Tip:
Highlight text to annotate it
X
>> ON THIS EPISODE OF
"BIG RICH ATLANTA"...
>> WHEN YOU TALK ABOUT WHERE
WE ARE WITH THE WEB SITE,
PHOTO SHOOT, PHOTO SHOOT.
>> THE LOOK IS NUDE-COLORED
***.
>> SO I'M GONNA BE NAKED.
MOM'S GONNA FLIP OUT.
>> MY HUSBAND'S RELEASE OF HIS
ALBUM. YOU HAVE TO COME TO
THIS PARTY.
>> I'M LOOKING TO DO SOME MUSIC.
YOU HAVE MY CARD.
>> SABRINA WAS PASSING OUT HER
BUSINESS CARD.
>> THERE'S A WARRANT OUT FOR
KAHDIJIHA.
>> SAY SWEAR.
>> HOLY BIBLE.
>> MARCIA IS COMING TO THE
PARTY, TOO. YOU REMEMBER
MARCIA.
>> YES, THE ONE THAT TRIED TO
STEAL MY JOB. I REMEMBER HER.
>> I DON'T SEE WHAT YOU--OHH!
YOU FREAKIN' ***! YOU ARE
JUST DRUNK AND SCREWED UP!
>> I CAN'T TAKE THE DRAMA!
>> YOU LOOK A LITTLE GREEN
AROUND THE GILLS.
>> I AM. I FEEL AWFUL.
>> WELL, WHOSE FAULT IS THAT?
>> AND MEYER WAS SO DRUNK.
I WAS TRYING TO HIDE HER FROM
THE GENERAL PUBLIC, SO I PUSHED
HER OUT THE WINDOW.
>> COME ON.
>> THEN WE BOTH CRASHED.
>> I HOPE NOBODY SAW YOU
DO THAT.
>> MEYER, YOU ARE SUCH A [BLEEP]
MESS. OW, DON'T TOUCH MY--HEY,
MEYER! MEYER, GET OFF ME.
YOU DON'T KNOW HOW TO DO
ANYTHING.
IS THAT MIKE WITH MOM? EWW!
>> OH, LOOK WHO THE CAT DRUG IN.
>> SPEAK OF THE DEVIL. SO YOU
DECIDED TO COME HOME TODAY, HUH?
>> I FEEL LIKE DEATH.
>> HAVE YOU SEEN THE BACK OF
YOUR HAIR? OH...MY...GOD.
YOU'VE EVEN GOT SOME DEBRIS
IN HERE.
>> DO YOU KNOW WHAT TIME IT IS?
>> YEAH.
>> JUST BECAUSE YOU HAD TOO MUCH
TO DRINK DOES NOT MEAN THAT THE
WORLD COMES TO AN END. BEING SO
OUT OF IT THAT WE CAN'T MOVE
FORWARD ON A DAY WHEN WE HAVE
SOME IMPORTANT THINGS
TO DISCUSS.
>> I'M NOT OUT OF IT.
>> WELL, IT'S 1:00 IN THE
AFTERNOON. I HAVE NO IDEA WHERE
IN THE HELL YOU ARE. WHAT AM I
SUPPOSED TO DO? I'VE HAD IT.
SHOW ME YOU CAN BE RESPONSIBLE
AND BE A PART OF THIS BUSINESS.
GETTING "SHE BLAMES ME" OFF THE
GROUND IS TAKING MUCH LONGER
THAN I ANTICIPATED, AND
PROFITABILITY LOOKS LIKE IT'S
EVEN FURTHER BEHIND. WE HAVE TO
GET A PHOTO SHOOT SET UP AND GET
THE WEBSITE UP AND GOING.
HOW ARE YOU GONNA GET
ALL THIS DONE?
>> MOM, WE GOT THIS.
>> WHAT I NEED AND WHAT I EXPECT
BY THE END OF TODAY IS SOME
POSITIVE, FORWARD MOTION.
I WANT 10 WEB-BASED DESIGNERS
THAT ARE GONNA DO THE E-COMMERCE
FOR US. I WANT TO HAVE AN IDEA
OF THE MODELS, MEYER.
WHAT AGENCIES ARE YOU TALKING
ABOUT? WHAT ARE TWO MODELS GONNA
COST US? I WANT TO SEE PICTURES.
AND WHEN WE GET ALL THAT
TOGETHER, I'LL FEEL LIKE WE'VE
GOTTEN SOMEWHERE.
>> WE REALLY GOT TO GET OUR ACT
TOGETHER OR GOOSE IS GONNA LEAVE
US HIGH AND DRY WITH NOTHING.
YOU NEED TO STEP UP.
>> HOW ARE YOU?
>> HI, HONEY.
>> GOOD TO SEE YOU.
HOW YOU BEEN?
>> OH, I'VE BEEN DOING GREAT.
HOW ABOUT YOU?
>> GOOD. REAL GOOD. I LOVE THIS
PLACE. YOU LOOK WELL-RESTED.
>> WELL, NO. HA HA HA! WE JUST
NEED TO, LIKE, GO ON A VACATION
OR SOMETHING.
>> YES, I THINK WE SHOULD GO.
>> IT'S BEEN A HECTIC TIME
OF YEAR.
>> YES, DEFINITELY.
>> ARE YOU AND McCLAIN GOING TO
SABRINA'S DINNER PARTY TONIGHT?
>> I WANT TO COME, DEFINITELY.
>> CONSIDERING SABRINA'S
DISAPPROVAL OF OUR LIFESTYLE,
I'M KIND OF SURPRISED SHE
INVITED US TO HER DINNER PARTY.
>> YEAH, DOESN'T SHE CALL YOU
A WORTHLESS HOUSEWIFE?
>> SHE INSINUATED THAT, BUT
BEING THE SOUTHERN LADIES THAT
WE ARE, WE'RE NOT GONNA TURN
DOWN A NICE INVITATION.
WELL, LISTEN, I WAS WONDERING IF
YOU COULD COME TO MY FALL
HARVEST PARTY.
>> OF COURSE. WHEN IS IT?
>> IT'S FRIDAY NIGHT. I HAVE IT
EVERY YEAR. IT'S JUST A REALLY
FUN PARTY TO KIND OF CELEBRATE
THE FALL. AND I'M WORKING ON
HAVING, YOU KNOW, A FUN GUEST
LIST, AND MAYBE A GUY OR TWO
I MIGHT LIKE TO INTRODUCE--
>> JUST A GUY OR TWO? THAT'S IT?
>> WELL, I'M WORKING ON IT,
HOPEFULLY. I THINK I KNOW WHAT
YOU LIKE.
>> WELL, I'M SURE VIRGINIA WILL,
LIKE, YOU KNOW, BE IN THERE TO
SNAG 'EM UP, SO IT'S GOOD.
>> I SAW VIRGINIA RECENTLY.
YOU KNOW, I ASKED HER HOW
EVERYTHING'S GOING WITH HER...
>> OH, HER PROCEDURE?
>> PROCEDURE.
I ACCOMPANIED VIRGINIA TO THE
DOCTOR'S OFFICE WHEN SHE GOT HER
G-SHOT. APPARENTLY A G-SHOT IS
A SHOT GIVEN IN THE PRIVATES
TO ENHANCE CERTAIN THINGS.
SHE SAID AT FIRST, YOU KNOW,
NOTHING REALLY HAPPENED, AND NOW
SHE SAID THAT THINGS ARE REALLY
PICKING UP.
>> REALLY?
>> YEAH. YOU KNOW THAT VIRGINIA
LEFT WITH MIKE AFTER YOUR
PARTY?
>> HUH.
>> AND RIGHT THIS WAY, PLEASE.
>> THANK YOU.
>> YOU'RE WELCOME.
>> HI, BEAUTIFUL.
>> HOW ARE YOU?
>> WONDERFUL. MM-WAH.
>> SABRINA AND I, WE'RE FRIENDLY
AT THE COUNTRY CLUB, AND TODAY
WE'RE MEETING TO HAVE LUNCH TO
CATCH UP.
>> I THINK THAT SHE'S ONE OF THE
MORE LEVELHEADED WOMEN AT
THE COUNTRY CLUB.
>> SHE IS.
>> HOW YOU DOING?
>> GIRL, WE HAVE A SPECIAL DAY
GOING ON--MY HUSBAND'S RELEASE
OF HIS ALBUM.
>> CONGRATS!
>> I KNOW. I'M VERY HAPPY. YOU
HAVE TO COME TO MY HUSBAND'S
ALBUM RELEASE PARTY.
>> I'M DEFINITELY COMING.
>> OOH, GIRL.
>> NOW, CAN I BRING ANANDI?
I THINK IT WOULD BE A GOOD
EXPERIENCE FOR HER.
>> YES, YES, YES. PLEASE DO.
PLEASE DO BRING HER.
>> SO WHO'S COMING?
>> GIRL, YES. IT'S A LOT OF
PEOPLE COMING, SO YOU'LL BE
SURPRISED.
>> I'M LOOKING FORWARD TO IT.
>> IT'S GONNA BE A PACKED HOUSE.
>> I'M REALLY EXCITED TO GO TO
Q.'s RELEASE PARTY. I'VE BEEN IN
THE ENTERTAINMENT INDUSTRY FOR
A VERY LONG TIME. I STARTED
DANCING WITH BOBBY BROWN, TLC,
WHITNEY HOUSTON.
WHERE IS Q. AT WITH THIS?
I MEAN, IS HE EXCITED ABOUT
COMING BACK OUT?
>> OH, GIRL, IT IS THE REBIRTH
OF Q. PARKER.
>> IS IT GONNA BE
ON THE RADIO SOON?
>> OH, IT'S ON THE RADIO.
WHERE HAVE YOU BEEN, SISTER?
>> HONEY, YOU KNOW I LISTEN TO
GOSPEL MUSIC.
>> RIGHT, RIGHT, RIGHT.
>> NOW THAT I'M BACK IN ATLANTA,
I'VE DECIDED THAT I MIGHT
POSSIBLY TREAT MYSELF TO
A NEW HOME.
>> OK, I WILL CALL YOU BACK
AS SOON AS I GET--
>> GET OFF THE PHONE, MEAGAN,
FOR GOD'S SAKES. YOU NEED TO BE
GREETING ME, DARLIN'.
>> HEY.
>> I'VE DECIDED TO HIRE MEAGAN
TO BE MY LITTLE REAL ESTATE
***.
>> GIVE ME A HUG.
>> NO. WHAT ABOUT THE REAL
ESTATE HANDSHAKE? I LIKE THOSE.
>> ALL RIGHT.
I AM COMPLETELY SHOCKED THAT
ASHLEE HAS CALLED ME ASKING FOR
MY HELP LOOKING FOR HOUSES.
WE'RE MEETING MARK HERE.
HE'S THE LISTING AGENT.
MARK?
>> HELLO, LADIES.
>> HELLO.
>> YOU I'VE HEARD OF.
>> SO, MEAGAN, I NEED YOU TO
TELL ME THE STATS ON THIS HOME.
>> IT'S GOT A BASKETBALL COURT.
IT'S GOT A--WHAT WAS THAT,
INFINITY POOL?
>> YEAH, IT'S GOT AN ENDLESS
POOL, SO YOU SWIM AGAINST THE
CURRENT.
>> THAT'S PRETTY FANTASTIC.
>> 6 BEDROOMS, RIGHT?
>> 6 BEDROOMS, 9 FULL
BATHROOMS.
>> WHAT SHALL WE SEE NEXT?
>> OK, WELL, THE KITCHEN'S OVER
HERE. THIS IS YOUR KITCHEN,
KEEPING ROOM, AND FAMILY ROOM
AREA.
>> YEAH, I THINK IT'S REALLY
OPEN, BRIGHT. YOU'VE GOT THE
DOORS THAT OPEN OUT TO THE POOL,
THE PATIO.
>> DOWN THAT HALL, YOU HAVE A
BUTLER'S PANTRY WITH ALSO SOME
KITCHEN THINGS, SO YOU DON'T
REALLY HAVE TO EVER
MESS THIS UP.
>> CAN YOU TAKE OVER DOING
MEAGAN'S JOB, MARK?
>> ASHLEE SEEMS MORE INTERESTED
IN BEING A *** TO ME THAN
LOOKING AT THIS HOUSE. I DON'T
KNOW WHY I'M EVEN HERE IF SHE'S
GONNA ASK THE SELLER'S AGENT
ALL THE QUESTIONS AND NOT ME.
>> ARE YOU SHOCKED BY THAT?
>> NO, NOT REALLY.
SO WHAT HAVE YOU BEEN UP TO?
LIKE, I MEAN, WHAT DO YOU DO IN
L.A.? DID YOU GET YOUR HAIR DONE
THERE OR WHAT? I MEAN, IT
DOESN'T EVEN LOOK LIKE
ANYTHING HAPPENED.
>> WOW. YOU SURE ARE BALLSY,
AREN'T YOU?
MEAGAN'S REALLY TERRIBLE AT
HER JOB. BUT THE REAL REASON
THAT I HIRED MEAGAN TO BE MY
REAL ESTATE AGENT IS BECAUSE I
WANT TO GET SOME INFORMATION
OUT OF HER.
ANYWAY, SO HAVE YOU BEEN SHOWING
ANY PROPERTIES TO ANY OF THE
OTHER GIRLS AT THE COUNTRY CLUB?
>> UM...WELL, I DID SHOW
KAHDIJIHA A CONDO IN BUCKHEAD.
>> NOT IN MY BUILDING?
>> NO.
>> WAS IT IN HER PRICE RANGE?
>> NO, I DON'T THINK IT PROBABLY
WOULD HAVE BEEN.
>> REALLY?
>> HAVE YOU TALKED TO HER?
>> DON'T WORRY ABOUT IF I'VE
HEARD FROM KAHDIJIHA BECAUSE
NOBODY RIPS MY HAIR OUT AND
GETS AWAY WITH IT.
>> WHEN I HAVE A DINNER PARTY AT
MY HOUSE, I LIKE TO PULL OUT ALL
THE STOPS. MY CHEF TONY IS JUST
AMAZING, AND SO HE'S GONNA PLAN
THE AWESOME MEAL, AND THEN MY
GLAM SQUAD WILL HANDLE
THE REST.
>> I DO LOVE HAVING OUR OWN
PERSONAL STYLIST.
>> ME, TOO.
[DOORBELL RINGS]
I'M COMING.
HI. HOW ARE YOU?
>> GOOD TO SEE YOU.
>> COME IN, COME IN.
>> HOW ARE YOU?
>> KATIE. THINGS HAVE BEEN QUITE
CHALLENGING BETWEEN SHE AND I.
MAYBE IF WE GET TO SPEND TIME
TOGETHER, WE'LL REALLY ENJOY
ONE ANOTHER'S COMPANY.
[DOORBELL RINGS]
>> HI. HOW ARE YA?
>> MARCIA BRADY!
>> OH, YOU'RE SO FUNNY.
>> I BROUGHT THESE FOR YOU.
>> THANK YOU.
>> NO PROBLEM.
>> LET ME GET YOUR COAT.
McCLAIN IS INTERESTED IN ANANDI,
SO I'M INVITING HIM OVER FOR
DINNER BECAUSE I WANT TO GET TO
KNOW McCLAIN A LITTLE BETTER.
SO, McCLAIN, YOU'RE WHERE?
WHAT SCHOOL?
>> UH, KENNESAW.
>> THAT'S AWESOME.
[ANANDI GIGGLES]
>> THIS IS AN ULTIMATE AIR SALAD
WITH GORGONZOLA, CUCUMBER
WRAPPED, AND CRANBERRY
VINAIGRETTE.
>> I'VE NEVER SEEN THIS BEFORE,
SO, TONY, CAN WE EAT THIS?
[LAUGHTER]
LET'S HOLD HANDS AND PRAY.
McCLAIN, WOULD YOU DO US
THE HONOR?
>> LORD, BLESS US THIS FOOD.
LET IT NOURISH OUR BODIES. UM,
IN YOUR NAME, WE PRAY. AMEN.
>> AMEN.
>> SO YOU LOVE JESUS?
>> ABSOLUTELY.
>> THIS IS SO DELICIOUS.
>> THIS IS REALLY GOOD.
>> THANK YOU.
>> NOW, ANANDI, DO YOU HAVE
A CAR DOWN AT FLORIDA STATE?
>> I DON'T. I REALLY NEED ONE.
LIKE, IF I HAD ONE, MY MOM
WOULDN'T HAVE TO COME UP THERE
AND, LIKE, I COULD JUST
DRIVE BACK.
>> I DON'T MIND COMING UP THERE.
LIKE, THE OTHER DAY, I'D WENT TO
ANANDI'S SCHOOL AND SHE WAS
AWOL. I HAD SECURITY OPEN
HER DOOR, YOU GUYS.
>> OH, MY GOODNESS.
>> HOW LONG WAS IT?
>> SHE'D JUST TALKED TO ME
THE DAY BEFORE.
>> LITTLE CONTROLLING THERE,
MAMA, AREN'T WE?
>> I KNOW, HUH?
>> WHERE ARE YOU 8:00 IN THE
MORNING? THAT MEANS THAT YOU
WERE NOT THERE THE NIGHT BEFORE.
>> SHE WAS AT KNITTING CLASS,
I'M SURE.
>> KNITTING, YEAH.
>> SO WHAT ARE YOUR INTENTIONS
WITH ANANDI?
>> UH, WELL--
>> WHAT WAS THAT?
>> I'M JUST ASKING.
>> [GIGGLES]
>> SHE'S A CONCERNED MOTHER.
THAT'S NORMAL. OK.
>> UM, YOU KNOW, WE'RE JUST
FRIENDS. I'VE ONLY KNOWN HER FOR
A COUPLE WEEKS NOW, SO...
>> WE JUST MET EACH OTHER.
>> GOOD. WE'RE GONNA KEEP IT
LIKE THAT. YOU KNOW, THERE'S,
LIKE, A HIGH AIDS EPIDEMIC
IN ATLANTA.
>> [COUGHS]
>> [COUGHS]
>> WOW.
>> YEAH.
>> I DID NOT KNOW THAT.
>> SO IT'S IMPORTANT TO JUST
KEEP YOUR PRIVATE--
>> SAFE, SAFE, SAFE.
>> NO, THAT WILL NOT DO IT.
ABSTAIN.
>> OH, WELL, YES. NO, NO, NO.
>> THEN YOU CAN REALLY--YOU CAN
GUARANTEE, ESPECIALLY IF YOU'RE
JUST FRIENDS.
>> AHEM.
>> I'M SICK OF MY MOM TREATING
ME LIKE A CHILD. THIS IS
MORTIFYING. I'M SO EMBARRASSED.
>> NIGHT.
>> BYE. [GIGGLES]
>> GET HOME SAFELY, YOU GUYS.
>> THANK YOU. WE'LL SEE YOU
SOON.
>> THAT WAS SO NICE.
>> I FEEL LIKE 40% OF THE
CONVERSATION THAT WE HAD TODAY
WAS McCLAIN.
>> DO YOU FEEL LIKE I PUT HIM
ON THE SPOT?
>> YES.
>> REALLY? I MEAN, THAT WASN'T
INTENTIONAL. IT WAS JUST--
I WANTED TO GET TO KNOW McCLAIN.
>> SO, WHAT'D YOU THINK?
>> I FOUND HER ETIQUETTE TO BE,
UM, YOU KNOW, A LITTLE OFF.
>> I THINK SHE WAS REALLY MAKING
IT VERY CLEAR...
>> YEAH.
>> THAT ANANDI'S OFF-LIMITS.
>> I LOVE THIS VIEW. IT'S MY
FAVORITE SPOT IN THE WHOLE PARK.
>> THE GEESE.
>> IT REMINDS US OF HOME, RIGHT?
>> YEAH, FOR SURE. THAT'S
EXACTLY WHAT I WAS THINKING.
HOW'S EVERYTHING GOING?
>> I'VE JUST BEEN WORKING
ON MY PLAN.
>> WHAT ARE YOU GONNA DO?
>> I AM HIRING A PRIVATE
INVESTIGATOR...
>> SHUT UP.
>> TO TRACK KAHDIJIHA.
>> EVERYBODY, YOUR WHOLE PARTY
SAW YOUR HAIR GET SNATCHED OUT.
>> [BLEEP]
[SHOUTING]
>> THERE'S CONSEQUENCES FOR
COMMITTING A CRIME. I MEAN, YOU
CAN'T JUST GO AND RIP SOMEONE'S
HAIR OUT AND THEN GO, "OH, WELL,
THEY SHOULDN'T HAVE SAID
BLAH-BLAH-BLAH TO ME."
>> YEAH.
>> DOESN'T MATTER WHAT SOMEBODY
SAYS TO YOU IN A MOMENT.
>> YEAH, THAT'S JUST WORDS.
>> DON'T PUT YOUR HANDS ON
PEOPLE, YOU PSYCHO. I'VE NEVER
THOUGHT I WOULD BE FACING ANY
CRAP LIKE THIS. DO YOU THINK
THAT I EVER THOUGHT THAT I WOULD
BE TRYING TO FIGURE OUT HOW TO
COVER UP A BALD SPOT FOR THE
NEXT GOSH KNOWS HOW MANY YEARS?
>> WILL THE COPS CALL YOU
WHENEVER THAT SHE GETS ARRESTED?
WILL YOU KNOW?
>> I DON'T KNOW HOW THIS IS
GONNA HAPPEN OR WHEN IT'S GONNA
HAPPEN, BUT I CAN PROMISE YOU
ONE THING: IT'S GONNA BE HUGE,
AND SHE PUBLICLY HUMILIATED ME
BY TURNING MY BIRTHDAY PARTY
INTO A CIRCUS. VENGEANCE IS
MINE. AN EYE FOR AN EYE. SHE HAD
HER CHANCE TO TURN HERSELF IN,
AND SHE DIDN'T. SHE HAD A CHANCE
TO APOLOGIZE TO ME, AND SHE
DIDN'T. WHEN ALL OF THIS
GOES DOWN...
>> UH-HUH?
>> KAHDIJIHA'S GONNA COMPLETELY
REGRET EVER MESSING WITH THE
BOSS ***.
>> YOU'VE GOT A LITTLE TWINKLE
IN YOUR EYE.
>> DO I LOOK VERY BUSINESSLIKE?
'CAUSE I AM. SERIOUS.
I NEED YOU TO BE ON POINT FOR
A SECOND. WE NEED TO TALK ABOUT
PHOTO SHOOT, PHOTO SHOOT,
THE PHOTO SHOOT. HUGE.
>> HEY, Y'ALL.
>> HEY.
>> GOOSE HAS TOTALLY CRACKED
THE WHIP. WE HAVE TO HAVE
PHOTOGRAPHERS, MODELS,
EVERYTHING LINED UP. SHE WANTS
TO SEE THE WHOLE LIST. SHE WANTS
TO REVIEW IT, SMELL IT,
TOUCH IT.
RIGHT NOW, WE ARE TRYING TO
REDESIGN OUR "SHE BLAMES ME"
WEBSITE, BUT ONE OF THE MAIN
THINGS WE'VE GOT TO SET UP IS
THE PHOTOGRAPHY.
>> RIGHT.
>> SO, MEAGAN, WOULD YOU
CONSIDER MODELING IN OUR
PHOTO SHOOT?
>> YEAH.
>> I MEAN, WE'LL, LIKE, ROCK YOU
OUT. LIKE, WE WANT, LIKE,
SMEARED LIPSTICK.
>> YEAH, I LOVE IT.
WHATEVER FLOATS YOUR BOAT.
>> OH, AND WE'RE THINKING ABOUT
USING ANANDI. WHAT DO YOU THINK
ABOUT THAT?
>> YEAH. I MEAN, SHE'S GORGEOUS.
>> SO SHE DOESN'T EVER TALK.
>> I KNOW. SHE'S REALLY QUIET.
>> HOW COULD SHE HAVE SUCH A
LOUD MOTHER AND BE SO QUIET?
>> SHE PROBABLY CAN'T GET
A WORD IN.
>> BUT KAHDIJIHA HAS A LOUD
MOTHER, AND SHE CAN GET
WORDS IN.
>> HEY.
>> HEY!
>> HI!
>> HEY.
>> HOW ARE YOU?
>> HOW ARE YOU?
>> I'M GOOD.
>> MEYER, I'VE BEEN EATING
PONYTAIL, LIKE, THIS ENTIRE
SITUATION.
>> OH, I'M SORRY.
>> SO, ANANDI, WE'VE BEEN
TALKING TO MEAGAN ABOUT OUR LOOK
BOOK FOR "SHE BLAMES ME." WE
ALSO WANTED TO HAVE SOME OF THE
PRETTY PEOPLE IN OUR OWN LIVES--
>> SO, LIKE, MEAGAN?
>> AND YOU.
>> OH, YEAH. I THOUGHT IT WAS
ME, BUT I DIDN'T WANT TO BE
OVER-PRESUMPTUOUS.
>> WOULD YOUR MOM LET YOU KISS
A GUY IN THE SHOOT?
>> OH, THAT WOULD BE AWESOME.
>> SHE'D PROBABLY BE IN THE
MIDDLE OF US, TRYING TO PUSH US
APART IN THE PICTURE.
>> YO, LET ME SEE YOUR MODEL
WALK. I'M GONNA TAKE PICTURES.
>> OOH.
>> OH, YOU ARE GOOD.
>> OH, MY GOSH.
LOOK AT THOSE HIPS.
>> YOU DON'T LOOK LIKE
A PREACHER'S DAUGHTER RIGHT NOW.
I'M GONNA NEED YOU TO SHED SOME
OF THOSE CLOTHES.
>> YEAH, TAKE IT OFF.
>> ANANDI, YOU GOT
BIG ***, TOO.
>> THIS IS A BRA.
IT'S JUST A BRA.
>> I KNOW WHY MOM KEEPS HER
CHAINED UP.
>> I HAVE NOT ALWAYS WANTED TO
DO MODELING, BUT NOW I REALLY
WANT TO PURSUE IT. AND I WANT TO
SHOW HARVIN AND MEYER THAT I'VE
GOT WHAT IT TAKES TO DO REALLY
WELL FOR THEIR PHOTO SHOOT.
>> YOU COULD DO A CRAWL.
>> OK, I COULD DO THAT.
>> HERE WE GO. I LIKE IT. YEAH,
THAT'S GOOD. OK, SHE'S USING
THOSE HIPS AGAIN. OK, THAT'S
ENOUGH. THIS IS THE
COUNTRY CLUB.
>> OH, MY GOD. WE HAVE
COMPLETELY CORRUPTED THE CLUB.
>> LET'S GET KICKED OUT
OF THE CLUB.
>> IT'S ALWAYS THE PREACHER'S
DAUGHTER THAT HAS THAT SNEAKY
WILD CHILD IN THERE.
>> YOU ARE SUCH A GOOD SPORT.
LIKE, I JUST WANT THE BIGGEST
HUG EVER. EVER. YOU ARE AMAZING
AND YOU'RE BEAUTIFUL.
>> HEY!
>> HEY, MAMA.
>> HOW ARE YOU?
>> MY HUSBAND, Q. PARKER, IS A
GRAMMY AWARD-WINNING RECORDING
ARTIST. HE HAS NOT RELEASED AN
ALBUM IN SOME TIME NOW, AND THIS
IS HIS BIG NIGHT.
>> IS THAT YOUR DADDY?
>> YEAH.
>> IN THAT PICTURE?
>> OH, YES, GIRL.
>> HE IS HOT! YOU HAVE A FILF.
FILF.
>> "DAD I'D LIKE TO..."
>> DADDY, WE JUST WANT TO SAY
WE LOVE YOU SO MUCH. WE ARE JUST
SO PROUD OF YOU AND EVERYTHING
THAT YOU HAVE ACCOMPLISHED.
>> WE LOVE YOU.
[WHISTLES AND CHEERS]
>> AND TOGETHER, WE'RE TRYING TO
SELL A MILLION-PLUS RECORDS.
HOW ABOUT THAT?
[CHEERS]
WHOO!
>> HI. HI. HOW ARE YOU?
>> FINE. HOW YOU DOING?
>> GOOD. YOU KNOW, I USED TO BE
IN THE INDUSTRY AS A DANCER,
BUT NOW I'M LOOKING TO DO
SOME MUSIC.
>> OH, REALLY?
>> YEAH. I'M GONNA CALL YOU ON
MONDAY 'CAUSE I'M SERIOUS ABOUT
THIS. I REALLY WANT TO DO
A SONG, AND SO LOOKING FOR SOME
PEOPLE THAT MAY BE INTERESTED
IN HELPING.
I HADN'T BEEN OUT IN A LONG
TIME. I'M USUALLY DOING
MINISTRY, COMING HOME.
WHO KNOWS? THIS COULD BE THE
SECOND COMING OF MY CAREER.
SO MY NAME IS SABRINA, AND
BASICALLY I USED TO DANCE FOR,
LIKE, BOBBY BROWN AND TLC AND
ALL THESE DIFFERENT ARTISTS.
AND RIGHT NOW, I'M LOOKING TO
GET BACK INTO THE INDUSTRY.
>> IT'S KIND OF, LIKE, RUDE.
LIKE, IT'S YOUR DAD'S NIGHT,
YOU KNOW?
>> I DON'T KNOW WHAT SABRINA'S
DOING, PASSING OUT HER BUSINESS
CARDS. THIS IS MY DAD'S ALBUM
RELEASE PARTY. IT HONESTLY
SHOULD BE ALL ABOUT HIM.
>> YOU JUST MET YOUR MONEYMAKER.
GIVE ME A HUG!
>> I DIDN'T GET A DAMN HUG.
>> YOU, TOO!
>> I WANT A WIFE.
>> HA HA HA!
>> YOU MARRIED?
>> WE COULD GET MARRIED AFTER
WE DO THIS MUSIC. LET ME GET
YOUR NUMBER.
>> SO I WANTED TO TELL YOU ALL
THAT SABRINA WAS PASSING OUT HER
BUSINESS CARD AT THIS EVENT.
>> SABRINA PASSING OUT HER
BUSINESS CARD TO EXPAND HER
MINISTRY WOULD HAVE BEEN A
DIFFERENT STORY, BUT PROMOTING
THAT SHE WANTS TO BE AN ARTIST?
UH, I INVITED YOU HERE TO BE
OF SUPPORT WITH MY FAMILY.
>> WELL, I THINK IT WOULD HAVE
BEEN A TAD SCARY FOR HER TO BE
WALKING AROUND PASSING OUT
CARDS TO CHURCH.
>> BEFORE EVERYBODY LEAVE,
I JUST WANT TO SAY THAT I THANK
YOU ALL SO MUCH, EVERYBODY,
EVERYBODY.
[CHEERS AND APPLAUSE]
>> CUTE.
DONALD.
>> OH, MY GOD!
>> HEY, SWEETIE. HOW ARE YOU?
>> HOW ARE YOU DOING?
>> OH, IT'S SO GOOD TO SEE YOU.
>> YOU ARE BEAUTIFUL TONIGHT.
>> YOU LOOK GREAT. I LOVE THIS.
>> OH, THANK YOU.
>> I AM SO LUCKY DONALD'S MY
BEST FRIEND AND HE HAPPENS TO BE
MY INTERIOR DESIGNER. WE HAVE
SOME LAST-MINUTE ITEMS TO PICK
UP FOR THE HARVEST PARTY.
>> LOOK AT THIS. THIS IS SO FUN.
I LOVE THIS.
>> I LOVE BIRDS.
>> WE'LL PUT IT BY THE PATE AND
BY THE PHEASANT UNDER GLASS
AND ALL THAT.
>> IT'S GOT TO BE VERY FALL,
VERY HARVESTY, VERY POSITIVE
AND HAPPY.
>> OK. I'M LOOKING. I THINK WE
NEED, LIKE, SOME LEAVES HANGING
FROM THE CEILING.
>> LEAVES? YOU DON'T THINK
IT'S TACKY?
>> GIRL, WE NEED SOME DRAMA
GOING ON ON THE CEILING 'CAUSE
THERE'S ENOUGH GOING ON ON THE
FLOOR WHEN YOU INVITE ALL
YOUR GUESTS.
>> I HAVE GOT REFINED GUESTS
COMING TO THIS.
>> WELL, YOU MIGHT NEED TO THINK
AGAIN ABOUT INVITING VAGIN--
VIRGINIA. VIRGINIA. I SAID
VIRGINIA. IT'S SO DAMN HARD.
>> IF YOU CALL HER *** ONE
MORE TIME, I'M TELLING YOU,
I WILL KILL YOU. THAT IS NOT
EVEN FUNNY.
>> EVER SINCE THAT [BLEEP] SHOT,
I CANNOT THINK OF ANYTHING ELSE.
I'M LIKE, "WHAT?"
>> I DON'T WANT ANY CONVERSATION
ABOUT PEOPLE'S PRIVATE AREAS...
>> RIGHT.
>> BEING TALKED ABOUT AT THIS
PARTY.
>> I PROMISE YOU, AT THE PARTY
I WILL NOT CALL HER A ***. I
WILL PRACTICE NOT SAYING THE
WORD *** BECAUSE I'VE NEVER
LIKED THAT WORD.
>> IT'S JUST INAPPROPRIATE.
>> WHEW!
>> MARCIA IS COMING TO THE
PARTY, TOO. YOU REMEMBER
MARCIA, RIGHT?
>> MARCIA? WHO'S MARCIA?
OH, MARCIA.
>> YOU KNOW MARCIA.
>> YES, THE ONE THAT TRIED TO
STEAL MY JOB. I REMEMBER HER.
>> DONALD, I AM MARCIA'S FRIEND.
I LOVE HER. SHE'S A CLUB MEMBER.
I REALLY WANT TO SET HER UP
WITH A REALLY NICE YOUNG MAN,
JUST A GOOD SOUTHERN GENTLEMAN.
>> RIGHT.
>> I WANT IT TO BE A NICE
EVENING. I DON'T WANT ANY
CRAZINESS GOING ON.
>> I WILL BE TOTALLY NICE TO HER
'CAUSE I DO LIKE HER DEEP DOWN.
I REALLY THINK SHE'S A SWEET
PERSON. JUST DON'T BE COMING UP
INTO MY DAMN TURF, ACTING LIKE
YOU'RE GONNA DO MY PROJECTS WITH
MY 20-YEAR-OLD VETERAN CLIENTS.
I WILL GO ALL OFF ON YOU.
[CHUCKLES]
>> NORMALLY DONALD IS VERY
CLASSY, BUT SOMETIMES HE GETS
A LITTLE JEALOUS.
>> IN ALL SINCERITY, WHAT'S
GOING ON WITH YOU? BECAUSE
YOU'RE, LIKE, INVITING VIRGINIA
AND MARCIA.
>> THEY'RE MY GIRLFRIENDS, AND
I ENJOY GOING OUT WITH THEM.
WHAT'S WRONG WITH THAT?
>> WELL, THERE'S NOTHING WRONG
WITH IT WHEN THEY'RE ALL DRESSED
UP FOR THE DINNER AT THE CLUB
IN THEIR NICE COCKTAIL DRESSES.
BUT THEN, AFTER THAT, THEY HEAD
DOWN TO BUCKHEAD AND GET ALL
WILD AS HELL AND--
>> BUT THEY WILL BE THERE,
AND I WANT YOU TO BEHAVE,
SO YOU BE A GENTLEMAN.
>> I WILL TREAT THEM LIKE THE
LADIES THEY THINK THEY ARE.
[CHUCKLES]
>> NANDI. OH, MY GOSH! I GOT OFF
THE PHONE. YOU KNOW, THESE
PRODUCERS, THEY WANT ME TO GET
BACK INTO THE INDUSTRY.
>> WHAT?
>> I'M SO EXCITED THAT SOME OF
THE PRODUCERS FROM Q.'s PARTY
CALLED ME. THIS IS WHAT I'VE
BEEN TELLING YOU THE WHOLE TIME.
NOBODY'S GONNA GIVE YOU
ANYTHING, BUT YOU WANT IT,
YOU GOT TO GO GET IT.
I FEEL THAT I CAN DO--I FEEL
LIKE THIS IS MY SEASON. THIS IS
MY WINDOW OF OPPORTUNITY. I'VE--
>> YOU DON'T EVEN HAVE TIME
FOR THIS, THOUGH.
>> CAN YOU BE EXCITED FOR ME?!
>> I'M NOT UNDERSTANDING
HOW THIS HAPPENED.
MY MOM'S LITERALLY ALWAYS UP TO
ONE THING OR ANOTHER, BUT THIS
SINGING CAREER, LIKE, IT CAME
OUT OF NOWHERE.
>> HAVE YOU EVEN HEARD MY MUSIC,
ANANDI?
>> I'VE HEARD YOU SING IN THE
CAR. MY FRIENDS HAVE HEARD YOU
SING IN THE CAR.
>> THEY LIKED IT, RIGHT?
♪ OH, OH ♪
YOU DIDN'T HEAR THE NOTE.
IT JUST SOUNDS A LITTLE--
>> BECAUSE THERE WAS NO NOTE.
>> IF IT WAS IN THE STUDIO--
>> THERE WAS NO NOTE.
>> ANANDI, IF THEY'RE PRODUCING
MUSIC FOR THE TOP ARTISTS IN
THE INDUSTRY, AND THEY THINK
I'M GOOD, GET THE REVELATION.
>> THEY PROBABLY EVEN ONLY
CALLED YOU 'CAUSE YOU'RE
PRETTY.
>> NANDI, THAT IS MEAN!
>> I'M SAYING, I MEAN, THAT'S
HOW IT WORKS.
>> I'M NOT A WHITNEY HOUSTON,
BUT I CAN SING. BUT YOU'RE GONNA
BE A BELIEVER.
♪ OH, OH
OH, OH-OH-OH OH-OH-OH, OH, OH ♪
>> THEY SHOULD HAVE VALET
OUT HERE.
>> HELLO.
>> HEY.
>> HEY.
>> HOW YOU DOING?
>> HEY THERE. GOOD. HOW ARE YOU?
HEY, BUBBA.
>> BENTLEY, YOU GET ALL THE
ATTENTION. HOW YOU DOING?
MIDDLEMAN.
>> I'M MEYER.
>> MEYER, IT'S A PLEASURE.
>> I'M HARVIN.
>> HARVIN, HOW YOU DOING?
MIDDLEMAN.
>> GOOD.
>> OH, THIS IS GLEN,
THE PHOTOGRAPHER.
>> YEAH. GLEN MOODY.
NICE TO MEET YOU.
>> SO WHAT BRANG YOU GUYS BY
TODAY?
>> WE NEED TO TALK PHOTOGRAPHY.
>> OK.
>> WE STILL HAVE A LOT TO DO
BEFORE THE PHOTO SHOOT, BUT
FIRST WE'VE HOOKED UP THIS
MEETING WITH ONE OF ATLANTA'S
HOTTEST STYLISTS, MIDDLEMAN.
>> MIDDLEMAN IS SO
WELL-CONNECTED. HE HAS A HANDFUL
OF PROJECTS THAT HE CAN PICK
FROM AT ANY GIVEN TIME. WE'RE
JUST HOPING THAT HE PICKS OURS.
SINCE WE GET OUR INSPIRATION
FROM PEOPLE, WE DO HAVE PART OF
THE LOOK BOOK AND PART OF THE
PHOTO SHOOT DEDICATED TO THOSE
PEOPLE. FOR INSTANCE, ANANDI.
SHE'S THIS GORGEOUS BLACK GIRL.
SABRINA IS HER MOM. ANY TIME
SABRINA AND ANANDI ARE IN THE
SAME ROOM, ANANDI DOESN'T TALK.
>> RIGHT.
>> SO HOW ABOUT--WE HANG OUT
WITH ANANDI THE OTHER NIGHT.
SO, LONG STORY SHORT, SHE'S GOT
A LITTLE FREAK IN HER, SO FOR
HER SHOT, WE WANT A HOT YOUNG
MALE MODEL STANDING BEHIND HER.
>> OH, IN THE PHOTO SHOOT?
>> YEAH. AND, LIKE, WE WANT HIS
HEAD BURIED IN HER, LIKE, AND
WITH BOTH HIS HANDS OVER HER
*** AND THE PIECE
HANGING DOWN.
UM, CAN YOU, LIKE, HELP AND
CONTRIBUTE TO THIS MEETING?
>> HARVIN, IF YOU WOULD SHUT
YOUR MOUTH FOR TWO SECONDS.
I MEAN, GOD, I DON'T EVEN THINK
YOU TAKE THE TIME TO BREATHE
AIR. [IMITATES RAPID BABBLING]
>> GUESS WHAT?
>> LIKE, IT MAKES ME SO TIRED,
I JUST SIT THERE. I'M LIKE...
>> OK, LADIES, THIS IS ALL GOOD,
BUT I NEED TO SEE SOME IMAGES OF
YOUR JEWELRY, PLEASE.
>> MEYER, REACH IN THERE.
THEY'RE CAD DRAWINGS. THEY'RE
PRINTED OFF IN BLACK AND WHITE.
>> IT'S ON PAPER.
>> OUR REAL PIECES, THE SAMPLE
LINE, WILL BE OUT AND FINISHED
IN ABOUT A WEEK.
>> THIS PHOTO SHOOT HAS GOT
TO BE PERFECT.
>> BECAUSE GOOSE HAS LAID DOWN
THE LAW, AND THIS IS IT FOR US.
>> WELL, USUALLY, I SAY I DON'T
JUST WORK WITH ANYBODY, BUT,
LIKE I SAID, I SEE YOUR VISION
AND WHERE YOU'RE GOING WITH IT.
AND, I MEAN, I LIKE THE CONCEPT,
YOU KNOW, THE INSPIRATION THAT
YOU HAVE BEHIND IT. I'M LOOKING
FORWARD TO WORKING WITH YOU
GUYS. DEFINITELY A PLEASURE.
>> NO BANDS ON THOSE HANDS.
THAT'S NICE.
>> HEY.
>> I'M GONNA START OFF FEEDING
YOU FOREHANDS, WHICH IS TO THIS
SIDE. I'M GONNA HIT 'EM RIGHT
TO YOU. GOOD.
>> SHAR. SHAR.
I WAS SPEAKING TO SHAR EVERY
DAY, AND EVER SINCE Q.'s ALBUM
RELEASE PARTY, SHE HASN'T
RETURNED MY CALLS.
SHARLINDA.
WHAT'S WRONG, MAMA?
>> THE WHOLE INCIDENT AT THE
RELEASE PARTY, YOU KNOW, PASSING
OUT THE CARDS, TRYING TO PROMOTE
THAT YOU WANT TO DO A SONG
OR ALBUM.
>> EVERYBODY WAS PASSING OUT
CARDS, SO THIS CONVERSATION--
>> BUT, SEE, IT AIN'T ABOUT
EVERYBODY; YOU MY HOME GIRL.
THIS WAS SOMETHING SPECIAL I
WANTED TO SHARE WITH PEOPLE IN
MY LIFE. OTHER PEOPLE DON'T EVEN
MATTER TO ME. A LOT OF PEOPLE
ARE GONNA COME NETWORK, BUT I
WANTED THIS--SHARE THIS MOMENT
WITH YOU.
>> YOU KNOW, I HEARD IT.
>> IF YOU WANTED TO DO MUSIC,
YOU COULD HAVE CAME TO ME.
I KNOW A WHOLE LOT OF PEOPLE.
>> OUR RELATIONSHIP IS NOT
PREDICATED UPON NO MUSIC--
>> NO, BUT GUESS WHAT. IF WE'RE
FRIENDS AND IT'S SOMETHING THAT
YOU DESIRE TO DO AND YOU WANT TO
DO, HELL, LET'S JUST TRY TO
MAKE IT HAPPEN.
>> BUT THIS WAS THE THING.
I KNOW THAT WE'RE FRIENDS, AND
I DIDN'T WANT TO MIX THE TWO. I
DIDN'T WANT TO GET Q. INVOLVED.
HE WAS HAVING HIS MOMENT. HE WAS
CELEBRATING. THAT'S REALLY WHAT
THE PERPLEXITY WAS.
>> I REALLY DO LIKE SABRINA, BUT
AFTER WHAT SHE PULLED AT Q.'s
ALBUM RELEASE PARTY, I DON'T
REALLY KNOW IF I REALLY TRUST
HER OR NOT.
>> KEEP HER AT ARM'S DISTANCE
FOR NOW.
>> HMM.
>> YOU AIN'T MAD AT ME. GO ON.
>> GIVE ME--HA HA HA! YOU'RE
OVER HERE TRYING TO MAKE ME
LAUGH. HA HA HA!
>> HEY, GIRL.
>> HEY, GIRL.
>> WHERE HAVE YOU BEEN?
ASHLEE WAS COMPLETELY OFF THE
GRID. I AM REALLY ANXIOUS TO
KNOW WHAT'S BEEN GOING ON
WITH HER.
>> CAN I GET YOU GUYS STARTED
OFF WITH SOMETHING TO DRINK?
>> YES. TWO THINGS.
BLOODY MARY.
>> HA HA! I WANT FOR REAL TWO
THINGS. I WANT A SPRITE AND
A BLOODY MARY.
>> OK.
>> I'M GONNA DO IT JUST FOR YOU.
>> REALLY? OH, MY GOD. OH!
LISTEN, I LIKE THAT THING TO BE,
LIKE, SUPER-THICK, LIKE, [BLEEP]
FLOATING ALL AROUND AND, LIKE,
A GROCERY STORE COMING OUT
OF IT. BLUE CHEESE, STUFFED
OLIVES, TOO.
>> NOT FOR ME. NOT THAT PART,
BUT EVERYTHING ELSE SHE SAID.
>> YEAH.
>> WELL, I'M EXCITED YOU'RE
BACK, BUT I WAS WORRIED 'CAUSE
YOU DIDN'T CALL, YOU WEREN'T
ANSWERING PHONE CALLS. YOU JUST,
LIKE, LITERALLY VANISHED.
>> I KNOW. I NEEDED THAT TIME
AWAY, BUT I DIDN'T VANISH.
I MEAN, I JUST WENT TO THE OTHER
HOUSE AND HUNG OUT.
>> AND YOU JUST SPA'D IT UP
THE WHOLE TIME?
>> AND HUNG OUT WITH MY FRIENDS
THERE. WE TALKED ABOUT HOW UGLY
KAHDIJIHA WAS EVERY DAY UNTIL I
FELT BETTER. THERE'S A WARRANT
OUT FOR HER ARREST.
>> BLOODY MARY, BLUE CHEESE,
OLIVES.
>> SAY SWEAR.
>> HOLY BIBLE.
>> I'M TELLING YOU, WE JUST
DIDN'T REALIZE THE SEVERITY
OF IT, LIKE--
>> WELL, I TRIED TO TELL MEYER.
>> EVEN MEYER'S COMING AROUND
NOW BECAUSE SHE'S SEEN A WHOLE
NEW SIDE OF KAHDIJIHA.
AFTER ASHLEE LEFT TOWN FOR A
WHILE, THIS WHOLE NEW SIDE OF
KAHDIJIHA SURFACED, BOTH AT THE
LAKE HOUSE AND THE ART SHOW.
>> SHE'S NOT QUITE AS INNOCENT
AS WE THOUGHT SHE WAS.
>> SHE'S MEAN.
>> DO YOU THINK THEY JUST PICK
ON EVERYTHING THAT'S BLONDE?
>> I DON'T KNOW. OR THEY JUST
PICK ON EVERYTHING. SO I HAVE TO
TELL YOU, WE HAVE A BIG PHOTO
SHOOT COMING UP FOR "SHE BLAMES
ME." IT IS GOING TO BE CRAZY.
ANANDI IS KIND OF, LIKE, A
LITTLE BIT OF A FREAK DEEP DOWN.
>> DOES HER MOTHER EVEN KNOW?
>> I DON'T KNOW. YOU DON'T HAVE
TO ASK A 19-YEAR-OLD'S MOTHER'S
PERMISSION TO DO A PHOTO SHOOT.
SHE CAN SIGN HER OWN PAPERWORK.
>> [GASPS]
I DIDN'T EVEN THINK OF THAT.
>> SHE DID. SHE SIGNED IT RIGHT
ON THE DOTTED LINE.
>> WELL, YOU'RE GONNA NEED TO
MAKE SOMETHING DEDICATED TO THE
PREACHER 'CAUSE SHE IS
DEFINITELY GONNA BE BLAMIN' YOU,
HONEY. SHE'S GONNA BE RIGHT
AFTER YOU.
>> SABRINA AND JESUS ARE NOT
THE SAME PERSON.
>> HA! WELL, SHE CLAIMS TO BE
REAL CLOSE.
>> JESUS LOVES ME.
>> THE PREACHER?
>> IS GONNA SHOOT ME.
>> MIDDLEMAN, IF THEY DON'T GET
HERE IN A FEW MINUTES, I'M GONNA
GO OUT THERE AND GIVE THEM A
CALL AND A PIECE OF MY MIND.
>> HI. WHOOSH!
>> YOU HAVE ARRIVED.
>> WE MADE IT.
TODAY IS CRUCIAL FOR THE SUCCESS
OF "SHE BLAMES ME."
>> IT'S VERY NERVE-WRACKING,
THOUGH, BECAUSE MAMA'S KEEPING
SUCH A CLOSE EYE ON IT.
>> WE'LL GO WITH THE PROPS AND--
OH, I GOT MY OWN FOLDER.
>> IT'S JUST THE GIST, BUT,
LIKE, THERE'LL BE VARIATIONS
OF THOSE LOOKS. MEYER, HERE,
HOLD OURS.
>> MEYER, I SEE YOU DIDN'T GET
MADE-UP THIS MORNING.
>> WELL, MEYER WAS A LITTLE LATE
GETTING UP THIS MORNING, SO--
>> MEYER, THIS IS AN IMPORTANT
DAY. OF ALL THE PEOPLE WHO
SHOULD HAVE BEEN HERE ON TIME,
BEFORE ALL THE MODELS GOT HERE,
IT WAS YOU.
>> MOM, FIRST THINGS FIRST, OK?
>> NO. WE GOT TO HURRY. GO. GET
DRESSED. GO. THIS IS MY MONEY,
MEYER. IT'S NOT FUNNY. I'LL MAKE
IT YOUR MONEY, AND WE'LL SEE
HOW FUNNY IT TURNS OUT TO BE.
>> HARVIN AND MOM REALLY NEED
TO CUT ME SOME SLACK.
>> I NEED YOU TO GET ANANDI,
MEAGAN, LALA, ALEX, ALL 4 OF
THEM TO SIGN MODEL RELEASES FOR
"SHE BLAMES ME."
>> OK.
>> I'VE BEEN WORKING REALLY HARD
TO MAKE ALL THIS HAPPEN, BUT
HARVIN ACTS LIKE SHE IS THE BOSS
OF "SHE BLAMES ME."
>> LOOK, SOMEBODY COME IN HERE
LATE TRYING TO RUN THE SHOW.
>> ISN'T THAT FUNNY?
>> WE HAVE BEEN HERE ALL DAY
WAITING ON Y'ALL.
>> YOU HAVEN'T HEARD? I HAVE
A SERIOUS CASE OF R.T.S.
>> OH, OK.
>> "RUN THIS SHOW."
>> SO YOU'RE DOING "THE COURAGE
IT TAKES TO SET YOURSELF WITH
WHO YOU ARE AND WHAT YOU WANT."
DOES THAT DESCRIBE YOU, KIND OF?
>> YEAH, IT DOES.
>> YOU'RE WEARING THE HEART
ICON THAT "SHE BLAMES ME."
THAT'S A GREAT ONE. I MEAN, THEY
DO SAY THE LOOK IS NUDE-COLORED
***.
>> SO I'M GONNA BE NAKED? LIKE,
IT'S GONNA LOOK LIKE I'M NAKED?
>> DOES YOUR MOTHER KNOW YOU'RE
DOING THIS TODAY FOR US?
WELL, I'M NOT GONNA TELL HER.
>> MOM'S GONNA FLIP OUT.
WHEN THEY TOLD ME I HAD NUDE
UNDERWEAR, I WAS LIKE, "THAT'S
NOT EVEN CLOSE. LIKE, THAT
DOESN'T CONSTITUTE AS ANYTHING.
IT'S JUST SEE-THROUGH."
LITERALLY, MY SECOND THOUGHT
WAS, "MY MAMA'S GONNA KILL
EVERYBODY IN THIS ROOM."
>> MEAGAN'S LOOK IS GONNA BE
"THE IDENTITY CRISIS," SO SHE
WILL BE SPLIT DOWN THE MIDDLE,
AND ONE SIDE WILL BE ONE WAY AND
THE OTHER SIDE WILL BE
THE OTHER.
>> GREAT, MEAGAN.
>> THAT'S EXACTLY WHAT WE WANT,
BUT I WANT TO SEE THE PIECE.
[CAMERA SHUTTER CLICKING]
>> GOOD JOB.
>> OH, I LOVE THAT ONE.
>> YEAH.
>> I'D CANCEL HIS CHECK IF I HAD
TO WRITE HIM ONE.
>> LET'S NOT BE RUDE.
>> I DON'T WANT A TWIG WITH A
LONG FACE AND A BURLY-*** BEARD.
THIS ISN'T THE [BLEEP] COUNTRY.
>> MEYER, YOU SIT THERE LIKE
YOU'RE SOME PRIMA-DONNA DIVA,
AND YOU ARE NOT. GET UP, WORK,
SWEAT, PUT YOUR ENERGY INTO IT.
LIKE, YOU'RE FALLING ASLEEP.
>> HARVIN, SHUT UP. I'M NOT
FALLING ASLEEP. I'M WIDE AWAKE.
WHAT ARE YOU TALKING ABOUT?
>> OK, WE DON'T HAVE THE ENERGY
FOR THIS RIGHT NOW. WE DO NOT.
FOCUS YOUR ENERGY OUT HERE,
MEYER.
>> I DID NOTHING TO YOU.
>> I AM JUST SAYING GET IN IT
TO WIN IT.
>> YOU PAY ATTENTION
TO THE SHOT, MEYER.
>> I'M JUST SAYING I DIDN'T DO
ANYTHING TO YOU. YOU'RE THE ONE
TALKING BAD ABOUT HIM.
I CANNOT STAND EVEN THE SIGHT
OF HARVIN RIGHT NOW, AND I JUST
NEED A BREAK.
>> MEYER.
>> OH, MY GOD.
MEYER!
MEYER, WHERE ARE YOU GOING?
WE ARE IN THE MIDDLE OF OUR
"SHE BLAMES ME" SHOOT, AND ALL I
DID WAS POINT OUT TO MEYER THAT
SHE NEEDED TO GET UP OFF
HER BUTT AND HELP ME OUT.
I CAN'T FREAK OUT. I'M STEADY
EDDIE, MOVING FORWARD.
>> THAT'S THE WAY HARVIN
OPERATES. YOU GET USED TO IT OR,
LIKE, OR YOU DON'T AND THAT'S
THE WAY SHE GOES.
I HAVE BEEN SO STRESSED. WE HAVE
BEEN CRAZY-BUSY AND I'M A LITTLE
SENSITIVE RIGHT NOW, BUT I
REALIZE THAT I DON'T HAVE TIME
TO HAVE A MENTAL BREAKDOWN
RIGHT NOW. I JUST WANT THINGS
TO GO PERFECT.
>> HONEY, IT'S OK, BABES.
IT'S OK.
>> I'M SORRY FOR COMING DOWN
ON YOU, BUD.
>> OK, WHO'S UP NEXT?
MAN, YOU LOOK BEAUTIFUL.
THAT'S PERFECT.
>> YEAH, I'M NERVOUS.
I HAD TO GIVE MYSELF, LIKE, A
MINIATURE PEP TALK. YOU HAVE TO
EITHER ROCK IT OR YOU JUST HAVE
TO FAIL BECAUSE THERE'S NO GOING
BACK TO ANYTHING BEFORE THIS.
I TOOK THE ROBE OFF AND I
JUST FELT ELECTRIC.
>> LET ME SEE, LET ME SEE.
YES, YES! THAT'S WHAT I LIKE.
>> THIS IS WHAT I'M SUPPOSED TO
BE DOING WITH MY ENTIRE LIFE,
AND EVERYTHING'S LED UP TO
THIS POINT.
[OVERLAPPING CHATTER]
>> I LIKE THAT PICTURE.
>> YEAH, THAT'S HOT.
[CAMERA SHUTTER CLICKING]
>> ANANDI BLEW ME AWAY.
>> PREACHER'S DAUGHTER
NO MORE. [GIGGLES]
>> MOM, WITHOUT YOU, NONE OF
THIS WOULD HAVE COME TRUE.
>> I'M SO PROUD.
>> NOW THAT THE PHOTO SHOOT IS
DONE, WE CAN OFFICIALLY FINALLY
LAUNCH OUR BUSINESS.
>> WE JUST GOT TO GET THE PHOTOS
ONTO THE LOOK BOOK, LAUNCHED
INTO THE WEBSITE, AND GET OUR
PROTOTYPE INTO MASS PRODUCTION
ASAP, SHOW THE WORLD WHAT WE
HAVE TO OFFER.
>> AND TO ALL THE *** WHO
LOVE TO BLAME, HATE, AND
CRITICIZE, "SHE BLAMES ME!"
[ALL CHEER]
>> I MEAN, I THINK WE HAVE
ENOUGH, BUT--
>> I THINK IT LOOKS GOOD.
>> IT DOES.
>> YOU DID A GOOD JOB.
THANK YOU.
>> OH, BABY. I'M JUST SO GLAD.
>> YOU NEED SOME FOOD, HONEY,
IF YOU'RE GONNA START DRINKING.
>> GIRL, BUT I DON'T WANT TO
MESS UP THE PLATTER.
>> I DON'T CARE. JUST GET
SOMETHING. WHEN YOU START
DRINKING, YOU START ACTING
CRAZY, SO I NEED YOU TO EAT
SOMETHING.
I'M VERY EXCITED ABOUT MY FALL
HARVEST PARTY. IT'S GONNA BE
A CLASSY AND ELEGANT EVENING.
AND WHO KNOWS? MAYBE THERE COULD
BE LOVE IN THE AIR.
>> WHAT DO YOU KNOW ABOUT
MATCHMAKING?
>> HELLO.
>> HELLO, MARCIA. COME ON IN.
>> HOW ARE YOU?
>> GOOD TO SEE YOU, SWEETHEART.
>> [WHISPERS] Pumpkin, I need
a little more ***.
Just a little more.
>> THE HOUSE LOOKS FABULOUS.
>> OH, THANK YOU!
>> OH, MY GOD.
>> OH, MY GOSH.
>> GIRL.
>> GIRL, GUY.
ALL THAT GOOD STUFF.
>> OH, MY GOSH, YOU ARE JUST
SO HANDSOME.
>> GIRL, I'M GONNA HAVE
TO SPANK YOU.
>> OH, MY GOODNESS! DONALD!
>> OH, I'M SORRY.
>> IT'S A LITTLE EARLY IN THE
EVENING TO START SPANKING NOW.
>> OH, MY GOSH.
MARCIA, I WANT YOU--
>> OH, FORGIVE ME. I'LL LET YOU
SPANK HER.
>> WHAT IS THIS? TWO WOMEN
AND ALL THESE MEN?
>> OH, WE'VE GOT MORE PEOPLE
COMING. THIS IS STEVE. THIS IS
MARCIA. OK, HERE'S CHEERS TO US.
>> CHEERS. OH, GOODNESS.
>> I LOVE THAT BRACELET, GIRL.
>> THANK YOU.
>> WHAT DID YOU DO FOR THAT?
>> OH, I WORKED HARD.
>> FOR YOUR MONEY? HA HA HA!
>> YOU BETTER SHUT UP.
>> I KNOW.
>> DONALD, THE NIGHT HAS BARELY
STARTED. I'VE GOT TONS OF GUESTS
COMING. I NEED YOU ON YOUR BEST
BEHAVIOR.
>> WHEW! IS MY ASCOT OK?
>> I'M REALLY SHOCKED THAT KATIE
HAS A FRIEND LIKE DONALD.
I THINK DONALD IS A TOTAL JERK.
>> THIS IS GONNA BE FUN.
WE'RE GONNA HAVE A GOOD TIME.
>> ABSOLUTELY.
>> HEY, GUYS! OH, MY GOODNESS!
WHAT A SURPRISE!
>> IS THIS A SURPRISE?
>> VIRGINIA, IT IS SO GOOD TO
SEE YOU, ANGEL. OH, I'M SO GLAD
YOU MADE IT.
>> YEAH, YOU LOOK BEAUTIFUL.
>> MIKE, WHAT A PRECIOUS ANGEL.
I WASN'T EXPECTING VIRGINIA TO
BRING HER SPECIAL FRIEND INTO
MY HOME TONIGHT, BUT I'M NOT
GONNA PASS JUDGMENTS.
>> THERE YOU ARE AGAIN, ALWAYS
FINDING THE MAN WITH THE MOST
MONEY IN THE ROOM AND TALKING
TO HIM.
>> OH, REALLY? YOU THINK SO?
>> I KNOW SO, BABY.
>> REALLY?
>> WHERE IS YOUR FRIEND
VIRGINIA? SHE'S A LOT LIKE THAT.
>> I THINK I SAW--OH, YOU ARE
SO NASTY TONIGHT.
>> I LOVE VIRGINIA.
>> GET OFF THE NASTINESS, HONEY.
HEY, VIRGINIA.
>> LORD. HA HA HA! OH, MY GOSH.
>> AREN'T YOU HANDSOME?
>> LORD, HAVE MERCY.
>> YOU'RE NOT A COWBOY TONIGHT.
>> KATIE SAID TO ME TONIGHT,
"BEFORE VIRGINIA GETS HERE,
I NEED TO LOCK THE GATE
TO THE RIVER."
>> SHE THOUGHT I WAS GONNA GO
JUMP IN AND GO NAKED OR
SOMETHING?
>> SHE DIDN'T WANT NO HOOCHIE
COOCHIE ON THE CHATTAHOOCHEE.
>> OH, MY GOSH.
>> EVEN THOUGH YOU ARE A HO,
YOU HAVE MORE FUN 'CAUSE HOS
HAVE FUN, GIRL.
>> THANKS, BUT I'M NOT A HO,
BUT I DO LIKE TO HAVE FUN.
>> 'CAUSE YOU BE HO'ING ALL UP
AND DOWN, UP ON PEACHTREE
STREET. BUT THAT'S OK, HONEY,
'CAUSE YOU'RE NOT MARRIED.
NOW, HER, SHE WAS DOING IT WHEN
SHE WAS MARRIED, FROM WHAT
I HEARD.
>> I'VE ONLY MET DONALD A COUPLE
OF TIMES THROUGH KATIE. THIS WAS
JUST NOT ACCEPTABLE. HE'S GIVING
MARCIA ALL KINDS OF GRIEF.
WHY WOULD EVEN KATIE PUT UP
WITH THAT?
>> YOU'VE GOT TO, LIKE,
CONTROL DONALD.
>> I KNOW. I'M SORRY. I KNOW.
>> HE'S CALLING HER A HO.
>> OH, HE IS NOT CALLING HER
A HO.
I DON'T KNOW WHAT TO DO.
DONALD'S DRUNKEN ANTICS ARE
STARTING AGAIN, AND HE'S
OFFENDING ALL MY FRIENDS.
>> AND Y'ALL ARE IN A COMMITTED
RELATIONSHIP, AREN'T YOU?
>> HEH! DON'T KNOW ABOUT THAT.
>> WHAT ABOUT THIS SHOT, THOUGH?
IT'S FOR HAVING A GOOD TIME,
AIN'T IT?
>> DONALD, GUESS WHAT THE AGES
ARE THAT THIS DOCTOR GIVES THE
SHOT TO. FROM AGE 20 TO AGE 76.
>> LORD, IF YOU AIN'T GOT IT
WHEN YOU'RE 20 YEARS OLD, YOU
ARE GONNA BE, LIKE, [BLEEP] WHEN
YOU'RE 76. THAT'S ALL I GOT
TO SAY. YOU ARE NOW GONNA BE
WORTHLESS.
>> YOU KNOW, JUST BECAUSE YOU'RE
MY AGE DOESN'T MEAN THAT SEX
SHOULDN'T BE GOOD OR YOU
SHOULDN'T FEEL GOOD.
>> VIRGINIA, HONEY, ENOUGH WITH
THAT PROCEDURE. WE HAVE GOT TO
STOP TALKING ABOUT THE G-SHOT.
>> IT WOULDN'T COME UP IF YOU
HADN'T TOLD DONALD.
>> THIS CONVERSATION ABOUT
PRIVATES IS COMPLETELY
INAPPROPRIATE.
>> WHEN YOU TOLD ME THAT SHE HAD
HER LEGS IN THE AIR LIKE SHE
JUST DIDN'T CARE, I WAS LIKE--
>> OK.
>> I JUST GOT A VISUAL--
>> YOU DON'T HAVE TO CONVINCE ME
TO LEAVE NOW.
>> LET'S GET OUT OF HERE.
>> I DON'T NEED TO BE ANYWHERE
WHERE I AM BEING TREATED AS
DISRESPECTFULLY AS I AM BEING
TREATED BY DONALD.
>> YOU SHOULDN'T HAVE TALKED
ABOUT IT. SHE SHOULDN'T HAVE
TALKED, AND EVERYBODY SHOULDN'T
TALK ABOUT IT.
>> YOU ARE ONE TO TALK ABOUT
WHAT SHOULDN'T--
>> I'M NOT GOING THERE WITH YOU.
>> PLEASE DON'T BE MAD AT ME.
>> KATIE, DONALD WOULDN'T KNOW
ABOUT IT IF YOU HADN'T TOLD HIM.
IF I WERE YOU, I'D GET RID
OF DONALD PRETTY QUICK.
>> I'M SO SORRY, GUYS.
>> THESE *** ARE JUST
PISSIN' MY *** OFF. GO ON,
GO ON. GET YOUR *** OUT
THE DOOR, GIRL.
>> UHH!
>> SEE Y'ALL. DON'T COME BACK
NEXT TIME 'CAUSE YOU'RE NOT
INVITED. 'SCUSE ME, KATIE.
STAND UP FOR YOUR RIGHT.
>> DONALD.
>> I REALLY HATE HIM.
HE'S A PIECE OF CRAP.
>> SHE WAS *** AROUND FROM
THE MOMENT SHE WALKED THROUGH
YOUR DOOR, AND YOU KNOW IT.
>> I CANNOT BELIEVE SOMEONE
AS CONSERVATIVE AS KATIE HAS
A BEST FRIEND LIKE DONALD.
>> THEY ARE GONNA MAKE YOU
LOOK BAD AT THE CLUB.
>> DONALD.
>> KATIE, PLEASE, HONEY.
AND HERE'S ANOTHER ONE.
I'M GONNA SEE WHAT YOU--OHH!
>> OH, MY GOD!
>> YOU MESSED UP MY PUMPKIN
SHIRT FROM PARIS!
>> YOU FREAKIN' ***!
YOU FREAKIN' ***! I'LL HAVE
YOUR DAMN HEAD!
>> TELL HIM I'M NOT HERE,
SERIOUSLY. SHH, SHH, SHH, SHH.
>> I'M GONNA STRING HER *** UP
FROM THE DAMN CHANDELIER...
>> WHERE IS MARCIA?
>> WITH A FREAKIN' HOOK!
LOOK AT ME! LOOK AT ME!
>> GET ON THE SIDE OF ME.
I'M SCARED OF HIM.
>> SHE'S LIKE A DAMN VAMPIRE!
SHE DISAPPEARS!
>> MARCIA! HONEY, GET UP.
>> SHE'S BEHIND THE BAR, WHERE
SHE NEEDS TO BE.
>> I SWEAR TO GOD, I THINK HE'S
A LUNATIC!
>> I KNOW, SWEETIE.
I'M SO SORRY.
>> NO, KATIE. KATIE, I--
>> THERE YOU ARE, DOWN IN THE
DAMN BAR JUST LIKE A NEW ORLEANS
***! YOU ARE JUST DRUNK AND
SCREWED UP!
>> YOU'RE AN IDIOT.
>> STOP IT.
>> WHAT A PRIMA DONNA.
>> NOW, LOOK AT THIS!
THIS CAME FROM PARIS!
>> OH, OOH LA LA! CAN I TELL YOU
WHAT? I COULD HAVE BOUGHT--
>> PLEASE, CAN WE JUST--
>> I'M SORRY, KATIE. I JUST
CANNOT TAKE THAT FREAKIN' ***!
SHE'S TRYING TO TALK YOU INTO
GETTING A [BLEEP] SHOT...
>> NO, I AM NOT!
>> JUST LIKE THAT OTHER ONE YOU
JUST THREW OUT THE DOOR.
>> I CAN'T TAKE THE DRAMA!
MARCIA, I'M SO SORRY, SWEETIE.
LET ME GO TALK TO HER. MARCIA,
HONEY, I'M SO SORRY.
>> I MEAN, REALLY. YOU'VE, LIKE,
BEEN AROUND THAT GUY FOR THAT
LONG? I MEAN, HE'S, LIKE--
>> I'M SO SORRY.
>> BIZARRE. HE'S CRAZY AND I'M
NOT PUTTING UP WITH IT.
>> YOU HAVE GOT TO GET CONTROL
OF YOURSELF, THOUGH, MARCIA.
>> OH, SHUT UP, KATIE.
>> YOU CAN'T JUST THROW WINE
ON PEOPLE.
>> OH, MY GOD. ARE YOU KIDDING?
>> YOU CANNOT JUST THROW WINE
ON PEOPLE. OH, MY GOD.
>> I'M DONE.
>> LET'S GO HAVE A DRINK. WE'LL
GO TO ST. REGIS, HAVE A DRINK.
>> THANK YOU. NORMAL PEOPLE.
>> YES.
>> YOUR PARTY WAS, LIKE,
A DISASTER.
>> SO SORRY.
>> KATIE IS GONNA NEED TO SEVER
HER RELATIONSHIP WITH DONALD.
HE'S ABSOLUTELY NUTS. IF SHE
DOESN'T, SHE'S GONNA RUIN HER
REPUTATION AT THE COUNTRY CLUB.
PEOPLE ARE NOT GONNA WANT TO BE
FRIENDS WITH HER.
>> DONALD! YOU GET YOUR ***
OVER HERE RIGHT NOW!
>> DON'T TELL ME WHAT TO DO,
GIRL. I WILL FIRE YOUR ***.
YOU'RE NOT THE ONLY CLIENT
IN THE LAND.
>> I WILL FIRE YOUR ***!
>> GIRL, TAKE YOUR DAMN
CHEAP-*** [BLEEP]!
[GLASS SHATTERING]
NOBODY [BLEEP]!
>> STOP IT!
>> WHAT THE HELL! YOU--OH, LOOK
AT THIS! YOU BROKE YOUR DAMN
CHINA! I DON'T CARE!
I DON'T CARE!
>> GET OUT OF HERE, DONALD!
I'VE BEEN AROUND HIM WHEN HE'S
DRUNK BEFORE, BUT THIS IS A
WHOLE NEW LEVEL. HE HAS TAKEN IT
OFF THE CHARTS.
I FEEL TERRIBLE. MY PARTY'S
A DISASTER 'CAUSE OF DONALD.
>> ON THE NEXT EPISODE OF
"BIG RICH ATLANTA"...
>> I DON'T THINK HER HAIR
REALLY GOT PULLED OUT.
>> YES, IT DID.
>> HONESTLY, ASHLEE HAD IT
COMING.
>> YOU'RE RUNNING YOUR MOUTH
ABOUT SOMETHING LIKE YOU THINK
YOU KNOW. YOU DON'T EVEN
KNOW CRAP.
>> ANYTHING THAT I COULD DO TO
PARTNER WITH THESE KIDS AND TO
MENTOR THEM, YOU HAVE MY
SUPPORT.
>> I THINK THAT CORI MIGHT BE
USING YOU A LITTLE BIT.
>> I'M NOT GONNA SPEND ANOTHER
DAY BEING CONCERNED ABOUT
KAHDIJIHA. SHE COMMITTED
A CRIME, NOT ME.
>> THIS IS A SET-UP.
>> WHAT'S GOING ON?
>> THEY CAME TO LOCK MY DAUGHTER
UP! DO YOU [BLEEP] UNDERSTAND
ME?! THIS IS SOME REAL [BLEEP]!
>> DIG DEEPER INTO THE DRAMA AT
STYLENETWORK.COM/BIGRICHATLANTA.