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>> Narrator: COMING UP...
>> DON'T DO IT!
>> Narrator: ...WILL MURR BE
FORCED TO SWALLOW HIS PRIDE?
[ LAUGHTER ]
WHY IS JOE OUT FOR REVENGE?
>> I'M READY TO FIGHT DIRTY.
I'M READY.
>> YOU POKED THE WRONG ITALIAN.
>> LET'S DO THIS.
>> Narrator: AND WHY WILL
TONIGHT'S BIG LOSER BE EXTRA
SORRY?
[ LAUGHTER ]
>> TODAY, WE ARE AT
FAIRWAY MARKET, CLIPPING
BALLOONS ONTO UNSUSPECTING
SHOPPERS.
>> WE'RE GOING HEAD-TO-HEAD,
TOURNAMENT-STYLE, JOKER VERSUS
JOKER, BALLOON FOR BALLOON,
WINNER TAKE ALL.
>> THE GOAL IS TO KEEP ATTACHING
BALLOONS ONE AT A TIME TO
CUSTOMERS WITHOUT GETTING
CAUGHT.
>> WHOEVER GETS CAUGHT LOSES.
>> AND HERE THEY COME, BEST
BUDS.
SO, IT'S GONNA BE *** FOR TAT
DOWN THERE.
>> BALLOON FOR BALLOON.
>> YOU GET CAUGHT, YOU LOSE.
>> HERE GOES MURR.
>> LOOK AT THE GUYS LOOKING.
>> [ LAUGHS ]
ALL RIGHT! SAL, YOU'RE UP!
SAL, SAL, YOU'RE UP.
OH!
HE GETS IT! YOU'RE IN, MURR!
>> BACK TO YOU, MURR!
>> BACK TO YOU, MURR.
YOU GOT TO GET HER, MURR.
YOU GOT TO GET HER.
OH!
>> SHE'S GETTING AWAY.
HURRY UP.
>> I GOT CAUGHT IN TRAFFIC.
[ LAUGHTER ]
>> YOU GOT BALLOON-BLOCKED.
>> YOU'RE NOT DEAD YET.
IT'S TWO OUT OF THREE.
BIG BLUE, BIG BLUE, BIG BLUE.
TURN AROUND, SAL -- BIG BLUE.
OH!
OH, HE'S GOT --
>> OH!
>> THE BALLOON HIT HIM IN THE
HEAD, AND HE DIDN'T KNOW!
[ LAUGHTER ]
OH, THIS IS INTERESTING, THOUGH,
'CAUSE SAL DID NOT GET CAUGHT.
MURR, YOU'RE UP.
SAL DID NOT GET CAUGHT.
THE THING IS, MURRAY HAS TO GET
PAST HIM WITH THE BALLOON AND
HIM NOT NOTICE.
>> OH, HERE WE GO. HERE WE GO.
>> HERE WE GO.
>> YOU KNOW WHAT?
I GOT TO PREPARE.
>> SAL'S PREPARING.
THAT'S THE SECRET.
YOU GOT TO BE READY WITH ONE IN
THE HAND.
>> IT'S ABOUT POSITION.
>> PREPARATION IS THE KEY TO
EVERYTHING IN LIFE, JOE.
>> THAT'S TRUE.
GO, MURRAY.
HERE HE GOES! HERE HE GOES!
[ LAUGHTER ]
NOW YOU'RE JUST SIDLING UP NEXT
TO HIM.
[ LAUGHTER ]
OH, YOU GOT CAUGHT!
EXPLAIN YOUR WAY OUT OF IT!
YOU'RE CAUGHT!
>> THAT'S AWKWARD.
[ DING! ]
>> LOOK AT SAL!
SAL IS VICTORIOUS.
SAL'S UP.
>> WHOA.
>> WHOA!
>> WHOA!
>> MURR'S IN.
>> Both: WHOA!
>> BACK TO SAL.
>> Both: OH!
>> SHE'S STARTING TO LOOK LIKE
THE HOUSE FROM "UP."
>> [ LAUGHS ]
>> [ LAUGHS ]
THIS IS AMAZING!
>> OH!
>> OH, MY GOD!
>> MURR, YOUR TURN.
>> MURR, YOU'RE UP.
>> SHE'S ENGAGED IN
CONVERSATION.
THAT'S WHAT THE SECRET IS.
>> SAL'S GOING FOR A DOUBLE!
>> SAL'S GOING FOR A DOUBLE.
>> Both: OH!
>> YOU'RE OUT.
>> THAT'S A VICTORY FOR MURR.
>> THERE YOU GO, MURR.
[ DING! ]
>> IF YOU GET CAUGHT PUTTING A
BALLOON ON SOMEBODY'S SHIRT...
>> [ LAUGHS ]
>> ...YOU LOSE.
JOE, HOW ABOUT THIS GUY WITH THE
NASA SHIRT?
OH, OH!
HE'S GOING FOR THE SHIRTSLEEVE.
>> THAT'S RISKY.
[ LAUGHTER ]
>> I THINK JOE THINKS HE LOST.
YOU GOT CAUGHT.
>> IF THAT'S THE WAY YOU WANT TO
PLAY, BUDDY, LET'S FIGHT DIRTY.
>> I'M READY TO FIGHT DIRTY.
I'M READY.
>> YOU POKED THE WRONG ITALIAN.
>> LET'S DO THIS.
>> [ LAUGHS ]
>> GO AHEAD. YOU'RE UP.
>> YOU KNOW WHAT THEY SAY ABOUT
THAT.
YOU AWOKE A SLEEPING ITALIAN
THAT'S AWAKE.
>> ALL RIGHT, GUYS, I'M GOING
WAY DOWN.
>> SABOTAGED BY JOE!
>> [ LAUGHS ]
>> SORRY ABOUT THAT.
>> DROPPED THAT WHEN YOU TRIED
TO PUT THE BALLOON ON THAT LADY.
>> [ LAUGHS ]
>> ON THAT NICE LADY.
>> Q GOT CAUGHT ATTEMPTING HIS.
>> YEAH.
>> SO, HE LOSES. THAT'S A LOSS.
NEXT ONE TAKES ALL.
>> OH, MY GOD!
SHE'S GOT A BALLOON!
>> JOE, JOE!
GOT A BALLOON.
[ LAUGHTER ]
>> I DON'T KNOW WHAT HAPPENED
WITH THAT, THEN.
>> YOU GOT CAUGHT, BUDDY.
>> YOU'RE HOLDING THE BALLOON.
>> I FIGURED, YOU HAD ONE ON
THERE ALREADY.
I MIGHT AS WELL PUT THE SECOND
ONE.
>> WHAT'S THIS GUY DOING?
>> JOE!
JOE GOES DOWN!
>> AND Q MOVES ON.
>> NICELY DONE.
>> ALL RIGHT, IT'S WINNER TAKES
ALL RIGHT HERE, ONE ROUND.
>> FIRST PERSON TO GET CAUGHT
LOSES.
>> SUDDEN DEATH?
>> SUDDEN DEATH.
OH, HE'S ON A BAG.
>> ON A BAG!
>> HE'S ON A BAG.
Q HAS GOT IT ON A BAG, MURRAY.
>> AND HE'S ON, HE'S ON, HE'S
ON.
>> IT'S IN YOUR COURT.
OH, THERE YOU GO.
TWO -- SHE'S IN TWO.
SHE'S IN TWO.
>> OH, [BLEEP]
>> HE'S RIGHT BACK WITH A PINKY.
HERE -- OH!
HE'S NOT CAUGHT!
>> NOT CAUGHT!
>> IT'S UP TO MURRAY!
>> HE'S NOT CAUGHT.
NO, IT'S ON.
>> OH!
>> HE'S STILL THERE.
YEAH, HE'S GOT ONE.
MURRAY'S GOT IT.
OH, Q ANSWERS BACK.
>> FIVE BALLOONS -- SHE'S GONNA
FLOAT AWAY.
[ BOTH LAUGH ]
>> MURR, IT'S UP TO YOU, BUDDY.
YOU BETTER GO.
THE SECOND SHE WALKS AWAY, IT'S
OVER.
OH, MY GOD. OH, MY GOD.
OH, MY GOD. OH, MY GOD.
DID HE GET IT? DID HE GET IT?
[ BOTH LAUGH ]
FLOATED AWAY! FLOATED AWAY!
AND MURRAY'S VICTORY FLOATS OFF
INTO THE ATMOSPHERE.
>> [ High-pitched voice ] AND
THAT'S HOW I WIN!
[ LAUGHTER ]
THAT'S HOW I WIN!
[ DING! ]
>> Narrator: A TOTALLY DEFLATING
LOSS LANDS MURR, SAL, AND JOE ON
THE LOSER BOARD.
WHO THE [BLEEP] ARE YOU?
[ LAUGHTER ]
>> TODAY, WE'RE AT SAM ASH MUSIC
STORE, HELPING CUSTOMERS SHOP
FOR INSTRUMENTS.
>> WHILE WORKING ON THE SALES
FLOOR, WE'LL HAVE TO DO AND SAY
WHAT THE OTHER GUYS TELL US.
>> IF YOU REFUSE TO DO OR SAY
ANY OF IT, YOU LOSE.
>> [ PLAYING OFF-KEY ]
>> PUT YOUR FLUTE AWAY.
>> JOE, THE GUY BY THE PIANO.
>> WHAT'S UP, MAN?
>> [ PLAYS CHORD ]
>> YEAH, THAT'S A SWEET SOUND,
MAN.
>> PLAY RIGHT OVER HIS SHOULDER.
[ LAUGHTER ]
RIGHT OVER HIS SHOULDER, JOE,
LIKE YOU'RE GIVING HIM THE
HEIMLICH.
>> COME ON, JOE.
GET YOUR ARMS AROUND HIM.
>> KEEP PLAYING. KEEP PLAYING.
>> PLAY RIGHT OVER HIM.
[ LAUGHTER ]
>> YEAH, I HEAR THE DIFFERENCE.
>> DANCE BEHIND HIM.
[ LAUGHTER ]
[ PLAYING UP-TEMPO TUNE ]
>> I NEVER USE IT.
>> NOW IT'S GOT THE FUNK.
>> THAT'S IT.
JOE, START POINTING TO YOUR
CROTCH.
>> I'LL PICK ON THAT.
>> RIGHT.
[ TEMPO QUICKENS ]
[ LAUGHTER ]
>> THAT'S GOOD.
>> JOE, GET EYE LEVEL WITH HIM.
>> YOU GOT FOUR OF THESE GUYS.
>> JUST LOOK AT HIM AND SAY,
"YOU WANT TO SEE A DEAD BODY?"
[ LAUGHTER ]
>> YOU -- REAL QUICK, THOUGH --
YOU WANT TO SEE A DEAD BODY?
YOU WANT TO SCOPE OUT A DEAD
BODY?
[ LAUGHTER ]
[ DING! ]
>> HOW CAN I HELP YOU OUT, SIR?
YOU'D LIKE TO START PLAYING THE
HARMONICA.
>> MURR, THERE'S A HARMONICA ON
THE TABLE.
LOOK HIM IN THE EYE...
SAY, "WATCH THIS."
>> WATCH THIS.
>> PUT THE WHOLE HARMONICA IN
YOUR MOUTH.
[ LAUGHTER ]
>> [ PLAYS NOTE ]
[ LAUGHTER ]
>> NOW GIVE IT TO HIM TO PLAY.
>> GO AHEAD. TRY.
[ LAUGHTER ]
TRY IT. IT'S NOT AS HARD AS YOU
THINK.
TRY IT.
TRY IT. SEE HOW IT FEELS.
>> IT WAS JUST IN HIS MOUTH.
>> [ PLAYS NOTE ]
[ LAUGHTER ]
>> NOW GIVE IT TO HIM TO PLAY.
>> GO AHEAD. TRY.
[ LAUGHTER ]
TRY IT.
IT'S NOT AS HARD AS YOU THINK.
TRY IT.
>> DON'T DO IT!
IT WAS JUST IN HIS MOUTH!
>> [ PLAYS NOTE ]
>> GOD!
>> OH, MY GOD.
>> NOW TELL HIM, "WELCOME TO THE
WORLD OF HEPATITIS."
[ LAUGHTER ]
>> YEAH! SAY IT! SAY IT!
>> I WOULD LIKE TO WELCOME YOU
TO THE WORLD OF HEPATITIS.
[ LAUGHTER ]
[ DING! ]
>> YOU LOOK THE MOST LIKE A
MUSICIAN OUT OF THE FOUR OF US.
>> RIGHT.
>> YOU ARE KILLING THAT SLIDE
WHISTLE RIGHT NOW, MAN.
>> I JUST WANT SOMEONE TO SLIP
ON A BANANA PEEL SO I CAN BE
LIKE...
[ PLAYS SLIDE WHISTLE ]
[ LAUGHTER ]
>> Q, GO UP TO SOMEONE WITH THAT
RAIN STICK FROM BEHIND.
POKE THEM TO SEE IF THEY NEED
HELP, WITH THE RAIN STICK.
[ LAUGHTER ]
>> GOT THIS GIRL ON THE LEFT IN
WHITE.
>> DO YOU NEED HELP WITH
ANYTHING?
>> I'M FINE. THANK YOU.
>> IF YOU NEED ANYTHING...
>> YOU'RE THE GUY TO SEE?
>> ...I'M THE GUY TO SEE.
YEP, YEAH.
>> I'LL KEEP IT IN MIND.
>> KEEP IT IN MIND.
[ LAUGHTER ]
>> Q, THE GUY WITH THE BONGOS.
>> OH, YOU DO MUSIC?
>> OH, YOU DO MUSIC?
>> YEAH.
>> COOL, BRO. I DO MUSIC.
MOSTLY ALL OF THEM.
I DABBLE A LITTLE BIT IN A
LITTLE BIT OF EVERYTHING.
>> Q, MISPRONOUNCE EVERY
INSTRUMENT.
[ LAUGHTER ]
>> "PIAMO."
I PLAY A LOT OF PIAMO.
REAL GOOD WITH THE "SAXOBONE."
[ LAUGHTER ]
I LIKE TO PLAY "BASS" EVERY ONCE
IN A WHILE.
YOU KNOW...
[ IMITATES BASS ]
LET'S JAM OUT SOME BASS.
[ DING! ]
>> THERE HE IS.
>> NICE SHOES, DUDE.
>> NICE EARRING.
WHAT'S THAT?
>> I'M ESTABLISHING CREDIBILITY.
>> WHAT?!
>> AS WHAT?
>> YEAH, I'M A MUSICIAN.
YOU KNOW, I'M ECCENTRIC LIKE
THAT.
>> OH, MY GOD!
>> WHAT ARE YOU DOING?
>> OVER THERE -- THE GUY TALKING
AT THE PIANOS.
HE'S AT THE PIANOS.
>> WE BROUGHT IN OUR FRIEND
CASEY.
>> YEAH.
>> WHO'S GONNA BE ASSISTING SAL
OUT ON THE FLOOR.
>> UNBEKNOWNST TO SAL.
>> RIGHT.
HE'S GONNA B BE GIVING HIM A...
>> CONFIDENCE BOOSTER.
>> THERE'S NO PEDAL.
>> YOU KNOW WHY FISH DON'T MAKE
GOOD MUSICIANS?
>> DO YOU KNOW WHY FISH DON'T
PLAY PIANO?
>> I GIVE UP.
>> 'CAUSE YOU CAN'T "TUNA FISH."
>> 'CAUSE YOU CAN'T "TUNA FISH."
[ RIM SHOT ]
[ LAUGHTER ]
>> ALL RIGHT, SAL, DID YOU HEAR
ABOUT THAT MUSICIAN THAT GOT
ARRESTED?
>> DID YOU HEAR ABOUT THAT
MUSICIAN THAT GOT ARRESTED?
SHE GOT IN "TREBLE."
>> SHE GOT IN "TREBLE."
[ RIM SHOT ]
>> COWBOY HAT, COWBOY HAT.
>> HOW ARE YOU, SIR?
>> WELCOME TO THE DRUM SECTION.
I'M GONNA TELL YOU TO BEAT IT.
>> YOU CAN HANG OUT IN THE DRUMS
FOR A LITTLE WHILE LONGER, BUT
AFTER THAT, I GOT TO TELL YOU TO
BEAT IT.
[ RIM SHOT ]
>> I SAW THIS GIRL IN HERE
EARLIER.
SHE WAS REALLY "SAXY."
>> THIS GIRL IN HERE EARLIER --
SHE WAS SO "SAXY."
[ RIM SHOT ]
>> SHE GAVE ME A "TROMBONER."
[ LAUGHTER ]
>> SHE GAVE ME A "TROMBONER."
[ RIM SHOT ]
>> I DON'T WORK HARD AT IT.
TRUST ME.
[ RIM SHOT ]
[ LAUGHTER ]
>> WHAT'S BETTER THAN ROSES ON
YOUR PIANO?
>> WHAT'S BETTER THAN ROSES ON
YOUR PIANO?
>> "TULIPS" ON YOUR ORGAN.
>> "TULIPS" ON YOUR ORGAN.
[ SLOW RIM SHOT ]
[ LAUGHTER ]
YOU GUYS ARE "GUITAR-TED."
[ LAUGHTER ]
[ DING! ]
>> Narrator: ALL THE JOKERS HIT
THE RIGHT NOTES.
SO, MURR, SAL, AND JOE ARE TIED
ON THE LOSER BOARD.
>> DO YOU GUYS REMEMBER OUR
MUSIC TEACHER, WHO USED TO PLAY
RECORDS BACKWARDS?
>> I SPECIFICALLY REMEMBER IT.
HE PLAYED A RECORD BACKWARDS,
AND IT SAID, "SATAN IS GOOD."
>> YEAH.
>> DID IT?
>> YEAH.
IT WAS A STRETCH.
IT WAS LIKE...
[ Distorted voice ] SATAN IS
GOOD!
[ LAUGHTER ]
TODAY, WE'RE PLAYING DRESS-UP
OUT HERE IN THE PARK.
>> AND WE PICKED OUT A VERY
SPECIFIC ITEM OF CLOTHING FOR
EACH OTHER TO WEAR.
>> THE GOAL IS TO GET A
COMPLIMENT ON THAT ITEM WITHOUT
DIRECTLY ASKING FOR IT.
>> IF YOU CAN'T GET A
COMPLIMENT, YOU LOSE.
WEAR YOUR SUNDAY BEST, BOYS.
JOKER VS. JOKER CHALLENGE.
>> All: OH!
>> OH, SNAP!
>> AND THERE THEY ARE -- THESE
BOOTS.
>> YEAH, LOOK GOOD, MAN.
>> LOOK AT THIS GUY.
>> STRETCHING OUT -- STRETCHING
OUT THE LEATHER?
>> STRETCHING OUT THAT LEATHER!
>> YEAH, PEACOCK, BABY.
FEELING GREAT.
>> YOU'RE ROCKING THOSE BOOTS,
BRO!
>> THE RED PONYTAIL.
>> [ LAUGHS ]
>> EYES TO BOOT -- JUST MADE
CONTACT.
EYES TO BOOT.
>> THAT'S SO WEIRD.
[ LAUGHTER ]
>> IT'S SO HOT TODAY.
I WASN'T EXPECTING IT TO BE THIS
WARM.
>> SHE'S LOOKING AT YOUR BOOTS,
THOUGH.
SHE'S LOOKING AT YOUR BOOTS.
>> I WOULD HAVE DRESSED
DIFFERENTLY.
>> UH-HUH.
>> THOSE MUST BE HOT.
>> THEY MUST BE WHAT?
>> CONTAINING A LOT OF YOUR BODY
HEAT.
>> HEAT, YEAH.
I LIKE THE STYLE, BUT IT'S
DEFINITELY NOT FOR THIS TYPE OF
WEATHER.
>> DOES NOT LIKE THEM.
>> SHE'S DOING THE BIG NODS BUT
STILL DOESN'T LIKE THEM.
>> BUT IT'S ALMOST LIKE SOME
DAYS WHEN I GET DRESSED, IT'S
LIKE NOT EVEN ME PUTTING THE
STUFF ON MYSELF.
>> WHO'S PUTTING THEM ON?
>> SOMETIMES YOU GET INFLUENCED
BY FRIENDS AND THEIR STYLES AND
STUFF.
THE BUCKLE'S HERE, AND YOU CAN
KIND OF CINCH IT TIGHTER IF YOU
WANT.
>> ALL GOOD -- STILL DON'T LIKE
THEM.
[ LAUGHS ]
>> SO, THESE ARE MY BOOTS!
[ LAUGHTER ]
>> GOOD FOR YOU.
>> GOOD FOR ME?
YEAH.
WELL, I MEAN, I LIKE THEM.
>> AND THAT'S THE BLANKEST LOOK
I'VE EVER SEEN ANYBODY GIVE
ANYBODY IN MY ENTIRE LIFE.
>> THEY'RE, UH...
>> YOU SEEM TO BE INSECURE ABOUT
THEM.
[ LAUGHTER ]
>> YOU SEEM TO BE FISHING FOR A
COMPLIMENT.
>> I MEAN, DO YOU ENJOY WEARING
THEM?
>> I DO. I DO.
>> THEN...
>> YEAH. I LIKE THEM.
YOU KNOW?
[ LAUGHTER ]
I LIKE THEM.
DOES SOMEONE NOT LIKE THEM?
I DON'T KNOW.
>> SO, THESE ARE MY BOOTS!
[ LAUGHTER ]
>> GOOD FOR YOU.
>> GOOD FOR ME?
YEAH.
WELL, I MEAN, I LIKE THEM.
>> YOU SEEM TO BE INSECURE ABOUT
THEM.
[ LAUGHTER ]
>> YOU SEEM TO BE FISHING FOR A
COMPLIMENT.
I LIKE THEM.
DOES SOMEONE NOT LIKE THEM?
I DON'T KNOW.
>> I KNOW YOU LIKE THEM.
I WOULD NOT WEAR THEM.
>> MY BOOTS SHOULD GET WALKING.
>> YOUR BOOTS SHOULD GET
WALKING.
>> YEAH.
[ LAUGHTER ]
[ BUZZER ]
>> THERE HE IS.
IT'S "MURRAY THE KID."
>> WHY AM I WEARING TWO THINGS?
>> DON'T WORRY, BUD.
YOU ONLY NEED A COMPLIMENT ON
THE BUCKLE.
>> YOU KNOW WHAT?
IF MURRAY GETS A COMPLIMENT,
THIS IS THE KIND OF THING THAT
THAT'LL BECOME HIS NEW LOOK.
HE'S LIKE, "WELL, PEOPLE LIKED
IT, BOYS."
SO, THIS GUY RIGHT HERE ON YOUR
RIGHT?
>> IT'S A HELL OF A DAY, HUH?
>> YEAH, IT'S NICE.
>> YOU FROM THESE PARTS?
>> YEAH.
>> YEAH?
>> QUEENS?
>> OH, YEAH.
>> I LOVE HOW MURRAY'S TRYING TO
TALK LIKE A COWBOY.
>> HE'S SEEN ONE COWBOY MOVIE
TEN YEARS AGO.
>> "TOY STORY."
>> [ LAUGHS ]
>> WHAT ARE YOU DOING?
>> I JUST LIKE TO GET A LITTLE
RHYTHM GOING, YOU KNOW?
>> MM-HMM. WHAT DO YOU PLAY?
>> WHAT'S THAT?
>> WHAT DO YOU PLAY?
>> YOU KNOW, MOSTLY THIS.
>> THEY GOT SOME NICE BELT
BUCKLES IN THERE.
>> OH, YEAH?
OVER THERE THEY GOT THEM?
>> BIG ONES.
>> BIG ONES.
>> NICE ONES.
>> LIKE MINE?
>> YEAH, BIGGER THAN THAT.
>> BIGGER THAN THIS?
>> MM-HMM.
>> 'CAUSE THAT'S KIND OF MY
THING.
>> YOUR BUCKLE'S NICE.
>> MY BUCKLE'S NICE?
>> YEAH.
>> All: AW!
>> TAKE CARE, MY MAN.
>> YOU, TOO, BROTHER.
[ DING! ]
>> Narrator: SAL GETS THE BOOT.
SO, HE'S TONIGHT'S BIG LOSER.
>> SAL IS OUR BIG LOSER AND THE
MOST APOLOGETIC OUT OF ALL OF
US.
>> SO, TODAY WE'RE PUTTING HIM
TO THE TEST WITH THE...
>> All: "NO APOLOGY" GAUNTLET!
>> YOU, MY FRIEND, ARE GONNA
HAVE TO RUN THE GAUNTLET,
STOPPING AT THESE SIGNS, WHERE
YOU'LL FIND THE AWFUL TASKS THAT
YOU HAVE TO DO TO PEOPLE.
>> YOU CAN SAY ANYTHING YOU
WANT, EXCEPT "I'M SORRY."
>> I'M SORRY I EVER MET YOU
GUYS.
>> LET THE GAUNTLET COMMENCE!
>> ♪ DA DA DA DA ♪
>> READY?
>> NO APOLOGIES.
HERE WE GO.
>> THAT'S SOMETHING YOU
APOLOGIZE FOR.
"OH, SORRY.
I'M SO SORRY."
>> OF COURSE YOU APOLOGIZE.
THIS IS AMERICA.
>> THIS IS EXTREMELY HARD,
SPECIFICALLY FOR SAL.
>> YES.
>> HE APOLOGIZES FOR EVERYTHING
IN HIS LIFE, JUST 'CAUSE IT'S
SUCH A MESS.
>> HERE HE GOES.
>> HOW DO YOU FEEL INSIDE RIGHT
NOW?
>> NERVOUS, VERY, SHAKY AT BEST.
>> ALL RIGHT. STOP NUMBER TWO.
>> OKAY.
OH, MY GOD. OH, MY GOD!
WOOF AT A BABY.
>> [ IMITATES BABY CRYING ]
>> WOOF!
>> WAAH!
>> WOOF!
>> WHICH IS TO SAY THAT THEIR
BABY IS LESS THAN
STELLAR-LOOKING.
THAT'S NUMBER TWO?
>> WE STEPPED IT UP.
IT'S A "NO APOLOGY" GAUNTLET.
>> OH, MY GOD.
I'M SORRY. I'M SORRY. I'M SORRY.
I'M SORRY.
>> HE'S GETTING IT OUT NOW,
GETTING IT ALL OUT.
>> YOU'RE GONNA NEED IT FOR
THIS.
>> THIS ONE, BUDDY.
>> YOU'RE WELCOME.
>> HERE WE GO.
>> WOOF, WOOF!
>> I CAN'T.
>> YOU CAN'T DO IT?
COME ON. YOU HAVE TO DO IT.
>> GUYS, I CAN'T.
>> SAL, HONESTLY, IF YOU'RE
HAVING THIS MUCH PROBLEMS, I
DON'T KNOW HOW YOU'RE GONNA GET
THROUGH THE REST OF THE
GAUNTLET.
>> THERE YOU GO.
>> OH. HEY!
>> THERE HE GOES.
>> THERE YOU GO.
>> OH. HEY!
>> DO IT. DO IT. DO IT!
>> WOOF.
[ LAUGHTER ]
GOD!
OH, MY GOD.
>> YEAH, THAT'S IT, MAN -- WOOF.
"NO APOLOGY" GAUNTLET CONTINUES.
>> "SNEEZE"...OH, GOD.
GUYS.
HOW DO YOU SNEEZE ON SOMEONE AND
NOT SAY YOU'RE SORRY?
>> YOU GOT TO DO IT.
YOU GOT TO DO IT.
>> AH-CHOO!
>> [BLEEP]
[ LAUGHTER ]
>> WOW!
>> I CAN'T DO ANY MORE.
>> YOU'RE DOING ALL RIGHT.
YOU ONLY GOT TWO MORE.
>> "BLOW AN AIRHORN..."
[ LAUGHTER ]
>> RIGHT UNDER THE SIGN THERE,
THERE'S AN AIRHORN.
>> [BLEEP] ME.
I'M GONNA GET PUNCHED IN THE
FACE.
>> I HOPE SO.
>> [ LAUGHS ]
>> HERE HE GOES.
>> GET IT. GET IT.
[ AIRHORN BLOWS ]
[ LAUGHTER ]
>> OH, MY GOD.
>> YOU [BLEEP]
>> WOW!
HE'S NOT SORRY.
>> EVIL IDIOT!
>> ALL RIGHT, MAN.
ONLY ONE MORE STOP ON THE TRAIN,
BUDDY.
>> HERE WE GO. HERE WE GO.
"GIVE AN OLD WOMAN THE MID..."
[ LAUGHS ]
OH, MY GOD!
>> YOU KNOW WHAT?
>> YOU GUYS ARE [BLEEP]
>> THEY DESERVE MIDDLE FINGERS,
TOO.
JUST 'CAUSE THEY'RE OLD?
>> WHAT AM I GONNA DO?
>> I'LL SHOW YOU, BUDDY.
LOOK. IT'S THIS.
THAT'S IT.
THERE YOU GO.
YOU GOT IT? OKAY.
>> OOH, MAN.
I GOT THE CHILLS RIGHT NOW.
>> YOU GET THROUGH THIS LAST
ONE, YOU'RE DONE!
>> THAT'S IT, MAN.
HERE SHE COMES! HERE SHE COMES!
>> OH, MY GOD. OH, MY GOD.
OH, MY GOD. OH, MY GOD.
>> YOU GOT TO DO IT.
>> YOU GOT TO DO IT.
>> AAAAHHHHH!
[ LAUGHTER ]
OH, MAN!
>> YOU DID IT!
YOU WON, BUDDY.
>> OH, MY GOD!
>> NOT EVEN I WOULD DO THAT!
THAT'S SOMEBODY'S GRANDMOTHER,
YOU DOPE.
>> YOU DON'T GIVE AN OLD WOMAN
THE MIDDLE FINGER.