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YOU MIGHT, DAN
WANT TO LEARN HOW TO INDICATE INTEREST IN A GIRL
OTHER THAN MURDERING ANOTHER PERSON.
I APOLOGIZE FOR THE DISRUPTION
AND THE FREE DRINKS YOU HAD TO GIVE OUT RESTORIN' ORDER.
JESUS CHRIST, IT'S FALSE DAWN, AL.
FALSE DAWN ALREADY.
IF WE'RE GONNA ACT,
WE SHOULD DO IT IN DARKNESS.
WHERE'S THE *** *** ?
WELL, WHEREVER TRIXIE IS, WE KNOW WHAT WE NEED TO.
BULLOCK'S FOUR SQUARE BEHIND THE NEW YORK WOMAN.
THE QUESTION'S DO WE ACT ?
AND TO ME, THE COURSE IS CLEAR.
WELL, WHAT'S THE COURSE ?
*** THEM WHERE THEY SLEEP !
THE NEW YORK WOMAN AND BULLOCK BOTH.
DAN, LOAN E.B. YOUR KNIFE.
NOW, I WON'T BRANDISH THE KNIFE.
BUT I'LL WIELD A PASS KEY AT THE WIDOW'S DOOR.
AS FOR BULLOCK, HE SLEEPS ON HIS STORE'S SECOND FLOOR,
AND I'LL STEADY A LADDER, DAN, AT THAT WALL,
WHILE YOU CLIMB UP AND BUSHWHACK HIM.
THEN, WITH THEM DEAD AND DISPOSED OF,
WE FORGE A PREDATED BILL OF SALE,
TAKE POSSESSION OF THE CLAIM
WITH THE ALLOCATED PERCENTAGES OF OWNERSHIP
PREVIOUSLY AGREED TO IN OUR INTERNAL DISCUSSIONS,
AND DON'T SPEND A ***' DOLLAR IN THE PROCESS.
BOLD ?
I SUPPOSE.
BUT WHEN BOLDNESS IS CALLED FOR,
BOLD MEN DO NOT SHRINK.
THAT'S WHAT THE "B" IN E.B. FARNUM STANDS FOR.
BOLD.
YOU'RE *** RIGHT.
SAY IT, AL.
SAY THE ***' WORDS MY BONES ALREADY KNOW.
YOU'RE GONNA BACK OFF ON THAT *** CLAIM.
( gunshots )
( cheering )
WE "BRUNG" IT, SIR.
VACCINE FOR THE SMALLPOX, SECURED IN CHEYENNE.
WELL DONE, FELLAS,
AND CONGRATULATIONS ON THE ENTIRE ***' SETTLEMENT.
E.B., GET DOWNSTAIRS
AND GIVE THESE HEROES WHAT THEY'RE OWED.
YES, SIR.
$50 A MAN.
YEAH, AND IF YOU DON'T SPEND IT IN MY JOINT,
I'LL TURN THE MORNING OVER TO WEEPIN'.
AW, YOU WON'T SHED NARY A TEAR ON OUR ACCOUNT,
MR. SWEARENGEN.
VACCINE TO DOC COCHRAN IN THE PEST TENT.
AND WE'LL BE TOASTIN' THE TREATY, TOO,
WITH THE ***' HEATHENS.
EXPLAIN YOURSELF.
HELL, THEY'VE ALL BEEN CALLED BACK TO THE AGENCY.
WE HEARD THAT IN CHEYENNE.
ARE THEY GOIN'S THE ***' QUESTION.
*** YEAH, THEY ARE.
THAT'S THE WORD IN CHEYENNE.
RED CLOUD AND SPOTTED TAIL ARE LEADIN' THEIR PEOPLE IN.
DAN, $10 IN BONUS CREDITS
ACROSS THE BOARD FOR THESE HEROES.
10 IN ***, 10 IN FARO, 10 IN ***.
GOD BLESS YOU, MR. SWEARENGEN.
WELL, NOT LIKELY.
BUT MY SHORT-TERM PROSPECTS JUST IMPROVED.
SAY THE WORDS, SO I CAN LET THE DREAM DIE.
E.B., DID YOU NOT HEAR THE *** NEWS ?
DID YOU NOT LISTEN TO THE *** NEWS ?
THAT PLAGUE'S END'S IN PROSPECT.
AND SO'S PEACE WITH THE *** DIRT WORSHIPPERS.
COME HERE, COME HERE.
SIT DOWN.
THE DAM...
HAS BROKEN, YOUNG MAN.
AND ONLY OURSELVES CAN *** UP.
FOR WE ARE ABOUT TO BE SWIMMIN' IN MONEY.
AND HOW COULD WE *** UP ?
BY ENGAGING IN OPEN ***' BLOODLETTING.
AND RIGHT HERE AT HAND IN OUR VERY HOUR OF NEED
IS THE PRIGGISH *** *** BAG, BULLOCK.
WHO ONLY WANTS TO SELL POTS AND PANS,
FAN HIS PRETTY FACE AND HOLD HIS NOSE
FROM THE STENCH OF OUR ***' SORDID CARRYINGS ON OVER HERE,
ALL THE TIME THINKING HE CAN PROTECT THE MEEK AND INNOCENT.
THE PERFECT *** FRONT MAN.
AND YOU WANT TO KILL HIM ?
MUCH AS WE MIGHT WANT THE WIDOW'S CLAIM,
IT'S A LUXURY NOW TO FOREGO.
E.B., FIND YOURSELF SOMEWHERE TO LIE DOWN
'TIL THE FEELING PASSES, HUH ?
FIRST, I'LL GO GIVE THE HOOPLE-HEADS THEIR MONEY.
THANK YOU.
YOU GO FIND THAT ***' ***.
WHAT THE *** IS THIS, HUH ?
( in hoarse voice ) I LOST MY VOICE.
( knocking )
WHAT HAPPENED ?
I SEEN SOMETHIN' BAD.
COME IN.
HERE, SIT DOWN.
I SEEN SOMETHIN' AT THE PLACE MY BROTHER WORKS.
A MAN WAS STABBED AND KILLED RIGHT IN FRONT OF ME.
ONE MAN SAID HE DIDN'T LIKE THE WAY THE OTHER MAN
WAS LOOKIN' AT ME, AND HE STABBED AND KILLED HIM.
DRINK THIS.
WHERE'S YOUR BROTHER NOW ?
WE GOT A ROOM.
I'LL GO IN A MINUTE.
IT'S ALRIGHT, FLORA.
I JUST COME TO SAY...
I DON'T KNOW IF I CAN DO THIS.
IT'S HORRIBLE.
IT'S ONE THING LEADS TO ANOTHER,
AND YOU NEVER KNOW WHEN IT'S GONNA HAPPEN.
BUT MOSTLY YOU CAN STEER IT, SWEETHEART,
AND WHEN IT'S GOING TO GET TO WHERE YOU CAN'T,
YOU GET JUST A LITTLE NOTICE,
JUST A COUPLE OF SECONDS
BEFORE THE ONE THING TURNS INTO THE OTHER.
IT'S LIKE A FUNNY SMELL COMES INTO THE AIR,
AND THEN YOU KNOW THERE'S NO MORE STEERING
AND GET THE HELL OUT OF THE WAY.
I SMELLED IT IN THE SALOON.
AND DID YOU GET OUT OF THE WAY IN TIME ?
IT'S ALRIGHT, IT'S ALRIGHT.
MILES DOESN'T KNOW NOTHIN'.
HE DIDN'T SMELL NOTHIN'
AND HE DIDN'T KNOW NOTHIN' ABOUT WHAT TO DO.
ALRIGHT, I KNOW.
CAN I STAY ?
CAN I SLEEP HERE WITH YOU
JUST THIS LAST LITTLE WHILE BEFORE WE HAVE TO GET UP ?
YEAH, YOU CAN SLEEP HERE WITH ME.
CAN YOU HELP ?
( chatter )
NAME ?
BOLAND.
MAKE YOUR MARK.
SAINT ANDY CRAMED.
ALL THAT'S MISSIN' ARE THE SCOURGES AND FLAYS.
MAYBE THEY'RE UNDER HIS SHIRT.
( chuckling )
KIND OF YOU TO LET US WORK OUT OF THE HORSESHIT AND FLIES.
SURE.
OH, UH-OH.
JESUS CHRIST !
( in hoarse voice ) HA- HAVE YOU SEEN TRIXIE, DOC ?
WHAT ?
TRIXIE ?
NO.
TEA AND HONEY.
FOR THIS ?
YOU ARE A STUPID SONOFABITCH.
YEAH, THE TRAFFIC'S A BOON, SETH.
WE'RE UP $27 ALREADY FROM YESTERDAY'S ENTIRE PROCEEDS.
GOOD.
PITIFUL SPECIMEN YOU ARE.
IT WASN'T A PIN PRICK.
I AIN'T ATE.
REALLY ?
STRANGE, YOU NEVER KEELED OVER
WHEN WE WAS HUNGRY ON THE ***' TRAIL.
YOUR BOSS SPEAK TO YOU ABOUT
SENDING ME AN ASSAYER THIS MORNING ?
UM, NO SIR.
HE DIDN'T, BUT I WILL
REMIND HIM ONCE I FINISH HIS ERRAND...
I ONLY GOT ONE PLACE LEFT TO LOOK.
BELLA UNION, I GOT SOME COMPETITION.
WELL, I'LL TELL HIM WHAT YOU SAID.
GOOD MORNIN'.
GOOD MORNING, MR. BULLOCK.
YOU'VE COME TO HAVE THE CHILD INOCULATED ?
YES, AND TO TELL YOU,
FOR REASONS WE NEEDN'T EXPLORE THAT MY PLANS HAVE CHANGED.
AS SOON AS I CAN ARRANGE TRANSPORTATION,
I'LL RETURN WITH THE CHILD TO NEW YORK CITY.
WHY NEEDN'T WE EXPLORE YOUR REASONS ?
BECAUSE, MR. BULLOCK, I'VE ALREADY QUITE SUFFICIENTLY
IMPOSED UPON YOU MY PRIVATE REASONS AND FACTS.
AS REGARDS TO THE CLAIM
MY HUSBAND PURCHASED BEFORE HIS ***,
I'M INCLINED TO ACCEPT THE LAST BID
FROM MR. SWEARENGEN'S HAND PUPPET,
AND I WOULD BE VERY GRATEFUL IF YOU WOULD TELL MR. FARNUM
SO, AS SPEAKING TO HIM DIRECTLY MAKES ME ILL.
I'M GONNA ASSAY YOUR CLAIM, MRS. GARRETT.
I PROMISED MR. HICKOK AND I PROMISED YOU.
I RELEASED YOU FROM YOUR PROMISE TO ME YESTERDAY,
AND TODAY I SPECIFICALLY INSTRUCT YOU NOT TO KEEP IT.
AND YOU DO TEND TO CHANGE YOUR MIND.
AND THE FIRST PROMISE, YOU WEREN'T A PARTY TO.
WHY DON'T YOU GET THE CHILD INOCULATED ?
I'LL GO ABOUT MY BUSINESS,
AND WE'LL REVISIT THE WHOLE MESS SUBSEQUENTLY.
DON'T ***' LEAD ELLSWORTH RIGHT TO IT
SO HE CAN HOOP AND HOLLER AND HAIL ***' BULLOCK.
YOU WALK AROUND,
YOU'RE DISCOURAGED.
IT'S NOT EVEN WORTH IT TO MAKE THE STEEP ASCENT.
I START FROM BELOW ?
YOU START AT THE *** CREEK.
WHAT, YOU WANT TO START AT THE *** CLIFF ?
THE THREE OF YOU LEAP THE *** OFF HOLDIN' HANDS ?
TOP OF THE MORNIN'.
I'M TO LEAD YOU TO THE WIDOW GARRETT'S CLAIM.
YOU'RE THE ASSAYER ?
NOPE.
I'M TO TAKE YOU TO HIM.
'S ONE CLAIM OVER.
NICE ***' GUY AND A DEAD EYE FOR THE ***' COLOR.
ELLSWORTH.
ELLSWORTH, IS ABSOLUTELY RIGHT.
WELL, COME ON.
I WAS INOCULATED SOME TIME AGO,
BUT I THOUGHT SHE SHOULD BE TREATED BEFORE OUR TRIP.
I AM DELIGHTED YOU'RE TAKING HER WITH U.
IT WAS TRIXIE WHO MADE ME REALIZE
THAT MY REASONS FOR STAYING WEREN'T SOUND.
GLAD SHE SUCCEEDED WHERE I FAILED.
I INTEND TO WRITE HER A NOTE OF PROFOUND THANKS.
I HOPE THAT YOU'LL DELIVER IT TO HER
AT MR. SWEARENGEN'S SALOON.
IS THAT WHERE SHE WENT WHEN SHE LEFT YOU ?
YES.
I CERTAINLY ASSUME SO.
SORRY.
I'M SORRY, HONEY.
IT'S ALL OVER.
WHEN WILL YOU BE LEAVIN' ?
AS QUICKLY AS IS PRACTICAL.
STAR'LL SEE TO YOUR TRAVEL ARRANGEMENTS.
SOON AS HE GETS HIS WITS BACK,
I'LL SEND HIM TO YOU.
THANK YOU, DOCTOR.
THANK YOU FOR EVERYTHING.
WHAT DID SHE SAY ABOUT TRIXIE ?
NOTHIN'.
HOW'D YOU DO WITH THAT BLOODSTAIN ?
I SCRUBBED IT REAL HARD.
DID I ASK YOU HOW HARD YOU ***' SCRUBBED ?
NO.
NO.
I ASKED IF YOU GOT IT OUT.
GET ME THE ***' SCRUB BRUSH.
EVERY ***' THING I GOTTA DO MYSELF, HUH ?
WHERE IS SHE ?!
TRIXIE ?
NO, QUEEN ***' VICTORIA.
LAST I SAW HER WAS YESTERDAY WHEN SHE CAME TO SEE YOU.
JUST GET ME THE ***' SCRUB BRUSH.
GIVES HER WORD SHE'LL RETURN.
WHERE THE *** IS SHE, HUH ?
WHAT'D SHE SAY TO YOU WHEN YOU SAW HER ?
SHE SAID HER *** HURT WHERE YOU GRABBED IT.
THAT HAS A RING OF ***' TRUTH.
SHE SAID YOU NEARLY KILLED HER.
SHE SAID TO ME SHE'D BE RIGHT BACK.
A FOOL'S ***' ERRAND, ANYWAY.
I FOUND OUT WHAT I NEEDED TO KNOW
WHEN I LOOKED IN THAT *** BULLOCK'S EYES
WHILE DORITY WAS SPILLING BLOOD
THAT YOU HAVE FAILED TO ADEQUATELY CLEAN UP.
YOU WANT ME TO DO SOME MORE ?
NO, SHUT THE *** UP.
NOW, WHAT'S SHE DOIN' ?
SHE MAKIN' A POINT ?
NO GRABBIN' AT THE *** ?
IS THAT WHAT SHE SAID TO YOU ?
NO.
I MEAN, Y-- YOU--
SHE TOLD YOU, RIGHT, THAT I GRABBED HER ?
DID-- DID SHE HAVE AN ATTITUDE ABOUT IT ?
SHE DIDN'T HAVE AN ATTITUDE.
SHE JUST SAID HER *** HURT.
AGH.
POINT'S MADE WITH THE *** GRABS, OKAY.
50 OTHER ***' THINGS I SHOULD BE PAYIN' ATTENTION TO,
ROSIEST PROSPECTS OF MY CAREER,
AND HERE I AM ON MY ***' HANDS AND KNEES
DISCUSSING SNIPPETS OF INFORMATION WITH ***' GIMP.
THERE !
NOW, THAT'S HOW YOU SCRUB A ***' BLOODSTAIN.
I COULDN'T FIND TRIXIE.
YOU SEE HER,
YOU SEND HER THE *** BACK TO ME,
'CAUSE IF I SEE HER OUTSIDE,
SHE'LL WISH I HAD *** KILLED HER BEFORE.
THAT SHOT DIDN'T HURT TOO BAD, AL.
BUT IT ***' ITCHES.
YEAH ?
GOOD.
YOU HAD YOUR SHOT YET, KID ?
NOT YET.
THE LINE WAS TOO LONG,
AND I DID NOT WANT TO BE LATE FOR WORK.
OPEN FOR BUSINESS.
AND TALK LIKE HIM UNTIL FURTHER INSTRUCTED.
YES, SIR.
AW, JESUS.
TRIXIE ?
GODDAMNIT, TRIXIE, WAKE UP.
WAKE UP, TRIXIE.
( knocking )
TRIXIE, WAKE UP--
( male ) DOC, DOC !
WHAT ?!
DOC !
STAY THE *** OVER THERE !
IT'S A.W., DOC.
STAY THE *** OVER THERE, ANYWAY.
AW, I DON'T TAKE YOUR BAD TEMPER PERSONALLY, DOC.
THE HOURS YOU'RE WORKING WOULD TRY A SAINT.
WHAT DO YOU WANT ?
I'M IN PAIN, DOC.
IN THE SMALL OF MY BACK,
WHICH I'M AWARE IS A PRECURSOR SYMPTOM.
WHEN DID THE PAIN START ?
AM I WARM ?
ANSWER THE QUESTION.
WELL, IT'S BECOME MORE CONCENTRATED AND SEVERE.
WHY DID YOU STRIKE ME ?
TO SECURE YOUR ATTENTION.
WHEN DID THE PAIN START ?
THE ORIGINAL PAIN I'VE LIVED WITH FOR QUITE SOME TIME,
BUT IN THIS LAST PERIOD,
IT'S BECOME MUCH MORE CONCENTRATED AND SEVERE.
IN VIEWING THE CONTEXT OF THIS OUTBREAK,
I KNEW I SHOULD CONSULT YOU.
OW.
WELL, YOU DON'T HAVE A FEVER.
I DON'T ?
NO.
YOU PUT ON WEIGHT ?
MAY I ASK THAT QUERY'S RELEVANCE ?
IT'S HARDER ON YOUR BACK AS YOU GET FATTER.
SO, IN CONCERT WITH THE SPTOMS
I'M ALREADY EXHIBITING,
YOU'D SAY BE ALERT FOR FEVER ?
AND WORK *** YOUR PAPER.
AND GET YOURSELF INOCULATED.
UH-HUH.
AND TRY TO EAT LESS.
YOU BOTCHED THIS JOB PRETTY GOOD,
DIDN'T YOU, YOUNG LADY ?
NOW, YOU LISTEN TO ME, IF YOU WANT,
I WILL DO THE JOB FOR YOU RIGHT.
BUT FIRST, I WANT YOU TO KNOW THAT
THAT RICH WOMAN IS LEAVING TOWN,
AND SHE TOLD ME THAT SHE WOULD TAKE YOU WITH HER.
AND I KNOW THAT YOU THOUGHT ENOUGH OF THAT WOMAN
TO HELP HER GET OFF THIS STUFF
YOU TRIED TO USE TO KILL YOURSELF WITH.
BUT WHAT I DON'T KNOW IS, IS IF YOU WANTED TO DIE, PERIOD,
OR 'CAUSE YOU THOUGHT YOU DIDN'T HAVE A WAY OUT OF HERE,
'CAUSE YOU DO HAVE A WAY OUT.
IS THAT VOTE FOR NEW YORK CITY ?
ALRIGHT, THEN.
MORNING, MR. TOLLIVER.
MORNING, FLORA.
I SWEAR I SAW YOU LEAVE LAST NIGHT AFTER YOUR SHIFT.
I COME BACK.
A MAN WAS MURDERED WHERE MY BROTHER WORKS,
AT THE GEM SALOON.
AND I GOT SCARED.
YOU SAW IT, HONEY ?
YES, SIR.
I WAS THERE PICKING MY BROTHER UP.
WELL, YOU'RE BRAVE TO EVEN BE IN A JOINT LIKE THAT.
AND AFTER,
SOUGHT REFUGE WITH JOANIE, DID YOU ?
YES, SIR.
NO BETTER PORT IN A STORM.
ANYWAYS, I'LL GO CHANGE.
GOOD GIRL.
GOOD FOR YOU.
YOU SETTLE IN REAL GOOD, FLORA.
THANK YOU, SIR.
MMM-MMM, JOANIE STUBBS.
IS THAT A FRESH SCALP I SEE HANGIN' FROM YOUR BELT ?
SHE SAW A GUNNING LAST NIGHT.
SHE WAS UPSET.
I HELD HER.
I WAS WATCHING FOR YOU AT THE DOOR, FLORA,
BUT HERE YOU ARE, ALREADY INSIDE.
NOT WORKING YET, TERRANCE.
POOR THING.
ADJUSTIN' SO SMOOTH TO LOSIN' HER CHERRY
AND YET THAT UPSET BY BLOOD.
SHE LOST HER CHERRY BACK HOME, CY.
I TOLD YOU THAT.
GONNA PUT YOUR GARTERS ON NOW ?
I'LL GIVE YOU TWO DOLLARS
FOR THAT APPLE AND A PIECE OF CHEESE.
IT'S MY KNIFE.
YOU WANT TO BUY THAT ?
I'VE GOT A *** KNIFE.
I'LL JUST BE A SECOND
AND TAKE MY BROTHER HIS LUNCH.
SURE, HONEY.
UNLESS SHE AIN'T UPSET AT ALL.
WHAT HAPPENED NOW, FLORA ?
I THOUGHT YOU WAS CHANGIN' INTO YOUR GARTERS.
YOU GEEK-LOOKING ***.
GET AWAY FROM ME BEFORE I CUT YOUR *** HEART OUT.
( knocking )
( male ) IT'S DOCTOR COCHRAN.
DOCTOR.
TRIXIE TRIED TO COMMIT SUICIDE WITH LAUDANUM.
MY GOD.
SHE PUNCTURED HER VEIN.
THAT'S THE ONLY REASON WHY SHE'S STILL ALIVE.
WHO'S WITH HER ?
NO ONE AT THE *** MOMENT IS WITH HER, MRS. GARRETT.
HER SITUATION IN THIS CAMP ISN'T SUCH THAT
THAT WOULD BE SAFE.
WHICH IS WHY, WHILE TRYING TO DISSUADE HER
FROM FUTURE EFFORTS AT MURDERING HERSELF,
I TOLD A FIB,
INVOKING YOUR NAME AND WILLINGNESS
TO TAKE HER WITH YOU ON YOUR TRIP.
LAST NIGHT, DOCTOR, I MADE THAT VERY OFFER TO TRIXIE.
SHE REFUSED.
MORE PRECISELY, I OFFERED TO SEND TRIXIE TO NEW YORK
WITH THE CHILD TO MAKE THE APPROPRIATE
INTRODUCTIONS TO MY FAMILY,
AND TO PAY TO SEE THEM ESTABLISHED.
IS IT POSSIBLE, MRS. GARRETT,
THAT LEAVING THIS CAMP AND HEADING TO NEW YORK CITY IN--
IN SERVICE TO YOU AND THE CHILD MIGHT,
TO A GIRL LIKE TRIXIE, APPEAR A MORE REALISTIC PROPOSITION
THAN BEING DISPATCHED ON SOME CRUEL MASQUERADE ?
PLEASE TELL HER SHE'S WELCOME.
TELL HER SHE'S NECESSARY.
IF HER INDISPOSITION DOESN'T PRECLUDE IT,
I'D BE HAPPY TO TELL HER MYSELF.
THANK YOU, MADAM.
IF I'M TO GET MY THROAT CUT, DAN,
I'D RATHER NOT EXERT MYSELF FURTHER.
IF I HAVE ANY CHOICE IN THE MATTER,
I'D PREFER ONE BEHIND THE EAR.
KEEP CLIMBING, ELLSWORTH.
£sYOU'RE OFF THE HOOK FOR SEEI' THAT NEW YORK DUDE'S ACCIDENT.
WHEN SWEARENGEN WAS MOVED TO TRUST,
I KNOW YOU SPOKE FOR ME HARD.
WELL, I DIDN'T--
JUST DIDN'T SPEAK AGAINST YOU.
YOU MIGHT TRY TAKIN' A GANDER OVER TO YOUR RIGHT.
YOU DON'T HAVE TO TELL ME WHERE TO ***' LOOK.
IF YOU'RE THE *** ASSAYER,
SHOULDN'T I BE FOLLOWIN' YOU ?
HEAD ON BACK DOWN, MR. BULLOCK.
WE THINK WE FOUND A FORMATION WORTH LOOKIN' AT.
YOUNG LADY, THANK CHRIST.
I'D FEARED AFTER THE *** YOU'D SHUN US.
I COME FOR LUNCH WITH MILES.
WELL, BLESS YOU THEN FOR BEIN' A CARING SISTER.
MILES !
SIR ?
MILES, YOU LUCKY SONOFABITCH.
YOUR SISTER'S HERE WITH YOUR LUNCH.
SHE BROUGHT YOU A FRESH APPLE
AND SOME KIND OF DELICACY WRAPPED IN SWADDLING.
I'VE BEEN SCRUBBING THAT BLOODSTAIN ALL MORNIN',
AND THE CRIPPLE HAS, TOO.
MILES, SITUATE YOUR SISTER TO SPARE HER
TO STAND AT THAT ***' STAIN, HUH ?
LET'S DO IT.
NOW ?
NOW, AND GET THE *** OUTTA HERE.
WHAT IF--
FLORA, IF WE DO IT SLOW AND RIGHT,
WE'RE 50 MILES GONE BEFORE ANYONE KNOWS WE BLEW.
MY BOSS IS ONTO ME.
SAVVY OPERATOR FROM CHICAGO AND YOU COULD TELL HE'S ON TO YOU ?
SAVVY ENOUGH THAT HE DIDN'T CRACK,
AND I STILL COULD ***' TELL.
YOU'RE FULL OF ***.
YOU WANT TO DO IT FAST AND DIRTY
SO YOU HAVE TO CUT SOMEBODY'S THROAT.
THIS JOINT, YOU WANT TO TAKE ?
WHERE I WORK.
WHERE YOUR BOSS IS ONTO YOU ?
I CAN MOVE THE ***.
HELD ME IN HER ARMS ALL NIGHT LIKE I WAS A LITTLE ***' KID.
CAN I ASSUME THERE'S A ***' PLAN ?
MR. BULLOCK, WHAT HOLD ?
MRS. GARRETT'S ROOM.
UH, NUMBER TWO.
DON'T SELL, MRS. GARRETT.
DARLING...
UM, UH, I'M GOING TO BE UNSPEAKABLY RUDE
AND LEAVE YOU HERE ALONE FOR JUST A MOMENT,
WHILE I GO DOWNSTAIRS WITH MR. BULLOCK,
WHO'S JUST ARRIVED WITH THE MOST INTERESTING NEWS,
AND WHOM I-- I CAN'T RECEIVE HERE IN MY ROOM,
PARTICULARLY WITH YOU PRESENT,
FOR REASONS TO BORING AND COMPLEX TO EXPLAIN.
SO I'M GOING TO GO DOWNSTAIRS TO SPEAK WITH MR. BULLOCK
IN MR. FARNUM'S ABSURD RESTAURANT.
AND THEN I'LL COME BACK UP
AND WE WILL CONTINUE TO READY OUR LEAVING.
ALRIGHT, DARLING ?
I'LL BE IN THE RESTAURANT FOR JUST ONE MOMENT.
CAN I BRING YOU A GLASS OF MILK ?
ALRIGHT.
I'LL-- I'LL BE RIGHT BACK.
MAY I INQUIRE AS TO THE ASSAY'S OUTCOME ?
ASK THE OWNER.
MRS. GARRETT ?
IS THE TECHNICAL TERM "BONANZA" ?
THAT'S THE LOOK OF IT.
IT'S A BONANZA, MR. FARNUM.
I SEE.
CONGRATULATIONS.
MMM-MM-MM.
DOES THE FIND CHANGE YOUR MIND AT ALL ABOUT NEW YORK CITY ?
I CAN'T SEE WHY IT WOULD.
I CAN'T, EITHER, BUT I DON'T COUNT.
OF COURSE YOU COUNT.
WHY WOULDN'T YOU ?
'CAUSE YOUR CHANGES OF MIND COME SO QUICK AND OFTEN,
I CAN'T KEEP UP.
I CAN'T UNDERSTAND WHAT CHANGED YOUR MIND
FROM YESTERDAY WHEN IT WAS MADE UP TO STAY.
I WAS MADE TO UNDERSTAND LAST NIGHT THAT MY REASONS
FOR WANTING TO STAY HAVE BEEN COMPLETELY SELFISH.
BY WHO ?
TRIXIE.
UH-UH, I'D OFFERED TO SEND HER TO NEW YORK CITY
WITH THE CHILD,
WHERE TRIXIE, I'VE SINCE COME TO REALIZE,
WOULD BE COMPLETELY UNSUITED.
AND BECAUSE I WISHED TO STAY HERE UNENCUMBERED
WHEN I SHOULD BE CARING FOR THE CHILD.
WHY CAN'T YOU CARE FOR HER HERE ?
WHERE THE *** IS HE ?
SAID HE WAS GONNA GO TELL THE WIDOW OF HER FIND.
HOW THE *** LONG DOES IT TAKE TO TELL HER ?
I DON'T KNOW, AL, I'M HERE WITH YOU.
WHAT, ARE YOU GETTIN' SMART WITH ME NOW ?
NO.
*** BULLOCK.
£sWHEN YOU CAN'T STAND THE SIGHT OF HIM,
HE'S NOWHERE BUT UNDERFOOT.
SIR, MY SISTER WAS TOLD OF A MAN WHO RESEMBLES
OUR FATHER'S PHOTOGRAPH DOWN BY LEAD,
AND I'D BE GRATEFUL IF THIS AFTERNOON
I COULD GO LOOK AND MAYBE I COULD
TAKE A NIGHT SHIFT TO MAKE UP.
IF I SAID NO,
I'D HOPE YOU'D WALK OUT AND GO LOOKIN' ANYWAY.
THEN SEEK A NEW JOB ELSEWHERE AFTER.
THAT IS WHAT I'D SO, SIR.
ALRIGHT, KID.
GO LOOK FOR HIM.
TELL ARNETTE AT THE LIVERY STABLE
I'LL STAND METAL FOR THE HORSE.
IF YOUR SISTER LOOKS WITH YOU,
TELL ARNETTE I'M GOOD FOR HER MOUNT.
SO YOU THINK IT'S A GOOD IDEA TO GO ?
IT'S WHY THE *** YOU'RE HERE, ISN'T IT ?
RIGHT.
I'M GONNA GO GET THE HORSES THEN.
PERMISSION TO LEAVE THE BAR, TROOPER.
THANKS TO BOTH OF YOU.
AH, STRUCK RICH FOR THE WIDOW, HUH, BULLOCK ?
FREE DRINK !
BIG, HUH ?
RICH AND *** THICK, THAT VEIN IS ?
NOT BEING EXPERT, I CAN'T GUESS AT THE EXTENT.
DAN'S A *** EXPERT.
WHEN HE'S NOT ***-FACED DRUNK.
SO'S ELLSWORTH.
WELL, THE IMMEDIATE RESULT IS SHE WON'T BE SELLIN'.
OF COURSE SHE *** WON'T.
I SHOULD *** THINK NOT, HUH ?
WELL, NOT FOR ANY 20,000 AT LEAST.
COME HERE, BULLOCK.
COME DRINK WITH YOUR VANQUISHED FOE.
VERY GOOD OF YOU AND MR. STAR, INCIDENTALLY,
TO MAKE YOUR VENUE AVAILABLE
SO THE HOOPLE-HEADS CAN GET VACCINATED.
I WAS THE SECOND HOOPLE-HEAD STUCK.
THEM RIDERS THAT BROUGHT THE VACCINE,
SAY THE HEATHENS HAVE BEEN CALLED BACK TO THE AGENCY.
IN A SPASM OF GOOD SENSE, THEY'RE ***' GOING.
I HEARD.
BEFORE YOU KNOW IT,
WE'LL HAVE LAWS HERE AND EVERY OTHER ***' THING.
YEAH, WHICH BRINGS ME, BULLOCK, TO THE MATTER OF@(HE WIDOW.
I WANTED TO SHOW YOU MY BONAFIDES FOR COOPERATION.
IF A TREATY IS SIGNED, BE WISE FOR YOU AND ME
TO PADDLE IN THE SAME DIRECTION.
TICS OR HABITS OF BEHAVIOR EITHER FINDS DISLIKABLE
IN THE OTHER GOTTA BE OVERLOOKED
OR TAKEN WITH A GRAIN OF SALT.
WOULD YOUR BONAFIDES EXTEND TO MRS. GARRETT'S FUTURE SAFETY ?
MY OATH ON THIS:
EVERY DAY THAT THE WIDOW SITS ON HER *** IN NEW YORK CITY,
LOOKS WEST AT SUNSET AND THINKS TO HERSELF,
"GOD BLESS YOU IGNORANT COCKSUCKERS IN DEADWOOD,
"WHO STRIVE MIGHTILY AND AT LITTLE MONEY
TO ADD TO MY EVER-INCREASING FORTUNE,"
SHE'LL BE SAFE IN THE WILES OF AL SWEARENGEN.
SHE'S STAYIN'.
THE OATH STANDS AS A GESTURE TO YOU.
CAN I TAKE A SHAVE OVER HERE ?
PLEASE.
BARNEY, BE CAREFUL IN THE UH, AREA OF THE THROAT, HUH ?
IF YOU AUTHORIZED AN OFFER OF 20 ON THE WIDOW'S CLAIM,
YOUR AGENT WAS LOOKING TO SKIM A LITTLE CREAM.
HOW HIGH'D E.B. GO ?
19,500.
I WOULDN'T TRUST A MAN THAT WOULDN'T TRY TO STEAL A LITTLE.
WHERE'S THAT *** *** ?
YOU STAY HERE, SWEETHEART.
I'M SO VERY SORRY
FOR ANY PART THAT I MAY HAVE PLAYED IN THIS.
I DON'T REMEMBER YOU BEING THE ONE
THAT MADE ME A ***, MRS. GARRETT.
I'M GOING TO STAY IN THE CAMP WITH THE CHILD, TRIXIE.
UH, DOCTOR COCHRAN EXPLAINED TO ME THE DIFFICULTIES
YOUR EXTRAORDINARY KINDNESS TOWARD ME
HAS PUT YOU IN, IN RELATIONSHIP TO MR. SWEARENGEN.
IF YOU WISH TO STAY,
I'D BE SO GRATEFUL IF YOU'D STAY WITH US.
BUT PERHAPS YOU WANT TO GO, TRIXIE.
IF YOU DO...
TAKE THIS.
AS YOUR EARNEST CLAIM ON THE FUTURE.
I'LL SEND YOU MORE.
UH, I APPEAR TO HAVE STRUCK IT RICH.
I'LL SEND YOU ALL THAT YOU NEED.
TRIXIE ?
TRIXIE ?
HELLO, SWEETHEART.
DON'T I LOOK TIRED ?
SOPHIA.
SOPHIA.
SOPHIA.
YOU'RE SO BEAUTIFUL.
I SHOULD'VE GUESSED IT.
TAKE HER HOME, MRS. GARRETT.
HOW DO YOU TAKE MY SUGGESTION ?
ARE YOU SURE THAT GOLD'S REAL ?
ABSOLUTELY.
UH, LET ME THINK THINGS THROUGH.
ALRIGHT.
( door closing )
WHAT'S YOUR NAME ?
( female ) ELIZABETH.
I'M QUITTIN'.
ALRIGHT, FLORA.
I LEFT A PIN UP IN YOUR ROOM.
I WANT TO GO LOOK FOR IT.
GO AHEAD AND LOOK.
WHEN DOES THE PART COME WHEN THAT LITTLE PIECE OF TRIM
FINALLY GETS INTO HER ***' WORKIN' CLOTHES
AND STARTS MAKIN' US SOME ***' MONEY ?
SHE'S QUITTING, CY.
SHE'S QUITTING ?
AND THAT SEEMS TO BE YOUR ROOM SHE'S WALKIN' INTO YET AGAIN.
SHE LOST A PIN...
UP THERE.
A PIN ?
CAN YOU TELL THE STONES FROM THE PASTE ?
SHOW ME WHICH IS WHICH.
I DON'T THINK SO.
LET ME TAKE IT.
GET OUTTA HERE, FLORA.
PUT DOWN MY THINGS
AND I'LL LET YOU GET OUT WITHOUT RAISING HELL.
WHY DON'T LET ME GO WITH YOUR THINGS
AND SHUT YOUR *** MOUTH ?
BECAUSE I REMIND YOU OF WHOEVER THE *** I REMIND YOU OF.
NO.
NOW WHAT ARE YOU GONNA DO, FLORA, KILL ME ?
MAYBE.
DO YOU THINK YOU'RE GONNA GET OUT OF HERE ALIVE ?
I'LL GIVE IT A *** WHIRL.
YOU'RE NOT GONNA GET OUT ALIVE.
YOU'RE GONNA DIE HERE.
WHO AM I ?
YOUR LITTLE BABY ?
YOUR LITTLE SISTER ?
YOU ?
I WOULDN'T MOVE THIS.
DID YOU FIND YOUR PIN ?
I DID, SIR.
JOANIE TELLS ME YOU'RE LEAVING US.
CAN'T TAKE IT ANYMORE, SIR.
DECIDED I WASN'T CUT OUT FOR IT.
MY BROTHER, TOO.
DECIDED HE WASN'T CUT OUT FOR WHAT ?
SWEEPIN' UP AT THE GEM SALOON.
I SEE.
MY FIRST TAKE ON YOUR MEANING WAS THEY WERE ***'
YOUR BROTHER FOR MONEY OVER THERE
LIKE YOU WAS GETTIN' DONE TO HERE.
STEP ASIDE AND LET ME DO MY BUSINESS.
AND WHAT IS YOUR ***' BUSINESS ?!
YOU WITH YOUR BEADY LITTLE FERRET EYES.
SHE CAME TO SAY GOODBYE, CY.
SHE'S MOVIN' ON.
IT DON'T FEEL RIGHT TO ME, BABE.
AGH !
BUT IF I'M MISTAKEN IN MY JUDGMENT,
MAY I REGRET WHAT I JUST DID FOR THE REST OF MY LIFE.
NOW LET HER GO !
AGH !
YOU LITTLE *** !
YOU'RE GONNA DIE HERE !
( screaming )
COME ON !
GET OUTTA HERE.
GET OUT.
GET OUT FRONT.
GET AROUND !
THEY'RE GOIN' OVER THE TOP !
COME ON.
DON'T IMPEDE HER PROGRESS, JOANIE.
DON'T DO NOTHIN' RASH.
WHAT ARE YOU DOING ?
WHAT'S NONE OF YOUR BUSINESS !
THEM TWO ROBBED MY JOINT.
THAT'S WHERE THEY'RE GONNA BE DEALT WITH.
I GUESS THEY NEEDN'T GET BEAT ANYMORE OUT HERE.
TAKE 'EM THE *** INSIDE, BOYS.
AND YOU CAN HELP YOUR DELICATE SENSIBILITIES
BY TURNING THE *** AWAY.
( door closing )
CY WANTS YOU UP THERE, HONEY.
I TELL YOU, SWEETHEART,
YOUR FACE COME OUT OF THAT IN PRETTY GOOD SHAPE.
MATTERS TOOK A HAPPY TURN, YOU COULD STILL PROBABLY WORK.
COME ON IN, HONEY.
OVER HERE ON WHAT THE *** CALL MY SINISTER SIDE,
ALTHOUGH YOUR BEADY LITTLE RAT EYES
DON'T SEEM LIKE THEY'RE TAKIN' IN THE VIEW.
YOU BUST SOMETHIN' UP THERE, SWEETHEART ?!
DOES THAT ***' HURT YOU ?!
YOU ***' UNDERSTAND ME ?!
SEE, THAT UPSETS JOANIE NOW.
"OH, CY, DO UP THE BOY.
MY GOD, I CAN'T STAND TO SEE THE OTHER."
YOU WANT ME TO SEE TO THE BOY, JOANIE ?
'CAUSE YOU KNOW I'M CLAY IN YOUR HANDS.
CY.
WHAT IS IT, EDDIE ?
WE COULD ALL BE ELSEWHERE ?
NOTHING BUT TRUE.
ARE YOU AWAKE, MILES ?
DON'T BE ***' PASSIN' OUT, YOUNGSTER.
NEXT ***' BREATH YOU DRAW, THE SMELL OF ***' SULFUR'S
LIABLE TO BE STRONG IN YOUR NOSE.
WHERE IS YOUR ***' NOSE, ANYWAY ?
*** IT, MILES !
YOU'RE FOUND ***' GUILTY OF BEIN' A ***.
I'M HEREBY PASSIN' JUDGMENT
FOR YOUR LETTIN' THIS LITTLE ***
PUSH YOU AROUND AND TELLIN' YOU WHAT TO DO
WHEN YOU WERE SUPPOSED TO BE A MAN
AND SHOWIN' HER THE ***' RULES !
YOU HEAR ME, MILES, AND FOR BEIN' THE *** YOU ARE NOW,
BEFORE YOU COULD HAVE BEEN A MAN,
DONE YOUR ***' PART, YOU LITTLE PIECE OF ***.
I KNOW YOU DON'T WANT OUT OF HERE, JOANIE.
DON'T HURT HER, CY.
DON'T HURT HER ?
YOU MEAN BEFORE I KILL HER ?
YES.
LISTEN TO THAT, FLORA.
THAT'S T PERSON YOU ROBBED,
HAD THOSE KIND OF FEELINGS FOR YOU.
BUT I'M THE ONE YOU STABBED.
SEE ?
I THINK YOU'RE ***' SKULL'S BROKEN, FLORA.
YOU'RE TRYING FOR THE KNIFE.
IT'S MAYBE A FOOT TO YOUR LEFT.
AH, THIS IS ***' PITIFUL.
WHY DON'T YOU
PUT THAT OUT OF ITS MISERY ?
( moaning )
( gunshot )
UGH !
DON'T DO NOTHIN'.
WHATEVER YOU WANT TO DO WILL BE A MISTAKE.
YOU KEEP DRAWIN' BREATH RIGHT HERE.
( piano playing )
YOU DID EVERYTHING YOU COULD, E.B.,
TO PRESERVE OUR ***' INTERESTS.
I MEAN, YOU KNOW, SOMETIMES THE CARDS GO COLD.
FAR AS THE EVENTS AT THE BELLA UNION,
BY ALL ACCOUNTS,
IT WAS TWO YOUNG THIEVES, A BOY AND A GIRL.
WE ALL KNOW WHO THEY ARE.
WHO THEY ARE NOW IS LATE NIGHT VITTLES FOR WOO'S PIGS.
THAT YOUNG GIRL HAD ME FOOLED.
YOUR *** HAD YOU FOOLED.
AND IN THAT STATE OF ADDLEMENT,
YOU MISTOOK HER PURPOSE,
HER SO-CALLED ***' BROTHER'S
AND THEIR ENTIRE *** COCKEYED STORY.
YOU DID DO EVERYTHING YOU COULD, DIDN'T YOU, E.B. ?
I MEAN, YOU WENT TO THE LIMIT ON OUR OFFER.
EVERYTHING HUMANLY POSSIBLE.
YOU DID GO TO THE LIMIT ?
WELL, I WENT TO THE LIMIT'S PRECIPICE.
SOUNDS LIKE YOU DIDN'T GO TO THE LIMIT.
AL, I HELD BACK A FEW DOLLARS.
AGAINST SOME FINAL UNFORESEEN TURN.
WELL, SO WE'LL NEVER KNOW IF THEM FEW DOLLARS
YOU HELD BACK WOULDN'T HAVE MADE US BOTH *** RICH.
( grunting )
I'M GOIN' UP.
YOU FIND OUT HOW MUCH TOLLIVER PAID WOO.
DON'T WANT TO BE SUCKIN' HIND *** ON DISPOSAL FEES.
DON'T THINK I ENJOYED THAT ***, JOANIE.
CERTAIN THINGS YOU...
HAVE TO DO TO IMPRESS UPON PEOPLE
WHAT YOU'RE WILLING TO DO.
DO YOU LIKE IT ?
NO.
DO YOU ENJOY IT ?
NO.
DO YOU HAVE TO LOOK LIKE YOU DO ?
YES.
I GOT EDDIE IN THERE.
GOTTA LET HIM KNOW.
CAPRA'S DOWNSTAIRS, GONNA HEAR ABOUT IT.
WHEN PEOPLE COME TO ROB YOU, JOANIE,
YOU GOTTA GET ROH.
IT LOOKS LIKE AN ACT, IT'S NOT GONNA WORK.
AND THEN I GRAB YOUR HAND.
AND I THINK, "MY GOD, THIS POOR ***' GIRL."
BUT I DID WHAT I HAD TO DO IN THAT ROOM.
AND NOW I'M OUT HERE.
I'M TELLING YOU, YOUR HAPPINESS IS IMPORTANT TO ME,
AND WHATEVER THE *** I GOTTA DO,
IF YOU'RE TOO MUCH IN MY SHADOW,
IF I MAKE THINGS TOO TOUGH ON YOU,
THEN WE'RE GONNA STOP IT.
WE'RE GONNA DO SOMETHIN' ELSE.
CY.
YOU BRING WARMTH INTO MY LIFE.
I CAN'T BEAR TO SEE YOU UNHAPPY LIKE THIS.
I WANT TO SET YOU UP IN YOUR OWN BUSINESS HERE.
INDEPENDENT ***' OPERATOR.
I'LL PUT UP THE MONEY.
ANY KIND OF INTEREST IN RETURN, THAT'S FINE,
BUT THAT AIN'T WHAT THIS IS ABOUT.
IT'LL BE YOUR PLACE.
I WANT YOU TO FEEL WHEN I WALK IN THERE
THAT YOU CAN SAY, "I'M BUSY, CY.
COME BACK LATER."
AND I WANT YOU TO WATCH ME TURN AROUND WHEN YOU SAY THAT
LIKE I'M SOME RUBE TRICK WITH MY CHIN DOWN ON THE FLOOR,
"WHEN SHOULD I TRY YOU AGAIN, JOANIE ?"
"I'LL LET YOU KNOW, CY."
THAT'S HOW I WANT YOU TO FEEL.
I USED TO MAKE YOU WARM, DIDN'T I, CY ?
AND I COULD MAKE YOU FEEL LIKE SOMETHING'S FUNNY.
YOU STILL DO, HONEY.
WHEN YOU'RE HAPPY, YOU STILL DO.
KILL ME, TOO, CY.
OR LET ME GO.
I UNDERSTOOD MYSELF TO BE SAYIN', JOANIE,
I WANT TO FIND A WAY TO GIVE YOU A LOOSER ***' REIN.
YOU'VE GOTTA FIGURE OUT A WAY TO MEAN IT.
IF YOU DON'T KILL ME OR LET ME GO,
I'M GONNA KILL YOU.
HAS HE GOT YOU AT YOUR HANDS AND KNEES
AT TWO IN THE ***' MORNING ?
I GOT MYSELF AT MY HANDS AND KNEES,
WONDERING WHAT BECAME OF YOU.
WAKE UP, DAVID.
I'M UP.
♪ ROW, ROW, ROW, ROW YOUR BOAT ♪
♪ GENTLY DOWN THE STREAM ♪
♪ MERRILY, MERRILY, MERRILY, MERRILY ♪
♪ LIFE IS BUT A DREAM ♪
( door opening )
♪ I WAS A-STANDIN' BY MY WINDOW ♪
♪ OH, ONE COLD AND CLOUDY DAY ♪
♪ WHEN I SAW HEARSE COME ROLLIN' ♪
♪ FOR TO CARRY MY MOTHER AWAY ♪
♪ WILL A CIRCLE BE UNBROKEN ♪
♪ BY AND BY, LORD, BY AND BY ♪
♪ THERE'S BETTER HOME AWAY ♪
♪ IN THE SKY, LORD, IN THE SKY ♪
Captions Copyright 2004 HOME BOX OFFICE, INC.
Captioned by HBO COMMUNICATIONS CENTER