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JEN: It's huge.
CASEY: It's slightly bigger then, yeah, the home studio.
JEN: Oh my gosh.
CASEY: We can do everything. Shoot the photos up here, stage everybody and have all fifteen paintings going at once.
Clamp them on pillars. So I can jump from painting to painting without having to worry about anything.
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CASEY: For the actual show, like I said we can do everything in here but then also have people come up.
So, like for the actual show we can utilize the poles and hang one piece on each one.
So, at seven by seven foot a piece, essentially we're framing it up perfectly.
This is probably ten foot, so as far as a framing device it would be perfect. With ten poles we can have ten paintings around
there and then the final five attach them from coming down from the center.
It's more of a show in the round so that people can see the entire show from one vantage point essentially.
Instead of having to go from room to room.
JEN: So it will almost be like an installation at the same time as being a show?
CASEY: Yeah. And that, that's the idea or the whole thing. Instead of it being one piece at a time, selling an idea,
it's kinda the breathe of the work when people come in and to be overwhelmed with the imagery and spirituality and the size
and the feel of the space too. I mean essentially it feels like a cathedral.
JEN: How long have you been planning this for?
CASEY: About four years now.
JEN: And is this space you pictured?
CASEY: Ahh. This is better then the space I pictured. It beats the barn that I was previously in.
So, if we can get it together, it'd work out better then I even planned.
So please help us out.
Hopefully, we can get the space. By then my body transformation will be complete and we can start working up here September, early October.
By then I won't be sweating, it won't be hot and I'll be about twenty pounds lighter.
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