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Announcer: PREVIOUSLY ON THE "BAD GIRLS CLUB"...
I'M BACK, ***.
[ALL SQUEALING]
A LONG LOST CASTMATE RETURNED TO VEGAS.
OH, MY GOD! MIMI'S BACK! MIMI'S BACK!
I'M LIKE, IS IT YOU? IS IT REALLY YOU, MIMI?
HI, MIMI. I MISSED YOU. MWAH!
MIMI AND ELEASE'S FRIENDSHIP GREW
AS THEY BECAME THE BGC BFFs OF THE HOUSE.
THE ONLY PERSON I FEEL LIKE I CAN TRUST AT THIS POINT
IS ELEASE.
AMY HAD A SLIP-UP,
WHICH ROCKED THE BOAT WITH HER SORT OF BOYFRIEND BACK HOME.
Jake: DID YOU HAVE SEX WITH SOMEBODY?
MY EX-BOYFRIEND JAKE,
WE'VE BEEN KIND OF ON AND OFF, ON AND OFF.
ARE WE STILL WORKING ON THINGS,
OR ARE YOU JUST GONNA BE MAKING OUT WITH PEOPLE?
TWO NEW ROOMMATES, CHRISTINE AND CAMILLA, ARRIVED AT THE HOUSE.
LADIES!
BUT THE ORIGINALS WERE NOT IMPRESSED.
THE GIRLS ARE JUST LAYING AROUND, HAVING ATTITUDES,
NOT EVEN WANTING TO GET TO KNOW US AT ALL.
I THINK I WANT TO COME HOME.
I DON'T REALLY WANT TO BE HERE.
I AM LEAVING TODAY.
SO THE ROOMMATES BID FAREWELL
IN THEIR OWN BGC WAY.
PACK YOUR [BLEEP] AND LEAVE.
STOP! STOP! AAH!
GUESS WHO CARES ABOUT ME?
DEMITRA CARES ABOUT HER MOTHER[BLEEP] SELF.
Announcer: THIS WEEK ON THE "BAD GIRLS CLUB"...
WHOO!
TODAY WE'RE GOING ZIPLINING.
I'M SO EXCITED.
ME AND AMY ARE LIKE JUST SOME PARTY GIRLS
AND WE'RE DOWN TO HAVE FUN.
AND WE LIKE TO ENJOY OURSELVES WHEREVER WE GO.
OH, BABY.
Mimi: NOBODY CARES ABOUT...
A LOT OF PEOPLE ARE ON THE EDGE.
MIMI'S ON THE EDGE.
AND THE NEW GIRL'S JUST TRYING TO FIGURE OUT WHAT'S GOING ON.
I'M NOT CRYING BECAUSE I'M SAD,
I'M CRYING BECAUSE I'M ANGRY.
AND WHEN I'M ANGRY, I WANT TO DO ANGRY [BLEEP].
♪ BAD GIRLS ♪
♪ WHAT I WANT, YES, I GET IT ♪
♪ YEAH, THAT'S RIGHT, I SAID IT ♪
♪ LIVE THE LIFE YOU WISH YOU HAD ♪
♪ SUGAR, SPICE AND EVERYTHING ♪
♪ B-B-B-BAD GIRLS ♪
♪ YOU THINK YOU'RE SO TOUGH ♪
♪ DON'T YOU WISH YOU COULD ROLL WITH US? ♪
♪ TOUGH TO HATE US, CAN'T GET ENOUGH ♪
♪ WELCOME TO THE BAD GIRLS CLUB ♪
♪ BAD GIRLS ♪
DRIVE THE CAR. I WANT TO GO HOME NOW.
ADIOS, CHRISTINE. COME BACK AND SEE US.
[CRUNCH]
I REALLY DON'T CARE ABOUT CHRISTINE,
BUT AT THE SAME TIME, I KNOW WHAT'S RIGHT,
AND THE GIRL JUST WANTED TO GO.
SHE WAS DEFENSELESS. WHY WOULD YOU WANT TO BEAT UP ON HER?
CAPTIONING MADE POSSIBLE BY BUNIM/MURRAY PRODUCTIONS
I DIDN'T AGREE WITH PUTTING HANDS ON CHRISTINE.
Y'ALL GROWN-*** WOMEN, Y'ALL CAN DO THAT [BLEEP],
BUT I'M NOT GONNA PUT MY HANDS ON SOMEONE
THAT'S CLEARLY WEAK AS [BLEEP].
I CARE.
HOPEFULLY THE REPLACEMENT ***
IS A 300-POUND ***, AND THEN SHE CAN FIGHT.
RIGHT NOW I DON'T KNOW WHERE I STAND WITH ELEASE
OR EVEN THE REST OF THE GIRLS,
BECAUSE I FEEL LIKE EVERYBODY WAS LOOKING AT ME STRANGE
JUST BECAUSE I WANTED TO STAND UP
FOR WHAT I BELIEVED IN AS FAR AS CHRISTINE GOES.
SO THE PARANOIA IS DEFINITELY KICKING IN.
I JUST FEEL LIKE I SACRIFICED A LOT.
I FEEL LIKE EVERYBODY HERE SACRIFICED A LOT.
AND IF YOU DON'T WANT TO BE HERE, DON'T TAKE A SPOT
THAT COULD BE TAKEN BY SOMEBODY ELSE THAT WANTS TO BE HERE.
CHRISTINE, I KNOW PEOPLE ARE GONNA BE LIKE,
OH, MY GOD, YOU WERE HER FRIEND AT FIRST.
YEAH, I WAS. I DID IT BECAUSE I WANTED TO DO IT.
AND THAT'S WHY I DID IT.
AND I'LL DO IT AGAIN IF I HAVE TO.
HER COMING HERE WAS A WASTE OF OUR TIME. IT REALLY WAS.
EVERYBODY'S TIME.
YOU ALREADY KNOW I DON'T LIKE THAT DEFENSELESS,
BEATING UP ON PEOPLE [BLEEP].
YOU ALREADY GOT THAT PART.
WHAT MAKES ME SAD, WHAT'S MAKING ME CRY
IS BECAUSE I FEEL LIKE THAT RIGHT THERE MADE ME FEEL UNCOMFORTABLE.
I DON'T CARE ABOUT THAT GIRL.
I WANTED HER TO GO BECAUSE SHE DIDN'T DESERVE TO BE HERE.
BUT THAT [BLEEP] THAT'S MAKING ME NERVOUS
IS THAT EVERYBODY'S GONNA TURN INTO A WILD HYENA
WHEN IT'S TIME FOR ME TO GO, TOO.
I THINK YOU'RE REALLY OVER THINKING IT RIGHT NOW, MIMI,
BECAUSE WHEN I WAS GETTING JUMPED ON
AND BEEN IN A MILLION FIGHTS,
I DON'T THINK YOU SHOWED THIS MUCH EMOTION FOR ME
WHEN [BLEEP] WAS POPPING OFF ON ME.
MIMI RIGHT NOW IS CRYING,
AND I'M UPSET BY THAT BECAUSE WHEN I WAS GETTING TORTURED,
YOU SHOULD HAVE FELT THE SAME SYMPATHY FOR ME AS YOU DID CHRISTINE.
I JUST FEEL LIKE THIS IS A CRY FOR ATTENTION.
LADIES, THEY'RE HERE.
THEY'RE GONNA NEED A LOT MORE [BLEEP] THAN THAT.
I'M A VERY CLEAN PERSON.
THESE *** ARE SO DIRTY.
I'M JUST DISGUSTED WITH IT,
SO I DECIDED TO SEARCH ON THE INTERNET
AND FIND A HOUSEKEEPING SERVICE.
AND THESE GUYS ARE LITTLE AS HELL,
AND I THINK IT'S A JOKE WHEN THEY WALK UP.
THEY LOOK LIKE STRIPPERS.
THERE'S RANCH AND BLUE CHEESE ON THE WINDOWS.
THERE'S JELLY ON THE GROUND.
WE CLEANED IT UP A LITTLE BIT.
SO THE WINDOWSILLS, MAYBE THERE.
HE'S SHOCKED. LOOK AT HIM.
WHERE'S THE KIDS AT?
WE'RE JUST A LOT OF BAD ***. THAT'S IT.
THIS ISN'T BAD, RIGHT?
WE'RE GONNA DO POLE DANCES.
I DO TRICKS.
YEAH.
I WANT TO SEE ONE.
OH, [BLEEP].
[CHEERS AND APPLAUSE]
YEAH, TAKE IT OFF.
HEY! TAKE IT OFF!
HEY!
THEY GOT TO BE STRIPPER MAIDS.
THESE MALE MAIDS, THEY'RE DANCING ON OUR POLES,
TWERKING IT, SHAKING IT,
DOING ALL TYPES OF BULL[BLEEP].
AND THEY'RE FROWNING THEIR FACES UP
AT OUR DIRTY-*** HOUSE.
WE'RE PAYING YOU, SO YOU KNOW WHAT,
UNFROWN YOUR FACE AND CLEAN UP OUR DIRT.
NO.
I THINK YOU DID SOME DANCING BACK IN THE DAY.
YEAH.
I HOPE THESE ARE SECRET STRIPPERS,
SO THEY CAN CLEAN THE HOUSE,
AND THEN MAYBE THEY CAN CLEAN ME.
THAT'S FOR YOU GUYS.
ALL RIGHT, THANKS, GUYS.
THANK YOU.
WHAT DO YOU THINK?
I'LL GO. FINE.
SO I GUESS EVERYONE'S GOING.
COOL? ALL RIGHT.
WE HAVE TO BE READY FOR 10:45.
[INDISTINCT]
I NOTICE THAT EVERY TIME I TRY TO TALK TO ELEASE,
MIMI'S ALWAYS LOOKING TO SEE WHAT MY LIPS ARE SAYING.
MIMI'S LIKE ONE OF THOSE JEALOUS FRIENDS.
SHE DOESN'T LIKE TO SHARE HER FRIENDS
WITH OTHER PEOPLE, AND THAT'S SAD.
YOU SHOULDN'T FEEL LIKE ANYBODY HERE IS YOUR PROPERTY.
WE NEED TO TALK, ELEASE.
I DON'T CARE WHO'S COOL. I KNOW PEOPLE HAVE CLIQUES.
BUT I TELL YOU ALL THE TIME,
IT'S HARD TO GO TO YOU
BECAUSE YOU'RE ALWAYS WITH MIMI.
THE REASON WHY I GOT SO CLOSE TO MIMI,
BECAUSE Y'ALL WAS ALWAYS BACK AND FORTH
WITH THE TWINS.
THAT'S THE ONLY REASON.
YOU KNOW WHAT THE THING IS WITH ME,
LIKE, YOU DON'T WANT TO REGRET NOT GETTING TO KNOW
ANYBODY THAT YOU SHOULD HAVE GOTTEN TO KNOW.
SEE WHAT I'M SAYING?
AT TIMES I DO FEEL LIKE MIMI IS TOO CLINGY TO ME,
BUT I NEED TO GET TO KNOW EVERYONE ELSE IN THIS HOUSE,
NOT JUST MIMI.
I DON'T WANT TO LEAVE HERE
NOT KNOWING WHAT IT COULD HAVE BEEN LIKE
TO GET TO KNOW EVERYONE ELSE IN THIS HOUSE.
WHY DO YOU HAVE THIS SNEAKY LOOK ON?
I DON'T HAVE NO SNEAKY LOOK.
IF SOMETHING IS HAPPENING
OR IF I'M GONNA BE LEFT BEHIND SOMEWHERE
OR SOMETHING, JUST TELL ME NOW.
NO, NOTHING. YOU'RE PARANOID, MIMI.
HMM. OK.
WHAT THE GIRLS DID TO CHRISTINE
COULD HAPPEN TO ME.
AND IT'S DEFINITELY PUTTING ME ON EDGE.
I WANT TO DRINK RIGHT NOW.
I KNOW IT'S A BAD IDEA, BUT IT'S HOW I FEEL.
I JUST WANT TO DRINK MY SORROWS AWAY.
I'M USED TO NOBODY CARING ABOUT ME
'CAUSE GUESS WHO CARES ABOUT ME?
DEMITRA CARES ABOUT HER MOTHER[BLEEP] SELF.
GIVE HER SOME SPACE. DON'T SAY ANYTHING.
IS SHE DRUNK?
NOBODY CARES ABOUT ME.
SHE WAS REALLY FREAKING ME OUT TODAY.
SHE WAS LIKE GOING-- SHE WAS REALLY BEING PARANOID.
I HAD NO IDEA THAT MIMI WAS SO UPSET
ABOUT WHAT WAS GOING ON THE WHOLE DAY
THAT SHE DECIDED TO OPEN UP THE HENNESSY BOTTLE
AND HAVE A DRINK.
I JUST FEEL UNCOMFORTABLE
THAT I EVEN HAVE TO SHARE A ROOM WITH HER NOW.
LIKE, I FEEL UNCOMFORTABLE.
Erica: YOU CAN COME BUNK WITH ME, BOO.
I HAD A BEST FRIEND WHO SHE WOULD BE LIKE--
IF I GO WITH OTHER GIRLS,
SHE'LL BE LIKE, WHY YOU DO THIS?
THAT'S THAT TERRITORIAL [BLEEP] I'M TALKING ABOUT.
YEAH, IT WAS REALLY TERRITORIAL.
TERRITORIAL TO WHERE IF I WOULD GO OUT WITH ANOTHER FRIEND,
SHE WOULD BE LIKE, WELL, WHY WOULD YOU DO THIS?
WHY WOULD YOU DO THAT?
AND I WAS LIKE, DAMN, I DIDN'T EVEN KNOW--
MY MAMA SAID, "IS SHE GAY, CAMILLA?
I THINK SHE LIKES YOU."
OOH!
I THINK YOUR ROOMMATES LIKES YOU.
NOBODY CARES ABOUT ME BECAUSE--
MIMI.
[SOBBING AND BABBLING]
MIMI, YOU WANT SOME WATER?
WHAT? I DON'T WANT ANY WATER.
I DON'T WANT ANYTHING.
I DON'T WANT... NOTHING.
NOBODY CARES ABOUT ME.
WE DO CARE ABOUT YOU, MIMI.
WHAT HAPPENS WHEN BLAH BLAH BLAH SAYS,
"IT'S TIME FOR MIMI TO GO"? THEN WHAT?
MIMI IS THE MOST AFFECTED
BY THIS WHOLE CHRISTINE SITUATION.
SHE'S GETTING PARANOID
LIKE SHE COULD BE THE NEXT ONE TO GET THROWN OUT.
AND I DON'T UNDERSTAND WHY. WE ALL LOVE MIMI.
WHO CARES ABOUT MIMI? NOBODY CARES ABOUT ME.
NOBODY WANTS TO CARE ABOUT ME. I DON'T [BLEEP] CARE.
OK, NOBODY CARES ABOUT YOU, RIGHT,
BUT YET WE BUILT YOUR BED BACK TOGETHER, RIGHT?
NOBODY CARES ABOUT YOU, BUT WE BUILT YOUR BED BACK TOGETHER.
NOBODY CARES ABOUT...
[GLASS SHATTERS] ME!
NOBODY CARES ABOUT ME!
DO YOU KNOW WHO CARES ABOUT ME?
THE MOTHER[BLEEP] 305.
NOBODY CARES ABOUT ME ANYWAY.
AAH!
[ECHOING] OK.
Announcer: COMING UP ON THE "BAD GIRLS CLUB"...
I CAN'T BREATHE. [INDISTINCT]
ELEASE IS MOVING.
I'M GETTING WOKEN UP OUT OF MY SLEEP BY THIS.
I'M MAKING SURE YOU HAVE A CLEAN FLOOR. YOU SHOULD BE HAPPY.
MIMI IS A PSYCHO RIGHT NOW,
SO THIS IS GIVING ME MORE OF AN EXCUSE
TO GET AWAY FROM MIMI.
YOU CAN'T BREATHE. YOU CAN'T BREATHE.
SO YOU SHOULD BE HAPPY I'M CLEANING THE FLOOR.
NOBODY CARES ABOUT ME!
YOU KNOW WHO CARES ABOUT ME?
THE MOTHER[BLEEP] 305.
THAT'S WHO CARES ABOUT ME.
SHE IS BELLIGERENT.
LIKE, SHE'S NOT GONNA REMEMBER ANY OF THIS.
SHE'S NOT EVEN MAKING WORDS RIGHT NOW.
SHE'S GONNA EMBARRASS HERSELF.
YOU KNOW WHO CARES ABOUT ME?
HENNESSEY CARES ABOUT ME.
MIMI IS A COMPLETE MESS.
IF SHE WAS WALKING DOWN THE STREET,
I WOULD CALL HER HOMELESS.
ARE YOU GONNA BETRAY ME?
I'M NOT GONNA DO THAT TO YOU, MIMI.
I WOULD NOT PUT MY HANDS ON YOU.
NO.
GUESS WHAT, I [BLEEP] TRUSTED ELEASE.
SHE IS MADE AT ME NOW BECAUSE I SAID SHE SHOULDN'T HAVE HIT THAT GIRL.
BUT YOU KNOW WHAT, THAT'S BETWEEN YOU AND ELEASE,
AND YOU NEED TO TALK TO HER ABOUT IT.
I TOLD HER ALREADY. SHE DIDN'T CARE.
LADIES, THE LIMO IS HERE.
THAT'S FINE.
I WAS JUST LETTING YOU KNOW HE PULLED UP.
[WHIMPERS]
MIMI, I HAVE COME TO THE CONCLUSION
THAT SHE NEEDS JESUS.
NOOOOO...ONE CARES.
SHE NEEDS TO FEEL LOVED.
AND I'M JUST LIKE, REALLY?
NOBODY CARES ABOUT ME.
MIMI, SHE'S JUST STANDING IN THE ROOM,
PUKING ALL OVER THE PLACE, THE FLOOR,
THE SHEETS, MY SHEETS.
I'M JUST DISGUSTED AT THIS POINT.
CAN YOU DRINK THIS FOR ME? HERE.
HERE. HERE.
THERE'S A TOWEL. CLEAN YOURSELF UP.
THE THROW-UP LOOKED LIKE IT DIDN'T COME
FROM ONE PERSON'S BODY.
LITERALLY THAT WAS ENOUGH THROW-UP FOR 3 PEOPLE.
I'M LITERALLY ABOUT TO GAG
'CAUSE THE SMELL OF THE THROW-UP IS JUST SO BAD.
IT SMELLS LIKE GRAPEFRUIT.
OH, LORD, ELEASE, IT'S ON YOUR BED.
I WANT A NEW BED. I CAN'T STAY IN A ROOM LIKE THAT.
I'M NOT GONNA STAY IN THIS PUKE BEDROOM AT ALL.
I JUST NEED TO GO AND GET OUT OF HERE
AND BREATHE FOR A MINUTE.
NOW SHE'LL GO TO SLEEP.
♪ I WANT TO PLAY THE GAME AND FEEL THE KICK ♪
♪ BECAUSE IT'S FAST-PACED AND DANGEROUS ♪
♪ SO WAKE UP BEFORE YOU FALL BEHIND ♪
♪ YOU WANT TO CATCH ME, THEN CROSS THE LINE ♪
WE'RE AT KRAVE. IT'S ABSOLUTELY AMAZING.
I AM A SUCKER FOR GAY MEN.
SEXY MEN GO-GO DANCERS, THEY MIGHT BE GAY,
BUT, HEY, MAYBE THEY'LL MAKEOUT WITH ME.
NOBODY WILL LOOK AT US EXCEPT GAY MEN.
I LOVE GAY GUYS. YOU SHOULD ALWAYS HAVE A GAY FRIEND.
THEY'LL TELL YOU WHEN YOU [BLEEP] IS GAY.
[INDISTINCT]
ME AND AMY, WE'RE KIND OF THE SAME,
BUT IN JUST DIFFERENT SKIN TONES.
SHE'S WHITE AND I'M BLACK.
AND WE'RE JUST SOME PARTY GIRLS,
AND WE'RE DOWN TO HAVE FUN.
BUT YOU KNOW, I HAVEN'T SEEN HER CRAZY SIDE YET.
♪ IF YOU WANT TO PLAY THE GAME AND REDEFINE ♪
♪ YOU GOT TO TURN IT UP, ELECTRIFY ♪
AMY AND CAMILLA ARE JUST ALL BUDDY-BUDDY TOGETHER,
DRINKING TOGETHER.
I DON'T TRUST CAMILLA BECAUSE I KNOW HER TYPE.
SHE WANTS TO BE YOUR FRIEND, BUT SHE REALLY DOESN'T.
SHE JUST WANTS TO GATHER INFORMATION TO GO BACK AND TELL WHOEVER
TO BASICALLY FIT IN.
♪ PLAY THE GAME WITH ME ♪
ARE YOU GONNA MOVE YOUR STUFF ALL TONIGHT?
I'M GONNA MOVE ALL MY STUFF TONIGHT
BECAUSE I'M GONNA SLEEP IN THE VIP ROOM.
MY FAVORITE ROOM OF THE HOUSE.
I COULDN'T EVEN BREATHE IN THAT ROOM.
I COULDN'T EVEN BREATHE.
ELEASE MOVING HER BED OUT OF MIMI'S ROOM
IS JUST GONNA START MORE PROBLEMS, MORE DRAMA.
LET THE GOOD TIMES ROLL.
[WHISPERING] YOU GOTTA PUT THAT UNDERNEATH THE BED.
ERICA'S UNSCREWING THE BED IN THE ROOM, AND ELEASE IS MOVING.
I'M GETTING WOKEN UP OUT OF MY SLEEP BY THIS.
AND ON TOP OF THAT, EVERYBODY'S AT THE DOOR LAUGHING.
AND I FEEL REALLY, REALLY TAUNTED RIGHT NOW.
I CAN'T BREATHE IN HERE. I WANT TO PASS OUT.
SO WE'RE GONNA MOVE MY BED INTO THE OTHER SIDE
UNTIL IT CLEARS OUT IN HERE.
ELEASE IS MOVING INTO MY ROOM,
AND FOR ME, THIS IS KIND OF COOL, YOU KNOW WHAT I MEAN.
BECAUSE YOU WANT TO GET OUT OF THE ROOM
WITH SOMEONE THAT'S BEEN IN THE ORIGINAL HOUSEHOLD
AND MOVE IN WITH LITTLE OLD ME
THAT'S ONLY BEEN HERE FOR A COUPLE OF DAYS.
WOW. YOU REALLY DO LIKE ME.
HAVE FUN LIVING WITH CAMILLA. I DON'T CARE.
Elease: MOVING MY BED IN THERE DOESN'T MEAN I'M LIVING WITH CAMILLA.
IF YOU LOOK IN THE VIP ROOM, YOU'LL SEE MY STUFF IN THERE.
I'M HELPING ELEASE MOVE BECAUSE I DON'T WANT TO BE LEFT OUT.
SHE'S MY BGC BFF,
AND I WANT TO HELP HER MOVE OUT, TOO.
IT'S A FAMILY AFFAIR, RIGHT?
WHENEVER YOU'RE READY TO MOVE BACK IN,
THEN YOU CAN MOVE BACK IN.
I'M MAKING SURE YOU HAVE A CLEAN FLOOR.
YOU SHOULD BE HAPPY. YOU CAN'T BREATHE.
YOU CAN'T BREATHE. YOU CAN'T BREATHE.
SO YOU SHOULD BE [BLEEP] HAPPY I'M CLEANING THE FLOOR.
MIMI IS PSYCHO RIGHT NOW
BECAUSE SHE'S TERRITORIAL. I DON'T LIKE THIS.
SO THIS IS GIVING ME MORE AN EXCUSE
TO GET OUT OF THIS ROOM AND GET AWAY FROM MIMI.
Camilla: I NEED TO CALL BACK THOSE MAIDS
TO COME AND BLEACH THIS FLOOR.
THEM MAIDS DON'T KNOW HOW TO CLEAN [BLEEP].
[DOORBELL RINGS]
OH, MY GOD, WHAT'S THIS?
HELLO.
HI.
AMY, YOU HAVE A PACKAGE DOWNSTAIRS.
MY JAKEY-POO SENT ME FLOWERS.
AND I LOVE JAKE SO MUCH FOR SENDING THEM TO ME.
AND HE SENT ME TWO DOZEN ROSES
AND BALLOONS AND A STUFFED BEAR TO SLEEP WITH.
[EXHALES]
YEAH.
YOU HAVE TO READ IT TO US.
"NO MATTER HOW FAR, I WILL ALWAYS LOVE YOU.
"THE WHITE PUPPY MEANT THAT I LIKE YOU.
"THIS ONES MEANS THAT I LOVE YOU.
SOUND FAMILIAR? I LOVE YOU. JAKE."
AMY!
Erica: I KNOW YOU'RE HAPPY AMY.
YOU'RE TRYING TO BE ALL [BLEEP] COOL AND CALM.
HA HA HA!
DO YOU THINK SHE'S GONNA REMEMBER ANYTHING?
I THINK SHE'LL REMEMBER WHEN WE GOT HOME,
BUT NOT BEFORE WE LEFT.
THAT WAS THE CRAZIEST [BLEEP] I'VE EVER SEEN.
NO, SERIOUSLY, THAT WAS A BREAK-UP.
THAT WAS A RELATIONSHIP BREAK-UP.
SORRY I STOLE YOUR GIRL, MIMI.
CAMILLA FEELS LIKE BECAUSE MIMI'S OUT OF THE PICTURE,
THAT ME AND HER ARE GONNA BE BGC BFFs.
BUT THAT'S WRONG BECAUSE I HAVE NOTHING IN COMMON
WITH THIS GIRL. I'M JUST ROOMING WITH HER.
JUST BECAUSE I'M IN THE SAME ROOM AS YOU
DOESN'T MEAN WE'RE GONNA BE FRIENDS.
I HAVE A STOMACHACHE.
I WANT TO MAKE SURE THAT YOU'RE ALL RIGHT
'CAUSE YOU WERE A LITTLE CREEPY LAST NIGHT.
YEAH.
YOU WERE DRAWING ON YOUR NOSE. YOU WERE MAD.
I GUESS YOU FELT LIKE EVERYBODY WAS TRYING TO ATTACK YOU.
SO I THOUGHT MAYBE YOU HAD LIKE A MINI CRUSH ON HER OR SOMETHING.
I DON'T KNOW. I DON'T KNOW YOUR PERSONAL--
A GIRL CAN THINK WHATEVER SHE WANTS,
BUT PLEASE DON'T EVEN PUT THAT IN THE AIR
'CAUSE THE NEXT THING YOU KNOW, THAT'S WHAT IT'S GONNA [BLEEP] BE.
I DON'T HAVE A CRUSH ON ELEASE.
I SAID SHE COULD LEAVE. I DON'T CARE.
I DON'T MIND HAVING MY OWN ROOM.
I REALLY, REALLY DON'T.
LIKE, CAMILLA, YOU JUST SOUND STUPID.
SEE YOU LATER. HOPE YOU FEEL BETTER.
DRINK SOME WATER.
HOW'D YOU WAKE UP, THOUGH?
WE THOUGHT YOU WERE GONNA BE, LIKE, PASSED OUT.
WHEN?
WHEN WE WERE MOVING THE BED AND [BLEEP].
I HEARD IT.
SO WHAT'S GONNA HAPPEN WITH YOU GUYS?
I DON'T KNOW WHAT'S GONNA HAPPEN,
BUT I KNOW I'M NOT HARD UP FOR FRIENDS.
YOU AND AMY WERE COOL,
THEN WHEN ELEASE CAME, IT WAS LIKE [BLEEP] AMY.
I KNOW THAT'S NOT HOW YOU MEANT IT,
BUT THAT'S HOW IT SEEMED.
AND NOW YOU AND ELEASE ARE COOL,
CAMILLE COMES IN AND IT'S [BLEEP] MIMI.
BUT IF IT'S KARMA, IT'S KARMA.
I'M STILL NOT WORRIED ABOUT IT.
I JUST THINK THERE'S MORE.
I DON'T THINK THIS IS FINISHED YET.
I JUST FEEL LIKE THE LAST DAY AND A HALF
HAS BEEN PRETTY INTENSE IN THE BAD GIRLS CLUB.
AND THE WORST HAS YET TO COME.
BELIEVE ME WHEN I TELL YOU THAT,
'CAUSE FEMALES SWITCH LIKE THIS.
Announcer: COMING UP ON THE "BAD GIRLS CLUB"...
WANT TO TAKE A SHOWER? LET'S TAKE A SHOWER.
AMY AND I ARE HAVING AN AWESOME TIME.
OH, BABY!
UNTIL IT COMES TIME TO GET OUT OF THE SHOWER.
NOW, YOU GOTTA GET YOUR OWN TOWEL.
DON'T PUT YOUR HANDS ON ME, ***.
I FEEL LIKE IF I HAVE TO GET OUT OF THE SHOWER
WITHOUT A TOWEL, YOU HAVE TO GET OUT OF THE SHOWER, TOO.
I'M TRYING TO HELP YOU.
SO TODAY I WANT TO GO HAVE LUNCH WITH MIMI
BECAUSE I HAVEN'T REALLY SPOKEN TO HER ABOUT THE INCIDENT.
JUST BECAUSE I MOVED OUT OF HER ROOM PRETTY MUCH,
DOESN'T CHANGE HOW I FEEL ABOUT HER AS A PERSON.
CAN ONE OF YOU TAKE ME TO THE STORE,
OR ARE YOU GUYS LEAVING?
OH, WE'RE LEAVING.
OH. WHERE Y'ALL GOING?
UM, TAPAS.
YEAH.
CAMILLA IS NOSY AND SHE'S TRYING
TO FIT IN EVERY WHICH WAY.
I GIVE TWO [BLEEP] ABOUT CAMILLA TO BE HONEST WITH YOU.
I FEEL LIKE CAMILLA HAS NOBODY HERE.
ELEASE AND MIMI ARE LEAVING.
IT'S REALLY WEIRD BECAUSE THEY DON'T EVER COME AROUND AND ASK
IF ANYBODY WANTS TO GO ANYWHERE.
THEY JUST KIND OF LIKE GET UP AND GO BY THEIR SELVES.
BUT I MEAN, I'M USED TO BEING BY MYSELF.
YOU CAN LEAVE ME. WHATEVER.
I'LL FIGURE OUT SOMETHING TO DO.
BOOP BOOP BOOP. HI, ***.
IT IS SO BORING IN HERE, HUH?
WE DON'T HAVE NO FUN.
IT'S JUST BORING WITH THE ***.
WHATEVER.
I WANTED TO BRING YOU OUT FOR LUNCH TODAY
BECAUSE, YOU KNOW, I HAVEN'T BEEN ABLE TO SPEAK WITH YOU
SINCE THE INCIDENT, AND I WANT TO TAKE YOU TO FIND OUT,
LIKE, WHAT REALLY IS GOING ON.
I HOPE YOU'RE NOT THINKING THAT, YOU KNOW,
I'M FEELING A DIFFERENT WAY ABOUT YOU.
JUST BECAUSE I'M NOT IN YOUR ROOM ANYMORE DOESN'T MEAN [BLEEP].
NO, NO, NO. WHAT I WAS MAD ABOUT
WAS THAT CLEARLY I WAS DRUNK.
THEN I WAS WOKEN UP, AND YOU KNOW HOW I AM ABOUT MY SLEEP.
THEN WHEN I TURNED AROUND, EVERYBODY WAS LAUGHING.
SO I FELT LIKE IT WAS A PRANK ON ME.
GOT IT. EVERYONE HAS THEIR GOOD AND BAD NIGHTS.
AND YOU JUST DIDN'T HAVE A GOOD NIGHT.
ANYWAY.
MY JAKEY-POO SENT ME TWO DOZEN ROSES
AND BALLOONS AND A STUFFED BEAR TO SLEEP WITH.
Jake: ARE WE STILL WORKING ON THINGS,
OR YOU JUST GONNA BE MAKING OUT WITH PEOPLE?
I KNOW YOU USED TO DO THAT [BLEEP] ALL THE TIME
AND *** ME OFF.
I HAVE A HUNCH THAT JAKE IS LYING,
SNEAKING BEHIND MY BACK. I FEEL SO CONFUSED.
SO I HAVE TO SEE WHAT THE HELL'S GOING ON.
Jake: WHY ARE YOU FREAKING OUT, AMY?
MY SOURCES TELL ME, LIKE, EVERY SINGLE THING YOU SAY AND DO.
SO YOU'RE MAD AT ME BECAUSE SOMEBODY LIKED MY STATUSES ON FACEBOOK?
NO, THERE'S JUST SOME THINGS THAT ARE NEVER GOING TO CHANGE.
YOU'RE HAVING LIKE A SERIOUS TRUST ISSUE WITH ME,
AND I'VE NEVER DONE ANYTHING WRONG TO YOU, NOR AM I GOING TO.
YES, YOU HAVE. ON YOUR FACEBOOK, YOU HAVE.
WHY DO YOU ALWAYS FREAK OUT ABOUT IMMATURE [BLEEP]?
CHILL OUT.
NO, YOU SHUT UP AND [BLEEP]--
[BLEEP] FACEBOOK.
WHY ARE YOU TELLING ME TO STOP?
[DIAL TONE]
OH, MY GOD.
AMY WAS THE FIRST ONE, THE MAIN ONE,
TALKING SO MUCH [BLEEP] ABOUT CAMILLA.
THIS AND THAT, I HATE THIS GIRL.
BUT THEN YOU SHOULD HAVE SEEN HER.
WE WENT OUT THE NIGHT YOU WERE SICK.
THEY WERE DANCING TOGETHER.
THEY WENT OFF TOGETHER.
IT WAS JUST ME, G, AND ERICA JUST ON ONE SIDE.
THEY WERE DOING THEIR OWN THING TOGETHER.
WE WERE LIKE, WHOA, WHAT'S GOING ON?
I THOUGHT I WAS THE ONLY ONE WHO NOTICED
HOW QUICK CAMILLA FLIPPED ON CHRISTINE. THAT WAS SCARY.
YOU SAW HOW ONE MINUTE SHE WAS TALKING TO HER
AND THE NEXT MINUTE SHE WAS THROWING HER [BLEEP] OUT.
PACK HER [BLEEP] THEN. I WAS LIKE,
AND THIS WAS THE ONE THAT SHE WAS COOL WITH.
AND IT'S SAD TO ME BECAUSE IF I WAS IN HER SHOES
AND THAT WAS CHRISTINE I CAME HERE WITH,
I WOULD HAVE PICKED A FIGHT WITH YOU GUYS.
I WENT HAVE WENT FOR CHRISTINE AND HELPED HER.
BE LIKE, DON'T TREAT HER LIKE THAT.
BUT SHE HOPPED ON THE BANDWAGON SO QUICK.
THAT WAS SOME FOLLOWER [BLEEP].
THAT WAS EVEN LESS DISRESPECT I HAD FOR HER WHEN SHE DID THAT.
VERY, VERY, VERY, VERY WEIRD.
WHAT DID HE DO THAT MADE YOU SO PISSED?
WAS IT BECAUSE HE'S NOT LISTENING TO YOU?
NO, HE LISTENS.
JAKE JUST PISSED ME OFF, SO I'M GONNA HANG OUT WITH CAMILLA
AND HAVE SOME DRINKS AND FORGET ABOUT
ALL THAT BOY BULL[BLEEP] DRAMA.
WELL, OBVIOUSLY HE CARES SOMEWHAT
BECAUSE HE SENT YOU SOME I LOVE YOU AND FLOWERS
AND ROSES AND TEDDIES.
I FEEL LIKE HE SENT IT BECAUSE HE WAS GUILTY.
YOU SEE THE FLOWERS OVER THERE?
THE OTHER TWO ONES? HE SENT THEM, TOO.
I HATE GUYS. THEY'RE PIECES OF [BLEEP].
MOST GUYS ARE PIECES OF [BLEEP].
YOU JUST NEED TO FIGURE OUT WHAT YOU WANT.
[SIGHS] HOME NOT SO SWEET HOME.
I'M NOT REALLY SURE WHERE MY FRIENDSHIP WITH ELEASE
IS GOING TO STAND AFTER THIS,
BUT I NEVER LET MY GUARD DOWN,
ESPECIALLY NOT IN THE BAD GIRLS CLUB.
HOW WAS YOUR OUTING? WHERE DID YOU GUYS GO?
TAPAS. FIREFLY.
YEAH, WE TALKED.
IS IT BACK TO NORMAL OR JUST REGULAR?
IT'S BACK TO NORMAL.
AS BAD AS THE SITUATION WAS, SHE GOT THE HINT
THAT SHE NEEDS TO CHILL WITH THE TERRITORIAL.
THAT'S WHAT I THINK IT WAS. SEE WHAT I'M SAYING?
DID Y'ALL INVITE CAMILLA TO YOUR OUTING?
I TOLD YOU.
OH, I THOUGHT YOU INVITED HER.
CAMILLA HAS A MOUTH ON HER,
AND MY OTHER ROOMMATES DON'T REALLY LIKE HER.
SO I THINK THIS ***'S TIME
IS LIMITED IN THE HOUSE.
HA HA HA!
BETWEEN ME AND YOU, I WON'T SAY ANYTHING,
WHAT DID EVERYBODY ELSE SAY?
NOBODY HAS HAD ANYTHING BAD ABOUT YOU
THAT YOU WOULD EVER GET DEFENSIVE ABOUT.
I MEAN, AND I REALLY DON'T CARE IF NOBODY LIKES ME
'CAUSE I MEAN, I CAN'T PLEASE EVERYBODY.
I KNOW THAT SOMETIMES I CAN BE INTIMIDATING
BECAUSE I'M TALL, I'M BEAUTIFUL.
I HAVE A GREAT PERSONALITY.
I LIKE YOU, CAMILLA.
I MEAN, I LIKE YOU, TOO.
I THINK YOU'RE COOL AS [BLEEP].
IM A COOL-*** PERSON.
I'M JUST ENJOYING THE RIDE, YOU KNOW WHAT I MEAN?
THIS IS AN EXPERIENCE. I NEVER LIVED WITH ANY GIRLS BEFORE.
I NEVER WANTED TO DEAL WITH THE BITCHINESS
'CAUSE EVERYBODY HAS DIFFERENT MOOD SWINGS,
EVERYBODY HAS A DIFFERENT PERSONALITY.
WE'RE DIFFERENT VIRGO-- I MEAN, I'M A VIRGO.
PEOPLE ARE THIS, PEOPLE ARE THAT. WHAT'S YOUR SIGN?
SCORPIO.
IT'S THE *** SIGN.
ME AND AMY ARE LIKE KIND OF FEELING EACH OTHER OUT.
AND WE'RE JUST SOME PARTY GIRLS AND WE'RE DOWN TO HAVE FUN.
AND WE LIKE TO ENJOY OURSELVES WHEREVER WE GO.
I GET TO PEE FIRST!
SHH. DON'T BE LOUD.
SHE'S WAY MORE DRUNK THAN I AM.
[SQUEALS]
DON'T BE LOUD.
ALL RIGHT, LET'S GO IN THE CONFESSIONAL.
THIS REAL GIRL IS REAL.
LIKE, SHE IS THE [BLEEP].
ME AND...
AMY.
WE HAD A WONDERFUL TALK TODAY
AND WE GOT AN UNDERSTANDING BETWEEN THE TWO OF US.
AND I THINK WE'RE ON THE SAME PAGE.
WE'RE KIND OF LIKE THE SAME GIRLS.
WE'RE JUST-- ONE'S WHITE, ONE'S BLACK.
[LAUGHS]
ONE'S FROM THE EAST, AND I'M FROM THE WEST.
BUT FOR THE MOST PART, I THINK WE CAME TO A--
AGREEMENT THAT WE BOTH
LIKE EACH OTHER FOR NOW,
UNTIL SOME [BLEEP] POPS OFF OR SOMETHING.
WANT TO TAKE A SHOWER?
LET'S GO TAKE A SHOWER.
[GROANS]
Amy: OH, BABY!
I LOVE YOU.
Camilla: BEST SHOWER EVER.
[WOLF HOWLS]
YOU CAN GET OUT.
NO!
I NEED A TOWEL.
I BROUGHT US A TOWEL.
NO, I'M NOT GOING.
[BLEEP] IT.
NOW YOU GOTTA GET YOUR OWN TOWEL.
WHERE YOU'RE FALLING AND SLIPPING ALL [BLEEP] AROUND.
BYE.
IF I DID IT, YOU GOTTA DO IT.
[BANGS DOOR]
I FEEL LIKE IF I HAD TO GET OUT THE SHOWER WITHOUT A TOWEL,
YOU HAVE TO GET OUT OF THE SHOWER, TOO.
I PUT THEM CLOSE ENOUGH FOR BOTH OF US TO GET IT.
OK.
SO GET IT.
ALL I KNOW FROM THIS WONDERFUL DAY
SLASH NIGHT THAT I'VE HAD
HAS TURNED INTO A COMPLETE [BLEEP] SHOW
BECAUSE A GIRL CAN'T EVEN GET A TOWEL.
I'M GONNA NEED A TAN ONE.
NO. I HAD TO COME OUT WITHOUT A TOWEL.
NO, BUT YOU-- BUT YOU TALKED [BLEEP].
NO, I DIDN'T. I DIDN'T TALK [BLEEP].
NO, I DIDN'T.
DON'T PUT YOUR HANDS ON ME, ***.
LET ME TELL YOU.
YOU DON'T WANT IT RIGHT NOW, SERIOUSLY.
YES, I DO. DON'T PUT YOUR [BLEEP] HANDS ON ME.
STOP. STOP.
STOP.
LET ME PUT CLOTHES ON BEFORE YOU TALK [BLEEP].
I CAME OUT HERE, I GOT MY TOWEL MYSELF.
LET ME PUT CLOTHES ON.
LET ME PUT CLOTHES ON! SHUT THE [BLEEP] UP.
CALM DOWN.
SHUT THE [BLEEP] DOOR. SHUT THE DOOR.
THIS IS NOT THE TIME TO [BLEEP] WITH ME.
IN MY CITY, LONG BEACH,
WHEN YOU SAY THOSE WORDS,
"LET ME PUT ON MY CLOTHES FIRST," THAT'S FIGHTING WORDS.
IF YOU WANT TO GET IT CRACKING, WE CAN GET IT CRACKING
RIGHT WHEN YOU STEP OUT OF THE SHOWER.
THAT'S ALL I'M SAYING.
GONNA HELP YOUR CRAZY ***.
ALL RIGHT, SO WHAT'S YOUR PROBLEM?
NO, I'M TRYING TO HELP YOU.
WHAT'S YOUR PROBLEM? WHAT'S YOUR PROBLEM?
***, WHAT?
***, WHAT?
GET THE [BLEEP] BACK. I'M NOT THE ONE.
I'M NOT THE [BLEEP] ONE.
Announcer: COMING UP ON THE "BAD GIRLS CLUB"...
[SHOUTING]
WHAT THE [BLEEP] IS GOING ON?
LIKE, WHAT HAPPENED?
I'M FROM THE EAST SIDE OF LONG BEACH, ***.
I STILL LOOK CUTE. AND I STILL LOOK CUTE.
MAMA, I JUST BEAT A *** UP RIGHT NOW.
WATCH OUT. WATCH OUT, GUYS. WATCH OUT.
AAH!
WHY DOES IT KEEP DOING THAT?
WHERE'S THE HOSE?
IT JUST FELL OUT.
SO WHAT DID YOU DO?
JUST PUT THE [BLEEP] THING ON
AND IT WENT CRAZY.
OH, YOU MUST HAVE FIXED IT.
THIS HOUSE WAS ENGINEERED TO LAST EXACTLY 9 WEEKS.
HOPE WHOEVER WALKS IN THE HALLWAY IS CAREFUL.
WE CAN GET IT CRACKING RIGHT WHEN YOU STEP OUT OF THE SHOWER.
I'M TRYING TO HELP YOU.
SO WHAT'S YOUR PROBLEM?
***, WHAT? GET BACK.
I'M NOT THE ONE. I'M NOT THE ONE.
I'M NOT THE ONE. I DON'T FIGHT LIKE A WHITE GIRL, ***.
I'M NOT THE [BLEEP] ONE.
I'M NOT THE [BLEEP] ONE.
I'M NOT THE [BLEEP] ONE.
I'M NOT THE [BLEEP] ONE.
I'M NOT THE [BLEEP] ONE.
Man: LET GO.
[SHOUTING]
SO I'M AWAKENED IN THE MIDDLE OF THE NIGHT.
TRYING TO GET MY BEAUTY REST.
AND I'M LIKE WHAT THE [BLEEP] IS GOING ON?
LIKE, WHAT HAPPENED?
I TRIED TO HELP HER. I TRIED TO HELP HER.
***, I'M FROM THE EAST SIDE.
I'M FROM THE EAST SIDE.
I'M FROM THE EAST SIDE OF LONG BEACH, ***.
AND I STILL LOOK CUTE. AND I STILL LOOK CUTE.
WHEN I WENT TO SLEEP, AMY AND CAMILLA WERE GOOD.
I WAKE UP AND NOW THEY'RE IN A FIGHT.
CAMILLA, YOU NEED TO GO. I JUST KNOW I DON'T WANT YOU IN MY HOUSE.
DO YOU WANT ME TO CLOSE IT FOR YOU?
NEED HELP, AMY?
NOPE, I'M LEAVING.
STOP.
NO!
WE COULD GET OUT EVERY [BLEEP] DAY.
THAT'S HOW WE GET OUT IN MY CITY.
YOU AIN'T ABOUT [BLEEP], ***!
***, NO, YOU AIN'T ABOUT [BLEEP],
YOU DRUNK-*** WHITE HO.
WHITE-*** TRASH.
MAMA, I JUST BEAT A *** UP RIGHT NOW. I'M SORRY.
I CALL MY DOWN-***-MAMA, DAM,
'CAUSE MY MAMA IS DOWN FOR THE CAUSE.
AND I'M LIKE, MAMA, THESE *** TRIED TO JUMP ME.
WHY ARE YOU CRYING, THEN?
BECAUSE I'M ANGRY.
DON'T YOU BE STANDING UP THERE CRYING. DON'T YOU DARE.
MAMA, I'M NOT CRYING BECAUSE I'M SAD.
I'M CRYING BECAUSE I'M ANGRY.
AND WHEN I'M ANGRY, I WANT TO DO ANGRY [BLEEP].
I SWEAR TO GOD, SHE MADE ME GO GHETTO.
DON'T BE NO DAMN [BLEEP].
I'M NOT NO [BLEEP].
I JUST [BLEEP] HER UP REAL QUICK, MOM.
NOW SHE WANT TO GET ANOTHER ONE.
WE CAN GO TOE FOR TOE.
WE CAN [BLEEP] FIGHT EVERY NIGHT.
I DON'T CARE.
AMY GOT THE MAKEUP CABOODLE
TO GO HIT THAT GIRL OVER THE HEAD WITH IT.
YOUR *** GONNA HELP HER CLOSE IT.
THEN SHE WALKS OUT WITH IT LIKE SHE'S GONNA [BLEEP].
COME INSIDE, AMY.
[INDISTINCT]
GOOD, GOOD.
BUT WHEN I WAKE UP, THE FIRST THING I'M DOING
IS TAPPING HER ON THE SHOULDER.
AND WHEN SHE WAKES UP.
GOOD NIGHT.
GET READY, YOU GUYS,
IT'S GONNA BE AN INTERESTING MORNING.
I KNEW SOMETHING WAS GONNA HAPPEN TONIGHT.
I JUST DIDN'T KNOW WITH WHO.
UNFORTUNATELY, IT HAPPENED WITH THE ***
THAT I HAD A WONDERFUL TIME WITH TONIGHT.
AND GUESS WHAT, HER LITTLE TRACKS ARE OUT.
AND I DON'T NEED TO PULL HAIR.
BUT, ***, YOU [BLEEP] WITH THE WRONG PERSON.
SO YOU HAVE TO WEAR YOUR OWN HAIR.
AMY'S BASICALLY DOING THE WALK OF SHAME THIS MORNING.
SHE'S QUIET. SHE FEELS REALLY EMBARRASSED.
THAT LIQUID COURAGE, MAN.
THAT LIQUID COURAGE IS A ***.
I'M GONNA GO TALK TO CAMILLA.
ARE YOU ABOUT TO GO FIGHT HER?
IF SHE WANTS TO.
LIKE THE SAMURAI.
I REALIZED, DAMN, MY WASTED *** [BLEEP] CAMILLA LAST NIGHT.
I'M GONNA GO STRAIGHT UP TO CAMILLA
AND TRY TO SQUASH THIS BEFORE WE NEED TO FIGHT AGAIN.
LET'S GET OVER THIS BULL[BLEEP].
OK. IT'S EITHER WE'RE GONNA FIGHT AGAIN
OR WE'RE GONNA TALK. I'M ASKING YOU TO TALK.
ALL RIGHT, TALK.
YOU WANT TO SIT?
I WANT TO WALK PEACEFULLY
AND NOT HAVE TO WORRY ABOUT FIGHTING.
AS I DO, TOO. 'CAUSE I DIDN'T WANT TO HIT YOU.
BUT...THAT'S WHAT HAPPENED.
IF I HAD TO FIGHT SOMEBODY,
I WOULD HAVE MUCH RATHER HAVE BEEN SOBER.
IF YOU WANT TO DO DO IT AGAIN, WE CAN DO IT AGAIN SOBER.
IT'S ALL GOOD.
BUT WHY AGAIN WHEN IT WAS REALLY OVER NOTHING?
IT'S THE BAD GIRLS CLUB. I MEAN, WHAT DO YOU EXPECT?
YOU SAY CERTAIN THINGS, YOU GET SOME REACTIONS.
AND MY REACTION WAS TO HIT A ***.
[PUNCHING PILLOW]
I MEAN, I REALLY DON'T KNOW WHAT ELSE TO DO.
ALL RIGHT.
LET'S HAVE A GOOD DAY.
LET'S HAVE A GOOD DAY.
LET'S CHILL... AND DO WHAT WE DO.
YOU WANT TO CALL A TRUCE, THAT'S COOL.
WE CAN TRUTH IT OUT, WHATEVER.
BUT I DON'T REALLY TRUST YOU.
BUT I'LL KILL YOU WITH KINDNESS.
AND I'M GONNA STILL WALK AROUND WITH MY LIP GLOSS.
I COULD BEAT YOUR *** AGAIN LOOKING CUTE.
HAVE YOU SEEN MY CLIP-ONS?
I PULLED THEM OUT YOUR HAIR LAST NIGHT.
I'M ASKING WHERE THEY ARE.
I DON'T KNOW WHERE THEY ARE.
SO TODAY HAS BEEN INTERESTING.
THIS IS MY HAIR. THIS IS MY WEAVE.
WHAT'S LEFT OF IT.
I'M NOT HURT. I'M AWARE NOW.
AND I'M SOBER NOW.
SO IF THIS HAPPENS TO HAPPEN AGAIN, LET IT.
CAN I SEE THE COMPUTER TO LOOK UP SOMETHING REAL QUICK?
[GASPS]
BOOTLEG CANYON FLIGHTLINES.
ARE YOU ADVENTUROUS LIKE THIS?
ME, TOO.
THIS LOOKS LIKE IT'S GONNA BE FUN.
CAMILLA FEELS LIKE SHE NEEDS TO BE UP IN ALL OF OUR FACES
AND TRYING TO FIT IN SO BAD.
I'M SO OVER THIS ***. SHE NEEDS TO GET THE HELL OUT.
HEY, AT 2:00 DO YOU GUYS WANT TO GO ZIPLINING?
YES? NO? OK.
YEAH? ALL RIGHT.
SO AT 2:00, BE READY.
I CAN'T WAIT TO GET OUT THE HOUSE
BECAUSE I FEEL LIKE I'M JUST TRAPPED IN A JAIL HOLE.
EVERYBODY'S ON THE SAME PAGE, HOPEFULLY,
AND NO DRAMA.
BUT THIS IS BAD GIRLS CLUB.
YOU NEVER KNOW WHAT MIGHT HAPPEN.
♪ WHOA ♪
♪ WHY DOES IT HAVE TO BE SO HARD? ♪
♪ SO STRONG ♪
♪ WHY DOES IT HAVE TO BE SO HARD? ♪
WELCOME TO BOOTLEG CANYON FLIGHTLINES. MY NAME IS JAMES.
I'M GONNA BE YOUR TAKEOFF INSTRUCTOR FOR TODAY.
SO THIS IS YOUR ROCKY MOUNTAIN FERRARI RIGHT HERE.
THAT'S WHAT'S GONNA BE TAKING YOU DOWN THE MOUNTAIN
ABOUT 60 MILES AN HOUR.
OH, [BLEEP].
I'M DEFINITELY NERVOUS.
LIKE, THIS IS THE MOUNTAINS.
I COULD PLUMMET TO MY DEATH.
JESUS, PLEASE DON'T LET THIS BE MY TIME, JESUS LORD.
SO WE GET STRAPPED UP AND WE'RE READY TO GO ZIPLINING.
LEGS OUT. GOT TO OPEN UP OUR LEGS FOR THIS SPORT.
A LOT OF US ARE GOOD HERE WITH THAT.
♪ HURRY UP, NOW TIME IS WASTING ♪
♪ I KNOW WE CAN MAKE IT ♪
WHOO!
♪ LAUGHING IN THE DAYDREAM ♪
♪ THAT'S THE ONE WHO MADE US, BABY ♪
♪ WE'RE GOING TO EXTREMES ♪
♪ I KNOW WE CAN MAKE IT, LET'S ON TO VEGAS, BABY ♪
ZIPLINING IS AMAZING.
WE'RE DOING TURNS. WE'RE POINTING OUR TOES OUT.
WE'RE LIKE SOME ADRENALINE JUNKIES RIGHT NOW.
THIS IS GONNA BE LIKE A NEW HOBBY OF MINE.
♪ OH ♪
WHOO!
♪ YEAH, YEAH, YEAH ♪
♪ LET'S GO ON TO VEGAS, BABY ♪
THANK YOU.
Y'ALL HIT THAT HARD. I THOUGHT I DID IT WRONG.
DID YOUR EYES WATER?
CAMILLA NOTICES THAT WE'RE NOT PAYING HER NO ATTENTION.
SHE'S TRYING HER BEST TO GET ATTENTION FROM US,
AND WE'RE JUST IGNORING HER.
HOW WAS THAT ONE FOR YOU, G?
CAMILLA HAS NO FRIENDS IN THE BAD GIRLS CLUB HOUSE.
WHO IS CAMILLE? NOBODY, ***.
I'M JUST LOOKING AT MY HAIR.
YOU LOOKING IN MY GLASSES?
YEAH. 'CAUSE I HAVEN'T--
I FIND THE ONES THAT LOVE THESE GLASSES
ARE THE ONES THAT LIKE TO LOOK AT THEMSELVES A LOT.
YEAH, WHY NOT?
IF YOU'RE BEAUTIFUL, WHY NOT LOOK AT YOURSELF?
EXACTLY. KEEP LOOKING.
[INDISTINCT CHATTER]
I'M SO BEAUTIFUL.
THESE *** ARE BEING FAKE.
AND THEN, ELEASE, YOU WANT TO TALK [BLEEP]
AND MAKE LITTLE COMMENTS?
***, YOU'RE JUST MAD THAT ANOTHER CUTE, HOTTIE CHICK
CAME UP IN THIS MUG AND LOOKED AMAZING.
AND YOU'RE JUST JEALOUS.
ALL RIGHT, GIRLS, THAT'S IT.
THANK YOU.
BYE, GUYS.
♪ WHERE DID ALL THE GOOD TIMES GO? ♪
♪ BEFORE YOU WANTED ALL CONTROL ♪
♪ YEAH, YOU WANT TO BLAME ME AND BREAK ME ♪
♪ BREAK ME DOWN ♪
I DON'T GET DOWN WITH THESE ***.
THESE *** ALL THINK I'M MAD 'CAUSE I'M CUTER THAN Y'ALL?
I'M SORRY. I CAN'T HELP IT
THAT I DON'T HAVE TO WAKE UP IN THE MORNING
WITH YOUR CRATER FACE, ELEASE.
I THINK I'M READY TO BEAT HER ***
AND KICK HER OUT OF MY ROOM,
SO SHE CAN GO BACK IN THE OTHER ROOM.
SINCE YOU WANT TO BE FAKE,
I'M GONNA KICK YOU OUT OF MY ROOM.
'CAUSE YOU DON'T DESERVE TO BE HERE.
I'LL EVEN MAKE IT UP FOR YOU.
I CAN'T DO YOU, GIRL.
'CAUSE YOU'RE FAKE.
YES, GIRL.
YOU SEE WHAT THIS CHICK DID?
SHE TOOK OUT MY MATTRESS
AND PUT IT IN THE VIP ROOM.
CAMILLA.
THIS *** IS CRAZY.
WE HAD A FULL DAY TOGETHER.
I DIDN'T SAY ANYTHING TO YOU.
I MAYBE ROLLED MY EYES ONCE OR TWICE, BUT THAT'S ABOUT IT.
[GASPS]
WHAT IS WRONG? WHAT'S GOING ON?
WHY WOULD YOU MOVE MY MATTRESS?
CAN YOU MOVE IT BACK, PLEASE?
NO. I FEEL LIKE YOU SHOULD GO BACK IN THE ROOM WITH HER,
'CAUSE YOU'RE FAKE, ELEASE.
AND I WAS GOOD TO YOU--
WHAT AM I FAKE? I DON'T KNOW YOU.
HOW AM I FAKE IF I DON'T EVEN TALK TO YOU?
I DON'T WANT TO SEE YOU IN THE ROOM NO MORE,
SO GO BACK IN THE ROOM WITH HER.
Y'ALL TALK TO EACH OTHER. WE RARELY TALK.
BUT I WOULD APPRECIATE IF YOU MOVED THE MATTRESS BACK.
WELL, THAT'S NOT YOUR MATTRESS. YOU DIDN'T PAY FOR IT.
I DIDN'T TOUCH NONE OF YOUR BELONGINGS.
I TOUCHED THE MATTRESS THAT "BAD GIRLS CLUB" BOUGHT.
IF ANYBODY GOT A PROBLEM, IT'S SPACE AND OPPORTUNITY BECAUSE I DON'T CARE.
WE'RE TOUCHING THE MATTRESS
THAT "BAD GIRLS CLUB" BOUGHT.
OK, WELL, TAKE THE MATTRESS. I DON'T CARE.
I DON'T CARE. Y'ALL CAN TAKE THE MATTRESS.
I CAN SLEEP WHEREVER. I DON'T CARE.
EXACTLY. EXACTLY.
SO WHAT? I CAN KEEP IT RIGHT HERE.
IT DOESN'T MATTER.
IT DOESN'T MATTER.
IT DOESN'T MATTER. I'M NOT PUSHING YOU.
DON'T PUSH ME!
DON'T [BLEEP] PUSH ME!
[ALL SHOUTING]
Announcer: STILL TO COME ON THE "BAD GIRLS CLUB"...
MAYBE SHE CAN SWIM IN THE [BLEEP] POOL WITH HER MATTRESS.
HOW ABOUT THAT?
CAMILLA BROUGHT IT UPON HERSELF.
THIS NASTY-*** *** JUST TOOK IT TO A WHOLE NEW LEVEL.
HAVE FUN FINDING YOUR [BLEEP] MATTRESS.
HOW ABOUT THOSE APPLES AND BANANAS, CAMILLA?
DON'T PUSH ME! DON'T [BLEEP] PUSH ME!
[ALL SHOUTING]
NOBODY'S GOT YOU. DON'T TOUCH HER.
[INDISTINCT] TODAY!
WHY ARE YOU MAD? WE'RE TOUCHING THE MATTRESS THAT "BAD GIRLS CLUB" BOUGHT.
MAYBE SHE CAN SWIM IN THE [BLEEP] POOL
WITH HER MATTRESS. HOW ABOUT THAT?
I DON'T KNOW WHAT CAMILLE'S MOTIVE FOR THIS IS,
BUT IT'S LIKE, SERIOUSLY, YOU'RE COMING INTO OUR HOME
MOVING PEOPLE'S BEDS. THAT JUST CHILDISH.
YEAH, ***, HAVE FUN FINDING YOUR [BLEEP] MATTRESS.
HOW ABOUT THOSE APPLES AND BANANAS, CAMILLE?
I DON'T FEEL BAD FOR CAMILLA
BECAUSE THE GIRL BROUGHT IT UPON HERSELF.
THIS NASTY-*** *** JUST TOOK IT TO A WHOLE NEW LEVEL.
I'M GOING TO MY ROOM. MY ROOM'S THE BLUE ROOM.
MY ROOM'S THE BLUE ROOM. MY ROOM'S THE BLUE ROOM.
WHAT YOU DO? THAT'S WHAT YOU DO.
WHAT? WHAT?
[INDISTINCT SHOUTING]
***!
[BLEEP] HO.
***!
FAKE HAIR.
LET GO OF MY HAIR, PLEASE.
CAMILLE LITERALLY RIPPED OUT MIMI'S BANGS LIKE THAT.
AND I HEARD THE RIP, TOO.
IT WENT-- [IMITATES RIP]
OOH. THAT HAD TO HURT.
OH, YOU'RE GETTING AN *** WHOOPING NOW.
[INDISTINCT]
THIS *** JUST PULLED OUT MY HAIR.
I DON'T HAVE ANY HAIR. *** SNATCHED ME BALD.
SHE'S GOT TO GO.
SHE TOOK OUT ALL MY BANGS.
WHAT JUST HAPPENED?
ANYBODY ELSE'S WEAVE WANT TO COME OUT?
Y'ALL *** WASN'T PAYING ATTENTION TO ME.
IT JOINS THE CLUB.
LOOK AT ALL THE RAGGEDY WEAVES THERE IS.
WHOO!
NOW I JUST NEED EVERYBODY ELSE'S.
YAY.
YOU MOVE A MATTRESS WHEN NOBODY IS LOOKING,
AND THEN YOU GO, "YEP, 'CAUSE ELEASE IS FAKE."
WHY IS ELEASE FAKE, CAMILLE?
YOU DON'T HAVE AN ANSWER AS TO WHY SHE'S FAKE.
'CAUSE SHE DOESN'T LIKE ME
AND DOESN'T WANT TO BE MY FRIEND.
THAT'S WHY ELEASE IS FAKE.
I THINK SHE THOUGHT SHE HAD A FRIEND.
THAT'S WHAT-- SHE'S HURT.
THAT'S A HURT SOUL OUT THERE.
THIS IS NOT THE END.
SO IF YOU THINK YOU GUYS WON RIGHT HERE,
YOU HAVEN'T. YOU HAVEN'T WON ANYTHING.
YOU WILL NOT GET THE BEST OF ME.
YOU WILL NEVER GET THE BEST OF ME.
YOU'RE MAKING ME LAUGH. HA HA HA!
♪ YOU KNOW THAT EVERYWHERE I GO ♪
♪ WHEN EVERYONE KNOWS ME ♪
♪ IS THAT I WILL STAND ALONE ♪
♪ IT'S ALL PART OF THE GAME ♪
THE GAME ♪
♪ THE GAME ♪
THE GAME ♪
♪ I'M STANDING ON MY TOES, JUST GOT TO GO ♪
♪ AND YOU'RE THE ONE THAT THINKS IT'S ALL PART OF THE GAME ♪
THE GAME ♪
♪ THE GAME ♪
♪ THE GAME, WE ALL PLAY IT THE SAME ♪
YOU KNOW WHAT, IT'S ABOUT TO BE REAL BAD
IN THIS MOTHER[BLEEP].
Announcer: NEXT TIME ON THE SEASON FINALE OF "BAD GIRLS CLUB."
I WANT TO GO STREAKING.
I DECIDED TO CALL MY FAMILY
TO COME AND VISIT ME. LET THE GAMES BEGIN!
[CHEERING AND LAUGHTER]
IF I HAVE TO TAKE A PUNCH TO GET THIS GIRL OUT OF MY HOUSE
THEN THAT'S WHAT I'M GOING TO DO.
AAH!
***!
AW, LOOK AT US.
VERY LONG.
TODAY'S MOVE OUT DAY. IT'S THE LAST DAY HERE.
NOT MANY PEOPLE GET TO EXPERIENCE THIS WHOLE THING.
GIGI!
OH, I'M GONNA CRY.
FOR MORE INFORMATION ON "BAD GIRLS CLUB,"
GO TO OXYGEN.COM.
CAPTIONING MADE POSSIBLE BY BUNIM/MURRAY PRODUCTIONS
CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--