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Gina: UNH! AHH! THIS IS LOVE.
[DOORS SLIDE OPEN]
>> HAVE YOU DECIDED WHAT YOU'RE
GONNA DO WITH GINA'S BODY?
>> WHY DO YOU KEEP ASKING ME
THAT? I'M NOT HER NEXT OF KIN.
[TELEPHONE RINGS]
>> ARE YOU JOINING ME
FOR OUR 10:00?
>> I JUST NEED TO GET MY ***
TOGETHER, OK? JUST GIVE ME
A SEC. JUST...
[RING]
>> SO TELL ME WHAT YOU DON'T
LIKE ABOUT YOURSELF. I'M SORRY.
I'M NOT SURE WHICH ONE OF YOU
IS HERE FOR THE CONSULT.
>> THAT WOULD BE ME. WE JUST
GOT BACK FROM OUR HONEYMOON,
AND, WELL, IT, UH--IT DIDN'T GO
QUITE AS WE HAD PLANNED.
>> OH, BET IT HAPPENS ALL THE
TIME. I MEAN, THE PRESSURE ALONE
IS ENOUGH TO KILL YOUR LIBIDO.
>> THAT'S NOT EXACTLY WHAT
I MEANT. WE WERE GOIN' UP TO
THE MOUNTAINS, THE OREGON COAST
RANGE FOR SOME SKIING, AND IT
STARTED SNOWING HARD. UH, IT WAS
IMPOSSIBLE TO SEE ANYTHING,
AND I TOOK A WRONG TURN,
WENT DOWN A RAVINE, UH, 20 FEET.
>> OUR CAR WAS ON ITS SIDE,
COMPLETELY BURIED IN SNOW.
>> WE WERE TRAPPED INSIDE
FOR 10 DAYS.
>> BUT YOU SURVIVED,
WHICH IS A MIRACLE, AND IF
YOUR MARRIAGE CAN SURVIVE THAT,
IT'S A PRETTY GOOD SIGN.
>> AND YOU'RE HERE BECAUSE...
>> WELL, I DON'T REMEMBER MUCH.
IT'S--UH, I MUST HAVE BEEN
KNOCKED UNCONSCIOUS OR
SOMETHING. I--I JUST REMEMBER
WAKIN' UP WITH THIS INCREDIBLE
PAIN AND, UH, THESE HUGE GOUGES
TAKEN OUT OF MY ARM.
THE TRIM FROM THE DASH
CUT RIGHT THROUGH IT.
>> AH. TENDONS ARE OK. MUSCLE'S
UNDAMAGED. YOU'RE LUCKY.
>> THE CUT'S PRETTY, UM--
THE TRIM FROM THE DASHBOARD
DID THIS?
>> TELL THEM THE TRUTH, KYLE.
>> HONEY.
>> I HAVE TO TELL THEM, TELL
SOMEBODY WHAT YOU DID. THE GUILT
IS--I CAN'T TAKE IT ANYMORE.
UH, WE HAD--[SNIFFLES]
NO FOOD, NO WATER. I'M--
I'M SEVERELY HYPOGLYCEMIC.
>> WE TRIED TEXT MESSAGING TILL
THE CELL BATTERY RAN OUT, BUT NO
HELP CAME. AFTER A WEEK, SHE
STARTED TO COMPLAIN OF HEADACHES
AND DIZZINESS, AND EVENTUALLY
SHE STARTED TO LOSE
MOTOR CONTROL.
>> I STARTED HEARING NOISES,
AND MY--MY EYES WOULDN'T FOCUS.
I COULD ONLY SEE THESE SPOTS.
>> I THOUGHT SHE WAS GONNA DIE.
I THOUGHT WE BOTH
WERE GONNA DIE.
>> HE SAVED ME. HE, UH--GOUGED
OUT SMALL PIECES OF HIS FLESH,
WARMED THEM WITH THE CAR
LIGHTER, AND FED THEM TO ME.
I WAS LIKE A--LIKE A CANNIBAL
EATING MY OWN HUSBAND TO
SURVIVE. WHAT KIND OF PERSON
AM I? [SHUDDERS] I--I THINK
I'M GONNA--I'M GONNA BE SICK.
>> SHE COULDN'T HAVE LASTED
WITHOUT SOMETHING TO EAT,
AND I DIDN'T WANT TO LOSE HER.
I DID NOT KNOW WHAT ELSE TO DO.
>> YOU MUST THINK I'M A MONSTER,
BUT YOU HAVE NO IDEA WHAT YOU
WOULD DO TO SURVIVE UNTIL
IT HAPPENS TO YOU. PLEASE.
PLEASE F-FIX MY HUSBAND.
>> ♪ AHH,
MAKE ME
BEAUTIFUL ♪
♪ MAKE ME
THE PERFECT SOUL,
A PERFECT MIND,
A PERFECT FACE,
A PERFECT
LIE ♪
Total Coelo: ♪ I EAT CANNIBAL,
FEED ON ANIMAL,
YOUR LOVE IS SO EDIBLE TO ME,
I EAT CANNIBALS ♪
>> I STILL CAN'T BELIEVE GINA
KILLED HERSELF. SEEMED LIKE
SHE WAS DOIN' SO WELL.
Liz: WELL, HAPPENS TO A LOT OF
SUICIDAL PERSONALITIES. THINGS
GET GOOD. THE BAD FEELINGS DON'T
GO AWAY. ALL HOPE IS LOST,
AND THEN SPLAT. HOW IS WILBER
HANDLING THIS?
>> FINE. HE TOOK IT HARD
AT FIRST, BUT KID'S A SURVIVOR.
I OWE GINA FOR WILBER,
BUT BESIDES THAT, SHE'S NOTHING
BUT A CHRONIC HEMORRHOID.
EVERY TIME I THOUGHT SHE WAS
GONE, SHE'D FLARE UP AGAIN
AND BE A PAIN IN MY ***.
>> HERE. HAND HIM OVER.
>> WHY? WHAT ARE YOU DOIN'?
>> I'LL CLOSE. IT'S ALMOST NOON.
WHY DON'T YOU GO PICK WILBER UP
FROM SCHOOL? YOUR SON NEEDS YOU
RIGHT NOW MORE THAN I DO.
>> [CLEARS THROAT]
>> [KIDS PLAYING]
>> CAN I HELP YOU?
>> HE'S MY SON, WILBER.
I'M DR. TROY.
>> OH. SO THE PRINCIPAL
CALLED YOU ALREADY?
>> ABOUT WHAT?
>> WELL, UH, THERE WAS
AN INCIDENT TODAY WITH YOUR SON.
HE BIT ANOTHER STUDENT, YEAH,
DURING STRETCH AND GROW.
I GUESS OWEN GOT TOO CLOSE
TO WILBER'S MAT.
>> JESUS. IS THE OTHER BOY OK?
>> OH. WELL, YOU KNOW, AT THIS
AGE, THEY FORGET ALL ABOUT IT
20 MINUTES LATER. HEH. WE HAVE
A BIGGER PROBLEM, THOUGH.
UH, SCHOOL POLICY REQUIRES
THAT WILBER BE EXPELLED.
YEAH, IT'S IN THE ENROLLMENT
CONTRACT THAT YOU SIGNED--
PERSONAL CONDUCT. YOU CAN SPEAK
TO THE PRINCIPAL, BUT--
>> IS HE AWARE THAT WILBER'S
MOTHER DIED A FEW DAYS AGO?
>> OH, MY GOD. I HAD NO IDEA.
WHAT--WHAT HAPPENED?
>> SHE JUMPED OFF THE BALCONY.
SUICIDE.
>> OH, WELL, HOW IS HE HANDLING
HIS MOTHER'S DEATH?
>> HE DOESN'T KNOW.
>> YOU HAVEN'T TOLD HIM?
>> NO.
>> OH, WELL, NO WONDER HE'S
ACTING OUT. HE'S PROBABLY SO
CONFUSED BY HER SUDDEN ABSENCE
IN HIS LIFE, SCARED. YOU NEED
TO TELL HIM WHAT HAPPENED.
>> HE'S TOO YOUNG TO UNDERSTAND.
>> OH, WELL, HE MIGHT NOT HAVE
THE VERBAL SKILLS, BUT HE CAN
CERTAINLY SENSE SUCH A BIG
CHANGE. LOOK, I'LL TALK TO THE
PRINCIPAL. I'M SURE THE SCHOOL
WILL MAKE AN EXCEPTION, GIVEN
THE CIRCUMSTANCES. BUT YOU NEED
TO TELL WILBER THAT HIS MOTHER
IS GONE FOR EVERYONE'S SAFETY.
OHH.
>> COME ON. DO IT FOR ME.
WAIT, COME ON. YOU CAN DO IT.
>> COLLEEN, THIS IS AWKWARD.
>> WELL, I'VE HEARD ABOUT IT,
AND I--I WANNA HEAR IT.
I MEAN, I THINK I DESERVE
THE FULL McNAMARA CHARM.
>> OK. TELL ME WHAT YOU
DON'T LIKE ABOUT YOURSELF.
>> AHH! HEH HEH. SO GOOD.
[SIGHS] THE OLD HAMMERTOE,
WHICH I GOT FROM POUNDING
THE PAVEMENT ON YOURS AND
MY OTHER CLIENTS' BEHALF.
HEH.
>> HOLD STILL, PLEASE. I SEE
THERE ARE SEVERAL TOES THAT ARE
QUITE RIGID AND SOME CALLUSES.
>> YEAH, OK. NOW, CHECK THOSE
OUT. IT'S GONNA BE A GREAT
AWARDS SEASON FOR HEARTS 'N
SCALPELS, AND I REFUSE TO WALK
DOWN THE RED CARPET IN A PAIR
OF *** EASY SPIRITS. NOW,
I READ ABOUT THIS SURGERY IN THE
NEW ALLURE. IT'S AS HOT AS YOUR
CAREER. SO YOU SHAVE THE BONES.
THEY SHORTEN THE TOES, THEY FUSE
THE TENDONS, AND THEY PEEL THE
SKIN. IT'S NOTHIN' TO IT, RIGHT?
>> I DO WANT YOU TO LOOK YOUR
BEST, COLLEEN. IT'S IN MY BEST
INTEREST THAT YOU DO. I DO FEEL
HOWEVER THAT WE HAVE A PROPER
AND FAIR FINANCIAL ARRANGEMENT
AND GOOD PROFESSIONAL
BOUNDARIES, WHICH--
>> WHOA. HOLD IT RIGHT THERE,
COOKIE. YOU THINK I'M ASKING
FOR A FREEBIE? HEH. NEVER.
ALL RIGHT? I'M THE PATIENT.
YOU'RE THE PRO. JUST LIKE YOU'RE
A CLIENT, AND I'M A PRO.
SO LET'S GET THIS SURGERY ON THE
BOOK. OH, MY GOD. HOW CUTE DO
YOU LOOK HOLDING THOSE SHOES.
[SNAPS PICTURE]
[LAUGHS]
>> [SHUDDERS]
>> [ROARING AND SNARLING]
>> WHAT YA DOIN', BUDDY?
>> PLAYING MY T-REX. HE BITES
HARD, LIKE THIS. [GROWLS]
>> WILBER, NO. IT'S NOT NICE
TO BITE. WE DON'T DO THAT
IN THIS HOUSE, OK, OR AT SCHOOL.
BUT I KNOW WHY YOU'RE DOING IT.
YOU'RE UPSET BECAUSE YOUR
MOMMY'S GONE AWAY AGAIN. RIGHT?
>> I MISS MOMMY.
>> YEAH. OK, HERE'S THE DEAL.
YOU'RE MY SON, AND I LOVE YOU,
AND I'M GONNA BE HONEST WITH YOU
ALWAYS, OK? MOMMY'S NOT
COMING BACK, BECAUSE...
DADDY KILLED HER.
I--I DON'T KNOW WHAT HAPPENED.
I--DADDY WAS *** AND TIRED AND
NEEDED TO GET HIS ROCKS OFF.
YOU'LL UNDERSTAND WHAT I'M
TALKING ABOUT WHEN YOU'RE OLDER.
AND MOMMY OFFERED HIM CHEAP SEX,
AND LIKE A FOOL, DADDY ACCEPTED.
BASICALLY I--I SCREWED HER OFF
THE BALCONY, AND SHE FELL TO HER
DEATH, AND I HAVEN'T TOLD YOU
OR ANYBODY ELSE, BECAUSE I DON'T
WANT THE POLICE INVOLVED,
BECAUSE THEN DADDY COULD GO TO
JAIL, AND THEN I WOULDN'T BE
WITH YOU, AND I'M NOT GONNA
LET THAT HAPPEN.
>> IS MOMMY A ***?
>> YES, HONEY. SHE WAS. SHE WAS
A BAD PERSON AND A BAD MOMMY,
AND MAYBE THIS IS ALL FOR
THE BEST, SO IT'S JUST YOU
AND ME, LIKE IT'S MEANT TO BE.
>> [ROARING]
PLAY WITH ME, DADDY.
[WAVES CRASHING,
SEABIRDS CALLING]
I MISS MOMMY. SHE BUYS ME
ICE CREAM.
WHEN'S MOMMY COMING BACK?
>> MOMMY TOOK A LONG TRIP,
HONEY, YOU KNOW, LIKE BEFORE.
MOMMY'S NOT COMING BACK
FOR A LONG TIME.
[NO AUDIBLE DIALOGUE]
[MONITOR BEEPING]
>> WHAT WERE YOU TWO
GABBIN' ABOUT?
>> OH, SORRY, SEAN. I SHOULD
HAVE WAITED BEFORE I SENT HER
INTO LA-LA LAND, BUT THE WOMAN
IS A FORCE OF NATURE, AND SHE
DOESN'T KNOW WHEN TO STOP.
>> YEAH. I'VE BEEN THERE.
>> AND SHE'S VERY EXCITED ABOUT
WHAT YOU'RE DOIN' FOR HER.
>> THIS ISN'T PRO BONO.
SHE'S PAYING FOR IT.
>> NO, NOT THIS, BUT THIS TAKI''
HER TO ALL THE AWARD SHOWS
THIS WINTER. YEAH. ARE YOU
REALLY GOIN' TO THE OSCARS?
>> NO, SHE MUST HAVE MEANT
ONE OF HER OTHER CLIENTS.
>> HMM. I DON'T THINK SO.
>> IT'S HAMMER TIME. HIT IT.
[THESE BOOTS ARE MADE
FOR WALKIN' PLAYING]
Nancy Sinatra: ♪ THESE BOOTS
ARE MADE FOR WALKIN',
AND THAT'S JUST WHAT THEY'LL DO,
ONE OF THESE DAYS, THESE BOOTS
ARE GONNA WALK ALL OVER YOU ♪
ARE YOU READY, BOOTS?
START WALKIN'.
>> I HAVE NICOLE.
>> CALL BACK.
[MUSIC STOPS]
>> I'M IN THE MIDDLE
OF A SURGERY HERE.
>> HI, SEAN. WE'RE C.A.A.
>> WHO?
>> CREATIVE ARTISTS AGENCY.
>> THE BIGGEST TALENT AGENCY
IN TOWN, SEAN.
>> THAT'S RIGHT, AND WE WANNA BE
IN THE SEAN McNAMARA BUSINESS.
>> YOU COULD HAVE CAUSED AN
INFECTION, SEVERELY COMPROMISED
THAT PATIENT'S HEALTH.
>> WE SINCERELY APOLOGIZE,
DR. McNAMARA. IN NO WAY
DID WE INTEND TO PUT YOU
OR ANYONE ELSE IN DANGER.
>> I HAVE TOM.
>> CALL BACK.
>> CRUISE?
>> OR HANKS.
>> LOOK, I APPRECIATE THE
INTEREST, BUT I ALREADY HAVE
REPRESENTATION. IT'S COLLEEN
ROSE OF THE COLLEEN ROSE AGENCY.
>> HUH. I'M NOT FAMILIAR
WITH HER. HAVE YOU HEARD
OF COLLEEN ROSE?
>> NO.
>> NO.
>> PROBABLY ONE OF THOSE NEW
BOUTIQUES. I'M SURE SHE'S
A TERRIFIC AGENT, THOUGH SHE
DOESN'T HAVE AS MUCH IN COMMON
WITH YOU AS WE DO.
>> BUT YOU DON'T EVEN KNOW ME.
>> WELL, THAT'S WHY WE'RE HERE,
TO BEGIN THAT PROCESS. LOOK,
YOU'RE A DOCTOR. WE WANNA HELP
PEOPLE. WE CARE ABOUT OUR
CLIENTS' ENTIRE LIVES, NOT JUST
THEIR CAREERS. FOR EXAMPLE...
[SNAPS FINGERS] THIS IS A LIST
OF ORGANIZATIONS WITH WHICH
WE'RE INVOLVED.
>> DOCTORS WITHOUT BORDERS,
N.R.D.C., HABITAT FOR HUMANITY.
>> THIS WEEK, WE'RE ACTUALLY
TAKING AN AFTERNOON OFF AND
BUILDING A HOUSE IN NEW ORLEANS
TO HELP AID KATRINA VICTIMS.
HAVE YOU HELPED WITH THE KATRINA
EFFORT, SEAN?
[FOOTSTEPS]
>> MIKEY, YOU GOT THAT CLUB
SANDWICH? I'M FRIGGIN' FAMISHED.
I'VE BEEN AT THIS ONE ALL
*** MORNING. WHO ARE YOU?
>> I'M DR. CHRISTIAN TROY.
I ARRANGED FOR MS. RUSSO'S
INTERMENT.
>> RIGHT. THIS ONE JUST
BOUGHT ME A FLAT-SCREEN TV.
THANKS FOR THE GIG.
>> I HEAR YOU'RE THE BEST.
>> AND I HEAR YOU'RE A PLASTIC
SURGEON, WHICH IS FANTASTIC.
I'M A *** PICASSO WITH THE
PUTTY, BUT NOT EVEN I CAN FIGURE
OUT HOW TO PUT THIS HUMPTY
DUMPTY BACK TOGETHER AGAIN.
CAN I PICK YOUR BRAIN?
>> SURE.
>> SO, DOC, HELP ME OUT HERE.
AS YOU CAN SEE, THE LEFT SIDE OF
MS. RUSSO'S FACE, THE POINT OF
IMPACT, HAS JUST BEEN SHATTERED
BEYOND RECOGNITION. THERE'S NO
CHEEKBONE, NO JAW STRUCTURE
TO PROP UP.
>> TRY A VITALLIUM RECOM PLATE
FOR THE LEFT MANDIBLE. THIS WILL
GIVE YOU SOME ARCHITECTURE
TO MANIPULATE.
>> THERE'S NO STABLE FIXATION
POINT. THE WHOLE SIDE'S
LIKE SMUCKER'S JELLY.
DR. TROY, I DON'T THINK THERE'S
ANYTHING ELSE I CAN DO FOR HER.
I THINK WE'RE TALKIN'
CLOSED CASKET HERE.
YOU WANT A MINUTE?
>> FOR ALL THE TIMES I'VE
WANTED TO KILL YOU...
THIS WASN'T ONE OF THEM.
[CELLPHONE RINGING]
HELLO.
>> HIS HEART SUDDENLY DROPPED
FROM 74 TO 140. HE'S BEEN LABILE
FOR THE PAST HALF AN HOUR.
>> FEVER?
>> 105.
Sean: HIS HEART RATE'S
STABILIZED AT 90, BUT HIS B.P.
KEEPS BOTTOMING OUT.
>> GET HIS CHART. MAYBE HE'S
ON SOME MEDICATION
WE'RE NOT AWARE OF.
>> OH, HE DOESN'T TAKE ANYTHING.
HE'S NEVER BEEN SICK A DAY--
NOW YOU FIX THIS. MAYBE THOSE
INSTRUMENTS YOU USED WEREN'T
STERILE. I READ ABOUT THAT.
>> I ASSURE YOU WE
STERILIZE EVERYTHING.
>> I CAN'T LOSE HIM.
I'LL KILL MYSELF IF SOMETHING
HAPPENS TO HIM. KYLE.
KYLE, CAN YOU HEAR ME? BABE?
>> MRS. AINGE, YOUR HUSBAND IS
IN SOME KIND OF SEPTIC SHOCK.
IF YOU WANT HIM TO PULL THROUGH
THIS, YOU'RE GONNA HAVE TO
WAIT OUTSIDE. YOU UNDERSTAND?
>> LET'S START HIM ON A DOPAMINE
DRIP, 10 MICS. HAVE SOME
EPHEDRINE STANDING BY.
HE'S LOSING BLOOD PRESSURE.
[RINGING BELL]
>> HOW'S IT GOING, COLLEEN?
>> WHAT'S THE MATTER, COOKIE?
>> MINOR TROUBLE WITH ANOTHER
PATIENT. HE'S STABILIZED.
>> OH, WELL, HE'LL LIVE. I MEAN,
YOU ARE A GENIUS. YOUR WORK
IS JUST *** BRILLIANT.
I COULD HAVE A SECOND CAREER
AS A FOOT MODEL. SERIOUSLY.
>> WELL, YOU SEEM TO BE HEALING
PERFECTLY, SO I'LL JUST
CHECK IN LATER.
>> LOOK WHAT I MADE YOU.
IT'S A SEAN BEAR. HEY, LOOK.
>> [SEAN'S VOICE] TELL ME WHAT
YOU DON'T LIKE ABOUT YOURSELF.
>> HEH. I RECORDED IT DURING OUR
CONSULT. HEH. ALSO I SEWED THESE
SURGERY GARBS AND THE BOOTIES
MYSELF IN SILK SO IT WOULD BE
SOFT AGAINST YOUR SKIN. HEH.
>> IT'S, UH--HEH--CHARMING.
>> IT'S HOW I EXPRESS MY
FRIENDSHIP. HERE. IT'S MY HOBBY.
I MAKE TEDDIES INSTEAD OF
KNITTING OR WHATEVER IT IS OTHER
PEOPLE DO TO RELAX. I'M IN
A VERY STRESSFUL PROFESSION,
AS I'M SURE YOU KNOW.
>> COLLEEN, WHEN WE STARTED
WORKING TOGETHER, I HAD IN MIND
A MORE BUSINESSLIKE ARRANGEMENT.
I UNDERSTAND YOUR APPROACH
IS A MORE PERSONAL,
HANDS-ON KIND OF--
[KNOCK ON DOOR]
>> YOU READY, SEAN? OPERATION
KATRINA KIDS, HERE WE COME.
>> OH, HEY, BOB. UH, YOU KNOW,
I'LL BE RIGHT DOWN. WE'RE JUST
FINISHING UP HERE.
>> OPERATION KATRINA KIDS?
WHO'S THIS?
>> BOB LEVITZ.
>> "CAA"? WHAT'S CAW?
>> THAT'S C.A.A.,
CREATIVE ARTISTS AGENCY.
>> WHATEVER. WHY ARE YOU GONNA
FLY TO KATRINA WITH THEM? WHAT,
YOU WANT POVERTY? I'LL SHOW YOU
POVERTY. WE'LL GET IN MY VOLVO.
WE'LL DRIVE DOWN TO WATTS.
>> COLLEEN.
>> OH, COME ON. THESE GUYS
ARE GONNA EAT YOU ALIVE, SEAN.
YOU'RE NOTHIN' BUT A PIECE OF
MEAT TO THEM, AND AS SOON AS
THEY SWALLOW YOU, THEY'RE GONNA
*** YOU OUT JUST LIKE LAST
NIGHT'S DINNER AT THE PALM.
>> UM, BOB, CAN--CAN YOU
JUST GIVE US A MINUTE?
>> YEAH.
>> YEAH.
>> DO WHAT YOU GOTTA DO. WE GOT
A PRIVATE JET WAITING. NO ONE'S
GONNA LEAVE WITHOUT YOU.
>> OK.
>> NICE TO MEET YOU, COLLETTE.
>> YOU CAN'T GO. YOU HAVE
A PATIENT IN DISTRESS.
>> I TOLD YOU MY PATIENT
HAS STABILIZED. I'M ONLY OUT
FOR THE AFTERNOON.
>> I WAS TALKING ABOUT ME.
>> MY STAFF WILL LOOK AFTER YOU.
AND AS FOR YOU AND ME, I HAVEN'T
MADE ANY COMMITMENTS. I JUST
WANT TO EXPLORE MY OPTIONS.
>> FINE. GO. YOU JUST
BROKE MY HEART.
>> COLLEEN.
>> GO.
GO!
>> TELL ME WHAT YOU DON'T LIKE
ABOUT YOURSELF. TELL ME WHAT YOU
DON'T LIKE ABOUT YOURSELF.
[RUNNING DOWN] TELL ME WHAT YOU
DON'T LIKE ABOUT YOURSELF.
>> BIG TURNOUT, HUH?
>> YEAH. I KNEW SHE DIDN'T HAVE
ANY FAMILY, BUT I DIDN'T REALIZE
SHE HAD SO MANY FRIENDS.
>> NICE TO KNOW, RIGHT,
THAT SHE TOUCHED SO MANY PEOPLE.
>> HELLO, EVERYONE. I'M MANUEL.
>> HI, MANUEL.
>> TODAY'S A VERY SAD DAY. WE'VE
LOST A DEAR FRIEND, A PILLAR
OF SUPPORT IN OUR STRUGGLE
TO CONTROL THOSE IMPULSES
THAT TOO OFTEN RUN OUR LIVES.
>> ALL THESE PEOPLE MUST BE FROM
HER SEXAHOLICS ANONYMOUS HEYDAY.
>> GINA, MORE THAN ANYONE IN
THIS ROOM, YOU STRUGGLED WITH
THOSE IMPULSES. WELL, NO MORE.
SO IN THAT SPIRIT, I'M GOING
TO SAY WHAT I KNOW EVERYONE IS
THINKING RIGHT NOW. SHE GAVE THE
BEST DAMN *** I EVER HAD.
>> GINA, GAVE ME THE RIM JOB
OF MY LIFE.
>> A HAND JOB LIKE AN OCTOPUS.
>> HER TONGUE COULD
ACTUALLY VIBRATE.
>> IN FACT, I'M HARD RIGHT NOW.
>> MY LITTLE G SPOT. THAT'S WHAT
I LIKED TO CALL HER.
>> AND THE TAINT IS REAL, FOLKS.
GINA TURNED ME ON TO THAT, TOO.
>> AND I AM GOING TO BE
WHACKING OFF TO THOSE MEMORIES
FOR THE REST OF MY LIFE.
>> I ONLY HAD SEX WITH GINA
ONCE, AND I'M SORRY THAT I DID.
BECAUSE I AM THE GUY WHO GAVE
HER AIDS. NOT ON PURPOSE.
I DIDN'T EVEN KNOW MYSELF THAT
I WAS, UH, POSITIVE AT THE TIME.
BUT GINA, WHEN I TOLD HER, SHE
FORGAVE ME. SHE, UH--SHE SAID
IT WOULD FINALLY FORCE HER
TO GET HER LIFE UNDER CONTROL,
SOMETHING SHE WASN'T ABLE
TO DO BEFORE. SHE EVEN HELPED ME
GET TREATMENT. I MEAN, SHE--
[SNIFFLES] SUPPORTED ME. [SIGHS]
THIS ADDICTION THAT WE HAVE,
IT CAN RUIN YOUR LIFE, BUT IN
A WEIRD WAY, WHEN I MET GINA...
IT SAVED MINE. IT WAS
THE WAKE-UP CALL THAT I NEEDED,
AND I WANNA THANK HER FOR THAT.
[KIDS PLAYING]
>> [SIGHS]
>> IS SOMETHING WRONG?
>> HE DID IT AGAIN, THIS TIME
DURING SLEEPY TIME. MASON PEARCE
WAS JUST LYING ON HER MAT NEXT
TO HIM. SHE NEEDED 2 STITCHES.
>> WELL, I DON'T UNDERSTAND.
HE'S SUCH A SWEET KID.
>> WELL, HAVE YOU TOLD HIM
ABOUT HIS MOTHER'S DEATH YET?
>> NO.
>> LOOK, I CAN'T PROTECT HIM
ANYMORE. IF I DON'T REMOVE HIM,
THE PARENTS ARE GOING TO SUE.
>> HOW MUCH? WILBER LOVES IT
HERE. HE NEEDS SOME KIND OF
CONSISTENCY IN HIS LIFE. THERE
MUST BE SOMETHING YOU NEED, A--
A JUNGLE GYM?
>> I WAS HOPING THAT YOU
COULD PROVIDE SOMETHING ELSE
TO CLIMB ON.
[MOANS] THAT'S IT. RIGHT THERE,
BIG BOY. THAT'S GOOD. OHH. OH,
WHAT A GOOD, BIG BOY YOU ARE.
OHH. FASTER. OHH. YEAH, YEAH,
YEAH, YEAH. FASTER! FASTER! OHH!
OH, YES! THAT'S GOOD. OHH! YEAH!
FASTER, PLEASE! OHH!
>> JESUS! WHAT THE--YOU BIT ME.
>> OH, I'M SORRY.
>> YOU DREW BLOOD.
>> I'M SORRY. I JUST--UM, I'VE
NEVER DONE THAT BEFORE. I GUESS
YOU BRING OUT THE ANIMAL IN ME.
[SNORTS]
>> YOU'RE THE ONE THAT BIT
THE KIDS, AREN'T YOU?
>> I'M SORRY, BUT I WOULD NEVER
HURT A CHILD. I UNDERSTAND THAT
IT'S DIFFICULT TO ACCEPT THAT
YOUR SON HAS ISSUES, BUT IT'S
GONNA TAKE A LOT MORE THAN
THE ACCUSATIONS OF THE FATHER
OF A BAD, LITTLE BITER AND MY
BEHAVIOR IN A MOMENT OF PASSION
TO RELEASE WILBER FROM THE
RESPONSIBILITY OF THESE ATTACKS.
OK?
>> OK. WELL, I'M GONNA DO A HELL
OF A LOT MORE THAN THAT,
VAMPIRE. JUST SO YOU KNOW,
I'M PRETTY GOOD WITH SKIN,
AND I DON'T THINK IT'D BE
TOO MUCH TROUBLE FOR ME TO TAKE
AN INDENTATION OF THE MARKS YOU
JUST LEFT ON MY NECK, MATCH THEM
TO THE ONES ON THE KIDS THAT YOU
CLAIM WILBER BIT. I HOPE YOU
KNOW HOW TO OPERATE A GRIDDLE,
BECAUSE YOU WON'T BE
TEACHING KIDS ANYMORE.
[MONITOR BEEPING]
>> THE NEW LAB WORK PINPOINTS
HIS WHITE BLOOD COUNT AT 30,000,
BUT THEY STILL DON'T PINPOINT
THE CAUSE OF THE INFECTION.
>> WE'RE LOSIN' HIM, SEAN.
[TELEPHONE RINGS]
>> HOW IS HE?
>> WE NEED TO MOVE HIM, GET HIM
TO A HOSPITAL. HE'S FIGHTING
SOMETHING, AND WE DON'T KNOW
WHAT IT IS. WE'RE RUNNING OUT
OF OPTIONS.
>> I THINK I KNOW WHAT'S MADE
HIM SICK. I--I CUT MYSELF AND
FED HIM SMALL PIECES OF MY--
OF MY FLESH.
>> HE'S IN RECOVERY.
>> I DIDN'T MEAN TO. IT'S--AFTER
THE OPERATION, I FELT SO GUILTY
ABOUT WHAT I DID, ABOUT WHAT
HE DID FOR ME. I MADE HIM DO IT.
LOVE NOURISHES. IT DOES.
>> WHAT?
>> KYLE SHOWED ME THAT.
>> DO YOU HAVE ANY IDEA
HOW FILTHY AND CONTAMINATED
HUMAN FLESH IS? BACTERIA
IN UNCOOKED MEAT CAN CAUSE
LIFE-THREATENING DISEASES.
>> I DON'T UNDERSTAND.
I ATE PIECES OF HIM,
AND I DIDN'T GET SICK.
>> WELL, YOU SAID HE WARMED
THOSE PIECES. OBVIOUSLY THE HEAT
WAS ENOUGH TO KILL ANYTHING
TOXIC. IF YOUR HUSBAND DIES,
MRS. AINGE, YOU HAVE YOURSELF
TO THANK.
>> WHO ARE YOU CALLING? I DIDN'T
WANT TO HURT HIM. I JUST--
IT WOULD HELP ME GET RID OF MY
SHAME. I--I THOUGHT IF WE BOTH
DID IT, WE COULD BE--BE LIKE
WE WERE. PLEASE DON'T CALL
THE POLICE.
>> I CAN'T PROMISE YOU THAT. I'M
SORRY. DR. LARSEN, PLEASE. TELL
HIM DR. McNAMARA'S ON HIS WAY
OVER. IF HE COULD MEET ME AT THE
E.R. I'D APPRECIATE IT. UH-HUH.
[BUZZER]
[CAR HONKS]
>> WELCOME TO MY HUMBLE HOME.
>> WAIT A MINUTE. YOU SAID
THIS WAS YOUR OFFICE.
>> MY HOME OFFICE, YES.
PLEASE, COME IN.
>> RIGHT.
SO, KOREATOWN. IT'S AN
UP-AND-COMING NEIGHBORHOOD,
I'M TOLD.
>> I FEEL SO SAFE HERE, AND THE
VEGETABLES ARE SO INEXPENSIVE.
HEH. CAN I TAKE YOUR JACKET?
>> YEAH.
WOW. LOT OF BEARS.
>> YES.
>> HAVE YOU SPOKEN TO SEAN?
>> AH, HE'S RUNNING A FEW
MINUTES LATE. WOULD YOU LIKE
A GLASS OF ASTI? CHEESE CANAPE?
NO? I REALLY APPRECIATE YOUR
AGREEING TO THIS MEETING, BOB.
I LIKE DOING THINGS IN
A VERY OPEN AND HONEST FASHION,
JUST PUTTING EVERYTHING OUT
ON THE TABLE. THAT WAY,
EVERYONE FEELS THAT THEY'VE BEEN
HEARD AND SEAN CAN THEN MAKE
A MORE INFORMED CHOICE.
>> WHATEVER IT TAKES.
>> PLEASE.
WAIT!
>> YOU KNOW, UH, SEAN IS
A GREAT TALENT. HE DESERVES
THE BEST REPRESENTATION.
>> I MADE YOU YOUR OWN BEAR.
IT'S AN AGENT BEAR.
>> WHAT THE HELL IS THIS?
>> THAT'S WHAT YOU DO, ISN'T IT,
EAT PEOPLE ALIVE? DEVOUR
THEIR SOULS AND SPIRITS?
HAVE A CHEESE CANAPE, BOB.
>> NO.
>> I WENT TO A LOT OF TROUBLE.
>> THANK YOU. NO.
SO, COLLEEN, WHO ELSE DO YOU
REPRESENT THESE DAYS?
>> WHY? SO YOU CAN STEAL THEM
FROM ME, TOO? I REPRESENT MOON
ZAPPA, DAKOTA FANNING. I ALSO
HAPPEN TO REPRESENT MS. NICOLE
KIDMAN. SHE'S JUST STUNNING.
>> WELL, I WONDER
HOW THAT WORKS,
SINCE I'M ON TEAM NICOLE.
>> NOT ANYMORE!
>> ♪ IN THE HOUSE
RIGHT NEXT TO US... ♪
>> WAKEY, WAKEY, MR. AGENT BEAR.
ARE YOU READY TO BE
IMMORTALIZED FOREVER?
>> ♪ ...SANTA CLAUS
BROUGHT HIM A TEDDY BEAR... ♪
>> I KNOW WHAT YOU WERE
THINKING. YOU THOUGHT,
"I'LL JUST MAKE A FEW SNIDE
REMARKS ABOUT HER AGE AND HER
PITIFUL APARTMENT," AND THEN
SEAN WILL BE ALL YOURS. WELL,
HARD TO TALK WITH DUCT TAPE
ON YOUR MOUTH, ISN'T IT?
>> ♪ EVER HEARD IS TO HEAR HIM
[LOUDER] SING THIS SONG ♪
>> YOU KNOW WHAT IT'S LIKE...
>> [MUFFLED YELLING]
>> TO BE A NOBODY AND SUDDENLY
BECOME A SOMEBODY BECAUSE
YOU HITCHED YOUR DUMB, LITTLE
UNIMPORTANT STAR TO ONE THAT
SHINES SO MUCH BRIGHTER THAN
YOURS? AND DO YOU KNOW HOW MUCH
IT HURTS WHEN THAT WONDROUS,
MAGICAL STAR SUDDENLY
FLICKERS OUT AND DIES IN YOUR
LIFE AND YOU END UP BEING
JUST SHUT IN THE SHADOWS?!
>> MMM! MMM!
>> IT HURTS SO MUCH!
YOU WILL NOT TAKE AWAY MY STAR!
YOU WILL NOT TAKE AWAY MY SEAN.
>> [GRUNTING]
>> I WANT YOU TO OPEN
YOUR MOUTH.
I SAID OPEN YOUR MOUTH!
GET SOME *** DIGNITY.
>> [WHIMPERS]
>> ♪ WHEN I CLIMB UP THE STAIRS,
AND BY MY BED, HE LISTENS... ♪
>> [GRUNTING]
>> ♪ UNTIL I SAY MY PRAYERS,
OH, ME AND... ♪
>> SEE THE STUFFING?
IT'S GOING INSIDE YOU NOW.
>> ♪ ...HAVE NO CARE,
ME AND... ♪
>> THAT'S IT. THAT'S IT.
THAT'S IT. THAT'S IT.
>> ♪ JUST PLAY AND PLAY ALL DAY,
JUST PLAY AND PLAY ALL DAY ♪
>> HEY, THERE. OFFICER KANE IS
HERE TO ASSIST YOU TO THE POLICE
STATION AND TAKE AN IMPRINT
OF YOUR TEETH. YOU COULD
GO PEACEFULLY, BUT FRANKLY I'D
PREFER IF YOU RESISTED ARREST.
>> I'LL BE HAPPY TO DO ANYTHING
TO HELP CLEAR MY NAME.
OUR PARENTS PAY A PREMIUM
TO SEND THEIR CHILDREN HERE,
AND I REALLY DON'T WANNA WASTE
ANY MORE OF MY VALUABLE TIME
SO DR. TROY CAN REMAIN
IN DENIAL ABOUT HIS SON.
>> JUST SO YOU KNOW, YOU'LL BE
AWAY FOR 2 YEARS FOR THIS,
AND EVEN FEMALE INMATES
DON'T TAKE KINDLY TO ***
THAT BITE BABIES.
>> I'M SORRY, OFFICER.
I FORGOT MY PURSE.
I HAD MY TEETH CAPPED, ***.
OK. TCCH.
[FLESH FOR FANTASY PLAYING]
Billy Idol: ♪ FLESH!
FLESH FOR FANTASY,
WE CRY,
"FLESH!"
FLESH FOR FANTASY ♪
♪ OWW ♪
>> LANIE'S FOREARM FLEXOR
MUSCLES ARE ABOUT 30% GONE.
SHE MIGHT LOSE PARTIAL CONTROL
OF HER HAND BECAUSE OF THIS.
>> IF SHE HAD JUST ORDERED HIM
BEEF CARPACCIO, I DON'T THINK
HER HUSBAND WOULD HAVE KNOWN
THE DIFFERENCE.
>> HOW IS MR. AINGE DOING?
>> THE HOSPITAL LOCALIZED
2 INFECTIONS, TOXOPLASMOSIS AND
LISTERIA, BUT HE IS RESPONDING
TO ANTIBIOTICS.
>> DID YOU TAKE A BITE
OUT OF CRIME, McGRUFF?
>> THAT *** FILED AWAY
THE EVIDENCE AND GOT CAPS,
SO THEY COULDN'T PROSECUTE.
THE PRINCIPAL BELIEVED ME,
HOWEVER, SO THE LEAST I COULD DO
IS GET HER FIRED.
>> WHAT ARE YOU GONNA TELL
WILBER NOW THAT HIS TEACHER'S
GONE, TOO?
>> THAT SHE WAS PICKED UP
BY A TORNADO AND CARRIED
FAR, FAR AWAY AND NEVER TO BE
SEEN OF AGAIN.
>> YOU CAN'T KEEP LYING TO HIM.
HE'S GONNA KEEP ASKIN'
QUESTIONS. YOU KNOW THAT.
>> HE'S TOO YOUNG TO UNDERSTAND,
ALL RIGHT? IT'S TOO *** HIM.
>> I THINK IT'S TOO *** YOU.
>> ♪ FLESH!
FLESH FOR FANTASY ♪
>> IS THAT A SAUSAGE TOE?
>> I DON'T THINK SO. JUST
A LITTLE SWOLLEN. HAVE YOU BEEN
WEARING CLOSED-TOE SHOES?
>> OOPS. YOU TOLD ME,
AND I FORGOT. I WAS A BAD GIRL.
>> YOU JUST NEED TO ICE IT
AND TAKE SOME IBUPROFEN.
>> SORRY I WAS SO PANICKY.
>> IT'S FINE. YOU WILL REMAIN
A WATCHED-OVER PATIENT AT
McNAMARA/TROY UNTIL YOU'RE
HEALED AND HAPPY.
>> HEH.
UM, I KNOW I KIND OF MISBEHAVED
THE LAST TIME I SAW YOU, AND FOR
THAT, I'M VERY SORRY. AND I ALSO
WANTED TO TAKE THIS OPPORTUNITY
TO WISH YOU WELL WITH "CAW"
AND THAT CHARMING BOB LEVITZ.
ACTUALLY, MY MENTOR TAUGHT ME
ONCE, SHE SAID, "NEVER BE SAD IF
YOU LOSE A CLIENT." IT'S SORT OF
LIKE THE POPE. YOU KNOW, ONE
GOES, ANOTHER ONE COMES ALONG.
>> WELL, THIS POPE ISN'T GOING
ANYWHERE. APPARENTLY BOB LEVITZ
HAD SOME KIND OF SPIRITUAL
AWAKENING AFTER OUR TRIP TO
NEW ORLEANS. HE SENT OUT A MASS
E-MAIL VIA HIS BLACKBERRY SAYING
HE'S TAKIN' OFF FOR DARFUR
TO BUILD SCHOOLS.
>> WHOA. HOW FANTASTIC FOR THOSE
REFUGEES OVER THERE, HUH? BOB'S
A REAL GO-GETTER. I'M SORRY.
NOT SO FANTASTIC FOR YOU, SEAN.
>> OH.
>> HAVE ANY OF HIS COLLEAGUES
TRIED TO CONTACT YOU?
>> OH, NOT A SINGLE ONE.
>> FOOLS. WHY DIDN'T YOU CALL
ME? I MEAN, AT THE VERY LEAST,
I AM YOUR FRIEND.
>> I DIDN'T FEEL I HAD
THE RIGHT AFTER RUNNING OFF
LIKE THAT. I GUESS I WAS BIT
BY THE BUG, THE HOLLYWOOD BUG.
>> HEH. THAT'S WHAT THIS TOWN
DOES TO US. HEH. WE'VE ALL
BEEN THERE, COOKIE.
>> IT'S ODD. I NEVER WOULD'VE
IMAGINED IT. THE WHOLE TIME WE
WERE DOWN THERE, HE WAS CHASIN'
FATS DOMINO, TRYIN' TO SIGN HIM.
>> HEH.
>> DIDN'T SEEM LIKE HE HAD
A SPIRITUAL AWAKENING.
>> HEH HEH. IT'S HARD TO KEEP
THOSE ETHICS INTACT WHEN YOU
HAVE THAT CONSTANT
CORPORATE PRESSURE.
>> YEAH. I'M SEEING THAT.
>> WE WERE A RARE TEAM,
YOU AND I. WHAT DO YOU SAY WE
JUST FORGET THIS WHOLE INCIDENT
AND, UM, START OVER?
>> SOUNDS LIKE A PLAN.
>> GOOD.
>> CLOSE YOUR EYES. KEEP 'EM
CLOSED. KEEP 'EM CLOSED.
KEEP 'EM CLOSED. NOT YET.
OPEN 'EM. HEH.
>> HE'S MINE?
>> ACTUALLY, HE'S A SHE.
I CALLED HER LIPO. ISN'T THAT
CUTE? HUH? DADDY GOT HER FROM
THE POUND. I ALWAYS WANTED
A PUPPY WHEN I WAS A LITTLE BOY.
SO NOW, ANY TIME YOU FEEL
LIKE YOU MISS YOUR MOMMY,
YOU CAN PLAY WITH YOUR PUPPY
SO YOU DON'T GET SAD.
>> COOL.
>> HEH HEH HEH.
>> DADDY, IS MOMMY COMING BACK?
>> NO, HONEY. MOMMY'S NEVER
COMING BACK.