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>>> WELCOME TO AT ISSUE. I AM H. WAYNE WILSON. WE WILL BE TALKING ABOUT A
I AM H. WAYNE WILSON. WE WILL BE TALKING ABOUT A TREASURE IN DOWNTOWN GALESBURG
WE WILL BE TALKING ABOUT A TREASURE IN DOWNTOWN GALESBURG FOR THE NEXT HALF-HOUR.
TREASURE IN DOWNTOWN GALESBURG FOR THE NEXT HALF-HOUR. IT IS KNOWN AS THE ORPHEUM
FOR THE NEXT HALF-HOUR. IT IS KNOWN AS THE ORPHEUM THEATER.
IT IS KNOWN AS THE ORPHEUM THEATER. MOST CITIES WOULD DIE TO HAVE
THEATER. MOST CITIES WOULD DIE TO HAVE SOMETHING LIKE THE ORPHEUM
MOST CITIES WOULD DIE TO HAVE SOMETHING LIKE THE ORPHEUM THEATER IN THEIR DOWNTOWN, ON
SOMETHING LIKE THE ORPHEUM THEATER IN THEIR DOWNTOWN, ON KELLOGG STREET, GALESBURG HAS
THEATER IN THEIR DOWNTOWN, ON KELLOGG STREET, GALESBURG HAS THE ORPHEUM THEATER ARE BUT IT
KELLOGG STREET, GALESBURG HAS THE ORPHEUM THEATER ARE BUT IT IS IN NEED OF REPAIR.
THE ORPHEUM THEATER ARE BUT IT IS IN NEED OF REPAIR. SOME MIGHT SUGGEST IN DESPERATE
IS IN NEED OF REPAIR. SOME MIGHT SUGGEST IN DESPERATE NEED OF REPARENT.
SOME MIGHT SUGGEST IN DESPERATE NEED OF REPARENT. WE WILL TALK ABOUT THE SITUATION
NEED OF REPARENT. WE WILL TALK ABOUT THE SITUATION OF THE ORPHEUM, FROM A CAPITAL
WE WILL TALK ABOUT THE SITUATION OF THE ORPHEUM, FROM A CAPITAL AND FROM OPERATIONAL POINT OF
OF THE ORPHEUM, FROM A CAPITAL AND FROM OPERATIONAL POINT OF VIEW WITH THE PRESIDENT OF THE
AND FROM OPERATIONAL POINT OF VIEW WITH THE PRESIDENT OF THE ORPHEUM THEATER, KATE FRANCIS.
VIEW WITH THE PRESIDENT OF THE ORPHEUM THEATER, KATE FRANCIS. THANK YOU SO MUCH FOR JOINING US
ORPHEUM THEATER, KATE FRANCIS. THANK YOU SO MUCH FOR JOINING US ON AT ISSUE.
THANK YOU SO MUCH FOR JOINING US ON AT ISSUE. >>THANK YOU YOU, H, PLEASURE TO
ON AT ISSUE. >>THANK YOU YOU, H, PLEASURE TO BE HERE.
>>THANK YOU YOU, H, PLEASURE TO BE HERE. >>I HAVE TO TAKE A MOMENT TO
BE HERE. >>I HAVE TO TAKE A MOMENT TO MENTION, THOSE IN THE VIEWING
>>I HAVE TO TAKE A MOMENT TO MENTION, THOSE IN THE VIEWING AUDIENCE MIGHT HAVE NOTICED, THE
MENTION, THOSE IN THE VIEWING AUDIENCE MIGHT HAVE NOTICED, THE TITLE IS "TALE OF TWO CITIES."
AUDIENCE MIGHT HAVE NOTICED, THE TITLE IS "TALE OF TWO CITIES." KATE IS REPRESENTING THE
TITLE IS "TALE OF TWO CITIES." KATE IS REPRESENTING THE ORPHEUM.
KATE IS REPRESENTING THE ORPHEUM. WE ORIGINALLY INTENDED TO HAVE
ORPHEUM. WE ORIGINALLY INTENDED TO HAVE REPRESENTATIVES FROM THE U.S.
WE ORIGINALLY INTENDED TO HAVE REPRESENTATIVES FROM THE U.S. CELLULAR COLISEUM ON.
REPRESENTATIVES FROM THE U.S. CELLULAR COLISEUM ON. THEY DECIDED IT WOULD BE BEST IF
CELLULAR COLISEUM ON. THEY DECIDED IT WOULD BE BEST IF THEY DIDN'T APPEAR AT THIS POINT
THEY DECIDED IT WOULD BE BEST IF THEY DIDN'T APPEAR AT THIS POINT AND TIME.
THEY DIDN'T APPEAR AT THIS POINT AND TIME. STEVE STOCKTON, THE MAYOR OF
AND TIME. STEVE STOCKTON, THE MAYOR OF BLOOMINGTON SAID HE WOULD APPEAR
STEVE STOCKTON, THE MAYOR OF BLOOMINGTON SAID HE WOULD APPEAR ON THE PROGRAM.
BLOOMINGTON SAID HE WOULD APPEAR ON THE PROGRAM. WE PUTTED IN THE PROGRAM GUIDE
ON THE PROGRAM. WE PUTTED IN THE PROGRAM GUIDE AFTER THE PROGRAM GUIDE WENT TO
WE PUTTED IN THE PROGRAM GUIDE AFTER THE PROGRAM GUIDE WENT TO PRINT.
AFTER THE PROGRAM GUIDE WENT TO PRINT. MR. STOCKTON CALLED AND SAID IT
PRINT. MR. STOCKTON CALLED AND SAID IT WOULD BE BEST TO TALK ABOUT THE
MR. STOCKTON CALLED AND SAID IT WOULD BE BEST TO TALK ABOUT THE FINANCIAL SITUATION WITH U.S.
WOULD BE BEST TO TALK ABOUT THE FINANCIAL SITUATION WITH U.S. CELLULAR COLISEUM IN BLOOMINGTON
FINANCIAL SITUATION WITH U.S. CELLULAR COLISEUM IN BLOOMINGTON AT A LATER TIME.
CELLULAR COLISEUM IN BLOOMINGTON AT A LATER TIME. WE WILL PROCEED WITH A
AT A LATER TIME. WE WILL PROCEED WITH A DISCUSSION ABOUT THE ORPHEUM IN
WE WILL PROCEED WITH A DISCUSSION ABOUT THE ORPHEUM IN GALESBURG.
DISCUSSION ABOUT THE ORPHEUM IN GALESBURG. THE ORPHEUM CAN BE DESCRIBED AS
GALESBURG. THE ORPHEUM CAN BE DESCRIBED AS A JEWEL.
THE ORPHEUM CAN BE DESCRIBED AS A JEWEL. >>ABSOLUTELY.
A JEWEL. >>ABSOLUTELY. THAT'S ONE OF THE MONIKERS THE
>>ABSOLUTELY. THAT'S ONE OF THE MONIKERS THE BUILDING HAS HAD PROBABLY SINCE
THAT'S ONE OF THE MONIKERS THE BUILDING HAS HAD PROBABLY SINCE ITS INCEPTION IN 1916.
BUILDING HAS HAD PROBABLY SINCE ITS INCEPTION IN 1916. IT IS ONE THAT WE HAVE LIVED UP
ITS INCEPTION IN 1916. IT IS ONE THAT WE HAVE LIVED UP TO FOR MANY, MANY YEARS, AND
IT IS ONE THAT WE HAVE LIVED UP TO FOR MANY, MANY YEARS, AND UNFORTUNATELY, THE JEWEL NEEDS A
TO FOR MANY, MANY YEARS, AND UNFORTUNATELY, THE JEWEL NEEDS A LITTLE BIT OF POLISH NOW.
UNFORTUNATELY, THE JEWEL NEEDS A LITTLE BIT OF POLISH NOW. >>LET'S TAKE A LOOK AT THE JEWEL
LITTLE BIT OF POLISH NOW. >>LET'S TAKE A LOOK AT THE JEWEL AND SHOW IT SO PEOPLE THAT HAVE
>>LET'S TAKE A LOOK AT THE JEWEL AND SHOW IT SO PEOPLE THAT HAVE NOT BEEN TO GALESBURG CAN TAKE A
AND SHOW IT SO PEOPLE THAT HAVE NOT BEEN TO GALESBURG CAN TAKE A LOOK AT THE OUTSIDE AND INSIDE
NOT BEEN TO GALESBURG CAN TAKE A LOOK AT THE OUTSIDE AND INSIDE OF THE ORPHEUM.
LOOK AT THE OUTSIDE AND INSIDE OF THE ORPHEUM. KATE, IF YOU WILL GIVE US A
OF THE ORPHEUM. KATE, IF YOU WILL GIVE US A LITTLE TOUR, IF YOU WOULD.
KATE, IF YOU WILL GIVE US A LITTLE TOUR, IF YOU WOULD. >>SURE, THIS IS ACTUALLY VERY
LITTLE TOUR, IF YOU WOULD. >>SURE, THIS IS ACTUALLY VERY EARLY PHOTOGRAPH OF THE LOBBY OF
>>SURE, THIS IS ACTUALLY VERY EARLY PHOTOGRAPH OF THE LOBBY OF THE ORPHEUM THEATER.
EARLY PHOTOGRAPH OF THE LOBBY OF THE ORPHEUM THEATER. BACK IN THE DAY, THEY HAD FRENCH
THE ORPHEUM THEATER. BACK IN THE DAY, THEY HAD FRENCH DOORS INSTALLED THAT ACTUALLY
BACK IN THE DAY, THEY HAD FRENCH DOORS INSTALLED THAT ACTUALLY ASSISTED WITH AIR MOVEMENT PRIOR
DOORS INSTALLED THAT ACTUALLY ASSISTED WITH AIR MOVEMENT PRIOR TO THE INSTALLATION OF MODERN
ASSISTED WITH AIR MOVEMENT PRIOR TO THE INSTALLATION OF MODERN AIR CONDITIONING.
TO THE INSTALLATION OF MODERN AIR CONDITIONING. THIS PICTURE IS FROM A COOKING
AIR CONDITIONING. THIS PICTURE IS FROM A COOKING CLASS THAT WAS CONDUCTED.
THIS PICTURE IS FROM A COOKING CLASS THAT WAS CONDUCTED. IT IS FULL TO THE RAFTERS.
CLASS THAT WAS CONDUCTED. IT IS FULL TO THE RAFTERS. IF YOU TAKE A QUICK LOOK, YOU
IT IS FULL TO THE RAFTERS. IF YOU TAKE A QUICK LOOK, YOU ARE HARD PRESSED TO FIND ANY MEN
IF YOU TAKE A QUICK LOOK, YOU ARE HARD PRESSED TO FIND ANY MEN THIS THIS AUDIENCE.
ARE HARD PRESSED TO FIND ANY MEN THIS THIS AUDIENCE. THIS IS AN EARLY PICTURE OF THE
THIS THIS AUDIENCE. THIS IS AN EARLY PICTURE OF THE EXTERIOR.
THIS IS AN EARLY PICTURE OF THE EXTERIOR. ONE OF THE THINGS THAT HAS BEEN
EXTERIOR. ONE OF THE THINGS THAT HAS BEEN ON THE DOCKET PREVIOUSLY IN
ONE OF THE THINGS THAT HAS BEEN ON THE DOCKET PREVIOUSLY IN TERMS OF RENOVATION OF THE
ON THE DOCKET PREVIOUSLY IN TERMS OF RENOVATION OF THE THEATER WAS TO REINSTALL THAT
TERMS OF RENOVATION OF THE THEATER WAS TO REINSTALL THAT VERTICAL MARQUIS YOU SEE THERE.
THEATER WAS TO REINSTALL THAT VERTICAL MARQUIS YOU SEE THERE. THIS WAS THE MARQUEE THAT
VERTICAL MARQUIS YOU SEE THERE. THIS WAS THE MARQUEE THAT EXISTED MAJORITY OF ITS TIME AS
THIS WAS THE MARQUEE THAT EXISTED MAJORITY OF ITS TIME AS MODERN MOVIE THEATER.
EXISTED MAJORITY OF ITS TIME AS MODERN MOVIE THEATER. IT HAD THE TWO SIDE MARQUEE
MODERN MOVIE THEATER. IT HAD THE TWO SIDE MARQUEE THERE.
IT HAD THE TWO SIDE MARQUEE THERE. THIS IS THE INTERIOR OF THE
THERE. THIS IS THE INTERIOR OF THE THEATER PRIOR TO ITS RENOVATION
THIS IS THE INTERIOR OF THE THEATER PRIOR TO ITS RENOVATION BACK IN 1988.
THEATER PRIOR TO ITS RENOVATION BACK IN 1988. THE COLORS WERE FAIRLY GATHER
BACK IN 1988. THE COLORS WERE FAIRLY GATHER ISHED.
THE COLORS WERE FAIRLY GATHER ISHED. THEY USED A LOT OF ORANGE AND
ISHED. THEY USED A LOT OF ORANGE AND WHATNOT.
THEY USED A LOT OF ORANGE AND WHATNOT. THIS IS THE EXTEEN IOR OF THE
WHATNOT. THIS IS THE EXTEEN IOR OF THE BUILDING AS IT IS TODAY.
THIS IS THE EXTEEN IOR OF THE BUILDING AS IT IS TODAY. IT IS A LITTLE DIFFICULT TO SEE
BUILDING AS IT IS TODAY. IT IS A LITTLE DIFFICULT TO SEE SOME OF THE DETAIL.
IT IS A LITTLE DIFFICULT TO SEE SOME OF THE DETAIL. BUT THERE ARE SOME AREAS THAT
SOME OF THE DETAIL. BUT THERE ARE SOME AREAS THAT ARE SUFFERING FROM DIRT AND
BUT THERE ARE SOME AREAS THAT ARE SUFFERING FROM DIRT AND BUILD-UP, SALT DETERIORATION.
ARE SUFFERING FROM DIRT AND BUILD-UP, SALT DETERIORATION. THE EXTERIOR OF THE BUILDING IS
BUILD-UP, SALT DETERIORATION. THE EXTERIOR OF THE BUILDING IS LIMESTONE, WITH INHERENTLY LIME
THE EXTERIOR OF THE BUILDING IS LIMESTONE, WITH INHERENTLY LIME STONE.
LIMESTONE, WITH INHERENTLY LIME STONE. IT IS SUSCEPTIBLE TO DAMAGE.
STONE. IT IS SUSCEPTIBLE TO DAMAGE. ON THE ROOF YOU WILL SEE THOSE
IT IS SUSCEPTIBLE TO DAMAGE. ON THE ROOF YOU WILL SEE THOSE ARE SLATE TILES.
ON THE ROOF YOU WILL SEE THOSE ARE SLATE TILES. THE EXTERIOR OF THE BUILDING IS
ARE SLATE TILES. THE EXTERIOR OF THE BUILDING IS SECOND FRENCH EMPIRE AS DESIGNED
THE EXTERIOR OF THE BUILDING IS SECOND FRENCH EMPIRE AS DESIGNED BY THE ARCHITECTURAL FIRM RAP
SECOND FRENCH EMPIRE AS DESIGNED BY THE ARCHITECTURAL FIRM RAP AND RAP OUT OF CHICAGO.
BY THE ARCHITECTURAL FIRM RAP AND RAP OUT OF CHICAGO. THEY DID MORE THAN 400 THEATERS
AND RAP OUT OF CHICAGO. THEY DID MORE THAN 400 THEATERS THROUGHOUT THE NATION.
THEY DID MORE THAN 400 THEATERS THROUGHOUT THE NATION. EACH OF THEM REALLY HAD A VERY
THROUGHOUT THE NATION. EACH OF THEM REALLY HAD A VERY UNIQUE STYLE TO ALL OF THEM.
EACH OF THEM REALLY HAD A VERY UNIQUE STYLE TO ALL OF THEM. THIS IS THE INTERIOR OF THE
UNIQUE STYLE TO ALL OF THEM. THIS IS THE INTERIOR OF THE THEATER AS IT STANDS TODAY.
THIS IS THE INTERIOR OF THE THEATER AS IT STANDS TODAY. AS YOU CAN SEE, IT IS QUITE
THEATER AS IT STANDS TODAY. AS YOU CAN SEE, IT IS QUITE GORGEOUS, VERY ORNATE, MULTITUDE
AS YOU CAN SEE, IT IS QUITE GORGEOUS, VERY ORNATE, MULTITUDE OF STYLES, VERY GUILDED AND
GORGEOUS, VERY ORNATE, MULTITUDE OF STYLES, VERY GUILDED AND LAVISH LOOKING WHEN YOU LOOK AT
OF STYLES, VERY GUILDED AND LAVISH LOOKING WHEN YOU LOOK AT IT FROM A WIDE-ANGLE.
LAVISH LOOKING WHEN YOU LOOK AT IT FROM A WIDE-ANGLE. THIS IS A PICTURE FROM THE THIRD
IT FROM A WIDE-ANGLE. THIS IS A PICTURE FROM THE THIRD FLOOR BALCONY OF THE THEATER.
THIS IS A PICTURE FROM THE THIRD FLOOR BALCONY OF THE THEATER. THERE ARE REALLY NO BAD SEATS IN
FLOOR BALCONY OF THE THEATER. THERE ARE REALLY NO BAD SEATS IN THIS PLACE.
THERE ARE REALLY NO BAD SEATS IN THIS PLACE. THERE ARE GREAT SIDE SIGHT LINES
THIS PLACE. THERE ARE GREAT SIDE SIGHT LINES FROM THE STAGE FROM ALL
THERE ARE GREAT SIDE SIGHT LINES FROM THE STAGE FROM ALL LOCATIONS.
FROM THE STAGE FROM ALL LOCATIONS. HOW MANY DOES IT HOLD.
LOCATIONS. HOW MANY DOES IT HOLD. >>RIGHT NOW 950.
HOW MANY DOES IT HOLD. >>RIGHT NOW 950. SOME CHANGES IN SEATING HAVE
>>RIGHT NOW 950. SOME CHANGES IN SEATING HAVE REDUCED THE ORIGINAL SEATING
SOME CHANGES IN SEATING HAVE REDUCED THE ORIGINAL SEATING CAPACITY WHICH WAS OVER 1100.
REDUCED THE ORIGINAL SEATING CAPACITY WHICH WAS OVER 1100. YOU WILL SEE HERE ON THE MAIN
CAPACITY WHICH WAS OVER 1100. YOU WILL SEE HERE ON THE MAIN FLOOR, THESE SEATS WERE
YOU WILL SEE HERE ON THE MAIN FLOOR, THESE SEATS WERE INSTALLED IN THE LATE 80'S WHEN
FLOOR, THESE SEATS WERE INSTALLED IN THE LATE 80'S WHEN WE DID THE RENOVATION THEN.
INSTALLED IN THE LATE 80'S WHEN WE DID THE RENOVATION THEN. BY TODAY'S STANDARDS, THOSE
WE DID THE RENOVATION THEN. BY TODAY'S STANDARDS, THOSE SEATS ARE STILL FAIRLY NARROW IN
BY TODAY'S STANDARDS, THOSE SEATS ARE STILL FAIRLY NARROW IN TERMS OF COMFORT FOR MODERN DAY
SEATS ARE STILL FAIRLY NARROW IN TERMS OF COMFORT FOR MODERN DAY PERSON.
TERMS OF COMFORT FOR MODERN DAY PERSON. THESE ARE SOME OF THE SHOTS ON
PERSON. THESE ARE SOME OF THE SHOTS ON MEZZANINE LEVEL.
THESE ARE SOME OF THE SHOTS ON MEZZANINE LEVEL. THIS IS A DETAILED SHOT OF A
MEZZANINE LEVEL. THIS IS A DETAILED SHOT OF A PRESIDENTIAL BOX.
THIS IS A DETAILED SHOT OF A PRESIDENTIAL BOX. PEOPLE MAY RECOGNIZE THAT
PRESIDENTIAL BOX. PEOPLE MAY RECOGNIZE THAT SOMETHING AS LINCOLN WAS SITTING
PEOPLE MAY RECOGNIZE THAT SOMETHING AS LINCOLN WAS SITTING IN WHEN HE WAS ASSASSINATED.
SOMETHING AS LINCOLN WAS SITTING IN WHEN HE WAS ASSASSINATED. AGAIN THESE ARE THE SEATS
IN WHEN HE WAS ASSASSINATED. AGAIN THESE ARE THE SEATS INSTALLED IN THE LATE 80'S.
AGAIN THESE ARE THE SEATS INSTALLED IN THE LATE 80'S. THESE ARE ON THE THIRD FLOOR
INSTALLED IN THE LATE 80'S. THESE ARE ON THE THIRD FLOOR BALCONY.
THESE ARE ON THE THIRD FLOOR BALCONY. THESE WERE ORIGINAL TO 1916.
BALCONY. THESE WERE ORIGINAL TO 1916. THEY ARE STRUCTURED FOR A
THESE WERE ORIGINAL TO 1916. THEY ARE STRUCTURED FOR A PHYSICAL PERSON OF THAT ERA
THEY ARE STRUCTURED FOR A PHYSICAL PERSON OF THAT ERA WHICH IS MUCH SMALLER THAN WHAT
PHYSICAL PERSON OF THAT ERA WHICH IS MUCH SMALLER THAN WHAT WE ARE IN MODERN DAY.
WHICH IS MUCH SMALLER THAN WHAT WE ARE IN MODERN DAY. THEY ARE NOT VERY COMFORTABLE.
WE ARE IN MODERN DAY. THEY ARE NOT VERY COMFORTABLE. THEY ARE FAIRLY STIFF.
THEY ARE NOT VERY COMFORTABLE. THEY ARE FAIRLY STIFF. SO IF WE DID REPLACE THOSE WITH
THEY ARE FAIRLY STIFF. SO IF WE DID REPLACE THOSE WITH LARGER, MORE COMFORTABLE, MORE
SO IF WE DID REPLACE THOSE WITH LARGER, MORE COMFORTABLE, MORE MODERN SIZED SEATING, THAT WOULD
LARGER, MORE COMFORTABLE, MORE MODERN SIZED SEATING, THAT WOULD ALSO REDUCE THE CAPACITY OF THE
MODERN SIZED SEATING, THAT WOULD ALSO REDUCE THE CAPACITY OF THE THEATER.
ALSO REDUCE THE CAPACITY OF THE THEATER. THIS IS THE LOBBY, AS IT STANDS
THEATER. THIS IS THE LOBBY, AS IT STANDS TODAY.
THIS IS THE LOBBY, AS IT STANDS TODAY. THE FRENCH DOORS HAVE BEEN
TODAY. THE FRENCH DOORS HAVE BEEN REMOVED.
THE FRENCH DOORS HAVE BEEN REMOVED. THE INSTALLATION OF "MODERN AIR
REMOVED. THE INSTALLATION OF "MODERN AIR CONDITIONING" HAS REMOVED THE
THE INSTALLATION OF "MODERN AIR CONDITIONING" HAS REMOVED THE NECESSITY OF THOSE.
CONDITIONING" HAS REMOVED THE NECESSITY OF THOSE. AND THE CHANDELIER, THAT IS NEW
NECESSITY OF THOSE. AND THE CHANDELIER, THAT IS NEW TO 1988.
AND THE CHANDELIER, THAT IS NEW TO 1988. THIS IS PROBABLY ONE OF THE MOST
TO 1988. THIS IS PROBABLY ONE OF THE MOST UNIQUE ASPECTS OF THE ORPHEUM
THIS IS PROBABLY ONE OF THE MOST UNIQUE ASPECTS OF THE ORPHEUM THEATER.
UNIQUE ASPECTS OF THE ORPHEUM THEATER. THESE ARE ITALIAN FREESES,
THEATER. THESE ARE ITALIAN FREESES, PLASTER CAST TAKEN FROM ART OF
THESE ARE ITALIAN FREESES, PLASTER CAST TAKEN FROM ART OF LUCCA DE CATORIA.
PLASTER CAST TAKEN FROM ART OF LUCCA DE CATORIA. THEY DECORATED ACQUIRE LOFT IN A
LUCCA DE CATORIA. THEY DECORATED ACQUIRE LOFT IN A CHURCH THAT WAS REMOVED WHEN
THEY DECORATED ACQUIRE LOFT IN A CHURCH THAT WAS REMOVED WHEN MEDACCHIE WANTED TO GET MARRIED.
CHURCH THAT WAS REMOVED WHEN MEDACCHIE WANTED TO GET MARRIED. RAP AND RAP HAD THOSE MADE.
MEDACCHIE WANTED TO GET MARRIED. RAP AND RAP HAD THOSE MADE. WHEN THAT PIECE OF ART WAS
RAP AND RAP HAD THOSE MADE. WHEN THAT PIECE OF ART WAS FEATURED AT THE COLUMBIA
WHEN THAT PIECE OF ART WAS FEATURED AT THE COLUMBIA EXPOSITION IN THE LATE 19TH
FEATURED AT THE COLUMBIA EXPOSITION IN THE LATE 19TH CENTURY.
EXPOSITION IN THE LATE 19TH CENTURY. >>HERE IS A SORE SPOT.
CENTURY. >>HERE IS A SORE SPOT. >>WELL, ONE COULD SAY THAT.
>>HERE IS A SORE SPOT. >>WELL, ONE COULD SAY THAT. THIS IS THE BOILER.
>>WELL, ONE COULD SAY THAT. THIS IS THE BOILER. THIS IS ORIGINAL TO LATE 1950'S,
THIS IS THE BOILER. THIS IS ORIGINAL TO LATE 1950'S, EARLY 1960'S.
THIS IS ORIGINAL TO LATE 1950'S, EARLY 1960'S. IT WAS CONDEMNED IN APRIL OF
EARLY 1960'S. IT WAS CONDEMNED IN APRIL OF 2009 THE BY STATE FIRE MARSHAL.
IT WAS CONDEMNED IN APRIL OF 2009 THE BY STATE FIRE MARSHAL. IT HAS SINCE BEEN BROUGHT UP TO
2009 THE BY STATE FIRE MARSHAL. IT HAS SINCE BEEN BROUGHT UP TO CODE WITH $40,000 IN REPAIRS.
IT HAS SINCE BEEN BROUGHT UP TO CODE WITH $40,000 IN REPAIRS. IT WAS REPLACED, ETCETERA,
CODE WITH $40,000 IN REPAIRS. IT WAS REPLACED, ETCETERA, ETCETERA.
IT WAS REPLACED, ETCETERA, ETCETERA. BUT IT ACTUALLY HAS ON OCCASION
ETCETERA. BUT IT ACTUALLY HAS ON OCCASION QUIT WORKING.
BUT IT ACTUALLY HAS ON OCCASION QUIT WORKING. THESE ARE THE DRESSING ROOMS IN
QUIT WORKING. THESE ARE THE DRESSING ROOMS IN THE DOWNSTAIRS AREA.
THESE ARE THE DRESSING ROOMS IN THE DOWNSTAIRS AREA. THE BUILDING WAS A VAUDEVILLE
THE DOWNSTAIRS AREA. THE BUILDING WAS A VAUDEVILLE HOUSE, YOU MAYBE WOULD HAVE SEEN
THE BUILDING WAS A VAUDEVILLE HOUSE, YOU MAYBE WOULD HAVE SEEN SIX OR SEVEN STALLS FOR MAKE UP
HOUSE, YOU MAYBE WOULD HAVE SEEN SIX OR SEVEN STALLS FOR MAKE UP APPLICATION.
SIX OR SEVEN STALLS FOR MAKE UP APPLICATION. NOW WE HAVE FOUR LARGE DRESSING
APPLICATION. NOW WE HAVE FOUR LARGE DRESSING ROOM AREAS.
NOW WE HAVE FOUR LARGE DRESSING ROOM AREAS. AGAIN, THIS IS THE INTERIOR OF
ROOM AREAS. AGAIN, THIS IS THE INTERIOR OF THE THEATER.
AGAIN, THIS IS THE INTERIOR OF THE THEATER. IT IS QUITE MAGNIFICENT FROM A
THE THEATER. IT IS QUITE MAGNIFICENT FROM A DISTANCE.
IT IS QUITE MAGNIFICENT FROM A DISTANCE. IF YOU GET UP CLOSE, YOU WILL
DISTANCE. IF YOU GET UP CLOSE, YOU WILL SEE DETERIORATION OF THE
IF YOU GET UP CLOSE, YOU WILL SEE DETERIORATION OF THE PLASTER, THE GRAND DRAPE THERE,
SEE DETERIORATION OF THE PLASTER, THE GRAND DRAPE THERE, THOSE DRAPERIES ARE 20 YEARS
PLASTER, THE GRAND DRAPE THERE, THOSE DRAPERIES ARE 20 YEARS OLD.
THOSE DRAPERIES ARE 20 YEARS OLD. THEY ARE THREAD BEAR AND LIKELY
OLD. THEY ARE THREAD BEAR AND LIKELY TO FALL OFF THE RODS IN THE NEXT
THEY ARE THREAD BEAR AND LIKELY TO FALL OFF THE RODS IN THE NEXT FEW YEARS.
TO FALL OFF THE RODS IN THE NEXT FEW YEARS. AGAIN, THIS IS THE EXTERIOR OF
FEW YEARS. AGAIN, THIS IS THE EXTERIOR OF THE THEATER AS SHE STANDS TODAY.
AGAIN, THIS IS THE EXTERIOR OF THE THEATER AS SHE STANDS TODAY. >>LET'S TALK A LITTLE BIT ABOUT
THE THEATER AS SHE STANDS TODAY. >>LET'S TALK A LITTLE BIT ABOUT THE CAMERA SHOTS WERE WIDE
>>LET'S TALK A LITTLE BIT ABOUT THE CAMERA SHOTS WERE WIDE SHOTS.
THE CAMERA SHOTS WERE WIDE SHOTS. AND IT WAS PRETTY DARK, AND WE
SHOTS. AND IT WAS PRETTY DARK, AND WE COULDN'T REALLY SEE DETAIL OF
AND IT WAS PRETTY DARK, AND WE COULDN'T REALLY SEE DETAIL OF SOME OF THE OF ITEMS POPPING UP,
COULDN'T REALLY SEE DETAIL OF SOME OF THE OF ITEMS POPPING UP, ETCETERA.
SOME OF THE OF ITEMS POPPING UP, ETCETERA. THE EXTERIOR ALLOWED MOISTURE TO
ETCETERA. THE EXTERIOR ALLOWED MOISTURE TO COME IN THE THEATER.
THE EXTERIOR ALLOWED MOISTURE TO COME IN THE THEATER. >>THERE IS A COPPER DOWN SPOUT
COME IN THE THEATER. >>THERE IS A COPPER DOWN SPOUT BETWEEN THE ORPHEUM THEATER AND
>>THERE IS A COPPER DOWN SPOUT BETWEEN THE ORPHEUM THEATER AND THE CUSTER HOTEL WHICH IS NOW
BETWEEN THE ORPHEUM THEATER AND THE CUSTER HOTEL WHICH IS NOW THE KENSINGTON.
THE CUSTER HOTEL WHICH IS NOW THE KENSINGTON. THAT HAS BROKEN IN PLACES THAT
THE KENSINGTON. THAT HAS BROKEN IN PLACES THAT ALLOWED WATER WHICH NORMALLY
THAT HAS BROKEN IN PLACES THAT ALLOWED WATER WHICH NORMALLY WOULD BE DIRECTED AWAY FROM THE
ALLOWED WATER WHICH NORMALLY WOULD BE DIRECTED AWAY FROM THE BUILDING TO BE SATURATED INTO
WOULD BE DIRECTED AWAY FROM THE BUILDING TO BE SATURATED INTO THE LIMESTONE.
BUILDING TO BE SATURATED INTO THE LIMESTONE. IT SEEPED INTO THE INTERIOR OF
THE LIMESTONE. IT SEEPED INTO THE INTERIOR OF THE BUILDING AND CAUSING THE
IT SEEPED INTO THE INTERIOR OF THE BUILDING AND CAUSING THE PLASTER TO BREAK OFF ON THE
THE BUILDING AND CAUSING THE PLASTER TO BREAK OFF ON THE INSIDE.
PLASTER TO BREAK OFF ON THE INSIDE. BUT THAT'S NOT THE ONLY REASON
INSIDE. BUT THAT'S NOT THE ONLY REASON FOR THE INTERIOR DAMAGE.
BUT THAT'S NOT THE ONLY REASON FOR THE INTERIOR DAMAGE. WHEN WE TALKED ABOUT THE BOILER
FOR THE INTERIOR DAMAGE. WHEN WE TALKED ABOUT THE BOILER BREAKING DOWN, YOU HAVE EXTREME
WHEN WE TALKED ABOUT THE BOILER BREAKING DOWN, YOU HAVE EXTREME CHANGES IN TEMPERATURE,
BREAKING DOWN, YOU HAVE EXTREME CHANGES IN TEMPERATURE, TREATMENT CHANGES IN HUMIDITY
CHANGES IN TEMPERATURE, TREATMENT CHANGES IN HUMIDITY THAT CAUSES PLASTER TO EXPAND
TREATMENT CHANGES IN HUMIDITY THAT CAUSES PLASTER TO EXPAND AND CONTRACT AND FALL OFF THE
THAT CAUSES PLASTER TO EXPAND AND CONTRACT AND FALL OFF THE WALL.
AND CONTRACT AND FALL OFF THE WALL. HOW SERIOUS IS THE PLASTER
WALL. HOW SERIOUS IS THE PLASTER DAMAGE?
HOW SERIOUS IS THE PLASTER DAMAGE? >> IT IS IT THROUGHOUT THE
DAMAGE? >> IT IS IT THROUGHOUT THE BUILDING.
>> IT IS IT THROUGHOUT THE BUILDING. IT IS NOT AS READILY EVIDENT IN
BUILDING. IT IS NOT AS READILY EVIDENT IN THE LOBBY, BUT IF YOU GO BACK
IT IS NOT AS READILY EVIDENT IN THE LOBBY, BUT IF YOU GO BACK INTO AREAS ON THE MAIN FLOOR,
THE LOBBY, BUT IF YOU GO BACK INTO AREAS ON THE MAIN FLOOR, DOWN IN THE BACK STAGE AREA AND
INTO AREAS ON THE MAIN FLOOR, DOWN IN THE BACK STAGE AREA AND PARTICULARLY UP IN THE UPPER
DOWN IN THE BACK STAGE AREA AND PARTICULARLY UP IN THE UPPER BALCONY WHERE THE HEAT TENDS TO
PARTICULARLY UP IN THE UPPER BALCONY WHERE THE HEAT TENDS TO RISE, MUCH OF THE PLASTER IS
BALCONY WHERE THE HEAT TENDS TO RISE, MUCH OF THE PLASTER IS FALLING OFF.
RISE, MUCH OF THE PLASTER IS FALLING OFF. IF PEOPLE BRUSH AGAINST THE
FALLING OFF. IF PEOPLE BRUSH AGAINST THE WALL, THE PLASTER WILL FALL.
IF PEOPLE BRUSH AGAINST THE WALL, THE PLASTER WILL FALL. >>TO THE TUNE OF REPAIRS?
WALL, THE PLASTER WILL FALL. >>TO THE TUNE OF REPAIRS? >> REPLASTER AND REPAINT THAT
>>TO THE TUNE OF REPAIRS? >> REPLASTER AND REPAINT THAT ENTIRE ORNATE INTERIOR, THAT
>> REPLASTER AND REPAINT THAT ENTIRE ORNATE INTERIOR, THAT TYPE OF PLASTER WORK IS A LEVEL
ENTIRE ORNATE INTERIOR, THAT TYPE OF PLASTER WORK IS A LEVEL OF MASTERY THAT REALLY DOESN'T
TYPE OF PLASTER WORK IS A LEVEL OF MASTERY THAT REALLY DOESN'T EXIST EXCEPT FOR A SMALL
OF MASTERY THAT REALLY DOESN'T EXIST EXCEPT FOR A SMALL MINORITY OF TALENTED ARTISTS.
EXIST EXCEPT FOR A SMALL MINORITY OF TALENTED ARTISTS. IT IS OVER HALF A MILLION
MINORITY OF TALENTED ARTISTS. IT IS OVER HALF A MILLION DOLLARS.
IT IS OVER HALF A MILLION DOLLARS. >>JUST FOR --
DOLLARS. >>JUST FOR -- >>JUST TORRE PARING AND
>>JUST FOR -- >>JUST TORRE PARING AND REPLASTERING AND REPAINTING THE
>>JUST TORRE PARING AND REPLASTERING AND REPAINTING THE INTERIOR ON A CONSERVATIVE
REPLASTERING AND REPAINTING THE INTERIOR ON A CONSERVATIVE ESTIMATE.
INTERIOR ON A CONSERVATIVE ESTIMATE. >>LET'S LOOK AT THE BOILER AND
ESTIMATE. >>LET'S LOOK AT THE BOILER AND THE AIR CONDITIONING.
>>LET'S LOOK AT THE BOILER AND THE AIR CONDITIONING. I BELIEVE THE AIR HANDLERS FROM
THE AIR CONDITIONING. I BELIEVE THE AIR HANDLERS FROM 1936.
I BELIEVE THE AIR HANDLERS FROM 1936. >>CORRECT.
1936. >>CORRECT. AIR HANDLERS FROM 1936.
>>CORRECT. AIR HANDLERS FROM 1936. IT HAS BEEN UPDATED SINCE THEN,
AIR HANDLERS FROM 1936. IT HAS BEEN UPDATED SINCE THEN, WELL, MOST RECENTLY IN 1987
IT HAS BEEN UPDATED SINCE THEN, WELL, MOST RECENTLY IN 1987 PRIOR TO THE REOPENING IN 1988.
WELL, MOST RECENTLY IN 1987 PRIOR TO THE REOPENING IN 1988. BUT THERE ARE ALSO PORTIONS OF
PRIOR TO THE REOPENING IN 1988. BUT THERE ARE ALSO PORTIONS OF THE SYSTEM THAT ARE ORIGINAL TO
BUT THERE ARE ALSO PORTIONS OF THE SYSTEM THAT ARE ORIGINAL TO 1916, SOME ERIN DUCK SHUN UNITS
THE SYSTEM THAT ARE ORIGINAL TO 1916, SOME ERIN DUCK SHUN UNITS AND WHATNOT THAT ARE NOT
1916, SOME ERIN DUCK SHUN UNITS AND WHATNOT THAT ARE NOT TYPICALLY UTILIZED IN MODERN AIR
AND WHATNOT THAT ARE NOT TYPICALLY UTILIZED IN MODERN AIR CONDITIONING SYSTEMS.
TYPICALLY UTILIZED IN MODERN AIR CONDITIONING SYSTEMS. ACTUALLY THE MAJOR MECHANICS OF
CONDITIONING SYSTEMS. ACTUALLY THE MAJOR MECHANICS OF THE AIR CONDITIONING SYSTEM ARE
ACTUALLY THE MAJOR MECHANICS OF THE AIR CONDITIONING SYSTEM ARE ORIGINAL TO 1987.
THE AIR CONDITIONING SYSTEM ARE ORIGINAL TO 1987. THEY ARE EVEN 20 YEARS OLD.
ORIGINAL TO 1987. THEY ARE EVEN 20 YEARS OLD. THEY RESIDE ON THE TOP OF THAT
THEY ARE EVEN 20 YEARS OLD. THEY RESIDE ON THE TOP OF THAT ROOF THAT IS EXPOSED TO THE
THEY RESIDE ON THE TOP OF THAT ROOF THAT IS EXPOSED TO THE ELEMENTS AT ALL TIME.
ROOF THAT IS EXPOSED TO THE ELEMENTS AT ALL TIME. THEY ARE IN DIRE NEED OF REPAIR.
ELEMENTS AT ALL TIME. THEY ARE IN DIRE NEED OF REPAIR. >>HOW MUCH MONEY ARE YOU
THEY ARE IN DIRE NEED OF REPAIR. >>HOW MUCH MONEY ARE YOU ESTIMATE TO GO DO HVAC REPAIRS?
>>HOW MUCH MONEY ARE YOU ESTIMATE TO GO DO HVAC REPAIRS? >> BETWEEN THE AIR CONDITIONING
ESTIMATE TO GO DO HVAC REPAIRS? >> BETWEEN THE AIR CONDITIONING AND THE BOILER WHICH IS ORIGINAL
>> BETWEEN THE AIR CONDITIONING AND THE BOILER WHICH IS ORIGINAL TO LATE 50'S, PERHAPS EARLY
AND THE BOILER WHICH IS ORIGINAL TO LATE 50'S, PERHAPS EARLY 1960'S, BETWEEN THOSE TWO 1 ARE
TO LATE 50'S, PERHAPS EARLY 1960'S, BETWEEN THOSE TWO 1 ARE 50 TO $200,000 DEPENDING HOW
1960'S, BETWEEN THOSE TWO 1 ARE 50 TO $200,000 DEPENDING HOW EXTENSIVE WE CHOOSE TO GET IN
50 TO $200,000 DEPENDING HOW EXTENSIVE WE CHOOSE TO GET IN TERMS OF RENOVATION.
EXTENSIVE WE CHOOSE TO GET IN TERMS OF RENOVATION. IF WE START GETTING INTO WALLS
TERMS OF RENOVATION. IF WE START GETTING INTO WALLS AND DOING DUCT WORK, IT COULD
IF WE START GETTING INTO WALLS AND DOING DUCT WORK, IT COULD CLIMB TO OVER A MILLION DOLLARS.
AND DOING DUCT WORK, IT COULD CLIMB TO OVER A MILLION DOLLARS. >> AND LET'S GO TO THE OUTSIDE.
CLIMB TO OVER A MILLION DOLLARS. >> AND LET'S GO TO THE OUTSIDE. WHAT NEEDS TO BE DONE THERE?
>> AND LET'S GO TO THE OUTSIDE. WHAT NEEDS TO BE DONE THERE? >> WELL, AS NOTED WHEN WE WERE
WHAT NEEDS TO BE DONE THERE? >> WELL, AS NOTED WHEN WE WERE DISCUSSING THE BUILDING, THE
>> WELL, AS NOTED WHEN WE WERE DISCUSSING THE BUILDING, THE EXTERIOR IS LIMESTONE.
DISCUSSING THE BUILDING, THE EXTERIOR IS LIMESTONE. IT HAS HAD SOME SALT DAMAGE.
EXTERIOR IS LIMESTONE. IT HAS HAD SOME SALT DAMAGE. THERE ARE SOME SEALS THAT NEED
IT HAS HAD SOME SALT DAMAGE. THERE ARE SOME SEALS THAT NEED TO BE REPLACED BETWEEN THE
THERE ARE SOME SEALS THAT NEED TO BE REPLACED BETWEEN THE LIMESTONE PIECES.
TO BE REPLACED BETWEEN THE LIMESTONE PIECES. THERE ARE SOME PIECES THAT HAVE
LIMESTONE PIECES. THERE ARE SOME PIECES THAT HAVE ACTUALLY FALLEN OFF THE FRONT OF
THERE ARE SOME PIECES THAT HAVE ACTUALLY FALLEN OFF THE FRONT OF THE BUILDING DUE TO THE I AM
ACTUALLY FALLEN OFF THE FRONT OF THE BUILDING DUE TO THE I AM PRACTICING MEN TATION.
THE BUILDING DUE TO THE I AM PRACTICING MEN TATION. THE SECOND FRENCH EM TIRE FACADE
PRACTICING MEN TATION. THE SECOND FRENCH EM TIRE FACADE IS NEARLY $30,000.
THE SECOND FRENCH EM TIRE FACADE IS NEARLY $30,000. MORE IMPORTANT TO THAT, THERE
IS NEARLY $30,000. MORE IMPORTANT TO THAT, THERE ARE PARAPETS ALONG THE ROOF LINE
MORE IMPORTANT TO THAT, THERE ARE PARAPETS ALONG THE ROOF LINE CONSTRUCTED OF BRICK, THAT HAVE
ARE PARAPETS ALONG THE ROOF LINE CONSTRUCTED OF BRICK, THAT HAVE BEGUN TO DETERIORATE, AND THEY
CONSTRUCTED OF BRICK, THAT HAVE BEGUN TO DETERIORATE, AND THEY ARE LEAN IN TOWARDS THE ROOF,
BEGUN TO DETERIORATE, AND THEY ARE LEAN IN TOWARDS THE ROOF, THANKFULLY INSIDE OF OUT TOWARDS
ARE LEAN IN TOWARDS THE ROOF, THANKFULLY INSIDE OF OUT TOWARDS PUBLIC SPACES.
THANKFULLY INSIDE OF OUT TOWARDS PUBLIC SPACES. THAT AND NECESSARY TUCK POINTING
PUBLIC SPACES. THAT AND NECESSARY TUCK POINTING IS RUNNING $125,000 FOR THE
THAT AND NECESSARY TUCK POINTING IS RUNNING $125,000 FOR THE ENTIRE PROJECT, AND THAT DOESN'T
IS RUNNING $125,000 FOR THE ENTIRE PROJECT, AND THAT DOESN'T SATISFY ALL OF THE NEED.
ENTIRE PROJECT, AND THAT DOESN'T SATISFY ALL OF THE NEED. THAT IS TO MEET A MINIMUM.
SATISFY ALL OF THE NEED. THAT IS TO MEET A MINIMUM. >> SO FAR, WE ARE TALKING ABOUT
THAT IS TO MEET A MINIMUM. >> SO FAR, WE ARE TALKING ABOUT STRUCTURAL OR PAINTING AND
>> SO FAR, WE ARE TALKING ABOUT STRUCTURAL OR PAINTING AND MAINTENANCE OF THE BUILDING.
STRUCTURAL OR PAINTING AND MAINTENANCE OF THE BUILDING. WE HAVEN'T TALKED ABOUT WHAT YOU
MAINTENANCE OF THE BUILDING. WE HAVEN'T TALKED ABOUT WHAT YOU WOULD LIKE TO SEE IN TERMS OF
WE HAVEN'T TALKED ABOUT WHAT YOU WOULD LIKE TO SEE IN TERMS OF MAKING IT MORE ACCESSIBLE,
WOULD LIKE TO SEE IN TERMS OF MAKING IT MORE ACCESSIBLE, MAKING IT MORE REASONABLE FOR
MAKING IT MORE ACCESSIBLE, MAKING IT MORE REASONABLE FOR ACTORS TO HAVE A ROOM TO CHANGE,
MAKING IT MORE REASONABLE FOR ACTORS TO HAVE A ROOM TO CHANGE, , ETCETERA.
ACTORS TO HAVE A ROOM TO CHANGE, , ETCETERA. >>WELL, VERY BASIC OPERATION OF
, ETCETERA. >>WELL, VERY BASIC OPERATION OF THE THEATER, IT IS NOT ADA
>>WELL, VERY BASIC OPERATION OF THE THEATER, IT IS NOT ADA ACCESSIBLE.
THE THEATER, IT IS NOT ADA ACCESSIBLE. IF WE HAVE RENTERS LIKE THE KNOX
ACCESSIBLE. IF WE HAVE RENTERS LIKE THE KNOX GALESBURG, WHO IS AT A CERTAIN
IF WE HAVE RENTERS LIKE THE KNOX GALESBURG, WHO IS AT A CERTAIN AGE, MOVE GATING A THREE STORY
GALESBURG, WHO IS AT A CERTAIN AGE, MOVE GATING A THREE STORY BUILDING, WHICH IS COMPRISED OF
AGE, MOVE GATING A THREE STORY BUILDING, WHICH IS COMPRISED OF THREE STORY STAIRS.
BUILDING, WHICH IS COMPRISED OF THREE STORY STAIRS. IF WE HOLD ONTO THEM, WE NEED TO
THREE STORY STAIRS. IF WE HOLD ONTO THEM, WE NEED TO BE ADA ACCESSIBLE.
IF WE HOLD ONTO THEM, WE NEED TO BE ADA ACCESSIBLE. WE NEED ELEVATORS AND HANDICAP
BE ADA ACCESSIBLE. WE NEED ELEVATORS AND HANDICAP SEATING.
WE NEED ELEVATORS AND HANDICAP SEATING. WE DON'T HAVE WHEELCHAIR ACCESS.
SEATING. WE DON'T HAVE WHEELCHAIR ACCESS. THE STAGE IS RELATIVELY SMALL
WE DON'T HAVE WHEELCHAIR ACCESS. THE STAGE IS RELATIVELY SMALL BEING A VAUDEVILLE HOUSE, BEING
THE STAGE IS RELATIVELY SMALL BEING A VAUDEVILLE HOUSE, BEING CONSTRUCTED ORIGINALLY AS
BEING A VAUDEVILLE HOUSE, BEING CONSTRUCTED ORIGINALLY AS VAUDEVILLE, THERE IS NO BACK
CONSTRUCTED ORIGINALLY AS VAUDEVILLE, THERE IS NO BACK STAGE PREP FOR ORGANIZATIONS TO
VAUDEVILLE, THERE IS NO BACK STAGE PREP FOR ORGANIZATIONS TO BUILD SETS OR STORE SETS.
STAGE PREP FOR ORGANIZATIONS TO BUILD SETS OR STORE SETS. A LOT OF THESE MODERN DAY
BUILD SETS OR STORE SETS. A LOT OF THESE MODERN DAY TOURING GROUPS REQUIRE STAGE
A LOT OF THESE MODERN DAY TOURING GROUPS REQUIRE STAGE DEPTHS THAT WE CAN'T MEET
TOURING GROUPS REQUIRE STAGE DEPTHS THAT WE CAN'T MEET BECAUSE THEY RUN UP INTO A BRICK
DEPTHS THAT WE CAN'T MEET BECAUSE THEY RUN UP INTO A BRICK WALL.
BECAUSE THEY RUN UP INTO A BRICK WALL. SO OPERATIONALLY, THE COMFORT --
WALL. SO OPERATIONALLY, THE COMFORT -- THE BUILDING NEEDS TO BE
SO OPERATIONALLY, THE COMFORT -- THE BUILDING NEEDS TO BE MODERNIZED IN TERMS OF ITS USE,
THE BUILDING NEEDS TO BE MODERNIZED IN TERMS OF ITS USE, NOT NECESSARILY IN TERMS OF ITS
MODERNIZED IN TERMS OF ITS USE, NOT NECESSARILY IN TERMS OF ITS APPEARANCE, BUT IN TERMS OF ITS
NOT NECESSARILY IN TERMS OF ITS APPEARANCE, BUT IN TERMS OF ITS USE.
APPEARANCE, BUT IN TERMS OF ITS USE. IF IT IS GOING TO BE CONTINUED
USE. IF IT IS GOING TO BE CONTINUED TO BE USED AS A PERFORMING ART
IF IT IS GOING TO BE CONTINUED TO BE USED AS A PERFORMING ART FACILITY.
TO BE USED AS A PERFORMING ART FACILITY. >>IF WE ARE TO TAKE A LOOK AT
FACILITY. >>IF WE ARE TO TAKE A LOOK AT YOUR WISH LIST, WE COULD BE
>>IF WE ARE TO TAKE A LOOK AT YOUR WISH LIST, WE COULD BE TALKING A COUPLE OF A MILLION
YOUR WISH LIST, WE COULD BE TALKING A COUPLE OF A MILLION DOLLARS?
TALKING A COUPLE OF A MILLION DOLLARS? >> PROBABLY MORE THAN THAT.
DOLLARS? >> PROBABLY MORE THAN THAT. IT COULD BE TEN TO $20 MILLION.
>> PROBABLY MORE THAN THAT. IT COULD BE TEN TO $20 MILLION. THERE ARE INSTITUTIONS OF A
IT COULD BE TEN TO $20 MILLION. THERE ARE INSTITUTIONS OF A SIMILAR SIZE THAT HAS BEEN
THERE ARE INSTITUTIONS OF A SIMILAR SIZE THAT HAS BEEN UPWARDS OF $52 MILLION TO
SIMILAR SIZE THAT HAS BEEN UPWARDS OF $52 MILLION TO RENOVATE THEIR FACILITY.
UPWARDS OF $52 MILLION TO RENOVATE THEIR FACILITY. IT JUST DEPENDS ON HOW THE
RENOVATE THEIR FACILITY. IT JUST DEPENDS ON HOW THE BUILDING NEEDS TO BE USED AND
IT JUST DEPENDS ON HOW THE BUILDING NEEDS TO BE USED AND WHAT THE PHYSICAL NEEDS ARE.
BUILDING NEEDS TO BE USED AND WHAT THE PHYSICAL NEEDS ARE. >>THOSE ARE NUMBERS THAT MIGHT
WHAT THE PHYSICAL NEEDS ARE. >>THOSE ARE NUMBERS THAT MIGHT SCARE A FEW PEOPLE IN TERMS OF
>>THOSE ARE NUMBERS THAT MIGHT SCARE A FEW PEOPLE IN TERMS OF SAYING "WE NEED TO RENOVATE THE
SCARE A FEW PEOPLE IN TERMS OF SAYING "WE NEED TO RENOVATE THE ORPHEUM THEATER."
SAYING "WE NEED TO RENOVATE THE ORPHEUM THEATER." SO LET'S TURN TO THE FUNDRAISING
ORPHEUM THEATER." SO LET'S TURN TO THE FUNDRAISING ASPECT.
SO LET'S TURN TO THE FUNDRAISING ASPECT. LET'S DIVIDE THIS YOU.
ASPECT. LET'S DIVIDE THIS YOU. WE WILL TALK ABOUT OPERATIONAL
LET'S DIVIDE THIS YOU. WE WILL TALK ABOUT OPERATIONAL MONEY LATER.
WE WILL TALK ABOUT OPERATIONAL MONEY LATER. LET'S TALK ABOUT CAPITAL RIGHT
MONEY LATER. LET'S TALK ABOUT CAPITAL RIGHT NOW.
LET'S TALK ABOUT CAPITAL RIGHT NOW. YOU WERE AFTER A PARK SERVICE
NOW. YOU WERE AFTER A PARK SERVICE GRANT, $500,000.
YOU WERE AFTER A PARK SERVICE GRANT, $500,000. YOU DID NOT RECEIVE THAT.
GRANT, $500,000. YOU DID NOT RECEIVE THAT. YOU LEARNED LAST MONTH YOU DID
YOU DID NOT RECEIVE THAT. YOU LEARNED LAST MONTH YOU DID NOT RECEIVE THAT.
YOU LEARNED LAST MONTH YOU DID NOT RECEIVE THAT. >>CORRECT.
NOT RECEIVE THAT. >>CORRECT. >>THAT WAS IN PART BASED UPON
>>CORRECT. >>THAT WAS IN PART BASED UPON MATCHING MONEY YOU RECEIVED FROM
>>THAT WAS IN PART BASED UPON MATCHING MONEY YOU RECEIVED FROM LOCAL ORGANIZATIONS?
MATCHING MONEY YOU RECEIVED FROM LOCAL ORGANIZATIONS? >> ACTUALLY A LITTLE BIT THE
LOCAL ORGANIZATIONS? >> ACTUALLY A LITTLE BIT THE REVERSE OF THAT.
>> ACTUALLY A LITTLE BIT THE REVERSE OF THAT. WE APPLIED FOR THE GRANT, AND A
REVERSE OF THAT. WE APPLIED FOR THE GRANT, AND A PORTION OF THE GRANT WAS
WE APPLIED FOR THE GRANT, AND A PORTION OF THE GRANT WAS REQUIRED THAT WE MATCH DOLLAR
PORTION OF THE GRANT WAS REQUIRED THAT WE MATCH DOLLAR FOR DOLLAR WHAT WE WOULD GET ON
REQUIRED THAT WE MATCH DOLLAR FOR DOLLAR WHAT WE WOULD GET ON A FEDERAL LEVEL.
FOR DOLLAR WHAT WE WOULD GET ON A FEDERAL LEVEL. THOUGH THE GRANT DIDN'T REQUIRE
A FEDERAL LEVEL. THOUGH THE GRANT DIDN'T REQUIRE WE HAVE THOSE MATCHES SECURED AT
THOUGH THE GRANT DIDN'T REQUIRE WE HAVE THOSE MATCHES SECURED AT THE TIME OF MAKING APPLICATION
WE HAVE THOSE MATCHES SECURED AT THE TIME OF MAKING APPLICATION TO THE NATIONAL PARK SERVICE,
THE TIME OF MAKING APPLICATION TO THE NATIONAL PARK SERVICE, BUT RATHER THAN WAIT TO
TO THE NATIONAL PARK SERVICE, BUT RATHER THAN WAIT TO DETERMINE WHETHER OR NOT WE
BUT RATHER THAN WAIT TO DETERMINE WHETHER OR NOT WE WOULD GET THE FEDERAL GRANT, WE
DETERMINE WHETHER OR NOT WE WOULD GET THE FEDERAL GRANT, WE WENT AHEAD AND BEGAN SECURING
WOULD GET THE FEDERAL GRANT, WE WENT AHEAD AND BEGAN SECURING LOCAL MATCHING CONTRIBUTIONS.
WENT AHEAD AND BEGAN SECURING LOCAL MATCHING CONTRIBUTIONS. TO DATE, WE HAVE RECEIVED
LOCAL MATCHING CONTRIBUTIONS. TO DATE, WE HAVE RECEIVED $250,000 IN LOCAL COMMITTMENTS
TO DATE, WE HAVE RECEIVED $250,000 IN LOCAL COMMITTMENTS FROM LOCAL ORGANIZATIONS PLUS
$250,000 IN LOCAL COMMITTMENTS FROM LOCAL ORGANIZATIONS PLUS ABOUT $20,000 FROM INDIVIDUALS
FROM LOCAL ORGANIZATIONS PLUS ABOUT $20,000 FROM INDIVIDUALS AND SMALLER BUSINESSES.
ABOUT $20,000 FROM INDIVIDUALS AND SMALLER BUSINESSES. SO ABOUT $270,000 HAS BEEN
AND SMALLER BUSINESSES. SO ABOUT $270,000 HAS BEEN COMMITTED PRIOR TO US LEARNING
SO ABOUT $270,000 HAS BEEN COMMITTED PRIOR TO US LEARNING WE WOULD NOT RECEIVE THE FEDERAL
COMMITTED PRIOR TO US LEARNING WE WOULD NOT RECEIVE THE FEDERAL GRANT.
WE WOULD NOT RECEIVE THE FEDERAL GRANT. SO MOVING FORWARD, WHAT THE
GRANT. SO MOVING FORWARD, WHAT THE ORPHEUM THEATER BOARD NEEDS TO
SO MOVING FORWARD, WHAT THE ORPHEUM THEATER BOARD NEEDS TO DECIDE, DO WE WORK WITHIN THE
ORPHEUM THEATER BOARD NEEDS TO DECIDE, DO WE WORK WITHIN THE MONIES WE HAVE RAISED SO FAR OR
DECIDE, DO WE WORK WITHIN THE MONIES WE HAVE RAISED SO FAR OR DO WE CONTINUE ON AND TRY TO
MONIES WE HAVE RAISED SO FAR OR DO WE CONTINUE ON AND TRY TO KEEP THE SCOPE OF THE PROJECT AS
DO WE CONTINUE ON AND TRY TO KEEP THE SCOPE OF THE PROJECT AS WRITTEN IN THE GRANT OR DO WE
KEEP THE SCOPE OF THE PROJECT AS WRITTEN IN THE GRANT OR DO WE SCALE IT BACK AND WORK WITHIN
WRITTEN IN THE GRANT OR DO WE SCALE IT BACK AND WORK WITHIN THE DOLLARS WE HAVE RAISED TO
SCALE IT BACK AND WORK WITHIN THE DOLLARS WE HAVE RAISED TO DATE.
THE DOLLARS WE HAVE RAISED TO DATE. >>IS THE 270,000 PLEDGE, IS THAT
DATE. >>IS THE 270,000 PLEDGE, IS THAT FIRM MONEY?
>>IS THE 270,000 PLEDGE, IS THAT FIRM MONEY? >> TWO OF THE CONTRIBUTIONS FROM
FIRM MONEY? >> TWO OF THE CONTRIBUTIONS FROM THE CITY AND COUNT WERE
>> TWO OF THE CONTRIBUTIONS FROM THE CITY AND COUNT WERE CONTINGENT UPON RECEIPT OF THE
THE CITY AND COUNT WERE CONTINGENT UPON RECEIPT OF THE FEDERAL GRANTS.
CONTINGENT UPON RECEIPT OF THE FEDERAL GRANTS. BUT THEY ARE COMPLETELY OPEN TO
FEDERAL GRANTS. BUT THEY ARE COMPLETELY OPEN TO US COMING BACK AND TALKING ABOUT
BUT THEY ARE COMPLETELY OPEN TO US COMING BACK AND TALKING ABOUT THE NEXT STEPS FOR THE ORPHEUM
US COMING BACK AND TALKING ABOUT THE NEXT STEPS FOR THE ORPHEUM THEATER AND HOW THEIR
THE NEXT STEPS FOR THE ORPHEUM THEATER AND HOW THEIR CONTRIBUTION CAN HELP US IN THE
THEATER AND HOW THEIR CONTRIBUTION CAN HELP US IN THE SHORT TERM.
CONTRIBUTION CAN HELP US IN THE SHORT TERM. >> 250, OR $270,000, LITTLE BIT
SHORT TERM. >> 250, OR $270,000, LITTLE BIT SHORT OF THE MILLIONS WE HAVE
>> 250, OR $270,000, LITTLE BIT SHORT OF THE MILLIONS WE HAVE BEEN TALKING ABOUT.
SHORT OF THE MILLIONS WE HAVE BEEN TALKING ABOUT. WHAT IS FIRST OR DOES THE BOARD
BEEN TALKING ABOUT. WHAT IS FIRST OR DOES THE BOARD HAVE TO SET PRIORITIES?
WHAT IS FIRST OR DOES THE BOARD HAVE TO SET PRIORITIES? >> THE BOARD WILL BE SETTING
HAVE TO SET PRIORITIES? >> THE BOARD WILL BE SETTING PRIORITIES.
>> THE BOARD WILL BE SETTING PRIORITIES. BUT I THINK IT IS FAIRLY EVIDENT
PRIORITIES. BUT I THINK IT IS FAIRLY EVIDENT THAT THE BOILER AND THE HEATING
BUT I THINK IT IS FAIRLY EVIDENT THAT THE BOILER AND THE HEATING AND AIR CONDITIONING ARE OF
THAT THE BOILER AND THE HEATING AND AIR CONDITIONING ARE OF UTMOST IMPORTANCE AT THIS TIME
AND AIR CONDITIONING ARE OF UTMOST IMPORTANCE AT THIS TIME BECAUSE WITHOUT A BOILER AND
UTMOST IMPORTANCE AT THIS TIME BECAUSE WITHOUT A BOILER AND WITHOUT AN AIR CONDITIONING UNIT
BECAUSE WITHOUT A BOILER AND WITHOUT AN AIR CONDITIONING UNIT THAT IS FUNCTIONING PROPERLY, WE
WITHOUT AN AIR CONDITIONING UNIT THAT IS FUNCTIONING PROPERLY, WE CANNOT OPERATE AS FACILITY OR
THAT IS FUNCTIONING PROPERLY, WE CANNOT OPERATE AS FACILITY OR ANY OTHER TYPE OF FACILITY.
CANNOT OPERATE AS FACILITY OR ANY OTHER TYPE OF FACILITY. THOSE HAVE TO BE ADDRESSED.
ANY OTHER TYPE OF FACILITY. THOSE HAVE TO BE ADDRESSED. IT ALSO ADDRESSING THOSE TWO
THOSE HAVE TO BE ADDRESSED. IT ALSO ADDRESSING THOSE TWO THINGS, ALSO HAS A POSITIVE
IT ALSO ADDRESSING THOSE TWO THINGS, ALSO HAS A POSITIVE IMPACT ON THE OPERATIONAL SIDE
THINGS, ALSO HAS A POSITIVE IMPACT ON THE OPERATIONAL SIDE OF THE FACILITY BECAUSE WE ARE
IMPACT ON THE OPERATIONAL SIDE OF THE FACILITY BECAUSE WE ARE WORKING WITH A BOILER THAT IS
OF THE FACILITY BECAUSE WE ARE WORKING WITH A BOILER THAT IS TWICE THE SIZE THAT IS MODERN,
WORKING WITH A BOILER THAT IS TWICE THE SIZE THAT IS MODERN, TWICE THE SIZE NECESSARY FOR THE
TWICE THE SIZE THAT IS MODERN, TWICE THE SIZE NECESSARY FOR THE BUILDING AS IT STANDS NOW.
TWICE THE SIZE NECESSARY FOR THE BUILDING AS IT STANDS NOW. OBVIOUSLY, WE ARE INVESTING A
BUILDING AS IT STANDS NOW. OBVIOUSLY, WE ARE INVESTING A LOT IN UTILITY AND ENERGY COSTS
OBVIOUSLY, WE ARE INVESTING A LOT IN UTILITY AND ENERGY COSTS THAT WE CAN IMMEDIATELY SEE A
LOT IN UTILITY AND ENERGY COSTS THAT WE CAN IMMEDIATELY SEE A RETURN ON WITH A NEW HVAC
THAT WE CAN IMMEDIATELY SEE A RETURN ON WITH A NEW HVAC SYSTEM.
RETURN ON WITH A NEW HVAC SYSTEM. >>THE CAPITAL CAMPAIGN IS NOT
SYSTEM. >>THE CAPITAL CAMPAIGN IS NOT DONE OR IS THERE A CAPITAL
>>THE CAPITAL CAMPAIGN IS NOT DONE OR IS THERE A CAPITAL CAMPAIGN PER SE?
DONE OR IS THERE A CAPITAL CAMPAIGN PER SE? >> THIS, IN MY WORK AS A
CAMPAIGN PER SE? >> THIS, IN MY WORK AS A FUNDRAISER, THIS IS NOT A
>> THIS, IN MY WORK AS A FUNDRAISER, THIS IS NOT A TRADITIONAL CAPITAL CAMPAIGN.
FUNDRAISER, THIS IS NOT A TRADITIONAL CAPITAL CAMPAIGN. WE HAVE AN IMMEDIATE NEED, AND
TRADITIONAL CAPITAL CAMPAIGN. WE HAVE AN IMMEDIATE NEED, AND WE HAVE RAISED AT LEAST ENOUGH
WE HAVE AN IMMEDIATE NEED, AND WE HAVE RAISED AT LEAST ENOUGH FUNDS TO ADDRESS THAT IMMEDIATE
WE HAVE RAISED AT LEAST ENOUGH FUNDS TO ADDRESS THAT IMMEDIATE NEED OF HEATING AND COOLING
FUNDS TO ADDRESS THAT IMMEDIATE NEED OF HEATING AND COOLING ISSUES.
NEED OF HEATING AND COOLING ISSUES. IN TERMS OF FULL CAPITAL
ISSUES. IN TERMS OF FULL CAPITAL CAMPAIGN, WE GO BACK TO WHAT WE
IN TERMS OF FULL CAPITAL CAMPAIGN, WE GO BACK TO WHAT WE WERE JUST TALKING ABOUT IN
CAMPAIGN, WE GO BACK TO WHAT WE WERE JUST TALKING ABOUT IN TERMINATION OF TAKING A LOOK AT
WERE JUST TALKING ABOUT IN TERMINATION OF TAKING A LOOK AT THE BUILDING, AND HOW DO WE WANT
TERMINATION OF TAKING A LOOK AT THE BUILDING, AND HOW DO WE WANT TO UTILIZE THIS BUILDING FOR THE
THE BUILDING, AND HOW DO WE WANT TO UTILIZE THIS BUILDING FOR THE NEXT ONE HUNDRED YEARS.
TO UTILIZE THIS BUILDING FOR THE NEXT ONE HUNDRED YEARS. THE ORPHEUM THEATER WILL BE A
NEXT ONE HUNDRED YEARS. THE ORPHEUM THEATER WILL BE A HUNDRED YEARS IN 2016.
THE ORPHEUM THEATER WILL BE A HUNDRED YEARS IN 2016. IT HAS SERVED OUR COMMUNITY FOR
HUNDRED YEARS IN 2016. IT HAS SERVED OUR COMMUNITY FOR A CENTURY.
IT HAS SERVED OUR COMMUNITY FOR A CENTURY. HOW DO WE WANT IT TO SERVE OUR
A CENTURY. HOW DO WE WANT IT TO SERVE OUR COMMUNITY FOR ANOTHER CENTURY?
HOW DO WE WANT IT TO SERVE OUR COMMUNITY FOR ANOTHER CENTURY? THAT'S MUCH FARTHER SCOPE THAT
COMMUNITY FOR ANOTHER CENTURY? THAT'S MUCH FARTHER SCOPE THAT GETTING A NEW BOILER JUST SO WE
THAT'S MUCH FARTHER SCOPE THAT GETTING A NEW BOILER JUST SO WE COULD BE OPEN FOR THE 2010, 2011
GETTING A NEW BOILER JUST SO WE COULD BE OPEN FOR THE 2010, 2011 SEASON.
COULD BE OPEN FOR THE 2010, 2011 SEASON. SO THAT IS AN ENTIRELY IS
SEASON. SO THAT IS AN ENTIRELY IS DIFFERENT PURSUIT THAN WHAT WE
SO THAT IS AN ENTIRELY IS DIFFERENT PURSUIT THAN WHAT WE HAVE IN FRONT OF US RIGHT NOW.
DIFFERENT PURSUIT THAN WHAT WE HAVE IN FRONT OF US RIGHT NOW. LET'S TURN TO THE OPERATIONAL
HAVE IN FRONT OF US RIGHT NOW. LET'S TURN TO THE OPERATIONAL SIDE.
LET'S TURN TO THE OPERATIONAL SIDE. YOU BROKE EVEN LAST YEAR, 2009.
SIDE. YOU BROKE EVEN LAST YEAR, 2009. HOW DID YOU DO THAT?
YOU BROKE EVEN LAST YEAR, 2009. HOW DID YOU DO THAT? >> IT WAS NOT VERY EASY.
HOW DID YOU DO THAT? >> IT WAS NOT VERY EASY. WE HAD TO LAYOFF 25% OF OUR
>> IT WAS NOT VERY EASY. WE HAD TO LAYOFF 25% OF OUR PERSONNEL, AND THAT SOUNDS LIKE
WE HAD TO LAYOFF 25% OF OUR PERSONNEL, AND THAT SOUNDS LIKE A LOT, BUT WE HAD FOUR PEOPLE ON
PERSONNEL, AND THAT SOUNDS LIKE A LOT, BUT WE HAD FOUR PEOPLE ON STAFF, AND NOW WE HAVE THREE.
A LOT, BUT WE HAD FOUR PEOPLE ON STAFF, AND NOW WE HAVE THREE. WE RENEGOTIATED OUR ENERGY
STAFF, AND NOW WE HAVE THREE. WE RENEGOTIATED OUR ENERGY RATES.
WE RENEGOTIATED OUR ENERGY RATES. WE RENEGOTIATED CREDIT CARD
RATES. WE RENEGOTIATED CREDIT CARD FEES.
WE RENEGOTIATED CREDIT CARD FEES. I TOOK A LOOK DAILY AT OUR CASH
FEES. I TOOK A LOOK DAILY AT OUR CASH FLOW.
I TOOK A LOOK DAILY AT OUR CASH FLOW. PROBABLY THE BIGGEST AND MOST
FLOW. PROBABLY THE BIGGEST AND MOST PUBLIC CHANGE THAT WE MADE WAS
PROBABLY THE BIGGEST AND MOST PUBLIC CHANGE THAT WE MADE WAS POSTPONING OR PUTTING THE RED
PUBLIC CHANGE THAT WE MADE WAS POSTPONING OR PUTTING THE RED CARPET SERIES ON HIATUS.
POSTPONING OR PUTTING THE RED CARPET SERIES ON HIATUS. RED CARPET SERIES IS WHERE THE
CARPET SERIES ON HIATUS. RED CARPET SERIES IS WHERE THE ORPHEUM BOOKS THE ACTS FOR AND
RED CARPET SERIES IS WHERE THE ORPHEUM BOOKS THE ACTS FOR AND TAKES THE FINANCIAL RISK FOR.
ORPHEUM BOOKS THE ACTS FOR AND TAKES THE FINANCIAL RISK FOR. IT IS THE MOST WIDELY PUBLICIZED
TAKES THE FINANCIAL RISK FOR. IT IS THE MOST WIDELY PUBLICIZED ASPECT OF THE THEATER BECAUSE WE
IT IS THE MOST WIDELY PUBLICIZED ASPECT OF THE THEATER BECAUSE WE BRING IN NATIONAL AND
ASPECT OF THE THEATER BECAUSE WE BRING IN NATIONAL AND INTERNATIONAL ACTS FOR THAT
BRING IN NATIONAL AND INTERNATIONAL ACTS FOR THAT SHOW.
INTERNATIONAL ACTS FOR THAT SHOW. SO WHEN WE DECIDED TO PUT THAT
SHOW. SO WHEN WE DECIDED TO PUT THAT SERIES ON HIATUS, THAT CAUSED
SO WHEN WE DECIDED TO PUT THAT SERIES ON HIATUS, THAT CAUSED SOME CONFUSION IN THE PUBLIC IN
SERIES ON HIATUS, THAT CAUSED SOME CONFUSION IN THE PUBLIC IN TERMS OF OUR FINANCIAL
SOME CONFUSION IN THE PUBLIC IN TERMS OF OUR FINANCIAL VIABILITY.
TERMS OF OUR FINANCIAL VIABILITY. THAT WAS REASONABLE.
VIABILITY. THAT WAS REASONABLE. THAT'S A REASONABLE REACTION
THAT WAS REASONABLE. THAT'S A REASONABLE REACTION BECAUSE ANY BUSINESS THAT IS
THAT'S A REASONABLE REACTION BECAUSE ANY BUSINESS THAT IS CUTTING BACK ON PRODUCTS OR
BECAUSE ANY BUSINESS THAT IS CUTTING BACK ON PRODUCTS OR WHATNOT, YOU HAVE TO WONDER WHAT
CUTTING BACK ON PRODUCTS OR WHATNOT, YOU HAVE TO WONDER WHAT THE SITUATION IS.
WHATNOT, YOU HAVE TO WONDER WHAT THE SITUATION IS. BUT IT WAS THE CORRECT BUSINESS
THE SITUATION IS. BUT IT WAS THE CORRECT BUSINESS DECISION FOR THE ORPHEUM THEATER
BUT IT WAS THE CORRECT BUSINESS DECISION FOR THE ORPHEUM THEATER TO MAKE AT THE TIME.
DECISION FOR THE ORPHEUM THEATER TO MAKE AT THE TIME. I THINK THAT'S SOMETHING THAT
TO MAKE AT THE TIME. I THINK THAT'S SOMETHING THAT PEOPLE GET CONFUSED WITH IS THAT
I THINK THAT'S SOMETHING THAT PEOPLE GET CONFUSED WITH IS THAT THE ORPHEUM THEATER, YES, IT IS
PEOPLE GET CONFUSED WITH IS THAT THE ORPHEUM THEATER, YES, IT IS A PERFORMING ARTS FACILITY.
THE ORPHEUM THEATER, YES, IT IS A PERFORMING ARTS FACILITY. IT IS IN CULTURE AND
A PERFORMING ARTS FACILITY. IT IS IN CULTURE AND ENTERTAINMENT, BUT IT IS ALSO A
IT IS IN CULTURE AND ENTERTAINMENT, BUT IT IS ALSO A BUSINESS.
ENTERTAINMENT, BUT IT IS ALSO A BUSINESS. THERE ARE ASPECTS TO THE
BUSINESS. THERE ARE ASPECTS TO THE BUSINESS THAT IF ONE PRODUCT IS
THERE ARE ASPECTS TO THE BUSINESS THAT IF ONE PRODUCT IS UNDER PERFORM PERFORMING, WHY
BUSINESS THAT IF ONE PRODUCT IS UNDER PERFORM PERFORMING, WHY ARE YOU GOING TO CONTINUE ON
UNDER PERFORM PERFORMING, WHY ARE YOU GOING TO CONTINUE ON WITH IT IF YOU DON'T HAVE THE
ARE YOU GOING TO CONTINUE ON WITH IT IF YOU DON'T HAVE THE RESOURCES TO SUPPORT IT?
WITH IT IF YOU DON'T HAVE THE RESOURCES TO SUPPORT IT? WE PUT IT ON HIATUS FOR 2009.
RESOURCES TO SUPPORT IT? WE PUT IT ON HIATUS FOR 2009. >>KNOX OFFICE SALES ARE JUST A
WE PUT IT ON HIATUS FOR 2009. >>KNOX OFFICE SALES ARE JUST A PORTION OF YOUR INCOME?
>>KNOX OFFICE SALES ARE JUST A PORTION OF YOUR INCOME? >> THAT'S CORRECT.
PORTION OF YOUR INCOME? >> THAT'S CORRECT. BOX OFFICE SALES ARE ONLY
>> THAT'S CORRECT. BOX OFFICE SALES ARE ONLY RELATED TO THE RED CARPET
BOX OFFICE SALES ARE ONLY RELATED TO THE RED CARPET SERIES.
RELATED TO THE RED CARPET SERIES. WHICH EVEN AT ITS HEIGHT IN
SERIES. WHICH EVEN AT ITS HEIGHT IN 2008, WHERE WE HAD TEN SHOWS,
WHICH EVEN AT ITS HEIGHT IN 2008, WHERE WE HAD TEN SHOWS, ONLY COMPRISED 20% OF ALL THE
2008, WHERE WE HAD TEN SHOWS, ONLY COMPRISED 20% OF ALL THE INCOME PRODUCING ACTIVITY AT THE
ONLY COMPRISED 20% OF ALL THE INCOME PRODUCING ACTIVITY AT THE ORPHEUM.
INCOME PRODUCING ACTIVITY AT THE ORPHEUM. >>WHAT ARE THE OTHER SOURCES OF
ORPHEUM. >>WHAT ARE THE OTHER SOURCES OF INCOME, FOR OPERATIONS?
>>WHAT ARE THE OTHER SOURCES OF INCOME, FOR OPERATIONS? >> WE DO RECEIVE THE HOTEL-MOTEL
INCOME, FOR OPERATIONS? >> WE DO RECEIVE THE HOTEL-MOTEL TAX IN GALESBURG.
>> WE DO RECEIVE THE HOTEL-MOTEL TAX IN GALESBURG. IN 2009 IT REACHED $118,000.
TAX IN GALESBURG. IN 2009 IT REACHED $118,000. THEN ALSO WE HAVE WORKED VERY
IN 2009 IT REACHED $118,000. THEN ALSO WE HAVE WORKED VERY DILIGENTLY IN INCREASING
THEN ALSO WE HAVE WORKED VERY DILIGENTLY IN INCREASING CONTRIBUTED INCOME TO THE
DILIGENTLY IN INCREASING CONTRIBUTED INCOME TO THE ORPHEUM.
CONTRIBUTED INCOME TO THE ORPHEUM. WE HAVE DOUBLED SINCE 2006.
ORPHEUM. WE HAVE DOUBLED SINCE 2006. IN 2008, FOR THE FIRST TIME,
WE HAVE DOUBLED SINCE 2006. IN 2008, FOR THE FIRST TIME, CONTRIBUTED INCOME OUT PACED
IN 2008, FOR THE FIRST TIME, CONTRIBUTED INCOME OUT PACED HOTEL-MOTEL MONIES.
CONTRIBUTED INCOME OUT PACED HOTEL-MOTEL MONIES. THE REST OF THE EARNED INCOME
HOTEL-MOTEL MONIES. THE REST OF THE EARNED INCOME MONEY COMES FROM RENTAL
THE REST OF THE EARNED INCOME MONEY COMES FROM RENTAL ACTIVITIES. WE EARN RENTAL
MONEY COMES FROM RENTAL ACTIVITIES. WE EARN RENTAL INCOME FROM THAT.
ACTIVITIES. WE EARN RENTAL INCOME FROM THAT. WE HAVE TICKET SURCHARGES,
INCOME FROM THAT. WE HAVE TICKET SURCHARGES, TICKET FEES, AND CONCESSION, ALL
WE HAVE TICKET SURCHARGES, TICKET FEES, AND CONCESSION, ALL THAT PUT TOGETHER PRICES INCOME.
TICKET FEES, AND CONCESSION, ALL THAT PUT TOGETHER PRICES INCOME. >>WHAT IS THE FUTURE FOR 2010
THAT PUT TOGETHER PRICES INCOME. >>WHAT IS THE FUTURE FOR 2010 RED CARPET SERIES?
>>WHAT IS THE FUTURE FOR 2010 RED CARPET SERIES? >> IT WILL RETURN ON A SMALLER
RED CARPET SERIES? >> IT WILL RETURN ON A SMALLER SCALE.
>> IT WILL RETURN ON A SMALLER SCALE. WE WILL ONLY HAVE FIVE SHOWS
SCALE. WE WILL ONLY HAVE FIVE SHOWS THROUGHOUT THE ENTIRE YEAR.
WE WILL ONLY HAVE FIVE SHOWS THROUGHOUT THE ENTIRE YEAR. >>SO LET'S DO A BIG PRO
THROUGHOUT THE ENTIRE YEAR. >>SO LET'S DO A BIG PRO PROGNOSTICATI HAD NG, WHAT DO
>>SO LET'S DO A BIG PRO PROGNOSTICATI HAD NG, WHAT DO YOU ENVISION HAPPENING IN THE
PROGNOSTICATI HAD NG, WHAT DO YOU ENVISION HAPPENING IN THE NEAR FUTURE AND WHAT DO YOU
YOU ENVISION HAPPENING IN THE NEAR FUTURE AND WHAT DO YOU ENVISION HAPPENING IN THE
NEAR FUTURE AND WHAT DO YOU ENVISION HAPPENING IN THE DISTANT FUTURE?
ENVISION HAPPENING IN THE DISTANT FUTURE? HOW DO YOU THINK KNOX COUNTY
DISTANT FUTURE? HOW DO YOU THINK KNOX COUNTY RESIDENTS MIGHT RESPOND TO THOSE
HOW DO YOU THINK KNOX COUNTY RESIDENTS MIGHT RESPOND TO THOSE NEEDS?
RESIDENTS MIGHT RESPOND TO THOSE NEEDS? >> IN THE SHORT TERM, WE WILL
NEEDS? >> IN THE SHORT TERM, WE WILL ADDRESS THE ISSUES THAT HAVE THE
>> IN THE SHORT TERM, WE WILL ADDRESS THE ISSUES THAT HAVE THE MOST PRESSING ASSAULT AGAINST
ADDRESS THE ISSUES THAT HAVE THE MOST PRESSING ASSAULT AGAINST OUR ABILITY TO OPERATE, THAT'S
MOST PRESSING ASSAULT AGAINST OUR ABILITY TO OPERATE, THAT'S HEATING AND COOLING.
OUR ABILITY TO OPERATE, THAT'S HEATING AND COOLING. THEN IF THERE IS MONEY LEFT
HEATING AND COOLING. THEN IF THERE IS MONEY LEFT OVER, WE WILL ADDRESS THE
THEN IF THERE IS MONEY LEFT OVER, WE WILL ADDRESS THE EXTERIOR ASPECT OF THE BUILDING.
OVER, WE WILL ADDRESS THE EXTERIOR ASPECT OF THE BUILDING. IN THE LONGER TERM, THE ORPHEUM
EXTERIOR ASPECT OF THE BUILDING. IN THE LONGER TERM, THE ORPHEUM THEATER BOARD WILL BE LOOKING AT
IN THE LONGER TERM, THE ORPHEUM THEATER BOARD WILL BE LOOKING AT THE VERY QUESTION POSED EARLIER,
THEATER BOARD WILL BE LOOKING AT THE VERY QUESTION POSED EARLIER, HOW DO WE WANT THIS ORGANIZATION
THE VERY QUESTION POSED EARLIER, HOW DO WE WANT THIS ORGANIZATION TO OPERATE AND SERVE OUR
HOW DO WE WANT THIS ORGANIZATION TO OPERATE AND SERVE OUR COMMUNITY THE NEXT CENTURY.
TO OPERATE AND SERVE OUR COMMUNITY THE NEXT CENTURY. ONCE THAT IS DETERMINED, THAT
COMMUNITY THE NEXT CENTURY. ONCE THAT IS DETERMINED, THAT WILL ESTABLISH WHAT THE SCOPE OF
ONCE THAT IS DETERMINED, THAT WILL ESTABLISH WHAT THE SCOPE OF FUNDRAISING WILL BE OVER THE
WILL ESTABLISH WHAT THE SCOPE OF FUNDRAISING WILL BE OVER THE NEXT SEVERAL YEARS.
FUNDRAISING WILL BE OVER THE NEXT SEVERAL YEARS. I THINK ONE THING THAT THE KNOX
NEXT SEVERAL YEARS. I THINK ONE THING THAT THE KNOX COUNTY AND BEYOND THAT, AND WE
I THINK ONE THING THAT THE KNOX COUNTY AND BEYOND THAT, AND WE HAVE PEOPLE FROM PEORIA THAT
COUNTY AND BEYOND THAT, AND WE HAVE PEOPLE FROM PEORIA THAT COME OVER AND ENJOY THE ORPHEUM
HAVE PEOPLE FROM PEORIA THAT COME OVER AND ENJOY THE ORPHEUM THEATER, ONE THING THAT OUR
COME OVER AND ENJOY THE ORPHEUM THEATER, ONE THING THAT OUR COMMUNITY IS REALIZING IS THAT
THEATER, ONE THING THAT OUR COMMUNITY IS REALIZING IS THAT AS WE MOVE FORWARD, I THINK SILE
COMMUNITY IS REALIZING IS THAT AS WE MOVE FORWARD, I THINK SILE SUAREZ WHO APPEARED ON THE SHOW,
AS WE MOVE FORWARD, I THINK SILE SUAREZ WHO APPEARED ON THE SHOW, ARE GROWING THEIR OWN.
SUAREZ WHO APPEARED ON THE SHOW, ARE GROWING THEIR OWN. THERE ARE PEOPLE WHO WILL INVEST
ARE GROWING THEIR OWN. THERE ARE PEOPLE WHO WILL INVEST IN THIS ORGANIZATION BECAUSE OF
THERE ARE PEOPLE WHO WILL INVEST IN THIS ORGANIZATION BECAUSE OF THE AMOUNT OF PEOPLE IT BRINGS
IN THIS ORGANIZATION BECAUSE OF THE AMOUNT OF PEOPLE IT BRINGS TO DOWNTOWN GALESBURG.
THE AMOUNT OF PEOPLE IT BRINGS TO DOWNTOWN GALESBURG. IN 2009, WE WILL SEE 26,000.
TO DOWNTOWN GALESBURG. IN 2009, WE WILL SEE 26,000. THE ECONOMIC IMPACT OF THAT IS
IN 2009, WE WILL SEE 26,000. THE ECONOMIC IMPACT OF THAT IS OVER A MILLION DOLLARS.
THE ECONOMIC IMPACT OF THAT IS OVER A MILLION DOLLARS. SO I THINK KNOX COUNTY IS
OVER A MILLION DOLLARS. SO I THINK KNOX COUNTY IS REALIZING WHAT THE ORPHEUM
SO I THINK KNOX COUNTY IS REALIZING WHAT THE ORPHEUM THEATER GIVES BACK.
REALIZING WHAT THE ORPHEUM THEATER GIVES BACK. >>LET'S TALK A LITTLE BIT ABOUT
THEATER GIVES BACK. >>LET'S TALK A LITTLE BIT ABOUT THAT.
>>LET'S TALK A LITTLE BIT ABOUT THAT. CAESAR SUAREZ IS ECONOMIC
THAT. CAESAR SUAREZ IS ECONOMIC DEVELOPMENT DIRECTOR IN
CAESAR SUAREZ IS ECONOMIC DEVELOPMENT DIRECTOR IN GALESBURG.
DEVELOPMENT DIRECTOR IN GALESBURG. PHIL DIC INSON, RUNS THE CAFE
GALESBURG. PHIL DIC INSON, RUNS THE CAFE ONE BLOCK OVER ON SEMINARY
PHIL DIC INSON, RUNS THE CAFE ONE BLOCK OVER ON SEMINARY STREET.
ONE BLOCK OVER ON SEMINARY STREET. SEMINARY STREET THE CITY PUT A
STREET. SEMINARY STREET THE CITY PUT A LOT OF EFFORT INTO DEVELOPING
SEMINARY STREET THE CITY PUT A LOT OF EFFORT INTO DEVELOPING THAT.
LOT OF EFFORT INTO DEVELOPING THAT. IF THE ORPHEUM WERE TO CLOSE,
THAT. IF THE ORPHEUM WERE TO CLOSE, THE ECONOMIC IMPACT ON ALL THOSE
IF THE ORPHEUM WERE TO CLOSE, THE ECONOMIC IMPACT ON ALL THOSE BUSINESSES MIGHT BE SIGNIFICANT.
THE ECONOMIC IMPACT ON ALL THOSE BUSINESSES MIGHT BE SIGNIFICANT. >>WELL, I BELIEVE THAT THAT
BUSINESSES MIGHT BE SIGNIFICANT. >>WELL, I BELIEVE THAT THAT WOULD BE THE CASE.
>>WELL, I BELIEVE THAT THAT WOULD BE THE CASE. I CAN'T SPEAK ON THEIR BEHALF.
WOULD BE THE CASE. I CAN'T SPEAK ON THEIR BEHALF. I KNOW PHIL HAS BEEN VERY
I CAN'T SPEAK ON THEIR BEHALF. I KNOW PHIL HAS BEEN VERY SUPPORTIVE OF THE ORPHEUM
I KNOW PHIL HAS BEEN VERY SUPPORTIVE OF THE ORPHEUM THEATER EFFORTS.
SUPPORTIVE OF THE ORPHEUM THEATER EFFORTS. HE HAS GONE SO FAR TO WRITE A
THEATER EFFORTS. HE HAS GONE SO FAR TO WRITE A LETTER TO THE CITY COUNCIL WHEN
HE HAS GONE SO FAR TO WRITE A LETTER TO THE CITY COUNCIL WHEN THEY WERE CONSIDERING OUR
LETTER TO THE CITY COUNCIL WHEN THEY WERE CONSIDERING OUR HOTEL-MOTEL TAX FUNDING AT ONE
THEY WERE CONSIDERING OUR HOTEL-MOTEL TAX FUNDING AT ONE POINT AND TALKED ABOUT THE
HOTEL-MOTEL TAX FUNDING AT ONE POINT AND TALKED ABOUT THE ECONOMIC IMPACT IT WOULD HAVE ON
POINT AND TALKED ABOUT THE ECONOMIC IMPACT IT WOULD HAVE ON HIS BUSINESS.
ECONOMIC IMPACT IT WOULD HAVE ON HIS BUSINESS. IT WAS SOMETHING HE ATTRIBUTED
HIS BUSINESS. IT WAS SOMETHING HE ATTRIBUTED ABOUT $30,000 A YEAR DIRECTLY TO
IT WAS SOMETHING HE ATTRIBUTED ABOUT $30,000 A YEAR DIRECTLY TO THE ORPHEUM THEATER.
ABOUT $30,000 A YEAR DIRECTLY TO THE ORPHEUM THEATER. BUT I THINK THAT'S AN ISSUE THAT
THE ORPHEUM THEATER. BUT I THINK THAT'S AN ISSUE THAT A LOT OF NOT-FOR-PROFIT'S HAVE
BUT I THINK THAT'S AN ISSUE THAT A LOT OF NOT-FOR-PROFIT'S HAVE REALLY COME TO GRASP IN THE LAST
A LOT OF NOT-FOR-PROFIT'S HAVE REALLY COME TO GRASP IN THE LAST FEW YEARS, IS BEING ABLE TO TALK
REALLY COME TO GRASP IN THE LAST FEW YEARS, IS BEING ABLE TO TALK ABOUT AN ARTISTIC INSTITUTION IN
FEW YEARS, IS BEING ABLE TO TALK ABOUT AN ARTISTIC INSTITUTION IN BUSINESS TERMS, WHAT IS OUR
ABOUT AN ARTISTIC INSTITUTION IN BUSINESS TERMS, WHAT IS OUR ECONOMIC IMPACT, HOW MANY FULL
BUSINESS TERMS, WHAT IS OUR ECONOMIC IMPACT, HOW MANY FULL TIME EQUIVALENT POSITIONS ARE WE
ECONOMIC IMPACT, HOW MANY FULL TIME EQUIVALENT POSITIONS ARE WE SUPPORTING, WHAT KIND OF
TIME EQUIVALENT POSITIONS ARE WE SUPPORTING, WHAT KIND OF HOUSEHOLD INCOME ARE WE
SUPPORTING, WHAT KIND OF HOUSEHOLD INCOME ARE WE RESPONSIBLE FOR?
HOUSEHOLD INCOME ARE WE RESPONSIBLE FOR? IT IS AN APPROACH THAT A LOT OF
RESPONSIBLE FOR? IT IS AN APPROACH THAT A LOT OF PEOPLE AREN'T USED TO IN TERMS
IT IS AN APPROACH THAT A LOT OF PEOPLE AREN'T USED TO IN TERMS OF ARTISTIC ORGANIZATION TALKING
PEOPLE AREN'T USED TO IN TERMS OF ARTISTIC ORGANIZATION TALKING IN THOSE TYPES OF TERMS, BUT IT
OF ARTISTIC ORGANIZATION TALKING IN THOSE TYPES OF TERMS, BUT IT DOESN'T TAKE AWAY FROM THE FACT
IN THOSE TYPES OF TERMS, BUT IT DOESN'T TAKE AWAY FROM THE FACT IT IS ACTUAL FACT THAT WE DO
DOESN'T TAKE AWAY FROM THE FACT IT IS ACTUAL FACT THAT WE DO CONTRIBUTE THAT MUCH TO THE
IT IS ACTUAL FACT THAT WE DO CONTRIBUTE THAT MUCH TO THE COMMUNITY.
CONTRIBUTE THAT MUCH TO THE COMMUNITY. IT IS AN EDUCATION PROCESS FOR
COMMUNITY. IT IS AN EDUCATION PROCESS FOR THE COMMUNITY TO THINK OF THE
IT IS AN EDUCATION PROCESS FOR THE COMMUNITY TO THINK OF THE ORPHEUM THEATER IN THOSE TERMS.
THE COMMUNITY TO THINK OF THE ORPHEUM THEATER IN THOSE TERMS. >> WE HAVE ABOUT TWO MINUTES
ORPHEUM THEATER IN THOSE TERMS. >> WE HAVE ABOUT TWO MINUTES LEFT, AND I WANT TO TALK ABOUT
>> WE HAVE ABOUT TWO MINUTES LEFT, AND I WANT TO TALK ABOUT THE RESPONSE FROM THE PUBLIC
LEFT, AND I WANT TO TALK ABOUT THE RESPONSE FROM THE PUBLIC OUTSIDE OF THE -- CITY OF
THE RESPONSE FROM THE PUBLIC OUTSIDE OF THE -- CITY OF SALESGIRLS BURG, CARL SANDBURG
OUTSIDE OF THE -- CITY OF SALESGIRLS BURG, CARL SANDBURG COLLEGE, KNOX COUNTY, DOWNTOWN
SALESGIRLS BURG, CARL SANDBURG COLLEGE, KNOX COUNTY, DOWNTOWN DEVELOPMENT COUNCIL, KRESGKE
COLLEGE, KNOX COUNTY, DOWNTOWN DEVELOPMENT COUNCIL, KRESGKE FOUNDATION MAKE UP THE $250,000
DEVELOPMENT COUNCIL, KRESGKE FOUNDATION MAKE UP THE $250,000 COMMITTMENT.
FOUNDATION MAKE UP THE $250,000 COMMITTMENT. $20,000 ROUGHLY HAS COME FROM
COMMITTMENT. $20,000 ROUGHLY HAS COME FROM THE PUBLIC.
$20,000 ROUGHLY HAS COME FROM THE PUBLIC. DOES THE PUBLIC NEED TO STEP
THE PUBLIC. DOES THE PUBLIC NEED TO STEP FORWARD AND HOW MIGHT YOU -- I
DOES THE PUBLIC NEED TO STEP FORWARD AND HOW MIGHT YOU -- I KNOW YOU HAVE MADE PART OF THE
FORWARD AND HOW MIGHT YOU -- I KNOW YOU HAVE MADE PART OF THE PITCH ALREADY, BUT WHAT WOULD
KNOW YOU HAVE MADE PART OF THE PITCH ALREADY, BUT WHAT WOULD YOU HAVE TO SAY TO THEM?
PITCH ALREADY, BUT WHAT WOULD YOU HAVE TO SAY TO THEM? >> WELL, I WOULD SAY THE ORPHEUM
YOU HAVE TO SAY TO THEM? >> WELL, I WOULD SAY THE ORPHEUM THEATER THEY HAVE ALREADY
>> WELL, I WOULD SAY THE ORPHEUM THEATER THEY HAVE ALREADY STEPPED FORWARD.
THEATER THEY HAVE ALREADY STEPPED FORWARD. AS I SAID, WE DOUBLED OUR
STEPPED FORWARD. AS I SAID, WE DOUBLED OUR CONTRIBUTING INCOME IN THE LAST
AS I SAID, WE DOUBLED OUR CONTRIBUTING INCOME IN THE LAST TWO YEARS.
CONTRIBUTING INCOME IN THE LAST TWO YEARS. OBVIOUSLY, THEY CAN CONTINUE TO
TWO YEARS. OBVIOUSLY, THEY CAN CONTINUE TO MAKE CONTRIBUTION AND DESIGNATE
OBVIOUSLY, THEY CAN CONTINUE TO MAKE CONTRIBUTION AND DESIGNATE THAT TOWARD CAPITAL IMPROVEMENT
MAKE CONTRIBUTION AND DESIGNATE THAT TOWARD CAPITAL IMPROVEMENT TOWARD THE THEATER.
THAT TOWARD CAPITAL IMPROVEMENT TOWARD THE THEATER. WHAT I'D LIKE TO SEE US DO IS
TOWARD THE THEATER. WHAT I'D LIKE TO SEE US DO IS ADDRESS THE IMMEDIATE ISSUES AND
WHAT I'D LIKE TO SEE US DO IS ADDRESS THE IMMEDIATE ISSUES AND REALLY BEGIN A TRADITIONAL
ADDRESS THE IMMEDIATE ISSUES AND REALLY BEGIN A TRADITIONAL CAMPAIGN WHERE WE GO OUT AND
REALLY BEGIN A TRADITIONAL CAMPAIGN WHERE WE GO OUT AND TALK TO INDIVIDUALS ABOUT THE
CAMPAIGN WHERE WE GO OUT AND TALK TO INDIVIDUALS ABOUT THE NEEDS OF THE THEATER AND ITS
TALK TO INDIVIDUALS ABOUT THE NEEDS OF THE THEATER AND ITS FUTURE AND WHAT IT WILL
NEEDS OF THE THEATER AND ITS FUTURE AND WHAT IT WILL CONTRIBUTE TO THE GALESBURG
FUTURE AND WHAT IT WILL CONTRIBUTE TO THE GALESBURG REGION FOR ANOTHER HUNDRED YEARS
CONTRIBUTE TO THE GALESBURG REGION FOR ANOTHER HUNDRED YEARS AND REALLY DO A CAMPAIGN THAT
REGION FOR ANOTHER HUNDRED YEARS AND REALLY DO A CAMPAIGN THAT WILL INCORPORATE MORE AESTHETIC
AND REALLY DO A CAMPAIGN THAT WILL INCORPORATE MORE AESTHETIC AND MORE READILY EVIDENT CHANGES
WILL INCORPORATE MORE AESTHETIC AND MORE READILY EVIDENT CHANGES TO THE THEATER THAN BOILER AND
AND MORE READILY EVIDENT CHANGES TO THE THEATER THAN BOILER AND AIR CONDITIONING SYSTEMS.
TO THE THEATER THAN BOILER AND AIR CONDITIONING SYSTEMS. THAT'S NOT VERY GLAMOROUS.
AIR CONDITIONING SYSTEMS. THAT'S NOT VERY GLAMOROUS. >>PEOPLE ATTENDING DON'T SEE
THAT'S NOT VERY GLAMOROUS. >>PEOPLE ATTENDING DON'T SEE BOILERS. AND AC SYSTEMS?
>>PEOPLE ATTENDING DON'T SEE BOILERS. AND AC SYSTEMS? >> RIGHT F WE WERE ABLE TO
BOILERS. AND AC SYSTEMS? >> RIGHT F WE WERE ABLE TO PROCURE ENOUGH MONEY TO DO THE
>> RIGHT F WE WERE ABLE TO PROCURE ENOUGH MONEY TO DO THE INTERIOR, THAT WOULD HAVE BEEN
PROCURE ENOUGH MONEY TO DO THE INTERIOR, THAT WOULD HAVE BEEN AN IMMEDIATE RESULT FOR YOU.
INTERIOR, THAT WOULD HAVE BEEN AN IMMEDIATE RESULT FOR YOU. >>BASICALLY, YOU'D LIKE TO SEE
AN IMMEDIATE RESULT FOR YOU. >>BASICALLY, YOU'D LIKE TO SEE FORMAL CAPITAL CAMPAIGN?
>>BASICALLY, YOU'D LIKE TO SEE FORMAL CAPITAL CAMPAIGN? LONG-TERM.
FORMAL CAPITAL CAMPAIGN? LONG-TERM. >>IT HAS TO BE DONE. THERE IS
LONG-TERM. >>IT HAS TO BE DONE. THERE IS NO IF'S, AND'S OR BUT THE'S
>>IT HAS TO BE DONE. THERE IS NO IF'S, AND'S OR BUT THE'S ABOUT IT, IT HAS TO BE DONE AT
NO IF'S, AND'S OR BUT THE'S ABOUT IT, IT HAS TO BE DONE AT SOME POINT.
ABOUT IT, IT HAS TO BE DONE AT SOME POINT. >>NEXT MEETING IS.
SOME POINT. >>NEXT MEETING IS. >>JANUARY 20.
>>NEXT MEETING IS. >>JANUARY 20. >>FIRST STEP TOWARD MAKING THAT
>>JANUARY 20. >>FIRST STEP TOWARD MAKING THAT KIND OF DECISION.
>>FIRST STEP TOWARD MAKING THAT KIND OF DECISION. >>THAT'S THE FIRST STEP TOWARD
KIND OF DECISION. >>THAT'S THE FIRST STEP TOWARD ADDRESS THE IMMEDIATE NEED,
>>THAT'S THE FIRST STEP TOWARD ADDRESS THE IMMEDIATE NEED, LONGER TERM CAMPAIGN MEETING
ADDRESS THE IMMEDIATE NEED, LONGER TERM CAMPAIGN MEETING WOULD HAVE TO COME AT A LATER
LONGER TERM CAMPAIGN MEETING WOULD HAVE TO COME AT A LATER DATE.
WOULD HAVE TO COME AT A LATER DATE. >> KATE FRANCIS, THANK YOU SO
DATE. >> KATE FRANCIS, THANK YOU SO MUCH FOR THE UPDATE ON THE
>> KATE FRANCIS, THANK YOU SO MUCH FOR THE UPDATE ON THE ORPHEUM AND THE STRUGGLES YOU
MUCH FOR THE UPDATE ON THE ORPHEUM AND THE STRUGGLES YOU HAVE IN FRONT OF
ORPHEUM AND THE STRUGGLES YOU HAVE IN FRONT OF THANK YOU SO MUCH FOR JOINING US
HAVE IN FRONT OF THANK YOU SO MUCH FOR JOINING US ON AT ISSUE.
THANK YOU SO MUCH FOR JOINING US ON AT ISSUE. NEXT WEEK, JOIN US ON AT ISSUE
ON AT ISSUE. NEXT WEEK, JOIN US ON AT ISSUE WHEN WE WILL BE TALKING TO THE
NEXT WEEK, JOIN US ON AT ISSUE WHEN WE WILL BE TALKING TO THE PRESIDENT OF THE ILLINOIS STATE
WHEN WE WILL BE TALKING TO THE PRESIDENT OF THE ILLINOIS STATE MEDICAL SOCIETY.
PRESIDENT OF THE ILLINOIS STATE MEDICAL SOCIETY. WE WILL SEE YOU THEN