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What’s up, this is NO ID, and I’m sitting here with Maschine.
This is one of my favorite programs that I have in this workstation.
And I really love just the way the clock for my program and drums,
and the browser is probably the tightest thing since I was on a physically drum machine.
What I do is I have a combination of samples and records, samples from sample CD's, samples I created,
and I put them in these folders and then I import them into Maschine.
And I assign a bank, a type and really mixing them with what was already here.
So when I get to this point, it's the matter of deciding what I am working on,
to decide what I’m gonna pull from.
With the “death of autotune” it was just a sample I had sitting around in a folder
and I didn't put it together because I didn't really want to
give it to the wrong artist.
Sometimes if you make it and its there,
somebody will take it
so being that I had it already a kind of chopped up and ready in this state,
it was just a matter of me having the workflow ability now and grab it and immediately put it into ...
Just having all the parts that I liked already chopped up.
So this is kind of like my central hub of production.
Like sometimes I take my laptop and the car to the beach and make music.
I can't have all of this in here.
But I just want to hear in the car while I look at the water.
You know, that is important to me. And not like having some big pads on my lap.
I want to be able to just walk in with my bag, and do my music.
I started on a SP-1200 and then I moved to the MPC 60.
Even just doing the vintage mode, that there are 5 steps -
I go to different things and try to emulate it, but
me being a person who knew exactly what these things sounded like
and even I've seen other companies have those emulations but this thus far is the most accurate.
I pretty much like to get things where I like them,
so that another engineer doesn't come and try to put his special sauce on my sandwich.
I like my sandwich the way it is.