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HOW DID YOU KNOW MY FATHER?
HE CAME TO SEE HIS DAUGHTER. MY DAUGHTER WAS ON YOUR PLANE.
HER NAME WAS CLAIRE.
WE'RE HERE TO GET A BLOOD SAMPLE FROM YOU
WHY?
TO DETERMINE YOUR RELATIONSHIP TO THE CHILD.
(Aaron) WHERE YOU GOING, MOMMY?
WE'RE GOING ON VACATION, BABY.
WAIT, YOU'RE IN L.A.? OF COURSE I CAN MEET, YEAH.
HELLO, KATE.
(dart shoots)
GET ME TO THE CAR.
(grunts)
WHERE'S HURLEY?
THE ONLY WAY TO SAVE THE ISLAND, JOHN,
HOW? HOW AM I SUPPOSED TO DO THAT?
(buzzing, magnetic humming)
(buzzing and humming stop)
YOU'VE...
DO YOU KNOW WHAT'S HAPPENING TO ME?
CHARLOTTE? CHARLOTTE?
OH, YOU DON'T HAVE TO WHISPER.
WHEN HE'S OUT, HE'S OUT.
(chuckles)
AT LEAST ONE OF US CAN SLEEP.
IT'S GONNA TAKE MORE THAN TWO NIGHTS
FOR ME TO GET USED TO SLEEPING IN A NORMAL BED.
WHAT ARE WE GONNA DO ABOUT HIM?
ABOUT AARON.
I DON'T KNOW.
I'VE BEEN THINKING A LOT ABOUT HIM.
DID YOU KNOW THAT CLAIRE WAS FLYING TO L.A.
NO. NO, I DIDN'T.
I THINK WE SHOULD SAY HE'S MINE.
WE COULD SAY THAT I WAS SIX MONTHS PREGNANT
WHEN I WAS ARRESTED
AND THAT I GAVE BIRTH TO HIM ON THE ISLAND.
NO ONE WOULD EVER KNOW.
KATE, NO. YOU DON'T HAVE TO... (sighs)
THERE'S OTHER WAYS TO DO THIS.
AFTER EVERYONE WE'VE LOST-- MICHAEL, JIN, SAWYER...
I CAN'T LOSE HIM, TOO.
SAWYER'S NOT DEAD.
NO.
BUT HE'S GONE.
GOOD NIGHT, JACK.
KATE...
IF WE'RE GONNA BE SAFE,
IF WE'RE GONNA PROTECT THE PEOPLE THAT WE LEFT BEHIND,
TOMORROW MORNING, I'M GONNA HAVE TO CONVINCE EVERYONE TO LIE.
IF IT'S JUST ME, THEY'RE NEVER GONNA GO FOR IT.
SO I'M GONNA TURN TO YOU FIRST.
ARE YOU WITH ME?
I HAVE ALWAYS BEEN WITH YOU.
(door opens)
HOW DOES IT FIT?
LOOKS GREAT ON YOU.
(sighs)
(chuckles) IT WAS YOUR IDEA.
MOMMY!
AARON, HONEY, MOMMY'S GONNA RUN OUT AND DO AN ERRAND.
I'LL BE RIGHT BACK. OKAY? AND THEN WE CAN GO HOME.
(Sun) DON'T WORRY ABOUT US, KATE.
THERE'S CANDY IN THE MINIBAR AND A HUNDRED CHANNELS ON TV.
WE'RE GOING TO BE JUST FINE HERE.
SUN...
I DON'T KNOW WHAT I WOULD'VE DONE IF YOU WEREN'T HERE.
THANK YOU.
IT'S WHAT ANY FRIEND WOULD DO.
OKAY, WELL, I WILL BE BACK SOON.
OKAY, YOU BE GOOD FOR SUN.
OKAY, HONEY?
GOOD LUCK.
(elevator bell dings)
DELIVERY FOR YOU, MS. KWON.
THANKS.
(door closes)
I'LL BE RIGHT BACK, HONEY.
CHARLOTTE? CHARLOTTE?
STOP SHOUTING, JAMES.
HEY, MAN.
THANK YOU.
IF THERE'S SOMETHING THAT YOU WANT TO TELL ME, DANIEL,
I'M NOT SURE WHAT YOU MEAN EXACTLY.
GIVE US SOME SPACE, WOULD YOU?
SHE'S LIKE THIS 'CAUSE THE SKY KEEPS LIGHTING UP.
JAMES...
GO AWAY.
(sighs)
DID YOU KNOW THAT THIS WOULD HAPPEN?
I THOUGHT...
I THOUGHT IT MIGHT.
I THINK IT'S NEUROLOGICAL.
OUR BRAINS HAVE AN INTERNAL CLOCK,
A SENSE OF TIME.
THE FLASHES... THROW THE CLOCK OFF.
IT'S LIKE REALLY BAD JET LAG.
REALLY BAD JET LAG DOESN'T MAKE YOU HEMORRHAGE, DANIEL.
I DON'T KNOW.
BUT THANK GOD IT'S NOT.
(door opens)
THANK YOU FOR WAITING.
UM, YES. I'M FINE, THANK YOU.
GOOD. PLEASE, MS. AUSTEN, SIT.
SO...
HOW CAN I HELP YOU?
UH... (sighs)
MR. NORTON,
WHEN YOU CAME TO MY HOUSE LOOKING FOR BLOOD SAMPLES
FROM ME AND MY SON,
I ASKED YOU WHO YOUR CLIENT WAS...
AND I SAID I COULDN'T TELL YOU.
YEAH. I'M HERE TO OFFER YOU A DEAL.
I'LL GIVE YOU THE BLOOD SAMPLES,
BUT FIRST, I WANNA TALK TO YOUR CLIENT.
CONSIDERING WHAT YOU'RE ASKING FOR,
THAT'S MORE THAN REASONABLE.
WELL, I AM, UH, SEEING MY CLIENT LATER TODAY,
AND I WILL BE SURE TO PASS ALONG YOUR OFFER.
BUT I AM PRETTY SURE OF WHAT THE ANSWER'S GONNA BE--
NO.
AND THE REASON, OF COURSE,
IS THAT YOU'RE IN NO POSITION TO BE MAKING ANY KIND OF DEALS,
AND WE BOTH KNOW IT.
I HAVE A SIGNED COURT ORDER COMPELLING YOU
TO LET US CONFIRM THAT YOU'RE THE CHILD'S MOTHER.
I COULD SEND THE SHERIFF OVER THERE TODAY AND MAKE YOU DO IT,
BUT MY CLIENT INSISTS THAT WE...
HANDLE THE EXCHANGE OF CUSTODY QUIETLY.
WHAT DO YOU MEAN "EXCHANGE OF CUSTODY"?
YOU KNOW EXACTLY WHAT I MEAN.
NO, I...
MR. NORTON,
I JUST WANNA KNOW WHO IS DOING THIS TO ME.
YOU DID THIS TO YOURSELF.
NOW IT IS TIME YOU PREPARE YOURSELF, MS. AUSTEN.
YOU ARE GOING TO LOSE THE BOY.
WE HAVE TO GO BACK TO THE ORCHID.
EXCUSE ME?
THE ORCHID.
THAT'S WHERE ALL THIS STARTED. MAYBE IT'S WHERE IT'LL ALL STOP.
THAT GREENHOUSE IS A LONG WAYS AWAY.
YOU SAID YOU HAD A ZODIAC RAFT BACK AT THE BEACH.
WE COULD TAKE THAT, CUT AROUND THE HORN OF THE ISLAND,
AND LET ME GUESS.
NO, NOT EXACTLY AT ALL,
BUT I KNOW THAT BEN USED IT TO LEAVE THE ISLAND.
AND HOW YOU GONNA DO THAT?
THIS IS ALL HAPPENING BECAUSE THEY LEFT.
I THINK IT'LL STOP IF I CAN BRING THEM BACK.
JACK, SUN, SAYID, HUGO, KATE.
THEY'RE NOT DEAD, JAMES.
THAT DOESN'T MATTER.
ALL THAT MATTERS IS THEY'VE GOTTA COME BACK.
I HAVE TO MAKE THEM COME BACK...
EVEN IF IT KILLS ME.
DON'T YOU WANT 'EM TO COME BACK, JAMES?
DON'T YOU WANT HER TO COME BACK?
IT DOESN'T MATTER WHAT I WANT.
(Miles) HEY!
SHE'S WAKING UP!
ARE YOU OKAY?
WHO ARE YOU?
IT'S ME.
IT'S DANIEL.
DANIEL.
(groans, grunts)
OH, MY HEAD.
(exhales deeply)
WHAT HAPPENED?
THERE WAS ANOTHER FLASH. YOU PASSED OUT.
HOW DO YOU FEEL?
A BIT DIZZY, BUT...
I'M FINE.
GOOD.
(flatly) HOORAY. EVERYTHING'S BACK TO NORMAL.
NOW WHAT?
I'LL TELL YOU "NOW WHAT."
WE'RE GOING TO THE ORCHID.
(woman over P.A.) ONCOLOGIST ON CALL TO THE I.C.U.
DILATION'S ALMOST BACK TO NORMAL.
GOOD. NOW TAKE THIS I.V. OUT OF MY ARM, AND LET'S GO.
SAYID, YOU WERE UNCONSCIOUS FOR 42 HOURS.
YOU HAD THE EQUIVALENT OF THREE DOSES OF HORSE TRANQUILIZER
IF YOU SENT THAT MAN TO HURLEY'S HOUSE, WE HAVE TO LEAVE NOW.
YOU NEED TO RELAX. BEN IS NOT GONNA HURT HURLEY.
BEN IS ON OUR SIDE.
THE ONLY SIDE HE'S ON IS HIS OWN.
DR. SHEPHARD?
I'M DR. ARIZA, DIRECTOR OF CLINICAL SERVICES.
A WORD WITH YOU, PLEASE?
I'LL BE RIGHT BACK.
WHAT DO YOU THINK YOU ARE DOING HERE?
I WAS TREATING A PATIENT.
I APOLOGIZE. IT WAS AN EMERGENCY.
YOU WERE SUSPENDED ON CHARGES OF SUBSTANCE ABUSE.
I UNDERSTAND,
AND I TAKE FULL RESPONSIBILITY FOR MY ACTIONS.
NO, DOCTOR.
THE HOSPITAL TAKES FULL RESPONSIBILITY FOR YOUR ACTIONS,
AND THAT MAKES US LIABLE FOR THEM.
EXCUSE ME.
(Hurley) Jack? It's me.
HEY, DID SAYID GET TO YOU? DID MY DAD DROP HIM OFF?
Is he okay?
AWESOME.
Hurley, where are you?
DUDE, I'M TOTALLY COOL. I'M IN L.A. COUNTY LOCKUP.
OH, AND TELL SAYID I DID EXACTLY WHAT HE SAID.
I'M TOTALLY SAFE. BEN'S NEVER GONNA GET ME NOW.
(line disconnects)
(sighs)
GOOD. YOU'RE HERE. HOW'S SAYID?
HOW YOU DOING TODAY, SIR?
GOT YOUR MEDS FOR YOU.
SORRY, I THINK YOU HAVE THE WRONG ROOM.
NOPE.
ROOM 133, RIGHT?
GOT THE ORDERS RIGHT HERE. BUT DON'T WORRY.
I WON'T HAVE TO GIVE YOU AN INJECTION.
PUT THIS RIGHT IN YOUR I.V. LINE.
(plastic crinkles)
(silenced gunshots)
(grunts)
(metal tray clanks)
(both grunting)
(gasping)
(grunting)
WHO ARE YOU? WHO ARE YOU WORKING FOR?
(grunts)
(gasping, groaning)
ADDRESS--IT'S IN MY POCKET.
(grunts)
(silenced gunshots)
(groans)
HELLO, SAYID.
WHAT HAPPENED?
DO WE KNOW ANYONE WHO LIVES AT 42 PANORAMA CREST?
THAT'S KATE'S ADDRESS.
(elevator bell dings, beep)
(cell phone rings)
(ring)
(ring)
(ring)
HELLO?
KATE? IT'S JACK. ARE YOU OKAY?
YEAH. I'M FINE.
Where are you right now? Are you at home?
UH... WHAT?
LISTEN, I'LL EXPLAIN EVERYTHING ONCE YOU'RE OUT,
Look, I'm not at home, okay? I'm...
AARON IS AT A HOTEL WITH SUN.
SUN? SUN'S IN L.A.?
YEAH, SHE'S HERE ON BUSINESS.
LISTEN, JACK, THIS IS REALLY NOT A GOOD TIME.
I'm so sorry that I even picked up the phone. I'm not--
KATE, DO NOT HANG UP ON ME. PLEASE LISTEN. LISTEN, UH...
WILL YOU TELL ME WHERE YOU ARE? I NEED TO SEE YOU?
KATE, PLEASE.
I'M DOWNTOWN.
OKAY. ALL RIGHT. I'M ON MY WAY.
SHE'S NOT AT HOME, BUT I'M GONNA GO TO HER RIGHT NOW.
GOOD. I'LL GO DEAL WITH HUGO.
SORRY, BEN. I'M NOT LETTING YOU GET ANYWHERE NEAR HIM.
YOU HAVE FRIENDS IN TROUBLE. LET'S GET THEM TO SAFETY
AND SAVE THE DIRTY LINEN FOR LATER.
I'LL DRIVE.
AFTER YOU GET KATE,
MEET US AT THE LONG BEACH MARINA, SLIP 23.
AND, JACK... HURRY. WE'RE RUNNING OUT OF TIME.
(starts engine)
(tires peal)
(water sloshing)
HEY, LOCKE?
WHAT ARE YOU GONNA SAY TO HER?
SORRY?
KATE.
WHAT ARE YOU GONNA SAY TO HER TO GET HER TO COME BACK?
I HAVEN'T FIGURED THAT OUT YET.
WELL, LET ME TELL YOU SOMETHING.
SHE WAS PRETTY EXCITED
TO HOP ON THAT CHOPPER AND GET THE HELL OUT OF HERE.
WHAT THE HELL IS THAT?
WHATEVER IT IS, WE BETTER STAY CLEAR OF IT.
BEACH IS THIS WAY.
NOW YOU WANNA TAKE THE SCENIC ROUTE?
JOHN...
DO YOU KNOW WHEN WE ARE?
WE NEED TO KEEP MOVING.
HEY. HOW'S YOUR HEADACHE?
BETTER.
NOTHING LIKE SORE FEET TO TAKE YOUR MIND OFF YOUR HEAD, EH?
(chuckles) WELL, DON'T WORRY.
ONCE WE GET TO THE BEACH, WE'RE GONNA TAKE THE ZODIAC
AROUND THE OTHER SIDE OF THE ISLAND AND REST.
YOU'RE SWEET, BUT YOU DON'T NEED TO BABY ME. I'M FINE.
YOU OKAY?
I'M PEACHY.
SHH!
NOW WHAT?
(screaming continues)
(whispers) NOBODY MOVE.
(screaming continues)
I GOT THIS.
(*** rifle)
(woman speaking indistinctly)
IT KNOWS I DON'T WANT IT, AND I WAS GONNA GIVE IT AWAY.
BABIES KNOW THAT STUFF.
OKAY, NO, NO, HANG ON. LISTEN, LISTEN.
DO YOU WANT THIS BABY?
DO YOU WANT IT TO BE SAFE AND HEALTHY?
YOU'RE NOT ALONE IN THIS.
WE ARE ALL HERE FOR YOU. THIS BABY IS ALL OF OURS.
BUT I NEED YOU TO PUSH.
OKAY?
(panting)
ONE, TWO, THREE...
PUSH! PUSH!
COME ON, CLAIRE! PUSH!
(grunting and screaming)
OKAY! HE'S COMING! (speaks indistinctly)
(grunting)
PUSH! PUSH! PUSH! PUSH!
(Aaron crying)
♪♪♪
(speaking inaudibly)
(buzzing, magnetic humming)
(buzzing and humming stop)
(grunts)
(panting)
JAMES?
WHAT HAPPENED?
DID YOU SEE SOMETHING OUT HERE, JAMES?
DON'T MATTER.
IT'S GONE NOW.
(car door shuts)
YOU SHAVED YOUR BEARD.
YEAH.
JUST NEEDED A CHANGE.
LOOK, JACK, UH...
I DON'T KNOW WHY YOU CALLED,
BUT I CAN'T BE DEALING WITH THIS RIGHT NOW.
WHAT'S GOING ON?
NOTHING. JUST...
WHY DON'T YOU JUST TELL ME?
JACK, PLEASE, JUST GO.
KATE, PLEASE, TELL ME.
(voice breaks) SOMEBODY WANTS AARON.
WHAT?
THERE'S A LAWYER IN THERE.
HIS CLIENTS-- THEY KNOW WE'RE LYING.
THEY KNOW I'M NOT HIS MOM, AND THEY'RE GONNA TAKE HIM AWAY.
WHO'S GONNA TAKE HIM AWAY?
WHAT--WHAT ARE YOU DOING?
LOOK, I GOTTA GO, ALL RIGHT? GET IN OR DON'T.
(starts engine)
(birds chirping)
HEY.
YOU READY TO TELL ME WHO YOU SAW BACK THERE?
ALREADY TOLD YOU. IT WAS NOTHIN'.
YOU AND I BOTH KNOW WHEN WE WERE BEFORE THE FLASH, JAMES.
SO WHO WAS IT YOU SAW?
CHARLIE? SHANNON? YOURSELF?
AND HOW IS IT THAT YOU KNEW WHEN WE WERE, JOHNNY BOY?
THAT LIGHT IN THE SKY--IT WAS FROM THE HATCH, WASN'T IT?
THE NIGHT THAT BOONE DIED...
I WENT OUT THERE
AND STARTED POUNDING ON IT AS HARD AS I COULD.
I WAS... CONFUSED... SCARED.
BABBLING LIKE AN IDIOT,
ASKING, WHY WAS ALL THIS HAPPENING TO ME?
DID YOU GET AN ANSWER?
LIGHT CAME ON, SHOT UP INTO THE SKY.
AT THE TIME, I THOUGHT IT MEANT SOMETHING.
DID IT?
NO. IT WAS JUST A LIGHT.
SO WHY'D YOU TURN US AROUND THEN?
DON'T YOU WANNA GO BACK THERE?
WHY WOULD I WANNA DO THAT?
SO YOU COULD TELL YOURSELF TO DO THINGS DIFFERENT,
SAVE YOURSELF A WORLD OF PAIN.
NO, I NEEDED THAT PAIN TO GET TO WHERE I AM NOW.
HEY. (sniffles)
I JUST GOT A NOSEBLEED.
WHAT? WHEN?
LET'S JUST NOT FREAK OUT THE OTHERS, OKAY?
JUST TELL ME...
I DON'T KNOW.
UH, I THINK IT MIGHT HAVE SOMETHING TO DO
WITH DURATION OF EXPOSURE.
YOU KNOW, THE AMOUNT OF TIME YOU'VE SPENT ON THE ISLAND.
DOESN'T MAKE ANY SENSE.
THOSE YAHOOS HAVE BEEN HERE FOR MONTHS.
ARE YOU SURE ABOUT THAT?
(Sawyer) HELLO?!
(birds chirping)
THE CAMP'S BACK.
FINALLY.
ANYBODY FOR A DHARMA BEER?
HELLO? ANYBODY HERE?
ROSE? BERNARD?
I WONDER HOW LONG AGO THIS HAPPENED.
SON OF A ***!
WHAT IS IT?
IT'S VINCENT'S.
YEAH? WELL, WHERE'S THE REST OF THE DOG?
WHERE'S THE REST OF OUR PEOPLE?
THE ZODIAC'S GONE, TOO.
MAYBE YOUR PEOPLE TOOK THE BOAT.
WHY THE HELL WOULD THEY DO THAT?
TO GET AWAY FROM WHOEVER CAME IN THOSE.
(Charlotte) WHERE DID THESE COME FROM?
THAT'S A GOOD QUESTION.
THEY'RE PRETTY OLD.
NOT THAT OLD.
LET ME SEE THAT.
"ADG-UH-RUH"?
AJIRA. IT'S AN AIRLINE.
IT'S BASED OUT OF INDIA, BUT THEY FLY EVERYWHERE.
GREAT. MAYBE THEY GOT A FLIGHT OUT OF HERE TO VEGAS TONIGHT.
DON'T LOOK AT ME.
MY QUESTION IS, WHEN ARE THEY COMING BACK?
LET'S NOT WAIT TO FIND OUT.
(grunting)
THIS PLAN SOUNDED A HELL OF A LOT BETTER
WHEN WE WERE GOING BY MOTORBOAT.
HOW FAR IS THIS PLACE?
IT'S AROUND THAT POINT. NOT MORE THAN A COUPLE HOURS.
(flatly) OH, JOY.
YOU ALL RIGHT?
I SAW KATE.
WHAT?
LAST NIGHT, IN THE JUNGLE.
BEFORE THE LAST FLASH.
SHE WAS DELIVERING CLAIRE'S BABY.
BUT THAT WAS TWO MONTHS AGO.
TIME TRAVEL'S A ***.
(Charlotte) GET DOWN!
PADDLE!
MOVE!
(gunshot)
(gunshot)
(gunshot)
NO! ARE THEY YOURS?!
SHUT UP AND KEEPING PADDLING!
(gunshot)
(gunshot)
LITTLE HELP! LITTLE HELP!
(gunshot)
(gunshot)
(gunshot ricochets)
(Sawyer) PADDLE HARDER! THEY'RE GETTING CLOSER!
(buzzing, magnetic humming)
THANK YOU, LORD!
(thunder rumbling, lightning crashing)
I TAKE THAT BACK!
EVERYBODY, PADDLE! HEAD FOR THE SHORE!
(thunder rumbling, lightning crashing)
KATE, JUST BECAUSE THE GUY
TOLD YOU THAT HE WAS MEETING HIS CLIENT
DOESN'T MEAN THAT THEY'RE HERE IN L.A.
OR THEY'RE IN THAT HOTEL RIGHT NOW.
OKAY. AND WHAT IF THEY ARE?
WHAT IF THE PERSON WHO WANTS TO TAKE AARON
IS SITTING IN THAT HOTEL ROOM RIGHT NOW?
THEN WHAT?
COME ON. COME WITH ME.
WE'LL--WE'LL GO GET AARON,
WE'LL PUT OUR HEADS TOGETHER, AND WE'LL FIGURE SOMETHING OUT.
ALL RIGHT.
OH, MY GOD.
(exhales deeply)
IT'S CLAIRE'S MOTHER.
WAIT.
WAIT. I JUST...
SHE KNOWS.
NO, BUT SHE KNOWS ABOUT AARON, AND THAT'S ALL THAT MATTERS!
(sighs) LET ME GO TALK TO HER.
WHAT?
IF I CAN JUST EXPLAIN TO HER WHY WE DID IT--
MAYBE IF I CAN GET HER TO UNDERSTAND WHY...
SHE'LL LISTEN TO ME.
I CAN FIX THIS, KATE. I CAN FIX IT.
HEY.
AARON IS MY FAMILY, TOO.
(knock on door)
(sighs)
DR. SHEPHARD?
HELLO, MS. LITTLETON. UM...
MAY I COME IN?
OF COURSE.
(door closes)
YOU LOOK DRENCHED.
NO, NO. NO, I'M FINE.
GOD, I HAVEN'T SEEN YOU SINCE YOUR FATHER'S FUNERAL.
HOW DID YOU EVEN KNOW I WAS HERE?
UM...
I KNEW YOU WERE HERE, MS. LITTLETON,
BECAUSE I FOLLOWED YOUR LAWYER.
WHY WOULD YOU DO THAT?
I'M--I DID IT BECAUSE, UM...
I UNDERSTAND THAT YOU FEEL THE NEED TO DO THIS.
BUT I NEED YOU TO KNOW
THAT EVERYTHING THAT KATE AND I HAVE DONE--IT WAS FOR AARON.
WHO'S... AARON?
I-I'M AFRAID I'M NOT FOLLOWING YOU.
MS. LITTLETON, UM...
WHAT ARE YOU DOING HERE IN LOS ANGELES?
(thunder rumbles)
LET'S GO. DRIVE. THEN CALL SUN
AND TELL HER TO BRING AARON TO THE LONG BEACH MARINA.
WHAT--WH-WHAT ARE YOU TALKING ABOUT? WHAT HAPPENED?
I'M NOT GOING ANYWHERE UNTIL YOU TELL ME WHAT JUST HAPPENED!
SHE DOESN'T KNOW ANYTHING.
WHAT?
SHE DOESN'T KNOW.
SHE STILL THINKS THAT CLAIRE IS DEAD.
(pants) SHE DOESN'T EVEN KNOW THAT AARON EXISTS.
SHE SUED OCEANIC,
WHAT, AND IT'S JUST A COINCIDENCE THAT HER LAWYER
I DON'T KNOW.
BUT WHOEVER'S TRYING TO TAKE AARON...
IT'S NOT HER.
THEN WHO IS IT?
CAN I ASK YOU SOMETHING?
WHY'D YOU TAKE IT UPON YOURSELF TO RESCUE HUGO?
I HAD TO MAKE SURE HURLEY WAS SAFE.
YOU CAN PULL IN OVER HERE.
(tires squeaking)
(shifts gears, turns off engine)
MR. LINUS.
MR. NORTON.
I LOOKED INTO IT,
AND THEY DON'T HAVE ANY KIND OF SOLID CASE AGAINST REYES.
THE M.E. SAID THAT THE MAN FOUND OUTSIDE SANTA ROSA
WAS KILLED BEFORE REYES ESCAPED.
THAT'S VERY GOOD NEWS.
WE HAVE A PRELIM HEARING IN THE MORNING.
THE JUDGE WILL NEVER LET IT GET PAST THAT,
AND REYES WILL BE A FREE MAN.
THANK YOU, DAN.
ANYTIME.
WHO WAS THAT?
THAT'S MY LAWYER.
(all grunting)
AAH! OKAY!
(all panting)
REMIND ME NEVER TO DO THAT AGAIN.
IT'S HARD TO SAY TILL IT GETS LIGHT.
(thunder rumbling)
WE DIDN'T GET A CHANCE TO FINISH OUR CONVERSATION.
WHAT CONVERSATION WAS THAT?
THE ONE BEFORE THEY STARTED SHOOTING AT US,
WHERE YOU WERE ABOUT TO TELL ME HOW IT FELT TO SEE KATE AGAIN.
I WASN'T ABOUT TO TELL YOU ANYTHING.
(thunder rumbling)
WHY DON'T YOU TELL ME NOW?
I WAS CLOSE ENOUGH TO TOUCH HER.
IF I WANTED TO, I COULD'VE...
STOOD RIGHT UP AND TALKED TO HER.
WHY DIDN'T YOU?
WHAT'S DONE IS DONE.
JULIET?
WHAT'S WRONG?
(Charlotte) OI!
COME AND LOOK AT THIS!
IT'S WRECKAGE.
LOOKS LIKE IT JUST HAPPENED.
(thunder rumbling)
ANYBODY SPEAK FRENCH?
(man) JE T'AI BIEN DIT
QU'ON N'AURAIT JAMAIS Dû SUIVRE CES MAUDITS CHIFFRES!
C'EST PAS MA FAUTE, ROBERT. BRENNAN DEVAIT TENIR LE SONAR!
MAIS JE LE FAISAIS, MONTAND! JE VOUS L'AI DéJà DIT,
LES INSTRUMENTS ONT MA FONCTIONNé!
(woman) UN HOMME à LA MER!
(man) QUOI? JE PENSAIS QU'ON éTAIT TOUS Là!
EXACT! IL N'EST PAS DES NOUS.
(shouting in French)
(speaking in French continues)
(shifts gears, turns off engine)
JACK, WHY DID YOU CALL ME TODAY?
I TOLD YOU. I WAS...
I WAS WORRIED.
BUT WHY? WHY WERE YOU WORRIED? WHY TODAY?
(paper crinkles)
I DON'T...
RIGHT BEFORE I CALLED YOU, SAYID WAS ATTACKED.
AND THE GUY THAT DID IT-- YOUR ADDRESS WAS IN HIS POCKET.
SAYID? WHAT'S HE DOING HERE?
THAT'S NOT IMPORTANT RIGHT NOW.
WHAT MATTERS IS THAT WE GET YOU AND AARON SOMEPLACE SAFE.
SAFE FROM WHO?
(engine turns off)
HELLO, KATE.
(car door shuts)
IT'S OKAY. HE'S WITH ME.
HE'S WITH YOU?
I KNOW THIS IS GONNA BE HARD TO UNDERSTAND,
BUT HE'S HERE TO HELP US.
TO HELP EVERYONE THAT WE LEFT BEHIND.
IT'S HIM.
WHAT?
IT'S HIM. HE'S THE ONE WHO'S TRYING TO TAKE AARON.
NO, JACK. SHE'S RIGHT.
IT WAS ME.
SORRY.
WHO THE HELL DO YOU THINK YOU ARE?
WHY DON'T YOU JUST STAY AWAY?!
WHY DON'T YOU LEAVE ME AND MY SON ALONE?!
BECAUSE HE'S NOT YOUR SON, KATE.
ROBERT... (speaking French)
15... 16...
(both speaking French)
(woman) çA VA?
(speaks French)
NO UNDERSTAND.
(French accent) YOU SPEAK ENGLISH?
(panting) LITTLE.
ARE YOU OKAY?
YES.
HOW DID YOU GET HERE?
(man) QUI EST-CE?
(speaks French)
(French accent) WHAT BOAT?
IT'S GONE.
SINK.
IT MUST'VE BEEN CAUGHT IN THE SAME STORM AS OURS.
WHO ARE YOU? HOW LONG YOU IN THE WATER?
HOW DO YOU NOT KNOW
HOW YOU WOUND UP IN THE MIDDLE OF THE OCEAN, AH?
MONTAND... (speaks French)
(both speak French)
(speaks French)
MERCI, ROBERT.
(exhales deeply) THANK YOU.
WHAT IS YOUR NAME?
KWON JIN.
JIN.
HELLO, JIN.
I'M DANIELLE.
DANIELLE ROUSSEAU.