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[ MOTOR REVVING ]
SURE, LEAVE YOUR CRAP
ALL OVER MY FLOOR
FOR ME TO PICK UP.
[ SIGHS ]
YOU SOUND LIKE MY MOTHER.
AHH.
THERE'S A MOTHER.
ISN'T THERE ALWAYS?
[ LAUGHS ]
MMM.
NO, BUT SHE'S GREAT.
YOU'D LIKE HER.
SHE, UM
SHE WORKS FOR THIS, UH,
NONPROFI PROTECTING ENDANGERED SPECIES
WITH THIS CRAZY
JAMAICAN DRUMMER.
JAMAICAN DRUMMER?
YEAH, DON'T ASK.
DID YOU TELL HER
ABOUT ME?
[ LAUGHS ] YEAH.
SHE THINKS
SHRINKS ARE NUTS.
NO ARGUMENT THERE.
NO, SHE GAVE ME
THE THIRD DEGREE.
WANTED TO KNOW
YOUR BLOOD TYPE.
WANTED TO KNOW
IF I WAS IN LOVE.
[ SIGHS ]
[ CHUCKLES ]
LET ME ASK YOU
SOMETHING.
THAT, UM, GIRL
THAT YOU LIVED WITH --
WERE YOU IN LOVE
WITH HER?
DEPENDS.
DO YOU DEFINE "LOVE"
BY HOW GOOD YOU FEEL
WHEN YOU'RE IN THE MIDDLE
OF A RELATIONSHIP
OR HOW BAD YOU FEEL
WHEN IT ENDS?
OKAY, WELL, HOW'D YOU FEEL
WHEN IT ENDED?
IT WAS THE RIGHT THING
TO DO.
SO, WHEN YOUR MOM ASKED
IF YOU WERE IN LOVE WITH ME,
WHAT DID YOU SAY?
OH, I TOLD HER
IT WAS TOO SOON TO TELL
OH.
BUT THAT I MIGHT BE.
[ CELLPHONES RINGING ]
MM.
HELLO.
DR.
AVIDAN.
IT'S YOUR
JAMAICAN DRUMMER.
UH, YEAH, HE'S RIGHT HERE.
HOLD ON ONE SECOND.
L.
A.
P.
D.
[ CHUCKLES ]
YEAH, RIGHT.
NO, I'M SERIOUS.
HELLO?
JACK GALLAGHER.
[ BEEPS ]
[ CLEARS THROAT ]
I SEE.
[ SNIFFS ]
NO, I CAN'T RECOMMEND
ANYONE OFFHAND.
WHERE ARE YOU, EXACTLY?
[ SIRENS WAILING ]
[ INDISTINCT RADIO CHATTER ]
OVER THERE.
[ INDISTINCT CONVERSATIONS]
[ CAMERA SHUTTER CLICKING ]
DR.
GALLAGHER?
YEAH.
I'M DETECTIVE,
UH, BAGDONIS.
CAN YOU COME WITH ME,
PLEASE?
THIS IS
LIEUTENANT TRUITT.
DR.
GALLAGHER,
THANKS FOR COMING.
I CALLED SOCIAL SERVICES,
BUT THEY SAID
IT'D BE A COUPLE HOURS
BEFORE THEY GO SOMEONE OUT HERE.
SO I CALLED WHARTON,
AND THE NURSE
AT THE PSYCH ADMITTING DESK
GAVE ME YOUR NUMBER.
NO PROBLEM.
UH, WHAT CAN I DO TO HELP?
WELL, WE TRIED TO GET HER
OUT OF THIS CLOSET,
BUT SHE JUST SCREAMED
AND BACKED AWAY.
WHEN WE TRIED TO ASK HER
SOME QUESTIONS,
SHE JUST KEPT REPEATING
EVERYTHING WE SAID.
OKAY.
HELLO.
HELLO.
MY NAME'S JACK.
MY NAME'S JACK.
WHAT'S YOUR NAME?
WHAT'S YOUR NAME?
THAT'S RIGHT.
WHAT'S YOUR NAME?
MY NAME IS LEEZA.
MY NAME IS LEEZA.
GOOD.
LEEZA
ARE YOU OKAY?
YOU OKAY?
YEAH, I'M FINE.
I'M FINE.
SURE.
DOC, I'M ASSUMING
SHE'S IN SHOCK.
I DON'T THINK SO.
WELL,
THAT'S IMPOSSIBLE.
I MEAN,
THE WAY WE'RE FIGURING,
THE VICTIM, WHO THE APARTMEN MANAGER SAYS IS HER FATHER,
WAS SHOT RIGHT HERE TWICE
AT CLOSE RANGE.
THERE'S NO WAY SHE DIDN' WITNESS THE WHOLE THING.
I DON'T THINK IT'S SHOCK.
I THINK SHE'S AUTISTIC.
YOU MEAN LIKE RAIN MAN?
SHE SEES THE WHOLE THING
GO DOWN,
BUT SHE CAN'T TALK
ABOUT IT?
WELL, HER VERBAL SKILLS
ARE PRETTY GOOD, ACTUALLY,
BUT SHE'S ECHOLALIC.
SHE REPEATS BACK A LO OF WHAT IS SAID TO HER.
AND EVEN THOUGH THE ***
TOOK PLACE RIGHT HERE,
UM, SHE MAY NOT APPRECIATE
WHAT HAPPENED.
Bagdonis: I KNEW IT.
I, UH, GOT A NEPHEW
WHO'S AUTISTIC.
THAT'S JUST MY LUCK.
I GOT AN EYEWITNESS
TO A ***,
IT HAPPENS RIGHT SMACK
IN FRONT OF HER,
AND SHE'S GONNA BE THE WORS WITNESS ON THE PLANET.
WITH RESPECT, LIEUTENANT,
IF THAT MAN'S HER FATHER,
UH, BEING A WITNESS
ISN'T, UM
ISN'T REALLY WHAT WE SHOULD
BE WORRYING ABOUT RIGHT NOW.
AH, BUT
I'M SORRY.
HEY, CAN I, UH --
CAN I GET SOME OF HER THINGS
TO BRING TO THE HOSPITAL?
YEAH, WE'LL HAVE
SOMEBODY BRING THEM DOWN
WHEN WE'RE DONE HERE.
LEEZA?
I'D LIKE TO GO NOW.
I'D LIKE TO GO NOW.
WILL YOU COME WITH ME?
COME WITH ME?
YES,
WILL YOU COME WITH ME?
WITH ME.
[ CAMERA SHUTTER CLICKS ]
Bagdonis:
WE'LL BE IN TOUCH.
YEAH.
I'D LIKE TO BE
YOUR FRIEND, OKAY?
OKAY?
[ DING! ]
[ SIREN WAILING ]
HERE WE GO.
Woman on P.
A.
:
SECURITY TO WARD 2.
SECURITY TO WARD 2.
GREAT.
ALL RIGHT.
JUST TURN YA.
LAB TECH
PERFECT.
THANKS.
I'LL JUST GET BEHIND YOU,
OKAY?
ADMISSIONS,
CALL NURSES' STATION 2.
ALL RIGHTY,
I'M JUST GONNA SLIP THIS ON.
Truitt:
HOW'S SHE DIFFERENT?
WELL, SUPPOSING YOU TURN
TO LOOK AT SOMETHING,
ANY GIVEN DAY.
A TYPICAL CHILD
OBSERVING YOU
WILL PROBABLY TURN
TO LOOK AT IT, TOO.
A KID ON THE LOWER END
OF THE AUTISTIC SPECTRUM --
THEY WOULDN' EVEN NOTICE.
SEE WHA SHE'S DOING NOW?
PROBABLY FINDS
THAT SOOTHING.
[ SCREAMING ]
IT'S OKAY.
IT'S A TACTILE THING.
SHE PROBABLY CAN'T STAND
THE FEELING
OF SOMETHING DIFFEREN ON HER SKIN.
LET'S TRY SOMETHING
OF HERS.
Jack: ANY MORE INFORMATION
ABOUT THE FATHER?
AH, NOT MUCH.
HE WAS A SMALL-TIME
DRUG USER,
DEALER,
HAD SEVERAL ALIASES.
A BUNCH OF FAKE I.
D.
s
ON HIM.
LET'S TURN THE P.
A.
SYSTEM OFF
IN HERE,
AS WELL AS THE LIGHTS.
Nurse: YES.
OVERLOAD FOR HER.
ENSORY
ARE AMPLIFIED,
ARE PROBABLY BLINDING.
IT PROBABLY WENT DOWN
SOMETHING LIKE THIS --
THERE WAS A KNOCK
AT THE DOOR,
DADDY GOES TO THE WINDOW,
SEES WHO IT IS,
FIGURES
HE'S IN DEEP DOO-DOO,
YOU KNOW, TAKES LEEZA,
PUTS HER IN THE CLOSET,
OPENS THE DOOR --
***, *** --
HE'S DEAD.
ANY LEADS AS TO WHO --
PULLED THE TRIGGER?
NO.
BUT WE'RE PRETTY SURE A GUY
NAMED DAMON PREESE IS BEHIND IT.
MAJOR SUPPLIER, SOUTH CENTRAL --
RUTHLESS.
DO YOU THINK
THAT HE COULD HAVE HAD HER
IN A DAY-CARE CLINIC
OR SCHOOL OR --
WE'RE ALREADY ON THAT.
I KNOW THIS IS TOUGH,
DOC,
BUT DO YOU THINK
MAYBE YOU COULD GET HER
TO OPEN UP
A LITTLE BIT MORE
SO WE COULD ASK HER
SOME MORE QUESTIONS?
HEY, IT'S POSSIBLE,
AND, UH, I'LL DO EVERYTHING
I CAN TO HELP.
PROMISE.
BUT YOU GOT TO UNDERSTAND
THAT MY PRIORITY'S
GONNA HAVE TO BE LEEZA.
IT'S NOT THE BAD GUY.
WELL, CHILD PROTECTIVE SERVICES
WILL BE HERE
TO FILE THEIR REPOR AND START THE PAPERWORK.
BUT, N-- SHE'S ONLY
JUST ARRIVED.
YOU CAN'T --
STANDARD PROCEDURE.
WITH HER FATHER GONE?
NOT IF WE FIND ANOTHER
FAMILY MEMBER, THOUGH, RIGHT?
DO YOU KNOW
SHE'S TWIRLING?
I THINK SHE'S REGRESSED.
WE'D NEED TO HAVE HER HERE
A LITTLE WHILE LONGER
JUST TO ESTABLISH THE STATE
OF HER MENTAL ESTRAN--
BUT I THOUGHT YOU SAID
SHE COULDN'T APPRECIATE
THE FAC THAT HER FATHER WAS SHOT.
YEAH.
I-I MAY HAVE BEEN WRONG
IN THAT.
Truitt: [ CHUCKLES ]
SO YOU THINK SHE NEEDS
TO STAY HERE A LITTLE LONGER.
THAT WOULD BE GOOD.
OKAY, THEN.
THANKS, DOC.
LET'S GO.
Bagdonis: CALL US
IF ANYTHING CHANGES.
OKAY.
[ DOOR OPENS ]
[ DOOR CLOSES ]
REGRESSED?
YOU DON'T REALLY BELIEVE THAT,
DO YOU?
I KNOW
SHE HASN'T REGRESSED.
WE CAN'T JUST DUMP HER
IN THE SYSTEM.
NO, WE CAN'T.
THERE'S GOT TO BE SOMEONE
WHO KNOWS HER OR WHO MISSES HER.
I GUESS LEEZA'S
GONNA HAVE TO TELL US.
SECURITY TO FLOOR 2.
Woman:
[ CHUCKLING ]
WE'RE BIG FANS.
IN FACT,
YOU MIGHT HAVE SEEN HIM AROUND.
DAD.
HEY.
ARTURO.
[ GRUNTS, CHUCKLES ]
[ CLAPPING BACK ]
SO, UH
HOW WAS YOUR TRIP?
AHH
NO SUCH THING
AS FIRST CLASS ANYMORE.
SO I HEAR.
I MEAN, I REMEMBER THE DAYS
WHEN THEY USED TO ROLL THE CAR
RIGHT UP NEX TO YOUR CHAIR
AND POUR WINE
INTO A REAL GLASS.
THEY USED TO SLICE THE PRIME RIB
RIGHT IN FRONT OF YOU.
THE STEWARDESSES NOW --
NOT EVEN THAT PRETTY.
NO, I THINK THEY'RE CALLED
FLIGHT ATTENDANTS NOW, DAD.
DID YOU GO
TO THE HOTEL YET?
NO, NO,
I CAME STRAIGHT HERE.
WELL, I HAVE ROUNDS TO DO
BEFORE WE CAN EVEN
PERFECT, 'CAUSE I'M DYING TO SEE
YOUR NEW STOMPING GROUNDS.
WELL, IT'S A LOCKED WARD.
I --
WELL,
THEY'LL MAKE AN EXCEPTION.
AFTER ALL,
I AM A DOCTOR, TOO.
Woman: BYE.
Woman #2: BYE.
WHAT IS IT, LEEZA?
WHAT IS IT THAT YOU WANT TO SAY?
WANT TO SAY.
YEAH, CAN YOU --
CAN YOU USE THIS
TO TYPE IN THE WORDS
THAT YOU WANT TO SAY?
TYPE IN THE WORDS.
Female computerized voice:
I
NEED
PUZZLE.
BEAUTIFUL, LEEZA.
WE UNDERSTAND.
YOU CAN'T FINISH THE PUZZLE
WITHOUT THE MISSING PIECE.
"I NEED PUZZLE.
"
I NEEDPUZZLE.
MM-HMM.
I WONDER HOW MUCH USE
WE CAN GET OUT OF THAT THING.
WELL, THERE'S A LOT OF WORDS
IN THERE.
RECKON SHE CAN TELL US ANYTHING
MORE ABOUT HER FATHER?
LEEZA, CAN YOU TELL US THE NAME
OF YOUR FATHER?
DAD.
[ LAUGHS ]
[ Laughing ]
OH, MY GOD.
SMARTER THAN US.
YEAH.
HEY.
UH, W-WHERE DID YOU GE THAT PIANO?
NEVER MIND.
I DON'T WANT TO KNOW.
Woman on P.
A.
:
LAB TECH, 200, STAT.
LAB TECH, 200, STAT.
SO, WE'RE HAVING A CONCERT?
I HOPE SO.
[ MAJOR SCALE PLAYS ]
[ DING! ]
[ MAJOR SCALE PLAYING ON PIANO ]
SHE'S STILL AT IT.
I MEAN, I'VE TIMED IT.
MY HEAD IS POUNDING.
MY MOTHER
WOULD HAVE BEEN PROUD.
HOW SO?
OH, I TOOK LESSONS
AS A KID.
[ Chuckling ] I WANTED TO PLAY
FLEETWOOD MAC,
BUT MY TEACHER MADE ME PLAY
SCALES ;FOREVER.
C, D, E, F
G, A, B, C
DID YOU EVER GET TO PLAY
WHAT YOU WANTED?
NAH.
I TOOK UP
ICE-SKATING INSTEAD.
Jack: THANK YOU.
[ LAUGHS ]
I HEAR YOUR FATHER'S IN TOWN.
I'D LIKE TO MEET HIM.
OKAY, I JUST FINISHED MEETING
WITH CHILD PROTECTIVE SERVICES,
AND THEY'RE READY
TO PLACE LEEZA --
PLACE HER WHERE --
GROUP HOME, FOSTER CARE?
LIEUTENANT TRUIT IS DOING EVERYTHING HE CAN
TO FIND HER FAMILY, JACK,
BUT THEY DON'T EVEN KNOW
HER FATHER'S REAL LAST NAME.
WE CAN'T KEEP HER HERE
INDEFINITELY.
YEAH, I KNOW.
WE DO NEED TO FIND OU WHERE HER FAMILY IS.
WHAT HAVE YOU GOT, GUYS?
CLOCK'S TICKING.
I DID THE RESEARCH
YOU REQUESTED ON CUTTING-EDGE
AUTISM TREATMENTS.
THE GOLDEN STANDARD IS STILL
APPLIED BEHAVIOR ANALYSIS.
A.
B.
A.
USES
THE STANDARD REINFORCE --
PRAISE, TOYS --
TO REWARD AND INCREASE
THE PROBABILITY
OF THE DESIRED RESPONSE.
Veronica: I THOUGH WE COULD ALTER HER DIET,
GIVE HER SOME B6
WITH MAGNESIUM SUPPLEMENTS.
THAT'S BEEN KNOWN TO INCREASE
GENERAL WELL-BEING,
ATTENTION, AWARENESS IN --
IN ALMOST HALF AUTISTIC KIDS.
THERE ARE SOME OTHER
WACKY TREATMENTS, AS WELL.
GO FOR IT.
UM,
VESTIBULAR STIMULATION.
THERE'S A GUY
IN WESTCHESTER
THAT USES
DISORIENTING GOGGLES.
ANOTHER PUTS KIDS
ON BALANCE BEAMS,
EXPOSURE TO PARASITES,
CHELATION THERAPY,
HYPERBARIC OXYGEN TREATMENTS.
PEOPLE WILL DO ANYTHING
TO STOP THE EPIDEMIC.
YOU KNOW, 20 YEARS AGO,
THERE WAS ONE IN 10,000 KIDS
DIAGNOSED WITH AUTISM.
NOW IT'S ONE IN 150.
WHAT DO WE HOPE TO ACCOMPLISH
WHILE SHE'S HERE?
WE CAN'T REALISTICALLY
EXPECT HER
TO START COMMUNICATING BETTER
IN A MATTER OF DAYS.
I AGREE.
DO YOU THINK THAT SOMEWHERE,
DEEP DOWN,
SHE ACTUALLY UNDERSTANDS
THAT HER FATHER WAS KILLED
RIGHT IN FRONT OF HER?
WELL, LEEZA WAS THERE,
BUT SHE WASN'T FOCUSED
ON THE ***.
I THINK IF WE CAN FIGURE OU WHAT SHE WAS
SEEING, HEARING,
AND MAYBE EVEN FEELING
AT THE TIME,
THEN WE CAN GE SOME ANSWERS.
[ KNOCKS ON COUNTER ]
DAD.
HOW -- HOW DID YOU
THEY ALL KNOW ME.
LOOK, I'VE GOT MY OWN I.
D.
CARD
AND EVERYTHING.
[ SIGHS ] LISTEN, DAD,
I GOT TO SEE A FEW PATIENTS
BEFORE WE CAN GO TO LUNCH,
OKAY?
WELL, LAY ON, McDUFF.
[ SIGHS ]
[ JOHN GRUNTING ]
[ KNOCK ON DOOR ]
[ GRUNTING CONTINUES ]
HOW WE DOING TODAY,
MR.
IRWIN?
I DON'T KNOW
HOW YOU'RE DOING,
BUT I AM OBVIOUSLY
STILL HAVING A PROBLEM.
WELL, THE WINDOWS IN THIS WARD
DON'T OPEN, JOHN.
CAN YOU PLEASE TAKE OFF
THE SHEET FOR A MOMENT?
[ BUZZING ]
[ BUZZING INTENSIFIES ]
I NEED NETTING!
NETTING!
I'LL SEE WHAT WE CAN DO.
ENTOMOPHOBIA --
FEAR OF --
INSECTS.
FLYING OR CRAWLING?
FLYING.
I ASSUME HE'S ON
THE APPROPRIATE S.
S.
R.
I.
s
WHAT KIND OF DOSAGE
DO YOU HAVE HIM ON?
DAD,
JUSTDON'T TALK, OKAY?
[ SOBBING ]
HOW YOU FEELING TODAY,
MS.
BROWLEY?
I KNEW YOU'D COME.
AM I GONNA BE
TRANSFIGURED NOW?
HISTORY OF BIPOLAR DISORDER,
MANIC EPISODES,
PSYCHOTIC
AND DELUSIONAL THINKING.
DID YOU GET ANY SLEEP
LAST NIGHT, AUGUSTA?
NOT MUCH.
MY HAIR'S FALLING OUT.
MY STOMACH HURTS.
WELL, THAT'S THE
IRRITABLE BOWEL SYNDROME.
WE TALKED ABOUT THAT.
AUGUSTA, I NEED TO LOOK
INSIDE YOUR MOUTH.
NOW, OPEN WIDE.
OKAY,
HOLD OUT YOUR RIGHT ARM.
NOW, WHEN I PUSH DOWN,
TRY TO KEEP IT UP.
AH,
GOOD MUSCLE STRENGTH.
DAD.
NOW, PLACE THE INDEX FINGER
OF YOUR LEFT HAND
IN AGAINST THE FILLINGS
IN YOUR TEETH.
THERE YOU GO.
YOU CAN HOLD OU YOUR RIGHT ARM AGAIN.
AND PUSH.
OKAY, JUST AS I THOUGHT.
DEAR,
YOU'RE GONNA BE FINE.
DAD.
OUTSIDE NOW.
WHAT THE HELL DO YOU THINK
YOU'RE DOING?
ARTURO, I HAVE A STRONG FEELING
ABOUT THIS.
DAD, YOU ARE NO A REAL DOCTOR.
YOU PLAY ONE
ON TELEVISION.
TRUE,
BUT AFTER 22 SEASONS,
I'VE HAD THE OCCASION
TO DIAGNOSE MANY
COMPLEX MEDICAL PROBLEMS.
THAT'S IT.
I'M DONE.
THERE'S NO ARGUING WITH YOU.
YOU'RE RIGHT.
I'M WRONG.
END OF ROUNDS.
END OF DISCUSSION.
[ SIGHS ]
LAB TECH, 200, STAT.
ARLENE?
YES.
DR.
GALLAGHER?
YEAH.
HI.
HI.
HOW'S LEEZA DOING?
I'M SURE THAT YOU'LL BE ABLE
TO TELL BETTER THAN I.
HOW LONG WAS LEEZA
IN YOUR CLASS?
ONLY FOR A COUPLE
OF WEEKS.
HER FATHER SHOWS UP,
DOESN'T EVEN GO
THROUGH THE FRONT OFFICE,
AND LITERALLY DROPS HER OFF
AT MY SPECIAL DAY CLASS.
HOW WAS SHE DOING
IN THE CLASS?
FANTASTIC.
I ADORED HER, AND
I DEFINITELY GO THE FEELING
THAT WITH THE RIGHT AMOUN OF THERAPEUTIC EXERCISES,
SHE COULD ONE DAY
BECOME EXTREMELY
HIGH-FUNCTIONING.
HAS SHE PLAYED PIANO?
YEAH.
YEAH.
SCALES NONSTOP.
COME ON.
I'LL TAKE YOU TO HER.
[ MAJOR SCALES PLAYING ]
[ MAJOR CHORD PLAYS ]
[ BEETHOVEN'S "FUR ELISE"
PLAYS ]
[ MUSIC CONTINUES ]
ALL RIGHT,
I GOT TO SCRUB IN.
I HAVE TO PU AN OMMAYA RESERVOIR
INTO A 17-YEAR-OLD GIRL.
LEUKEMIA?
YEAH, IT'S A TOUGH ONE.
HEY.
HOW DO YOU FEEL
ABOUT DOGS?
WHAT KIND?
WELL, A FRIEND OF MINE
FROM MED SCHOOL
HAS THIS ADORABLE
JACK RUSSELL PUPPY,
AND SHE'S MOVING
INTO A NEW APARTMEN
THAT DOESN'T ALLOW PETS.
SO I WAS THINKING
OF TAKING HIM.
ADOPTION --
IT'S VERY NOBLE.
IT'S A BIG COMMITMENT,
THOUGH.
I THINK I'M UP FOR IT.
I LIKE DOGS.
GOOD.
BUTTHEY NEED A YARD.
I HAVE A YARD.
GOOD FOR YOU.
WELL, I BETTER RUN.
I GOT SURGERY.
IS THE GIRL
GONNA BE OKAY?
I THINK SHE'LL MAKE IT.
HEY.
HEY.
YOUR DAD STILL AROUND?
NO, HE'S AT THE HOTEL,
THANK GOD.
LEAVES THE DAY
AFTER TOMORROW.
HE'S A SURGEON, RIGHT?
NO.
HE PLAYSA SURGEON.
HE'S A SOAP-OPERA STAR.
BUT DON'T TELL HIM THAT.
HE CERTAINLY KNOWS MORE
ABOUT MEDICINE THAN I DO.
THINK HE KNOWS MUCH
ABOUT AUTISM?
DON'T
NOT THE TIME, JACK.
HEY, COME ON.
AT LEAST HE CAME ALL THIS WAY.
FOR WHAT?
TO DRIVE ME UP THE WALL?
I CAN'T EVEN TALK
TO THE GUY.
SOMETIMES IT'S NOT ALWAYS
ABOUT TALKING.
[ BEEP ]
FATHERS AND SONS --
TOUGH MATCHUP.
HEY, DOC.
HEY.
ANY NEWS?
NO, NOT REALLY.
WE NEED TO ASK LEEZA
SOME QUESTIONS.
I TOLD YOU -- SHE'S INCAPABLE
OF ANSWERING THEM.
WELL, WITH ALL DUE RESPECT,
DOCTOR,
YOU DON'T KNOW THA FOR CERTAIN.
NOW,
IS THERE A ROOM WHERE,
YOU KNOW,
SHE'LL BE COMFORTABLE?
NEED ME TO GET YOU A
TABLE AND A DESK LAMP
TO SHINE IN HER EYES?
WHOA, WHOA, JACK.
I THINK YOU'RE OUT OF LINE HERE.
WE'RE NOT THE BAD GUYS.
WE'RE GETTING A LOT OF HEA ON THIS.
JUST LET US DO OUR JOB.
I KNOW.
I'M SORRY.
I'M JUST DOING MY BES TO PROTECT HER.
I UNDERSTAND THAT.
COME ON.
I'LL TAKE YOU TO HER.
ALL RIGHT.
DO YOU REMEMBER THE ROOM
WERE STAYING? YOUR FATHER
STAYING?
Bagdonis:
YES, THE APARTMEN
WHERE YOU STAYED
WITH YOUR FATHER.
FATHER? SURE.
[ Echoing ] LEEZA, DO YOU
REMEMBER SOMETHING LIKE THIS
IN THE ROOM?
[ EXHALES ]
CAN YOU HELP US OUT HERE,
DOC?
SHE SEEMS MORE COMFORTABLE
TALKING TO YOU.
LEEZA
DO YOU REMEMBER
THE LOUDEST SOUND
YOU EVER HEARD?
[ GUNSHOTS ]
BOOM, BOOM!
THAT'S GOOD, LEEZA.
THAT'S GOOD.
Truitt: CAN YOU ASK HER
WHAT THE APARTMENT LOOKED LIKE?
LEEZA, WHEN YOU HEARD
THE LOUD SOUND,
WAS ITDARK?
DARK?
YEAH.
OR -- OR WAS IT BRIGHT?
IT WAS BRIGHT.
It was bright.
DO YOU REMEMBER WHAT MADE
THE LOUD SOUND?
THE LOUD SOUND?
BOOM, BOOM!
[ GUNSHOTS ]
CAN SHE REMEMBER ANYONE --
A FACE?
LEEZA,
DO YOU REMEMBER A FACE?
Shh.
ASK HER HOW MANY PEOPLE
WERE IN THE ROOM.
HOW MANY PEOPLE?
Jack: YEAH,
THAT'S RIGHT, LEEZA.
THERE WAS YOU.
THERE WAS YOUR FATHER.
ME.
FATHER.
THAT'S RIGHT.
WAS THERE ONE MORE PERSON?
ONE MORE?
ONE MORE MAN?
ONE MORE MAN?
HEY, COME ON.
SURE.
[ MAJOR SCALES PLAYING ]
OKAY, ALL RIGHT.
WE'RE MAKING
SOME PROGRESS HERE.
[ DING! ]
[ SIGHS ]
WHO ORDERED THE BLOOD PANEL
ON AUGUSTA BROWLEY?
YOU DID, DOCTOR.
HERE.
"SUAREZ.
"
[ CLEARS THROAT ]
HEY!
THERE YOU ARE, BOY!
WHAT TIME
ARE ROUNDS TODAY?
NO ROUNDS TODAY, DAD.
NOT FOR YOU, AT LEAST.
[ SLAMS LOCKER DOOR ]
WHERE DO YOU GET OFF
SIGNING ON A BLOOD PANEL
FOR AUGUST BROWLEY --
MY PATIENT?
HEY, AS I TOLD YOU EARLIER, SON,
I DO STRONGLY BELIEVE --
YOU COULD GO TO JAIL
FOR THAT, DAD.
THAT'S CALLED PRACTICING
MEDICINE WITHOUT A LICENSE.
HEY, YOU DON'T EXACTLY HAVE
A LICENSE, EITHER, DO YOU?
YOU'RE JUST A RESIDENT.
I'M A DOCTOR.
I GRADUATED
MEDICAL SCHOOL.
I DID MY INTERNSHIP,
AND NOT AT THE CERRITOS
PERFORMING ARTS CENTER.
SO WHAT YOU'RE SAYING IS,
YOU KNOW MORE THAN I DO?
OF COURSE I KNOW MORE --
ARE YOU KIDDING?
REALLY?
OH, HEY, ARTURO.
[ CLEARS THROAT ]
OH, I'M GLAD YOU'RE HERE.
THE BLOOD PANEL
ON AUGUSTA BROWLEY
CAME BACK POSITIVE.
I WAS AMAZED.
HOW DID YOU CONNEC HER MANIA
WITH THE POSSIBILITY OF
MERCURY FILLINGS IN HER TEETH?
'CAUSE MAD HATTER'S DISEASE
IS NOT EXACTLY WELL-KNOWN.
BUT, UH, CONGRATS.
[ CHUCKLES ]
YOU MUST BE VERY PROUD.
VERY.
[ CHUCKLES ]
YOUR SHOW.
LY LIKE
THANKS.
[ SIGHS ]
HEY, GUYS.
WHAT'S UP?
I THOUGHT THIS MIGHT SPARK
SOMETHING --
PHOTOS
OF THE CRIME SCENE.
THAT'S GREAT.
IS THAT WHY YOU'VE COME?
LOOK, SHE REMEMBERS
THE APARTMENT,
SHE REMEMBERS THE SOUND
OF THE GUN,
AND THAT THERE WERE
TWO SHOTS.
NOW, MAYBE SHE REMEMBERS
WHAT THE SHOOTER LOOKS LIKE.
WELL, I'M NOT REALLY SURE
IT'S A CASE OF HER REMEMBERING.
I KNOW SHE WAS THERE,
BUT SHE WASN'T FOCUSED
ON THE ***.
GIVE ME
A LITTLE MORE TIME,
AND I CAN OFFER SOMETHING
CONCRETE.
LOOK, WE'D LIKE
TO TAKE HER DOWNTOWN.
WE'RE HOLDING DAMON PREESE
IN A LINEUP.
IT'LL PUT AN AWFUL LOT OF STRESS
ON HER, FELLAS.
I'M NOT SURE I'M FOR IT.
WELL, I'M SORRY, DOC,
BUT, UH
WE GOT A SUBPOENA.
OKAY, THEN.
WOULDN'T WANT TO INTERFERE
IN A POLICE INVESTIGATION.
DO YOU WANT ME TO GO?
NO, THAT'S OKAY.
THE GUYS HAVE COME TO TAKE LEEZA
TO WITNESS A LINEUP,
SEE IF THEY CAN CATCH
THE KILLER.
SHE'S ALL YOURS,
GENTLEMEN.
HEY, LEEZA.
WHY DON'T YOU COME WITH US NOW,
HONEY, HMM?
WE'LL BUY YOU
SOME ICE CREAM.
COME ON, HONEY.
COME ON.
[ SCREAMING ]
MAYBE SHE DOESN'T LIKE
ICE CREAM.
[ ARPEGGIO PLAYING
ON SYNTHESIZER ]
Jack: LEEZA?
I'M SORRY
SORRY.
FOR LETTING THOSE GUYS
TRY AND TAKE YOU.
TAKE YOU.
I DIDN'T MEAN TO USE YOU
LIKE THAT.
I JUST WANTED THEM
TO BACK OFF.
BACK OFF.
[ CHUCKLES ]
OKAY.
OKAY.
CAN I SHOW YOU
SOMETHING?
SHOW YOU SOMETHING?
YEAH.
TO REMEMBER THIS PLACE.
YOUR FAMILY, OKAY?
MM-KAY?
YOU TOLD ME YOU HEARD
THE BIGGEST NOISE
YOU'VE EVER HEARD.
BOOM, BOOM!
AND YOU TOLD ME IT WAS
TOO BRIGHT FOR YOUR EYES.
BUT I'M LOOKING AT THESE PHOTOS,
AND IT SEEMS --
IT SEEMS PRETTY DARK.
PRETTY DARK.
BRIGHT?
IN YOUR EYES?
BRIGHT IN YOUR EYES?
[ KNOCK ON DOOR ]
CHILD SERVICES
CALLED AGAIN.
THEY'RE READY TO PLACE HER
TOMORROW.
I'M SO SORRY, JACK.
THERE IS REALLY NOTHING
I CAN DO.
NO, NO, IT'S OKAY.
YOU KNOW SHE'S PLAYING THEM
DIFFERENT, RIGHT?
WHAT?
THE SCALES.
DIFFERENTLY? HOW?
THEY'RE OUT OF ORDER.
WELL, CHANGE IS GOOD,
RIGHT?
MAYBE SHE'LL STAR PLAYING AGAIN.
YEAH, MAYBE.
I'LL SEE YOU TOMORROW.
OKAY.
[ PLAYING MAJOR SCALES ]
LEEZA,
WHAT ARE YOU PLAYING NOW?
WHAT AM I PLAYING?
YEAH, YOU'RE PLAYING
[ MAJOR CHORD PLAYS ]
NO, YOU'RE NOT.
NO, YOU'RE PLAYING
B, A, D, G, E
BADGE?
A BADGE?
OKAY, LEEZA,
I THINK I UNDERSTAND.
[ GUNSHOTS ]
[ DIALING ]
[ Ringing ]
YEAH, HELLO.
UH, IT'S JACK GALLAGHER.
LIEUTENANT TRUITT, PLEASE.
UH, WHAT ABOU DETECTIVE BAGDONIS?
ALL RIGHT,
CAN I LEAVE THEM A MESSAGE?
TELL THEM IT'S JACK GALLAGHER,
AND I'M HEADING OVER
TO THE APARTMENT WITH LEEZA.
THANK YOU.
[ TELEPHONE BEEPS ]
LEEZA
HOW DO YOU FEEL
ABOUT TAKING A TAXI RIDE?
[ LOCK RATTLING ]
LEEZA,
DID YOU LIKE THIS PLACE?
LIKE THIS PLACE?
YEAH.
[ ARPEGGIO PLAYING
ON SYNTHESIZER ]
IS THAT YOUR BED?
BED?
WHERE YOU USED TO SLEEP?
WHERE I USED TO SLEEP?
THAT'S RIGHT.
WHEN YOU STAYED HERE
WITH YOUR FATHER.
FATHER.
[ DOG BARKS IN DISTANCE ]
WHAT ARE YOU DOING HERE?
HOW'D YOU GET IN?
I PICKED THE LOCK.
I LEFT YOU A MESSAGE.
YEAH, I KNOW, BUT
YOU SHOULD HAVE WAITED.
I KNOW, I KNOW, I KNOW.
AND I'M -- I'M SORRY.
IT'S JUST LEEZA'S BEEN TRYING
TO TELL ME SOMETHING,
AND WE DIDN'T HAVE
AN AWFUL LOT OF TIME.
WHAT? WHAT,
SHE'S TALKING MORE NOW?
NO, I DON'T THINK
SHE'S TALKING MORE.
I THINK I'M GETTING BETTER
AT LISTENING.
SHE'S
[ SIGHS ]
SHE'S TALKING ABOUT A BADGE.
NOW, THIS IS OUT THERE,
BUT IS IT POSSIBLE
THAT A POLICE OFFICER
WAS IN THE ROOM
WHEN HER FATHER WAS SHOT?
SHE SAW A ZILLION BADGES
WHEN WE CAME IN.
I KNOW, BUT IS IT POSSIBLE
THAT SOMEONE -- SOMEONE --
A COP OR SOMEONE --
HAD A BADGE AND WAS INVOLVED?
SURE.
ANYTHING'S POSSIBLE.
[ SIGHS ]
LEEZA.
[ PLAYING STOPS, RESUMES ]
[ SIGHS ] LEEZA
DO YOU REMEMBER, UH,
TO YOUR FATHER -- A MAN --
TO YOUR FATHER? TALK
FATHER.
SOMEONE CAME TO TALK
TO YOUR FATHER,
AND YOUR FATHER PUT YOU
IN THE CLOSET.
COME ON.
[ PLAYING STOPS ]
LEEZA, WHAT DO YOU SEE?
I SAID -- I --
Man: SELLING ANY DRUGS?
I DON'T HAVE THE MONEY.
I SEE.
YOU -- YOU DON'T HAVE
THE MONEY.
NO, I GOT NOTHING.
THAT'S A SURPRISE TO ME.
LEEZA
WHAT DO YOU SEE?
WHAT DO YOU SEE THROUGH THE --
THROUGH THE SLATS?
WHAT DO YOU SEE?
Keith: NO.
SHINY LIGHT.
[ SIGHS ]
SHE KEEPS SAYING THE SAME THINGS
OVER AND OVER.
I DON'T THINK
THIS IS GONNA WORK.
LISTEN, YOU TRIED.
YOU TRIED YOUR BEST.
WE'RE GONNA FIND HIM.
BADGE.
YES, LEEZA.
THAT'S MY BADGE.
COME ON, LEEZA.
TIME TO GO.
BADGE!
Keith: PLEASE.
GIVE ME A CHANCE.
I'LL MAKE IT RIGHT.
Man: TIME TO GO!
YES, BADGE.
DON'T SHOOT ME, MAN!
[ GUNSHOTS ]
TIME TO GO.
YEP.
TIME TO GO.
NO! DON'T SHOOT!
BOOM, BOOM!
[ GUNSHOTS ]
LEEZA.
WILL YOU COME WITH ME?
IT'S TIME TO GO.
[ DOOR LOCKS ]
WHAT ARE YOU DOING?
I THINK YOU KNOW.
I THINK SHE KNOWS.
KNOWS WHAT?
SHE'S AUTISTIC
JUST LIKE YOUR NEPHEW.
I DON'T HAVE A NEPHEW.
[ DING! ]
YOU DON'T WAN TO DO THIS.
REALLY?
IT'S ONE THING
TO PUT A BULLE
IN THE HEAD
OF A DRUG DEALER.
OR NOT TO MENTION A YOUNG,
BRILLIANT PSYCHIATRIST.
CAN YOU SLEEP AT NIGHT
KNOWING THAT YOU'VE KILLED
A LITTLE GIRL?
I SLEEP LIKE A BABY.
[NEWSCASTER SPEAKING
INDISTINCTLY]
[ GRUNTING ]
Leeza!
[NEWSCASTER SPEAKING
INDISTINCTLY]
LEEZA.
"TIME TO GO.
"
LEEZA.
LEEZA, PUT DOWN THE GUN!
PUT IT DOWN.
LEEZA, PUT IT DOWN!
PUT IT DOWN.
PUT IT
Leeza.
PUT IT DOWN.
LEEZA.
[ CHROMATIC SCALE PLAYS ]
[ MAJOR SCALES PLAYING ]
[ BREATHING HEAVILY ]
COME ON, DOC.
THERE'S NO WAY
YOU'RE GONNA SHOOT ME.
TO PROTECT MYSELF --
MAYBE NOT.
BUT I WILL PROTEC THAT LITTLE GIRL.
[ DOG BARKS IN DISTANCE ]
[ MAJOR SCALES PLAYING ]
[ DOOR OPENS ]
[ DOG BARKING IN DISTANCE ]
Truitt:
PUT THE GUN DOWN, JACK.
WHAT THE HELL'S
GOING ON HERE?
[ MAJOR SCALES PLAYING ]
JUST PUT IT DOWN, JACK.
IT'S OVER NOW.
SO, BAGDONIS CONFESSED.
YEAH,
HE GAVE IT UP RIGHT AWAY.
HE MADE A DEAL
TO TURN ON PREESE.
HE WAS ON HIS PAYROLL
AS AN ENFORCER.
AND AS WE GUESSED,
LEEZA'S FATHER, KEITH WILSON --
WE GOT A POSITIVE I.
D.
ON HIM NOW.
HE WAS SKIMMING A LITTLE
OFF THE TOP,
BAGDONIS WAS THERE
TO COLLECT.
HOPEFULLY,
WHAT BAGDONIS TOLD US
IS ENOUGH TO NAIL PREESE,
AS WELL.
POSITIVE I.
D.
--
DOES THAT GIVE YOU ANY CHANCE
OF TRACKING DOWN
THE FAMILY?
WE ALREADY FOUND HER MOTHER,
JACK.
NO KIDDING?
YEAH,
HER NAME'S APRIL WILSON.
SHE'S A CONCERT VIOLINIS WITH THE SCOTTSDALE STRINGS.
SHE'S GETTING ON A PLANE.
SHE'LL BE HERE IN A FEW HOURS.
AND WAS SHE ACTUALLY MARRIED
TO THIS GUY?
WELL,
FOR LESS THAN A YEAR.
HE STARTED USING,
AND SHE FILED FOR DIVORCE.
HE KIDNAPPED LEEZA,
DYED HER HAIR,
CHANGED HIS NAME.
WELL, IT'S ALL REALLY GOOD NEWS,
LIEUTENANT.
THANK YOU.
I'LL WALK YOU OUT.
THAT WOULD BE GREAT.
[ PLAYING MELODY ]
WORKED WITH BAGDONIS
FOR OVER 10 YEARS.
IT'S TOUGH TO TAKE
WHEN IT'S ONE OF YOURS, BOY.
BUT YOU KNOW, DOC,
YOU WOULD HAVE MADE
A GOOD DETECTIVE.
[ LAUGHS ]
I GUESS THAT'S KIND OF
WHAT I DO, ANYWAY.
WELL, IF YOU EVER NEED ANYTHING,
YOU LET ME KNOW.
LIKEWISE.
UH, HEY.
OH, GOD.
WHAT?
OPPORTUNISTIC.
OH, COME ON.
WHAT DO YOU GOT?
WELL, I GOT A S--
UH, I HAVE A SISTER, BECKY.
UH, SHE'S MY TWIN.
SHE'S SCHIZOPHRENIC.
SHE'S BEEN WANDERING AROUND
THE STREETS OF L.
A.
SOMEWHERE.
[ SIGHS ]
HAS BEEN FOR FOUR YEARS.
I, UH -- I FILED
A MISSING-PERSONS.
I-I'VE TRIED A P.
I.
,
BUT SO FAR NOTHING.
SHE'S PRETTY.
I'LL LOOK INTO IT.
[ DOOR SLIDES SHUT ]
[ SIREN WAILS ]
NURSING OFFICE, 331.
[ SIGHS ]
SO?
YES?
I'M WAITING.
DAD, YOUR DRIVER'S
FIVE MINUTES LATE.
HE'LL BE HERE
ANY MINUTE.
NO.
I'M WAITING FOR YOU TO SAY,
"I'M SORRY, DAD.
I SHOULDN'T HAVE BEEN QUITE
SO DISMISSIVE WITH YOU.
"
AND I'M WAITING.
FOR?
FOR YOU TO SAY,
"I TOLD YOU SO.
"
YOUR FAVORITE PHRASE.
WELL, I'M STILL WAITING.
IF YOU EXPECT ME TO APOLOGIZE,
IT'S NOT GONNA HAPPEN.
[ SIGHS ]
FINE.
BE STUBBORN
[ CELLPHONE RINGS ]
JUST LIKE YOUR MOTHER.
[ CELLPHONE BEEPS ]
YES.
YEAH, I'LL BE RIGHT OUT.
THANK GOD.
YOU KNOW,
IF YOU JUST WATCHED MY SHOW
ONCE IN A WHILE,
YOU'D KNOW
WHAT MAD HATTER'S IS.
IT'S EPISODE 409.
IS THA WHAT THIS IS ALL ABOUT --
THE FACT THAT I NEVER WATCHED
YOUR SHOW?
IT'S A SOAP OPERA, DAD.
AND YOU NEVER THOUGH I WAS A REAL ACTOR.
SO YOU DON'T THINK
I'M A REAL DOCTOR.
REAL ENOUGH
I SUPPOSE.
[ CLEARS THROAT ]
[ SIGHS ]
[ BEETHOVEN'S "MOONLIGHT SONATA"
PLAYS ]
[ MUSIC CONTINUES ]
[ APPLAUSE ]
THAT WAS AMAZING.
YES, IT WAS.
THAT WAS AMAZING.
LEEZA?
IT'S ME -- MOM.
MOM.
[ EXHALES ]
I'M HERE.
Y.
WE'RE GOING HOME.
HOME.
YEAH.
YOU PLAY WONDERFUL.
HOME.
[ CRIES ]
[ SIGHS ]
[ KNOCK ON DOOR ]
HEY.
HEY! UH,
I HOPE IT'S NOT TOO LATE.
HELL NO.
COME ON IN.
I LEFT YOU A MESSAGE.
YEAH.
YEAH, I GOT IT.
UH, CONGRATULATIONS.
THANK YOU.
I, UH -- I'VE GOT A BOTTLE
OF RED OPEN.
YOU WANT A DRINK?
NO, I'M OKAY.
YOU ALL RIGHT?
[ BREATHES DEEPLY ]
JACK,
WE REALLY NEED TO TALK.
OKAY.
WANT TO SIT DOWN?
A FEW DAYS AGO, I SAID THA I MIGHT BE IN LOVE WITH YOU.
I REMEMBER.
AND WHAT DID YOU SAY?
I SAID I LIKE DOGS.
JACK
WHAT?
WHAT DO YOU WANT TO HEAR?
WHAT ARE YOU FEELING?
YOU WANT ME TO SAY
THE WORDS BACK?
DON'T -- DON'T STAR PSYCHOANALYZING ME.
I KNOW MY FEELINGS.
I'M VERY SECURE IN MY FEELINGS.
I'M NOT SUGGESTING
THAT YOU'RE NOT.
I'M JUST TRYING
TO UNDERSTAND.
I MEAN
LOOK, THIS WHOLE THING --
IT CAUGHT ME BY SURPRISE,
JUST AS IT DID YOU.
BUT I WAN A REAL RELATIONSHIP.
YOU DON'T THINK
THAT'S WHAT WE'RE DOING?
YOU'RE DOING IT AGAIN.
I'M NOT DOING IT AGAIN.
THAT WAS A SIMPLE QUESTION.
NO, YOU ARE DEFLECTING.
I'M STANDING HERE,
POURING MY HEART OUT TO YOU,
AND YOU'RE PLAYING SHRINK GAMES
WITH ME.
I'M NOT PLAYING YOUR
SHRINK GAMES.
SOMETIMES A DOG
IS JUST A DOG,
AND AN "I LOVE YOU"
IS JUST THAT.
IF YOU WAN THE WHITE-DRESS WEDDING
AND COZY, LITTLE DINNER PARTIES
WITH OUR MERRY FRIENDS,
THEN, UH
I'VE GOT TO BE HONEST.
RIGHT NOW
I'M NOT THAT GUY.
SO, ALL THAT STUFF
ABOUT YOUR SISTER --
THAT WAS JUST, UH
NO.
SHE'S A VERY BIG PART.
BUT SHE'S NOT EVERYTHING.
[ BREATHES DEEPLY ]
OH, COME ON.
DON'T GO.
GIVE ME ONE GOOD REASON
WHY I SHOULDN'T.
I WANT YOU TO STAY.
TONIGHT?
TOMORROW?
YEAH.
AND AFTER THAT?
[ SIGHS ]
IT'S NOT GOOD ENOUGH.
[ DOOR OPENS ]
[ DOOR CLOSES ]
[ DING! ]