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- PREVIOUSLY ON MILLION DOLLAR DECORATORS...
- OH, HI, MUMS.
WHAT'S WRONG? YOU LOOK BUSTED.
- I'M SO TIRED.
NATHAN IS A DESIGNER
WHO IS ALSO ONE OF MY DEAREST OLD FRIENDS.
- DON'T YOU FEEL BETTER? - YEAH, I DO.
- OH, MY. WE'VE GOT A LOT OF WORK TO DO.
THIS LA JOLLA HOUSE IS A WHOLE BIG MESS RIGHT NOW.
WE'RE HAVING SOME ISSUES WITH THE PAINTERS.
- I JUST WANT IT DONE.
- WE HAD A BUDGET OF ONLY $1.5 MILLION
THAT'S NOT A LOT OF MONEY.
'CAUSE THEY LOOK LIKE GRANDMA'S HOUSE.
BIG MISTAKE.
- TALK ABOUT SPECTACULAR!
- SO MANY OF MY CLIENTS HAVE BECOME VERY CLOSE FRIENDS.
- WHAT A TRANSFORMATION! IT'S UNBELIEVABLE!
- I DON'T FOLLOW THE TRENDS. I SET THEM.
- GLAMOUR IS EVERYTHING.
- DECORATING IS TOTALLY DELICIOUS.
- I'M NOT A HOUSE DESIGNER. I'M A LIFE DESIGNER.
[playful music]
- SO, THE PRICE OF THIS FABRIC IS JUST NOT WORKING.
WE NEED A THOUSAND YARDS FOR CURTAINS AND WALLS.
SO, I'VE BEEN WORKING ON THIS HOUSE IN LA JOLLA,
AND I AM A LITTLE FAR BEHIND,
BUT I THINK, FINALLY, THE PAINT IS UNDER CONTROL.
- WELL, WHEN YOU DO CURTAINS, WALLS, AND CHAIRS, I GUESS.
SHE'S OUT. THAT'S TOO EXPENSIVE.
- HI. - HI.
- HELLO, SWEETHEART. HOW ARE YOU, HONEY?
- HOW ARE YOU? - GOOD. HOW ARE YOU?
- GOOD. - YOU KNEW I WAS COMING, RIGHT?
- I DID KNOW YOU WERE COMING. - HI.
- THROUGH THE GRAPEVINE. - HOW ARE YOU?
- GOOD. AND YOU? - WHAT'S GOING ON?
HILARY IS THE CLIENT'S BUSINESS MANAGER.
SHE HANDLES ALL THEIR PROPERTIES.
SHE'S MY GO-TO FOR EVERYTHING.
- SO, LET'S JUST DIVE RIGHT IN.
WHAT DO YOU GOT FOR US? YOU HAD ISSUES?
- WELL, I JUST WANT TO KNOW WHAT'S GOING ON.
I MEAN, THERE--SO FAR, THERE'S BEEN A TON OF DOUGH GOING OUT
AND I'M HERE FOR MY STATUS UPDATE.
- EVERYTHING'S GOING WELL. - REALLY WELL.
- VERY WELL. - REALLY WELL.
- IS IT GOING WELL? - IT'S GOING WELL.
- A LOT OF STUFF IS ALREADY DONE AND IN STORAGE.
- NOW, WHY HAVE YOU BROUGHT MARY MCDONALD'S BOOK?
- AGAIN? - [laughs]
[kiss]
NO REASON. LAMPS. - MARY'S LAMPS.
- OH, YOU'VE EVEN EARMARKED, LIKE--
- THAT'S PRETTY, RIGHT? - YEAH.
- WELL, THAT'S THE LAMP IN BLUE.
YOU WANT THE LAMP IN BLACK. - I WANT IT IN BLACK.
- WE CAN GET YOU THOSE.
HILARY IS A TOUGH COOKIE.
SHE'S NOT EASY,
AND SHE'S A LITTLE OVERLY OBSESSED
WITH THESE MARY MCDONALD LAMPS.
DO YOU SLEEP NEXT TO THAT BOOK?
- WITH IT. - WITH IT?
[playful music]
♪ ♪
- MARTYN, STACEY'S HERE.
- OH, MY WORD!
- DARLING. - HELLO, MY LOVE.
- LOOK AT THE UNBEARABLE GLAMOUR OF ALL THIS.
HELLO, BABY. - HELLO, MY LOVE.
- HOW ARE YOU? YOU ARE JUST GORGEOUS, DARLING.
AND THE GIRLS HAVE COME OUT TO PLAY TODAY.
I LOVE THAT. - THEY LIKE TO PLAY.
THEY ALWAYS LIKE TO PLAY. - COME SIT DOWN.
STACEY DASH AND I HAVE BEEN FRIENDS FOR MANY YEARS.
SHE WAS, IN FACT, ONE OF THE FIRST PEOPLE I MET
WHEN I MOVED TO L.A.
HOW'S THE HOUSE? WHAT'S GOING ON?
- THE HOUSE IS WONDERFUL. I LOVE IT.
- STACEY'S RECENTLY MOVED TO A NEW HOUSE
THAT SHE WANTS TO CREATE AS A BEAUTIFUL, COZY ENVIRONMENT
TO BRING UP HER DAUGHTER.
- AND WHAT YOU'VE DONE SO FAR
IS JUST A WORLD OF DIFFERENCE.
- SO, I'VE STARTED WORKING A LITTLE BIT,
ADDING SOME PAINT COLORS, A LITTLE BIT OF WALLPAPER.
NOW WE'VE GOT TO START ADDING ALL OF THE THINGS
THAT ARE GONNA GIVE IT THAT SPARKLE AND PIZZAZZ.
NOW THAT WE'VE BEEN WORKING ON IT
FOR A LITTLE BIT, IT'S GOT---
- YEAH. - IT'S GOT SOME STYLE HAPPENING.
- YES.
- AND OBVIOUSLY, THE LIVING ROOM,
WE NEED TO KIND OF GIVE IT A BIT MORE OF A--OF A--
- GLAMOUR. IT NEEDS YOUR GLAMOUR.
AND THE KITCHEN. - YEAH.
- IT'S JUST FEELING A BIT TOO POTTERY BARN FOR ME.
- [gasps] - I NEED TO FEEL MORE--YES.
- DARLING. - MORE LIKE STACEY, YOU KNOW?
- NO, NO, WE NEED TO GIVE IT-- - A LITTLE MORE BLING.
- A LITTLE BIT OF SEX, I THINK. - YEAH, SEX.
- SEX IN THE KITCHEN. - [laughs]
- WE NEED TO KIND OF TWIST IT UP AND GIVE IT--
- YEAH, WE JUST NEED TO GIVE IT
A LITTLE BIT MORE, YOU KNOW...OOH.
- DARLING, WHATEVER THAT IS, BOTTLE IT AND SELL IT.
[both laugh]
- DID YOU FEEL IT? - I--HONEY, I FELT IT, FOR SURE.
I THINK SEVERAL OTHER PEOPLE FELT IT TOO.
[laughs]
STACEY IS, FOR SURE, A SEX SYMBOL,
AND OF COURSE, FOR ME, MY INTERIORS ARE EXTREMELY SEXY.
SO, LET'S CREATE A SEXY KITCHEN FOR YOU
SO YOU CAN BE SEXY IN YOUR KITCHEN.
- YAY.
[both laugh]
I CAN'T WAIT.
[playful music]
♪ ♪
- HEY, CARRIE. - HI, HOW ARE YOU?
- HOW ARE YOU? HI, NACHITO.
DO YOU WANT ME TO TAKE NACHO?
- DO YOU MIND? - I'LL TAKE NACHO.
- THERE'S A LOT OF STUFF TO BRING IN.
WHY DO YOU NEED THIS?
- 'CAUSE I'M GONNA BE COOKING.
- MARY, DO YOU HAVE ONE OF THESE?
- DO I HAVE A BLENDER?
- NO, IT'S NOT JUST A BLENDER. IT'S LIKE--
- DID YOU BRING YOUR OWN TOILET?
- IT'S LIKE--KIND OF.
- SO, NATHAN HAS ALL THIS WORK THAT HE'S DOING ON HIS HOUSE.
HE'S REDOING HIS BATHROOM. THE PIPES BURST.
HE ACTUALLY HAS NOWHERE TO GO.
SO OF COURSE I SAID, "JUST COME STAY AT MY HOUSE."
I WANT TO MAKE SURE YOU'RE HAPPY
AND BRING ALL THE THINGS YOU NEED.
- WELL, MUMS, I DID. - OH, MY GOD.
DO YOU THINK YOU'RE GOING TO CAMP?
- CAMP MUMS!
- WHAT THE HECK'S HAPPENING HERE?
I DON'T KNOW WHAT HE'S THINKING IS GONNA HAPPEN,
BUT HE'S GOTTEN CONFUSED.
DON'T MAKE ME REGRET THIS.
I'M NOT OFFERING A LOT AT--AT CAMP MUMS.
- DO YOU GUYS WANT TO SEE THE PUGS?
COME ON, NACHY. THERE'S A PUG FOR EVERYBODY.
- NATE! - COME ON, YOU GUYS.
I WANT YOU TO-- - WHAT ARE YOU DOING IN THERE?
- SORRY, PUG. - NATHAN!
- WHAT? COME HERE.
- OH, I DON'T WANT THE DOGS IN HERE.
- WHY? JUST FOR A MINUTE.
- I DON'T WANT THE DOGS IN HERE.
- WHOO! - HEY, HEY! BORIS!
THEY RUIN--THEY GET DOG HAIR ON EVERYTHING.
I ACTUALLY LIVED WITH SOMEONE,
AND WE SEPARATED THIS PAST YEAR,
SO I'VE MOVED BACK TO MY OLD HOUSE
THAT I'VE OWNED FOR A DOZEN YEARS.
LOU! OFF THE TABLE! - OH, MY GOD!
- OFF! OFF! DOWN! DOWN! DOWN!
I WAS USING IT AS A GUEST HOUSE,
AND I'M JUST REDOING THE WHOLE THING
TO ACTUALLY PUT MY NEW STAMP ON IT
FOR WHERE I AM.
NATE. - WHAT?
- I DON'T HAVE ANY PLACE FOR ALL THIS STUFF.
OKAY.
- I'LL PUT 'EM IN A CUPBOARD.
- I'M JUST TAKING THINGS OUT OF STORAGE
AS I DECIDE TO USE THEM,
AND IT MAKES EVERYTHING COMPLETELY CRAZY.
- WE'RE GONNA HAVE SO MUCH FUN.
HUH, B? HUH, MUMS?
- YEAH.
[upbeat music]
♪ ♪
- GEORGE, THIS IS THE KITCHEN ISLAND LIGHT.
THAT'S THE ENTRY HALL CHANDELIER.
THAT'S JUST THE GUTS OF IT. - OKAY.
THIS LA JOLLA HOUSE NEEDS TO BE DONE IN TWO WEEKS.
- OH, LOOK AT THAT. AVALANCHE.
- SO, TODAY, ROSS AND I ARE AT THE JOB SITE
TO INSTALL ALL THE LIGHTING.
- THIS IS ONE REALLY BIG LIGHT.
- IT'S ONE REALLY BIG DINING ROOM.
- LET'S GO INSIDE AND LOOK AT SOME MORE STUFF...
- OKAY. - WHILE THEY BRING STUFF IN.
- MY CLIENT IS OLD MONEY,
AND THIS IS NOT THEIR PRIMARY RESIDENCE.
THEY HAVE TWO OTHER RESIDENCES.
- I LIKE THE GRAY. - WOW.
- NO, THE GRAY'S PERFECT. IT'S SPOT-ON.
THIS IS A BEACH HOUSE,
SO I'M TRYING TO MAKE IT A LITTLE MORE SOOTHING
AND A LITTLE BIT MORE RELAXED.
- I THINK THAT THE WHITE IN HERE MAKES SENSE,
'CAUSE YOU'VE GOT TWO CREAM SOFAS.
- I THINK THE RUGS ARE A LITTLE DARKER.
I'VE DESIGNED A PAIR OF RUGS FOR THE LIVING ROOM.
THE COLOR SCHEME IS HEATHER GRAY AND CREAM, AND THAT'S IT.
TWO COLORS, VERY SIMPLE. VERY CALMING.
ARE THE RUGS EVEN--? WHERE ARE THE RUGS?
- 'CAUSE IT SHOULD BE HERE BY NOW.
- CAN WE CALL THE OFFICE AND SEE WHERE THEY ARE?
BECAUSE I HAVEN'T SEEN THEM ON--ON THE STORAGE LIST,
AND I DON'T WANT TO INSTALL THIS ROOM
WITHOUT THE RUGS BEING HERE.
FLANKING RUGS IN THE LIVING ROOM
IS VERY IMPORTANT TO ANCHOR THE ENTIRE SPACE.
OTHERWISE, THIS VAST ROOM STARTS TO LOOK LIKE A HOTEL ROOM.
- LOOK AT THAT. [laughs] - OH, THAT'S BEAUTIFUL.
- COME THROUGH THIS WAY, GUYS.
- BEAUTIFUL.
- SO, THIS IS WHAT $15,000 LOOKS LIKE.
- IT'S WORTH IT.
THE CHANDELIER I'M PUTTING IN THE DINING ROOM
IS A HEXAGON FROM CHARLES EDWARDS.
IT TOOK SIX MONTHS TO MAKE.
I ACTUALLY BUILT THE DINING ROOM AROUND THE CHANDELIER,
SO IT'S PRETTY IMPORTANT.
I'D LIKE IT 72 INCHES FROM THE FLOOR.
- HOW STUNNING DOES THIS LOOK, BY THE WAY?
- IT LOOKS GREAT.
I LOVE UPHOLSTERED DINING ROOM CEILINGS.
IT GIVES THE ROOM SOME DIMENSION AND SOME PERSONALITY.
THANKS, GUYS.
OOH, THAT'S PRETTY.
- THAT'S THE MASTER BEDROOM CHANDELIER.
HEY, LOOK AT THAT.
- WITH THIS BED, IT'S GONNA BE INSANE IN HERE.
MY VISION FOR THE MASTER BEDROOM IS JUST BLACK, WHITE, GRAY.
VERY SIMPLE, SORT OF A TIE-IN TO THE LIVING ROOM,
SINCE IT'S RIGHT OFF THE LIVING ROOM.
I LOVE IT.
IT'S ALL STARTING TO COME TOGETHER,
AND I THINK THE CLIENT IS GOING TO LOVE THE HOUSE.
AND I LOVE JESSIE OUT THERE, SUPERVISING.
- HOW DID JESSIE GET OUT THERE?
- SHE'S SUPERVISING.
[playful music]
♪ ♪
- MUMS? - HEY, I'M UP HERE.
- WHAT IS HAPPENING IN HERE?
- OH, I, WELL--
- WHAT IS GOING ON?
- WELL, I'M PAINTING, 'CAUSE, LIKE,
I DON'T WANT IT THE SAME.
I CAN'T KIND OF FIGURE IT OUT.
SO, I'VE BEEN SPENDING THE PAST FEW MONTHS
TRYING TO FIGURE OUT WHAT EXACTLY I WANT TO DO HERE,
AND I-I REALLY HAVE HAD A HARD TIME.
- CAN I BORROW THIS?
I'M ACTUALLY GOING TO ASPEN NEXT WEEK.
- YEAH, I THINK THAT'S A GOOD IDEA.
I THINK A *** LOOK IS GREAT FOR YOU.
I'M ACTUALLY HAPPY THAT NATHAN'S AROUND.
- HEY. - HEY.
I THINK NATHAN'S REALLY GONNA
HELP ME CHANGE SOME OF THESE ROOMS
WHERE I DON'T HAVE ANY OLD MEMORIES WITH THEM
SO I FEEL NEW ABOUT MY LIFE.
- OOH, I LIKE THIS.
- I CAN'T DECIDE IF I SHOULD DO MY ROOM A CHOCOLATE BROWN.
I WAS ACTUALLY-- - THAT'S SO GOOD.
- OR... - DO THAT.
- DO I DO THE ROOM ALL GRAY?
- THAT'S PRETTY, BUT IT'S NOT--
IT'S KIND OF MASCULINE FOR YOU.
- I KNOW. IT WAS JUST THE FLOOR.
I'VE GONE AROUND AND AROUND AND AROUND IN MY HEAD,
BUT I ACTUALLY REALLY LOVE THESE FLOORS.
I WAS KIND OF THINKING
MAYBE I'M JUST GONNA REPAINT THEM,
SO I'M FEELING BLUE OR LIGHT GRAY
SO IT HAS THIS ELEGANT FEELING TO IT.
- I CAN'T GET OVER THIS COAT.
- OH. - SHOULD I WEAR IT?
- NO. - WHY?
IT'S, LIKE, GOOD FOR A COSTUME PARTY.
- YOU'RE NOT REALLY HELPING ME LIKE I NEEDED YOU TO.
- WELL, LET'S GET IT GOING. - ALL RIGHT.
- OKAY?
I WANT YOU TO SHOW ME, LIKE, EVERYTHING THAT YOU'RE GONNA DO.
WHAT'S GONNA HAPPEN IN HERE? - I DON'T KNOW.
DO YOU THINK I SHOULD PAINT IT WHITE?
KEEP IT WHITE? IT'S HAPPY WHITE.
- I LIKE IT WHITE.
- I WOULD LIKE THIS LIVING ROOM
TO JUST BE SOMETHING THAT'S A LITTLE BIT NEW YORKY,
THAT KIND OF HAS THAT LADY IN PARK AVENUE FEEL.
LIKE, "PARK AVENUE LADY GOES BOHEMIAN IN LOFT."
- WHAT'S THIS? WHAT'S ALL THE BLUE AND WHITE?
- I DON'T KNOW. I WAS GONNA DO A WHOLE BLUE AND WHITE PAVILION.
- OH.
- I JUST DIDN'T PLACE IT OUT THERE.
- A BLUE AND WHITE FARM? - YEAH, WHAT DO YOU THINK?
- IS THERE CONSTRUCTION GOING ON AROUND HERE?
- EVERYONE'S BUILDING.
I DON'T KNOW. PEOPLE ARE BUYING THINGS.
- I HOPE IT DOESN'T KEEP ME UP.
- I'VE NEVER--LIKE, WHAT ARE YOU?
YOU'RE SUCH A PRINCESS. WHAT HAPPENED?
- I DON'T KNOW.
- IF YOU KEEP THAT UP, YOU'VE GOT TO GO.
- OH, GOD! WHOA! AAH! - OH!
- OH, JESUS! - OH, MY GOD!
- [bleep]!
[playful music]
- LOOKS GOOD SO FAR, SO JUST SOME DETAILS.
- HELLO. - HI.
THIS IS OUR CLIENT, HILARY. - HI, NICE TO MEET YOU.
- HI, HOW ARE YOU? - DAVE.
- WE'RE WORKING ON SOME THINGS.
- I LOVE IT HERE. - GOOD.
- SHE'D REALLY LIKE TO LOOK AT SOME MARY MCDONALD LAMPS.
- AH!
I HAVE, UH, TWO PAIR LEFT.
EVERYTHING ELSE IS SOLD.
I'VE GOT THIS AND THESE.
- THESE AREN'T THE ONES YOU SHOWED US ORIGINALLY, ARE THEY?
- NO, I DON'T THINK SO.
- SO, HILARY HAS TO HAVE THESE MARY MCDONALD LAMPS.
SHE WILL NOT QUIT UNTIL SHE HAS THESE MARY MCDONALD LAMPS.
- WHAT COLOR WERE THEY? - THEY WERE BLACK.
- THEY'RE--THEY'RE BLACK.
THEY'RE CHUNKY. THEY'RE KIND OF EMPIRE.
- OH, HERE YOU GO. - OH.
- YEAH. - YEAH, I LIKE THAT BETTER.
- CAN YOU GET THEM? - UH, I CAN.
I JUST HAVE TO CHECK WITH THE VENDOR
TO SEE WHAT THE LEAD TIME IS ON THE STOCK.
- CAN'T WE JUST CALL MARY?
- WHY DON'T WE JUST CALL MARY?
- MAYBE WE'LL JUST CALL MARY.
- OF COURSE, YOU COULD JUST CALL MARY.
- OKAY.
- WE'RE GONNA GO STRAIGHT TO MARY.
[phone ringing]
IT'S GONNA BE GOOD.
- HELLO?
- IS THAT MARY? - YES.
- HEY, MARY? - WHAT?
- WE'RE SHOPPING FOR YOUR LAMPS AND WE CAN'T FIND THEM IN,
UM, IN STORE.
- WHAT ARE YOU LOOKING FOR?
- IT'S BLACK WITH A LITTLE GOLD, LIKE, RIM AROUND IT.
A BLACK SHADE, LIKE--
- IT'S ON PAGE 240 IN YOUR BOOK.
- THERE'S A NEW PERSON THERE.
- OH, THAT'S--THAT'S HILARY.
THAT'S OUR CLIENT. - EMPIRE REGENCY.
- HI. - OH, HILARY. HI, HILARY.
- HI, MARY.
- YOU'VE GOT A HOT CLIENT READY TO BUY A LAMP, MARY.
- WELL, I HAVE TWO HERE THAT I JUST GOT IN.
- WE ARE ON OUR WAY.
[upbeat music]
- GOOD HEAVENS. STUNNING.
- HELLO, MY LOVE. - YOU'RE A VISION OF LOVELINESS.
I'M EXCITED TO BE HERE.
- OH, I CAN'T WAIT. I'M VERY EXCITED.
- WHERE ARE WE GONNA START, THE LIVING ROOM?
- YES. - YEAH?
- PLEASE, YES. - OKAY.
- THIS WAY.
- STACEY DASH AND I HAVE BEEN WORKING ON HER HOUSE
FOR ABOUT A MONTH ALREADY.
IT HAS SUCH A GREAT VIBE. - THANK YOU.
- ADDING SOME PAINT COLORS, A LITTLE BIT OF WALLPAPER,
ADDED A FEW BITS OF FURNITURE,
WITH THESE BEAUTIFUL LILACS, CREAMS, AND PALE GRAYS,
BUT IT NOW NEEDS THE VA-VA-VOOM.
BECAUSE THIS IS AN OPEN-PLAN LIVING SPACE...
- YEAH.
- THE KITCHEN IS SO INTEGRAL TO THIS ROOM,
WE'VE GOT TO REALLY GIVE THAT YOUR VIBE.
LOOKING AT STACEY'S KITCHEN, IT FEELS SO BORING.
I THINK, TO DO ALL OF THIS IN THAT--
- OH, FANTASTIC. - LOOK HOW FUN THAT IS ALREADY.
- THAT'S VERY FUN.
- I WANT HER TO HAVE A VERY DISTRESSED, AGED MIRROR
SO IT HAS HER VIBE,
BUT IT'LL ALSO GIVE THE KITCHEN MORE DEPTH.
THE PROBLEM FOR ME
IS THAT I FIND GRANITE TO BE A BIT PEDESTRIAN.
- YEP.
- MARBLE HAS A TOTAL AIR OF SOPHISTICATION
TO THIS KITCHEN,
BUT I THINK, JUST COMPLETELY REVERSE THIS.
IF WE CHANGE IT UP AND DO THESE BLACK, SHINY CABINETS--
- YEAH? - WITH SPARKLY, CRYSTAL KNOBS.
- OH, LOVE THAT. [gasps]
- WE COULD THEN LACQUER THE ISLAND
SO THE ISLAND BECOMES SHINY.
WE'LL LOOK AT THE OPTIONS OF THE GRAY AND THE WHITE,
SO WE HAVE THE BLACK CABINETS...
- [gasps] - WITH THE GRAY STONE...
- OH. - BEAUTIFUL KNOBS.
- YES. - SO, DINING ROOM?
- DINING ROOM.
- THE DINING ROOM, OBVIOUSLY, REALLY NEEDS SOME WORK.
- YES, THE DINING ROOM COULD USE SOME SEATING.
[laughter]
- WHY DON'T WE SILVER-LEAF THE CEILING.
- [gasps] - OH, MY GOSH.
- OH! - THAT'S A GREAT IDEA.
- I LOVE YOU.
- 'CAUSE I THINK THAT THAT COULD BE SO NICE.
- MM-HMM, OKAY.
- AND THEN, IF WE GOT LOADS OF VINTAGE MIRRORS
IN DIFFERENT FRAMES
AND PUT THEM ALL OVER THAT WALL AS A WHOLE COLLECTION--
- BEAUTIFUL.
- I THINK IT WOULD BE REALLY, REALLY COOL.
- YEAH.
TO THE LOVE NEST.
- OH, THIS IS SO GREAT, THIS WHOLE *** IN LAVENDER.
- IT'S JUST DELICIOUS,
AND YET, IT'S JUST SO SERENE.
- IT IS.
I THINK YOU NEED A BEAUTIFUL PAIR OF SCONCES
OR SOME SORT OF LIGHT FIXTURING.
- OH, THAT SOUNDS WONDERFUL.
- YOU NEED A SEXY THROW OF SOME DISTINCTION.
- I WAS WAITING FOR YOU TO SAY THAT.
I WANT FLUFF. - YOU WANT FLUFF?
- LIKE, MY FEET, I JUST ROLL MY--NAKED BODY--
WHATEVER I WANT TO PUT THROUGH IT.
[laughs]
- OH, MY GOD, WE'D BETTER SCOTCHGARD THAT IMMEDIATELY.
SO, LET'S GET THIS ROLLING... - OKAY.
- AND--AND WE'LL MAKE IT REALLY SPECIAL FOR YOU,
'CAUSE YOU'RE A GORGEOUS, SPECIAL PERSON.
- I'M SO EXCITED. - YEAH, IT'S GONNA BE GOOD.
[upbeat music]
- I LOVE IT HERE ALREADY. - YOU DO?
- YEAH, I LOVE THIS BLACK STRIPE.
I LOVE THESE PICTURES. - HI, DUDE. HOW ARE YOU?
- HOW ARE YOU? - HI.
- HEY, HOW ARE YOU? SORRY TO BOMBARD YOU.
- OH, NO PROBLEM.
I'M JUST-- - GOOD TO SEE YOU.
- I'M JUST GLAD IT WASN'T DIRTIER.
- THIS IS HILARY. - HI.
- HI. SO NICE TO MEET YOU. - I'M SO DELIGHTED TO MEET YOU.
- HILARY HAS TALKED A LOT ABOUT MARY
IN THE PAST SIX MONTHS,
SO, THE FACT THAT THEY'RE MEETING NOW
IS A LITTLE AWKWARD.
SO, I'M HERE FOR YOU TO LIGHT UP MY LIFE
BECAUSE I NEED A LAMP-- I NEED A PAIR OF LAMPS.
- YEAH, THERE'S ONE OVER THERE. - THERE'S ONE RIGHT THERE.
- THAT'S IT. THAT'S THE ONE.
- AND WE HAVE TWO, RIGHT? - YES.
UH, SHE HAS IT IN THE STORAGE ROOM.
- PERFECT. I LOVE IT. DON'T YOU LOVE IT?
- I LOVE THEM. - OH!
- OH, JESUS, LET ME GRAB THAT FROM YOU.
- CAREFUL, THOUGH.
- OH, MY GOD, IT'S LIKE AN OSCAR. IT'S HEAVY.
- CAREFUL, 'CAUSE IT'S LACQUER,
AND IF YOU SCRATCH IT, IT'S WRECKED.
- SO, WE ARE DONE FOR THE DAY, I THINK,
UNLESS YOU HAVE SOMETHING ELSE IN MARY'S BOOK YOU WANT TO BUY.
- WELL, I MIGHT.
I MEAN, WE'RE NOT JUST DONE DONE, RIGHT?
- IT'S ALL FOR SALE. - OKAY.
- WE'RE GETTING THERE. - THE WHOLE THING.
- WE'LL JUST STAY IN TOUCH, THEN.
- OH, LOOK AT THIS.
ARE YOU--SOMEONE--IS SOMEONE LOSING THEIR JOB?
[laughs]
JUST KIDDING. - LOVE YOU, LOVE YOU.
- I'VE GOT THREE MORE OTHER HOUSES TO DO. I'M GOOD.
- BUT I LOVE HER. I LOVE HER.
- NOW I NEED TO GET HILARY THE HELL OUT OF MARY'S OFFICE
BEFORE THEY START DATING.
- YOU SHOULDN'T BRING CLIENTS TO OTHER DESIGNERS' OFFICES.
- NO, HE KNOWS I LOVE HIM. - WE'RE OFF.
- WE'RE OFF. BYE. - BFFs. OH, SORRY.
- I DON'T WANT TO-- - THANK YOU SO MUCH.
- BYE. THANK YOU. IT WAS REALLY NICE TO MEET YOU.
- YOU TOO, MARY, THANK YOU.
- THANKS, MARY. NICE TO SEE YOU.
- WATCH OUT THERE, DUDE.
- I'M GOING CAREFULLY. - OKAY.
- I'LL CALL YOU. - WILL YOU?
SWEAR. - SWEAR.
- SO WILL I.
- NOW YOU, HILARY, YOU CAN CALL.
[laughs] BYE.
[playful music]
♪ ♪
- SO, THIS LITTLE SHOP,
IT HAS GOT THE MOST DIVINE SPARKLY THINGS.
- REALLY? WONDERFUL.
OH, DARLING, I LOVE IT ALL.
- GOOD GRIEF. - I KNOW.
- DARLING, THERE CAN'T BE AN ANTIQUE LEFT IN EUROPE.
[laughter]
- THOSE ARE PRETTY, YOU KNOW, FOR MY VANITY IN MY BEDROOM.
- WOW. WHY NOT? IT'S-- IT'S KIND OF A GREAT VIBE.
- OH, MY GOODNESS, THAT WOULD JUST MAKE ME SO HAPPY.
- LEAD US ON. LET'S SEE MORE OF THESE TREASURES.
- THESE ARE THE TWO LANTERNS HERE, FOR THE KITCHEN.
- THE OLD-SCHOOL FEELING OF THOSE IS QUITE FABULOUS.
- YEAH, I LIKE THEM, ACTUALLY.
- WE COULD MAYBE EVEN SILVER-LEAF THOSE.
- [gasps] OH! WE DO NEED THAT.
- IF YOU HAVE THE FEELING, YOU'VE GOT TO HAVE IT.
- I HAVE TO HAVE THEM. - YOU'VE GOT TO HAVE THEM.
- WE'VE SEEN A COUPLE OF REALLY COOL LANTERNS.
THEY'VE GOT A GREAT, ANTIQUE VIBE TO THEM.
I THINK WE'LL GIVE STACEY'S KITCHEN A REALLY NEW LOOK.
OKAY, GREAT, FANTASTIC.
SO, WE'RE SET? - YES.
OH, DEAR.
- THIS STORE'S GOT A WHOLE VARIETY OF WILD, MAD THINGS.
- I CAN SEE.
- I REALLY WANT TO MAKE HER DINING ROOM VERY ONE-OFF
USING A COLLECTION OF ANTIQUE MIRRORS,
WHICH WILL REALLY GIVE A VERY MODERN HOUSE
A GREAT TRADITIONAL ELEMENT.
- OH, I LOVE THESE, MARTYN.
LOOK, THEY'VE GOT WOLVES ON THEM.
WOULD THEY WORK? AREN'T THOSE COOL?
- YEAH, I LIKE THOSE, ACTUALLY.
I MEAN, THE THING I LIKE ABOUT THAT
IS THAT THEY'RE SMALL AND INTERESTING.
ACTUALLY, YOU KNOW WHAT? I LIKE THOSE, ACTUALLY.
- OH, THOSE ARE NICE. - OOH, THOSE ARE NICE.
- I SUDDENLY SPY A PAIR OF REALLY INTERESTING MIRRORS.
THEY KIND OF LOOK LIKE OLD SHIELDS.
WE NEED THE FULL IMPACT. - YEAH, LIKE THAT.
- OH, MY GOD. - YEAH.
YOU'RE A GENIUS. - IT'S TRUE.
- YOU'RE A GENIUS!
- IT'S TRUE! [both laugh]
- WHOA! OH!
- OH, MY GOD!
- [gasps]
- OH, MY GOD. - OH, PERFECT.
- [bleep]!
- YOU JUST BOUGHT TWO MIRRORS. - OKAY.
DO YOU THINK YOU CAN REPAIR IT?
- YES. - OH!
- JESUS CHRIST.
- NO, I DO NOT WANT TO WAIT UNTIL TOMORROW
TO GET THE RUGS.
- I CAN'T DO A DAMN THING WITH THIS ROOM
UNTIL THE RUGS ARE DOWN.
THE RUGS WERE NEVER PICKED UP?
- WE LOOK LIKE A BUNCH OF MORONS.
[bleep].
[upbeat music]
- SO, I'M IN NEW YORK FOR A MULTITUDE OF WORK REASONS,
BUT WHILE I'M HERE,
I ACTUALLY REALLY WANT TO STOP IN GRACIE PAPER
BECAUSE I NEED SOMETHING SOOTHING FOR MY BEDROOM.
I'M DYING FOR SOME OF THIS PAPER IN MY OWN PERSONAL LIFE.
- GREAT.
- I'M CRAVING SOMETHING TRADITIONAL.
I'M CRAVING FLOWERS. I'M SICK OF GROOVY.
I-I AM. I'M SORT OF SICK OF IT.
I HONESTLY CAN'T DECIDE BETWEEN A PASTEL COLOR--
OH, THAT'S REALLY BEAUTIFUL. NO, I'M KIND OF LOVING THIS.
- YEAH, IT'S GREAT LOOKING. IT'S REALLY CLASSIC.
- KIND OF LIGHT BLUE? - YEAH.
- OKAY, I MIGHT NEED TO GO BACK AND FORTH
BETWEEN THIS GREEN AND LOOKING AT THE PATTERN OF THAT.
WHAT I'VE HAD IN MIND FOR MY BEDROOM...
LOVE.
IS GRAYS AND WHITES.
LOVE THE GREEN.
BUT I'M HERE, AND I'M SEEING
THAT THERE'S THESE PRETTY JADE GREENS,
WHICH I LOVE...
OH, WAIT, I'M GONNA TAKE A PICTURE OF ALL THESE.
- THAT'S ONE OF THE CONTENDERS.
- AND I'M ALSO SEEING, LIKE, A PRETTY BLUE.
THAT'S KIND OF FAB.
OKAY. I JUST HAVE TO PRETEND I'M IN BED.
BUT I'M, RIGHT THIS SECOND,
HAVING MY FLOORS STENCILED A GRAY AND WHITE PATTERN,
BUT I'M FEELING LIKE I MIGHT WANT SOMETHING PRETTY LADYLIKE.
HMM. SEE, THAT'S THE MOST FEMININE, WITH THE BIG PEONIES.
I'M KIND OF LOVING THAT. IT'S SOOTHING.
I'M CHANGING MIDSTREAM,
WHICH IS KIND OF BEING MY OWN WORST CLIENT RIGHT NOW.
[phone ringing]
- HELLO? - NATE?
- WHAT ARE YOU DOING? IT'S SO EARLY.
- I'M SO GLAD YOU ANSWERED,
'CAUSE I NEED YOU TO DO ME A FAVOR.
YOU KNOW, THOSE FLOOR STENCIL GUYS ARE COMING,
AND I WAS DOING THE ROOM GRAY AND WHITE--
- UPSTAIRS, IN YOUR BEDROOM. - YEAH.
I NEED YOU TO TAKE A PICTURE OF IT FOR ME
BECAUSE I WENT TO GRACIE PAPER
AND I'M CHANGING THE WHOLE THING.
- OH, MY GOD.
UM, THIS IS ALL SO MUCH, FIRST THING IN THE MORNING.
- WELL, WHATEVER.
I HAVE TO PICK SOMETHING THAT GOES WITH IT.
- I'M GOING UP RIGHT NOW. COME ON, NACHO.
COME ON, NACHO. [whistles]
OH, MY GOD, THE PUGGLES ARE GOING WILD.
[dogs barking] - I HEAR THEM.
- NACHO, GET OFF. OH, IT LOOKS GOOD.
- IT DOES? DID THEY-- DID THEY GET IT?
- IT'S--RIGHT NOW, ALL IT IS IS GRAY AND WHITE.
- YOU HAVE TO KIND OF HELP ME DECIDE.
I'M GONNA SEND YOU SOME OF THIS PAPER BACK
AND I NEED YOU TO JUST HELP ME DECIDE.
- OKAY, I'LL TAKE A PICTURE AND SEND IT NOW.
- OKAY. - [whistles] COME ON, NACHO.
BYE. - BYE.
[upbeat music]
[phone ringing]
- DARLING? - GOOD MORNING, HOW ARE YOU?
- GOOD, MY LOVE. HOW'S EVERYTHING GOING?
- OH, MY GOSH, YOU'RE GONNA DIE WHEN YOU SEE IT.
IT'S AMAZING.
- "AMAZING" IS THE WORD I NEEDED TO HEAR THIS MORNING,
MY DARLING.
IT'S INSTALLATION DAY,
AND I'VE HAD LAURA LEE OVER AT THE HOUSE
SINCE EARLY THIS MORNING.
WE'VE GOT ALL THE TRUCKS COMING
WITH LOTS OF THE EXTRA FURNITURE--
DINING CHAIRS, FUN OTTOMANS--
AND OF COURSE, ALL THE WONDERFUL MIRRORS.
- LET'S KEEP IT LIKE THIS, AND THEN WHEN MARTYN COMES HERE,
IF WE WANT TO MAKE IT A LITTLE HIGHER, HE CAN ADJUST IT.
HELLO, MARTYN. - HEY, DARLING.
OH, IT'S COMING TOGETHER OVER HERE.
- YEAH.
- SO, I'VE ARRIVED AT STACEY'S HOUSE.
WE'VE ACTUALLY GOT QUITE A LOT LEFT TO DO HERE.
I LOVE THE LANTERNS. - MM-HMM. THEY LOOK NICE.
- AND ADDING THAT LITTLE BIT OF SILVER LEAF TO THEM,
IT'S REALLY ADDED SOMETHING TO THE KITCHEN, HASN'T IT?
- MM-HMM.
- THE KITCHEN LOOKS GREAT, BUT THESE ARE THE WRONG HANDLES.
- I KNOW. WE'RE GONNA CHANGE 'EM OUT.
ARI'S GOING TO PICK THEM UP.
- OKAY. THE STONE LOOKS GOOD.
I LIKE THE STONE A LOT. SO, I NEED FLOWERS.
I'M GONNA NEED CANDLES GOING FOR WHEN SHE COMES.
I WANT ALL THE ACCESSORIES I'VE GOT OUT.
- OKAY.
- GOT TO REALLY LAYER EVERYTHING UP.
DARLING, MAGIC IS HAPPENING AS WE SPEAK.
- SHE'S GONNA HAVE QUITE THE SPARKLY WARKLY.
[dramatic music]
♪ ♪
- THAT'S FANTASTIC.
IT'S THE FIRST DAY OF OUR TWO-DAY INSTALL IN LA JOLLA.
INSTALLATIONS ARE ALWAYS PRETTY NERVE-WRACKING.
WE HAVE FOUR TRUCKS SHOWING UP,
AND ALL OF A SUDDEN, IT'S ALL GONNA BE ON THE DOORSTEP
AND IT HAS TO GO SOMEWHERE.
UM, CAN WE NOT BRING IN THE RUGS FIRST?
I'VE ASKED A BUNCH OF TIMES IF CAN WE BRING THE RUGS FIRST
AND NOT FURNITURE, 'CAUSE OTHERWISE,
WE'RE JUST GONNA HAVE TO KEEP MOVING IT.
NO, THERE SHOULD BE ANOTHER HUGE RUG
FROM DECORATIVE CARPETS.
THE THING THAT I WANTED FIRST AND FOREMOST
WAS THE PAIR OF RUGS FOR THE LIVING ROOM.
[phone ringing]
HELLO?
- HELLO.
- OKAY, I DON'T WANT TO ALARM YOU,
BUT IT'S NOT LOOKING GREAT.
- WHAT'S GOING ON?
- WELL, YOU KNOW HOW OUR RULE IS,
THE LAST THINGS THAT GET PUT ONTO THE TRUCK ARE RUGS
SO THEY CAN BE THE FIRST THINGS OFF?
- I DO.
- WELL, THE LIVING ROOM AND FAMILY ROOM RUGS
ARE NOT THE FIRST THINGS TO COME OFF THE TRUCK,
SO I'M HOPING THAT THEY'RE JUST SORT OF
STUCK IN THE BACK SOMEWHERE,
BUT SO FAR, I'VE SEEN NO RUGS.
- ROSS, YOU NEED TO GET ON THEM TO GET THE RUGS OFF THE TRUCK.
THAT'S RIDICULOUS.
THAT'S WASTING ALL OF OUR TIME.
OKAY, WELL, I'LL BE THERE IN A MINUTE.
- GOOD MORNING, DECORATIVE CARPETS.
- MORNING, CAN I SPEAK TO LAUREN, PLEASE?
IF THE RUGS ARE, INDEED, MISSING,
THEN THE ENTIRE FIRST LOOK AT THE HOUSE IS A FAILURE,
AND WE LOOK LIKE A BUNCH OF MORONS.
- GOOD MORNING, THIS IS LAUREN.
- HEY, LAUREN, IT'S ROSS. HOW ARE YOU?
- I'M GOOD. HOW ARE YOU?
- GOOD, THANKS. TELL ME SOMETHING.
- UH-HUH.
- YOU KNOW THE TWO MILLER RUGS?
DID MIKE EVER PICK THEM UP?
I JUST WANT TO MAKE SURE, 'CAUSE, YOU KNOW,
UH, THEY'RE-- THEY'RE NOT HERE,
AND I'M PRETTY SURE WE HAD THEM PICKED UP,
BUT THEY'RE NOT HERE.
- IT DOESN'T SAY ANYTHING WAS PICKED UP.
- [bleep].
- THE RUGS WERE NEVER PICKED UP?
[dramatic music]
♪ ♪
- LOOKING TO BE ABOUT HERE.
GREAT. OH, THAT'S GOOD.
♪ ♪
OKAY, GUYS, I'M SORRY. I CAN'T HELP IT.
THIS RUG FEELS LIKE IT'S TOO CRUNCHED UP.
I HAVE THIS WONDERFUL MONGOLIAN LAMB RUG...
PLEASE DON'T RIP THE RUG. IT WAS, LIKE, $10,000.
WHICH CREATES IMMEDIATE SENSUALITY,
BUT THAT HAS TO BE PLACED PERFECTLY.
OH, MY GOD. MUCH BETTER.
YOU'LL HAVE MADE OUR MOVIE STAR HAPPY.
- GOOD. - [laughs]
I REALLY WANT THE BEDROOM TO JUST BE A ROOM
THAT OOZES ALL THE SENSUALITY
THAT SEEMS TO BE BUBBLING UP INSIDE OF STACEY.
THAT SHOULD JUST ABOUT THROW STACEY OVER THE EDGE.
- [laughs] SHE'S GONNA LOVE IT.
[dramatic music]
♪ ♪
- WHERE IN THE [bleep] ARE THE RUGS?
- WELL, LISTEN TO THIS.
- HEY, ROSS, IT'S JASON.
UM, I JUST WANT TO GIVE YOU A HEADS UP
ON WHERE WE ARE WITH THE RUGS.
THE COMPANY CALLED ME AND, UNFORTUNATELY,
THEY'RE NOT GONNA BE READY TO BE PICKED UP JUST YET,
BUT THEY SHOULD BE READY IN HALF AN HOUR.
- WHAT, IS THE RUG HAVING LUNCH?
- SO, GIVE ME A CALL BACK
AND LET ME KNOW WHAT YOU WANT TO DO.
I'M GONNA STEP OUT FOR SOME LUNCH.
- HE'S HAVING LUNCH. I HAVEN'T HAD LUNCH.
- I DON'T KNOW IF YOU WANT TO WAIT UNTIL TOMORROW
OR GET THEM DOWN THERE TODAY.
- NO, I DO NOT WANT TO WAIT UNTIL TOMORROW TO GET THE RUGS.
- I CAN'T DO A DAMN THING WITH THIS ROOM
UNTIL THE RUGS ARE DOWN.
WE CAN'T PUT ANY OF THIS ROOM TOGETHER.
EVERYTHING'S COMING IN HERE IN A MINUTE,
AND I'VE GOT TO HAVE THE RUGS.
[exhales]
HILARY'S COMING IN 24 HOURS.
I WANT THEM TO GET THEM ON THE TRUCK RIGHT NOW
AND GET THEM DOWN HERE IN TWO HOURS.
- SO, CAN WE FIGURE OUT THE REST OF THE HOUSE
AND--AND JUST, LIKE, PRETEND THIS DOESN'T EXIST
FOR THE REST OF THE AFTERNOON,
WAIT FOR THE RUGS, AND DO THAT MAYBE THIS EVENING?
- OKAY.
- YES! [laughter]
YES! YES!
- I'M SLIGHTLY FEELING LIKE MAYBE I SHOULD LEAVE THE ROOM.
- OH, MY WORD!
- YOU'VE GOT TO MAKE ME LOOK REALLY GOOD, MARIO.
- I'M GONNA GIVE YOU RED CARPET HAIR.
- PERFECT. - THIS, MY DEAR--
- OH, MY GOD, WHAT ARE YOU GONNA DO WITH THAT?
- IS WHAT-- - WHOSE HAIR IS THAT?
- THIS IS SOME WOMAN FROM INDIA'S HAIR.
THIS IS $1,000 HAIR.
- OH!
DOES IT LOOK ALL RIGHT, MARIO?
- IT'S GONNA BE GORGEOUS.
- I THINK, AT A FUN EVENT,
ONE SHOULD WEAR SOMETHING FESTIVE.
AND I'VE GOT TWO THINGS GOING FOR ME--
BOSOMS AND LEGS, SO, YOU KNOW,
WHY NOT SHOW THEM OFF?
ARE MY LEGS--THEY'RE NOT TOO WHITE, ARE THEY?
- GOTTA DO A LITTLE LAST-MINUTE TWEAK.
PUT YOUR LEG UP HERE. - OH, MY GOD.
IS THIS WHAT THE MOVIE STARS DO?
- ALL OF THEM. - REALLY?
- THIS IS WHAT I DID ON KIM BASINGER.
EXCUSE ME. SORRY. - [laughs]
THESE ARE TRICKS OF THE TRADE, DARLING?
- YES.
[playful music]
♪ ♪
- NATE? - YEAH, I'M DOWN HERE!
- SO, I'VE JUST ARRIVED BACK FROM NEW YORK,
AND NATHAN, OF COURSE, IS HOME.
[sighs] - HI, MUMS.
- [sighs]
- WELCOME BACK. YOU LOOK EXHAUSTED.
- I'M SO TIRED. THAT WAS TOO MUCH FOR ME.
- I GOT DINNER. I THOUGHT YOU WOULD BE REALLY TIRED.
- IT'S ACTUALLY NICE.
I HAVE TO SAY, I'M HAPPY TO HAVE HIM HERE.
- WHAT HAPPENED TO YOU? - I'M NOT EVEN HUNGRY.
I JUST WANT A DRINK.
IT'S NICE TO COME HOME, TO HAVE SOMEONE THERE TO TALK TO,
AND ESPECIALLY SOMEONE YOU'RE CLOSE TO.
WELL, HOW DID IT GO? - YOUR BEDROOM'S DONE.
- I'M KIND OF WORRIED ABOUT THAT, NOW THAT I HAVE THAT--
- WHY?
- 'CAUSE I ORDERED THAT GRACIE PAPER.
- OH, THE GRACIE WALLPAPER SAMPLE CAME.
- OH. - IT'S VERY MUMS.
- I'LL SHOW YOU WHAT I WANT TO DO,
AND TELL ME IF YOU THINK I'M, LIKE, OFF.
- WHAT? OH, UP HERE?
- I JUST WANT TO GO UPSTAIRS. - I WILL.
- I'VE BASICALLY COME HOME TO JUST A LOAD OF WORK.
NOT ONLY DO I HAVE MY REGULAR WORKLOAD,
I'VE GOT MY OWN LIFE TO REORGANIZE.
I'M BASICALLY A BURDEN TO MYSELF AT THIS POINT.
WHAT'S HAPPENING HERE? DEAD BODIES?
- YEAH. DON'T. YOU DON'T WANT TO SEE.
- WELL, AT LEAST THEY COVERED IT.
-OH, OKAY.
- IT'S VERY, LIKE, LIGHT AND AIRY.
THERE'S THE WALLPAPER. - [gasps]
COOL.
I DECIDED ON THE AQUA MINTY BLUE WALLPAPER...
- CAREFUL. - WILL YOU HOLD IT OUT?
WITH BIG, BLOUSY, WHITE PEONY FLOWERS ON IT.
I WANTED TO DO GRAY WITH IT,
BUT THIS IS A LITTLE BRIGHT.
- I LIKE IT. I LOVE IT. IT'S REALLY PRETTY.
- BUT IT'S JUST SO MUCH MORE BLUE.
I CAN'T REALLY FIGURE OUT
HOW TO GET THE FLOORS AND THE WALLPAPER
TO JUST MESH TONALLY.
THIS WAS SUPPOSED TO BE A FUN IDEA,
AND IT TURNED INTO A PROJECT THAT I DON'T HAVE TIME FOR.
I'M JUST LOVING THE WALLPAPER,
SO I BASICALLY HAVE TO
REDO THE FLOORS COMPLETELY ALL OVER AGAIN.
THIS IS GIVING ME ANXIETY.
- I'M GONNA GO PUT MY PAJAMAS ON.
I THINK WE SHOULD GO FINISH OUR BEER AND LAY DOWN.
- OKAY.
[dramatic music]
♪ ♪
[overlapping chatter]
- OH, MY GOD.
[bleep].
♪ ♪
- THERE WE GO. - WHAT ELSE?
- IT'S A MESS.
I'M JUST GOING TO FOCUS ON THE OTHER ROOMS
AND NOT HAVE A BREAKDOWN ABOUT THE LIVING ROOM RUGS.
IS THERE A COFFEE TABLE HERE?
- NO, IT'S JUST SUPPOSED TO BE, LIKE, A LITTLE FAINTING COUCH.
- I THINK THE MASTER BEDROOM'S COMING TOGETHER QUITE WELL.
IT'S VERY, VERY SOOTHING AND RELAXING FOR A SECOND HOUSE.
IT'S FUN.
IT'S VERY ENGLISH IN THE MIDDLE OF THE THING,
AND EITHER THE CHAIR GOES HERE OR THE CHAIR GOES HERE.
BUT WE NEED A TABLE. - WE NEED A TABLE.
♪ ♪
- WE KIND OF NEED THE RUGS HERE TODAY.
- DUDE, IF I KNEW WHERE THE RUGS ARE,
I WOULD BE A MUCH HAPPIER MAN,
BUT I HAVE NO [bleep] IDEA WHERE THEY ARE.
- WHY ARE YOU PUTTING THIS TOGETHER?
WHERE ARE THE GUYS?
- THEY'RE BUSY. EVERYBODY'S BUSY.
- WHAT'S GOING ON? WE REALLY NEED THESE RUGS.
- I KNOW. ARE YOU--
I MEAN, ARE YOU MAD AT ME THAT THE RUGS AREN'T HERE?
- I'M NOT MAD AT YOU. I JUST NEED RUGS.
I NEED RUGS TODAY. I DON'T NEED RUGS TOMORROW.
- I'M GETTING THE SENSE THAT YOU'RE MAD AT ME.
- I NEED RUGS TODAY.
♪ ♪
- THE RUGS ARE HERE, GUYS.
- THEY ARE? - YES, SIR.
- THEY ARE. - COULD YOU BRING 'EM IN?
- WE'LL BRING 'EM IN RIGHT NOW. - THANK YOU.
FINALLY, THESE DAMN RUGS SHOW UP.
LOOK AT YOU GUYS.
IT'S AN ARMY.
- THE RUGS FINALLY GO DOWN, AND THEY LOOK AWESOME.
I THINK THE RUGS ARE BEAUTIFUL,
AND THEY'RE WHAT THE ROOM NEEDS.
- OKAY, LET'S GET SOME FURNITURE ON THESE GUYS.
- I THINK THE LIVING ROOM, FAMILY ROOM COMBINATION
IS FINALLY COMING TOGETHER.
THESE AREN'T BAD.
I THINK THE GRANDMA CHAIRS
ARE NOT QUITE AS BAD AS I THOUGHT THEY'D BE.
IN FACT, THEY LOOK PRETTY GOOD IN THE SPACE.
- I MEAN, THEY'RE VERY COTTAGEY,
SORT OF, KIND OF PRETTY.
- BUT THEY'RE MORE SOPHISTICATED IN THIS SITUATION
THAN I THOUGHT THEY'D BE.
IT'S STARTING TO WORK.
[upbeat music]
♪ ♪
- IT'S NICE. IT'S STARTING TO WARM THIS SPACE UP A LITTLE.
IT'S NOT SO CAVERNOUS ANYMORE.
- WE'RE GOING TO HAVE EXACTLY THREE HOURS
TO FINISH THE ENTIRE HOUSE IN THE MORNING.
NOT A WHOLE LOT OF TIME.
I NEED ABOUT TWO MORE DAYS,
AND I HAVE ABOUT THREE MORE HOURS.
THIS DAY WILL NEVER END.
[dramatic music]
- WHEN IS STACY GETTING HERE?
- SHE'LL BE HERE IN ABOUT AN HOUR.
- FANTASTIC.
YEAH, I NEED TO GET ALL THESE MIRRORS UP.
SO, I'VE GOT ALL HANDS TO THE DECK RIGHT NOW.
MY POOR FURNITURE MOVERS ARE NOW PICTURE HANGERS,
AND WE'VE GOT TO GET THIS IN.
WOW. IT'S A LITTLE BIT SKEW-IFFY.
OH, MY GOD, IT LOOKS GREAT.
LET'S GET THE OTHERS UP.
OKAY, A LITTLE BIT CLOSER.
LET ME SEE. YEAH. YEAH, YEAH.
QUICK, GET IT UP.
SHE'S GONNA BE HERE IN A MINUTE.
- THERE WE GO.
- LAURA LEE, THERE ARE STICKERS ON THIS FRUIT.
COULD YOU REMOVE THESE? - OKAY.
- I CAN'T STAND STICKERS ON FRUIT.
HOW'S HE DOING WITH MY MIRRORS?
I LOVE IT IN HERE. AND LET'S GET THE OTHER ONE UP.
FINALLY, I REALLY FEEL LIKE I'VE GOT THIS ALL TOGETHER.
[gasps]
OH, MY GOD. THERE'S A PIECE OF MIRROR COME OFF.
- YIKES. - DO YOU HAVE ANY GLUE?
AND STACEY IS ABOUT TO ARRIVE.
I CANNOT WAIT FOR HER
TO SEE THIS BEAUTIFUL PLACE I'VE CREATED.
OH, MY GOD.
- I CAN'T BELIEVE IT'S UP THERE.
- THEY LOOK AMAZING.
- I THOUGHT IT WAS NEVER GONNA-- - HELLO? MY LOVE?
- JUST IN TIME. - [gasps]
- WE HAVE LITERALLY JUST FINISHED.
I CAN'T BELIEVE IT. - OH! OH, MY GOSH!
- HELLO, DARLING.
- OH! OH, MY GOSH!
- [laughs] - OKAY, WAIT A MINUTE.
OH, MY GOSH. THOSE ARE BEAUTIFUL, MARTYN!
- DO YOU LIKE IT? - [gasps]
IT'S ABSOLUTELY STUNNING. ABSO--OH, MY WOLVES!
- [laughs] - MY WOLVES!
LOOK AT THEM, GUARDING THE WINDOW.
- AND WE EVEN HAD THE NAUGHTY BROKEN ONE REPAIRED.
- I LOVE IT.
- STACEY'S FIRST REACTION IS, "THE MIRROR!"
I KNEW IT WOULD BE THE PIECE
THAT WOULD REALLY GROUND THAT SPACE.
- OH, AND THE CEILING. [gasps]
WOW. - IT'S ALL PLATINUM LEAF.
- [exhales] - OH, YOU'RE SHAKING.
- IT'S SPECTACULAR. - OH, BABY, DON'T FRET.
- YOU KNOW HOW LONG I'VE WANTED YOU TO DO THIS.
THAT'S WHAT--THAT'S WHAT MAKES IT EVEN MORE SPECIAL
IS THAT YOU DID IT.
AND IT'S MY HOME. - OH, DARLING ONE.
DON'T MAKE ME CRY.
STACEY IS THRILLED.
IT'S LIKE I'VE MADE HER DREAM COME TRUE.
- OH, MY GOD! NO!
[gasps] OH, MY GOD!
GOSH, MARTYN!
- I LEAD STACEY INTO THE FAMILY ROOM,
AND SHE SQUEALS WITH DELIGHT.
THIS SPACE HAS BECOME THIS BEAUTIFUL EMPORIUM
OF ALL OF THESE LAYERS OF COLOR.
IT'S SO HER.
"HOME, MY HOME," SHE KEEPS UTTERING.
SUCH A BEAUTIFUL REACTION.
AND THEN, LOOK AT YOUR KITCHEN.
- OH, MY GOSH.
- ISN'T IT FUN, THE KITCHEN?
- IT'S GORGEOUS. THE LANTERNS.
MARTYN, THEY'RE JUST SO GORGEOUS.
- AND THIS BLACK LACQUER
HAS JUST GIVEN IT THIS WHOLE, LIKE, VOOM.
WITH THE CRYSTAL KNOBS. - OH, THE CRYSTAL KNOBS.
OH, MY-- WHAT AN IMPROVEMENT.
- LAID THAT BEAUTIFUL GRAY STONE IN THE MIDDLE,
WHICH, YOU KNOW, IT'S GOT THAT REAL CHARACTER TO IT.
AND THEN ALL THAT ANN SACKS MIRROR.
- OH, MY WORD.
- LEFT IS FOR US TO SHOW YOU YOUR BOUDOIR.
- MY BOUDOIR. OH, MY GOD.
- SO, I'M LEADING STACEY UP TO HER BEDROOM,
THE THROB, THE HEARTBEAT OF THIS HOME.
- OH! - [laughs]
- OH, MY GOD! OH, MARTYN!
- [laughs]
- OH, MY GOD.
- WHOO, BABY!
- OH!
[laughter]
OH!
- GOOD HEAVENS.
- YES! [laughter]
YES, YES!
- OH, MY GOD.
STACEY'S REACTION IS LIKE AN ***.
- OH, MY WORD!
- I'M SLIGHTLY FEELING LIKE MAYBE I SHOULD LEAVE THE ROOM.
- IT'S ALL SO GOOD.
- THERE ARE SO MANY THINGS TO THROW YOURSELF UPON.
[laughter]
THE ROOM IS NOW BEAUTIFUL WITH ALL OF THESE FEMININE LAYERS.
THE SOFTNESS OF THE RUG, THE WILD SIDE OF THE FUR,
AND OF COURSE, ALL IMPORTANT, LIT WITH AMAZING SCONCES.
[laughs] - YOU'RE GONNA MAKE ME CRY.
[laughter]
I WANT TO SAY "A BAD WORD LOVE IT."
IT'S LIKE I WANT-- I [bleep] LOVE IT.
IT'S ME. IT'S MY HOME.
- THAT'S WHY I DO THIS,
IS TO--IS TO MAKE PEOPLE HAPPY,
AND ESPECIALLY WHEN I CAN MAKE MY FRIENDS HAPPY,
THAT'S A DOUBLE WHAMMY.
I HAVE TO SAY, IN MY ENTIRE CAREER,
I'VE NEVER SEEN QUITE THAT REACTION FROM A CLIENT.
- THIS IS THE BEGINNING OF THE REST OF MY LIFE.
- SPARKLE.
- LOOK, EVERYBODY NEEDS TO SETTLE DOWN.
EVERYONE SETTLE DOWN. IT'S TIME FOR NIGHTY.
- GOOD BOY.
I'M SO GLAD TO BE HOME.
HOW'S YOUR HOUSE GOING?
- IT'S GOING WELL.
- IT IS? NACHO.
- WHY CAN'T I BRING ONE UP HERE?
- [groans] 'CAUSE--OKAY.
TRY IT. I'LL SHOW YOU WHAT'LL HAPPEN.
AND YOU'RE GONNA-- YOU'RE GONNA TAPE-ROLL IT.
- COME ON, B. OH, YES.
THIS IS WHAT IT WAS LIKE AT NIGHT
WHEN YOU WEREN'T HERE, MUM.
- OKAY, I KNOW, BUT YOU WERE--
I'M NOT THIS-- I'M NOT THIS LONELY.
- LOOK AT HIM.
- HE'S, LIKE-- HE CAN'T EVEN GET UP.
- WHAT'S WRONG WITH HIM?
THIS IS INSANE. - OH, FINE. COME ON.
JUST GET UP HERE. RELAX. COME ON.
- I'M SO HOT.
- COME ON. COME ON, BABY.
[dogs panting]
- I KNOW IT'S NOT BEEN THE MOST IDEAL CIRCUMSTANCES,
YOU MOVING BACK IN HERE, BUT WE HAVE, LIKE--
THERE ARE SO MANY GOOD MEMORIES OF THIS HOUSE.
I KNOW IT'S HARD. - I LOVE THIS HOUSE.
I JUST DIDN'T EXPECT TO BE MOVING BACK TO IT...ALONE.
- I UNDERSTAND.
DO YOU SEE--WHEN WAS THE LAST TIME YOU TALKED TO JO--
I SAW HIM DRIVING THE OTHER DAY.
- YOU DID? - I WAVED.
LIKE, I MEAN--
- NO, I WANT YOU TO BE FRIENDLY.
- I LIKE JOHN. LIKE, I MEAN--
BUT I LOVE MUMS.
I MEAN, WHO KNOWS?
MAYBE I'M GONNA FIND YOU THE GUY OF YOUR DREAMS.
- OKAY.
- MUMS DOESN'T SEEM THAT--
SHE'S NOT BANKING ON IT, I CAN TELL.
- I HAVE--TRY IT. I-IT SOUNDS FANTASTICO.
- [laughs]
- I'M NOT REALLY ONE OF THOSE WOMEN
THAT ACTUALLY HAS TO HAVE A GUY AROUND.
I HAVE TO HAVE A GUY AROUND I REALLY LIKE.
I DON'T KNOW.
- AND THERE'S JUST YOU AND I LEFT, MUMS.
[playful music]
♪ ♪
- IT'S THE DINING ROOM TABLE, FINALLY.
- WELL, IT'S ABOUT TIME.
- YOU MIGHT WANT TO MOVE, OR YOU MIGHT GET
HIT IN THE FACE WITH THE DINING ROOM TABLE.
- NO, I THINK I'M GOOD.
WE HAVE A GREAT DEAL TO DO TODAY.
WE HAVE EXACTLY THREE HOURS UNTIL HILARY COMES
AND SIGNS OFF AND WE GET TO GO HOME.
LOOK A LITTLE BIT VICENTE WOLF.
VICENTE WOLF WOULD DO THIS.
- OH, I REALLY LIKE THAT.
AND THAT ONE.
MUCH BETTER. - PROBABLY NOT THAT ONE.
- WELL, IT CAN'T BE THAT ONE,
'CAUSE THEN IT'S MATCHY MATCH.
IT'S PERFECTLY SYMMETRICAL.
- OKAY.
[indistinct conversation]
- I THINK THAT'S ALL YOU NEED, REALLY.
THE LAST FEW MINUTES BEFORE HILARY ARRIVES
IS A COMPLETE SCRAMBLE,
BUT THE LAST FEW ITEMS JUST MADE THE HOUSE POP.
THE PALETTE THAT WE CHOSE IS VERY CALM,
VERY SOOTHING, VERY LA JOLLA.
IT FINALLY LOOKS LIKE A HOME.
- HELLO? DARLINGS? BOYS?
- HELLO? - HELLO. OOH, CRACKING.
WHERE ARE YOU? - WE'RE HERE.
YOU'RE EARLY.
[upbeat music]
♪ ♪
- DARLINGS? BOYS?
- HELLO?
- GOD, YOU LOOK SO STUNNING.
HOW ARE YOU? - I'M GOOD. HOW ARE YOU?
- GOOD.
- I'M NOT NERVOUS THAT HILARY'S NOT GONNA LIKE THE HOUSE
BECAUSE I THINK THE HOUSE
HAS TURNED OUT REALLY BEAUTIFULLY.
- OKAY, HOW ABOUT WE START HERE?
I WANT TO GO AND TALK ABOUT THAT CEILING.
- LET'S GO TALK ABOUT THE UPHOLSTERED CEILING.
ISN'T IT LOVELY? - I THINK IT'S GORGEOUS.
I DON'T THINK I'VE EVER SEEN AN UPHOLSTERED CEILING.
- HILARY, OF COURSE, LOVES THE DINING ROOM.
- HOW COME ALL THE CHAIRS ARE SORT OF MIXY MATCHY?
IS THAT JUST KITSCHY AND CUTE AND SASSY?
- IT'S KIND OF A FUN, ECLECTIC, KIND OF--
- TRYING TO MIX THINGS UP A LITTLE.
- MM-HMM.
- THIS IS A FAMILY HOUSE, SO THEY WANTED FORMALITY,
BUT YET THAT VERY CASUAL WAY OF LIVING.
- MM-HMM.
- WELCOME TO THE GIRLS' ROOM. - OH. OH, COME ON.
- NOW, CAN YOU TELL
THAT I ALWAYS WANTED TO BE A LITTLE GIRL, MAYBE?
- OH, IT'S LIKE A LITTLE FAIRY LAND IN HERE.
IT'S JUST SO SWEET. IT'S SO GIRLY AND FEMININE,
YET STILL CHIC AND SOPHISTICATED.
- YEAH.
- TA-DA!
- SO I COULD LIVE HERE.
THIS-- - OH! I COULD LIVE HERE.
OH!
A LITTLE PURPLE, A LITTLE LAVENDER.
- DO YOU REMEMBER YOUR LAMPS YOU HAD TO HAVE?
- OH, WELL, YEAH, OF COURSE I DO.
- YOU HAD TO HAVE 'EM. - I DID.
- YOU GOT 'EM.
- THIS IS BEAUTIFUL AND IT'S UPHOLSTERED.
I'M HIP TO THAT NOW.
- THE CHRISTOPHER FARR FABRIC THAT I PUT IN THE NICHE,
I THINK IT'S SOFT AND SOOTHING
AND I THINK IT'S WORKING QUITE WELL WITH THE PURPLE.
I JUST LOVE THIS ROOM. IT REALLY WORKS FOR ME.
I THINK I COULD LIVE HERE.
COME IN. - I LOVE IT.
I LOVE THE PINK.
- DON'T YOU LOVE THE FAMILY ROOM?
- OH!
- IT'S COME TOGETHER, RIGHT? - OH, IT LOOKS GORGEOUS.
I LOVE THE GRAY. IT'S VERY SOOTHING IN HERE.
I THINK IT'S FABULOUS.
- I THINK IT'S A NICE ROOM.
THEY DIDN'T WANT TO USE THIS ROOM MUCH,
SO IT'S MADE FOR SIX PEOPLE.
- [exhales]
- IT'S INTERESTING, 'CAUSE IT'S NOT VERY CALIFORNIAN.
- ANY ISSUES? ANY PROBLEMS?
- NONE. - NONE?
- NO. IT'S BEAUTIFUL, YOU GUYS.
- WELL, I'M GLAD YOU LIKE IT.
- YEAH, CONGRATULATIONS, BOTH OF YOU.
- THANK YOU. - IT'S BEAUTIFUL.
- IT'S SUCH A RELIEF THAT HILARY'S HAPPY,
BECAUSE IF HILARY'S HAPPY, CAROLYN'S HAPPY,
AND THAT'S ALL I ASK FOR.
- SO, PUT YOUR FEET UP AND RELAX, YOU GUYS.
YOU'VE EARNED IT.
- THANK YOU. I'VE BEEN DYING FOR YOU TO SAY THAT ALL DAY.
- BUT NOT ON THAT, BECAUSE IT'S TOO PRETTY.
- NEXT TIME ON MILLION DOLLAR DECORATORS...
- IT'S SUPER GLAM-GLAM.
GREYSTONE IS THE MOST IMPORTANT HISTORIC HOUSE
IN LOS ANGELES.
- WHY AREN'T JEFFREY AND ROSS DOING IT?
- I THOUGHT THEY WERE DOING THINGS
WITH ALL THE TOP DESIGNERS IN TOWN.
- ARE YOU SAYING THEY'RE NOT?
- NOT ME, DARLING. NEVER.
THERE'S ALWAYS AN ELEMENT OF, SHALL I SAY, COMPETITION?
- WE'VE GOT TO REMAKE ALL THE CURTAINS.
- DARLING, TRUCK, TRUCK, TRUCK.
- TO THE LEFT. - THIS IS NOT A GOOD IDEA.
- I LIKE WHAT I'M DOING.
- I'VE AL--I'M ALREADY-- - YOU KNOW WHAT?
YOU DO YOUR THING, I'LL DO MY THING.
[bleep] IT.
WE HAVE NOTHING TO DO WITH EACH OTHER.
- FOR MORE INFORMATION ON THE DECORATORS,
GO TO BRAVOTV.COM.
- GOOD-BYE. [giggles]