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♪ YOU'LL FIND A THRILL ♪
♪ ON EVERY HILL ♪
♪ YOU'LL MAKE A MILLION FRIENDS EVERY DAY ♪
♪ SO COME ALONG ♪
♪ AN
♪♪ AND YOU'LL BELONG DOWN MEXICO WAY ♪
♪ JUST FOLLOW ME ♪
♪ AND YOU'LL SEE, SÍ ♪
♪ WHEN EACH AMIGO TELLS YOU TO STAY ♪
♪ SO TAKE A DARE ♪
♪ I'LL SEE YOU THERE ♪
♪ MOST ANYWHERE DOWN MEXICO WAY ♪
♪ IF YOU WANNA GO ♪
♪ TO TIJUANA, GO ♪♪
♪ BECAUSE MAÑANA'S VERY FAR AWAY ♪
♪ ROLL OUT THE BARREL ♪
♪ WE'LL HAVE A BARREL OF FUN ♪
RREL ♪♪
♪ WE'VE GOT THE BLUES ON THE RUN ♪
♪ ZING, BOOM, TARAREL ♪
♪ RING OUT A SONG OF GOOD CHEER ♪
♪ NOW'S THE TIME TO ROLL THE BARREL ♪
All: ♪ FOR THE GANG'S ALL HERE ♪
♪ IN A GARDEN ♪
♪ IN A GARDEN ♪
♪ ONLY HAPPY FACES BLOOM THERE ♪♪
♪ THERE'S NEVER ANY ROOM THERE ♪
♪ FOR A WORRY OR A GLOOM THERE ♪
♪ THERE'S MUSIC AND THERE'S DANCIN' ♪
♪ AND A LOT OF SWEET ROMANCIN' ♪♪
♪ WHEN THEY PLAY A POLKA ♪♪
♪ THEY ALL GET IN AND SWING ♪♪
♪ EVERY TIME THEY HEAR THAT OOM PAH PAH ♪
♪ EVERYBODY FEELS SO TRA LA LA ♪
♪ THEY WANT TO THROW THEIR CARES AWAY ♪
♪ THEY ALL GO ♪
[YODELLING]
WELL, HI, GENE!
MAKE MINE MEDIUM RARE.
MAKE MINE THE SAME, WILL YOU, GENE, RIGHT QUICK.
ALL RIGHT, FELLAS. EVERYBODY SING!
♪ ROLL OUT THE BARREL ♪
♪ WE'LL HAVE A BARREL OF FUN ♪
♪ ROLL OUT THE BARREL ♪
♪ WE'VE GOT THE BLUES ON THE RUN ♪
♪ ZING, BOOM, TARAREL ♪
♪ RING OUT A SONG OF GOOD CHEER ♪
♪ NOW'S THE TIME TO ROLL THE BARREL ♪
♪ FOR THE GANG'S ALL HERE ♪
[LAUGHING]
HEY, FELLA.
WHO, ME?
SURE. WHY YOU DON'T GOT SOMETHING TO EAT?
I'M BUSY TAKING CARE OF THESE PEOPLE.
OH, GO ON. GIVE THIS COWBOY A STEAK.
ALL RIGHT. IF YOU INSIST.
NOW, DON'T APOLOGIZE. GO ON. EAT OFF YOUR HEAD.
YOU KNOW SOMETHING?
HE IS ONE NICE LITTLE FELLA.
I AM HAPPY FOR HIM TO BE A GUEST AT THIS PARTY.
THAT'S GENE AUTRY. HE'S GIVIN' THE PARTY.
OH? SO, WELL... THEN I AM HAPPY FOR TO BE HIS GUEST.
YOU'RE NOT A GUEST.
I HIRED YOU TO COOK HERE TODAY.
AND YOUR BOSS AUTRY DO ALL THE COOKING.
MR. FROG, I AM ASHAMED FOR YOU TO HIRE ME.
YEAH, YOU TOLD ME YOU WAS THE BEST COOK IN ALL MEXICO.
OH, SÍ, BUT I AM ON THE WRONG SIDE OF THE BORDER.
QUIET, EVERYBODY.
SAGE CITY,
SUNG,
IS ABOUT TO SPRING INTO PROMINENCE
THROUGH THE MEDIUM OF A MOTION PICTURE.
AND IN CHOOSING OUR CITY AS THE SUBJECT FOR THIS EPIC OF THE WEST,
ON
AND BY LETTING THE WHOLE TOWN BUY STOCK IN THIS GREAT VENTURE.
NOW, JUST A MOMENT, MAYOR TUBBS.
THIS ISN'T A VENTURE.
IT'S A FOREGONE SUCCESS.
All: HOORAY!
NOW, YOU THINK OF MOTION PICTURES
IN DODGE CITY AND VIRGINIA CITY.
THEY MADE TREMENDOUS FORTUNES.
BUT NEITHER ONE OF THOSE TOWNS
HAD THE COLORFUL BACKGROUND OF THIS PLACE.
NOR THE PASTORAL BEAUTY.
PHOTOGRAPHICALLY, THESE BIG OPEN SPACES ARE MUR-I-ALS.
MAYOR TUBBS WILL NOW GIVE OUT
THE REMAINING STOCK CERTIFICATES TO THE LATE BUYERS.
HENRY JUDSON...
HERE! HERE I AM!
JOE BOWER.
HERE, MAYOR!
BILL APPLEBY!
WELL, GENE, AS YOU WESTERNERS WOULD SAY,
MIGHTY FINE PARTY.
YOU'RE CERTAINLY SENDING US
BACK TO HOLLYWOOD IN A BLAZE OF GLORY.
WELL, YOU'RE GOING TO PUT SAGE CITY ON THE MAP.
THIS IS THE WAY WE SHOW OUR APPRECIATION.
GENE, I DIDN'T GET MY STOCK CERTIFICATE YET.
WHY, DID YOU INVEST IN THE PICTURE, TOO, MISS ABBY?
EVERY CENT I HAD.
DIPPED IN THE SUGAR BOWL AGAIN, HUH?
GENE'S ALWAYS PLAGUING ME ABOUT MY SAVINGS BANK.
IT HAD $200 IN IT.
I--I COULDN'T LOSE IT, COULD I, MR. GERARD?
A CHANCE.
WHEN THIS PICTURE'S RELEASED, YOU'LL ALL BE RICH.
GENE HERE'LL BE BUYING STEERS BY THE THOUSANDS.
AND YOU, LITTLE LADY--
I'LL JUST STOP SCRIMPIN'.
THANK YOU, MR. GERARD.
NOT AT ALL. NOT AT ALL.
IT'LL BE WONDERFUL JUST--JUST NOT SCRIMPIN'.
COME ON, MISS ABBY.
LET'S TACKLE ONE OF THOSE STEAKS.
SAY, MISS ABBY, I'M DYIN' FOR YOU TO TRY SOME OF THIS.
BOY, THIS IS GOOD.
MA'AM, I COOKED THAT
NOW, WE WANT THIS INVESTMENT TO PAY REAL DIVIDENDS,
SO IT'LL HAVE TO BE A GOOD PICTURE.
THAT MEANS IT'LL TAKE REAL ACTORS.
DON'T WORRY, AUTRY. THE CAST IS PRACTICALLY SET.
WHO'S GONNA PLAY THE LEADING MAN'S PART?
WHY, UH--
GO AHEAD. TELL HER.
UH, WELL, WE HAD A LITTLE DIFFICULTY AT FIRST,
BUT, UH, I HAVE HERE A TELEGRAM OF ACCEPTANCE.
JUST A MINUTE, FOLKS.
MR. GERARD IS GOING TO ANNOUNCE THE STAR OF THE PICTURE.
[CHATTERING]
"CONSIDER IT AN HONOR TO BE ASSOCIATED
WITH A GERARD AND GIBSON PRODUCTION."
SIGNED "JOHN WAYNE."
SO, MR. FROGGY, I SAY TO THESE BIG MOOSES,
"
DID YOU GET HIM?
WHO, ME? WHY, I AM THE BEST KNIFE THROWER IN--
OH, DON'T TELL ME THAT.
I'M THE BEST HORSESHOE PITCHER IN SAGE CITY, TOO. WATCH ME.
[CLANK]
YOU DON'T EVEN HIT THE TREE.
THAT'S THEM MOVIE PRODUCER'S CAR.
WE'LL HAVE THE PREMIERE OF THE PICTURE RIGHT HERE.
THAT'S THE TICKET. WE WANT ALL THE TRIMMINGS.
MAYOR TUBBS, YOU'VE AS GOOD AS GOT 'EM.
THANK YOU, SIR.
GOOD-BYE!
GOOD-BYE.
GOOD-BYE
[CHUCKLING]
MR. FLOOD, MY COMPLIMENTS AND YOUR DERBY, SIR.
AND THEIR SHIRTS, MR. ALLEN?
35,000-- THAT WAS EASY PICKIN'S.
DO WE KEEP THE DOUGH?
MR. FLOOD...
YOU'RE NOT BEGINNING TO THINK
THAT YOU'RE REALLY GERARD OR GIBSON, ARE YOU?
NO, BUT--
WE ONLY WORK FOR THEM, YOU KNOW.
YOU'RE NOT THINKING OF HOLDING OUT ON THE BOSSES, ARE YOU?
WHO, ME?
I WOULDN'T CROSS UP MY SUPERIORS.
I WAS JUST WONDERING HOW TO FIGURE MY INCOME TAX.
OH, I SEE.
WELL, THE FASTER WE GET TO MEXICO, THE BETTER.
GERARD AND GIBSON HAVE GOT BIG THINGS SET IN SAN RAMON.
SAN RAMON? AH, MEXICO--
BEAUTIFUL SEÑORITAS, ROMANTIC MOONLIGHT,
CORAL SANDS, UKULELES.
THE GREEN EARTH FOR A COUCH,
THE SKY ABOVE FOR A BIG, BLUE UMBRELLIA.
ME--PANCHO--HAVE THE WHOLE WORLD TO REST IN.
WITH ALL THAT ROOM, I CAN'T SEE THE POINT
IN MY PAYIN' YOU TO REST ON GENE'S RANCH.
AMIGO, IS NO PERCENTAGE IN RESTING FOR NOTHING.
OH, THAT'S ALL RIGHT, PANCHO.
YOU'RE STILL HIRED. STICK AROUND A WHILE.
GRACIAS.
YOU GOT A LIGHT?
NO.
HERE YOU ARE.
MUCHOS GRACIAS.
HEY, I AM BURNING UP YOUR TELESPATCH.
LOOK HERE. YOU QUIT READIN' GENE'S MAIL.
GIVE ME THAT.
I NEVER GOT A TELEGRAM IN MY LIFE.
IF IT'S SIGNED "JOHN WAYNE," SAVE IT FOR MISS ABBY.
WELL, IT'S SIGNED "UNSIGNED."
THEN NOBODY SENDING HIM, HUH?
WHY, SURE. IT'S GOT WRITIN' AND READIN' ON IT.
LET'S SEE IT.
Gene: "THE USUAL MOTION PICTURE SET-UP."
I'LL BET TO THEM
ED
JUST WHO IT'S FOR,
TELLING 'EM TO COME TO MEXICO.
"
IN MEXICO THIS TIME OF YEAR, THE PLUMS ARE NO RIPE.
I'M AFRAID THEY WERE PLENTY RIPE IN SAGE CITY,
AND FALLIN' EASY.
OH! OH!
OH, THIS IS AWFUL!
THIS IS TERRIBLE!
ALL THESE TELEGRAMS ARE ALIKE.
NO ONE IN HOLLYWOOD EVER HEARD OF 'EM. THEY'RE CROOKS.
YOU HAVE STOPPED. YOUR WRIST-- HE IS NOT TICKING.
THIS ONE FROM THE MOTION PICTURE PRODUCERS ASSOCIATION CINCHES IT.
WE'RE ROBBED!
HA! NOW YOU ARE TICKING GOOD.
I'M NOT DEAD YET.
I'LL LIVE TO SEE THOSE CROOKS BEHIND BARS.
THAT'S THE STUFF!
WELL, I GUESS I'LL HAVE TO FACE THE MUSIC.
AFTER ALL, I GOT EVERYBODY INTO THIS.
INCLUDIN' ME,
AIN'T I EVEN GONNA GET A RUN FOR MY $12.84?
YOU BET YOU ARE, FROG.
WE'RE GONNA RUN RIGHT DOWN TO MEXICO.
PONCHO, YOU KNOW ANYTHING ABOUT THE TOWN OF SAN RAMON?
FACE
THEN IF YOU KNOW HOW TO GET US DOWN THERE, YOU'RE HIRED.
WITH PANCHO TO GUIDE YOU TO MEXICO,
YOU'LL FIND YOURSELF RIGHT IN--
MISSOURI!
ALL RIGHT, FROG. PACK THE BAGS.
WELL, WHERE'LL I TELL THE FELLAS YOU'VE GONE?
SNAKE HUNTIN'.
AND THAT'LL BE THE TRUTH.
♪ SOUTH OF THE BORDER ♪
♪ DOWN MEXICO WAY ♪
♪♪ THAT'S WHERE I FELL IN LOVE ♪
♪♪ WHEN STARS ABOVE ♪
♪ CAME OUT TO PLAY ♪
♪ AND NOW AS I WANDER ♪
♪ MY THOUGHTS EVER STRAY ♪
♪ SOUTH OF THE BORDER ♪♪
♪ DOWN MEXICO WAY ♪
♪ SHE WAS A PICTURE ♪
♪ IN OLD SPANISH LACE ♪
♪ AND FOR A TENDER WHILE ♪
♪♪ I KISSED THE SMILE ♪
♪ UPON HER FACE ♪
♪ FOR IT WAS FIESTA ♪
♪ AND WE WERE SO GAY ♪
♪♪ SOUTH OF THE BORDER ♪
♪ DOWN MEXICO WAY ♪
♪ THEN SHE SIGHED AS SHE WHISPERED, MAÑANA ♪
♪ NEVER DREAMIN' THAT WE WERE PARTING ♪
♪ AND I LIED AS I WHISPERED, MAÑANA ♪
♪ FOR OUR TOMORROW NEVER CAME ♪
♪ SOUTH OF THE BORDER ♪
♪ I RODE BACK ONE DAY ♪
♪ THERE IN A VEIL OF WHITE BY CANDLELIGHT ♪
♪ SHE KNELT TO PRAY ♪
♪ THE MISSION BELLS TOLD ME ♪
♪ THAT I MUSN'T STAY ♪
♪ SOUTH OF THE BORDER ♪
♪ DOWN MEXICO WAY ♪
♪ AI YI YI YI ♪
♪
♪ AI YI YI YI ♪
♪ AI YI YI YI ♪
Frog: THIS IS A FINE WAY TO CHASE ANYBODY.
WELL, IT BEATS WALKING.
AT SANTA MARIA JUNCTION WE'LL LEAVE THAT BROKEN JALOPY AND TAKE THE TRAIN.
WHAT ABOUT THE HORSES?
WE PUSH 'EM UP IN THE BAGGAGE CART.
YEAH, JUST LIKE YOU FIXED THE CAR.
WELL, THE ENGINE, SHE WAS MISSING A LITTLE,
SO I TAKE 'EM OUT.
AND YOU COULDN'T GET IT BACK IN,
AND NOW IT'S MISSING ALTOGETHER.
DON'T WORRY. YOU'LL GET THERE WITH ME TO GUIDE YOU.
YOU MAY BE THE GUIDE, BUT YOU CAN'T GO NO PLACE I'D WANNA GO.
WELL, YOU SEE, WE STOPPED OFF IN SAGE CITY FOR GAS,
AND THE CAR TOOK 15 GALLONS,
BUT WHY DID YOU HAVE TO USE OUR MOTION PICTURE SETUP?
WELL, BOSS, WE WERE KIND OF SNEAK PREVIEWIN' THE IDEA.
"SNEAK PREVIEWING"-- WE WORK OUR HEADS OFF FOR BIG STAKES,
AND THESE GUYS GO RUNNING AROUND THE COW COUNTRY
PREVIEWING OUR BIGGEST SCHEME.
BOYS, YOUR SAGE CITY PROMOTION WAS UNTIMELY.
I THINK WE'LL HAVE TO PUT YOU ON ICE FOR A WHILE
JUST IN CASE SOMEONE COMES DOWN HERE LOOKING FOR YOU.
AH, THEY'LL BE LOOKING FOR US IN HOLLYWOOD.
WE'RE PLAYING IT SAFE AND HIDING YOU OUT
UNTIL THIS FIRST PICTURE'S FINISHED.
YOU MEAN, YOU'RE REALLY GONNA MAKE A MOTION PICTURE?
WHY, OF COURSE.
FINANCED BY DON CARLOS ALVARADO AND HIS FRIENDS.
ARE YOU GUYS GETTING HONEST?
NO, SMART.
WE'RE PLAYING FOR BIG STAKES
WHILE MAKING THE FIRST PICTURE.
THEN WE GET THE WHOLE TOWN TO FINANCE
A SERIES OF PICTURES WHICH WE DON'T MAKE.
OH, I GET IT.
YEAH, THAT'S OK.
OH, DAVIS, I WANT YOU TO TAKE MR. ALLEN AND MR. FLOOD
UP TO MY SHACK. TELL JOE TO KEEP THEM UNDERCOVER.
IT'S UP IN THE HILLS, AND I DON'T THINK ANYONE WILL BOTHER YOU.
IT'S QUITE REMOTE.
I GET IT. NO POINT IN DRESSING FOR DINNER.
SAY, THAT ALVARADO GUY'S OUT THERE, BOSS.
HERE. TAKE 'EM OUT THIS WAY.
OH, DON CARLOS.
MR. GIBSON, GLAD TO SEE YOU.
GLAD TO SEE YOU, TOO.
MR. GERARD.
HOW DO YOU DO, SIR?
WON'T YOU SIT DOWN?
NO, THANK YO
I HAVE ONLY COME TO TELL YOU MARIA ELENA ARRIVES BY TRAIN TOMORROW.
OH, FINE. FINE. WE'LL LOOK IN ON YOU.
WE DO NOT DO THINGS SO CASUALLY HERE.
THE ARRIVAL OF MY DAUGHTER IS A BIG EVENT.
THAT'S RIGHT, DON CARLOS. GIVE IT SOME PRODUCTION.
YOU KNOW, YOU HAVE THE MAKINGS OF A PRODUCER.
NO, NO, NO.
I AM CONTENTED TO BE AN INVESTOR.
I WILL LEAVE THE PRODUCING TO YOU...
AND THE ACTING TO MARIA ELENA.
YOU WILL BE AT HER RECEPTION?
OH, OF COURSE. WE'LL BE THERE.
MUY BIEN. GRACIAS. HASTA LUEGO.
HASTA LUEGO. MUY BIEN.
WELL, HOMER, OUR STAR IS ABOUT TO DESCEND.
WELL, ALVARADO BELIEVES SHE'LL BE A SENSATION IN PICTURES.
YOU EVIDENTLY PICKED THE RIGHT GIRL.
WELL, HE'S A RICH MAN AND A DOTING FATHER.
HOW COULD I MISS?
COULD SHE POSSIBLY BE AS LOVELY AS HE SAYS?
5 WILL GET YOU 10 SHE HAS BUCK TEETH.
[WHISTLE BLOWS]
♪ OYEME CACHITA ♪
♪ TENGO UNA RUMBITA ♪
♪ PA QUE TU LA BAILES COMO BAILO YO ♪
♪ MUCHACHA BONITA ♪
♪ MI LINDA CACHITA ♪
♪ LA RUMBA CALIENTE ES MEJOR QUE EL SON ♪
♪ MIRA QUE SE ROMPEN YA TE GUSTA LAS MARACAS ♪
♪ Y EL DE LOS TIMBALES YA SE QUIERE ALBOROTAR ♪
♪ SI DIVIERTEN ASI EL FRANCES ♪
♪ Y TAMBIEN EL ALEMAN ♪
♪ Y SE ALEGRA EL IRLANDES ♪
♪ Y HASTA EL MUSULMEN, BAH ♪
♪ Y SÍ BAILA ESTO UN INGLES ♪
♪ SE LE METE EL ALBOROTO ♪
♪ Y ES PA QUE VUELVA LOCO ♪
♪ HASTA UN JAPONES, BAH ♪
♪ OYEME CACHITA ♪
♪ TENGO UNA RUMBITA ♪
♪ PA QUE TU LA BAILES COMO BAILO YO ♪
♪ MUCHACHA BONITA ♪
♪ MI LINDA CACHITA ♪
♪ LA RUMBA CALIENTE ES MEJOR QUE EL SON ♪
♪ SI DIVIERTEN ASI EL FRANCES ♪
♪ Y TAMBIEN EL ALEMAN ♪
♪ Y SE ALEGRA EL IRLANDES ♪
♪ Y HASTA EL MUSULMEN, BAH ♪
PANCHO!
SEE WHAT I TOLD YOU?
EVERYBODY IN MEXICO KNOW PANCHO.
ALL THESE NICE, SMILING, HAPPY FACES WAVING ME A BIG WELCOME.
YEAH, THEY MAY BE WAVIN' IN MEXICAN,
BUT WHERE I COME FROM, THAT'S JUST PLAIN REACHIN'.
T AMOUS PANCHO.
I HAVE HEARD MANY THINGS ABOUT YOU, SEÑOR.
AH, SEÑORITA, I HAVE CHANGED SOMETHING TERRIBLE.
LOOK. I RIDE THE TRAIN WITH A TICKET.
KEEPING
OMPANY.
OH, THESE ARE MY VERY GOOD FRIENDS.
GENES AUTRY, AND THIS IS MR. FROG.
PANCHO!
LOOK! ALL THE WAY TO SAN RAMON FOR ME AND MY FRIENDS.
NOW, DON'T WORRY. RUN ALONG.
PUNCH 'EM UP THE TICKETS.
I AM MARIA ELENA ALVARADO.
I AM HAPPY FOR TO KNOW YOU. HELLO.
THIS IS SEÑORITA MARIA ELENA, THE FIRST BEAUTIFUL SIGHT WHAT I SHOW YOU.
HOW DO YOU DO?
PANCHO'S MY OFFICIAL GUIDE.
THEN YOU WILL SEE MANY POINTS OF INTEREST.
SO FAR HE'S DOING VERY WELL.
ARE YOU GOING TO SAN RAMON FOR THE FIESTA, MR. AUTRY?
NO, I'M ON BUSINESS.
IN SAN RAMON, ALL BUSINESS STOPS FOR THE FIESTA.
THIS ONE'S IN MY HONOR.
I'M GOING HOME TO MAKE A MOVING PICTURE.
I'M SORT OF IN THE PICTURE BUSINESS MYSELF.
HOOKED UP WITH A COUPLE OF PRODUCERS NAMED GERARD AND GIBSON.
WHY, THEY'RE MAKING MY PICTURE.
I'M HOOKED UP WITH THEM, TOO.
THEN I BETTER HAVE A LONG TALK WITH YOU.
THIS FELLOW FROGS-- HE IS ONE OF THE BEST HARMONICA PLAYERS
IN THE WHOLE SAGE CITY.
GO ON, FROG. SHOW 'EM.
OOD.
OH, SURE YOU CAN.
SHOW THEM HOW YOU PLAY THE HARMONICA.
WAIT TILL YOU HEAR THIS. THIS IS VERY GOOD.
THAT'S IT, FROG! WHAT DO YO THINK OF THAT?
NOW WITH THE LITTLE ONE.
WAIT TILL YOU HEAR THIS. EVEN BETTER THAN THE BIG ONE.
[HARMONICA PLAYING]
THAT'S THE STUFF, FROGS.
[HARMONICA STOPS]
WHAT'S THE MATTER, FROGS? WHY YOU STOP PLAYING?
[HARMONICA SOUNDS] I SWALLOWED MY HARMON--
[HARMONICA SOUNDS] I SWALLOWED MY HARMONICA.
[GIGGLING]
[NOTE SOUNDS]
WHY, MR. FROG, WHY YOU DON'T TELL ME
YOU CAN DO SUCH BIG TRICK LIKE THIS?
[NOTE SOUNDS]
[NOTE SOUNDS]
[NOTES CLASH]
OH, SOUR STOMACH.
[NOTES SOUND]
[NOTE SOUNDS]
THAT'S WONDERFUL!
PANCHO, THANK YOU.
THAT'S WHY WE'RE GOING TO SAN RAMON,
TO EXPOSE THOSE CROOKS GERARD AND GIBSON.
BUT MR. GERARD AND MR. GIBSON ARE NOT CROOKS.
WHY, MY OWN FATHER AND MANY OTHERS ARE INVESTING
IN THE MAKING OF THIS PICTURE.
I'M SURE IT'S THE SAME SET-UP.
BUT MY FATHER WOULD HAVE NOTHING TO DO WITH SWINDLERS.
HE'S VERY HONORABLE.
AND, I'LL BET VERY RICH.
THAT'S PROBABLY WHY THEY PICKED HIM OUT.
I TELL YOU, THEY'RE SMART.
IF I CAN LOCATE 'EM, I'LL PROVE IT.
I CAN SAVE YOU THE TROUBLE OF HUNTING FOR THEM.
IF YOU COME TO MY RECEPTION TOMORROW,
MY FATHER WILL INTRODUCE YOU.
ALL AROUND ME WERE THE LADRONES--
A THOUSAND, MAYBE.
I AM ALL ALONE. MY GUN, SHE IS EMPTY.
SUDDENLY THE LADRONES CHARGE.
THEY BREAK DOWN THE DOOR. 4 RUSH IN--MAYBE 5.
20, MAYBE. I AM HELPLESS.
WHAT HAPPENED?
THEY KILLED ME.
OH, THAT IS TOO BAD. YOU WERE SO NICE.
OH, NO, NO, MY OTHER FRIEND-- HE WILL SING FOR YOU.
COME ON, GENES.
OH, MR. AUTRY SO FAR HAS BEEN ALL SERIOUS BUSINESS.
I THINK I LIKE SINGING BETTER.
OH, YOU'LL LIKE IT, ALL RIGHT.
THIS FELLA--HE SINGS THE BIRDS OFF THE TREES.
OH? MAYBE YOU'LL ENTERTAIN US AT MY RECEPTION.
YOU BETTER HEAR ME BEFORE YOU HIRE ME.
♪ THE COWBOY AND THE LADY ♪
♪
♪ THAT WAS PAINTED BY THE WESTERN SUN ABOVE ♪
♪ AN OLD TRAIL, COOL AND SHADY ♪
♪ LED THEM TO THE PRAIRIE ♪
♪ WHERE THE COWBOY AND THE LADY ♪
♪ FELL IN LOVE ♪
♪ YIPPEE YAY ♪
♪♪ WHERE THE BUFFALO ♪
♪ NO LONGER ROAM ♪♪
♪ YIPPEE YAY ♪
♪ WHERE THE NAVAJO ♪
♪ ONCE LIVED ♪
♪ THEY BUILT A HOME ♪
♪ AND NOW
THEY
♪ SOMEWHERE ON THE PRAIRIE ♪
♪ AND THE LADY ♪
♪
♪ YIPPEE YAY ♪
♪ WHERE THE BUFFALO ♪
♪ NO LONGER ROAM ♪
♪ YIPPEE YAY ♪
♪ WHERE THE NAVAJO ♪
♪ ONCE LIVED ♪
♪ THEY BUILT A HOME ♪
♪ AND NOW THEY ROCK A CRADLE ♪
♪ SOMEWHERE ON THE PRAIRIE ♪
♪ WHERE THE COWBOY ♪
♪ AND THE LADY ♪
♪ FELL IN LOVE ♪
[SPEAKING SPANISH]
BIEN VENIDA, SEÑORITA MARIA ELENA.
GRACIAS, MIGUEL.
IT'S SO GOOD TO BE HOME AGAIN.
NONOW, MR. AUTRY, WE SHALL SEE WHO'S RIGHT ABOUT SEÑOR GERARD AND GIBSON.
I'M READY WHENEVER YOU ARE.
YOU KNOW, GENE, I THINK WE BETTER CALL THE COPS.
THAT WILL NOT BE NECESSARY.
CAPTAIN RODRIGUEZ THAT HEADS THE POLICE FORCE
IS A GUEST OF MY FATHER.
CAPTAIN RODRIGUEZ?
SAY, GENES, YOU KNOW WHAT?
I THINK MAYBE IT'S BETTER I WAIT OUT HERE.
THESE CLOTHES-- I AM NOT DRESSED FOR THE PARTY.
OK, PANCHO.
PANCHO!
MARIA ELENA, BIEN VENIDA.
SÍ. ¿CÓMO ESTA?
[SPEAKING SPANISH]
MARIA ELENA!
PAPÁCITO.
[SPEAKING SPANISH]
WHAT A HANDSOME FATHER I HAVE. HA HA.
MERCEDES...
YOU HAVE TAKEN GOOD CARE OF MY LITTLE GIRL?
DON CARLOS, ON OUR JOURNEY,
THE CABALLEROS WERE SO HANDSOME,
MARIA ELENA, SHE HAVE TO TAKE CARE OF ME.
[BOTH LAUGH]
OH, FATHER,
THESE 2 GENTLEMEN WERE ON THE TRAIN.
MR. AUTRY, AND MR. FROG.
HOW DO YOU DO?
I'M GLAD TO KNOW YOU.
GENTLEMEN, THIS IS YOUR HOUSE.
COME RIGHT IN.
YOU ARE MOST WELCOME GUESTS.
DON'T BE TOO SURE, FATHER,
MR. AUTRY HAS COME TO SAN RAMON
TO SAVE US ALL FROM A HORRIBLE FATE.
SO?
YES. HE TELLS ME WE ARE ALL IN GREAT DANGER.
THAT WE ARE ALL ABOUT TO BE SWINDLED.
,
WELL, THEY'RE NOT HERE.
PAPÁCIT
OU PRESENT
MR. GERARD AND MR. GIBSON TO ME AND TO MR. AUTRY?
OF COURSE.
MY DAUGHTER MARIA ELENA.
MY GOOD FRIENDS
MR. GIBSON.
Maria Elena: HOW DO YOU DO?
MR. GERARD.
THEM AIN'T THE GUYS, GENE.
MISS ALVARADO, YOU'RE EVEN LOVELIER THAN I HAD HOPED.
MR. AUTRY, UH, IS THIS A JOKE?
YEAH, ON ME.
I GUESS I OWE YOU AND YOUR FRIEND AN APOLOGY.
WE WERE LOOKING FOR 2 OTHER FELLOWS.
YEAH, THEY HAD YOUR NAMES, THOUGH. THEY WAS CROOKS.
THEY CHEATED ME OUT OF $12.84.
[CHUCKLES]
THEY MEN WE'RE LOOKING FOR
SWINDLED OUR TOWN OF SAGE CITY.
THEY SAID THEIR NAMES WERE GERARD AND GIBSON
AND PASSED AS PICTURE PRODUCERS.
SOMEONE WHO KNEW US BY REPUTATION, NO DOUBT.
WELL, THAT'S THE PENALTY, MR. AUTRY,
FOR BEING IN THE PUBLIC EYE.
I'M SORRY FOR YOU AND YOUR FRIENDS UP IN, UH...
SAGE CITY.
IT MUST BE A LOVELY PLACE.
WELL, IT'S JUST A LITTLE OLD TOWN, BUT WE LIKE IT.
[LAUGHS]
I GUESS WE BETTER BE GOING BACK TO IT.
WELL, SO LONG.
COME ON, FROG.
GOOD-BYE.
GOOD-BYE.
MR. AUTRY...
I'M SORRY.
WELL, THAT'S ALL RIGHT.
I PLAYED A HUNCH AND LOST.
WELL, WON'T YOU STAY TO MY PARTY?
I'M AFRAID NOT.
I DON'T FEEL VERY MUCH LIKE CELEBRATING.
WELL, TOMORROW NIGHT IS THE FIESTA.
PERHAPS, YOU COULD CHEER UP ENOUGH TO TAKE ME.
THAT WOULD BE ENOUGH TO CHEER ANYBODY UP.
IN SAN RAMON, WE SAY,
"GRACIAS I ACCEPT YOUR INVITATION."
IN SAGE CITY, WE SAY "IT'S A DATE."
WELL, WHAT HAS HAPPENED?
YOU CATCH THOSE GERARD AND GIBSON?
CATCH 'EM? WE'RE COLLECTING THEM.
YEAH, THERE SEEMS TO BE A LOT OF THEM,
IS THERE A HOTEL IN TOWN?
OH, SÍ. ONE OF MY COUSINS, HE IS RUN IT.
THEN THAT'S WHERE WE'RE GOING.
HEY, LOOK, LOOK.
YOU REMEMBER THAT?
I MADE THAT CUT WITH A CLEAVER
THE DAY OF THE BARBECUE.
THE TIME YOU WAS TELLING THE WHOPPER.
WHICH WHOPPER?
YOU KNOW, THE TIME YOU THREW THE KNIFE
AND HIT THE TREE,
THEN I THREW THE CLEAVER AND HIT THIS CAR.
ALL THE WAY TO MEXICO?
[LAUGHS] OH, MOLEY HOSES, AMIGO.
THAT'S A BIGGER WHOPPER WHAT I EVER TOLD.
NG YOU,
THAT CAR BELONGS TO THEM SCALAWAGS.
YOU SURE?
YES, SIR.
I STOOD RIGHT IN FRONT OF THAT DOOR
SO THEY COULDN'T SEE THAT CUT WHEN THEY GOT IN.
WELL, IF IT'S THEIR CAR, WHERE ARE THEY?
MAYBE THEY FALL OUT.
UH-UH. NOT HERE.
SAME NAMES, SAME CAR.
BOYS, I THINK WE BETTER DO A LITTLE INVESTIGATING.
[FIESTA MUSIC PLAYING]
Crowd: ¡OLÉ!
[MUSIC STOPS]
[CHEERS AND APPLAUSE]
[GUADALAJARA
PLAYING]
♪ GUADALAJARA, GUADALAJARA, GUADALAJARA ♪
♪ GUADALAJARA, GUADALAJARA, GUADALAJARA ♪
♪ TIENES EL AMA DE PROVINCIANA ♪
♪ HUELES A LIMPIO ROSA TEMPRANO ♪
♪ A VERDE JARA FRESCA DEL RIO ♪♪
♪ SON MIL PALOMOS TU CASERÍOS ♪
♪ GUADALAJARA, GAUDADAJARA ♪
♪ SABES A PURA TIERRA MOJADA... ♪
[CHEERS AND APPLAUSE]
♪ OH, OH, OH ♪
♪ TLAQUEPAQUE PUEBLITO ♪
♪ TUS ♪
♪ OLOROSOS JARRITOS ♪
♪ HACEN MÁS FRESCO EL DULCE TEPACHE ♪
♪ PARA LA BIRRIA JUNTO AL MARIACHI ♪
♪ QUE EN LOS PARIANES Y ALFARERIAS ♪
♪ SUENE CON TRISTS MELANCOLIAS...♪
THEY'RE THE PRETTIEST GIRLS AT THE FIESTA.
THAT'S NOT WHAT IT SAYS IN MY BOOK.
♪ LAGUNA DE CHAPALA ♪
♪ AH ♪
♪ TIENES DE UN CUENTO LA MAGIA ♪
♪ CUENTOS DE OCASOS Y DE ALBORADAS ♪
♪ ENAMORADAS NOCHES LUNADAS ♪
♪ QUIETA CHAPALA ES TU LAGUNA ♪
♪ NOVIA ROMANTICA COMO NINGUNA ♪
♪ GUADALAJARA ♪♪
♪ GUADALAJARA ♪♪
[SONG ENDS]
[CHEERS AND APPLAUSE]
HEY, GENE!
THAT LUNKHEAD IS DRIVING ME LOCO.
WHAT'S THE MATTER?
WELL, EVERYWHERE WE GO,
PEOPLE KEEP WAVING AT HIM LIKE THIS.
WE'RE GOING TO GET IN THE CLINK.
OH, THEY ARE GLAD FOR TO SEE ME,
AND I AM HAPPY FOR TO SEE EVERYBODY.
HEY, JIGGERS, THE SHERRIF.
NEARLY EVERYBODY.
PANCHO, I AM DELI
SEE WHAT I TOLD YOU?
YOU MISS ME WHEN I AM GONE, EH?
WE MISS YOU PLENTY TIMES.
WHY ARE YOU COMING BACK TO SAN RAMON?
THE GOVERNOR, HE SAY TO ME IN HIS LITTLE PAPER,
HE SAYS, "PANCHO, I AM NOT MAD AT YOU NO MORE.
COME ON HOME."
WHICH GOVERNOR?
PICK OUT YOURSELF ONE. I GOT PLENTY GOVERNORS.
PANCHO, IT TOOK US A VERY LONG TIME TO MAKE YOU A GOOD CITIZEN,
BUT YOU ARE STILL THE WORST LIAR IN SAN RAMON,
AND A BIG WINDBAG.
SEE? HE'S GOT BIG RESPECTS FOR PANCHO.
JUST SO LONG AS YOU GOT RESPECTS FOR THE POLICE.
WELL, PANCHO'S WORKING FOR ME AS A GUIDE.
SURE. WE'RE SUING THE SEATS.
HE MEANS SEEING THE SUITS.
THEY BOTH MEAN SEEING THE SIGHTS.
AND THE LOVELIEST ONE OF ALL, MISTER,
YOU HAVE WITH YOU.
GRACIAS, CAPITAN.
NO, ES NADA, SEÑORITA.
SEE WHAT I MEAN? I'M TELLING YOU, GENE--
HEY, FROG, COME HERE.
[WHISPERING]
AW, NO.
OH, GO ON
UH, MISS MERCEDES, UH,
COULD I HAVE THE PLEASURE
OF HAULING YOU AROUND FOR A WHILE?
GRACIAS. MARIA ELENA,
I GO FOR A LITTLE HAUL WITH MR. FROG.
COME ON, WE GET OUR PICTURE TOOK.
I WANT TO SEE HOW I LOOK.
WELL, GOOD EVENING, MARIA ELENA.
AND YOU, MR. AUTRY.
HELLO.
NOW DON'T KEEP OUR LOVELY YOUNG STAR OUT TOO LATE.
REMEMBER, MY DEAR, YOU MUST FACE THE CAMERAS TOMORROW MORNING,
AND WE WANT YOU TO BE RADIANT.
OH, I'LL SEE THAT SHE GETS HOME EARLY.
I'LL TAKE HER HOME MYSELF.
I THOUGHT YOU WERE HEADING BACK TO SAGE CITY?
NO, NOT RIGHT AWAY.
KINDA LIKE IT DOWN HERE.
THOUGHT I'D STICK AROUND AWHILE
AND WATCH YOU MAKE PICTURES.
WHY, YES, OF COURSE, YOUNG MAN,
WE'D BE GLAD TO HAVE YOU.
ADIOS. SEE YOU IN THE MORNING.
GOOD NIGHT.
[FIESTA MUSIC PLAYING]
[INDISTINCT CONVERSATIONS]
HAVE YOU ANYTHING IN YOUR SAGE CITY AS LOVELY AS THIS?
WELL, WE HAVE A RODEO ONCE A YEAR,
WITH A LOT OF FANCY TRICK ROPIN'.
AND THE SEÑORITAS, ARE THEY PRETTY?
I'M BEGINNING TO CHANGE MY MIND
ABOUT THE SEÑORITAS IN SAGE CITY.
AFTER SEEING ONE FIESTA,
OR LISTENING TO THE HERRERA SISTERS' SONG?
ALL 3.
3?
THAT'S ONE REASON TOO MANY.
I'M KEEPING ONE IN RESERVE.
[DOWN MEXICO WAY PLAYING]
♪ YOU'LL FIND A THRILL ON EVERY HILL ♪
♪ YOU'LL MAKE A MILLION FRIENDS EVERY DAY ♪
♪♪ SO COME ALONG AND SING A SONG ♪
♪ AND YOU'LL BELONG DOWN MEXICO WAY ♪
♪ JUST FOLLOW ME AND YOU'LL SÍ SÍ ♪
♪ WHEN EACH AMIGO TELLS YOU TO STAY ♪
♪
♪ MOST ANYWHERE DOWN MEXICO WAY ♪
♪ IF YOU'RE FEELING BLUE AND DON'T KNOW WHAT TO DO ♪
♪ YOU'LL FIND A LOT TO DO YOUR HEART WILL SAY ♪
♪ BE GAY TODAY ♪
♪ AND SERENADE YOUR LADY ♪
♪ AND YOUR LIFE WILL BE COMPLETE ♪♪
♪ YOUR HEART WILL BEAT ♪♪
♪ WHEN SEÑORITAS TEACH YOU TO PLAY ♪
♪♪ SO TAKE A CHANCE AND START TO DANCE ♪
♪ YOU'LL FIND ROMANCE DOWN MEXICO WAY ♪
[SONG ENDS]
FROG, I BET YOU DON'T EVER SEE
SOMETHING LIKE THIS FIESTA.
NO. WELL, YOU OUGHT TO BE IN SAGE CITY ON THE FOURTH OF JULY.
OH, CHEER UP, FROG.
WE'RE IN FOR A LOT OF FIREWORKS DOWN HERE.
GERARD AND GIBSON ARE WORKING ON A BIG SCALE.
CTURE,
?
WHY, SURE, JUST TO MAKE BIG MONEY.
YOU CAN BE THEY HAVEN'T A DIME OF THEIR OWN.
OH, MY FRIEND LITTLE CARLOS IN THE BANK
IS GOING TO FIND OUT JUST HOW MANY DIMES THEY GOT.
IS CARLOS A TELLER?
SURE, HE'S GOING TO TELL ME EVERYTHING
[LAUGHS]
HEY, HOLD IT.
[GUNSHOT]
[GUNSHOT]
[GUNSHOT]
WERE THEM BULLETS?
AMIGO, THEY WERE NOT BUMBLEBEETLES.
I SAW THE FLASH OF THEIR GUNS IN THE MOONLIGHT.
HA HA! AY CHIHUAHUA!
THESE ARE LIKE OLD TIMES.
YOU AND PANCHO KEEP THEM BUSY.
I'M GOING TO TRY AND CIRCLE AROUND.
Pancho: PLEASE, GENES, BE CAREFUL.
THIS IS DANGEROUS COUNTRY.
[GUNSHOTS]
PANCHO, WHO ARE THEM GUYS?
WHAT ARE THEY SHOOTING AT US FOR?
OH, MAYBE SOMEBODY WHO DON'T LIKE ME.
SOMEBODY I HAVE TROUBLE WITH BEFORE I AM REFORMED.
OH, YEAH?
WELL, I KNOW YOU'D WAS GOING TO GET US INTO SOME KIND OF TROUBLE.
[CRACKLE]
WHAT
LET'S GET OUT OF HERE.
IT'S NO USE. I KNOW THIS COUNTRY.
I USE IT MYSELF.
THEY CAN HIDE IN THERE AND PICK YOU OFF
LIKE CLAY PIGEONS IN A SHOOTING GALLERY.
WELL, THAT'S A FINE HOW-DO-YOU-DO.
FIRST, THEY HAVE A FIESTA FOR US,
AND NOW THEY'RE USING US FOR TARGETS.
THOSE WEREN'T MEXICANS.
WELL, THEY WAS DRESSED LIKE MEXICANS.
AND DID YOU NOTICE HOW FAST THEIR SHOTS WERE FIRED?
I WASN'T COUNTING BULLETS, I WAS DODGING 'EM.
THEY WERE USING AUTOMATIC RIFLES.
MEXICANS DON'T CARRY AUTOMATIC RIFLES.
UNCH
THAT WAS A LITTLE SURPRISE PARTY
STAGED FOR US BY GERARD AND GIBSON.
GET IT?
NOPE, AND I AIN'T GOING TO HANG AROUND HERE TILL I DO.
NOW WHAT DO WE DO?
NOTHING RIGHT NOW.
BUT WE'RE RIDING OUT TO THAT PICTURE LOCATION
THE FIRST THING IN THE MORNING. BRIGHT AND EARLY.
OH, GENES, YOU AND ME, WE BE BRIGHT. FROG...
HE JUST BE EARLY.
IS THIS THE WAY TO THE MOVIE LOCATION?
YEAH, BUT NO VISITORS ALLOWED.
WE HAVE AN APPOINTMENT WITH MISS ALVARADO.
YEAH, SHE INVITED US.
WE'RE THE MARIA ELENA FAN CLUB.
GOT A PASS?
NO, WE HAVEN'T A PASS, BUT...
HEY, YOU, MOVE OVER. WE VERY BUSY.
WE DON'T GOT SOME TIME TO WASTE.
NOBODY GET BEYOND HERE WITHOUT A PASS
SIGNED BY EITHER GIBSON OR GERARD.
YOU WIN.
WHAT'D YOU LET HIM BLUFF US FOR?
WHY DIDN'T YOU RIDE RIGHT THROUGH THERE?
OH, I GOT A BETTER IDEA.
Gibson: CAMERA'S READY, CHARLIE?
ALL READY.
ROLL 'EM.
ROLLING.
SPEED.
ACTION!
CUT.
THAT WAS BAD, BAD.
I WANT YOU VAQUEROS TO RIDE IN HERE
AS IF YOU MEANT BUSINESS.
SHOW ME SOMETHING!
ALL RIGHT.
ALL RIGHT, MISS ALVARADO?
COME ON, I'LL NEED YOUR HELP.
ONCE AGAIN, BOYS.
WE'LL GET IT THIS TIME.
ROLLING.
SPEED.
START YOUR ACTION.
[GUNSHOTS]
WHAT IS THIS?
WHY THAT'S AUTRY'S GANG.
Gibson: HEY, GET AFTER THEM! GO ON!
AHH, THIS IS ONE OF MY FAVORITE PLACES.
I USED TO COME HERE MANY TIMES
WHEN THE WEATHER SHE GET TOO HOT FOR ME.
TAKE ME HOME! TAKE ME BACK, YOU HEAR?
GET ME OUT OF HERE, YOU.
MARIA ELENA, BEHAVES YOURSELF.
I GIVE YOU ONE GOOD SPANK.
PANCHO, WHY YOU LET THEM DO THIS TO ME?
YOU'LL GO TO JAIL FOR THIS, ALL OF YOU.
OH-HO, THAT JAIL,
SHE WILL BE SO FULL UP WITH GERARD AND GIBSON,
THEY DON'T GOT ROOM TO SQUEEZE US IN.
IT WILL IF YOU STRING ALONG WITH US.
DID YOU KIDNAP ME JUST TO ASK ME THAT?
SURE. THAT'S THE ONLY WAY I COULD GET NEAR YOU.
YOU'VE GOT TO STOP YOUR FATHER FROM SIGNING THAT CONTRACT.
CAN'T YOU GET IT THROUGH YOUR HEAD--
YEAH, I ALMOST DID LAST NIGHT.
WE NEARLY GET KILLED A LITTLE BIT.
NOW HERE'S WHAT I WANT YOU TO DO.
HAVE YOUR FATHER SUGGEST THAT GERARD AND GIBSON
INVEST SOME OF THEIR OWN MONEY.
IF THEY DO, THAT'LL PROVE THEY'RE ON THE LEVEL.
AND WHAT WILL HAPPEN TO YOU IF THE POLICE FIND ME HERE?
THEY WON'T.
'CAUSE I'M GOING TO SEND YOU HOME.
OH, YOU' GOING TO
OM?
THE ONLY RANSOM I WANT IS FOR YOU TO DO AS I ASK YOU.
GET YOUR HORSE READY TO TAKE HER HOME, FROG.
WELL, I DIDN'T PROMISE I'LL DO IT.
YOU'LL HAVE PLENTY OF TIME TO THINK IT OVER ON THE RIDE BACK HOME.
WHAT IF I DECIDE INSTEAD TO TELL THE POLICE WHERE YOU ARE?
THEN WE'LL HAVE PLENTY OF TIME TO THINK IT OVER.
Don Carlos: IT'S AN OUTRAGE.
HORSEMEN DASHING IN, SWEEPING HER ONTO A SADDLE,
RIDING OFF AND, UH...
AND THEN BRINGING HER BACK TO THE HACIENDA
AS MYSTERIOUSLY AS THEY SPIRITED HER AWAY.
I DON'T UNDERSTAND IT.
WHERE DID THEY TAKE YOU, MARIA ELENA?
I'M SO SORRY, I CAN'T TELL YOU.
THEY BLINDFOLDED ME.
OH, IT'S AN OUTRAGE,
AND A DREADFUL EXPERIENCE FOR YOU, MY POOR CHILD.
HAVE THEY CAUGHT THEM YET?
NO. CAPITAN RODRIGUEZ HAS HAD HIS MEN OUT
SCOURING THE HILLS.
WELL...
HERE ARE THE CONTRACTS, DON CARLOS.
ALL WE NEED NOW IS YOUR SIGNATURE.
THERE YOU ARE.
OH, YES.
MARIA ELENA HAS MADE ONE SUGGESTION.
ANYTHING THE LITTLE LADY DESIRES.
WHAT IS IT, MARY ELENA?
MY FATHER CAN EXPLAIN MUCH BETTER.
I KNOW SO LITTLE ABOUT SUCH THINGS.
SHE POINTED OUT THAT MY FRIENDS AND I
ARE MAKING THE ENTIRE FINANCIAL INVESTMENT.
SHE SUGGESTED, JUST AS A MATTER OF GOOD FAITH,
THAT YOU AND MR. GERARD
SHOULD PUT UP SOME MONEY, TOO.
DID I DO RIGHT?
OH, YES, YES, OF COURSE.
IT'S--IT'S WONDERFUL.
IT'S JUST WHAT WE WERE HOPING FOR.
YOU'RE WILLING TO BUY STOCK YOURSELVES?
AS M YOU'
WE'LL CALL IT SETTLED THEN.
OUR SHARE: 500,000 IN CASH,
ARRIVES HERE TOMORROW FROM MEXICO CITY,
LET'S FIX YOUR INVESTMENT AT 25% OF THAT.
125,000.
THAT'S FINE.
WE'LL POSTPONE THE SIGNING OF THE CONTRACTS
UNTIL THE MONEY ARRIVES, THEN.
WE'LL BE READY.
MARIA.
HASTA LUEGO, CABALLEROS.
HASTA LUEGO, SEÑOR.
[SPEAKING SPANISH]
SÍ, PAPÁCITO.
GOOD-BYE.
ADIOS.
$125,OOO. HAVE YOU LOST YOUR MIND?
ALL WE HAVE IS WHAT FLOOD AND ALLEN BROUGHT FROM SAGE CITY.
WILL YOU RELAX, HOMER?
WE HAVE IMPORTANT WORK TO DO.
WE HAVE A MIRACLE TO PERFORM
IF WE'RE GOING TO RAISE THAT KIND OF MONEY.
WITH 500,000 IN CASH ON THE WAY,
ALL WE HAVE TO DO IS A LITTLE APPROPRIATING.
OH, ELLERY, THAT WOULD BE HIGHWAY ROBBERY.
OR WE CAN GET AROUND THAT BY MEETING
THE BANK CAR ON A SIDE ROAD,
BUT THAT OTHER UNPLEASANT ELEMENT IS A NATURAL.
THERE'S A SUSPECT AT LARGE.
THAT'S RIGHT. AUTRY IS STILL HIDING IN THE HILLS.
WILL YOU STOP WORRYING?
[ LAS ALTENITAS PLAYING]
♪ TIERRA SONADA ♪
♪ DONDE LA VIDA ES UN PRIMOR ♪
♪ D MI
♪ LA UNICA DUENA DE MI AMOR ♪
♪ ES TAN BONITA MI CAPARRITA ♪
♪ QUE QUANDO VA AL TEMPLO AREZAR ♪
♪ TODOS LE LLAMAN LA VIRGENCITA ♪
♪ DE LA BOQUITA DE CORAL ♪
♪ AH, LINDAS LAS MANANAS CUANDO DALE EL SOL ♪
♪ ALEGRES Y BONITAS TODO EL TIEMPO ESTA ♪
♪ LAS LINDAS ALTENITAS DE TEPATI TLAN ♪
♪ A GAY RANCHERO, A CABALLERO
♪
♪ CAN ALWAYS FIND SOMEONE TO PET ♪♪
♪♪ A SEÑORITA, A SWEET PEPIT ♪
♪ HER OTHER LOVES WILL SOON FORGET ♪
♪ IF HE'S INSISTENT, AND SHE NOT DISTANT ♪
♪ THE SEÑORITA WILL CONFESS ♪
♪ HER GAY RANCHERO, HER CABALLERO ♪
♪ NEED ONLY ASK, AND SHE'LL SAY YES ♪
♪ QUE LINDAS LAS MAÑANAS QUANDO SAL DEL SOL ♪
♪ SÍ SON LAS ALTENAS DEESTE ALREDEDOR ♪
♪ ALEGRES Y BONITAS TODO EL TIEMPO ESTAN ♪♪
♪ LAS LINDAS ALTENITAS DE TEPATI TLAN ♪
[SONG ENDS]
[CHEERS AND APPLAUSE]
THIS IS WHAT I LIKE, PEACE AND QUIET.
I'LL STAKE YOU TO IT. IT'S GETTING ME DOWN.
BOYS, IT IS GETTING LATE.
I THINK YOU BETTER ALL GO BACK TO TOWN.
[INDISTINCT CHATTER]
ADIOS.
BUENOS NOCH
WELL...
THINK I'LL TAKE A LITTLE RIDE, TOO.
AND I THINK I'LL GO ALONG WITH YOU
TO SEE THAT YOU DON'T GET CAUGHT.
I'LL BE CAREFUL.
I THINK I GO WITH YOU TO KEEP YOU CAREFUL.
NOW LISTEN, I DON'T NEED YOU FELLAS.
THIS IS BUSINESS.
WELL, WE BETTER GO ALONG AND DO SOME SNOOPIN'.
I SAID I DON'T NEED YOU.
NO.
GENE AND ME, WE DO OUR SNOOPINGS WITHOUT YOU.
NOW LOOK, THIS IS PERSONAL.
OH-HO!
THEN I TELL YOU JUST WHAT TO DO.
HE KNOWS WHAT TO DO. HE JUST RINGS THAT DOORBELL
AND SAYS, "HOWDY, IS MISS MARIA ELENA TO HOME?"
BAHH! THAT IS SAGE CITY.
IN MEXICO, HE COME QUIETLY INTO THE GARDEN.
HE MOVES SLOWLY TO THE WINDOW.
HEY, WAIT A MINUTE!
I DON'T TOLD YOU WHICH WINDOW!
GIRLS ARE ALL RIGHT, BUT LOOK AT THAT.
GIVE ME A BEAUTIFUL STEAK ANY TIME.
MAN, THEM'S RARE, TOO.
I'VE SEEN THEM HURT WORSE THAN THAT AND GET WELL.
[SIGHS]
WHAT'S THIS STUFF? IS IT ANY GOOD?
WHY, STEAK WITHOUT MEXICAN HOT SAUCE
IS LIKE HORSE WITHOUT SADDLE.
THAT'S HOT, HUH?
UH-HUH.
OH, MAN, I LIKE IT HOT.
BE CAREFUL, MR. FROG,
THAT'S VERY HOT.
YEAH? WHAT'S THIS STUFF? IS THAT HOT, TOO?
OH, THAT IS VERY, VERY, HOT.
IT IS, HUH? BOY, WE WEAN BABIES
SAUCE UP THERE
WE CAN REALLY TAKE IT, BOY.
HEY!
THAT WAS HOT.
[MELLOW PIANO MUSIC PLAYING]
MR. AUTRY.
OH, HELLO.
WHY, I WAS JUST GOING TO--
BREAK THE WINDOW, PERHAPS?
NO. SEE IF ANYBODY WAS HOME.
ARE YOU NOT IN ENOUGH TROUBLE?
WHAT IF I CALL DON CARLOS?
I'D RATHER YOU'D CALL MARIA ELENA.
SHE IS VERY ANGRY WITH YOU.
THE POLICE ARE FURIOUSLY ANGRY WITH YOU.
AND I...
WELL, I AM MUCH TOO ROMANTIC
FOR MY AGE.
COME ON.
NO MUSIC CONTINUING]
♪ MARIA ELENA ♪
♪ YOU'RE THE ANSWER ♪
♪ TO A PRAYER ♪
♪ MARIA ELENA, CAN'T YOU SEE ♪
♪ HOW MUCH I CARE? ♪
♪ TO ME, YOUR VOICE IS LIKE ♪
♪ THE ECHO OF A SIGH ♪
♪ AND WHEN YOU'RE NEAR MY HEART ♪
♪ CAN'T SPEAK ABOVE A SIGH ♪
♪ MARIA ELENA, SAY THAT WE ♪
♪ WILL NEVER PART ♪
♪ MARIA ELENA, TAKE ME TO ♪
♪ YOUR HEART ♪
♪ A LOVE LIKE MINE ♪
♪ IS GREAT ENOUGH FOR TWO ♪
♪ TO SHARE THIS LOVE ♪
♪ IS REALLY ALL ♪
♪ I ASK OF YOU ♪
MISTER AUTRY,
YOU SHOULDN'T BE HERE
PANCHO SAID THIS IS THE WAY I SHOULD DO IT.
BUT THE POLICE ARE LOOKING FOR YOU.
SO I UNDERSTAND.
HOW ARE THEY DOING?
WELL, NOT VERY WELL.
THEY JUST CAN'T FIND YOU.
BUT THEY WILL IF YOU STAY HERE.
OH, NO, MERCEDES IS ON GUARD.
OH, MERCEDES IS ON YOUR SIDE NOW?
WHY, SURE.
HOW 'BOUT YOU?
WELL, I SUGGESTED TO MY FATHER
THAT HE ASK THOSE MEN
TO INVEST SOME OF THEIR OWN MONEY.
I HAD A HUNCH YOU WOULD.
I SAID TO MYSELF, "MARIA ELENA,
"IF YOU DON'T DO AS MR. AUTRY ASKS...
"HE MIGHT NOT COME TO ASK YOU
IF YOU DID."
YOU SORT OF EXPECTED ME HERE TONIGHT?
HOW DO YOU SAY IT?
I HAD A HUNCH, TOO.
[HUSHED TONE] MARIA ELENA,
GUEZ
RODRIGUEZ? GO, PLEASE.
IF HE SAYS ANYTHING, STALL HIM.
GIMME A CHANCE TO GET AWAY.
I WILL TELL LIES AS BIG AS PANCHO'S.
IF YOU DO, I'LL HAVE TI
TO GET CLEAR ACROSS MEXICO.
THANKS, MARIA ELENA.
ADIOS, GENE.
MIRAR, AMIGO.
WELL, ANYHOW, I'M LUCKY IN LOVE.
[WHISTLING]
AH, THIS IS JUAN NOW.
NOW WE HEAR PLENTY NEWS.
Juan: HYAH! GIDDUP!
SALUD, PANCHO.
DON'T GIVE ME THE SALUD. GIVE ME THE NEWS!
I'M SORRY, PANCHO,
I DON'T FIND OUT ANYTHING.
OH, YOU BIG DISAPPOINTMENT.
YOU DON'T FIND NOTHING?!
THE NEXT TIME THERE IS NOTHING TO BE DONE,
I DO IT MYSELF.
OH, BUT WAIT, PANCHO.
I BRING SOMEONE WHO CAN TELL YOU.
WHAT DO YOU MEAN?
COME HERE.
THIS MAN WORK FOR GERARD AND GIBSON.
HE'S THE MAN WHO KEPT US OUT
OF THE PICTURE LOCATION.
GOOD WORK, JUAN!
ALWAYS I CAN DEPEND ON YOU.
YOU ARE ONE LITTLE FELLOW
WHAT KEEP HIS EYES LISTENING.
GRACIAS, PANCHITO.
SO, AMIGO, WE MEET AGAIN, EH?
BRING HIM UP TO THE FIRE.
Frog: COME ON, PICK 'EM UP.
SET HIM DOWN THERE.
WE'LL ASK HIM SOME QUESTIONS.
Sí, Sí. HA HA!
WE PLAY, UH, WHAT YOU CALL?
INFORMATIONS, PLEASE.
YOU'RE WASTING YOUR TIME ASKING ME QUESTIONS.
I WON'T ANSWER.
THERE GOES $25.00
AND A SET OF THE ENCYCLOPEDIA.
ALL RIGHT, PANCHO,
HE'S ALL YOURS.
MUY BUENO, PATRON.
YOU KNOW, ALL THE TIME I AM AFRAID HE'LL TALK
HEY, JUAN, THE WAGON--
SHE'LL STAND UP ON ONE END?
Sí, PANCHITO. STALISTO.
COME ON. NOW WE MAKE HIM TALK.
THIS WAY. HURRY UP.
LITTLE FASTER.
RIGHT IN HERE.
KNIVES, AMIGO.
JUAN!
WE HAVE A LITTLE PRACTICE, NO?
Sí. ¿COMO NO?
I TAKE THE RIGHT SIDE, YOU TAKE THE LEFT.
ESTA BIEN.
AND REMEMBER,
THE ONE WHO MISSES HAVE TO DIG THE HOLE.
WHAT HOLE?
THE HOLE TO BURY HIM IN.
NICE AND SHARP.
I WILL GO FIRST.
AH, BUT PANCHITO, YOU CAN DO MUCH BETTER THAN THAT.
NOW I TRY, EH?
NOT BAD.
ANYTIME YOU FEEL LIKE TALKING,
THE BOYS WILL TAKE A REST.
I'M NOT SAYING ANYTHING.
THAT IS TOO EASY.
LET'S TRY SOME TRICK SHOTS.
OH, Sí. ¿COMO NO?
Juan: YOU ALMOST GOT HIS EAR THAT TIME.
OH, THE EARS, THEY DON'T COUNT.
OH, Sí.
NOW I TRY.
WAIT A MINUTE, BOYS.
THAT LOOKS LIKE A LOT OF FUN.
WE'D LIKE TO TRY.
SURE.
Sí. ¿COMO NO?
HOW DO YOU HOLD ONE OF THESE THINGS?
I NEVER THREW ONE BEFORE.
I NEVER DID, EITHER.
Juan: AMIGOS, I'LL SHOW YOU.
SEE?
LIKE THIS, HUH?
Pancho: NO.
!
NO, GENE,
THE TRICK IS TO MISS HIM.
YOU'RE AIMING AT HIS MIDDLE.
Gene: OH. WELL, WATCH THIS.
NO, GENE,
YOU'RE STILL AIMING AT HIS MIDDLE.
WELL, HOW'S THIS?
NO, HA HA!
YOU'RE AIMING AT HIS MIDDLE AGAIN.
OH, NO, I'M NOT.
YES, AMIGO, YOU ARE.
QUIT ARGUING. THROW IT AND FIND OUT.
NO, NO! STOP!
DON'T THROW IT.
I'LL TALK.
ALL RIGHT, QUICK, TELL US WHAT YOU KNOW.
WHAT'S GERARD AND GIBSON GOING TO DO?
THEY SENT MEN TO ROB THE BANK CAR
COMING FROM MEXICO CITY
WITH ALVARADO'S MONEY.
WHERE ARE THEY GOING TO STAGE THE HOLDUP AND WHEN?
THE MEN LEFT
THEY'RE GOING TO HEAD OFF THE BANK CAR AT VISTA GRANDE.
VISTA GRANDE? I KNOW HIM.
IT'S A LONG WAY OFF.
ALL RIGHT, YOU STAY HERE AND GUARD HIM, JUAN.
YOU RIDE INTO TOWN AND GET SOME MORE OF YOUR MEN, PANCHO.
FROG AND I ARE RIDING TO VISTA GRANDE.
SÍ, SÍ, PATRONICITO.
COME ON, FROG.
HEY, WAIT, MY GUNS, MY KNIVES!
¡AY, CHIHUAHUA!
PANCHO IS BACK ON THE JOB
ONCE MORE AGAIN.
PANCHO!
AH, PANCHO!
PANCHO!
PANCHO!
MI CAPITAN, PANCHO OTRA VEZ EN ACCIÓN.
PANCHO? LLAMA A LOS OTROS. PRONTO
MONUMENT ROCK.
THAT'S WHERE PANCHO TOLD US TO HEAD FOR.
YOU ALL SET?
RIGHT. YOU GUYS GO DOWN THE ROAD.
Robber: ALL RIGHT, YOU MEN, COME ON, HURRY IT UP.
GET THAT STUFF OUTTA THERE!
Allen: HEY, JOE, GIVE 'EM A HAND OVER HERE.
COME ON, MOVE ON IT!
[GUNSHOTS]
GET OUTTA HERE!
[GUNSHOTS]
[SIRENS WAILING]
TAKE COVER.
WE'LL TAKE 'EM OUT FROM HERE.
HEY, COME ON, MEN.
WAIT, FROG...
IF WE GO AROUND THIS WAY,
MAYBE WE CAN COME UP BEHIND THEM.
WHAT ARE WE WAITIN' FOR?
[SIRENS]
COME ON, LET'S GO.
LOOK, ONE OF THEM'S GETTING AWAY.
WELL, LET'S GO GET HIM.
ALL RIGHT, WHERE'S YOUR PAL?
THE ONE THAT WAS IN SAGE CITY WITH YOU?
I DON'T KNOW. HE'S GONE.
WHERE?
WELL, HE PROBABLY WENT TO DAVIS' PLACE
TO HAND OVER THE DOUGH TO GERARD AND GIBSON.
Rodriguez: EVERYBODY, THROW UP YOUR HANDS!
YOU'RE UNDER ARREST.
YOU DON'T WANT ME, CAPTAIN.
THIS MAN AND HIS GANG HELD UP THE TRUCK
AND TOOK ALVARADO'S MONEY.
COME ON, YOU'RE TAKIN' US TO DAVIS' PLACE.
[SPEAKING SPANISH]
THAT'S THE PLACE DOWN THERE.
IT I
NOBODY IS THERE.
IT MAY BE A TRICK.
I'D BETTER RIDE DOWN ALONE AND SEE WHAT HAPPENS.
YOU FELLAS CIRCLE AROUND THAT WAY.
WHAT HAPPENED? WHERE'D THEY GO?
I DON'T KNOW, GENE.
WE FOLLOWED THIS MAN HERE,
MEBODY E.
W.
I KNOW WHO IT WAS, GENE.
IT WAS THEM FELLERS FROM SAGE CITY--
ONE OF' EM.
THEY'RE HEADIN' FOR THE SONORA AIRPORT.
AIRPORT?
YES, SIR.
GERARD AND GIBSON GOT THE MONEY.
THEY'RE HEADIN' FOR THE SONORA AIRPORT.
WELL, THEN THEY HAVE TO CROSS THE SIERRAS.
BUT THERE IS A SHORT WAY.
WHERE?
JUST UP THIS TRAIL OVER HERE.
JOSÉ, TAKE THESE MEN BACK TO SAN RAMON.
TAKE HIS HORSE OVER THERE.
ANDALE.
HEY, WHAT ABOUT US?
SÍ WHAT WE RIDE?
YEAH.
LOOK, WE RIDE HIM.
YOU KNOW ANYTHING ABOUT THIS THING?
NO, BUT WE LEARN.
OH. OH...
WHOA...
AAH--AAH--OH!
HEY, LOOK. WE GOT COMPANY.
TOO LATE TO CATCH 'EM HERE.
THERE THEY GO.
HE HASN'T GOT A CHANCE.
WE'LL BE IN THE AIR AND ON OUR WAY
BEFORE HE GETS TO THE AIRPORT.
STEP ON IT, FLOOD.
I'M RIDIN' DOWN THIS WAY.
YOU GO BACK ON THE ROAD.
SÍ.
HEY, HEY, HEY!
WHOA, WHOA, WHOA!
AAH! HEY, PANCHO!
WHOA!
HEY, HEY, WATCH THE ROAD.
WE'LL WATCH HIM.
[SIRENS]
THERE'S THE MONEY, DOWN THERE, CAPTAIN.
VAYAN Y RECOGEN EL DINERO.
SEÑOR AUTRY,
YOU HAVE DO A WONDERFUL THING.
THANK YOU, CAPTAIN.
[MOTORCYCLE RUMBLING]
HA HA HA HA HA HA!
NOW WE ARE LEARNING.
IS THAT WHAT YOU CALL IT?
[CHUCKLING]
WELL, AT LEAST YOU FIGURED
A NEW WAY TO STOP IT.
[FESTIVE MUSIC PLAYING]
I GIVE YOU THE SEÑO AUTRY.
[CROWD CHEERS]
UN MOMENTO. UN MOMENTO.
SEÑOR AUTRY, WE HAVE COME
TO WISH YOU GODSPEED
AND TO THANK YOU ONCE AGAIN
FOR YOU
E
FOR OUR TOWNSPEOPLE.
[CROWD CHEERS]
THAT'S MIGHTY NICE OF YOU, DON CARLOS,
WHERE'S PANCHO? HE OUGHTA BE HERE.
MR. AUTRY.
WHY, CAPTAIN, I WAS GONNA
STOP BY YOUR OFFICE.
OH, IT IS NOT NECESSARY.
THE COURTS HAVE RELEASED THE MONEY
THAT WAS TAKEN FROM YOUR FRIENDS IN SAGE CITY.
I GOT HERE A CERTIFIED CHECK FOR $35,000.
OH, THAT'S FINE.
THE FOLKS IN SAGE CITY ARE GONNA BE MIGHTY GLAD
TO GET THIS BACK.
AND WITH IT GOES MY GRATITUDE.
THANK YO
GENE, I'M SURE IT MUST BE TRAIN TIME.
GS.
GENE, LOOK!
WHAT ARE YOU DOIN' IN THAT OUTFIT?
YOU LOOK LIKE ONE OF THEM--
NO, NO, NO, PLEASE, FROGS, DON'T KID ME.
I AM ENLIST WITH CAPITAI RODRIGUEZ.
I AM NOW BUCKS PRIVATE
IN THE POLICE.
PUT HER THERE, BUCK.
WELL?
PLEASE, NOT GOOD-BYE.
I DON'T LIKE GOOD-BYES.
ME, NEITHER.
IT'S TOO BAD YOU MUST GO BACK TO SAGE CITY.
NEXT MONTH IS THE BIG FIESTA.
TO HONOR NUESTRA SEÑORA DE LOS ANGELES.
MUCH BIGGER THAN THE ONE YOU SAW.
WHO KNOWS?
MAYBE YOU MIGHT REALLY SPIRIT
OF THE FIESTA.
THERE'S NO HARM TRYIN'.
THANKS FOR THE INVITATION.
WELL, AS YOU SAY IN SAGE CITY,
IT'S A DATE.
IT'S A DATE.
Frog: HEY, GENE.
COME ON, NOW. WE'RE GONNA MISS THAT TRAIN.
HASTA LA VISTA, MARIA ELENA.
Crowd: ADIOS-ADIOS-ADIOS...
♪ MMM-MM-MMM ♪
♪ MMM-MM...MMM-MM ♪
♪ YOU'LL FIND A THRILL ♪
♪ ON EVERY HILL ♪
♪ YOU'LL MAKE A MILLION FRIENDS ♪
♪ EVERY DAY ♪
♪ SO COME ALONG ♪
♪ AND SING A SONG ♪
♪ AND YOU'LL BELONG DOWN MEXICO WAY ♪
♪ JUST FOLLOW ME ♪
♪ AND YOU'LL SEE, SÍ ♪
♪ WHEN EACH AMIGO
♪ SO TAKE A DARE ♪
♪ I'LL SEE YOU THERE ♪
♪ MOST ANYWHERE DOWN MEXICO WAY ♪
♪ SÍ USTED QUIERE A TIJUANA IR ♪
♪ NO HAY MAÑANA, APURESE PUES ♪
♪ HOY ES, ANDALE PUES ♪
♪ AND SERENADE YOUR LADY ♪
♪ AND YOUR LIFE WILL BE COMPLETE ♪
♪ YOU HEART WILL BEAT ♪
♪ WHEN SEÑORITAS TEACH YOU TO PLAY ♪
♪ SO TAKE A CHANCE ♪
♪ AND START TO DANCE ♪♪
♪ YOU'LL FIND ROMANCE DOWN MEXICO WAY ♪
♪ OH-OH ♪
♪ OH-OH ♪
♪ MEXICO WAY ♪
CAPTIONING MADE POSSIBLE BY THE AUTRY QUALIFIED INTEREST TRUST & THE AUTRY FOUNDATION
AND FRIENDS OF NCI
CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--