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It is a very particular music
that already contains some very theatrical elements.
So, during the staging, many times the music has suggested me several ideas.
I worked with people who had never practiced theatre before
and so it has become a reciprocal process of discovery and knowledge,
even of their personal aspects.
It was wonderful to assist to a growing authonomy
and an increasing awareness
among the young actors and the adults forming the cast of the opera.
I believe that much of my job
has been to make them independent and let them grow in this experience
without trying to impose any preconfigured idea on what they were supposed to do
but rather giving them the instruments
to express themselves as best as they could
and to feel at ease on the stage.
And I believe that, in the end, one could see it.