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Let's go over this first falseta slowly.
Here the moments of silence are important and also to know that within this falseta is a lot of freedom.
Because we will learn it as an idea then have the ability to play it in different ways.
We will be going over the version I'm playing now.
If you have the technique and would like to play something else, here you have a starting point for your interpretation.
The key of the Granaína is here.
Traditionally if we compare to classical music we are in E-Minor.
An andalusian scale that ends in the dominant, rather than the tonic chord.
However in Flamenco today we give this as the key. The final chord should also be the same (B-Major).
Because we are not in E-minor. In order for it to sound like a Granaína we must end here with the B-Major chord.
Here I only did a movement with the ligado.
Then with the thumb. Give a moment of silence then repeat.
Up here are all ligatos. *Hammer-on and Pull-off
Take advantage and let the chord sustain.
For example...
We can use this here with legatos.
Here we continue.
I start from here.
Here you can play around with. Let's try it with a crescendo.
Here I am doing many different ornamentation. Let's take a look at this one.
This is one possible interpretation.
Here you have a lot room for improvisation and free interpretation because you will have a lot of space to be free.
I played this variation.
We can come here so that we can continue with another segment.
We stop here.
This with legato.
This here is very characteristic of the Granaína.
Now I will play it slowly so that you can have one version that is finished. With this you can begin studying.