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[Morphine's Buena]
- ♪ FROM THE BACK OF THE ROOM ♪
♪ ♪
♪ I HEAR A VOICE ♪
♪ CRY OUT ♪
♪ YOU WANT SOMETHING GOOD ♪
♪ COME ON A LITTLE CLOSER ♪
♪ LET ME SEE YOUR FACE ♪
♪ YEAH, COME ON A LITTLE CLOSER ♪
♪ WANT TO SEE YOUR FACE ♪
♪ NOW I, I THINK I KNOW ♪
♪ COME ON A LITTLE CLOSER ♪
♪ LET ME SEE YOUR FACE ♪
♪ WHAT IT IS YOU NEED ♪
♪ COME ON A LITTLE CLOSER, WANT TO SEE YOUR FACE ♪
- YEAH.
- I DON'T GIVE A ***
ABOUT FULL-BODY FASHION SHOTS.
I WANT BACK FAT, ***,
BRA STRAPS, ANYTHING UNFLATTERING.
YEAH.
YEAH. HAVE CARLOS ASK BILLY
ABOUT THE THING WITH THE NANNY.
IT'LL CATCH HIM OFF GUARD.
YES, WE NEED TO GET THE NUDE YACHT FOOTAGE.
NO, NO, I TOLD HIM I WOULDN'T GO ANY HIGHER.
TELL HIM WE WON'T BUY FROM HIM AGAIN.
PLEASE, HE'S GOT TWO KIDS IN PRIVATE SCHOOL.
HE'LL TAKE IT.
♪ ♪
- OH! OH, PRINCE.
[exclaiming]
- ♪ COME ON A LITTLE CLOSER, LET ME SEE YOUR FACE ♪
♪ YEAH, COME ON A LITTLE CLOSER ♪
♪ I WANT TO SEE YOUR FACE ♪
- YOU LIKE THAT, DON'T YOU, PRINCE?
[moans]
- ♪ COME ON A LITTLE CLOSER ♪
♪ LET ME SEE YOUR FACE ♪
♪ YEAH, COME ON A LITTLE CLOSER ♪
♪ WANT TO SEE YOUR FACE ♪
- [moans]
- ♪ CRY OUT ♪
♪ YOU WANT SOMETHING GOOD ♪
- I THINK IT'S YOUR TURN NOW.
- ♪ YEAH, COME ON A LITTLE CLOSER ♪
♪ WANT TO SEE YOUR FACE ♪
- [shrieks]
[laughs]
OH, PRINCE.
[chatter]
- DON'T WORRY ABOUT IT. YOU LOOK GREAT.
DON'T WORRY. - WE'VE GOT IT. WE'VE GOT IT.
[cheers]
- HEY, LUCY. WANT SOME CHILI FRIES?
- GOD, NO.
DID YOU GET PRINCE TYREESE AND THE ***?
- YEAH. - YOU GOT EVERYTHING?
- MM-HMM. I GOT THEM HAVING SEX FOR TWO HOURS.
AND HE DID COKE, AND HE CHOKED HER IN A STRAP-ON.
- DON, NOT SO LOUD. - OKAY.
- AND, REMEMBER, TAKE YOUR MEDS.
- OKAY.
[rock music]
[overlapping shouting]
- YOU DON'T HAVE TO SAY ANYTHING YOU DON'T WANT TO SAY.
THE LIMO'S WAITING OUT THERE.
[chatter and cheers]
- JULIA! - JULIA!
all: JULIA! JULIA! JULIA!
- JULIA!
[all cheering wildly]
all: [chanting] JOHNNY! JOHNNY! JOHNNY!
- HOLT, WILL YOU STEP OUT
WHILE WE GET SOME PICTURES OF THE STARS?
♪ ♪
- DON, WHY AREN'T YOU SHOOTING JULIA AND JOHNNY?
- I'M WORKING ON SOMETHING ELSE RIGHT NOW.
- DON, I KNOW YOU DON'T WORK EXCLUSIVELY FOR TCM,
BUT PEOPLE ASSOCIATE YOU WITH US.
- I KNOW.
- OKAY, WELL, WHY DON'T YOU TRY
TO CLEAN UP JUST A LITTLE?
- OKAY.
EXCUSE ME.
- JOHNNY! JOHNNY! OVER HERE.
ONE SHOT, JOHNNY! JUST ONE SHOT!
- JULIA! JULIA!
- HOLT MCLAREN? - YEAH.
- YOU WERE GREAT IN ANOTHER WORD FOR LOVE.
- THANKS. - I MEAN REALLY GREAT,
LIKE--LIKE "STOP THE PRESSES" GREAT.
- YET SOMEHOW THE PRESSES KEEP GOING, HUH?
- HAVEN'T SEEN YOU IN THE TRADES LATELY.
- HUH?
- HAVEN'T SEEN YOU IN THE TRADES LATELY.
- I TOOK SOME TIME OFF.
- YOU DID, LIKE, SEVEN MOVIES IN A ROW THAT ALL BOMBED.
- YEAH, I DID. - COUNTDOWN, BLOW MONKEY,
PALE ASSASSIN, THE GROWLING HOSPITALITY,
1313 TELLINGHOUSE LANE.
- THAT'S ONLY SIX.
- THE DEAD EVEN-- UNCREDITED CAMEO.
- [chuckles] YOU'RE CREEPY, MAN.
- YOU'RE ALWAYS GREAT IN EVERYTHING YOU DO, YOU KNOW?
YOU'RE AUTHENTIC. - THANKS.
- ANYTHING COMING UP? - HUH?
- ANYTHING COMING UP? - UM...
I'M, LIKE, IN TALKS IN THIS, UH--
THIS COOL FINCHER MOVIE.
IT'S A GREAT SCRIPT, THOUGH. YOU KNOW, WE'LL SEE.
- SOUNDS PRETTY VAGUE. - HUH?
- SOUNDS PRETTY UNLIKELY,
LIKE THE MOVIE PROBABLY WON'T HAPPEN.
- ANYWAY, TAKE CARE, MAN.
- HEY, HOLT. HOLT, HOLT, HOLT.
- WHAT? - THEY HAVE GREAT CHEMISTRY.
HE'S NOT VERY GOOD, BUT THEY'RE GOOD TOGETHER, YOU KNOW.
THEY LOOK HOT TOGETHER.
- WHAT?
- THERE WAS A RUMOR HE SCREWED HER ON THE MOVIE.
- WHAT THE HELL DID YOU SAY? - I DON'T BELIEVE IT.
I DON'T BELIEVE IT, BUT I COULD FIND OUT DEFINITIVELY,
IF YOU WANT TO KNOW.
- WHAT ARE YOU TALKING ABOUT?
- THAT WAY, MAYBE YOU COULD GIVE ME A LITTLE PIECE OF GOSSIP...
OR A BIG ONE.
AND THAT WAY, I COULD HELP YOU
GET YOUR CAREER OUT OF THE TOILET.
HEY, HEY, HEY! HEY, HEY, HEY!
- HEY, TAKE IT EASY!
- THAT'S GOOD WORK, DON.
THAT'S GREAT WORK.
I WANT TO SEE THAT FOOTAGE FIRST.
GET OUT OF HERE.
- HEY, HOLT, GIVE US A SMILE, BUDDY.
- YEAH, RIGHT HERE, PAL.
ALL RIGHT, MAN, COME ON.
[dance music]
- ♪ I WANT TO MOVE YOU ♪
- OKAY, YEAH, I'LL CALL YOU BACK.
- ♪ I WANT TO DANCE WITH YOU ♪
♪ ♪
- HE'S ON THE FLOOR, YOU KNOW.
HE LOOKS BACK UP AT ME.
AND I'M ALL LIKE, "I KNOW KRAV MAGA, ***."
[laughs]
- GUYS, RIGHT HERE. THANK YOU, BEAUTIFUL.
THAT'S GREAT. THANKS A LOT.
- OH, HEY, HOLT,
BUMMER ABOUT THAT A-HOLE PAPARAZZI DUDE.
- YEAH. - SO WHAT'S UP, MAN?
- HUH? - YOU'VE BEEN WORKING?
- I'M DEVELOPING A COUPLE OF THINGS.
- HE'S GOT AN INDEPENDENT.
- MAN, YOU WERE AWESOME IN ANOTHER WORD FOR LOVE--
ONE OF MY ALL TIMES. - THANKS, MAN.
- I THOUGHT, "DAMN, THIS GUY'S GOOD."
I THOUGHT I WAS GONNA HAVE TO, LIKE, MOVE ASIDE.
[laughs]
- I'M GONNA GO SIT DOWN.
- HEY, KEEP AT IT. YOU GOT MAD SKILLS, DOG.
- YEAH, PEACE OUT, BRO.
- HI.
I'M SORRY ABOUT EARLIER.
THAT PHOTOGRAPHER'S A NUT JOB.
- AND YOU GIVE A *** BECAUSE...?
- I'M LUCY SPILLER, NOW MAGAZINE.
I'M A BIG FAN.
- RIGHT.
- LISTEN, UH...
I WOULD LOVE TO DO A FEATURE ON YOU SOMETIME.
"THE ACTOR'S ACTOR."
- "ACTOR'S ACTOR," HUH?
ISN'T THAT A NICE WAY TO SAY I'M CHRONICALLY UNEMPLOYED?
- WE JUST HAVE TO FIND
THE RIGHT THING TO DO TOGETHER...
OR THE RIGHT REASON.
BYE.
[dance music]
♪ ♪
- UHH.
WHAT AN ***. - GEE, YOU THINK?
- EASY THERE, TYSON. - HEY.
I'M SO SORRY I RUINED YOUR PREMIERE.
- OH, ARE YOU KIDDING?
YOU TOOK THEIR MINDS OFF THE MOVIE, WHICH SUCKS.
- COME ON, YOU WERE GREAT, THOUGH.
- YOU JUST LOVE ME.
- YEAH, I GUESS I DO.
- YOU CAN DO BETTER THAN THAT.
- DON'T YOU THINK WE'VE BEEN IN THE NEWS ENOUGH
FOR ONE NIGHT?
- COME ON, DO YOU REALLY THINK ANYBODY IN HERE
SEES ANYTHING BUT THEMSELVES?
PLUS, IT'S REALLY DARK IN HERE.
- IT IS.
AND WET.
- MAKE ME COME.
[moaning]
- GREAT PERFORMANCE. - THANK YOU.
- [laughs]
- OH, MY GOD.
OH, MY GOD. I'M COMING.
[moans]
♪ ♪
- LUCY.
- WHAT ARE YOU DOING HERE?
- SCOUTING.
YOU GOT SOMETHING WORKING WITH HOLT MCLAREN
AND JULIA MALLORY.
- I'VE GOT MORE THINGS WORKING
THAN YOU CAN POSSIBLY IMAGINE.
- ACTUALLY, I GOT A PRETTY GOOD GRASP
OF EVERYTHING YOU'RE WORKING ON.
BUT, NO, IF IT MAKES YOU FEEL BETTER
TO THINK YOU'RE RUNNING CIRCLES
AROUND ME, THAT'S FINE. YOU GO AHEAD.
IT'S ALL RIGHT.
- JUST DON'T GET CONFUSED
AND THINK YOU CAN WIPE YOUR *** WITHOUT ME.
- OH, IT'S AMAZING HOW NAKED AMBITION
MAKES A PERSON COMPLETELY TRANSPARENT.
- REALLY? WHAT DO YOU SEE?
- YOU WANT MY JOB.
- I'D KILL MYSELF IF I HAD YOUR JOB.
- OH, YEAH? - YEAH, I LIKE TO GET DIRTY.
- SO I HEAR.
- I DON'T WANT YOUR JOB, BRENT.
I WANT YOUR SALARY. - AH.
HEY, HEY, HEY.
IF THIS GOES, I WANT CREDIT.
- YOU'RE THE BOSS. YOU ALWAYS GET CREDIT.
- THAT'S RIGHT.
- I'M HOME AGAIN.
WHAT YOU DOING?
COME ON.
WHAT YOU DOING?
HUH?
COME ON.
LET'S SIT DOWN A LITTLE.
YEAH.
THAT'S MY BABY.
THAT'S MY TRISTAN.
YOU GOOD, BUDDY?
YOU ALL GOOD?
OKAY.
THAT'S MY BABY.
HEY, TRISTAN?
YEAH, I KNOW.
THAT'S IT, BABY. THAT'S OKAY.
I KNOW YOU DON'T LIKE IT, BUT IT'S OKAY.
THAT'S A GOOD LITTLE KITTY CAT.
[telephones ringing]
- I'LL TELL HER AS SOON AS SHE COMES IN.
- I NEED THREE COPIES.
- I NEED YOUR JOHN HANCOCK ON THESE RAISES.
- WHY'D YOU HAVE GUYS ON PRINCE TYREESE?
- IS HE THE BASKETBALL PLAYER?
- YES, HE'S THE *** BASKETBALL PLAYER.
- WE ALWAYS HAVE PEOPLE ON HIM.
HE'S GOT A SQUEAKY-CLEAN FAMILY-MAN IMAGE,
AND HE'S A TOTAL SLIMEBALL.
- THAT'S NOT HOW I WANT OUR RESOURCES BEING SPENT
IN MY DEPARTMENT RIGHT NOW.
- WELL, THAT'S WHAT PEOPLE WANT US TO DO.
EITHER CHRONICLING THE RISE OF SOME DIPSHIT
AS HE CRAWLS OUT OF THE SLIME
OR TAKING HIM OFF THE TOP OF THE PILE
AND THROWING HIM INTO THE *** WITH THE REST OF US.
BUT IT'S HARD FOR YOU TO KNOW THAT
WHEN ALL YOU DO IS TAKE OUT ADVERTISERS
TO LORD OF THE DANCE
AND REVIEW OUR EXPENSE REPORTS.
I PAD MINE, BY THE WAY. - YEAH.
SO DID YOU GET ANYTHING ON HIM?
- WHY? YOU WANT AN AUTOGRAPHED BALL?
SON OF A *** LOSES US EVERY TIME.
THIS IS CRAP. DO IT AGAIN.
- YOU KNOW WE HAVE A 30% INTEREST IN THE TEAM.
- SHAME ON YOU, BRENT.
AS JOURNALISTS, WE'RE NOT SUPPOSED TO CAVE
TO CORPORATE INTERESTS. - OH, MY GOD.
IS THAT HOW YOU GET THROUGH THE NIGHT--
PRETENDING YOU'RE A JOURNALIST?
- NO, I TAKE PILLS.
HOW DO YOU GET THROUGH THE NIGHT?
- DON KONKEY-- THE LAST PAP TO SHOOT ON FILM.
- HI, MR. BARROW.
- HEY, GREAT JOB ON THAT HOLT AND JULIA THING.
THAT'S TERRIFIC STUFF. YOU KEEP THAT UP.
YOU'RE A REAL PLAYMAKER, YOU KNOW.
YOU LET ME KNOW IF YOU GET ANYTHING ON PRINCE TYREESE.
- YOU'RE ALWAYS MY FIRST CALL, BRENT.
- [silently] THANK YOU.
[cat meows]
- CATS DO MUCH BETTER WITH RADIATION THAN HUMANS.
- HOW DO YOU KNOW THAT?
- WELL, FOR ONE THING, THEY HAVE FEWER PAIN SENSORS.
- I FEEL THAT YOU COULD HAVE CAUGHT THIS CANCER EARLIER, DON.
- I DO TOO, BUDDY.
- EXCUSE ME?
- OH. - HAPPY ANNIVERSARY, PEANUT.
- YOU'RE TWISTED.
LET'S JUST NOT MAKE A BIG DEAL.
- YEAH, 'CAUSE REALLY IT'S NO BIGGIE.
- I REALLY DON'T WANT ANY EXTRA DRAMA.
- THEN I NEED TO DRINK.
HI. YEAH, WINE.
WHITE. WHATEVER.
- NO, MAX, WE ALREADY HAD THAT CONVERSATION.
FINE.
BABY--BABY, I'M SO SORRY.
- I MEAN, WHAT THE HELL ARE THEY LOOKING FOR?
- SWEETIE, I KNOW, THEY SUCK. THEY ARE IDIOTS.
IF WE COULD JUST GET YOU A LITTLE PRESS.
YOU KNOW, I GOT A CALL FROM THE DANCING WITH THE STARS PEOPLE.
- [laughs] I'M NOT DOING
NO DANCING WITH THE STARS ***.
- HONEY, IT IS A HOT, HOT SHOW. - WHAT DID FINCHER SAY EXACTLY?
- I DON'T KNOW-- I COULDN'T GET HIM ON THE PHONE.
AND THEN J.J. WENT ON THIS WHOLE RANT
ABOUT HOW YOU'RE NOT HOT, YOU'RE NOT BANKABLE,
- ALL RIGHT. ALL RIGHT. I GET IT, ALL RIGHT?
- SWEETIE, THEY'RE IDIOTS, THOUGH.
THEY DON'T KNOW. YOU'RE SUPER HOT.
YOU'RE BANKABLE.
- CHRIST, HERE SHE COMES.
- LOOK AT HER. LIKE SHE COULD EAT US BOTH.
- SHE JUST MIGHT. HI, MOM.
- BATIDA TRIED TO POISON ME THIS MORNING.
- AND YET HERE YOU STAND.
- SHE TRIED TO FEED ME A MANGO.
- WELL, I'M SURE SHE DIDN'T KNOW
ABOUT YOUR ALLERGY.
- MY TONGUE PUFFS UP LIKE A BLOWFISH.
- WELL, IT LOOKS LIKE YOU MADE IT ANYWAY.
WOULD YOU LIKE YOUR COBB SALAD?
- YES, I'D LIKE MY COBB SALAD.
MY BRAIN'S LIKE A DRIED-UP OLD SPONGE,
AND EVEN I KNOW I ALWAYS HAVE MY COBB SALAD.
DID YOU READ MAUREEN DOWD THIS MORNING IN THE TIMES?
SHE MADE A REAL CASE FOR SYRIA.
NOW THERE'S A JOURNALIST.
- YEAH, SHE'S GREAT. - YEAH, SHE'S GOOD.
- DIDN'T SQUANDER HER JOURNALISM DEGREE.
- NOT LIKE SOME PEOPLE.
- WELL, AS LONG AS YOU'RE HAPPY.
MAYBE IF YOU HAD A FAMILY.
- YES, THEN I COULD PASS THIS GLORIOUS MOTHER-DAUGHTER LEGACY
ON TO HER.
- [laughs]
WELL, MORE LIKELY YOU
THAN MR. NANCY HERE
OUT HOMOING EVERY NIGHT.
- HERE WE GO. THAT'S GREAT.
- MOM. - BISEXUALITY. WHAT IS THAT?
FAGGOTRY FOR COWARDS?
- [exhales]
- [laughs] - WELL, YOU KNOW,
A HOLE'S A HOLE, MOM.
- OH, GOD.
- HEY, MOM, LET'S GET BACK TO WHAT A DISAPPOINTMENT I AM.
- NO, NO, NO, NO, I CAN TAKE CARE OF MYSELF, LU.
- NO, ACTUALLY YOU CAN'T.
- YOU KNOW WHAT TODAY IS, MOM?
- OH, LEO.
- BUT YOU WERE SO BROKEN UP ABOUT IT.
- PLEASE. - YOU MEAN THE ANNIVERSARY
OF YOUR PANSY FATHER'S SUICIDE?
- YES.
- YES. I'D REMEMBERED.
- WHERE'S MY MARTINI?
- KIRA. - HI!
HOW ARE YOU?
OH, YOU WERE SO GOOD.
HI. - HOW ARE YOU?
- I'M GOOD.
- YOUR SKIN-- IT'S, LIKE, GLOWING.
- REALLY? - YEAH.
YOU GETTING LAID? - I WISH.
LET ME SHOW YOU AROUND, OKAY? - OKAY.
OH. GIRL, I LOVE IT. IT'S SO BOHEMIAN.
- THANK YOU.
- OH, CHECK IT OUT.
THIS GUY GAVE ME SOME "E."
- "E"...
[both laugh]
HOW RETRO.
- HERE.
- THIS *** WRECKS ME.
- BLESS ME, FATHER.
[chuckles]
- YES. [glasses clink]
- DUDE, COME ON, IT'S JUST A FRIDGE.
- I DON'T THINK HE CAN HEAR YOU, BRO.
HE'S PRETTY CASHED.
HOLY ***. THAT'S THAT GUY HOLT, HOLT, UH...
- MCLAREN? - YEAH.
- THE GUY FROM ANOTHER WORD FOR LOVE.
- YEAH. - THAT GUY WAS PHENOMENAL.
- YEAH, WELL, WHAT'S HE BEEN DOING SINCE THEN?
- STANDING IN FRONT OF THIS FRIDGE.
HEY. - HEY, WHAT'S UP, BUDDY?
- [gasps]
- STOP!
- OH, YES.
WHAT? WHAT'S WRONG, HONEY?
WHAT IS IT?
YOU CAN TALK TO ME.
- [crying]
I'M PREGNANT. - OH, GOD.
OH, BABY, WHAT...?
WHO?
- INDIE ART HOUSE LOSER JEFF STAGLIANO.
- OH, CRAP.
HOW?
- I MET HIM AT A RETROSPECTIVE
THAT THEY WERE DOING AT THE EGYPTIAN OF HIS FILMS.
CAN YOU IMAGINE THAT-- A RETROSPECTIVE OF THAT ***?
I AM SO TOTALLY SCREWED.
- OH, HONEY, LOOK, YOU-- YOU CAN ALWAYS, YOU KNOW...
- NO, I AM SO TOTALLY CATHOLIC.
I CAN'T.
- WELL, DOES HE KNOW?
- NO. NO.
NOBODY KNOWS.
NOBODY KNOWS EXCEPT YOU.
- OH, SWEETIE.
OH.
IT'S OKAY. - [crying]
[laughter]
[train signal sounds]
- YOU'RE A PARAMECIUM. - DONNY, I LOVE YOU.
- [laughs]
SHH. - DON!
- [laughs]
GO AWAY!
NO, NO, NO, NO, NO, NO, NO!
[children laughing]
[laughs]
- REMEMBER THE PUPPY DOG IN THIRD GRADE?
- SHH. SHH.
- IF I'M GONNA DO THIS, MY NAME CAN NEVER BE USED.
- YOUR NAME MEANS NOTHING. - THANKS, BUDDY.
- THEY WOULDN'T WANT TO USE YOUR NAME ON SOMETHING LIKE THIS.
- WELL, THEY CAN'T, NO MATTER WHAT.
- OKAY.
- AND I WANT SOME CASH.
AND I WANT SOME KIND OF GOOD PRESS.
I WANT STORIES IN YOUR MAGAZINES...
STORIES THAT MAKE IT SEEM LIKE I'M GETTING OFFERS.
- I NEED TO HAVE SOME IDEA OF HOW BIG A STORY YOU HAVE.
- IT'S BIG.
- WHETHER WE GET IT EXCLUSIVELY. - YOU DO.
- AND I HAVE TO TALK TO LUCY.
FOR ALL I KNOW, WE ALREADY KNOW ALL ABOUT IT.
- YOU DON'T. NOBODY DOES.
- I CAN'T TALK RIGHT NOW.
THEY'LL WANT MORE THAN JUST THE ONE STORY.
- I'VE GOT AS MUCH AS THEY CAN HANDLE.
- HOW'S YOUR BIG PROJECT?
I-I'LL CALL YOU.
- AND YOU HAVEN'T BEEN SEEING A THERAPIST?
- NOPE.
- I'M GONNA RECOMMEND VERY STRONGLY, ONCE AGAIN,
THAT YOU SEE A THERAPIST.
YOU HAVE THE MONEY. YOU HAVE THE INSURANCE.
I HAVE A LIST HERE. - OKAY, IF I COULD JUST GET...
- YOU CAN'T TREAT THESE DRUGS LIKE A SMORGASBORD
AND JUST TAKE THE ONES YOU FEEL LIKE TAKING, DON.
- OKAY, IF I COULD JUST GET THE ZELDOX, RISPERDAL,
THE ZYPREXA, AND THE ARIPIPRAZOLE.
- DON, YOU ARE ONE OF THE LUCKY PEOPLE
WHO HAVE A FORM OF SCHIZOPHRENIA THAT'S MANAGEABLE.
MOST PEOPLE AREN'T SO FORTUNATE.
- I KNOW.
- YOU HAVE TO RESPECT THE DISEASE
AND RESPECT THE TREATMENT. - OKAY, I RESPECT THE DISEASE.
BUT COULD I GET THE ZELDOX, THE RISPERDAL,
THE ZYPREXA, AND THE ARIPIPRAZOLE?
- ALL RIGHT.
BUT I WANT TO SEE YOU IN THREE WEEKS.
- THANK YOU.
- HEY, DON. [whispering]
I CAN READ YOUR THOUGHTS.
AND I WORK FOR NASA, DONNY.
THAT'S RIGHT, NASA.
- HEY, DONNY LITTLE ***.
- I AM NOT. I'M AVERAGE.
- ALL YOUR THOUGHTS ARE BEING MONITORED.
[whispering and laughter]
- MM, NO.
- I LOVE YOU, DONNY.
- [hums]
- KISS ME, DONNY. I LOVE YOU SO MUCH.
JUST KISS ME. - NO. NO, NOT HERE.
- I'LL SCREAM. I'LL SCREAM, DONNY.
KISS ME! - NO, NO, NO.
- JUST KISS ME.
[laughter]
- CAN I HELP YOU? - I NEED THE ZELDOX,
THE RISPERDAL, THE ZYPREXA, AND THE ARIPIPRAZOLE.
- OKAY, UM, IT'LL BE ABOUT 45 MINUTES.
- OKAY.
[rattle shaking]
NO!
- I'M SORRY?
- BACK AWAY, DON. RUN AWAY!
- COME ON, DON. WHERE YOU GOING?
- RUN AWAY! RUN AWAY, DON!
[telephone rings]
- LUCY, IT'S YOUR MOTHER.
I JUST WOKE UP, AND IS IT JUST BECAUSE I'M GETTING OLD,
OR IS IT ALL CHANGING?
IS THE WORLD MORE CLOSED IN?
IMPLODING?
I JUST WANT YOU TO BE-- IS IT HAPPY?
SOMETHING.
YOUR FATHER AND I, BEFORE YOU WERE BORN,
WE WERE HAPPY, I THINK.
HE WAS A COWARD.
SOMETIMES I THINK HE HAD THE RIGHT IDEA.
BUT YOU AND YOUR BROTHER,
YOUR LIVES SEEM SO...
EMPTY.
- I THINK BABIES ARE BEAUTIFUL. - SHUT UP.
- I'M TOTALLY COOL JUST BEING THE BABY DADDY.
- I'M NOT! I SLEPT WITH YOU ONCE, JEFF!
- SO? I SLEEP WITH A LOT OF PEOPLE ONCE.
- RIGHT. THAT'S MY POINT.
- OKAY, SO SAY SOMEONE ELSE IS THE BABY DADDY.
- WHY ARE YOU SAYING IT LIKE THAT FOR?
- LIKE WHAT?
- LIKE YOU'RE P. DIDDY OR SOMETHING.
GOD, I CANNOT BELIEVE I EVER THREW YOU A ***.
EW!
MY PUBLICIST TOLD ME DIRT MAGAZINE ALREADY KNOWS
THAT YOU'RE THE BABY'S DADDY,
BECAUSE THAT *** JULIA MALLORY TOLD THEM.
- I HEAR YOU, BABY. I-I TOTALLY HEAR YOU.
- YOU HEAR ME? - LOUD AND CLEAR, MAJOR TOM.
- OH, MY GOD! [camera shutter clicks]
- LOOK, WHATEVER IS GOING ON, YOU GOT TO TAKE IT EASY
AND NOT GET SO TWEAKED.
[camera shutter clicking]
- [crying]
SHE--SHE THINKS I TOLD DIRT.
SHE THINKS I TOLD THE MAGAZINE.
SHE SAYS SHE'S NEVER GONNA TALK TO ME AGAIN.
I WOULD NEVER DO THAT. YOU--YOU KNOW I WOULDN'T.
KIRA HAS NOBODY.
OH, GOD. I AM SO LUCKY I HAVE YOU.
- SHH, SHH. SHH, SHH.
[doorbell rings]
- OH, MY GOD, YOU CAME OUT OF YOUR CAVE.
- HE IS RISEN.
- ARE YOU OKAY?
- I WAS A LITTLE LONELY.
- ONE THING A BISEXUAL MAN
SHOULD NEVER HAVE TO BE IS LONELY.
- WHAT ARE YOU DOING?
*** TO PICTURES OF PEOPLE
WHOSE LIVES YOU'VE RUINED?
- FUNNY.
NOTHING. I'M JUST--
I'M LOOKING AT PICTURES OF PRINCE TYREESE.
- OH, MY GOD. BONUS.
YOU'RE A LITTLE DRUNK, AREN'T YOU?
- I MIGHT BE.
- I'M GLAD I DON'T HAVE YOUR JOB.
- I LOVE MY JOB.
- YOU THINK SOME DAY
WE'LL HAVE TO PAY FOR OUR SINS?
- WHAT'S THAT SUPPOSED TO MEAN?
- DON'T BE SO SENSITIVE.
IT'S JUST A QUESTION.
ARE YOU OKAY?
- YEAH, I'M FINE.
WHAT?
- WELL, YOU'RE THE ONE WHO WALKED IN AND FOUND HIM.
BUT I'M THE ONE WHO WALKS AROUND BLABBING ABOUT IT ALL THE TIME.
YOU KNOW?
WHY IS IT I FEEL
LIKE IT'S MY DUTY
TO KEEP REMINDING EVERYONE?
LIKE, IT DID HAPPEN, RIGHT?
IT'S LIKE THE THING THAT SUCKED THE--
EVERYTHING OUT OF OUR FAMILY.
- YOU HAD SUCH BLOND HAIR WHEN YOU WERE A KID.
I HATED YOU.
- [laughs]
- I WANTED IT SO BAD.
YOU WERE SO--SO HAPPY AND PERFECT.
YOU USED TO SIT ON YOUR *** AND JUST SMILE.
- SOME THINGS NEVER CHANGE.
- I KNOW, RIGHT.
- OH. YEAH, HERE IT IS.
THIS IS IT.
LOOK, LOOK.
HA HA. HEY, LOOK AT THIS.
"WAGGING TONGUES IN THE RUMOR MILL
SAY HOLT HAS SEVERAL BIG MOVIE DEALS IN THE WORKS."
- I WISH THEY'D LET ME KNOW ABOUT THEM.
- OH, NO, IT DOESN'T MATTER.
IF THEY SAY YOU'RE HOT, YOU'LL BE HOT.
- IF YOU SAY SO.
- BABE, I AM SO PROUD OF YOU.
- ♪ AND BRING THOSE MAGAZINES ♪
♪ AND SHOW ME WHICH ONE'S YOUR FAVORITE FLOOR ♪
[cell phone rings]
- HELLO?
***. WHO IS THIS?
OH, MR. FINCHER.
DAVID, RIGHT.
YEAH, IT WAS--UH, IT WAS JUST A PUFF PIECE, BUT...
OH, THANK YOU.
TO BE--TO BE IN YOUR MOVIE?
WAIT, ARE YOU KIDDING? OF COURSE.
WITH KIRA--KIRA KLAY?
NO, I DID--I DIDN'T KNOW SHE WAS GONNA DO IT.
AND CLOONEY.
[laughs] THAT'S AWESOME.
THANKS.
NO, THANK YOU. THANK YOU.
NO, NO, LISTEN, I'M GONNA WORK MY *** OFF ON THIS PART.
I'M GONNA WORK MY *** OFF.
THANK YOU. THANK YOU.
- PRINCE TYREESE WITH A ***?
ARE YOU KIDDING ME?
OH, MY GOD.
YOU KNOW WHAT CORPORATE'S GONNA SAY ABOUT THESE?
- THE STRAP-ON LOOKS PAINFUL?
- [laughs]
YOU CAN'T RUN 'EM.
- DO YOU KNOW HOW HARD I WORKED TO GET THESE PHOTOS?
DO YOU HAVE ANY IDEA WHAT THESE WILL DO TO CIRCULATION?
YOU CANNOT JUST WALK IN HERE-- - I CANNOT JUST WHAT?
- YOU CANNOT TELL ME WHAT I CAN AND CANNOT DO.
- YOU WALK AROUND HERE LIKE YOU GOT MY BALLS
IN A VICE, BUT YOU ARE AWARE
OF WHO CALLS THE SHOTS AROUND HERE, RIGHT?
- MM-HMM.
THE SUITS OVER IN CORPORATE.
IT SURE AS HELL ISN'T YOU.
- AH.
OKAY.
TRY THIS.
LEAK THESE AND GET SUED.
RUN 'EM AND GET FIRED.
[Galaxie 500's Listen, The Snow is Falling]
- ♪ LISTEN, THE SNOW IS FALLING ♪
♪ OVER TOWN ♪
♪ ♪
♪ LISTEN, THE SNOW IS FALLING ♪
♪ EVERYWHERE ♪
♪ ♪
♪ LISTEN, THE SNOW IS FALLING ♪
[cell phone rings] - WAIT, HOLD ON.
HELLO?
WHAT? WHAT?
SLOW DOWN.
OKAY.
OKAY, THANK YOU.
IT'S KIRA.
SHE O.D.'D.
♪ SNOW DREAM ♪
♪ SNOW FALL ♪
♪ SNOW FLY ♪
- GOOD MORNING, MR. FINCHER.
- CAN I GET SOMETHING HOT TO DRINK?
CHAMOMILE TEA OR SOMETHING?
- THANKS.
- I'M SORRY I'M LATE.
UM, I DON'T KNOW WHAT YOU KNOW.
I DON'T KNOW WHAT YOU WANT TO KNOW.
UM, BUT I'VE SPENT MOST OF THE MORNING
ON THE PHONE WITH KIRA'S MANAGER,
WHO INFORMS ME THAT SHE'S HAD A MEDICAL EMERGENCY
AND, UM, WILL NOT BE JOINING OUR FILM.
THIS IS THE LEAST OF THE NEW BAD NEWS.
APPARENTLY MR. CLOONEY
CAN'T SEE ANYBODY ELSE IN THE ROLE.
AND...
ALTHOUGH I DON'T KNOW HOW IT'S GONNA SHAKE OUT
IN THE NEXT 48 HOURS,
WE'RE ALL ADULTS, AND, UM...
I THINK WE KNOW HOW THIS TENDS TO END UP.
HAVE A BAGEL AND THANK YOU FOR COMING.
- ♪ WELL, YOU COULD DO BETTER ♪
♪ THAN TO TREAT ME LIKE YOU DO ♪
♪ YOU COULD DO BETTER ♪
♪ TO REMEMBER WHO YOU'RE TALKING TO ♪
♪ ♪
- YOU CAN SEND THEM IN.
NOW, WHAT CAN I DO FOR YOU
BESIDES RECEIVING YOUR UNDYING GRATITUDE
FOR THE BEAUTIFUL PROFILE IN MY MAGAZINE?
- I'M NOT GONNA GIVE YOU ANYMORE DIRT,
NOT ABOUT MY FRIENDS OR MY ENEMIES.
KIRA'S IN THE HOSPITAL BECAUSE I TOLD--
- KIRA'S IN THE HOSPITAL
BECAUSE SHE'S A DRUG ADDICT.
SHE'S GONNA BE FINE. - THAT'S NOT THE POINT.
THE POINT IS THAT YOU PEOPLE--
- OKAY, FIRST OF ALL, YOU'RE WELCOME FOR THE PROFILE,
PLUS THE THREE OTHER TIDBITS THAT WE'VE MANAGED TO PLACE,
WHICH ANY PUBLICIST WOULD SACRIFICE A LEFT NUT FOR.
SECONDLY, YOU'RE NOW A SOURCE.
AND I THINK WE'RE GONNA DO WONDERFUL THINGS TOGETHER--
ME, YOU, AND DON HERE.
- I LIKE THIS OFFICE.
- I'M NOT GONNA HELP YOU ANYMORE.
- OH, POOR JULIA.
- NO, DON'T-- DON'T EVEN GO THERE.
- NO, WHEN SHE FINDS OUT ABOUT YOUR BETRAYAL--
THINK ABOUT IT. POOR JULIA.
I MEAN, I KNOW HOW MUCH SHE ADORES YOU.
- SHE'LL EITHER UNDERSTAND, OR SHE WON'T.
I DON'T CARE.
I LOVE HER, AND SHE LOVES ME.
- WELL, THAT'S BRAVE. - SCREW YOU.
- HEY, HOLT.
I THINK YOU NEED TO SEE SOMETHING.
- WHAT?
YOU KNOW WHAT WE LOVE HERE AT TCM?
HOMEMADE ***.
- SO? WHAT'S THAT GOT TO DO WITH ME?
- HAVE A SEAT.
- OH, JOHNNY, I'M SO WASTED.
- I LOVE THIS FEELING.
- I CAN'T FOCUS MY EYES, JOHNNY.
- IT'S OKAY.
LET'S TAKE THIS OFF.
- I'M NOT SURE I WANT TO DO THIS.
- SURE YOU DO. [laughs]
YOU'RE SO BEAUTIFUL.
- OH. OH, GOD, JOHNNY.
- YOU LIKE THAT?
- YEAH.
- I HONESTLY WOULD RATHER NOT LEAK THIS.
- I'M AN ACTOR. THAT'S ALL I EVER WANTED TO DO.
- NO, YOU WANTED TO BE FAMOUS. THERE'S A BIG DIFFERENCE.
YOU CAN GIVE YOUR DIRT TO DON WHENEVER.
THERE'S NO RUSH.
JUST MAKE SURE IT COMES IN REGULARLY.
- LUCY...
HAVE YOU EVER ACTUALLY LOVED ANYBODY?
HUH?
NO.
YOU'VE GOT NO ONE.
IT'S OBVIOUS.
YOU GOT NOTHING AND NO ONE.
- DON, YOU CAN GO. - HMM?
- GO.
- [humming]
- HEY!
- OH.
- PAPARAZZI PIECE OF ***! - AAH!
- IT'S OKAY, TRISTAN.
IT'S... [laughs]
IT'S OKAY. IT'S OKAY. IT'S OKAY.
IT'S OKAY, DEAR.
IT'S OKAY.
[radio playing hip-hop music]
♪ ♪
- HEY! DON'T FUMBLE! DON'T FUMBLE!
- DANIEL, COME AROUND HERE.
- HEY, MAN, YOU CAN'T READ? "PRIVATE PROPERTY."
- WHAT'S THAT? - IT'S BUSINESS.
- WELL, AREN'T I A PART OF THE BUSINESS?
- I SAID IT'S JUST BUSINESS.
HEY, LET'S GO INSIDE. COME ON, LET'S GO.
- ♪ THE ROOM IS SPOTLESS ♪
♪ EXCEPT FOR THAT ♪
♪ YOU WOULDN'T KNOW ♪
♪ INHABITANTS ♪
♪ INHABITED ♪
♪ THE ROOM ♪
- YOU KNOW I CAN'T SMOKE THIS.
- WHY?
- 'CAUSE IT MAKES ME TOO ***.
- ♪ OVER DRY GROUND ♪
♪ THE RIDING CROP ♪
♪ PAINS A DOMESTIC ♪
♪ SIN TAXI ♪
♪ ENCODED FARE ♪
♪ TAKE YOUR BELONGINGS ♪
♪ WHEN YOU GO ♪
♪ BUT PLEASE DON'T FORGET ♪
♪ TO HAVE A WONDERFUL DAY ♪
♪ ♪
♪ TAKE YOUR BELONGINGS ♪
♪ WHEN YOU GO ♪
- [gasps]
[moans]
[continues moaning]
- YOU LIKE THAT? - YES.
- [crying]
[groans]
[cell phone rings]
- HELLO?
OH, HEY, MR. FINCHER.
DAVID, RIGHT.
YEAH.
YEAH.
REALLY?
NO, THAT'S GREAT NEWS.
NO, NO, I HAVEN'T BOOKED ANYTHING ELSE.
WHAT, ARE YOU KIDDING? OF COURSE I DO.
NO, I CAN'T BELIEVE JENNIFER SIGNED ON TO DO THE PART.
OKAY. YEAH, I'LL BE THERE.
- OH, BABE, THAT'S GREAT. - THANK YOU.
YEAH. YEAH, I HEARD ABOUT WHAT HAPPENED TO KIRA.
WAIT, WHAT?
WHEN?
YEAH, SHE WAS-- SHE WAS A REALLY GOOD PERSON.
RIGHT. AT THE MEMORIAL.
- WHAT HAPPENED?
- KIRA'S DEAD.
- OH, MY GOD.
- SHE HAD A BRAIN BLEED.
- OH, MY GOD.
- THE MOVIE'S BACK ON.
AND I STILL HAVE THE PART.
- SLOW DOWN THE CAR.
WHAT ARE YOU DOING? SLOW DOWN.
WILL YOU TALK TO ME?
I'M SORRY.
I'M SORRY.
HOLT, PULL THE CAR OVER.
OH, MY GOD.
OH, MY GOD! OH, MY GOD!
WHAT THE HELL ARE YOU DOING? STOP THE CAR! STOP IT!
PLEASE STOP THE CAR!
STOP IT!
OH, MY GOD! STOP IT!
STOP THE CAR. OH, MY GOD!
[screams]
- OKAY, COME ON.
COME HERE.
ALL RIGHT, COME ON, WE GOT TO GET YOU OUT OF HERE.
COME ON.
COME ON.
[grunts]
COME ON, JULIA. TALK TO ME.
HANG IN THERE.
[indistinct shouting]
- ♪ YOU LOOK SO DAINTY, DARLING ♪
♪ CROSSING OVER THE ROAD ♪
♪ TO WHERE THE TAXIS WAIT IN LINE ♪
♪ ♪
♪ YOU MOVE LIKE VIOLENCE, DARLING ♪
♪ YOU'RE STUBBORN AS THEY GET ME ♪
♪ EVERY TIME ♪
♪ ♪
♪ SO COME ON OVER, DARLING ♪
♪ AND BRING THOSE MAGAZINES ♪
♪ AND SHOW ME WHICH ONE'S ♪
♪ YOUR FAVORITE FLAW ♪
♪ AND BAD, BAD YOU ♪
♪ AND BAD, BAD ME ♪
♪ IS ALL WE'LL BE LEFT WITH ♪
♪ ANYWAY ♪
♪ ♪
♪ WELL, SONGS DON'T COME SO EASY ♪
♪ AND LINES ARE GETTING ♪
♪ SHORTER EVERY TIME ♪
♪ ♪
♪ SO SNEAK ON OVER, DARLING ♪
♪ AND BRING THOSE MAGAZINES ♪
♪ AND SHOW ME WHICH ONE'S YOUR FAVORITE FLAW ♪
♪ 'CAUSE BAD, BAD YOU ♪
♪ ♪
♪ AND BAD, BAD ME ♪
♪ IS ALL WE'LL BE LEFT WITH ♪
♪ ANYWAY ♪
♪ ♪
♪ SO COME ON OVER, DARLING ♪
♪ AND BRING THOSE MAGAZINES ♪
♪ AND SHOW ME WHICH ONE'S YOUR FAVORITE FLAW ♪
♪ AND BAD, BAD YOU ♪
♪ AND BAD, BAD ME ♪
♪ IS ALL WE'LL BE LEFT WITH ♪
♪ ANYWAY ♪