Tip:
Highlight text to annotate it
X
[This is a literally translation.] [Please, excuse the mistakes.]
A night... Here...
No... We have come to...
To see...
Well, there we have...
There we have Sergio, in all his glory...
¡Nooo...!
Come to see... To discover what?
That is hidden there inside. In the awful thicket. Where...
In the shady deeps of the shadows of hell.
Where thing entry don't exit.
Quite.
-Jose, come on. -And they who see it don't say anything.
What you want? "Urinada" or what?
Come on, let's inside.
And this is... This is the shady path.
And there up is the moon. Our... Our partner... of misfortunes.
Go little back for that view will be more general.
If anybody snuff, she'll be "witnesswoman" of all.
Witness?
Witness. No, the moon, the moon is feminine.
-Ah, ok. No, but... -It doesn't "witnesswoman", you.
It isn't feminine of "witnesswoman", it's witness.
Doesn't matter, man. She'll be witness then.
And what *** is it that of there down, man?
I don´t know. They tell me that it's very funny go there down.
We'll look it..
Ah, yeah. Eh... Well, that kind is Jose.
-I don't know if will see him. -He's a ex-SEAL.
Sincerely, I don't know if it's visible or isn't. because here I see all black.
Then it doesn't see anything. That kind...
-Light, light here. -He's Charly, computer's expert.
He'll makes a big line there wich keep us...
on-line all of us. And... I am me.
Hey! I nearly step on a... present.
-Sergio. -What?
Say something to camera lighting your face.
-I am... -Before dead, man.
I am me, man. I don't want to dead here because...
If I dead here my soul will not have rest.
This is the secundary actor that is killed...
The secundary actor Bob.
You make it so wrong, man.
-Make very wrong. -I know.
Anyway, we have to go at other side, man.
-This way no... -***! How disgusting, man.
-Closed door... -That way, isn't?
Stumble, stumble... Tetanus, tetanus...
Ay. ¡Ay!
***, it makes more bad feelings than...
-Than other day... -[...] I played...
-Give me the little torch, man... -Rec that, rec that.
BUILDING OUT OF SERVICE NO MAINTENANCE
First inhabitant in so long.
Small lizard. Eater... Eater bugs.
Give me a one little torch or if not sure that will be blowed.
-At the end will you put microphone or will not, man? -Come to see.
-I'll put it, really. -Yeah.
Look, do you know? It's too complicate. No micro. I'll take out the sound.
-***, it's a *** thing, man. -Bashes, you're visible and all.
-Even illuminating there... -Cos all this is so improvised...
and that and it's cool. Put the micro, put the micro.
Come on, let's go in inside.
-Left me a little torch, man. -Buf! I haven't hands man. See...
-Count, give me a torch... -Wait moment...
No, no. Later.
See? All this could be cool that it was be recorded, all that I'm...
-It's recording it... -OK, I say that, the voice...
-Ah, OK OK. Hold it man. -No, it's sounds good.
-I haven't hands... -The dirty trick is that sounds too good.
It sounds the noise... of the camera.
Well. So that. Here it's the first...
Left me the torch.
Hold it.
Ay, count!
So, go in.
Making effects of light... strange...
Now is when I just broke a leg.
-YYANDJA! -Bash! You entry, man.
Recording the darkness of the wall. Let's go...!
We're here. Here we are. And our journey...
Basicly, it's that.
So, this is the map we found 500 years ago...
You know? It's appreciate cos... cos it's gnawed.
-Yeah, it's a parchment... -We're here.
It's a parchment found it in a book... in a book 500 old...
-It's an ancient parchment... -Charly, Charly, shot this.
A candle. Satanic ceremonies.
-A candle. -A candle. So... count, this is new.
No, no, no. This starts to give me bad feelings, man. A candle here in the midle, man...
-So... -This is new, man. It wasn't the previous day.
-No no, count, man. But, so... -Well, how I said we start here...
And we're doing our travel to the deep of Hades...
C'mon, but give me the torch, if not this will be to *** and I'm going to have without...
Eeh... well, don't know...
-We had brought just... -Just in case...
-Just in case. -Never it's known.
It has 4 bullet, one to every one.
-Light you man. -Just in case... Well.
-Somethings will happen. -Take it, the gun.
-Thanks. -You don't have hands,do you?
I didn't meant to move the candle. Bad omen.
***, man...
-[...] supposely. -Look the darkness, how eat us.
How it's move closer, at back.
Yeah, really do it.
-Don't light directly the camera, man. -Ok ok.
At the end it isn't need...
The truth is, I haven't *** idea if it's seen or not.
-Right, something it's seen. -Shadows, it's seen shadows.
-Yes, shadows. Cool cool. -Uy! Loook my arm, this is my arm...
Eheheh... Look what bloody fool, Don't you know we confront something?
-Really ***. -I had a creep... Naff...
Hold this.
Cobwebs are efficient, aren't?
Well, we're here...
Scared. Amongst other things, by... by...
It isn't seen anything, is it? But...
The echo *** ashes, man...
[...] it's harder. And it's a "piraliazation" in some places...
And don't you have more torches, man? Because this is litte silly, isn't it?
-More harder, not. -More light, I mean.
-Oh, a scary hole. -Oh, well well...
We go to see that it has inside the scary hole.
Ah! So scare.
Ay!
-Do you recording? -Of course.
-See, where...? Where we go, man? -Ay!
Mmm... Don't finish yet. Ha ha ha...
***, the tunnel continues.
Ok, don't continues the tunnel. C'mon, we go back.
Na na na... na na na...
¡UYAIHAIEEIIICHIHIAIIYAAA...!
-Ay! I *** in her *** mother... -Je, je, je, je...
*** you.
-Now I'm going to recorder you. -Now a upside down view, you know?
No, I don't pass.
A "fen"...
Ooh... a ball point. See, see...
A ball point...
A candle, a ball point, too many coincidence.
Here it has a ladder. Where bring?
Bring to the paradise or bring to the deep of hell...?
Listen, count, dont *** me, you don't make this *** *** of dialogues...
Well, people hurt me to say that things, but...
I'm OK, I try to rec.
-Aah...! Man, you blind me... -You ***.
See the map. Now we're here, exactly.
You block me man.
We don't know yet what it's in this zone.
-Yeah, look, this... -It seems...
Only has a 'G' of... of generator, but doesn't matter, we don't know what it has.
-It's 'G' of ***, man, ***. -This is a niche, isn't?
-¿***? -It's the G point, man, G point!
-G point. -Ha, ha, ha...
This is a niche, isn't?
-Here is where immure the people. -Bash, yes, it's truth, a niche.
And it's opened.
See... Count, is it.
Yeah, here immure the people. And it's opened! They opened, doesn't?
-It's opened, I'm *** in her *** mother... -Listen... and... eh...
Juan. ¿Where...? Juan isn't, man. He went.
-Must ***. -I'm *** in the milk.
Where *** did he go that bloody fool?
I don't know. The mother gave birth to him, man.
-Good co... Good cool. -What is it, man?
This is his *** bag. And this?
-This... -What is this?
This... I dislike... Count, so...
Bash, it's red.
It's red... Bloody fool. It's blood.
Man, I don't see in the camera.
Blood. It's... like the *** movies of ***, blood.
-Get away, whatdo you say, man. -Get away you...
I think movies eat your mind so much, didn't?
A... A little, doesn't? But...
You know... eh... Do we must to come back and search that man? Or...?
-Nothing, nothing. We'll find hind. -Hey!
Whada?
There...
What is it, man? What is that?
Listen...
***.
-Good cool, man. -Man, where was you?
Nothing, I went...
a round, man.
-***. -No no. Eh eeeh, eh eh!
-Eh, peace, peace. -No, no contact, eh?
-You there. No no... -Ok ok... Only...
-No no no! I not... I...
Listen man, why not do you smoke a... cigarrette of yours.
Good idea, good idea... Where is... my...?
-Eh... Yes yes... -My bag... my bag...
-We have it. -You forgeted it.
Don't touch...! ¡Aah...!
Tabacco... Tabacco...
Yeah. How...? How did you do?
I don't know, man. I think we come back.
Uep! And... and... and...
Je je je je...!
It's... It's... It's...
-What is it here, man? -It's... It's... I saw...
No! No no no! Stop... Stop recording...
It's all here, you know? It's here. It's here. It's here.
Crossing.
Left or... right...?
Right...
Sure?
-This say that way... -Doubt of me?
No no no no... Right... Right...
Right... ¡Right...!
This way...
Here says this way no exit.
Forever has exit...
Forever?
-Forever... -***...
-Forever! Forever!! Forever! -Ok ok ok, man... Don't hurt me, man...
And stop recording me with the *** ca...
Here says this way no exit, ***.
No exit. Look.
-Left, right. Right... -Don't block me, man.
No exit. It's truth.
-Bash, and... and Juan? -***.
*** in...
-Where is that man now? -***...
*** what ***...
Count! I'm *** in ***...
Bash...
***.
Where are they?
Jiaajajajaja!
Jiiaaajaaajaaa...!
Jujujú... Jujujú...
You'll dead... You'll dead...
All will dead...
-Jose, whereare they? -Don't know.
***...
I'm ***...
***, man. Where are that guys?
Do you know where they're? What did they doing?
They're are here one moment ago.
Fu... Look, I'm tired to carry the ***...
I left it here...
Listen, this place, what is?
-I think it's a bunker. -A bunker?
-A bunker of civil war, isn't? -Yes.
Forsaken, I think.
Forsaken? Why?
It isn't known.
How isn't it known? It's for some reason...
No money, or some *** of that, or a bloody fool...
What?
They disappeared. No trace.
They disappeared without reason...
I ate all...
All ate I...
Jose, what was that?
Jose!
Coming here, man, don't left me alone.
I'll devour you...
I'll devour all... Like I did with them!
Listen, we go out here, we go out here.
-What is that, man? -Don't know. Do you heard?
Bash...
Count.
The mother gave birth to him, ***.
Sergio, man, what happen?
***.
***, man, no, you scary me...
***.
No, no, no. go back, man. No, no, no ,no... ***.
Eh, eh. Stop, stop man. Go out, go out. ***. Listen, no, no, no no...
No, ***, no.
Bash.
Where is? Where went?
Jose. Jose!
I said you I finish you...
I said you!
Hundred of years, thousands...
Jose
And you still doing the same ***...
Jose. Jose.
What are you? ***...
Jose. Jose!
Jose!
Count...
Bash... Bash...
***... Jose... Jose!
Bash.
***.
***. Comes from there.
Comes from that way. They go out from there! ***.
Bash... Bash! Aaah!!
No, no, no...
No! Go out, go out!
No!
Leave me alone, go out, go out! No!
No, ***, no, no, no...
No! Go out! Leave me alone! No! Go out!
No, no, no! Go out, no! No, no!
No! Stop!
Go out here! Go out!
Stop! Stop! Stop!
Stop! Stop.
Stop... ***, I can't any more... Go out, go...