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well hello there
all my name is Dean Hajas and you may have heard me of me a couple of times uh... today and
here to talk about so what is going on with
uh... sony
and so maybe mt samba
uh... you may or may not have heard uh... now they have been listed as junk
now on the internet
i have been blogging now for ten years
and to uh...
basically predicting
the imminent downfall
of sony as a result of its
illegal
uh... music and publishing practices
on today at what i have
uh...
to uh... display for you
uh... you may remember that uh... day barged into remakes of my track
called slave driver
so this is a remix
now in order for Dave Aude to do a remix he would have been sent
all of the tracking that was done originally
for slavery when it was released in two thousand one
what i've discovered what happened
is that
robert are not lying when he produced less on basically what they did
was the produced my song around the reconstruction melodic
and then these stripped away my melody
and released late for you
so one represented uh... my track too
obvious ortiz is that this doesn't sound anything like
the song you're suggesting you go
then when dave audrey released
on the slave driver makes
it was the reason that hasn't great similarity
is because he was sent all the original
sequential tracks
because the people it's only had forgotten
that they had
all those melodic sequential trapped
so i'm going to be the uh...
actually example here off of youtube
and uh...
it starts at around two oh one twenty-one minister to that one seven
eight now
just before the poorest
once you hear the chorus kick in
the structure of the songs slave for you the slave driver remax
never leaves
my actual song creation
so i'm going to give you
their rendition of it first and than mine
ad
dot
darker
katmai
the
have
engage so armpit you play it from that point on
of the song never leaves
that song structure
and interest at all when down sleep for you
leaves the chorus
it just goes into uh... problem
lit
word synthesizer
bruder
in instruments
and calls on and you'll hear
now this was uh...
my original release
and tracking information sequential
on back in
two thousand
and uh... originally i called the track
teach me hired
early po
work
so you can see there's a a quite a bit of uh... similarities in the tracking
now im all there's a long history and story as to home
um... britney spears
actually got my song
and um...
one of those times we'll kurd was i was in
england in
on june the nine one one event
and uh... i had a son over and england soem
on a downloaded musical directory
and i circled to companies on that musical directory and that was
h_ h_ o_ publishing
with uh... lord henry hadley
and uh... i'd met with uh... matt he would his representative
and onto the computer show was on top
uh... which is uh...
jive records
at the time was company owned by robert john mutt lange
my song was so
produced
and engineered by robert on nightline
and released on the group so i did it again
track and it's the only track on britney spears
uh... cd at that time
that she suggest she had anything to do with in the liner notes as far as
uh...
what i have here it is the entire all communications
with uh... a variety of people
which includes saw him
gary wave the panel it's a small photo but i i have other large rooms and
that's not he wouldn't
ongoing we'd be people course being the had legal counsel world sony
music publishing
and also my communications with uh... eric levine
roger skeleton
of uh...
the new york new york
and abreu school who sold the head of the ahmad publishing
numbers could lose ulm
of the specifically wrote me a letter about
uh... because he was very upset with roger skeleton and eric levine
for divulging his personal information his contact information
and he wrote me a letter uh... stating that uh...
i would have great
all he was really look going after songbook
now of course what happened was that
sony merged with b and g in two thousand one
and the purchase the principal interest of samba dr records
from robert on the plane
so on back to the of course i have a on great deal of of of communications
with um...
a bright people in the music industry
uh... which goes over
and although song came to be
and uh...
the communications with brusca lose all their arm
uh... his replies
and then i thought was was speaking uh... oswald and sony with uh... david
schmidt as well who is of a relative of
of uh... the executives there
at sony
so lose
in japan
so there's a huge amount of of communications
on the go on and on and on and on and on
with a variety of indeed