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WHICH IS TURNING THE HIGHWAYS INTO A NIGHTMARE.
READY ONE, TAKE ONE.
SETH?
THAT NIGHTMARE JUST GOT WORSE ON HIGHWAY 474,
WHERE POLICE REPORT A 21-CAR PILE UP.
NO WORD ON FATALITIES AS YET,
BUT THEY HAVE CLOSED BOTH THE NORTH AND
SOUTH-BOUND LANES AS WELL AS ALL THE
ACCESS ROUTES NORTH OF MORNINGSIDE.
MEANS A LOT OF PEOPLE ARE GOING TO BE STAYING
RIGHT WHERE THEY ARE FOR THE NEXT LITTLE WHILE.
INCLUDING US.
TERRIFIC.
I'VE ALWAYS WANTED TO SPEND THE NIGHT WITH THE STAFF.
AY, CUE MUSIC.
CAMERA THREE, ZOOM OUT A BIT.
AND KEY THE TITLES.
OKAY, AND WE'RE OUT, THANK YOU VERY MUCH.
AH...THE FOG CREEPS IN ON LITTLE CAT FEET.
WHAT'S THE SECOND LINE OF THAT?
MY BABYSITTER'S GOING TO GO NUTS.
NO, THAT'S NOT IT.
[ ♪♪♪ ]
SO, WE'LL RE-WIRE THE BASEMENT,
STICK SOME INSULATION IN THE BACK WALL...
SO NOW IT'S INSULATION?
YEAH, IT'S NO BIG DEAL.
OKAY, IT'S NEW WIRING, NEW INSULATION AND
A NEW BACK DOOR...
YOU LIKE THE HOUSE DON'T YOU?
THAT'S NOT THE POINT.
I THOUGHT THAT WAS THE POINT.
OR IS THE POINT THAT YOU DON'T WANT TO
BUY A HOUSE WITH ME?
I HAVE AN 8:00 DINNER.
SO, RENT A HELICOPTER.
WHAT CAN I TELL YA.
BOBBI, ANNE'S TAPE.
IT'S HER BIRTHDAY TOMORROW, HOW ARE WE...
EVERYBODY'S STUCK, HERE, RIGHT?
NO, I'M NOT STUCK HERE!
I'M LEAVING.
MAY THE FOG BE WITH YOU.
WE GET EVERYBODY IN THE STUDIO ONE BY ONE,
WE GET IT ALL DONE TONIGHT!
COME ON!
OKAY, OKAY.
IT, TERRY.
BUT I HAVE A DINNER!
ALL THE ROADS ARE BLOCKED.
I HAVE TO GET OUT OF HERE.
DID ANNE CALL?
NO.
WHERE IS SHE, ANYWAY?
DON'T YOU THINK MAYBE YOU'RE
GOING A LITTLE FAST?
WHY DON'T YOU JUST ANSWER THE QUESTIO
YOU ALREADY HAVE A MORTAGE WITH MARTHA,
WHY WOULD YOU WANNA BUY ONE WITH ME?
YOU WANNA BUY A HOUSE WITH ME OR NOT?
I'M NOT SURE.
THEN WHY'D YOU COME UP HERE?
BECAUSE, I'M NOT SURE.
A?
WHY DON'T YOU TELL ME WHAT YOU ARE SURE ABOUT?
COME ON, SLOW DOWN.
YOU WANNA DRIVE?!
OR AREN'T YOU SURE?
JAKE, LOOK OUT!!!
[ S..CREE...CH! ]
[ THUMP, THUD ]
[ ♪♪♪ ]
(ANNE): OH,
NO DIAL TONE.
LOOK, ALL I NEED IS A SET AND ONE OF THE CAMERAS.
OKAY.
DON'T TOUCH THE LIGHTS!
ASK CHRIS IF HE MINDS RUNNING TAPE.
I DON'T WANNA PAY FOR IT.
ALREADY DONE.
THANK YOU.
WHAT'S IT ABOUT?
ANNE.
WE'RE ALL SUPPOSED TO TELL ONE STORY ABOUT HER.
I'LL TELL THE SHOWDOWN STORY.
THERE'S LOTS OF OTHER STUFF.
OF COURSE THERE IS.
WE'LL COME AND GET YOU WHEN WE NEED YOU.
I REMEMBER THE FIRST TIME I HEARD HER NAME..
LATER, MAC.
HE COULDN'T EVEN PROUNCE IT PROPERLY.
(HILD-E-BRAN
(AND WHAT IS THAT, GERMAN?)
(SHE'S VERY GOOD, JERRY)
(THAT'S NOT WHY YOU'RE GIVING HER THE JOB,)
(THIS IS A QUOTA TO YOU AND YOU KNOW IT.)
YEAH, I HAVE TO PAY ATTENTION TO THAT KIND OF STUFF, SURE.
BOARD SAYS WE DON'T HAVE ENOUGH WOMEN.
I HAVE TO HIRE A WOMAN.
I WORKED WITH A WOMAN PRODUCER ONCE,
THEY'RE ALWAYS TRYIN' TO PROVE THEMSELVES.
"LOOK WHAT I CAN DO, DADDY."
"I CAN BE A ***!"
"I CAN BE TOUGH."
COME ON, JERRY.
I'M THE NEWS DIRECTOR,
I CHOSE MY OWN EXECUTIVE PRODUCER.
I'VE ASKED HER TO START ON MONDAY.
YOU HIRED HER?!
WILL YOU GIVE HER A CHANCE!
I GIVE NOTHIN', PAL!
NOT AN INCH.
FIVE YEARS.
NOW, JENNIFER.
AS SOON AS I CAN LEAVE, I WILL.
WHAT? NO, NO...
JUST CALM DOWN.
JENNIFER!
I SAID CALM DOWN, OKAY?
WE'RE GOING TO GET YOU TO YOUR CONCERT SOMEHOW,
IN THE MEANTIME, I WANT YOU TO PULL YOURSELF TOGETHER.
YOU'VE GOT KIDS TO LOOK AFTER, RIGHT?
I'LL CALL YOU BACK IN AN HOUR.
THIS PLACE LOOKS LIKE AN AIR RAID SHELTER.
THANK YOU SO MUCH FOR THAT CONTRIBUTION.
LITTLE BIT OF FOG AND THIS WHOLE TOWN GOES GOOFY.
HALIFAX...
YOU TOOK ON THE WORLD, RIGHT?
THAT WAS REAL FOG.
THIS FAKE FOG IS BAD ENOUGH, THANK YOU.
YOU CAN STAY HERE IF YOU WANT.
MEANING?
I'M GONNA FINISH SCREENING,
DRIVE ACROSS THE FIELD OUT BACK,
AND I'M OUTTA HERE.
YOU CAN'T DRIVE ACROSS THE FIELD.
JUST WATCH ME.
(MIKE): WHY NOW?
BECAUSE THEY'RE HERE NOW AND
THEY CAN'T COME BACK FOR TWO MONTHS.
THE CARPETS ARE FILTHY.
YEAH, DISGUSTING.
WHY CAN'T YOU STAR IN THE EXECUTE OFFICES?
BECAUSE THEY'RE FULL OF EXECUTIVES.
NOBODY'S LEFT THIS BUILDING.
YOU TOLD ME THEY WOULDN'T START UNTIL
AFTER 11 WHEN THIS PLACE IS EMPTY.
SO, WHO KNEW ABOUT THE FOG?
MINIMAL DISRUPTION, OKAY?
PUT THE CHAIRS ON THE DESKS,
REMOVE PERSONAL EFFECTS FROM THE FLOOR,
BING, *** - WE'RE OUTTA HERE.
SEE THAT?
I LEAVE YOU IN TONY'S CAPABLE HANDS.
KYLE...
[ WHISTLES ]
YO!
MAY I PROPEL UPON YOU TO MAKE THE
OFFICIAL ANNOUNCEMENT?
[ CLEARS HIS THROAT ]
[ TOOOOOT! ]
IT'S YOUR BIRTHDAY.
WE THOUGHT OF SOME FLOWERS, OR DISHES BUT
I THOUGHT THAT WAS KIND OF BORING, SO,
THAT'S WHY I'M SITTING HERE.
WHAT WE THOUGHT WE'D DO IS PUT TOGETHER A KIND
OF COLLAGE; MEMORIES.
(I SOUND DUMB)
WE'RE STILL ROLLING.
WELL STOP ROLLING.
RG, IT'S 7:30.
IF YOU WANNA GET THIS SHOT AND
EDIT IT BY TONIGHT, THEN YOU BETTER
SAY SOMETHING.
I HAVEN'T DECIDED WHAT I'M GOING TO
TALK ABOUT YET.
TALK ABOUT THE SHOWDOWN.
TELL THEM WHAT HAPPENED AT THE END.
NO, EVERYBODY'S GONNA TALK ABOUT THAT.
LL TELL THEM WHAT HAPPENED
AT THE BEGINNING.
JUST SAY SOMETHING.
BEGINNING?
GOD.
THE BEGINNING WAS AWFUL.
SHOW PRODUCER AND EXECUTIVE PRODUCER.
AND I'M VERY HAPPY TO HAVE WON HER AWAY FROM MONTREAL.
[ DOOR SLAMS ]
ANNE, WELCOME TO CHANNEL 10.
[ APPLAUSE ]
THANK YOU.
IT'S A PLEASURE TO BE HERE, I THINK.
0
E,
PLEASE FEEL FREE TO DO SO.
UM...I THINK THAT'S IT FOR THE SPEECHES,
UNLESS MAYBE JERRY HAS SOMETHING HE'D LIKE TO SAY.
YOU JUST DO YOUR JOB, ANNE.
EVERYTHING WILL WORK OUT FINE.
ANNE.
I'M THE SHOW PRODUCER, ERIC MACFARLANE.
HI, ERIC.
THIS IS MARG ATHERDONE, OUR TOP EDITOR.
IT'S A REAL PLEASURE TO MEET YOU, HONESTLY.
THANK YOU.
THAT'S VERY NICE TO HEAR.
J.C. CALLAGHAN.
ASSIGNMENT EDITOR.
CALLAGHAN?
YOU USED TO WORK FOR THE HERALD, RIGHT?
A LITTLE WHILE BACK.
I USED TO READ YOU, A LOT.
DON'T SH
I'M NOT USED TO WORKING WITH
PEOPLE WHO CAN READ.
ETING.
YOU ATTEND THOSE WHERE YOU COME FROM?
WHERE I COME FROM, I GENERALLY INTRODUCE MYSELF I'M TALKING TO.
ANNE HILDEBRANT.
O..KAY.
I'LL SEE YOU GUYS IN THERE.
I GIVE HER TWO WEEKS.
10 DAYS.
SHE'LL OUT LAST BOTH OF YOU.
NOT A BAD STORY, HUGH?
IT'S THE BEST ONE I'VE HEARD YET.
GO GET SOMEBODY ELSE.
I THOUGHT I WAS ORGANIZING THIS.
POWER IS FLEETING.
SETH TOLD ME THAT ONCE.
(CHRIS): HEY, BOBBI, DO I STOP TAPE?
OH, YEAH.
YOU GOTTA SAY, TOP TAPE".
SO STOP TAPE.
YOU GOTTA SAY IT EACH TIME 'CAUSE OTHERWISE,
I'M GONNA BE GUESSING.
I COULD LIKE STOP IN THE MIDDLE OF SOMETHING.
I'VE GOT THE MESSAGE, CHRIS.
I SAID IT.
I KNOW YOU SAID IT, I HEAR YOU.
FINE.
[ ♪♪♪♪ ]
THE FARM COULD BE 2 MILES FROM HERE.
YOU SHOULD'VE JUST WAITED IN THE JEEP.
COME ON, THIS IS STUPID.
YOU'RE TALKING TO ME ABOUT STUPID?!
RIGHT, IT'S ALWAYS ME, HUGH?
OH, JAKE, STOP IT.
I DRINK TOO MUCH BEER.
I WAS EXACTLY LIKE THIS WHEN WE MET.
IT WAS FINE WITH YOU THEN.
[ ♪♪♪ ]
[ SCREEEEE....CH! ]
HEY!
THIS IS ONE WAY!
SAYS WHO?
EVERY SIGN THAT LEADS INTO THE PLACE.
GUESS YOU DON'T KNOW TOO MUCH ABOUT THIS PLACE THEN,
BECAUSE NOBODY PAYS ATTENTION AROUND HERE.
WHAT'RE THEY THERE FOR?
E LIKE YOU CAN ASK HEY'RE THERE FOR.
[ SCREEEECH! ]
WHAT WAS THAT?
I GATHER HE WORKS FOR US?
HE'S OUR STAR CAMERAMAN.
JERRY PROTECTS HIM LIKE THE CROWN JEWELS.
SO WHAT'S HIS MAIN PROBLEM?
UY.
HE'S A BIT MIXED UP AT THE MOMENT;
HIS MARRIAGE, GOT A KID.
DON'T EXPECT AN APOLOGY
WHEN HE FINDS OUT WHO YOU ARE.
THAT ISN'T JAKE.
CAN'T WAIT TO FIND OUT WHAT IS.
[ ♪♪♪ ]
YOU'RE RIGHT,
YOU HAVEN'T CHANGED.
YOU HAVE.
WILL YOU LET ME KNOW AS SOON AS THE ROADS
CLEAR AND IF MY BABYSITTER CALLS AGAIN,
I'M IN THE CONTROL ROOM.
BECAUSE IT'S QUIET, J.C.
THANKS.
JERRY WASN'T HALF AS BAD AS EVERYONE SAYS HE WAS.
FINE, JUST TELL THE STORY, TERRI.
HE WAS A WHOLE LOT NICER TO ME IN THE BEGINNING THAN ANNE WAS.
I'LL BET HE WAS.
SHE PREFERRED TO WORK WITH MEN OF LESS COMPETITION.
SHE HIRED ME.
WELL ON-AIR IS DIFFERENT.
SHE HAD A CHOICE BETWEEN DAN AND THAT WOMAN REPORTER
SHE TOOK DAN.
AND I WAS COMPETITION FOR HER.
OYE, THIS IS INCREDIBLY BORING.
IT'S THE WAY WOMEN WORK, BOBBI,
ANNE INCLUDED.
NO MATTER WHAT YOU'D LIKE TO THINK.
THAT WAS MOSTLY IN-HOUSE ANNOUNCER KIND OF STUFF;
READING THE COMMUNITY BILLBOARD
AFTER SIGN-ON, VOICE-OVERS.
I FILLED IN FOR THE WEATHER GIRL A FEW TIMES.
DID YOU ENJOY IT?
YEAH.
THE ONLY REASON I GOT OUT OF THE BUSINESS
WAS BECAUSE I GOT MARRIED.
NOW YOU'RE TRYING TO GET BACK IN BECAUSE YOU'RE GETTING A DIVORCE.
JANE OLIVER - JERRY KASELLS, OUR NEWS DIRECTOR.
IT PROBABLY LOOKS LIKE THAT BUT I
REALLY ALWAYS PLANNED ON GETTING BACK...
SAYS HERE YOU'VE GOT 2 KIDS.
HOW OLD?
TWO AND FOUR.
YOU GOT CUSTODY?
YEAH, I DO.
AND YOU WANT TO WORK FULL TIME.
YOUR TWINS ARE HOW OLD NOW?
THREE?
I GOT A WIFE.
AREN'T YOU LUCKY.
SORRY, WON'T WORK FOR US.
NICE MEETING YOU.
WELL...
COULD YOU START ON MONDAY?
OH, I DON'T WANT
TO BE THE CAUSE OF PROBLEMS.
I PRODUCE THE NEWSCAST.
I'D LIKE YOU ON IT.
OKAY?
OKAY.
IT WAS HARD TRYING TO DECIDE WHAT TO DO.
BUT I FIGURED YOU WERE WORTH IT.
I STILL DO, HA, HA...
OKAY, THAT'S IT.
JANE! JANE!
MNNN?
THEY GOTTA DO THE CARPETS IN HERE.
THEY'RE FOLLOWING ME, AREN'T THEY.
(BOBBI): YOU TOLD THE SHOWDOWN STORY.
WELL YOU SAID NO ONE ELSE HAD.
AT LEAST I WAS HONEST.
CHRIS, CAN YOU SEND SOMEBODY ELSE DOWN HERE?
I'M GETTIN' REAL BORED.
SOMEBODY ELSE?
COULD YOU BE MORE SPECIFIC?
KNOCK ]
[ KNOCK, KNOCK! ]
YOU'RE GONNA KNOCK THE DOOR DOWN.
OH, WILL YOU LAY OFF!
YOU'RE GONNA SCARE THE HELL OUTTA THEM.
QUIT TRYING TO DIRECT OPERATIONS.
YOU HEARD WHAT I SAID.
YES, SERGEANT.
NOW YOU LISTEN.
I DON'T CARE WHAT HE TOLD YOU,
I DON'T WANT NO SATELLITE DISH ON MY PROPERTY.
AND I AIN'T HAVIN' ONE.
NOT NOW, NOT LATER, NOT EVER!
[ SLAM! ]
OH...
IT'S JUST THAT THEY'RE DRIVING ME NUTS,
OVER THIS FLYING SAUCER DISH THEY
WANNA SELL MY HUSBAND.
THEY SAY I CAN GET ATLANTA.
THEY SAY YOU CAN WATCH LLOYD ROBERTSON GETTIN' READY TO DO THE NEWS.
I SAID, "WHY WOULD I WANT TO SEE LLOYD GETTIN' READY?"
HE DOESN'T WATCH ME GETTIN' READY IN THE MORNING,
WHY SHOULD I WATCH HIM GETTIN' READY AT NIGHT?
AIN'T NOBODY'S BUSINESS BUT LLOYD'S, I SAID.
CAN I USE YOUR PHONE TO CALL A TOW TRUCK?
SURE, YOU CAN TRY.
YOU LOOK AS IF YOU COULD USE A CUP OF TEA, DEAR.
NO, DON'T BOTHER.
NO BOTHER.
KETTLE'S ALWAYS ON.
THERE'S SOMEBODY ELSE ON THE LINE.
ALICE BROWN, SHE TALKS A STREAK.
PARTY LINE.
THINK YOU COULD TELL HER IT'S AN EMERGENCY?
I COULD TRY.
ALICE?
OF COURSE IT'S HELEN.
I'VE GOT A COUPLE OF PEOPLE HERE ON EMERGENCY.
WHAT BUSINESS IS IT OF YOURS, YOU OLD BARN RAT.
YOU'RE SUPPOSED TO CLEAR THE LINE.
YOU CAN CALL ETHEL LATER.
WELL, IF YOU'RE GONNA INSULT ME,
WHY DON'T YOU PUT IN YOUR TEETH?
IS SHE GONNA GET OFF?
SHE'S PROBABLY GONNA STAY ON FOR AN EXTRA
HALF HOUR JUST TO SPITE ME.
YEAH.
YOU TELL PEOPLE THEY CAN'T GO HOME,
THEY GO CRAZY.
WHAT'RE YOU DOING?
CARPET CLEANERS CAME EARLY.
OH JOY.
HAVE FUN.
WHERE'RE YOU GOING?
HOME, WHERE IT'S SAFE.
YOU CAN'T GET OUTTA HERE.
WHERE THERE'S A WILL, THERE'S A WAY.
THIS IS GOOD.
THIS IS VERY GOOD.
THANK YOU VERY MUCH.
HEY, THAT'S STRETCHING WITH SUE, RIGHT?
I WATCH THAT SHOW SOMETIMES.
SHE'S VERY SENSUAL.
SHE'S TERRIFIC.
AND SHE'S FLEXIBLE, THAT'S THE KEY.
[ CRASH ]
ANYWAY, BILL COMES DOWN AND HE TELLS GORD,
"I CAN'T GET THIS SKUNK OUTTA THE BARN.
AND HE'S EATIN' THE DOG FOOD".
SO HE IS, RIGHT OUT OF THE BOWL.
SO GORD FILLS UP THE BOWL,
WAITS WITH A GUN.
OLD SKUNKIE AND...
DO YOU THINK I MIGHT TRY TO GET ALICE OFF THE PHONE?
GOT A STRONG STOMACH?
RKING ]
THAT'LL BE TOM.
HIM 'TIL LATER.
MAYBE HE CAN PULL YOU OUT WITH THE TRACTOR.
YOU'RE EARLY.
YEP.
THESE FOLKS GOT THEIR CAR CAUGHT IN A DITCH.
CAN YOU PULL THEM OUT?
[ CRUNCH, CRUNCH ]
WHERE ARE YOU?
ABOUT TWO OR THREE MILES DOWN THE ROAD.
AH, OKAY, I'LL SEE YOU LATER.
THANKS A LOT FOR THE TEA.
NO TROUBLE.
WELL, THAT'S A RELIEF.
SO, HOW LONG YOU TWO BEEN TOGETHER?
SORRY?
MUST'VE BEEN A LONG TIME.
WHY WOULD YOU SAY THAT?
YOU'VE HARDLY HAD TWO WORDS TO SAY
TO EACH OTHER SINCE YOU COME THROUGH THE DOOR.
HOW'D YOU MEET HIM?
WE WORK TOGETHER.
DID YOU FALL IN LOVE RIGHT AWAY?
NO...
JUST LIKE ME AND TOM.
TOOK ME A WHILE TO EVEN GET USED TO HIS FACE.
FIRST TIME I MET HIM, I HATED HIM.
SECOND TIME, HATED HIM EVEN MORE.
WE WERE DOWN ON MY UNCLE'S FARM...
[ POURING COFFEE ]
YOU COMING TO FIRE ME?
OH...
FOR DRIVING THE WRONG WAY IN A PARKING LOT?
GUESS THAT COULD BE A FIRING OFFENSE.
YOU ALREADY BEAT THE ODDS, YOU KNOW THAT?
MOST OF US BET YOU WOULDN'T LAST PAST TUESDAY.
WHERE WAS YOUR MONEY?
WELL...
I FIGURE YOU'RE OUT TO PROVE SOMETHING.
SO I SAY FRIDAY.
YOU LOSE.
IT'S ONLY THURSDAY.
AND THAT'S WHEN THE GOAT GOT ITS HEAD STUCK.
OH...
IT MUST'VE BEEN AWFUL.
IN A WAY
IN A WAY IT WAS KINDA INTERESTING.
[ VACUUM CLEANER ROARING ]
[ JANE TALKING TO HER KIDS ON THE PHONE ]
TWO BOXES OF ANIMAL CRACKERS BEFORE DINNER
AND A BABYSITTER HYSTERICAL IN THE BEDROOM,
.C.
THANKS.
I KNOW HE HIT YOU, HONEY.
WILL YOU PLEASE JUST GET ME JENNIFER!
IT'S GOT NOTHING TO DO WITH SHYNESS, MARG.
I HAVEN'T KNOWN ANNE AS LONG AS YOU PEOPLE.
YOU'VE BEEN HERE OVER A YEAR,
YOU'VE GOTTA HAVE AT LEAST ONE MEMORY.
IT'S JUST THAT...
WHAT?
I THOUGHT YOU WERE GONE!
YEAH, WELL...
MIKE!
LET ME THINK ABOUT IT!
BEFORE THE FOG LIFTS, OKAY?
YOU TOO.
[ VERY NOISY ]
WHAT'S THE MATTER WITH YOU?!
I WAS PULLING OUT OF THE PARKING LOT...
THE VISIBILITY'S REALLY BAD MIKE,
[ MUMBLES ]
WHADDYA SAY?!
[ NOISE ENDS ]
I SAID I REAR-ENDED YOUR CAR!!
[ EVERYONE STOPS AND LISTENS ]
WEEK...
HANG UP ON HER.
OKAY.
EXCUSE ME, ALICE?
BRRRING ]
YEAH?
HI.
WHERE ARE YOU?
I'M AT A FARMHOUSE NEAR CAIRNS.
THE JEEP WENT INTO THE DITCH.
ARE YOU OKAY?
YEAH...
...JAKE'S WITH THE FARMER TRYING TO PULL THE THING OUT.
HOW WAS THE HOUSE?
OH...
T KNOW.
NOT WHAT YOU WERE LOOKING FOR, HUH?
OT SURE ING FOR.
WELL, DON'T HURRY BACK.
THE ROADS DOWN HERE ARE COMPLETELY JAMMED.
SHE MIGHT WANT TO HURRY BACK
...IF SHE STOPPED LISTENING TO HELEN!
WHO WAS THAT?
ALICE, I'M GOING TO GET OFF THE PHONE NOW.
DON'T LET THE OLD WITCH PUSH YOU AROUND.
OKAY, THANKS FOR THE ADVICE.
MIKE, I'LL SEE YOU TOMORROW.
DRIVE CAREFULLY, HUH?
'BYE.
GOODNIGHT, ALICE.
--WHOEVER YOU ARE.
I THINK I'VE GOT IT ON THIS IDE.
THE ROADS ARE PRETTY SLIPPERY OUT HERE, HUH?
YE-AH.
YEAA-AH.
YOUR WIFE MUST BE PRETTY UPSET.
SORRY?
--ABOUT THIS.
OH.
SHE'S NOT M WIFE.
OH.
YOU'RE PROBABLY BETTER OFF.
WIVES.
YEAH.
IF YOU DON'T WANT TO COME HOME,
WHY NOT JUST PICK UP THE PHONE AND SAY SO?
C'MON, MARTHA.
WHY CAN'T YOU LOOK AT ME IN THE EYES, JAKE?
[ DING ]
YOU CAN'T, CAN YOU?
YOU'RE A COWARD.
RIGHT.
YOU'RE A COWARD!
ALRIGHT!
KE!
COULD I TALK TO YOU FOR A MINUTE?
I KNOW YOU'VE BEEN HAVING SOME PROBLEMS,
AND I DON'T WANT TO INTERFERE IN YOUR PRIVATE LIFE,
BUT I WAS THINKING THAT MAYBE WE COULD TALK.
DO YOU WANT TO TALK?
NOT REALLY.
YOU DON'T THINK THAT THIS AFFECTS YOUR WORK?
DO YOU HAVE A PROBLEM WITH MY WORK?
WELL, I'VE BEEN HERE FOR TWO YEARS,
AND I THINK IT GOES A
DEPENDING ON HOW YOUR RELATIONSHIP WITH YOUR WIFE IS GOING.
I'LL WORK IT OUT.
OKAY.
I JUST THOUGHT THERE MIGHT BE SOMETHING I COULD DO.
YOU CAN LEAVE HIM ALONE!
IF HE SAYS HE'LL WORK IT OUT...
...HE WILL.
GO ON, JAKE.
THIS WAS NEAR GRANBY.
WE HARDLY KNEW EACH OTHER BACK THEN.
I'D HARDLY TALKED TO HIM.
THIS WAS TAKEN BY HIS COUSIN.
I ALWAYS THOUGHT TOM WAS THE SADDEST THING.
LOOK AT THIS FACE.
AIN'T THAT THE SADDEST FACE YOU EVER SEEN?
HEY!
I OWE YOU SOMETHING.
OH, YEAH?
AN APOLOGY.
JERRY SHOULDN'T HAVE BUTTED IN LIKE THAT,
AND I SHOULD HAVE SAID SO.
I'M SORRY.
"I'M SORRY"?
IS THAT WIERD OR SOMETHING?
NO.
IT'S JUST I REMEMBER WHEN I FIRST CAME HERE
THAT SOMEBODY SAID TWO WORDS YOU WILL NEVER HEAR FROM JAKE ANTONELLI...
I'VE JUST GOT TO GET SOME THINGS STRAIGHTENED OUT.
WELL, IF YOU DO WANT TO TALK...
SOME THINGS ARE HARD TO TALK ABOUT.
IT'S BETTER JUST TO DO SOMETHING ABOUT THEM.
HOW LONG HAVE YOU BEEN MARRIED?
SIX YEARS.
WOW!
SHE'S TERRIFIC.
I'M THE SCREW-UP.
WELL, THE OFFER STANDS.
SEE YA'.
SEE YA'.
THAT PICTURE DAMN NEAR BROKE MY HEART.
IT'S FUNNY HOW SOME THINGS JUST STAY IN YOUR HEAD.
SO, MARGE IS OFF TRYING TO COLLECT BODIES.
TERRY ALREADY TOLD YOU THE SHOW-DOWN STORY.
WELL, THAT WAS HER VERSION.
TED WITH ME.
SHE IS A PROFESSIONAL,
PERFECTLY CAPABLE OF DOING THIS!
NO FEMALE IN MY NEWSROOM
IS GOING TO RIDE AROUND
IN THE BACK OF A COP CAR!