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(Man) You were too late last night.
You missed your chance.
(Carl) YOU TOLD ME THIS MAN COULD HELP ME FIND
You still can.
A TRUCKER PICKED UP A HITCHHIKER
MATCHING KOLCHAK'S MISSING WITNESS.
(woman speaking Korean)
(speaking Korean)
(Man) SHE HAS A DREAM. SHE WILL MEET A MAN IN NEED.
SHE WILL HELP THIS MAN.
SHE WILL OPEN HER HEART TO HIM.
SHE WILL FIND PEACE.
TURNS OUT THAT OUR MISSING WITNESS
IS AN UNDERCOVER D.E.A. AGENT BY THE NAME OF VICTOR CALECA.
They're after him for the same reason they were after you
the night your wife died.
VIC'S DRIVIN' HOME WITH HIS WIFE--WHAM!
SOMETHING SLAMS INTO 'EM.
SHE STILL HASN'T BEEN FOUND.
RIGHT.
(cell phone beeps)
(Woman) It's Linda. I haven't heard from Victor in days.
SHE'S ALIVE.
THE JUSTICE DEPARTMENT IS FILING SUIT COMPELLING KOLCHAK
HE WON'T. YOU KNOW THAT.
USING ME.
I NEED TO KNOW WHO YOU ARE.
I NEED ANSWERS!
We won't be speaking again.
THE INFORMATION IS GOOD.
DO YOU KNOW HOW RECKLESS THAT IS?
I DON'T KNOW WHO YOU ARE, CARL.
WHAT DID YOU FIND?
2 CALLS PLACED TO AGENT WALTON IN THE PAST 48 HOURS
FROM A MARKET IN KOREATOWN.
OKAY, YOU'D BETTER GET DOWN THERE.
YOU'RE UNDER ARREST.
(engines rumbling)
(footsteps approach)
SEEN McMANUS?
HE'S NOT PICKING UP?
MNH-MNH.
EDHEAD?
WHERE'S JAIN?
NOT SUPPOSED TO SAY.
WHERE IS HE?
ARE YOU THE BOSS?
I PROMISED I WOULDN'T TELL, BUT HE WENT TO KOREATOWN.
WHAT FOR?
KOLCHAK SENT HIM.
WHAT IS IT?
THAT'S WHY I WAS LOOKING FOR JAIN TO TAKE PICTURES.
PICTURES OF WHAT?
A DOUBLE HOMICIDE IN KOREATOWN.
PERRI REED. I'M WITH THE "BEACON."
NO, MY FRIEND IS IN THERE!
IT'S OKAY, OFFICER. THEY'RE WITH ME.
(female dispatcher) 011 David 109996300...
(chatter continues over police radio)
(Jain) HEY.
♪♪♪
JAIN, WHAT HAPPENED?
I TALKED TO AGENT CALECA
JUST BEFORE THEY KILLED HIM.
DID HE SEND YOU?
WHAT DID HE SAY?
HE SAID HE WAS EXPECTING AGENT WALTON, NOT ME.
HE HAD JUST SPOKEN TO HIM ON THE PHONE.
AGENT WALTON'S ALREADY DEAD.
I KNOW.
I TOLD HIM THAT...
THEN HE SAID, "IT'S A TRAP."
YOU BETTER GET OUT OF HERE, NOW.
COULDN'T GET THE BACK DOOR OPEN...
OR THE CLOSET.
GUESS THAT MAN WAS ALREADY HIDING IN THERE...
SO I HID UNDER THE COT.
DID YOU GET A LOOK AT THEM?
I HEARD THEM.
(gunshot)
(gun ***)
I NEVER SAW THEIR FACES.
I'D LIKE TO SPEAK WITH YOU.
(crying)
(speaking Korean)
MA'AM!
(Officer) MA'AM, YOU GOTTA GET BACK.
YOU CANNOT TOUCH HIM. THIS IS A CRIME SCENE.
(screaming)
MA'AM?
MA'AM?
(speaks Korean)
(footsteps approach, door buzzes)
(cell door opens)
OH, WHAT'S THIS, A TURNDOWN SERVICE?
IT'S YOUR LUCKY DAY, CARL. YOU'RE FREE TO GO.
JUST LIKE THAT?
YEAH, JUST LIKE THAT.
I DON'T UNDERSTAND.
THIS D.E.A. AGENT WE WERE HUNTING FOR,
WE FOUND HIM TONIGHT, SHOT DEAD IN A KOREAN MARKET.
COME ON, CARL.
LET'S GO.
GET OUTTA HERE...
BEFORE I CHANGE MY MIND.
(door opens, bells jingle)
(Officer) MA'AM...
CAN I DO ANYTHING FOR YOU?
NO.
THANK YOU.
SO HOW LONG WERE YOU BEHIND BARS, WHAT, FIVE, SIX HOURS?
YEAH, SOMETHING LIKE THAT.
FAIN KEEPS PUTTING YOU IN JAIL AND YOU KEEP GETTING OUT.
YEAH, THAT'S RIGHT.
WELL, NOW YOU GET TO PLAY THE HERO...
FOR REFUSING TO BETRAY A SOURCE WHOSE NAME YOU DIDN'T EVEN KNOW.
YEAH, YOU KNOW ME TOO WELL...
OR RATHER, YOU DON'T KNOW ME AT ALL.
NO, I DON'T THINK I DO.
I, UH...
WENT A LITTLE CRAZY THE LAST FEW DAYS.
I DON'T EXPECT YOU TO FORGIVE ME.
GOOD, 'CAUSE I DON'T.
I WISH I COULD EXPLAIN IT.
I CAN ONLY SAY THAT...
I THOUGHT I WAS CLOSE TO ANSWERS ABOUT WHAT KILLED MY WIFE.
AND NOW?
NOW...
HOPES RAISED AND DASHED ARE CRUEL, INDEED.
AND WHAT IF I TOLD YOU I COULD RAISE THEM AGAIN?
KOLCHAK.
HEY, MAN.
YOU OKAY?
YEAH. VINCENZO SAYS YOU NEARLY GOT SHOT. ARE YOU OKAY?
YEAH, YEAH. I'M SORRY.
I KNOW HOW MUCH FINDING THIS GUY CALECA MEANT TO YOU.
YEAH.
BUT I THINK WE FOUND SOMETHING ELSE.
YOU MEAN WE THINK I FOUND IT.
WHAT IS IT?
BEFORE HE DIED,
CALECA'S SUPERVISOR, AGENT WALTON, TOLD US A STORY...
THAT CALECA SURVIVED AN ATTACK WHILE DRIVING IN A STORM.
AN ATTACK IN WHICH HIS WIFE LINDA WAS KILLED.
SOUND FAMILIAR?
YOU KNOW IT DOES.
ONLY UNLIKE YOUR WIFE, WALTON TOLD US THAT
LINDA CALECA'S BODY WAS NEVER FOUND.
AND THAT, MY FRIENDS, WAS A BIG, FAT LIE.
YOU FOUND HER BODY?
I FOUND HER, ALIVE.
I GOT THIS OFF THAT GUY WALTON'S THROWAWAY CELL PHONE.
It's Linda.
I know I'm not supposed to call,
but I haven't heard from Victor in days.
I'm scared, Rich. I'll try you again later.
IF WE'RE ABLE TO FIND HER,
SHE MIGHT BE ABLE TO GIVE US THE ANSWERS
(Edhead) I'M ON IT.
THAT CALL WAS PLACED FROM A PAY PHONE IN SAN BERNARDINO.
A PAY PHONE? THEN HOW CAN YOU TRACK HER?
I GOT SOME OTHER TRICKS UP MY SLEEVE.
WHAT ABOUT THIS SOURCE OF YOURS,
TOLD YOU, I DON'T KNOW WHO HE IS.
YOU NEVER SAW HIM, YOU NEVER MET HIM?
NO. THERE WAS JUST THIS HOUSE THAT HE SENT ME TO.
WHERE?
CARL?
I THOUGHT YOU SAID THIS WAS THE PLACE.
IT IS.
I'M SURE OF IT.
THEN... WHERE'S THE HOUSE?
(Jain) DO YOU THINK SOMEONE COULD HAVE MOVED IT?
THE WHOLE HOUSE, IN 48 HOURS?
LIKE ON "HOME MAKEOVER"?
HE SAID IF I ANSWERED CALECA'S QUESTIONS, I'D ANSWER MY OWN.
CARL, THIS HOUSE WAS NEVER HERE.
THIS CELL PHONE YOU SAY YOU SPOKE TO THE SOURCE ON
NEVER ACTIVATED.
(Jain) WHAT ARE YOU SAYING?
COULD YOU HAVE BEEN TIPPED OFF SOME OTHER KIND OF WAY,
BY A POLICE SOURCE OF SOME KIND,
A DRUG INFORMANT?
WHO TOLD YOU TO LOOK FOR CALECA?
WHAT, AND THEN I JUST TWISTED IT IN MY HEAD,
IMAGINED THE SOURCE?
WHO ELSE?
AGENT CALECA.
HE TOLD ME HE SPOKE TO AGENT WALTON ON THE PHONE
WHEN WALTON WAS ALREADY DEAD.
WELL, MAYBE HE WASN'T,
AND MAYBE THIS ISN'T ALL IN KOLCHAK'S HEAD.
MAYBE THERE'S SOMETHING TO THIS.
(Woman) WE ARE SORRY.
WE ARE NO LONGER OPEN.
OH, NO, NO, NO. WE DON'T WANT TO BUY ANYTHING.
WE JUST WANT TO TALK.
ARE YOU OKAY?
OKAY. YES.
IS SHE CLOSING DOWN THE STORE?
SHE DOESN'T WANT TO STAY HERE ANY LONGER. TOO MUCH DEATH.
WHERE WILL SHE GO?
WITH ME. I HAVE A HOUSE BY THE SEA, NORTH OF HERE.
DAE...
THIS IS CARL KOLCHAK.
HE NEEDS TO ASK YOU SOME QUESTIONS
ABOUT THE MAN WHO WAS HERE-- VICTOR CALECA.
DID HE EVER TALK TO YOU ABOUT HIS WIFE?
(speaks Korean)
(speaks Korean)
SHE DID NOT KNOW HE WAS MARRIED.
(speaking Korean)
HE SAID HER NAME IN HIS SLEEP.
YEAH, LINDA. WE NEED TO FIND HER.
WE THINK THE MEN WHO CAME HERE LAST NIGHT ARE LOOKING FOR HER.
(speaking in Korean)
SHE DOESN'T KNOW ANYTHING ABOUT HER.
OKAY. THANK YOU.
(speaking Korean)
(Woman) SHE SAID THERE'S SOMETHING.
HE USED TO WEAR IT AROUND HIS WRIST.
(speaking Korean)
IT MEANT AS MUCH TO HIM AS HER WEDDING PHOTOS MEANT TO HER.
(speaking Korean)
SHE WANTS YOU TO KEEP IT.
YOU SAY HE WORE IT ON HIS WRIST?
DID YOU EVER HAPPEN TO SEE IF THERE WAS A MARK THERE?
(speaks Korean)
IT WOULD HAVE BEEN LIKE A BIRTHMARK--
RED, SHAPED LIKE A SNAKE.
(speaks Korean)
NO, SHE SAW NO MARK.
OKAY, THANKS.
(speaks Korean)
(speaking Korean)
THIS IS WHERE I'LL BE.
(speaking Korean)
IF YOU FIND THIS WOMAN,
IF THERE'S ANYTHING WE CAN DO TO HELP HER,
PLEASE TELL US.
WE WILL.
THANK YOU.
I WAS JUST ASKING.
WHY NOT?
BECAUSE YOU ALWAYS SAID THAT THAT MARK APPEARS
ON CERTAIN PEOPLE AFTER THEY'VE DIED STRANGE DEATHS.
LOOK, I ALSO SAID
THIS IS A PUZZLE I'M TRYING TO PIECE TOGETHER.
I DON'T EVEN KNOW WHAT ALL THE PIECES LOOK LIKE YET.
WHAT DO YOU THINK THIS MEANS?
I DON'T KNOW.
IT'S LIKE THAT BRACELET MADONNA WEARS, RIGHT,
AND BRITNEY SPEARS?
THOSE ARE KABALA STRINGS.
THIS ONE HAS KNOTS TIED IN IT
IN GROUPS OF TWO, FOUR AND THREE.
(cell phone rings)
IT'S EDHEAD.
HEY.
NICE. WE'LL BE RIGHT THERE.
WHAT?
LINDA CALECA-- EDHEAD THINKS SHE'S FOUND HER.
SO THE PAY PHONE SHE CALLED FROM IS LOCATED RIGHT HERE
DIRECTLY ACROSS THE STREET
FROM THE TRAVEL INN MOTEL IN TUJUNGA.
LOOK, EVEN IF SHE DID,
SHE WOULD HAVE PAID CASH TO AVOID BEING FOUND.
THAT MAKES HER HARD TO FIND, BUT NOT IMPOSSIBLE.
EVEN IF YOU PAY CASH MONEY,
THE MOTEL MAN STILL TAKES YOUR DRIVER'S LICENSE,
PUTS YOUR NUMBER INTO THE COMPUTER SYSTEM.
I MANAGED TO GET HER CREDIT RECORD,
WHICH SHOWS HER DRIVER'S LICENSE NUMBER.
I8884201.
THAT'S WHAT I'M SAYING.
WELL, IS SHE THERE NOW?
SHE LEFT SIX DAYS AGO.
THEN YOU DIDN'T EXACTLY FIND HER, DID YOU?
I DIDN'T SAY I KNEW WHERE SHE IS RIGHT NOW, BUT I FOUND HER.
SHE JUST LEFT AGAIN.
WHAT DO YOU MEAN, LEFT AGAIN?
SHE WAS THERE SIX NIGHTS AGO, STAYED THREE NIGHTS.
SAME THING SIX NIGHTS BEFORE THAT,
STAYED THREE NIGHTS, THEN LEFT.
HEY, LET ME SEE THAT BRACELET AGAIN.
(chuckles) THAT'S WHAT THIS IS FOR.
WHAT?
THE KNOTS, IN GROUPINGS OF TWO, FOUR AND THREE.
IT'S A PERPETUAL CALENDAR.
WELL, SHE'S ON THE RUN.
SHE CAN'T STAY IN ANY ONE PLACE TOO LONG,
IT'S NOT SAFE TO CALL HER HUSBAND, SO...
SHE'S BEEN SHUTTLING BETWEEN THREE DIFFERENT MOTELS.
THIS BRACELET WAS A WAY FOR CALECA TO KNOW WHERE SHE WAS
RIGHT, TWO KNOTS, TWO NIGHTS AT ONE MOTEL,
FOUR KNOTS, FOUR NIGHTS AT ANOTHER, THREE KNOTS...
BACK AT THE TRAVEL INN IN TUJUNGA.
FOR THREE NIGHTS.
SO IF SHE WAS LAST THERE
SIX NIGHTS AGO, SHE'D BE BACK THERE...
TODAY.
EDHEAD RULES.
THEY'RE ON THE MOVE. THEY ARE ON THE MOVE.
(tires squeal)
(helicopter whirring)
(Man) AIR UNIT SIX, TRACKING NORTHBOUND ON THE 110.
ADVISE WE HAVE THE VEHICLE IN SIGHT.
I'LL MEET YOU AT THE FRONT.
COME ON, CARL.
WHY ARE WE DRAGGING THIS ALL THE WAY OUT HERE?
ANYTHING?
THE MANAGER RECOGNIZES HER, BUT SAYS HE HASN'T SEEN HER.
WAIT.
THAT'S HER, ISN'T IT?
YOU DON'T THINK THAT'S HIS SOURCE, DO YOU?
I THINK THAT IS VICTOR CALECA'S WIFE.
WAIT THERE.
I THOUGHT SHE WAS DEAD.
YEAH, SO DID I.
BE READY TO MOVE.
(Man) Copy that.
I'D LIKE TO CHECK IN, PLEASE.
MRS. CALECA, I'M PERRI REED, AND THIS IS CARL KOLCHAK.
HI.
WHAT DO YOU WANT?
TO HELP.
(motorcycles approaching)
HOW DID YOU FIND ME?
WE CAN EXPLAIN THAT LATER.
KOLCHAK!
(Jain) KOLCHAK!
(Linda) I'M NOT GOING ANYWHERE.
GET DOWN!
SHOTS FIRED! GO! GO! GO! GO!
(tires squealing)
(gun clicks)
I'M HITTIN' THESE GUYS!
SO AM I!
ALL RIGHT, I JUST GOT OFF THE PHONE
WITH CHIEF BRATTON. HE ASSURES ME THAT THE AUTHORITIES
ARE MAKING ALL EFFORTS TO LOCATE CARL AND PERRI.
IT'S BEEN FOUR HOURS SINCE THEY WENT MISSING
IN THE MIDST OF A SHOOTOUT
AND THERE HASN'T BEEN A SINGLE SIGHTING REPORTED. JAIN?
WE THINK THEY MAY BE WITH THIS WOMAN--
LINDA CALECA, THE WIDOW OF A D.E.A. AGENT
THAT WAS SHOT LAST NIGHT.
WE THINK THAT SHE'S THE ONE THESE BIKERS WERE AFTER.
ANY IDEA WHY THEY WANT TO KILL THIS WOMAN?
(Jain) THAT'S THE ANGLE KOLCHAK AND PERRI WERE WORKING
WHEN THIS WENT DOWN.
IN THEIR ABSENCE, IT'S THE ANGLE WE'LL ALL BE WORKING ON.
SETH AND ROB, WE NEED TO FIND OUT WHO THESE BIKERS ARE
WE'RE ON IT.
DAWN, I WANT YOU HOUNDING THE L.A.P.D., SHERIFFS'
AND GOD FORGIVE ME, THE CORONER.
ANYONE SO MUCH AS CATCHES A GLIMPSE
OF CARL, PERRI OR THIS WOMAN CALECA,
I WANT TO KNOW ABOUT IT FIRST.
ALL RIGHT, WE ALL KNOW OUR ASSIGNMENTS. LET'S GET ON IT.
COULD YOU COME WITH ME?
BERNIE.
SORRY TO DROP IN UNANNOUNCED, TONY.
WHY DON'T YOU TELL ME?
THREE OFFICERS WERE GUNNED DOWN
IN THE LINE OF DUTY THIS AFTERNOON.
YES, IT DOES.
WE'RE ASKING FOR YOUR COOPERATION
YOU WANT TO LISTEN TO OUR CALLS?
FOR RAPID RESPONSE IN THE EVENT THAT REED OR KOLCHAK PHONES IN.
GIVE YOU MY PICTURES?
I KNOW, I KNOW, TONY, IT IS A LOT TO ASK,
YES, THERE IS...
AND YOU WILL RECEIVE NO COOPERATION FROM THIS PAPER.
WHAT DID YOU SAY?
IF SOMETHING HAPPENED TO CARL, PERRI OR JAIN TODAY,
ME?
I DIDN'T MAKE THEM THE STORY.
YOU RELEASED KOLCHAK FROM PRISON SO THAT YOU COULD FOLLOW HIM,
YOU THOUGHT YOU'D FIND KOLCHAK'S SOURCE.
ALL DUE RESPECT, TONY,
I DON'T ANSWER TO YOU ABOUT MY INVESTIGATIVE TECHNIQUES.
NO, YOU ANSWER TO THE PUBLIC, WHICH IS PRECISELY
WHAT THIS PAPER WILL MAKE SURE THAT YOU DO
BY PUBLISHING WHAT WE KNOW WHEN WE KNOW IT.
I THOUGHT WE WERE FRIENDS.
WE WERE.
THEN AS A FRIEND,
DO YOU REALLY THINK THAT YOUR PUBLISHER
IS GOING TO REFUSE TO COOPERATE WITH THE F.B.I.,
THE CROSS-BINDER BOARD?
I'D HATE TO SEE YOU FALL ON YOUR SWORD...
NOT FOR KOLCHAK. HE'S NOT WORTH IT.
YOU CAN GO NOW.
HERE IS MY CELL PHONE NUMBER...
IN CASE MY FRIEND...
CHANGES HIS MIND.
THAT WAS AWESOME.
HE'S RIGHT. THE BOARD MIGHT NOT BACK UP MY DECISION.
WE NEED TO FIND CARL AND PERRI FAST.
YEAH, I-I KNOW, BUT HOW?
YOUR FRIEND EGGHEAD.
EDHEAD?
COULD YOU GET HER BACK DOWN HERE?
YEAH.
HEY.
WELL, I CLEANED OUT THE VENDING MACHINE.
WE GOT COOKIES, CHIPS AND CANDY FOR DINNER.
FANTASTIC.
NO, THANKS.
HOW DID YOU FIND ME?
YOUR DRIVER'S LICENSE.
YOU LEFT THE NUMBER WITH THE MOTEL MANAGER.
BUT HOW DID YOU KNOW THAT I'D BE COMING BACK TO THAT MOTEL...
TODAY?
(gasps)
VIC'S DEAD, ISN'T HE?
I'M SORRY.
I KNEW IT.
I KNEW IT WHEN I SAW YOU.
I HAD A DREAM LAST NIGHT, AND IT FELT...
SO REAL.
VICTOR CAME TO ME...
AND HE TOLD ME THAT HE WASN'T EVER GONNA SEE ME AGAIN...
BUT HE SAID IT WOULD BE OKAY...
THAT I WOULDN'T BE ALONE, THAT I'D FIND PEACE.
THOSE BIKERS,
ARE THEY THE SAME ONES THAT
AMBUSHED YOU AND YOUR HUSBAND THREE WEEKS AGO?
I DON'T KNOW.
(Perri) YOUR HUSBAND THOUGHT THIS DRUG LORD,
FELIX MORALES, WAS RESPONSIBLE.
THAT'S WHY HE AND RICH WALTON
CAME UP WITH THE STORY THAT I WAS ALREADY DEAD.
HE WORE THESE BRACELETS SO THAT HE COULD FIND ME AGAIN...
AFTER HE PAID 'EM FOR OUR LIVES...
BUT MORALES DIDN'T KILL HIM, DID HE?
NO, IT WAS THE BIKERS.
WHO ARE THEY?
WE DON'T KNOW. WE ONLY KNOW THAT...
THEY KILLED MORALES AND YOUR HUSBAND
AND AGENT WALTON, TOO.
AND NOW THEY'RE COMING AFTER ME.
WHY?
WE NEED EVERY POSSIBLE THING THAT WE CAN GIVE 'EM.
OKAY, JUST G-GIVE US ONE MINUTE, WILL YOU? THANKS.
YEAH, SHE'S WORKIN' ON IT,
BUT THAT'S NOT WHY I WANTED TO SEE YOU.
(sighs)
THERE'S A PROBLEM WITH THIS STORY.
THESE ARE THE KILLERS?
YEAH, WELL, TWO OF 'EM, ANYWAY.
HOW?
THEIR PHOTOS WERE IN OUR FILES FROM A BANK SHOOTOUT
IN CULVER CITY TWO YEARS AGO. THEY'RE EX-CONS
BY THE NAMES OF CLAYTON KRANS AND ROY LOCKARD.
SO THAT'S GOOD WORK. WHAT'S THE PROBLEM WITH THE STORY?
THE STORY SAYS THAT S.W.A.T. SHARPSHOOTERS
TOOK OUT BOTH KRANS AND LOCKHART.
ACCORDING TO OUR FILES, BOTH OF THESE MEN
ARE ALREADY DEAD.
THINK YOU CAN SLEEP?
I'LL TRY.
WE'LL JUST BE IN THE NEXT ROOM.
PERRI...
YOU'RE SO KIND DOING THIS FOR ME.
I DON'T KNOW WHAT TO SAY.
YOU DON'T HAVE TO SAY ANYTHING.
I KNOW YOU'RE REPORTERS,
BUT YOU'RE RISKING YOUR LIVES STAYING WITH ME.
MY COLLEAGUE, CARL...
ABOUT A YEAR AGO,
HE AND HIS WIFE WERE ATTACKED IN A STORM
BY SOMETHING HE DIDN'T SEE.
IS SHE OKAY?
SHE WAS KILLED.
HOW?
SHE WAS PREGNANT.
HER FETUS WAS TORN FROM HER BODY.
OH, MY GOD.
CARL WAS TOLD IF HE COULD FIND YOUR HUSBAND
HE MIGHT GET THE ANSWERS
TO WHO OR WHAT KILLED HER.
WHO OR WHAT?
I DON'T HAVE ANY ANSWERS FOR HIM.
I DON'T THINK VICTOR DID, EITHER.
WHO WOULD TELL HIM THAT WE WOULD?
HEY.
YOU WANT SOME DINNER?
I GOT, UH, CHEESE, RANCH AND BARBECUE FLAVOR.
MAYBE LATER.
YEAH.
(Carl sighs)
WE'RE GONNA HAVE A LITTLE PROBLEM
WHAT'S THAT?
I WASN'T QUITE READY TO FLEE JUSTICE TODAY.
HOW MUCH CASH DO YOU HAVE?
AFTER WHAT I SPENT ON DINNER, ABOUT 60 BUCKS.
AND I THOUGHT YOU WERE A RICH MAN.
(chuckles) WHAT DO YOU MEAN?
YOU WERE RIGHT ABOUT AGENT FAIN TRYING TO PIT ME AGAINST YOU.
HE TOLD ME YOUR MOTIVE FOR KILLING IRENE.
IRENE'S ESTATE.
I ALWAYS WONDERED HOW YOU COULD AFFORD THAT HOUSE IN THE HILLS.
YEAH.
DID YOU GIVE THE CABIN MANAGER YOUR DRIVER'S LICENSE NUMBER?
YEAH, I CHANGED IT BY A DIGIT.
HE SEEMED PRETTY NOSY.
I KNOW HOW WE FOUND LINDA,
BUT I'M STILL WONDERING HOW THOSE BIKERS GOT THERE.
I DON'T KNOW.
I, UH...
I HEARD ON THE RADIO THREE COPS GOT SHOT,
BUT THE BIKERS GOT AWAY.
WHO ARE THEY?
THAT'S THE QUESTION.
SHE CAN'T KEEP RUNNING FOREVER, CARL.
GOT ANY IDEAS ON WHERE WE CAN TAKE HER?
WELL, IN CASE YOU, UH, HAVEN'T NOTICED,
I'M--I'M MAKIN' THIS THING UP AS I GO ALONG.
YEAH, I NOTICED THAT.
HOPEFULLY, THE COPS WILL FIND THE BIKERS
BEFORE THE BIKERS FIND US.
AND IF THEY DON'T?
IF THEY DON'T...
SHE'S GOTTA GO SOMEPLACE NO ONE WILL EVER FIND HER.
(knock on door)
WHO IS IT?
(Man) IT'S THE MANAGER.
I'M JUST CLOSIN' UP THE FRONT DESK
IN CASE YOU FOLKS NEED ANYTHING.
UH, WE'RE FINE.
(Man) YOU WANT ME TO TURN DOWN THE SHEETS?
I GOT SOME, UH, BEDTIME MINTS HERE.
NO, THANK YOU. GOOD NIGHT.
ALL RIGHT, THEN.
GOOD NIGHT.
I'LL CALL YOU BACK. WHAT IS IT?
I CALLED THIS AGENT'S CELL NUMBER LIKE YOU WANTED,
BEEN LISTENING TO HIS TRAFFIC ALL NIGHT.
BUT?
BUT HE JUST GOT THE CALL. KOLCHAK'S CAR HAS BEEN SPOTTED
OUTSIDE A CABIN OFF THE SIERRA HIGHWAY.
I NEED A PHONE NUMBER.
HEY, PERRI...
I JUST WANNA SAY THANK YOU FOR, YOU KNOW, BEING HERE...
FOR TRUSTING ME.
IN FOR A PENNY.
YEAH.
BUT SINCE I AM HERE...
MAYBE YOU COULD START TRUSTING ME A LITTLE BIT MORE.
WHAT DO YOU MEAN?
YOU ASKED THAT KOREAN WOMAN, DAE,
ABOUT WHETHER CALECA HAD THE MARK ON HIS WRIST.
(sighs)
WHY?
AND DON'T TELL ME YOU WERE JUST
ASKING AN INNOCENT QUESTION,
BECAUSE YOU DON'T ASK INNOCENT QUESTIONS.
WHY WOULD YOU THINK
THAT MARK WOULD HAVE BEEN ON CALECA'S WRIST?
BECAUSE...
I HAVE IT ON MINE.
HOW DID IT GET THERE?
I WAS BORN WITH IT.
I THOUGHT IT WAS A BIRTHMARK
UNTIL IRENE DIED, AND I SAW IT ON HER BODY.
I DON'T UNDERSTAND HOW THAT COULD BE.
THAT'S WHEN I STARTED LOOKING, YOU KNOW,
AND I--AND I FOUND IT ON ALL THESE OTHER PEOPLE
WHO DIED STRANGE DEATHS.
BUT IN EACH CASE,
IT APPEARED ON THEIR BODIES AFTER THEY DIED.
THAT'S RIGHT.
YOU NEVER FOUND IT ON ANYONE ELSE LIVING?
YOU NEVER FOUND ANYONE BORN WITH IT LIKE YOU?
(telephone rings)
(ring)
(ring)
Carl, it's Tony.
TONY, HOW DID YOU FIND US?
The FBI already did. You gotta get out of there now.
(engines revving)
I THINK IT'S TOO LATE FOR THAT.
(engines revving)
LOOK, OUR ONLY CHANCE IS THE CAR.
(whispers) WE'LL NEVER MAKE IT, NOT WITHOUT THEM SEEING US.
WE CAN MAKE A RUN FOR IT AND BACK THROUGH THE TREES.
BUT THEY'LL FIND US IF WE STAY HERE.
LOOK, I'M GONNA DRAW THEM AWAY.
WAIT, WAIT, WHAT ARE YOU TALKING ABOUT?
WHEN THEY START AFTER ME, GET IN THE CAR AND DON'T STOP.
NO, IF I CAN MAKE IT TO THE MANAGER'S OFFICE,
CARL.
DO YOU HAVE A BETTER PLAN?
LOOK, IT'S GONNA BE OKAY.
(siren wailing)
WHAT HAPPENED, CARL?
WHERE'S LINDA CALECA?
(Agent Fain) KOLCHAK!
KOLCHAK!
PERRI, HEY.
WHERE IS HE?
IN THE CONFERENCE ROOM.
OH, MY GOD. HOW DID YOU GET AWAY?
I'M--I'M NOT EVEN SURE, EXACTLY. I JUST KEPT RUNNING.
YOU KEPT RUNNING, AND THEY DIDN'T CATCH YOU?
NO.
I CAN'T BELIEVE IT.
I WAS JUST TELLIN' TONY
HOW, UH, LINDA CALECA GOT AWAY FROM US AT THE MOTEL.
AND YOU DIDN'T SEE WHERE SHE WENT?
NO, I DIDN'T.
WELL, WE'LL JUST HAVE TO TELL THAT TO AGENT FAIN
THAT WE CAN'T BE OF ANY USE IN THEIR INVESTIGATION.
AND WE HAVE NO INDICATION
OF WHERE MRS. CALECA MIGHT HAVE GONE TO?
I'M HOPING SOMEPLACE SAFE...
SOMEPLACE NO ONE WILL EVER FIND HER.
LIFE TRAVELS A CROOKED PATH
(speaking Korean)
A COURSE WHO'S SHAPE WE CANNOT RECOGNIZE
EXCEPT BY LOOKING BACK ON IT.
HOW HAPPINESS LEADS TO HEARTBREAK
HOW A DARK TURN LEADS TO PEACE AND JOY.
OUR PURPOSE, LIKE OUR DESTINATION IS HIDDEN.
BUT GOODNESS IS A REFUGE,
A SOFT WARM LIGHT INTO WHICH EVIL CANNOT SEE .