUSINESS CHALLENGE.
WE HAVE TO MAKE A READY-TO-WEAR
GARMENT FOR MILLY UNDER $400
RETAIL.
>> THIS IS LIKE THE CHALLENGE.
YOU SCREW THIS UP, ITS A WRAP.
LIKE, THERE'S NO MORE SAFE.
THERE'S NO MORE, "IF I GET
ANOTHER WEEK."
NEXT WEEK IS THE FINALE.
THAT'S IT.
>> I'M GONNA MAKE ANOTHER ONE.
>> MAKE ANOTHER WHAT?
>> DRESS.
>> WHY?
>> TO SEE HOW IT LOOKS ON MY
MODEL.
THANK GOD I HAVE SOME EXTRA
WHITE LEATHER.
SO I CAN ACTUALLY REPAIR THE
FRONT PORTION OF THE DRESS.
>> WAIT, ARE YOU SERIOUSLY
MAKING ANOTHER DRESS?
>> YEAH.
>> [laughs]
>> YOU'RE KIDDING.
>> BUT I'M GONNA TRY TO MAKE
ANOTHER DRESS WITH THE SAME
SHAPE AND DETAILS, JUST CHANGING
THE SLEEVE TO A RAGLAN SLEEVE.
A RAGLAN SLEEVE LOOKS LIKE THE
ONE I'M WEARING.
IT'S MEANT TO BE MORE LOOSE,
LESS STRUCTURED.
IT'S SPORTY.
>> WELL, ELENA STARTED A NEW
DRESS THIS MORNING, AND I'M
THINKING, MM, DIDN'T YOU GET
THE OTHER ONE APPROVED BY THE
PRESIDENT?
BUT GO AHEAD AND MAKE THIS NEW
DRESS THAT WASN'T APPROVED AND
SEE HOW THAT WORKS OUT ON THE
RUNWAY.
>> HELLO, DESIGNERS.
>> HEY.
>> SO HOW ARE WE DOING?
YOU REMEMBER MICHELLE SMITH FROM
MILLY.
>> HEY, EVERYONE.
SURPRISE, SURPRISE.
>> OKAY, GUYS, THIS ROOM IS KIND
OF EMPTY BUT FILLED WITH
AMAZING TALENT.
WE'RE GONNA COME AND LOOK AT
THESE FABULOUS DESIGNS I SEE
APPEARING IN FRONT OF ME.
>> both: TA-DA!
>> [laughs]
>> URBAN TRIBAL, YOUNG AND
SEMI-FLIRTY.
>> I LIKE THE ANGLES.
THAT SPEAKS TO THE URBAN TRIBAL
THEME, BUT THAT IT'S IN THAT
SPORTY TECH MESH MAKES IT VERY
CITY.
COULD I SEE THE UNDERSKIRT?
>> THIS IS THE TECH MESH, WHICH
I REALLY LIKED.
>> I'M DEBATING THE CIRCLE ON
THE SKIRT VERSUS THE CLEAN WHITE
MESH ON THE SKIRT.
>> LOVE IT.
AND I ALSO HAVE A BLACK.
>> SO LOOK AROUND THE ROOM.
THINK REALLY CAREFULLY ABOUT THE
DECISIONS YOU'RE GONNA MAKE WITH
REGARDS TO THIS FABRIC.
>> I REALLY APPRECIATE IT.
THANK YOU.
>> GOOD LUCK.
>> ZANNA AND MICHELLE, THEY SAY,
"BOY, YOU COULD DO POLKA DOT OR
WHITE."
SO WHAT I'M GOING TO DO IS
INCORPORATE BOTH OF THEM.
>> MY FABRIC IS THE MESH, SO I
WAS GONNA CONSTRUCT THE TOP, AND
THEN MAKE THE LINING OUT OF
THIS.
AND THEN I WANTED TO DO SOME
LEATHER INSERTS TO MAKE IT MORE
LUXURIOUS.
>> SHOULDER DETAILING IS REALLY
INTERESTING AND VERY DESIGNER.
>> THIS IS SUCH AN IMPORTANT
CHALLENGE.
>> BELIEVE ME, I'M FLIPPING OUT
INSIDE RIGHT NOW.
I'M, LIKE, SHAKING.
I EVEN STARTED, LIKE, A SECOND
ONE.
>> WHAT ARE YOU DOING WITH THE
SECOND ONE?
>> WELL, THE SECOND ONE IS A
RAGLAN.
>> NO, NO, NO, NO, NO.
YOU'VE GOT TO GO WITH YOUR GUT.
THIS WAS YOUR ORIGINAL IDEA.
THIS IS ONE THAT'S BEEN
APPROVED AS WELL.
YOU START MESSING THINGS UP
NOW, THAT--THAT'S NOT HOW IT
WORKS IN BUSINESS.
>> ZANNA AND MICHELLE TELL ME TO
SCRATCH THE RAGLAN DRESS.
I'M MY HEAD I'M JUST LIKE,
"THANK GOD."
I DON'T WANT TO MAKE THIS
OTHER DRESS ANYWAY.
>> I WENT WITH THIS FABRIC HERE
AND THIS, WHICH I REALLY, REALLY
LOVE.
AND THEN JUST A TOUCH OF LEATHER
TO KIND OF BREAK UP THE PRINT.
>> I JUST THINK KORTO'S DRESS IS
SOMETHING THAT I'VE SEEN BEFORE.
IT'S JUST A PLAIN, V-NECK DRESS.
THERE'S NOTHING SPECIAL ABOUT
IT.
>> MICHELLE, WHAT DO YOU THINK
ABOUT THESE FABRIC CHOICES?
>> WELL, OF COURSE, I LOVE THE
FABRICS BECAUSE I CREATED THEM.
BUT I'M QUESTIONING THEIR USE
TOGETHER.
I DO LOVE HOW YOU TRIMMED IT OUT
IN THE BLACK LEATHER.
>> YES.
>> I THINK IT REALLY GROUNDS THE
BUSYNESS OF THE DESIGN.
AND I LOVE THE CUT OF THE BACK.
I THINK IT'S REALLY SEXY, BUT
WHERE COMES AROUND TO THE FRONT,
I DON'T KNOW.
>> MICHELLE SAYS THAT SHE'S NOT
SURE ABOUT MIXING THE TWO
FABRICS TOGETHER, SO I'M GONNA
THIN OUT THE BAND SO THAT IT
SHOWS A SPECIFIC COLOR ON THE
BAND.
I HAVE TO SELL TWO DIFFERENT
PRINTS TOGETHER THAT WEREN'T
MEANT TO GO TOGETHER.
>> IS THIS A DRESS HERE?
>> IT'S TWO PIECES.
>> WERE YOU APPROVED TO DO
A DRESS OR TWO PIECES?
>> I MEAN, I WAS APPROVED TO
DO A DRESS, BUT IT'S THE SAME
ACCOUNT OF FABRIC.
>> TWO SEPARATES TOGETHER WOULD
COST MORE THAN A SINGLE DRESS.
UM, BLACK AND WHITE IS VERY
ON-TREND, BUT YET THE DESIGN IS
COMPLICATED.
YOU HAVE TO FIGURE OUT A WAY TO
STREAMLINE IT FOR ACTUAL
PRODUCTION.
>> OKAY, AWESOME.
IT'S A GREAT IDEA TO HAVE A BACK
ZIPPER AND A SIDE ZIPPER, AND
THEY ARE SAYING, "NO, YOU CAN'T
HAVE SEPARATES."
I'M LIKE, "FINE, I'LL JUST PUT A
ZIPPER IN THE BACK."
[sighs]
>> OKAY, YOU HAVE DEFINITELY ALL
GOT THE BUSINESS SIDE DOWN.
YOU NOW HAVE TO THINK ABOUT
MAKING THESE LOOKS WORTHY OF A
MILLY SPRING/SUMMER 2014 RUNWAY.
>> REALLY THINK ABOUT,
THIS IS GONNA BE ON THE RUNWAY.
I HAVE TO BE CAPTIVATED.
>> ALL RIGHT, SO THINK ABOUT
THOSE FINISHING DETAILS, GUYS.
GOOD LUCK.
>> all: THANK YOU.
♪ ♪
>> DID SHE LIKE YOURS, ELENA?
>> SHE DID.
SHE LIKED THE DETAIL.
>> DO YOU HAVE A DRESS WHERE
THERE'S TWO ZIPPERS IN IT?
>> NO.
>> HAVE YOU EVER SEEN IT BEFORE?
>> NO.
>> IF I PUT A ZIPPER HERE AND
THEN PUT A ZIPPER FROM HERE TO--
>> THAT TREMENDOUSLY UPS THE
COST.
>> YEAH.
>> WHAT DO YOU MEAN?
>> TREMENDOUSLY.
>> BECAUSE YOU'VE GOT TO THINK
OF PRODUCTION.
THAT'S LIKE--THEY WERE TALKING
ABOUT SEPARATES?
THAT'S TWO PATTERNS,
TWO DIFFERENT RUNS.
IT'S DOUBLE THE COST.
WHETHER IT'S THE SAME AMOUNT OF
FABRIC, IT'S DOUBLE THE
PRODUCTION COST.
>> I MEAN, IF THERE ARE TWO
ZIPPERS, IT'S NOT THE END OF THE
WORLD, RIGHT?
>> CHRISTOPHER'S TRIED TO DO
SEPARATES, AND HE'S ALL, "BUT
IT'S THE SAME AMOUNT OF FABRIC I
HAVE."
AND I'M ALL LIKE, "SILLY BOY."
I DON'T THINK HE'S FULLY
GRASPING REAL BUSINESS BUDGET.
>> I NEED A DRINK.
>> YOU GUYS WANT SOME RESOURCE
WATER?
>> YES, PLEASE.
>> YAY!
>> WHOO!
>> THE CHALLENGE IS FOR MILLY.
>> YEAH, IT'S COOL, RIGHT?
>> AND WE HAD ALL DAY YESTERDAY
WITHOUT MODELS.
LIKE, I'VE BEEN SITTING HERE,
LIKE, LOOKING AT THIS.
I NEED TO GET A LOT DONE ON
KELLY.
I NEED TO PUT ON THAT WHITE
PIECE, SEW THE WAIST UP, MAKE
SURE THE SIDE SEEMS AREN'T
PUCKERING.
LET ME PUT THE SKIRT ON YOU.
AND OF COURSE IT'S VERY CRUCIAL
THAT I GET TO DRAPING.
AND I'M, LIKE, DOING AS MUCH AS
I CAN.
>> YOUR PATTERN'S PRETTY.
>> YEAH.
>> AND OKAY, WE'RE DONE.
IT FITS PERFECTLY.
IT FITS EXACTLY LIKE I THOUGHT
IT WOULD.
PERFECT.
OH, WE ARE GOOD.
>> I REALLY KNOW IT NOW, RIGHT?
>> THE COLORS ON YOU--I ACTUALLY
HAVE ALREADY SCRUNCHED DOWN MY
BAND, AND IT LOOKS GOOD.
THE COLOR LOOKS EXACTLY THE WAY
I NEED IT TO BE.
THINGS ARE LOOKIN' UP.
>> TEN MINUTES, GUYS.
>> COOL, LET'S GET YOU
UNDRESSED.
>> I LOVE THIS DRESS.
IT LOOKS AMAZING.
[laughs]
YEAH, IT'S TOTALLY ME.
>> I SEE ELENA'S GARMENT.
HER SHOULDERS LOOK LIKE BIG
EARS, LIKE ELF EARS.
LIKE, DO YOU REMEMBER WHEN
PEE-WEE HERMAN HAD THAT FAKE EAR
AND HE WAS LIKE, "WHAT?"
>> all: BYE.
>> YOU GUYS, WE HAVE 30 MINUTES.
>> MODEL FITTING WENT GREAT.
MY ONLY THING NOW IS FINISHING
THE HEM.
BUT I LIKE MY DRESS.
>> HOW DO I PUT A ZIPPER WITHOUT
MAKING IT LOOK LIKE A-A MESS?
AFTER MY MODEL LEAVES, I STILL
HAVE TO FIGURE OUT HOW TO PUT
THE ZIPPER IN.
>> DO I JUST TOP-STITCH THE
THING?
>> BUT THE SKIRT HAS A ZIPPER ON
THE SIDE.
>> NO, IT DOESN'T.
IT CAN'T.
>> OKAY.
I REALLY DON'T THINK HE SHOULD
ASK ANYBODY'S OPINION RIGHT NOW.
THE ADVICE BOAT IS GONE.
IT'S NOT BEING EVIL.
IT'S JUST PLAYING THE GAME.
GET MARRIED TO IT AND KEEP IT
ROLLING.
SERIOUSLY.
>> OKAY, THANKS.
>> ALL RIGHT, GUYS.
IT'S TIME TO GO.
LET'S GO.
>> TO BE ONE CHALLENGE AWAY FROM
THE FINALE, AND I DON'T REALLY
KNOW WHAT TO DO TO FIX THE
ZIPPER.
IT'S FREAKING ME OUT.
>> C
>> [sighs]
>> I'M NOT USED TO DOING THIS IN
HEELS.
>> MORNING OF THE RUNWAY,
USE EVERY MINUTE YOU HAVE.
I LIVE BY IT.
I WON MY SEASON.
CHRISTOPHER MAYBE IS NOT ON
THAT SAME PAGE.
>> CHRISTOPHER IS RUNNING AROUND
CRAZY.
IT'S KIND OF FUNNY 'CAUSE HE
HAD SO MUCH TIME, AND THEN NOW
IT'S LIKE MAD DASH.
LIKE, NO ONE IS MAD DASHING.
HE'S THE ONLY ONE.
>> I'M NOT DONE WITH THE CHIFFON
SKIRT YET, WHICH HAS TO BE
ATTACHED TO THE DRESS.
RUNNING WITH SCISSORS.
HA-HA!
>> I JUST GOT TO FINISH MY SNAPS
ON MY BELT.
THEN I NEED A MODEL FITTING.
>> YAY.
>> I HAVE TO SEW IT AROUND.
THE CHIFFON SKIRT, IT'S NOT
FITTING AS PERFECTLY AS IT
SHOULD.
I FIT IT, I TAKE IT OFF, I SEW
IT, AND I COME BACK, AND I PUT
IT ON HER.
I FIT IT AGAIN, I TAKE IT, AND I
SEW A DIFFERENT PART.
IT JUST NEEDS TO BE FINISHED.
>> VERY CUTE.
IT FITS HER LIKE A GLOVE.
I THOUGHT I-I MAY HAVE TO DO
SOME ALTERATIONS.
I DON'T.
ALL RIGHT, LET'S GO TO THE
MARY KAY COLOR DESIGN STUDIO.
I WANT TO DO A CLEAN AND SIMPLE
FACE WITH ALMOST A NEON ORANGE
LIPSTICK.
>> MARY KAY'S GOT THE PERFECT
COLOR.
IT'S CALLED SONNY CITRUS.
>> AMAZING.
>> WE'LL JUST DO SOME WEIRD
GEOMETRIC SHAPE.
>> I'M EXCITED.
>> MAYBE ON THE HAIR,
WE JUST DID FLAT BANGS AND
REALLY STRAIGHT AND SLEEK.
>> YEAH.
>> POMP IT UP AND THEN SMOOTH IT
OUT.
>> I TELL THE ALTERNA HAIRCARE
SALON, "NOTHING TOO FANCY.
IT'S REALLY A DAY DRESS."
>> THIS FITS YOU LIKE A GLOVE.
DID I PUSH IT TO THAT POINT OF
COSTUME?
YEAH, I PUSHED IT THERE.
THIS ONE IS GONNA STICK OUT, AND
EVERYBODY'S GONNA PAY ATTENTION.
THAT'S WHY I PUSHED IT THERE.
>> SETH AARON'S DRESS IS VERY
CUTESY.
THAT'S SOMETHING THAT MICHELLE
DID NOT WANT, AND I THINK HE
MIGHT BE IN A LITTLE BIT OF
TROUBLE.
>> I LIKE MY DRESS.
I REALLY DO.
IT'S FUN, IT'S EASY.
I STAND BY THIS LOOK.
>> KORTO'S DRESS, THE DESIGN IS
NOTHING OUT OF THE ORDINARY.
WE'RE IN A DESIGN COMPETITION.
>> TOO MUCH?
>> WELL, THE GOOD NEWS ABOUT
ELENA'S FABRICS IS THAT IF THE
POWER WENT OUT, SHE WOULD BE
ABLE TO SEE IT AND STILL WORK.
>> YOU GUYS, FIVE MINUTES.
FIVE MINUTES.
>> WE HAVE A MINUTE LEFT, AND WE
DON'T HAVE A HOOK AND EYE IN
THIS DRESS, AND THAT'S THE LAST
PIECE THAT IT NEEDS.
>> CHRISTOPHER, I DON'T THINK
IT'S EXECUTED WELL.
>> OKAY, IT'S TIME, YOU GUYS.
LET'S GO.
I'M CONFIDENT, BUT I'M ALSO
REALLY NERVOUS.
AND ONLY THREE ARE GONNA GET TO
PRESENT COLLECTIONS.
>> IT'S ANYONE'S GAME.
ANYONE'S GAME TO WIN, ANYONE'S
GAME TO LOSE.
LET'S GO, DARLING.
>> COM
>> THE WINNING DESIGNER OF
PROJECT RUNWAY: ALL STARS
WILL HAVE THE CHANCE TO CREATE
A CUSTOM BRANDED CAPSULE
COLLECTION WITH QVC AND WILL
APPEAR AT QVC'S STAR-STUDDED RED
CARPET STYLE EVENT.
THE WINNER WILL ALSO RECEIVE A
FASHION SPREAD IN MARIE CLAIRE
MAGAZINE, AND A POSITION AS
CONTRIBUTING EDITOR FOR ONE
YEAR.
NEXT GENERATION TECHNOLOGY
AND OFFICE SPACE FROM HP AND
INTEL TO HELP GROW THEIR
BUSINESS AND BRING THEIR
CREATIVE VISION TO LIFE.
A YEAR'S SUPPLY OF RESOURCE
NATURAL SPRING WATER, AND AN
ALL-EXPENSES-PAID TRIP FOR TWO
TO SOUTHEAST ASIA TO DISCOVER
EXOTIC FABRICS AND INSPIRE THEIR
NEXT COLLECTION COURTESY OF
RESOURCE WATER.
FROM ALTERNA HAIRCARE,
PROFESSIONAL HAIR STYLING AND
PHOTOGRAPHY FOR UPCOMING FASHION
SHOWS FOR ONE WHOLE YEAR.
FROM MARY KAY, AN ENTIRE YEAR'S
WORTH OF BEAUTY PRODUCTS FOR
THEIR FASHION SHOWS AND
PROFESSIONAL MAKEUP ARTIST
SERVICES FOR THEIR DEBUT SHOW.
FROM BROTHER SEWING AND
EMBROIDERING, A COMPLETE SEWING
STUDIO TO LAUNCH THEIR LINE,
AND $150,000 IN CASH.
>> [chuckles]
>> HI.
>> all: HI.
>> THREE OF YOU WILL MAKE IT TO
THE ALL STARS FINALE, BUT FOR
ONE OF YOU THE JOURNEY ENDS
TONIGHT.
>> [sighs]
>> YOU DESIGNED READY-TO-WEAR
LOOKS THAT COLD BE SOLD BY MILLY
FOR $400 WITH THE PROFITS GOING
TO THE CHARITY SAVE THE GARMENT
CENTER.
LET'S MEET TONIGHT'S JUDGES.
WE'RE DELIGHTED TO WELCOME BACK
DESIGNER AND CO-FOUNDER OF
MARCHESA, THE BEAUTIFUL GEORGINA
CHAPMAN.
[applause]
>> HI, DESIGNERS.
>> GEORGINA RECENTLY LAUNCHED
HER NEW CONTEMPORARY COLLECTION,
MARCHESA VOYAGE, AS WELL AS
MARCHESA'S FIRST PERFUME,
PARFUM D'EXTASE, WITH SEPHORA.
AND OF COURSE WE HAVE ONE OF
THE MOST FAMOUS NAMES IN
FASHION AND THE EQUALLY
BEAUTIFUL ISAAC MIZRAHI.
>> HI, KIDS.
>> OUR FIRST GUEST HAS CONQUERED
BROADWAY, FILM, AND TELEVISION.
SHE'S STARRED IN EVERYTHING FROM
WICKED TO THE WEST WING.
TONY WINNER, EMMY WINNER, AND
WINNER OF ALL OF OUR HEARTS,
KRISTIN CHENOWETH.
>> HI, GUYS.
I CAN'T WAIT TO SEE YOUR STUFF.
>> OUR NEXT GUEST IS AN ACTOR,
HOST, COMEDIAN, RAPPER, AND NOW
A FASHION ENTREPRENEUR WITH HIS
OWN LINE OF MALE ACCESSORIES.
PLEASE WELCOME NICK CANNON.
[applause]
>> WHAT'S UP?
>> OUR NEXT GUEST'S EYE FOR
DETAIL AND LUXURIOUS FABRICS HAS
TURNED HER FASHION LABEL INTO A
CULT FAVORITE WORLDWIDE.
PLEASE WELCOME THE OWNER AND
DESIGNER OF MILLY,
MICHELLE SMITH.
>> HI, DESIGNERS.
>> HEY.
>> TONIGHT, WE'RE LOOKING FOR
FEMININE FASHION WITH AN EDGE.
BREAK A LEG.
[techno music]
♪ ♪
>> THIS DRESS IS THE MOST WOW
DRESS OUT OF THE WHOLE ROOM.
IT HAS AN INTERESTING NECKLINE.
IT HAS THIS ASYMMETRICAL PIECE,
AND IT HAS A TRIBAL PRINT OVER A
LEATHER SKIRT.
IT'S A REALLY COOL DRESS,
AND I FEEL LIKE IT FITS RIGHT
INTO MILLY'S COLLECTION WITHOUT
ANY QUESTIONS.
OH, IT'S DIVINE.
♪ ♪
>> SHE LOOKS FANTASTIC HEAD TO
TOE.
IT IS EXACTLY WHAT I SKETCHED,
WHAT I VISIONED.
THE MOVEMENT IN THE SKIRT,
THE WAY IT'S CUT, IT'S FLAWLESS.
SHE LOOKS AMAZING.
SHE IS THE STAR OF THIS RUNWAY
SHOW.
♪ ♪
>> I LIKE MY LOOK.
I THINK IT'S A REALLY GREAT
RETAIL LOOK FOR 400 BUCKS.
>> DID YOU HEM THAT CHIFFON?
>> I SURE DID.
FABRICS ARE AMAZING, BUT NOT
JUST OVER-THE-TOP COSTUME-Y.
I LOVE IT.
♪ ♪
>> I HAVE A DRESS THAT I REALLY
LOVE THAT IS TRULY ME.
I THINK THAT THIS COULD BE A
REALLY SPECIAL PIECE FOR MILLY.
IT LOOKS AMAZING, AND I FEEL
LIKE THIS MIGHT BE A DRESS THAT
WILL TAKE ME TO THE FINALE.
>> I LOVE HER SILHOUETTE.
>> MM-HMM.
♪ ♪
>> DESIGNERS, YOU DID A GREAT
JOB MAKING READY-TO-WEAR WORK ON
THE RUNWAY.
LET'S BRING OUT YOUR MODELS.
ELENA, LET'S START WITH YOU.
>> I CHOSE TO USE THIS KIND OF
MESH FABRIC.
I LINED IT WITH A NEON FABRIC,
SO THAT IT HAS SOME KIND OF A
COLOR UNDERNEATH.
>> TO ME, THIS DRESS IS REALLY
FRESH.
IT'S LIKE A CHAMOMILE ICE CREAM
OR SOMETHING.
THE COLOR IS SO DIVINE.
>> IN MY BUSINESS, WE'RE ALWAYS
LOOKING FOR THINGS THAT ARE
"FORGIVING."
IN OTHER WORDS, I COULD EAT A
BIG MAC AND FEEL VERY
COMFORTABLE.
>> I THINK MY WIFE WOULD LOOK
REALLY GOOD IN THAT NEXT TO ME
IN A WHITE SUIT.
>> YES, PLEASE.
>> I SEE THE NECKLINE IS POPPING
UP IN THE CENTER FRONT.
MAYBE YOU NEEDED TO SHORTEN
THE ZIPPER A LITTLE BIT.
I COULD DEFINITELY SEE THIS
DRESS IN MY COLLECTION.
>> WOW.
>> CAN YOU TURN PROFILE?
THAT'S WHAT SELLING ME THIS
DRESS.
THE SIDE PROFILE, I THINK, IS
ABSOLUTELY GENIUS, BUT I TAKE AN
ISSUE WITH THIS ZIPPER.
I REALLY WISH YOU HAD GOT A
MATTE WHITE ZIPPER OR PERHAPS
NOT DONE THE ZIPPER AT ALL.
>> IT'S SUCH A CLEAN DRESS THAT
THE ZIPPER JUST JUNKS IT UP.
>> BUT AS A MAN, I LIKE THE
ZIPPER IN THE FRONT 'CAUSE IT'S
EASY ACCESS.
[laughter]
ZOOM.
>> GOOD JOB, ELENA.
>> THANK YOU.
>> CHRISTOPHER, TELL US ABOUT
YOUR READY-TO-WEAR LOOK.
>> I WANTED TO USE SOMETHING
THAT LOOKS EXPENSIVE, SO I WENT
WITH THIS VEGAN LEATHER WITH THE
CHIFFON TO MAKE IT HARD AND
SOFT.
>> CAN I SEE WHAT GOES ON
UNDERNEATH THE SARONG?
>> SURE.
I PUT A HOOK AND EYE AT THE SIDE
SEAM.
>> MM-HMM.
>> AND SO IT CAN UNZIP.
>> THIS IDEA OF A SARONG OVER
SOMETHING SO HARD, I THINK IT'S
VERY REFRESHING AND BOLD.
>> I LIKE THAT FABRIC, AND I
LIKE THE DRESS, BUT SOMETHING
ABOUT THE DRAPERY IN THE BODICE
LOOKS LIKE AN AFTERTHOUGHT.
>> I LOVE WHAT YOU WERE TRYING
TO DO WITH THE TRIBAL THING.
THERE ARE, LIKE, TWO EYES ON
THE SKIRT LOOKIN' AT ME.
IT'S STARIN' AT ME.
IT'S, LIKE, HYPNOTIZING ME.
>> I LOVE THE WAY THE SHOULDERS
ARE EXPOSED.
I THINK IT'S SEXY.
>> AND YOU CAN ALSO WEAR A BRA
UNDERNEATH, SO THAT'S--IT'S
ALWAYS A SELLING POINT.
>> WHICH THOSE OF US WHO NEED
THEM SHOULD.
>> YEAH.
[laughter]
>> I COULD SEE THIS DRESS IN MY
COLLECTION, BUT I'M NOT IN LOVE
WITH THE BODICE.
I DON'T THINK I WOULD WANT THAT
VOLUME ON THAT PART OF MY BODY.
>> I REALLY LIKE THE IDEA OF
THIS DRESS, AND I REALLY
UNDERSTAND WHO THIS GIRL IS,
BUT I DON'T KNOW WHO YOU ARE,
CHRISTOPHER, AS A DESIGNER.
THERE'S AN INTENTION THAT I'M
NOT SEEING WITH YOU.
>> THANK YOU, CHRISTOPHER.
>> THANK YOU.
>> LET'S MOVE ON TO KORTO.
>> I WANTED TO TAKE A CLASSIC
SHAPE, MIX THE FABRICS UP, AND
MAKE IT SOMETHING NEW OUT OF
SOMETHING OLD.
>> I REALLY LIKE THIS DRESS.
>> THANK YOU.
>> AND ONCE AGAIN, YOU'VE
CREATED THE MOST WEARABLE OF
THE RUNWAY.
>> THE BACK, TO ME, IS THE BEST
PART OF THIS DRESS.
I'M JUST WONDERING HOW EXCITING
THIS DRESS IS.
>> THE DEMOCRAT IN THE BACK AND
THE REPUBLICAN IN THE FRONT
REALLY WORKS FOR ME.
>> SOMEHOW, THE BACK IS GIVING
ME WHAT I WANT.
IT'S VIBRATING, WHILE THE FRONT
OF THAT DRESS IS A LITTLE DYING
ON THE VINE.
>> I LOVE THE BACK OF THIS
DRESS.
BUT HONESTLY, I THINK THE REST
OF THE DRESS FALLS A LITTLE
FLAT.
>> THANK YOU, KORTO.
>> THANK YOU.
>> LET'S MOVE ON TO SETH AARON.
>> SHORT AND SWEET.
SPORTY, FUN, YOUNG,
SOPHISTICATION, GIRLY WITH AN
EDGE, URBAN TRIBAL, BOOM.
DONE.
>> I THINK YOUR DESIGN IS
SPECTACULAR.
I LOVE THE WAY YOU CUT THE
SKIRT.
THE ONE CRITIQUE I HAVE IS THAT
I DON'T LIKE THE NEON RUFFLE
GOING DOWN THE FRONT.
>> I HAVE TO DISAGREE.
I ACTUALLY LOVE THE PINK RUFFLE
AND ALWAYS HAVING THAT POP OF
COLOR.
>> MY FIRST QUESTION IS:
WHAT SIZE IS IT?
AND THEN SECOND IS:
CAN I HAVE IT?
>> GIVE ME YOUR ADDRESS, AND IT
WILL BE COMING TO YOU.
>> IT HAD, LIKE, THIS LITTLE
SASSY BOUNCE THAT I REALLY
LOVED.
WHEN I GOT CLOSE, DID I SEE
***?
>> NO.
>> NO?
>> YOU CAN WEAR A BRA UNDER
THIS.
>> I REALLY LOVE THE "V" PART OF
IT.
IT'S REALLY, REALLY GREAT.
AND I WILL AGREE WITH MICHELLE
AND DISAGREE WITH NICK AND NOT
LIKE THE NEON ON IT.
I THINK IT'S JUST A GREAT BLACK
AND WHITE DRESS.
>> WE'RE ABOUT 50/50 HERE.
THAT'S COOL.
>> THIS DRESS IS A CROWD
PLEASER.
THE CUT OF THE SKIRT IS PERFECT.
THE THING THAT I'M TORN WITH,
AND THIS IS A MICHELLE QUESTION,
I DON'T KNOW HOW COMMERCIAL THIS
DRESS IS.
>> I THINK IT'S A GREAT DRESS
FOR A SPECIAL OCCASION.
>> THANK YOU, SETH AARON.
>> THANK YOU.
>> AND ALL OF OUR DESIGNERS.
WE'LL CALL YOU WHEN WE'RE READY.
>> I HONESTLY FEEL LIKE WE MIGHT
ALL MAKE IT.
I DON'T THINK THEY HATED
ANYONE'S SO BAD TO, LIKE, SEND
SOMEONE HOME.
>> IT COULD BE ANYBODY.
>> YEAH.
>> THIS WAS A GOOD RUNWAY, HUH?
>> AND EACH DRESS WAS
GAME-CHANGING.
>> SOME WEEKS, I HATE SOME OF
THE DRESSES, BUT THIS WEEK,
I DON'T KNOW.
I LOVE THEM ALL.
>> WHAT'D YOU GUYS THINK OF
ELENA'S?
>> I LOVED IT.
THE BACK, I LOVED THE COLOR.
>> IT WAS WELL THOUGHT OUT.
IT WAS FRESH AND MODERN.
>> IF IT DIDN'T HAVE THE BIG
ZIPPER UP THE FRONT, I THINK IT
WOULD BE JUST THE MOST PERFECT
DRESS.
>> MY FAVORITE PART, THE EASY
ACCESS.
>> YOU LIKE THE ZIPPER.
>> YOUR EYE JUST WENT TO THAT
ZIPPER.
IT DIDN'T GO TO ALL THAT SMART
DETAILING THAT ELENA DID WITH
THE TWO COLORS, WHICH WAS SO
SUBTLE.
>> SETH AARON'S DRESS WAS GREAT,
BUT THE CUTOUT AND THE ZIPPER
AND THE RUFFLES, THERE WAS A LOT
GOING ON.
>> SETH AARON WAS DEFINITELY THE
ONE I LOVED.
>> ME TOO.
>> THE SHAPE, THE DESIGN, THE
NEON RUFFLE, ALL OF THAT WORKED
FOR ME.
>> THE SKIRT WAS EXQUISITE,
I THOUGHT.
>> KRISTIN, WE KNOW YOU LOVED IT
'CAUSE YOU WANT IT.
>> I WAS A LITTLE TOO OBVIOUS,
WASN'T I?
I CAN'T BELIEVE THAT CAME OUT OF
MY MOUTH.
I'M NOT SUPPOSED TO SAY THAT.
OOPSIE.
>> IT HAD WIT.
IT HAD HUMOR.
IT WAS FRESH.
>> WITH A LITTLE TONING DOWN,
I FEEL LIKE I COULD WEAR THIS
DRESS TO AN EVENT AND FEEL
PRETTY FABULOUS.
>> YEAH.
>> I KNOW EXACTLY WHO KORTO IS.
KORTO IS SOMEONE THAT I LOVE.
>> I DID THINK THE MIX OF
FABRICS WAS SMART.
>> DRESSES WITH POCKETS, IS THAT
HOT?
>> YEAH.
>> HOT.
>> I LOVE IT.
>> I THINK IT LOOKS TOO BASIC IN
THE FRONT.
>> THE BACK WAS BEAUTIFUL
THOUGH.
I COULD DESIGN A WHOLE
COLLECTION AROUND THAT BACK.
>> SO GREAT.
THE BACK IS SO GREAT,
AND THEN SHE TURNS AROUND.
YOU'RE LIKE, "AWW."
>> I DO THINK THIS IS THE MOST
WEARABLE OUT OF ALL OF THEM.
>> YEAH, ABSOLUTELY.
>> WE HAVE TO CHOOSE A
COLLECTION THAT WE WOULD LIKE TO
SEE.
I WOULD RATHER SEE KORTO'S
COLLECTION.
>> THE CONCEPT OF CHRISTOPHER'S
DRESS IS SO GOOD, AND I ACTUALLY
THINK IT'S THE MOST COMMERCIAL.
I THINK IF IT HAD BEEN EXECUTED
PROPERLY, IT WOULD'VE BEEN THE
MOST GORGEOUS, GORGEOUS DRESS.
>> I WAS CONFUSED BY EVERYTHING
THAT WAS GOING ON.
>> IT'S MESSY.
>> I WOULDN'T WEAR IT, BUT I DID
LIKE THAT CONCEPT OF SOMETHING
SOFT OVER A LITTLE LEATHER MINI
DRESS.
>> THIS IS AGE APPROPRIATE FOR
ANYBODY.
>> IT IS.
A 20-YEAR-OLD WOULD LOOK
FABULOUS IN IT, AND
A 50-YEAR-OLD WOULD LOOK
FABULOUS IN IT.
>> TOTALLY AGREE WITH YOU,
THOUGH; I HAVE NO IDEA WHO HE IS
AS A DESIGNER.
>> THAT'S ALMOST WHERE I'M LIKE,
"WELL, MAYBE WE SHOULD GO WITH
CHRISTOPHER," 'CAUSE I WANT TO
KNOW WHAT HE WOULD DO AS A
COLLECTION.
>> LET'S BRING 'EM BACK OUT, AND
WE'LL TALK TO THEM.
[suspenseful music]
♪ ♪
DESIGNERS, ONE OF YOU WILL
HAVE YOUR GARMENT SOLD BY MILLY
WITH THE PROFITS GOING TO SAVE
THE GARMENT CENTER.
SO WHO'S IT GONNA BE?
MICHELLE, WOULD YOU LIKE TO DO
THE HONORS?
>> THE WINNER IS...
♪ ♪
SETH.
CONGRATULATIONS.
>> THANK YOU.
>> CONGRATULATIONS, SETH AARON.
YOUR READY-TO-WEAR LOOK IS GONNA
MAKE A LOT OF MONEY FOR A GREAT
CAUSE.
>> THAT'S AWESOME.
AND YOU HAVE A GUARANTEED PLACE
IN NEXT WEEK'S FINALE.
WELL DONE.
>> THANKS.
>> YOU CAN LEAVE THE RUNWAY.
>> IT'S TAKEN ME NINE WEEKS TO
GET MY FIRST WIN, BUT THIS IS
WHERE YOU WANT TO WIN.
YOU WANT TO WIN AT THE END.
[exhales]
>> THAT LEAVES CHRISTOPHER,
KORTO, AND ELENA.
ELENA, YOU'RE SAFE.
YOUR DESIGN HAS EARNED YOU
A PLACE IN THE FINAL.
CONGRATULATIONS.
>> THANK YOU.
>> YOU CAN LEAVE THE RUNWAY.
>> I MADE IT.
[giggles]
MAKING IT TO THE FINALE IS SUCH
AN HONOR AND A BLESSING, AND I
AM SO HAPPY I JUST WANT TO CRY.
BUT I'M NOT GOING TO BECAUSE
I'VE CRIED ENOUGH THIS SEASON.
[laughs]
>> GOOD JOB.
>> OH, MY GOD!
I'M SO HAPPY RIGHT NOW.
>> AFTER--YEAH, AFTER LAST--
YOUR LAST SEASON.
>> OH, MY GOD, THIS IS ALL I
EVER WANTED.
>> CHRISTOPHER AND KORTO, YOU'VE
BOTH COME SO FAR, BUT THERE'S
ONLY ONE PLACE LEFT IN THE
FINAL.
THIS WAS A REALLY HARD DECISION
TO MAKE, AND WE FEEL THAT WE
NEED TO SEE MORE.
SO TO WIN THAT LAST PLACE, WE
HAVE ONE MORE CHALLENGE.
>> WHAT?
>> [laughs]
OH, YOU'RE NOT JOKING.
♪ ♪
>> CHRISTOPHER AND KORTO, TO WIN
THAT LAST PLACE, WE HAVE ONE
MORE CHALLENGE, AND IT'S GOING
TO TAKE PLACE RIGHT HERE, RIGHT
NOW.
FOR THIS CHALLENGE, YOU WILL
SELECT THREE LOOKS FROM YOUR
PREVIOUS CHALLENGES AND REMIX
THEM INTO ONE NEW OUTFIT HERE ON
THE RUNWAY.
>> THIS IS CRAZY BANANAS.
I HAVE TO DO ANOTHER CHALLENGE
RIGHT NOW?
ARE YOU SERIOUS?
>> WE WANT A DRAMATIC NEW LOOK,
AND YOU WILL ONLY HAVE ONE HOUR
TO DO IT.
>> WHAT?
ARE YOU KIDDING ME?
IT TAKES AN HOUR TO PUT A ZIPPER
INTO SOMETHING SOMETIMES.
>> THIS WILL EITHER SEND YOU TO
THE FINAL OR SEND YOU HOME.
IN ONE HOUR'S TIME, GEORGINA,
ISAAC, AND I WILL RETURN TO
REVIEW YOUR NEW LOOK, AND WE'LL
MAKE OUR FINAL DECISION THEN.
SO GOOD LUCK.
>> I'M VERY CONFIDENT BECAUSE I
HAVE TO BE.
THIS IS IT.
>> THE WINNER OF THIS CHALLENGE
GOES TO THE FINALE, AND THE
LOSER GOES HOME.
[dramatic music]
♪ ♪
[buzzer sounds]
>> I'M USING MY RED CARPET GOWN
TO MAKE A SKIRT.
>> IT'S BREAKING MY HEART, LIKE,
TO BREAK APART MY BONNIE AND
CLYDE JACKET.
ARE YOU KIDDING ME?
I NEED TO MAKE SOMETHING THAT
LOOKS EXPENSIVE, THAT DOESN'T
LOOK LIKE I WHIPPED IT UP IN
AN HOUR.
>> MY GOAL IS TO SHOW THE JUDGES
I'M VERSATILE.
ONE MINUTE.
ONE MINUTE, ONE MINUTE,
ONE MINUTE.
>> ALL RIGHT.
[buzzer sounds]
>> I DON'T KNOW WHAT JUST
HAPPENED.
GOOD LUCK.
>> LOVE YOU.
>> OH, GOD.
>> I'M GONNA GO INSANE IF WE
HAVE TO SIT HERE MUCH LONGER.
>> I'M GONNA GO INSANE TOO.
IT'S BEEN FOREVER.
>> KORTO, LET'S START WITH YOU.
PLEASE REVEAL YOUR REMIXED LOOK.
[suspenseful music]
♪ ♪
KORTO, TELL US HOW YOU PUT
TOGETHER YOUR REMIXED LOOK.
>> THE SKIRT ACTUALLY WERE THE
PANTS FROM THE MENSWEAR
CHALLENGE, AND THE BACK OF THE
JACKET IS ACTUALLY FROM THE PUNK
CHALLENGE.
IT WAS THE BOTTOM PART OF MY
DRESS.
THE NEOPRENE AND THE BONING
PIECES ARE FROM MY INSECT
CHALLENGE.
>> CHRISTOPHER, PLEASE REVEAL
YOUR REMIXED LOOK.
♪ ♪
CHRISTOPHER, TELL US HOW YOU
PUT TOGETHER YOUR REMIXED LOOK.
>> THE BELT AND THE CLUTCH CAME
FROM BONNIE AND CLYDE, AND THIS
CHAIN AND THIS BLACK FABRIC CAME
FROM THE PUNK CHALLENGE, AND
THERE'S SOME TULLE FROM
THE EVENINGWEAR CHALLENGE AS A
SHOULDER PAD.
>> I THINK THE RESULTS ARE
FABULOUS.
I ADMIRE YOU SO MUCH, BOTH OF
YOU.
I'LL START WITH KORTO.
I LOVE IT BECAUSE, YOU KNOW,
I AM ALL ABOUT LOOKING AT
ROUGHHEWN THINGS AND REFINING
THEM TO A POINT WHERE THEY LOOK
LIKE COUTURE.
I THINK THERE'S MAYBE TOO MUCH
VOLUME ON TOP, BUT, I MEAN, COME
ON.
IN AN HOUR, DARLING?
IT'S MICHELANGELO, OKAY?
AND I LOVE THIS FROM YOU.
IT'S SEXY.
IT'S CONTROLLED.
TURN TO THE SIDE, PLEASE.
I WANT TO SEE THAT.
SO THERE'S A LITTLE SHEER PANEL
IN THERE, RIGHT?
>> YEAH, IT'S HORSEHAIR.
>> IT'S KIND OF GREAT.
IT'S KIND OF GREAT AND NAUGHTY.
>> I LOVE THIS SHOULDER PAD.
I LOVE SHOULDER PADS ANYWAY.
IT MUST BE MY DAYS ON
WHO'S THE BOSS? WITH
JUDITH LIGHT.
'CAUSE SHE HAD SOME BIG
SHOULDER PADS.
>> TOTALLY.
>> KORTO, I LOVE THAT YOU
THOUGHT OUTSIDE THE BOX ON WHERE
TO PUT THINGS.
THE FACT THAT YOU TOOK A PAIR OF
PANTS, HELLO, AND MADE A SKIRT
OUT OF IT, JUST WELL DONE.
>> KORTO, I LOVE THIS.
I THINK IT'S ONE OF THE FAVORITE
THINGS THAT YOU'VE DONE BECAUSE
IT'S GOT EVERYTHING ABOUT YOU IN
IT.
CHRISTOPHER, I THINK THIS IS
SUCH A SWEET DRESS, AND I'M
GONNA TAKE BACK WHAT I SAID
ABOUT NOT KNOWING WHO YOU ARE AS
A DESIGNER.
AND I'M GLAD TO SEE THIS 'CAUSE
I THINK IT REALLY DOES TELL ME
WHO YOU ARE.
I MEAN, IT'S JUST SO PRETTY.
>> THANK YOU.
>> YOU BOTH DID AN AMAZING JOB.
THANK YOU, MODELS.
YOU CAN LEAVE THE RUNWAY.
AND NOW WE HAVE ONE OF THE
HARDEST DECISIONS OF THE SEASON.
ISAAC, GEORGINA, AND I WILL
WRITE DOWN THE NAME OF THE
DESIGNER THAT WE BELIEVE
DESERVES THE THIRD PLACE IN THE
ALL STARS FINAL.
>> [sighs]
♪ ♪
IT'S HEARTBREAKING, BUT WE HAVE
TO CHOOSE JUST ONE OF YOU
TO MOVE ON TO THE FINALE.
AND THAT DESIGNER IS...
♪ ♪
KORTO.
WHICH MEANS, I'M SORRY TO SAY,
CHRISTOPHER, YOU ARE OUT.
THANK YOU, KORTO.
YOU CAN LEAVE THE RUNWAY.
>> THANK YOU SO MUCH.
SORRY.
ALYSSA SAYS I WAS THE WINNER,
AND I CRIED, AND THEN I WAS
LIKE, "OH, MY BABY, I'M SORRY."
BUT I GOT TO WIN THIS.
>> I TOTALLY BELIEVE IN YOU.
>> THANK YOU.
>> GOD BLESS YOU.
>> SUCKS.
I WOULD'VE LOVED TO MAKE IT TO
THE FINALE AND SHOW THE WORLD MY
VISION.
>> WHAT THE HELL?
>> YOU GUYS HAVE NO IDEA WHAT WE
JUST WENT THROUGH.
>> WHAT HAPPENED?
>> WELL, THEY PULLED A SECOND
CHALLENGE ON US ON THE RUNWAY.
>> WHAT?
>> I COULD SIT HERE AND CRY AND
TELL YOU THAT I'M SUPER UPSET
'CAUSE I AM, BUT I'M A TOUGH
COOKIE.
I'M JUST REALLY FORTUNATE TO
HAVE MADE IT THIS FAR.
I LOVE YOU, BABE.
AND I APPRECIATE THE ENTIRE
EXPERIENCE.
EVERYTHING HAPPENS FOR A REASON.
IT WASN'T MEANT TO BE.EA WHAT WE
JUST WEN
>> NEXT ON
PROJECT RUNWA
YOUR FINAL CHALLENGE IS TO
EVERYTHING HAPPENS FOR A REASON.
IT WASN'T MEANT TO BE.
>> NEXT ON
PROJECT RUNWAY: ALL STARS...
YOUR FINAL CHALLENGE IS TO
DESIGN A SIX-PIECE COLLECTION TO
SHOWCASE YOUR TALENT.
>> THAT IS INSANE.
I'M LOOKING AT THE TIME, AND I'M
GONNA FLIP OUT.
>> CHILL.
>> I HAVE A TWIST.
[all groan]
>> I GOTTA WIN THIS.
IT'S TIME.
I'M READY.
>> WINNING THE GRAND PRIZE WOULD
COMPLETELY CHANGE MY LIFE.
>> THERE'S NO ROOM FOR ERROR.
IT'S MAKE OR BREAK.
>> WE ARE HONORED THAT THE
UNITED NATIONS IS HOSTING THE
FINAL RUNWAY SHOW FOR
PROJECT RUNWAY: ALL STARS.
FOR MORE INFORMATION ON
TONIGHT'S SHOW, GO TO
MYLIFETIME.COM.