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- I REMEMBER THAT DAY VERY CLEARLY.
I WAS SITTING RIGHT WHERE YOU ARE SITTING TODAY.
I WAS READY TO KNOCK DOWN THE DOOR,
TO KICK SOME RIGHTEOUS ***.
[laughter]
JUST LIKE YOU.
I JUST KNEW I WAS THE SMARTEST, THE FASTEST,
THE BEST THIS INSTITUTION HAD TO OFFER.
AND THEN...
AND THEN I STEPPED INTO THE REAL WORLD.
[soul music]
♪ ♪
WE ARE HERE TODAY TO HONOR THE 50 NEWEST AGENTS
OF THE FEDERAL BUREAU OF INVESTIGATION.
I'M TALKING TO YOU, LADIES AND GENTLEMEN,
BECAUSE INSIDE THESE WALLS,
YOU ALL ARE THE BEST OF THE BEST.
BUT I JUST WANT TO TAKE JUST A MOMENT
TO THINK ABOUT WHAT'S GOING TO HAPPEN OUTSIDE THESE WALLS.
YOU ALL ARE WALKING OFF ONE BATTLEFIELD IN HERE
AND ONTO ANOTHER BATTLEFIELD OUT THERE.
THE DIFFERENCE BEING, THE BATTLEFIELD OUT THERE
IS REAL, AND THE DANGERS ARE REAL.
[soul music continues]
[music stops]
- ¿COMO ESTAN, AMIGOS?
- [speaking Spanish]
- [speaking Spanish] AH, SPUTNIK.
- EVERYTHING YOU'VE ACQUIRED OF VALUE
IN YOUR SHORT TIME ON THIS EARTH,
EVERYTHING YOU ARE WORTH IS LOCKED INSIDE OF YOU,
AND THAT MEANS, AT THIS MOMENT, YOU FIND YOURSELF
IN THE UNIQUE POSITION YOU MAY NEVER BE IN AGAIN:
YOU HAVE NOTHING TO LOSE.
- LET'S COOK IT UP!
- I'LL LEAVE YOU WITH THIS:
WHATEVER YOU THINK SUCCESS MEANS,
I HOPE YOU'LL STAY OPEN TO THE POSSIBILITY
THAT YOU'VE GOT IT ALL WRONG...
THAT YOU HAVE ABSOLUTELY NO IDEA
WHAT LIFE HAS GOT IN STORE FOR YOU.
YOU WILL MAKE MISTAKES. YOU ARE NOT PERFECT.
- ESTA LA BUENA.
- YOU WILL FAIL.
AND WHEN THE DAY COMES AND YOU FIGURE IT OUT,
I HOPE YOU'LL HAVE THE BRAINS, THE GUTS,
AND THE STRAIGHT UP GOOD LUCK TO SURVIVE IT.
- NYET!
[overlapping yelling]
- [coughs]
[men yelling]
[tires screeching]
- CONGRATULATIONS.
YOU ARE NOW AGENTS
OF THE FEDERAL BUREAU OF INVESTIGATION.
[cheers and applause]
DO ME PROUD.
[cheers and applause, chatter]
[cheers and applause]
[knocking] - HEY, YO, BRIGGS!
HEY.
COME ON, TIME TO GET UP, MAN. WE GOT 5' SETS COMIN' IN.
- GET OUT, JOHNNY. I HAVE A GUN.
- [scoffs] YEAH? SO DO I. COME ON, LET'S GO.
COME ON, MAN. NOW, IS THAT COOL?
YOU TOLD ME NO MATTER WHAT YOU SAID
OR HOW UGLY YOU GOT NOT TO LET YOU SLEEP IN, RIGHT?
- I'D BEEN AWAKE 32 HOURS WHEN I SAID THAT.
- SO WHAT? NO, IF I LET YOU NOD OFF,
YOU'RE JUST GONNA YELL AT ME 'CAUSE I DIDN'T DO
WHAT YOU SAID. LET'S GO. [knocking]
DANG IT, MAN.
[knocking at door]
- NO.
- GOD, I'M SORRY, PAUL. WERE YOU SLEEPING?
SHOULD I COME BACK LATER? - [sighs]
YOU KNOW, BOSS, THAT WOULD BE SWELL.
NO. NO, NO.
- IT'S TIME TO RISE AND SHINE.
LAUREN! TUTURRO!
- WHAT A ***.
- WHAT? - YO.
- NEED YOU TO GET DONNIE'S STUFF OUT OF HIS ROOM.
- DONNIE'S NOT DEAD. - FOR WHAT?
- I DIDN'T SAY HE WAS DEAD. I SAID HIS STUFF WAS IN THE WAY.
WE GOT A NEW AGENT COMING IN.
YOU GOT TWO HOURS. - WHAT?
- HELL, NO. THAT'S DONNIE'S ROOM.
- YOU'RE NOT REPLACING DONNIE, AND I'M GOING BACK TO BED,
SO YOU GUYS-- - NO, YOU'RE NOT.
HE'S YOUR NEW TRAINEE. NAME'S MIKE WARREN.
GRADUATED TOP OF HIS CLASS AT QUANTICO.
- SO DID BRIGGS, AND HE CAN'T EVEN MATCH HIS SOCKS.
- THESE AREN'T MY SOCKS.
1700 ON HIS PRACTICALS?
- YEAH, YOUR RECORD STILL STANDS.
LAUREN, WHERE ARE YOU GOING?
- DON'T WORRY ABOUT IT. - WHAT, HE'S GOT A 1700?
IS HE, LIKE, A SAVANT, OR SOMETHING?
- UH, BOSS, DOES ANYBODY HAPPEN TO NOTICE
THE KID DOESN'T SPEAK SPANISH? - YEAH.
THEY'RE PUTTING HIM THROUGH LINGUISTICS TRAINING NOW.
LAUREN!
- [speaking Spanish]
- HE RUNS A 440 MILE. I WAS DOING THAT IN THE FIFTH GRADE.
- YEAH, BUT YOU'RE A STUD, JOHNNY.
- TRUE. - HIS PLANE LANDS AT 0800.
BRIGGS, BE THERE TO PICK HIM UP.
- OKAY.
- 0800. - YES, SIR.
- JOHNNY, NEED YOU TO GO TO THE AIRPORT.
- NAH, MAN, NO. IT'S MY DAY OFF.
I DON'T WANT TO SPEND ALL MORNING IN SOME TERMINAL.
AND THERE'S NO PICTURE, SO I'M-- - YEAH, WELL, YOU KNOW,
MAKE A SIGN OR SOMETHING.
- HE'S AN UNDERCOVER. YOU CAN'T MAKE A SIGN.
CAN I?
- I'M GOING SURFING.
- HOW AM I SUPPOSED TO FIND THIS GUY?
- I DON'T KNOW. BE A PROBLEM-SOLVER, JOHNNY.
BE MEXCELLENT. - [chuckles]
- AND SCRAMBLE ME SOME EGGS, ¿POR FAVOR?
- WHAT A ***.
- "LA COMIDA ESTA MUY BUENA."
- OH, [speaking Spanish]
- OH. [laughs] I'M SORRY. I DON'T SPEAK SPANISH.
- OH. YOU SAID YOU LIKE THE FOOD.
- YEAH, IT'S--
- AH, YOU'RE LEARNING ESPANOL.
- SI. [both laugh]
IT'S A JOB REQUIREMENT. I THOUGHT I WAS GOING TO D.C.,
AND THEN, LAST MINUTE, I'M-- WELL, I'M HEADED TO CALIFORNIA.
- OH, WHAT DO YOU DO?
- I'M A TEACHER.
- REALLY? - YEAH.
- SO'S MY BROTHER. - YEAH?
- WHAT SCHOOL? - IT'S--IT'S A NEW ONE.
- OH. - YEAH, IT'S BRAND-NEW.
IT--IT DOESN'T HAVE A NAME YET. - OH.
- YEAH. - EXCUSE ME, SIR?
ARE YOU SPECIAL AGENT MIKE WARREN WITH THE FBI?
- YEAH.
- THIS MESSAGE WAS PATCHED TO YOU
THROUGH THE COCKPIT PHONE:
"AGENT WARREN, WAIT UNDER THE BAGGAGE CLAIM SIGN
"IN TERMINAL 'C' FOR YOUR FIELD TRAINING AGENT TO ARRIVE.
DO NOT LEAVE THE BAGGAGE AREA UNDER ANY CIRCUMSTANCES."
- THANK YOU.
- UH--
- MANOS ARRIBA.
- [chuckles] EXCUSE ME?
- IT MEANS, "HANDS UP."
IT'S PROBABLY NOT ON YOUR LESSONS.
- PASSENGERS ARRIVING ON FLIGHT 26 FROM DULLES, VIRGINIA,
YOUR LUGGAGE WILL BE AVAILABLE ON BAGGAGE CLAIM C.
- EXCUSE ME.
[folksy tune]
♪ ♪
- THIS IS THE FINAL BOARDING CALL FOR ALL PASSENGERS
ON FLIGHT NUMBER 122.
♪ ♪
[P.A. in background]
♪ ♪
- [chuckles]
MIKE WARREN, RIGHT?
- YEAH.
- YOU WANNA KNOW HOW I KNEW THAT?
- UH, 'CAUSE I WAS TOLD TO WAIT UNDERNEATH THIS SIGN AND I AM?
- NO, BECAUSE ONLY A GUY WHO GOT A 1700 ON HIS PRACTICALS
AND WAS TOLD TO WAIT UNDER A SIGN
IS STILL GONNA BE WAITING THERE TWO HOURS LATER.
- WHERE'S AGENT BRIGGS?
- WHO SAYS I AIN'T BRIGGS?
- WELL, YOU JUST SAID "1700" LIKE YOU WERE IMPRESSED.
PAUL BRIGGS GOT A HIGHER SCORE THAN I DID,
SO FROM THAT, I WOULD CONCLUDE THAT...YOU DIDN'T.
[both laugh]
- I'M TUTURRO. EVERYBODY CALLS ME JOHNNY.
DUDE, WHAT'S WITH THE HAND THING?
- OH, IT IMPROVES GUN CONTROL.
- OKAY, YEAH.
[Spanish pop music]
♪ ♪
[snippets of Spanish radio]
- HEY, WHAT ARE YOU LISTENING TO?
- OH, IT'S SPANISH, FOR THE LANGUAGE REQUIREMENT.
- [chuckles] IT'S A ***, RIGHT? HOW YOU GETTING IT?
- [speaking Spanish]
- [chuckles] THAT'S GOOD.
DUDE, THIS PLACE IS A MELTING POT.
HEY, LADIES.
[speaking Korean]
[both laugh] - NO? NO?
[laughs] - WHAT DID YOU SAY TO THEM?
- I SAID, NO MATTER WHAT THEY SAY,
I'M GONNA HOLD IT AGAINST THEM. [both laugh]
BUT YOU SURF? - NO.
- YOU GOT SHORTS? - NO.
- FLIPS? - NO. WHAT?
- SUNSCREEN? - NO.
- GOD, YOUR WHITE *** IS GONNA BURN.
ALL RIGHT, YOU GOTTA GO SHOPPING, OKAY?
- OKAY. - ALL RIGHT.
- MIKE? MIKE!
- DO THE PEOPLE AROUND HERE KNOW?
- WHAT, THAT WE'RE FEDS? - YEAH.
- NO. NO, WE TELL 'EM DIFFERENT THINGS.
BRIGGS TELLS PEOPLE HE'S A TAE BO INSTRUCTOR.
CHARLIE SAYS SHE'S A TRUST FUND KID.
YO, ONE CHICK I'M DATING THINKS I'M A LEAR JET PILOT.
- SHE BELIEVES THAT? - YEAH, SHE--
DUDE, YOU SEE THIS? LEAR JET KEY.
- LOOKS LIKE A BIKE LOCK.
- YOU ARE SMARTER THAN THE CHICK I'M DATING.
[both laugh] - TELL ME ABOUT BRIGGS.
- HE'S THE BEST AGENT I EVER SEEN.
- THAT'S WHAT I HEAR, MAN.
THIS IS IT. NOT BAD, HUH? - [chuckles]
HEY, WHY DO THEY CALL IT "GRACELAND"?
- WHEN THEY SEIZED IT FROM THIS DRUG LORD,
HE WAS APPARENTLY SOME HARD-CORE ELVIS FAN,
AND WHEN THEY TURNED IT INTO A FLOP HOUSE FOR US,
THE NAME JUST KINDA STUCK.
HEY, BE GLAD YOU'RE NOT MOVING IN A LOT OF STUFF, BRO.
[chuckles]
ALL RIGHT, SO YOU, ME, BRIGGS, AND CHARLIE ARE FBI.
LAUREN AND DONNIE ARE DEA. SO IS PAIGE,
BUT SHE'S ON A CASE FOR A COUPLE DAYS.
OH, AND JAKES. JAKES IS CUSTOMS.
- IT WORKS, HAVING THREE AGENCIES IN ONE HOUSE?
- WE ALL START TO BLEND TOGETHER AFTER A WHILE.
OH, IF YOU HAVE CIVILIANS OVER, THEY STAY DOWN HERE, OKAY?
NOBODY'S ALLOWED PAST THOSE STAIRS WITHOUT A BADGE.
SO NO LOCAL GIRLS UPSTAIRS. I KNOW--I KNOW IT SUCKS.
YO, YOU KNOW WHAT THIS IS?
- LOOKS LIKE A CHORE WHEEL.
- YOU ARE SMART. WE ALL TAKE TURNS CLEANING.
DISHES, TOILETS, ALL THAT.
FOR NOW, WHEREVER IT SAYS "DONNIE,"
YOU WRITE IN YOUR NAME.
- DONNIE'S THE DEA GUY WHO-- - GOT SHOT?
- YEAH. - YEAH.
- IS HE ALL RIGHT?
- HE'S ALIVE.
THAT'S ABOUT ALL WE KNOW RIGHT NOW.
THEY GOT HIM LOCKED AWAY IN SOME SAFE HOUSE, SO--
BUT GOOD NEWS IS HE DOESN'T HAVE TO CLEAN THE BATHROOMS TOMORROW.
SO MOP'S IN THE HALL CLOSET, BROTHER.
COME ON, MIKEY.
[phone ringing] OKAY, DUDE. THIS?
THIS IS THE PHONE ROOM.
THIS IS WHERE YOU'LL MAKE ALL YOUR UC CALLS.
DO NOT-- - OUT!
[phone ringing]
[Russian accent] HELLO? - THAT'S LAUREN.
DONNIE WAS HER PARTNER.
- THAT SUCKS.
- [speaking Russian]
- DONNIE WAS UNDER THE GALLARDO CARTEL
OUT OF TIJUANA.
HE WAS DOING A NEEDLE DROP.
- WHAT'S THAT?
- WELL, THEY EXPECT HIM TO TEST THE QUALITY OF THE ***
BY SHOOTING UP. - RIGHT.
- SO HE PRETENDS TO INJECT HIMSELF.
BUT WHAT HE'S REALLY DOING IS STICKING THE NEEDLE
IN A LITTLE RUBBER BALL HE'S GOT TUCKED INTO HIS ARM.
BALL POPPED OUT, THEY SHOT HIM.
- DAMN. - YEAH. BE THAT WAY SOMETIMES.
HEY, BRIGGS! I GOT YOUR NEW GUY OUT HERE.
[*** on door]
YEAH, UM...
YOU'LL MEET HIM LATER. LET'S CHECK OUT YOUR ROOM.
PRETTY DOPE, RIGHT? - YEAH.
- YEAH.
- HEY. MIKE WARREN. NEW GUY.
- THIS IS MY PARTNER'S ROOM.
DON'T TOUCH ANYTHING. DON'T GET COMFORTABLE.
- OKAY.
YOU PLAY TENNIS. - [*** gun]
YES.
- YO, DON'T WORRY ABOUT HER. FOR REAL.
BUT MAYBE DON'T MOVE A LOT OF DONNIE'S STUFF AT FIRST.
YO, FIND ME LATER. WE'LL GRAB SOMETHING TO EAT.
- THANKS, JOHNNY.
[bird cawing]
- NO, NO, MAN. IT'S A GOLDEN CONURE.
- I KNOW THAT.
- EVERY WHITE COUPLE IN THE VALLEY, MAN,
THEY PAY YOU 2,000!
- ALL RIGHT, I'MA GIVE YOU 200 FOR THEM, FINAL PRICE.
- NO, MAN. WE COOL, MAN, YEAH?
250. - ALL RIGHT, YOU HAVE A DEAL.
BUT ALL OF THE BIRDS, THEY BETTER TALK.
AND THAT'S THAT. - JUST LIKE MY WIFE.
- SO SHE TALK AND TALK. - AND TALK AND TALK.
- YOUR WIFE CAN'T SHUT UP. - NO, SHE CAN'T.
YOU KNOW THIS, MAN. I HAVE TO LIVE WITH HER.
- YOU KNOW HER. - OKAY?
- RESPECT. - RESPECT, YES.
GONNA GET A NEW HOME, HUH?
YOU TOO. I DON'T LIKE YOU.
- HOW YOU DOING, SWEETHEART? - HI.
- FEEL FREE TO GRAB SOME MORE JUICE, DUDE.
- THANKS. - TAKE ALL YOU WANT, IT'S YOURS.
- WHAT'S ALL THIS?
- YO, JAKES.
MIKE WARREN, BUREAU. HE'S TAKING DONNIE'S ROOM.
- YOU WORK CUSTOMS.
YOU WORK CUSTOMS.
JOHNNY TOLD ME THAT YOU WERE WORKING ON
A BIRD SMUGGLING OPERATION.
I DIDN'T REALIZE THAT WAS SUCH A PROBLEM
HERE ON THE WEST COAST. - IT IS.
HALF A MILLION BIRDS A YEAR. - WOW!
- YEAH, YOU ALSO GOTTA WATCH OUT FOR THE BIRD FLU, RIGHT, JAKES?
- YEAH, A VIRUS CAN TAKE DOWN A WHOLE CITY.
THAT'S MY JUICE, MAN.
- EXCUSE ME?
- DO YOU SEE A "D" AND "J" ON IT?
- OH.
D.J. I THOUGHT IT WAS AN "O."
I THOUGHT SOMEONE LABELED IT O.J.
- O.J. - YEAH.
- THE GUY WHO KILLED THE WHITE WOMAN.
- NO, I DIDN'T-- - DALE JAKES.
D.J. JUST LIKE THIS D.J.
YOU CHECK THE MILK, GUESS WHAT YOU GONNA FIND.
- D.J.?
- YEP, JUST LIKE EVERYTHING ELSE ON THAT TOP SHELF.
- SORRY.
- DO I LOOK LIKE YOUR FRAT BUDDY?
- NOPE. - AM I ONE OF YOUR COLLEGE PALS?
- IT WON'T HAPPEN AGAIN.
- IT LOOKED LIKE AN "O" TO ME, MAN.
I DON'T KNOW WHY HE'S MESSING WITH...[mutters].
- YOUR NEW BOY ATE MY CEREAL.
- MM.
WHAT'S UP? - WHAT'S UP, MAN?
- YOU MUST BE WARREN.
- YES, SIR.
YOU'RE AGENT BRIGGS. - MM-HMM.
- HA HA!
I'M HONORED TO BE TRAINING WITH YOU, SIR.
- EXCELLENT.
- OH, I'M READY TO BEGIN. - NOW?
- OH, YES, SIR.
- GOOD ATTITUDE, WARREN.
UM, YOU FAMILIAR WITH THE CHORE WHEEL?
- YES, SIR. - OKAY.
TO GET YOU STARTED, WHEREVER IT SAYS "BRIGGS"
I WANT YOU TO SUBSTITUTE MIKE.
IT'LL HELP YOU WITH THE WHOLE
UNDERCOVER NAME ASSOCIATION THING.
SO TONIGHT, WHERE IT SAYS "DISHES, BRIGGS"
I WANT YOU TO THINK... both: "DISHES, MIKE."
- 1700 ON YOUR PRACTICALS. - YEAH.
- THINK OF IT AS A WHOLE WAX ON, WAX OFF SORT OF THING.
NOW IF YOU GENTLEMEN WILL EXCUSE ME,
I'M OFF IN PURSUIT OF THE PERFECT BOTTLE OF RUM.
BINGO.
- THAT'S PAUL BRIGGS?
- THAT'S BRIGGS.
[man coughing]
[baby crying]
- YO! - WHAT?
- GET UP!
YOU WANNA WATCH HIM? - MM-MM.
- HE'S YOUR KID. - I'LL WATCH HIM.
- YOU WANT SOME? - NAH. GOTTA MAKE RENT, MAN.
[baby crying]
- FBI. I WANNA SEE YOUR HANDS.
- YOU THE NEW GUY? - WHAT?
- NO GUNS DOWNSTAIRS.
I'M TAKING BACK MY 20.
- THERE'S NO GUNS DOWNSTAIRS.
- WHO'S THAT? - THAT'S CHARLIE.
SOME DAMN GOOD GUN CONTROL YOU GOT THERE, BRO.
- DID I SCARE YOU?
- NO. WHY? DID I SCARE YOU?
- NO.
WHERE'S YOUR STUFF?
- LAUREN SUGGESTED I DON'T UNPACK, SO...
- I SEE.
- YOU KNOW, I DIDN'T EVEN GET A KEY.
- WELL...
DONNIE KEEPS A SPARE.
- THANK YOU.
- HEY, UH, TELL LAUREN ABOUT THAT...
I WILL SHOOT YOU. - YES, MA'AM.
- BYE. - BYE.
[phone ringing]
- [sighs, groans]
WHO'S THIS? - WHO DO YOU THINK IT IS?
- HEY, DARLING. THEY TOOK ALL MY CELLS.
I DON'T HAVE ANY CALLER I.D.
- THEY GOT YOU BACK IN THE STONE AGE.
HOW'S THE NEW PLACE?
- IT'S A SAFE HOUSE.
IT'S SAFE, BORING AS HELL.
GOT A GUN AND A BADGE AND NO PLACE TO GO.
NURSE ONCE A DAY FOR THE GUNSHOTS.
- SHE HOT? - YEAH, TALL AND NORDIC.
DO AN HOUR OF PT A DAY, THEN BACK TO BEING BORED.
THE RUSSIANS STILL WANT ME DEAD?
- UH, THEY'RE ON RADIO SILENCE, BUT YOU GOTTA FIGURE.
MEXICANS WANT YOU DEAD TOO.
- YEAH.
SO YOU GIVE AWAY MY ROOM YET?
- IT'S NOT A DONE DEAL.
- WHAT!
THEY GAVE AWAY MY ROOM?
- OKAY, THERE'S THIS NEW BUREAU GUY IN, BUT--
- MAN, THAT'S COLD. [scoffs]
NOT LIKE I'M DEAD.
- I TOLD HIM NOT TO TOUCH YOUR STUFF.
IT'S NOT GRACELAND WITHOUT YOU.
GET STRONG. - YEAH.
I NEVER LET THAT DAMN BALL DROP, LAUREN, YOU KNOW?
- I KNOW.
- HEY, WARREN! GET UP.
[off-notes twang]
- [sighs]
- YO, BRIGGS!
YOU WERE SUPPOSED TO WAKE ME UP, SUCKA!
[cackling]
[pop music]
♪ ♪
- ALL RIGHT, MIKEY.
IT'S A SOUTH SWELL WITH A 5-FOOT FACE.
IT BREAKS LEFT, SO STEER CLEAR OF THE PIER
OR YOU'RE GONNA GET SLAMMED.
- RIGHT, SOUTH SWELL, DON'T GET SLAMMED ON THE PIER.
UH, WHY IS IT IMPORTANT WE DO THIS?
- BECAUSE WHEN YOU CATCH THAT RIDE,
BETTER THAN SEX. TRUE.
[laughing]
- THIS IS ABOUT LEARNING HOW TO CONTROL YOUR ENERGY, OKAY?
UNDERSTANDING YOUR BODY'S CONNECTION
TO THE THINGS AROUND IT. - BETTER THAN SEX?
- NOT IN MY WORLD. - SOMETIMES.
[laughing]
- ALL RIGHT. LET'*** IT, POSEIDON.
[pop music]
♪ ♪
- ANY ADVICE? - YEAH, WHEN YOU FEEL
THAT SWELL COMING UP UNDER YOU,
GET ON THAT BOARD AND SURF.
[laughing, murmurs]
♪ ♪
- HA. COME ON, BOY.
COME ON, BOY, DROP IT.
HEY, I JUST-- I JUST BOUGHT THAT.
HEY. [dog growls]
I'M NOT IN THE MOOD FOR--
MOOD FOR THIS.
OH!
- ENJOYING YOURSELF?
- NO, I'M NOT.
[sighs] LOOK AT HIM.
YOU KNOW, AT QUANTICO, THEY TALK ABOUT HIM
LIKE HE'S SOME SORT OF GOD.
I MEAN, A GA AWARD AND A DIRECTOR'S AWARD
BEFORE HE'S 30?
I MEAN, HE HAD MORE STATS IN HIS FIRST YEAR
THAN HIS WHOLE SQUAD COMBINED.
- SO YOU WERE EXPECTING SOMEBODY A LITTLE MORE BUTTON-DOWN,
SUIT AND TIE-ISH?
- YEAH, SOMETHING LIKE THAT.
- HE WAS LIKE THAT ONCE.
YEAH. - [scoffs]
- A FEW YEARS AGO, SOMETHING WENT DOWN.
HE TOOK A LEAVE OF ABSENCE,
CAME BACK ALL ZENNED OUT LIKE THAT.
- YOU DON'T KNOW WHAT HAPPENED? - NOPE.
HE NEVER TALKS ABOUT IT. - YOU'RE NOT CURIOUS?
- MAYBE HE'S JUST CRAZY.
- TOTALMENTE LOCO, SI.
- OH, YOUR SPANISH IS COMING ALONG.
- AH, YOU LIKE THAT? - IT'S ALL RIGHT.
THE HOUSE IS A TIGHT FIT.
YOU'RE GONNA FIND OUT REAL FAST
THERE ARE NO SECRETS AT GRACELAND.
- EXCEPT FOR BRIGGS. - YEAH, EXCEPT FOR BRIGGS.
- THAT WAVE'S ABOUT TO GET ITS *** KICKED.
- KILL IT, MIKE.
[mellow pop music]
♪ ♪
- YOU ALMOST GOT UP. THAT'S A HELL OF A START.
- I'VE NEVER FELT ANYTHING LIKE THAT BEFORE.
I COULD LITERALLY FEEL THE WAVE RIGHT THROUGH MY BOARD.
- BRIGGS! - YO.
- YOU GOT A MESSAGE FROM A GUY NAMED FELIX ARROYO.
- YOU CHECKING MY MESSAGES NOW?
- HE WANTS TO MAKE A BUY THIS MORNING.
- YEAH, UH, HE'S OFF OUR ACTIVE LIST, LAUREN.
SERIOUSLY, ARE YOU CHECKING MY MESSAGES NOW?
- I KNOW HIS 202. HE WORKS FOR VZAKONYE.
- WORKS FOR--HE PROBABLY DOES THEIR GARDENING, BRO.
- HE WORKS FOR VZAKONYE.
- HE WAS A LOW-LEVEL DEALER, LAUREN.
WE TAPPED HIM, HE DROPPED A FEW RUSSIAN NAMES.
THAT'S IT. YOU KNOW THAT.
- COME ON, BRIGGS. THEY SHOT DONNIE.
- FELIX DIDN'T.
- ANYTHING I CAN GET ON THESE GUYS...
- [sighs]
- GO LIKE THIS. - YEAH, YEAH.
THAT'S MORE LIKE IT.
- YOU'RE LUCKY YOU HAVE THOSE EYES.
MIKE. - YEAH?
- HOW'D YOU LIKE TO DO A REVERSE THIS MORNING?
- DO WHAT?
- HE WANTS TO BUY 8 YARDS OF INDOOR.
- INDOOR. WHAT'S INDOOR?
- UH, "INDOOR CARPET" IS FELIX'S CODE WORD FOR ***.
YARD'S A KEY. - CALL IN TO OPS?
- NO, NO, JOHNNY.
IT'S BETTER TO BEG FORGIVENESS THAN TO ASK PERMISSION.
YOU KNOW THAT. - [laughs]
[phone ringing]
- YO! - FELIX, IT'S PAUL.
GOT YOUR MESSAGE, MAN. WHAT'S UP?
- HEY, PAUL. ¿QUE PASA?
- NADA MUCHO. ¿QUE TAL?
- THOUGHT HE WAS RUSSIAN.
- NO, HE'S MEXICAN. HE JUST WORKS FOR THEM.
HIS WIFE'S RUSSIAN.
DUDE, I TOLD YOU. MELTING POT, RIGHT?
- CAN YOU--CAN YOU HOOK ME UP WITH 8 YARDS OF THE INDOOR?
20 A YARD? - NO CAN DO, COMPADRE.
- COME ON, MAN.
YOU SAID YOU COULD HOOK ME UP ANYTIME I NEEDED IT.
I GOT PEOPLE COUNTING ON ME.
- MAN.
YEAH. YEAH, I GOT SOMEBODY WHO CAN BRING IT BY.
- YOUR AMIGO IS MI AMIGO. - ALL RIGHT.
YOUR CASA, TWO HOURS. - ORALE!
I'LL SEE HIM THEN.
- SURF'S UP.
- WHERE WE SETTING UP?
- THE TECHS FOUND US THIS VACANT
A BLOCK AWAY FROM FELIX'S.
- COOL. - YEAH, SHOULD BE GOOD.
- ALL RIGHT, AGENT WARREN. - YEAH?
- THIS IS GONNA BE A SIMPLE REVERSE, OKAY?
YOU'RE GONNA WALK IN, YOU'RE GONNA MAKE THE DEAL,
YOU'RE GONNA GIVE US THE BUST SIGNAL.
- OKAY, WHAT'S MY NAME?
- UH, YOUR NAME IS MIKE. - YEAH?
- GO WITH MIKE.
[laughter] - RIGHT.
A LAST NAME?
- DON'T GIVE HIM A LAST NAME, MIKE.
- "NO...LAST..."
- HEY, WHY-WHY-- WHY DID YOU DO THAT?
- BECAUSE YOU CAN'T TAKE A CRIB SHEET WITH YOU, OKAY?
LOOK, JUST KEEP IT SIMPLE.
SEE, BAD GUYS DON'T TEND TO ASK A LOTTA QUESTIONS
BECAUSE THEY DON'T WANT YOU ASKING A LOTTA QUESTIONS.
YOU FEEL ME?
- HOW DO YOU AND I KNOW EACH OTHER IF HE ASKS?
- IF HE ASKS, JUST SAY "AROUND."
- WE CAN MAKE IT A LITTLE INTERESTING.
PUT HIM IN THE MOVIE. - NO, MAN!
- WHY NOT?
- THAT CONTRADICTS EVERYTHING I JUST SAID, JOHN.
- SO WHAT? - UM, WHAT MOVIE?
- IT'S NOTHING. - I'LL TELL IT!
- NO.
[scoffs] ALL RIGHT, LOOK.
THE COLIMA, RIGHT-- THESE GUYS ARE HARD-CORE.
TYPE OF DUDES THAT'LL SHOOT YOU
JUST TO MAKE SURE THAT THE GUN WORKS.
- YEAH.
- IN THE MIDDLE OF THIS STING, I GET SOME STUPID AWARD.
- DUDE, TOP SEIZURE AGENT OF THE YEAR AWARD.
- CNN, IN THEIR INFINITE WISDOM,
THEY SEND A CAMERA CREW.
SO FOR ABOUT A WEEK,
I'VE GOT MY FACE PLASTERED ALL OVER THE TV.
- NOT GOOD. - NOT GOOD AT ALL.
NOW, WE'RE MEETING WITH SOME OF THE TOP GUYS IN THE FAMILY.
THIS RIGHT HERE, MY FRIENDS, IS THE BEST BOOGER SUGAR IN CALI.
FIND NONE BETTER.
- [speaking Spanish]
- I KNOW YOU.
- YEAH. YEAH, WE BOTH KNOW RICHIE.
TALL GUY, COCKEYED.
THEY KNOW THEY'VE SEEN MY FACE, BUT THEY CAN'T PLACE IT.
NOW THEY'RE GETTING SPOOKED.
- THE TV.
- TELL 'EM WHAT YOU SAID, BRIGGS.
JUST TELL 'EM.
- HMM?
- [sigh] YEAH.
YEAH, IT'S TRUE. YOU GOT ME.
I DON'T BRAG ABOUT IT, BUT I'M AN ACTOR.
SOMETIMES I PLAY A COP IN THE MOVIES.
- THEY BELIEVED THAT? - HELL, NO! NO.
- SO NOW WE GOT GUN BARRELS JAMMED UNDER OUR CHINS, RIGHT?
AND I JUST START TALKING OUT OF MY ***.
I'M SURE YOU'VE SEEN THE TRAILER.
IT'S A MOVIE ABOUT COPS WHO ARE UNDERCOVER AS HOOKERS.
- BULLSH--.
- NO, NO, NO. HEY, STRAIGHT UP, MAN.
THE DUDE IS FAMOUS.
- LOOK, YOU KNOW,
I PLAY A COP WHO GOES UNDER AS A MALE *** NAMED SHASTA.
- A ***?
- YEAH, YEAH, AND HOW THE WOMAN I MARRY
TURNS OUT THAT HER SISTER IS A REAL ***.
- YOUR WIFE'S SISTER IS A ***.
- YEAH. NEVER SAID IT WAS GOOD MOVIE.
YOU KNOW, HER *** CALLS HER--
CALLS HER LOWRIDER BECAUSE, YOU KNOW,
YOU PULL THE STRINGS ON HER ***,
HER *** STARTS LIKE BOUNCING UP AND DOWN
LIKE IT'S ON HYDRAULICS, YOU KNOW?
THE MOVIE ENDS WITH NINE HOOKERS
HAULING *** DOWN SUNSET BOULEVARD
IN FULL HEELS.
YOU KNOW, IT'S CALLED SUNSET BUST.
- SO BRIGGS DID THE CRAZIEST THING.
THEY'RE NOT BUYING ANY OF THIS, DUDE.
LIKE NONE OF IT. TELL HIM WHAT YOU DID.
- MAY I SHOW YOU SOMETHING?
- [speaking Spanish]
- EASY.
WELL, BASICALLY, I KNOW WE'RE SCREWED IF THEY SEARCH US,
SO I PULL OUT MY BADGE AND TOSS IT ON THE BED.
PROP FROM THE MOVIE.
- [laughing] - AND?
- AND THEY'RE LOOKING AT IT, YOU KNOW, REAL CLOSE.
- RIGHT.
- [laughing]
[speaking Spanish] [laughter]
IT LOOKS LIKE SOMETHING THAT CAME OUT OF CRACKER JACKS BOX.
- YEAH!
- IT'S A LOW-BUDGET FILM. - YEAH, RIGHT.
- TO THIS DAY,
ONE OF THOSE GUYS STILL HAS AN AUTOGRAPHED PICTURE OF BRIGGS
HANGING IN HIS CELL. [laughing]
- WAIT, WAIT, WAIT. THEY WENT THROUGH WITH THE BUY?
- YEAH, THEY MADE THE BUY. - WE NAILED 'EM ALL.
- HEY, GUYS. I GOTTA BE IN THIS MOVIE.
- YOU SURE YOU'RE READY, SON? - COME ON, MAN.
- YEAH.
OKAY.
IF FELIX ASKS, YOU TELL HIM THAT, UH,
YOU PLAY MY BROTHER-IN-LAW.
BUT IT AIN'T GONNA MATTER, 'CAUSE HE AIN'T GONNA ASK.
- WAIT, WAIT, WAIT, WAIT.
SO I'M MARRIED TO THE ***?
- HA! YES!
YES, YOU'RE MARRIED TO, UH...
- LOWRIDER. - TO LOWRIDER.
- HYDRAULICS. - [laughing]
- HA. I HOPE HE DOES ASK NOW. - YEAH, ME TOO.
- ALL RIGHT, ESCOBAR. I NEED YOU TO PUT THIS ON.
- IS THIS PLUGGED IN? - TRANSMITS EVERYTHING TO US.
- OOH! NO WIRES? - NOT SINCE THE WIRE.
- OKAY, GIMME A LEVEL.
- [heightened] IT'S A PLEASURE DOING BUSINESS WITH YOU.
- WE'RE NOT TRYING TO PLAY TO THE BALCONY.
JUST TALK NORMAL.
- [relaxed] PLEASURE DOING BUSINESS WITH YOU.
- I ASSUME THAT'S OUR BUST LINE. - YEAH.
- START HIRING WRITERS.
- SO I'M IN THE MIDDLE OF BREAKFAST THIS MORNING,
AND I GET A CALL FROM FBI OPS
ASKING WHY THEY HAVEN'T BEEN INFORMED
THAT WE'RE RUNNING A REVERSE ON A VZAKONYE DEALER.
IMAGINE MY SURPRISE
SINCE I DIDN'T KNOW WE HAD A VZAKONYE DEALER.
- WE DON'T. PULLED HIM OFF THE LIST A MONTH AGO.
- AND WE'RE DOING THIS WHY? - THAT WOULD BE LAUREN'S IDEA.
- [scoffs]
MIKE WARREN, GERRY SILVO. I'M YOUR GS.
- OH, IT'S A PLEASURE, SIR.
- LET ME KNOW HOW LONG THAT LASTS.
IT'S ALMOST NOON.
BRIGGS TAUGHT YOU EVERYTHING HE KNOWS YET?
- YES, SIR. WAX ON, WAX OFF.
- I ASSUME THAT'S AN IN-JOKE. I DON'T LIKE IN-JOKES.
- UNDERSTOOD, SIR. - FELIX ARROYO.
HE'S GOT A FAMILY, SO HE'S NOT LIKELY TO RIP YOU.
HE'S GOT HIS WIFE AND KIDS IN THERE.
HE'S NOT GONNA START SHOOTING.
THIS SHOULD BE EASY. - YEAH, IT SHOULD BE.
MIKE, NOW REMEMBER, WE'RE GONNA BE ARRESTING YOU TOO, OKAY?
SO MAKE IT LOOK GOOD IN CASE HIS BUDDIES ARE WATCHING.
- ARE YOU NERVOUS? - YES, SIR.
- THAT'S GOOD.
LET'S DO THIS RIGHT.
- DON'T GET SHOT, MIKEY. KISS FOR GOOD LUCK?
- NO.
HEY, BUDDY.
IS FELIX HERE?
- DAD!
[dog barks in distance]
- HMM. - HEY.
PAUL'S FRIEND? - MIKE.
- FELIX.
YEAH, COME ON INSIDE. - THANKS.
- YOU, UH-- YOU WANT SOME LEMONADE?
- NO. THANKS.
- IRINA, GRAB US SOME LEMONADE, BABY.
SO YOU AND PAUL ARE FRIENDS, HUH?
- YEAH, YEAH.
I MET HIM, YOU KNOW, AROUND.
- YEAH? AROUND?
- WELL, HE'S-- HE'S MY BROTHER-IN-LAW.
- OH.
- NICE TO MEET YOU.
- I MARRIED HIS SISTER.
SHE'S A ***.
- [laughing] 20 BUCKS SAYS HE SHOWS 'EM HIS BADGE.
- GOD FORBID.
- IN THE MOVIE. [laughs]
I PLAY HIS BROTHER-IN-LAW IN THE MOVIE.
- YOU IN PICTURE WITH PAUL? - YES!
[all laughing] SORRY.
- I WAS GONNA SAY. MY FAMILY'S MESSED UP.
BUT YOURS ESTA LOCO!
- WHOO. YEAH.
- YOU ALSO PLAY COP? - MANOS ARRIBA.
- AAH!
HE'S FUNNY.
- STUPID.
Felix: ME AND MIKE ARE GONNA STEP OUT FOR A MINUTE.
Irina: OF COURSE.
- SO...
HERE'S THE DEAL, MAN.
YOU KNOW HOW THINGS, THEY GET STACKED UP?
I MEAN, THIS GUY DOESN'T SHOW UP.
SO NOW YOU CAN'T PAY THAT GUY.
- SO YOU'RE SHORT.
- HE DOESN'T HAVE THE MONEY.
- LOOKS LIKE WE JUST WASTED AN AFTERNOON, FELLOWS.
- NO, I WISH I WAS SHORT. I'M OUT!
IT'S THE ECONOMY, YOU KNOW?
MY OTHER GUY-- HE DIDN'T SHOW UP FOR HIS STUFF.
- SO...WHAT WAS THE OTHER GUY BUYING?
- WAIT, WAIT, WAIT, WAIT. HOLD ON FOR A SECOND.
I THINK THE KID'S TRYING TO SAVE IT.
- SO MAYBE YOU'D BE INTERESTED IN SOME MERCHANDISE
IN EXCHANGE FOR THE INDOOR?
- POSSIBLY. WHAT ARE WE TALKING ABOUT HERE?
- MAN, IT'S GOOD STUFF. GO CHECK IT OUT, MAN.
IT'S IN THE ALLEY. COME ON!
- YOU TOLD HIM NOT TO CHANGE LOCATIONS, RIGHT?
Mike: SURE, LET'S GO. - NO, I DID NOT.
- DAMN IT!
- I NEED SOMEBODY OUT IN THAT ALLEY RIGHT NOW.
agent 1: I'VE LOST HIM.
agent 2: NEGATIVE. NO CONTROL.
agent 1: I CAN'T GET IN THERE WITHOUT BURNING IT.
- I CAN GET SOMEBODY IN THERE ON FOOT.
- DO IT.
- JOHNNY, YOU WERE FAST IN FIFTH GRADE, WEREN'T YOU?
- [sighs]
- AFTERBURNERS, BABY. LET'S GO.
- CHECK IT OUT.
15,000 PAIRS OF LEVI'S FINEST.
- JEANS?
AND YOU WANNA TRADE STRAIGHT ACROSS FOR THE EIGHT?
- STRAIGHT UP?
COME ON, MAN.
YOU CAN GET LIKE 15 BUCKS A PAIR ON THE STREET FOR THESE.
THAT'S--HOW MUCH IS THAT? - 180,000.
- YEAH! THAT'S A LOT OF MONEY, MIKE.
- YEAH, AND I'LL BET YOUR WIFE IS CHEWING YOUR EAR OFF
TO GET THIS TRUCK OUTTA HERE.
- I'LL TELL YOU WHAT. - [chuckles]
- IF YOU CAN MAKE THIS DISAPPEAR,
THEN YOU GOT A DEAL.
- I'LL SEE WHAT I CAN DO.
PLEASURE DOING BUSINESS WITH YOU, FELIX.
- [laughing]
- STOP! FEDERAL BUREAU! FEDERAL BUREAU!
- WHAT IS THAT GUY YELLING?
- FEDERAL BUREAU!
FEDERAL BUREAU! [sirens blaring]
FEDERAL BUREAU!
SPREAD IT! YOU'RE BOTH UNDER ARREST.
- COME ON!
HOW COME YOU WEREN'T SO DAMN [murmuring indistinctly]?
WHAT'S WRONG WITH YOU, MAN?
- DAMN, I KNEW THOSE JEANS WERE BAD LUCK.
- HEY, NICE JOB, ROOKIE. - [laughing]
- THANKS, MAN.
- WHAT THE HELL ARE YOU IDIOTS DOING?
- YOU'RE NOT SUPPOSED TO BRING HIM THROUGH HERE!
- MIKE? - GET HIM OUTTA HERE!
- THAT'S MESSED UP. - GET HIM OUTTA HERE.
- DAMN.
- HEY! WHAT HAPPENED?
- THEY WALKED FELIX INTO MIKE. - IT HAPPENED.
IT'S OVER.
[dog whimpers] - MANGY LITTLE...
YOU ARE NOT GONNA MAKE THIS EASY ON ME, ARE YOU?
- SERGEI NAYFELD. 24, FELIX ARROYO.
[buzzer]
- ARROYO!
YOUR LAWYER'S HERE.
[buzzer]
- [whispers] SIR, SIR, SIR. THAT MAN IS NOT MY LAWYER.
DO NOT LET HIM BAIL ME OUT.
PLEASE.
- HEY, LEVI. - LEVI?
- YEAH, YOU NEED A NICKNAME.
- I DON'T THINK I LIKE LEVI. - TOO BAD.
YOU DON'T GET TO CHOOSE YOUR NICKNAME, DO YOU, JOHNNY?
- "JOHNNY" IS A NICKNAME? - YEP.
BRIGGS GAVE IT TO ME. IT'S MY CHARACTER IN THE MOVIE.
- MAN, YOU PUT EVERYONE IN THE MOVIE, DON'T YOU?
- HE BEGGED. [laughter]
- CHECK THIS. TUTURRO AND BRIGGS
WERE UNDERCOVER WITH THIS BIKER GANG.
TUTURRO FIGURES IF BRIGGS CAN DO IT HE CAN TOO.
- DAMN RIGHT. - [mocking laughter]
SO HE TELLS 'EM THAT HE PLAYS THIS TOUGH-GUY KILLER.
- YEAH.
- WITHOUT MISSING A BEAT, BRIGGS TELLS HIM,
"YEAH, THE GUY HE SHOT WAS SITTING ON THE TOILET."
[laughter]
- HE TELLS THEM I SHOOT THIS DUDE
WHEN I CATCH HIM READING MY DIRTY MAGS ON THE JOHN.
- MM-HMM, TWO SLUGS.
ONE IN THE ARM, ONE RIGHT IN THE CHEST.
- COULDN'T EVEN MAKE ME A GOOD SHOT, COULD YOU?
- BIKERS STARTED CALLING HIM JOHNNY AFTER THAT, AND IT STUCK.
- YOU KNOW WHAT, I LIKE IT. HERE'S TO JOHNNY.
- DO YOU? I'M GLAD YOU LIKE IT, LEVI.
- TO LEVI!
- LEVI! TO LEVI.
- LEVI.
- THANK YOU, OFFICER.
- [scoffs]
WOW.
I DIDN'T KNOW I COULD AFFORD A LAWYER
WITH SUCH A NICE SUIT.
- THE POLICE TELL ME YOU'RE A THIRD STRIKER,
AND I CANNOT BAIL YOU OUT.
- YEAH. STOLEN JEANS.
IT'S A TOUGH STATE.
- WE NEED ASSURANCE YOU WILL NOT TALK TO THE FEDS.
- I'M NOT SAYING NOTHING.
- JUST THE SAME, YOUR FAMILY WILL BE STAYING WITH US
UNTIL THIS IS ALL OVER.
- NO. NO, NO, NO, NO. PLEASE.
I WILL DO ANYTHING.
- YES, YOU WILL.
START BY TELLING THE TRUTH.
WHAT IS THIS CRAP WITH THE JEANS?
- IT'S JUST A SIDE BUSINESS, MAN.
- WE DON'T TAKE CARE OF YOU?
WHO IS THIS GUY THEY ARRESTED YOU WITH?
- IT'S MY BROTHER-IN-LAW.
- HE'S FAMILY.
- YEAH.
- I'M UNPREDICTABLE? - HEY!
WHAT ARE WE CELEBRATING? - WHAT'S UP, DUDE?
- LEVI HERE POPPED HIS CHERRY TODAY.
- LEVI?
[laughter] - YEAH.
- HEY, LEVI!
- BUY YOU A BEER? - AH, NO, I'M GOOD.
- LATER THEN.
- LEVI.
TELL ME A STORY, MAN. - A STORY?
- YEAH.
- I GOT NO STORIES.
- WELL, LET'S THINK ABOUT THAT.
YOU JUST GOT YOURSELF A SHINY NEW NICKNAME.
- MM.
- THERE'S A GOTTA BE A STORY IN THAT.
- ALL RIGHT, IT WAS A REVERSE GONE WRONG,
AND I ENDED UP WITH A TRUCKLOAD OF KNOCKOFF JEANS.
- KNOCKOFF JEANS. - A TRUCKLOAD.
- THAT IS A SOLID STORY.
- YEAH, YOU KNOW WHAT? IT IS A GOOD STORY.
WHAT ABOUT YOU? - ME?
- YOU'RE VERY PROTECTIVE OF YOUR JUICE.
- OH, YOU SENSING SOME DEEP PSYCHO-BABBLE IN THAT?
STAYED IN THAT *** PHASE TOO LONG?
DOES NOT PLAY WELL WITH OTHERS?
- WOW, OKAY. SO YOU ARE AN ONLY CHILD.
- [laughs] LOOK, MAN, YOU CAUGHT ME ON A BAD DAY.
BUT I BET YOU TUTURRO WAS UP TO MISCHIEF.
HE'S THE ONE WHO HANDED YOU THE JUICE.
AM I RIGHT?
I KNEW IT. I KNEW IT.
AND YOU DIDN'T EVEN RAT OUT HIS LITTLE KALE-EATING SCRAWNY ***.
RESPECT, MAN.
[music stops]
- LET'S START WITH THE GOOD NEWS.
TURNS OUT THAT TRUCK FULL OF JEANS
WAS LIFTED OFF THE PORT.
WHICH MAKES IT CUSTOMS' PROBLEM, NOT MINE.
CONGRATULATIONS, JAKES.
YOU ARE NOW THE PROUD OWNER OF 12,000 KNOCKOFF LEVI'S...
[laughter]
COURTESY OF YOUR NEW BESTEST BUDDY MIKE.
- WE MET. - AWW. COME ON, LEVI.
- BAD NEWS IS... YOU JUST MADE BAIL.
- SO WE'RE SURE THAT THEY HAVE FELIX'S FAMILY.
- YEAH.
FELIX PANICKED WHEN THE LAWYER ASKED HIM ABOUT MIKE.
SAID HE WAS HIS BROTHER-IN-LAW.
- HE SAID WHAT? - YEAH. BUT WE GOT LUCKY.
FELIX DOES HAVE A BROTHER-IN-LAW
WITH A PASSING RESEMBLANCE TO MIKE.
BY WHICH I MEAN HE'S WHITE. - FRANKIE BOUT.
- WE GOTTA DO SOMETHING ABOUT YOUR HEIGHT.
HE'S GOT A SCAR ABOVE HIS LEFT EYE,
AND IF IT COMES UP, YOU'VE LOST A HELL OF A LOT OF WEIGHT.
- OTHER THAN THAT, HE'S A PERFECT MATCH.
[whispering] ONE MINUTE.
MIKE, COME ON.
SO HOW'S YOUR NEW JOB SO FAR, HUH?
- OH, WELL, IT'S GREAT.
CLEANED SOME DISHES, LEARNED HOW TO SURF.
SO WHAT EXACTLY IS GONNA HAPPEN HERE?
- KIDNAPPING A FAMILY IS MESSY, MIKE.
ALL RIGHT, THEY'RE BAILING YOU OUT
BECAUSE THEY WANT ASSURANCE THAT FELIX WON'T TALK.
THEY THINK YOU'RE FAMILY.
THEY GET YOU TO DO SOMETHING ILLEGAL.
THEN IF FELIX TALKS TO US, THEY TURN YOU IN.
- ILLEGAL.
- YEAH.
UH, WE'VE SEEN THEM DO THIS BEFORE.
THEY'RE GONNA ASK YOU TO KILL SOMEONE...
MIKE.
NOW ALL YOU GOTTA DO IS GET A NAME, OKAY?
YOU COME BACK TO US, THAT'S IT.
WE GOT A GUY OVER AT THE PAPER,
HE'LL PLAY BALL WITH A HOMICIDE STORY, AN OBIT.
THEY THINK THE GUY'S DEAD, THEY LET THE FAMILY GO.
YOU DON'T HAVE TO DO THIS.
- YEAH, BUT IF I DON'T, WHAT HAPPENS TO THAT FAMILY?
[sighs]
- ALL RIGHT.
ALL RIGHT, WE GOTTA ASSUME THESE RUSSIAN PRICKS
HAVE THE SAME INTEL WE DO.
YOU GOT EXACTLY ONE HOUR TO BECOME THIS GUY.
YOUR NAME'S FRANKIE BOUT. YOU GOT IT, MIKE?
- FRANKIE BOUT. - YEAH.
YOUR WIFE'S NAME IS KATERINA. SHE'S FELIX'S WIFE'S SISTER.
HER NAME IS IRINA. - WAIT, WAIT.
WAIT, MY WIFE IS KATERINA OR FELIX'S?
- YOURS.
WRITE IT DOWN. - SURE.
- YOU EVER BEEN TO CHI TOWN?
- I DROVE THERE ONCE IN COLLEGE.
- ALL RIGHT, WELL, NOW YOU'RE FROM THERE.
SO JUST REMEMBER WRIGLEYVILLE, SEARS TOWER, MAGIC MILE.
YOUR ARREST IN '04? - GTA. I BOOSTED A FIREBIRD.
- NICE. WIFE?
- KATERINA. SHE'S A YEAR YOUNGER THAN ME.
- GOOD MAN. WHAT'S YOUR NAME?
MIKE?
- UH-- - WHAT'S YOUR NAME?
- BOUT. FRANKIE BOUT. DAMN IT! I KNOW THAT.
I KNOW THAT.
- WHOA, WHOA, WHOA. WAIT A SECOND.
JANUARY OF THIS YEAR, SUSPICION NARCO POSSESSION.
ARRESTING OFFICER NOTED TRACK MARKS.
THIS GUY'S A JUNKIE?
CHARLIE, WE NEED A MAKEUP JOB.
- WHEN'S THE LAST TIME HE COULD'VE GOTTEN HIGH?
- UH, 11:30.
- YOU SHOOT UP HERE, 'CAUSE YOUR WATCH'LL COVER THESE UP.
YOU HAVEN'T HAD A HIT IN 14 HOURS.
YOU'RE IN WITHDRAWAL, SO YOU'RE GONNA BE SHAKY.
SEE? YOU'RE A NATURAL. - [laughs]
- ALL RIGHT, SO I GOT A PAIR OF 10 1/2 BOOTS
WITH 3-INCH LIFTS
AND A WALLET FOR ONE FRANKIE BOUT.
IT'S GOT THE PLASTIC, MONEY, I.D., WHATEVER.
- NO, NO, NO.
THIS GUY DOESN'T HAVE A GOLD CARD.
AND THE ONLY THING HE'S DOING WITH A LIBRARY CARD
IS CHOPPING HIS H.
THIS THING IS BRAND-NEW.
JOHNNY, GO...TOSS IT AROUND IN THE SAND OR SOMETHING.
- YOU SE-- - KICK IT.
ALL RIGHT, FRANKIE BOUT, THIS IS YOUR TRANSMITTER, OKAY?
NOW WE CAN HEAR YOU, BUT YOU CAN'T HEAR US.
VERY IMPORTANT.
IF THEY SWEEP YOU, PRESS THIS BUTTON.
CUTS THE TRANSMISSION. PUSH IT AGAIN TO RESTART.
YOU GOT IT? - YEAH.
YOU'RE TRACKING ME, RIGHT?
- THE GPS SIGNAL'S TOO HARD TO CLOAK.
BUT WE'VE GOT YOUR AUDIO.
- JUST GIVE US AS MUCH INFO ABOUT YOUR 20 AS YOU CAN
WITHOUT TIPPING HIM OFF. YOU'LL BE ALL RIGHT.
- YES, SIR. - MIKE, LOOK AT ME.
COME HERE.
OUR GUY HAD A Y-SHAPED SCAR ABOVE HIS LEFT EYE.
JUST PRETEND THAT FELIX CAME TO YOU TONIGHT
AND SAID, "THEY TOOK MY KIDS. THEY TOOK MY WIFE.
YOU GOTTA HELP ME."
YOU CAN DO THIS.
I LIKE THE SCAR.
YOU LOOK TOUGH.
- WHOA, WHOA, WHOA. JOHNNY, LET ME SEE THAT.
COME ON, MAN.
GUY CARRIES THIS IN HIS POCKET.
HE DOESN'T DRAG IT BEHIND HIS CAR.
- IT'S DARK OUT THERE, BRO.
WHAT YOU WANT? - PERFECTION.
- WHAT'S YOUR NAME? - FRANKIE BOUT.
WHAT ARE WE WAITING FOR? LET'S DO THIS.
- MIKEY!
- FRANKLIN BOUT,
MARRIED TO THE BEAUTIFUL AND SEXY KATERINA.
- BOUT, FRANKIE.
SIGN.
- [sniffles, clears throat]
YOU SURF?
YOU SHOULD TRY IT.
IT KICKS ***.
- MR. BOUT, RAISE YOUR ARMS, PLEASE.
- HE JUST STOPPED TRANSMITTING. - THEY'RE SWEEPING HIM.
[wand warbles]
- THANK YOU.
- OKAY, WE GOT HIM BACK.
Nayfeld [on radio]: YOU SPEAK RUSSIAN?
- NO, THAT'S MY WIFE.
THE ONLY I UNDERSTAND IN RUSSIAN IS "NOT TONIGHT."
- [laughing] MY MAN.
- THEY'RE MOVING.
- I'M GOING IN ON THIS.
- NO, YOU'RE NOT.
YOU SET THIS WHOLE THING IN MOTION.
GET OUTTA HERE.
- I CAN GO OVER YOUR HEAD.
- YEAH, YOU COULD.
BUT I DON'T WANT AN AGENT OUT THERE
LOOKING FOR REVENGE AND NEITHER DOES YOUR BOSS.
NOW GET OUTTA HERE.
KINCAID!
SIT DOWN.
LISTEN IN.
- WHO'S SOUREN?
OH, MUST BE THE GUY WHO OWNS THE PLACE.
- GOT THAT?
- SOUREN'S AUTO SHOP ON LAKEWOOD.
[both speaking Russian]
- FRANKIE, RIGHT?
HAVE A SEAT.
HOW IS FELIX? - HE'S WORRIED ABOUT HIS FAMILY.
- YOU'RE ALSO HIS FAMILY.
- YEAH. HMM.
- YOU NEED SOMETHING?
COFFEE, WATER?
- NO, THANKS. I'M FINE.
- BENJI, BRING HIM SOME WATER.
YOU DROP A FEW POUNDS RECENTLY?
- IT'S A JUICE CLEANSE. - [laughing]
IS THAT THE ONE WHERE YOU SKIP THE CARBS
AND SHOOT UP ON SMACK?
[laughter]
- CAN, UM...
CAN WE JUST GET TO IT?
- YOU'RE RIGHT.
FELIX'S WIFE AND KIDS SHOULD GO HOME.
- ALL RIGHT, WELL, WHAT DO YOU WANT ME TO DO?
- [speaking Russian]
FORGET IT. GET HIM OUT OF HERE.
- WE'RE LOSING HIM. - PULL HIM BACK, MIKEY.
PULL HIM BACK.
- WHATEVER YOU NEED ME TO DO, I CAN DO--I CAN!
- NO, YOU CAN'T! 'CAUSE YOU'RE *** JUNKIE.
- [scoffs]
- I DON'T WANT YOU SCREWING UP
AND BLOWING THIS BACK IN MY FACE.
- COME ON, WHAT, DO YOU WANT ME TO KILL SOMEBODY?
I CAN KILL SOMEBODY. I'VE DONE IT BEFORE.
- YOU?
YOU KILLED SOMEONE?
- YEAH.
- WHERE'S HE GOING WITH THIS?
- I WISH I KNEW, BOSS.
- WELL, IF YOU LET IRINA AND THE KIDS GO,
I'LL DO WHATEVER YOU WANT.
- I WANT YOU TO THINK VERY CAREFULLY
ABOUT WHAT YOU'RE GOING TO SAY TO ME NEXT, FRANKIE.
I'VE GOT FRIENDS IN LAW ENFORCEMENT.
I CAN CHECK DETAILS.
IF YOU'RE LYING TO ME, I'M GOING TO KNOW.
YOU SIT.
WHO'D YOU KILL?
- I SHOT A GUY WHILE HE WAS SITTING ON THE TOILET.
[laughter]
- OH, NICE. MIKEY, NICE!
- WHAT'S NICE?
THE KID'S GONNA GET HIMSELF KILLED.
- OKAY, I NEED A COLD CASE REPORT
ENTERED INTO NCIC.
THIS IS GONNA BE AN UNSOLVED HOMICIDE,
LOS ANGELES, TWO YEARS AGO.
- HE'S RIPPING OFF MY STORY.
- NO, NO, NO. JOHNNY, HE'S SURFING.
- WHERE DID THIS GO DOWN?
- LOS ANGELES, ABOUT TWO YEARS AGO.
- WHAT ARE YOU, A MIND READER NOW?
SOMEBODY CLUE ME IN. - CHIEF.
THE NEW KID? HE'S SMART.
- HE TOOK MY MAGAZINES...
INTO THE JOHN.
WHO DOES THAT?
- I'D KILL HIM. - [scoffs]
- I WOULD. - EXACTLY, MAN.
SO I LET HIM GET IN THERE AND GET SETTLED.
I WALK OVER TO THE DOOR.
I KICK IT IN, BAM. POP HIM IN THE CHEST.
TWICE.
- WHO'S GOING TO FIGHT WITH PANTS AROUND THEIR ANKLES?
- [laughing] - MY MAN.
- I NEED TO CHECK THE NATIONAL DATABASE,
UNSOLVED HOMICIDE.
- ALL RIGHT, BODY FOUND PARTIALLY CLOTHED,
UPSTAIRS BATHROOM.
- GOT IT. - SUBMIT IT. LET'S GO!
- THEY'VE GOT SOME KIND OF ENCRYPTION BLOCK
ON THE NCIC SERVER.
- JUST BYPASS THEIR FIREWALL.
- HIT THE DAMN SEND KEY!
- WHAT WAS HIS NAME?
- THEY CALLED HIM CRAZY JAKES.
- WAIT, WAIT! HOLD UP!
ALIAS CRAZY JAKES.
- COME ON. COME ON, COME ON, COME ON!
LET'S GO.
- LOS ANGELES HOMICIDE SAID THEY FOUND THIS GUY...
DEAD IN HIS TOILET, TWO SHOTS, LIKE HE SAID.
- WOW. - THAT'S WHAT I'M TALKING ABOUT.
- SO YOU WHACKED SOMEONE. - GOOD JOB, GOOD JOB.
- [chuckling]
[speaking Russian]
ARE YOU HIGH RIGHT NOW?
- I'VE BEEN IN LOCKUP FOR 14 HOURS.
- ALL RIGHT.
YOU HELP US OUT, WE'LL LET THE WOMAN AND THE KIDS GO.
[speaking Russian]
- ALL RIGHT, WHO'S IT GONNA BE?
- A PRO LIKE YOU?
LET'S MAKE IT A SURPRISE.
- NO, WAIT. WAIT, WHOA, WHOA.
WE'RE DOING THIS NOW?
- WHY? YOU GOT TO BE SOMEWHERE?
[indistinct chatter]
[car engine starting]
- SO WHERE WE GOING?
YOU KNOW, HORACE GREELEY WOULD NOT APPROVE.
- WHO IS HORACE?
- UH, UH, HORACE GREELEY. GO WEST, YOUNG MAN.
- THEY'RE TAKING HIM EAST.
- IT'S HOUSE ON LEFT CORNER.
- HERE'S THE KEY. - WHERE'D YOU GET THIS?
- HE HAS A RUSSIAN HOUSEKEEPER. IT'S NOT YOUR PROBLEM.
KILL THE MAN IN THE BACK BEDROOM.
BE SURE HE'S DEAD.
FIRE ALL THE BULLETS.
BRING THIS BACK TO US.
- 502 WORTHINGTON. I HOPE YOU GUYS CAN HEAR ME.
- WE GOT AN ADDRESS. PULL IT UP.
- I WANT BACKUP CARS ROLLING IN THAT DIRECTION NOW!
- GOT NOTHING ON AN OWNER. - BANK REPO? SUBLET?
I NEED TO KNOW WHAT WARREN'S WALKING INTO.
WHAT ARE YOU THINKING?
- WE CRASH THIS THING WITH A BUNCH OF UNITS ROLLING IN--
- WE LOSE THE FAMILY. - YEAH, AT LEAST.
I CAN GET IN THERE.
- YEAH. GO.
- [heavy sigh]
I'M GOING IN.
- HE'S IN THE HOUSE, PEOPLE. TELL ME SOMETHING.
- HANG ON. THE HOUSE HAS A GOVERNMENT TAG.
- WHAT, LIKE WIT-SEC? - SOME KIND OF SAFE HOUSE.
[hinges squeak lightly]
- EXCUSE ME.
- "EXCUSE ME"? - WHO ARE YOU?
- I'M NOT HERE TO HURT YOU.
- IF THAT'S TRUE, THEN PUT THE GUN DOWN.
- IT'S DONNIE.
THEY'RE SENDING HIM IN TO KILL DONNIE.
- SOME KID BREAKS INTO THE HOUSE WITH A GUN, WHAT DO YOU DO?
- I'D KILL HIM. - KILL HIM.
- LAUREN, GET DONNIE ON THE PHONE NOW.
WHERE'S MY BUREAU CHIEF? - NOBODY WANTS TO WAKE HIM UP.
- WAKE EVERYBODY UP.
[phone ringing]
- PUT IT DOWN.
PUT THE GUN DOWN.
- I WISH I COULD.
[phone ringing]
- PUT IT DOWN OR I'M GONNA SHOOT YOU THIS TIME.
- I CAN'T.
- WHO ARE YOU? - I'M MIKE WARREN, FBI.
- LET'S SEE SOME I.D. - I DON'T HAVE ANY.
- BAD DAY FOR YOU.
- UM, OKAY.
SEE THESE TRACK MARKS? THEY'RE FAKE.
I'M UNDERCOVER.
- WHO SENT YOU?
- THE VZAKONYE.
THEY'RE OUTSIDE THIS HOUSE RIGHT NOW,
AND THEY SENT ME IN HERE TO KILL YOU.
- RUSSIAN *** AREN'T GONNA FINISH ME OFF.
- WAIT.
[laughs] YOU'RE DONNIE BANKS?
- YOU'RE A LOUSY HIT MAN, KID.
- JUST...
- WHERE'D YOU GET THOSE?
- I'M YOUR NEW ROOMMATE. - YOU'RE AT GRACELAND.
- YEAH.
- WHAT ELSE DID YOU TAKE OUT OF MY ROOM?
- UH, NOTHING.
LAUREN--SHE TOLD ME NOT TO UNPACK.
COME ON, MAN. YOU GOTTA BELIEVE ME.
IT'S MY FIRST DAY.
[both chuckle]
- YOU'RE GONNA DO EXACTLY AS I DO.
- [sighs]
- YOU TRANSMITTING? - YEAH.
THEY CAN HEAR US BACK AT COMMAND.
- HEY, GUYS, IT'S DONNIE. MET THE NEW ROOMMATE MIKE.
ALMOST SHOT HIM.
- YEP, HE ALMOST SHOT ME.
OH, MY GOD. YEAH, YOU--
YOU ALMOST SHOT ME. [laughing]
- DONNIE ALMOST SHOT MIKE.
THAT'S CRAZY.
- I GOTTA FINISH THIS.
[firing shots]
[exhales] I GOTTA GO.
YEAH, YOU DIDN'T TELL ME HE WAS A *** DEA AGENT!
HE TOOK TWO SHOTS AT ME!
- IS HE DEAD? - YEAH, HE'S DEAD.
- GIMME THE GUN AND GET IN THE CAR.
- ALL RIGHT, YOU LET THE WIFE AND THE KIDS GO?
- YEAH. GET IN THE CAR.
- YEAH, YOU KNOW WHAT? I THINK I'M GONNA WALK.
- THE NEIGHBORS HEARD THE SHOTS. GET IN THE CAR.
- WHY DO YOU WANT ME TO GET IN THE CAR?
- DON'T BE STUPID. - THIS IS YOUR LAST CHANCE.
- GET IN THE CAR.
- SOMETHING'S WRONG.
- YEAH, GET IN THE CAR. - OR WHAT?
- UGH! [horn honking]
- BRIGGS?
- SILVO, IF YOU CAN HEAR ME, WE NEED AN AMBULANCE
OVER HERE RIGHT NOW.
MY GUESS-- GET YOU TO KILL DONNIE,
THEY TAKE YOU OUT SOMEWHERE,
SHOOT YOU, MAKE IT LOOK LIKE A SUICIDE,
THEN IF FELIX EVER TALKS,
THEY MAKE SURE SOMEBODY FINDS YOUR GUN.
- [laughing] THIS IS NEWS TO ME.
- HEY! YOU IN THE BACK, SHOW ME YOUR HANDS.
- NOW COME ON, GUYS. IT'S ALL COOL.
- DO IT! - HEY, COME ON.
JUST DO WHAT HE SAYS, ALL RIGHT? - DO IT NOW!
- [stammering] I'M OKAY.
- JUST PUT YOUR HANDS UP, OKAY? JUST DO WHAT HE SAYS.
WHAT?
HOW DID YOU--
- MIKE JUST CUT TRANSMISSION.
- YOU SAW THE GUN? - YEAH, I SEE IT RIGHT THERE.
- HE'S BACK.
- THIS IS AGENT WARREN. SHOTS FIRED.
TWO MEN DOWN. WHERE'S THE AMBULANCE?
AGENT BRIGGS SAVED MY LIFE.
[birds calling]
female reporter: A MORNING RAID AT THE RUSSIAN VZAKONYE CARTEL
BY A JOINT FEDERAL TASK FORCE
RESULTED IN SEVERAL KEY ARRESTS TODAY.
THE RAID CAME AFTER A FIREFIGHT
BETWEEN FEDERAL AGENTS AND MEMBERS OF THE CARTEL
THAT LEFT ONE CARTEL MEMBER INJURED...
- DON'T LET IT GO TO YOUR HEAD, MIKE.
- HA. NO, MA'AM.
- WE DID GOOD.
- HELL, YEAH, WE DID GOOD!
- HEY! HEY! SOPHIA!
[mellow pop music]
♪ ♪
- THANKS.
- THE DRIVER MADE A MOVE TO HIS WEAPON,
AND THAT'S WHEN AGENT BRIGGS FIRED?
- YES, MA'AM.
- AND YOU BOTH ORDERED THE MAN IN BACK TO SHOW HIS HANDS,
AND INSTEAD HE DREW HIS WEAPON?
- CORRECT AGAIN.
- AGENT WARREN?
- YES, MA'AM.
- SOUNDS LIKE A CLEAN SHOOT TO ME.
- SO ARE WE GOOD HERE?
- BRIGGS? - YEAH, I'M GOOD.
- WARREN, ANYTHING TO ADD?
- NO, MA'AM. WE'RE GOOD.
- EXCELLENT WORK, BOTH OF YOU. both: THANK YOU.
[mellow pop song]
♪ ♪
[laughter]
- ALL RIGHT, MAN. GLASSES UP.
- OH, MAN.
- NOW LOOK, AS ROOKIES, WE ALL BOUGHT DOPE.
SOME OF US EVEN ON THE JOB, ACTUALLY.
[laughter] BUT TODAY WAS ONE TO REMEMBER.
CHEERS.
- THANK YOU. - YUP.
- MM!
[laughing] - NO, NO. WAIT.
- TOO MUCH STUDYING, NOT ENOUGH PARTYING.
- NO, NO, NO. LISTEN.
BACK EAST, WE DON'T DANCE WITH IT.
WE JUST DRINK IT.
- OH, OKAY. - OH, REALLY?
- I WANNA LET YOU KNOW NO MATTER HOW MUCH *** SILVO DOES,
YOU DID GOOD TODAY.
- THANK YOU, SIR. - YEAH.
- THAT MEANS A LOT.
- WELL, YOU KNOW, MIKE,
YOU ARE NOW AN UNDERCOVER AGENT FOR THE BUREAU, OKAY?
THAT MEANS FROM THIS MOMENT ON, YOUR LIES ARE YOUR LIFE.
- YES, SIR.
- YOU KNOW, YOU'RE OUT ON THE STREET.
YOU MEET SOME FINE LITTLE LOVE 'N' TOUCH.
YOU BETTER LIE TO HER.
YOU KNOW, YOUR PARENTS CALL YOU ON A SUNDAY AFTERNOON,
"HEY, MIKE, WHAT YOU WORKING ON?"
YOU LIE TO 'EM. - HMM.
HOW DO YOU DO IT THOUGH? I MEAN, HOW DO YOU--
THE LIES.
HOW DO YOU JUST KEEP FROM GOING CRAZY, YOU KNOW?
- WHO SAYS I HAVEN'T?
- NO ONE, SIR.
[phone ringing]
MIND IF I TAKE THIS?
- HEY, IT'S YOUR PARTY. - THANKS.
- HEY-YO! - WHERE ARE YOU GOING?
- JUST GIMME-- - I TOLD YOU THE BOY
DOES NOT KNOW HOW TO PARTY.
YO, MIKE! - AGENT CAMPBELL.
YOU WERE VERY RIGHT.
THERE'S NO WAY I COULD'VE PREDICTED THIS.
- AH, YOU ACTUALLY LISTENED TO MY SPEECH.
- YOU KNOW, I DID.
- AGENT BRIGGS SAVED YOUR LIFE. THAT TRUE?
- YES, SIR, HE DID.
- I'M CALLING TO LET YOU KNOW THAT YOUR ASSIGNMENT
IS TO INVESTIGATE BRIGGS.
WILL WHAT HE DID AFFECT THAT ABILITY?
- NO, SIR. - GOOD.
KEEP THAT ATTITUDE,
AND YOU'LL STILL MAKE DEPUTY DIRECTOR ONE DAY.
- I APPRECIATE THAT, SIR.
- KEEP YOUR HEAD DOWN, MIKE.
- YES, SIR. THANK YOU.
[beep]
- HEY.
WE'RE MISSING YOU OVER THERE. - OH.
- YOU KNOW, UH,
I HEARD THEY KINDA SLAMMED YOU WITH THIS JOB, HUH?
- TCHH. YEAH. YEAH, THEY DID.
- MM.
D.C. ONE MINUTE, THE NEXT YOU GOT SAND IN YOUR SHOES.
NO IDEA WHY?
- NO, SIR.
- NO, SIR.
- MY NAME IS MICHAEL WESTEN.
I USED TO BE A SPY UNTIL--
[phone rings] - WE GOT A BURN NOTICE ON YOU.
YOU'RE BLACKLISTED. - [whistles]
WHEN YOU'RE BURNED, YOU'VE GOT NOTHING.
NO CASH, NO CREDIT, NO JOB HISTORY.
YOU'RE STUCK IN WHATEVER CITY THEY DECIDE TO DUMP YOU.
WHERE AM I? - MIAMI.
- YOU DO WHATEVER WORK COMES YOUR WAY.
YOU RELY ON ANYONE WHO'S STILL TALKING TO YOU.
[laughs]
A TRIGGER-HAPPY GIRLFRIEND...
- SHOULD WE SHOOT THEM?
- AND OLD FRIEND WHO USED TO INFORM ON YOU TO THE FBI...
- YOU KNOW SPIES.
BUNCH OF *** LITTLE GIRLS.
- FAMILY TOO. - HEY, IS THAT YOUR MOM AGAIN?
[phone rings] - IF YOU'RE DESPERATE.
- SOMEONE NEEDS YOUR HELP, MICHAEL.
- AND A DOWN AND OUT SPY YOU MET ALONG THE WAY.
- THAT'S HOW WE DO IT, PEOPLE.
- BOTTOM LINE?
AS LONG AS YOU'RE BURNED, YOU'RE NOT GOING ANYWHERE.
[gunshot]
HEY! NATE! NATE!
- GRAY SHOT YOUR BROTHER.
- YOU ORDERED HIM TO!
CARD'S DEAD, FI, NOW WE NEED A WAY OUT OF HERE.
- THERE'S A FULL TACTICAL SUPPORT TEAM ON SITE
AND SOME HEAVY HITTER SEEMS TO BE RUNNING THE SHOW.
- YOU KILLED TOM CARD AND YOUR FRIENDS HELPED YOU ESCAPE.
YOU ARE NOW ENEMIES OF THE UNITED STATES OF AMERICA.
- NOW I DIDN'T BETRAY MY COUNTRY.
I WAS TRYING TO PROTECT IT.
- I DON'T CARE.
- RILEY HAS GONE ROGUE.
SHE SENT A HIT TEAM AFTER US.
- DROP IT, WESTEN.
- HEAVE TO AND STOP YOUR VESSEL.
- EITHER YOU CONFESS OR WE BOTH DIE RIGHT NOW.
I THINK IT'S TIME TO MAKE THAT CALL.
- FIVE, FOUR... - IT ENDS TODAY.
- ALL RIGHT, I'LL CALL!
- THREE... - JUST CALL THEM OFF.
- TWO-- - GUNNERY STATION, STAND DOWN.
- WE'VE BEEN HERE THREE WEEKS.
HOW LONG DOES IT TAKE TO "SORT OUT WHAT HAPPENED"?
WHEN ARE WE GONNA GET OUT?
IN PANAMA, YOU SAID THAT WE WERE DONE WITH ALL THIS.
YOU SAID IT WOULD JUST BE US.
- I NEEDED TO PROTECT YOU.
I NEEDED TO PROTECT ALL OF US.
- MICHAEL, WHAT HAVE YOU DONE? - I MADE A DEAL.
- NO.
[crowd shouting]
- [speaking Spanish]
- YOU'RE DONE, PAL.
YOU GIVE NEW MEANING TO THE WORD "DESPISED."
IN ADDITION TO YOUR IMPRESSIVE LIST OF FELONIES,
YOU JUST BROUGHT DOWN ONE OF THE MOST RESPECTED CIA OFFICERS
LANGLEY EVERY PRODUCED.
THE CIA, THE NSA, THE NCTC, EVERYBODY,
EVERY INTELLIGENCE ORGANIZATION
IS CALLING FOR YOUR HEAD ON A PIKE,
WHICH MEANS YOU GET TO LOOK FORWARD
TO SPENDING THE REST OF YOUR LIFE IN A DARK HOLE.
AND NOT JUST YOU, MICHAEL.
SEE YOUR FRIENDS THERE?
YOU MAY BE ABLE TO LIVE OUT THE REST OF YOUR DAYS
IN A COLD, CONCRETE BOX, BUT DO YOU REALLY THINK THEY CAN?
THEY'RE NEVER GONNA SEE THE SUN AGAIN.
IN SHORT, MY FRIEND, YOU'RE SCREWED.
BUT GUESS WHAT.
IT'S YOUR LUCKY DAY.
BECAUSE I JUST HAPPEN TO BE IN THE MARKET
FOR SOMEONE JUST LIKE YOU.
[crowd shouting]
WE'RE GOING AFTER THE LEADER OF A TERRORIST NETWORK
BASED IN THE DOMINICAN REPUBLIC.
WE NEED TO GET SOMEBODY CLOSE TO THIS ***,
FIND OUT WHAT HE'S UP TO, AND TAKE HIM DOWN.
NOW I HAVE TR--WE'VE TRIED FOR YEARS
TO GET SOMEBODY CLOSE TO HIM.
BUT I THINK THAT YOU CAN SUCCEED WHERE OTHERS HAVE FAILED.
BECAUSE IT TURNS OUT YOU USED TO WORK WITH THIS SON OF A ***
BACK IN THE GOOD OLD DAYS.
- [screams]
[crowd chanting in Spanish]
- AND FORTUNATELY, YOU'VE ALREADY SET UP
A PERFECT COVER I.D. BY STABBING YOUR OLD AGENCY IN THE BACK
AND TRYING TO BLACKMAIL YOUR WAY OUT OF IT AND THAT'S--
THAT'S EXACTLY WHAT I NEED.
I NEED THE OLD MICHAEL WESTEN FROM BEFORE THE BURN NOTICE,
BEFORE THIS EXTENDED MIAMI VACATION,
THE MICHAEL WESTEN THAT GOT THE JOB DONE NO MATTER WHAT.
SO DO WE HAVE A DEAL?
[crowd chanting in Spanish]
[cheering]
- A DEEP COVER JOB CHANGES YOU
IN WAYS THAT ARE HARD TO DESCRIBE.
TO BECOME ANOTHER MAN FOR MONTHS OR YEARS,
IT'S IMPOSSIBLE TO GO THROUGH
AND NOT BE AFFECTED AT THE MOST BASIC LEVEL.
IN A WAY, THAT'S THE POINT.
DEEP COVER IS ONLY USED TO GO AFTER THE HARDEST TARGETS.
THE ONES WHO CAN'T BE APPROACHED.
THE ONES WHO CAN SEE THROUGH THE SMOOTH LIE.
THE ONES WHO KNOW THE REAL THING WHEN THEY SEE IT.
THE ONLY WAY IN WITH A TARGET LIKE THAT
IS TO BECOME THE REAL THING.
EVERY HOUR, EVERY DAY, WHETHER YOU'RE IN PUBLIC OR ALONE,
YOU HAVE TO LIVE THE LIFE
OF THE MAN YOU'RE CLAIMING TO BE.
IT CREEPS INTO YOUR SOUL AFTER A WHILE.
SPEND ENOUGH TIME POSING AS AN ALCOHOLIC EX-SPY
COMMITTING THE OCCASIONAL CRIME TO PAY THE RENT
AND THE LINE BETWEEN FICTION AND FACT BECOMES BLURRY.
EVENTUALLY, THE QUESTION ISN'T
WHETHER THE COVER I.D. WILL ATTRACT THE TARGET.
IT'S WHETHER THERE WILL BE ENOUGH OF YOU LEFT
TO COMPLETE THE MISSION WHEN IT DOES.
[all speaking Spanish]
- NO, ***.
THIS TIME YOU FIGHT FOR FREE.
- IS THIS ABOUT MARQUEZ?
'CAUSE IF HE'S ASKING FOR MORE MONEY,
THEN YOU'RE GONNA HAVE TO TAKE IT UP WITH HIM.
- BEEN A LONG TIME.
- BURKE?
WHAT THE HELL ARE YOU DOING HERE?
- ENJOYING THE SANTO DOMINGO SUNSHINE.
LOOKING UP OLD FRIENDS.
YOU OKAY?
- YEAH, I'LL BE FINE.
- GOOD. GET HIM TO THE HOSPITAL.
MICHAEL AND I HAVE SOME CATCHING UP TO DO, DON'T WE?
- RANDALL BURKE, WHAT'S IT BEEN? TEN YEARS?
- SOMETHING LIKE THAT.
- MOST PEOPLE, WHEN THEY'RE LOOKING TO GET BACK IN TOUCH,
DON'T SEND GUYS WITH BLADES.
- NOTHING PERSONAL, NICK.
JUST WANTED TO SEE IF YOU COULD STILL HANDLE YOURSELF.
- WHY'S THAT?
- I GOT A JOB COMING UP.
I WAS HOPING YOU MIGHT BE RIGHT FOR IT.
- WELL, NOW YOU KNOW.
- MAYBE. MAYBE NOT.
- SEEMS TO ME THE LAST TIME WE SAW EACH OTHER,
I WAS DRAGGING YOUR *** OUT OF A FIREFIGHT IN DAGESTAN.
YOU REMEMBER THAT?
- LIKE IT WAS YESTERDAY, BROTHER.
- I'M THAT SAME GUY. - ARE YOU?
- [coughs]
- YOU SEE, THE THING ABOUT THAT GUY, MIKE,
IS HE HAD A FIRE INSIDE.
BACK THEN, YOU WERE CAPABLE OF THINGS
I DIDN'T EVEN KNOW WERE POSSIBLE.
THIS GUY?
WHAT, ARE YOU GETTING DRUNK BEFORE NOON?
COME ON.
- EVERYBODY HITS A LOW PATCH NOW AND THEN,
BUT I'M STILL IN THE GAME.
TOOK CARE OF YOUR TWO GUYS, DIDN'T I?
- THAT NEVER WOULD HAVE HAPPENED TO THE MICHAEL I KNEW.
- WHAT, THIS?
OH, COME ON, IT'S A SCRATCH.
I'LL TELL YOU WHAT.
FIRST JOB, HALF OFF.
I'LL CALL IT THE FRIENDS AND FAMILY DISCOUNT.
- IT'S NOT ABOUT THE MONEY, MIKE.
- WELL, THEN WHAT'S IT ABOUT? BECAUSE I WANT A JOB.
BURKE, I NEED A JOB. - WE'LL SEE.
- I DON'T WANNA SEE.
I KNOW--I KNOW WHAT THAT MEANS.
- YOU SHOULD TAKE CARE OF YOURSELF.
- BURKE?
TO OLD FRIENDS?
[cheers and applause]
- TELL ME ABOUT YOUR MEETING WITH BURKE.
DO WE HAVE LIFTOFF?
- NO, HE'S FEELING ME OUT.
- FEELING YOU OUT? WHAT DOES THAT MEAN?
- HE'S INTERESTED, BUT HE THINKS I MIGHT HAVE LOST MY EDGE.
- ANY CHANCE YOUR NONSTOP ***-A-THON
HAS GIVEN HIM SECOND THOUGHTS?
I WARNED YOU NOT TO TAKE THAT DEAD END ACT TOO FAR.
- BURKE WON'T BELIEVE
A TOP SHELF OPERATIVE FELL INTO HIS LAP.
HE'S GOTTA THINK I'M DAMAGED GOODS OR THE STORY FALLS APART.
- WELL, YOU BETTER HOPE SO 'CAUSE THE CLOCK IS TICKING.
IF HE WALKS AWAY--
- I KNOW WHAT I'M DOING, STRONG.
STOP SECOND GUESSING ME FROM THE SIDELINES.
- SIDELINES? [chuckles]
WESTEN, THIS INVESTIGATION HAS TAKEN UP EIGHT YEARS OF MY LIFE,
IT'S DRAGGED ME ACROSS THREE CONTINENTS,
AND IT ENDED MY MARRIAGE.
AND WHAT DOES IT ALL ADD UP TO?
YOU, MY FRIEND.
- I'M DOING THE BEST I CAN.
- YOU KNOW WHAT, WE HAVE AN AGREEMENT.
MY END OF THE DEAL WAS TO SAVE YOUR FRIENDS.
YOUR END WAS TO TAKE BURKE DOWN, NOT DO THE BEST YOU CAN.
AND THAT MEANS YOU DO WHATEVER IT TAKES.
YOU UNDERSTAND?
- FOR A SPY OPERATING UNDER A COVER I.D.,
SECURITY OPTIONS ARE LIMITED.
YOU CAN'T EXACTLY HIRE A GUARD
OR INSTALL AN EXPENSIVE ALARM SYSTEM
IF YOU'RE SUPPOSED TO BE BARELY SCRAPING BY.
THAT MEANS YOU HAVE TO IMPROVISE.
CONNECTING A MOTION SENSOR IN YOUR APARTMENT
TO A PORCH LIGHT, FOR EXAMPLE, CAN PROTECT YOUR HOME
AND PROTECT YOUR IDENTITY.
IT'S ALSO A GOOD IDEA TO FIND A PLACE YOU CAN GET INTO
WITHOUT USING THE FRONT DOOR.
MOST PEOPLE DON'T GO LOOKING FOR SECOND FLOOR APARTMENTS
WITH WINDOWS FACING AN ALLEY,
BUT IN A PINCH, THERE'S NOTHING LIKE IT.
WOW, YOU REALLY DON'T LEARN.
YOU WERE THE ONE WITH THE KNIFE IN THE ALLEY.
- RELAX, MICHAEL.
NOBODY'S HERE TO HURT YOU.
YOU KNOW, MICHAEL, I ALMOST DIDN'T COME TONIGHT.
PABLO MADE A PRETTY GOOD CASE.
FINDING AN OPERATIVE LIKE YOU COOLING HIS HEELS IN THE D.R.
IS ALMOST TOO GOOD TO BE TRUE.
- GLAD TO KNOW I HAVE A FAN.
SO WHAT ARE YOU DOING HERE?
- I'VE GOT A SOFT SPOT FOR OLD FRIENDS, MIKE.
- TELL ME ABOUT THE JOB. I'M READY.
- SLOW DOWN.
WE GOTTA MAKE SURE YOU'RE UP TO THE TASK FIRST.
- WHAT IS THAT SUPPOSED TO MEAN?
- IT MEANS YOU'RE DONE WITH THIS LIGHTER FLUID.
[liquid pours]
YOU'RE CLEAN STARTING NOW.
- COLD TURKEY. [chuckles]
UH, I CAN'T DO THAT.
- OH, BUT YOU CAN.
YOU JUST SIGNED UP
FOR THE WORLD'S MOST EFFECTIVE DETOX PROGRAM, MIKE.
YOU TAKE ONE MORE DRINK,
I PUT A BULLET IN THE BACK OF YOUR HEAD.
- HUH, THAT'S A LITTLE EXTREME, DON'T YOU THINK?
- LET ME MAKE ONE THING PERFECTLY CLEAR.
I'M NOT JUST OFFERING YOU A NEW JOB.
I'M OFFERING YOU A NEW LIFE, MICHAEL.
BUT IN THIS NEW LIFE, THERE'S NO SECOND CHANCES.
DO YOU UNDERSTAND ME? - YEAH, I UNDERSTAND.
[upbeat music]
♪ ♪
- OH, JAVI.
JUST THE GUY I WANT TO SEE.
DID YOU TALK TO THE CATERER FOR ELSA'S PARTY
FOR THE BIRTHDAY THING?
DID YOU GUYS GET THE CAKE? - YES, THEY DELIVER IT TUESDAY.
SO THERE'S THIS, UM--
- OKAY, BUT SHE DOESN'T KNOW, RIGHT?
I MEAN, LOOK, I'M COUNTING ON YOU HERE, OKAY?
THIS IS A COVERT OP, MY FRIEND.
THIS IS TOP SECRET.
- OF COURSE.
I, UH--ACTUALLY, I CAME OVER
BECAUSE THERE'S A MAN WAITING FOR YOU IN THE MEMBER'S LOUNGE.
HE SAYS IT'S IMPORTANT.
IT'S CONCERNING A FRIEND OF YOURS.
A MICHAEL WESTEN?
- JEAN FOURNIER, DIRECTION GENERALE
DE LA SECURITE EXTERIEURE.
SO YOU'RE FRENCH INTEL? - YES.
THANK YOU FOR MEETING WITH ME.
- OH, IT'S NO PROBLEM, BUT I GOTTA BE STRAIGHT WITH YOU.
I HAVEN'T SEEN MIKE SINCE LAST YEAR.
- OH, WELL, PERHAPS IT'S WORTH A DISCUSSION IN ANY CASE.
IT IS A MATTER OF GREAT IMPORTANCE.
MY AGENCY HAS BEEN RUNNING A MISSION
IN THE DOMINICAN REPUBLIC AND YOUR FRIEND MONSIEUR WESTEN
HAS BEEN OBSERVED WORKING WITH SOME MEN
THAT WE BELIEVE TO BE EXTREMELY DANGEROUS.
NOW WE NEED VERY URGENTLY TO KNOW
IF HE IS THERE ON OFFICIAL BUSINESS.
- LOOK, I GOT NO CLUE WHAT MIKE IS UP TO.
I MEAN, WHY YOU COMING TO ME?
- LAST RESORT, I'M AFRAID.
WE'VE CONTACTED OUR FRIENDS AT THE CIA,
BUT... [scoffs]
THEY WILL TELL US NOTHING.
- WELL, THEN THERE'S YOUR ANSWER.
- MONSIEUR AXE, YOUR FRIEND'S LIFE IS IN DANGER.
IF WESTEN IS CIA, WE DO ONE THING.
IF HE'S NOT, WE DO SOMETHING ELSE.
EITHER WAY, IF YOU TELL US THE TRUTH, WE CAN PROTECT HIM.
- OKAY, LOOK, HAVE YOU SPOKEN WITH HENRI LABELLE?
I WORKED WITH HIM BACK IN '98
WHEN HE RAN COUNTER-INTEL FOR YOU GUYS.
HE'S PRETTY TIGHT WITH LANGLEY TOO.
- WELL, YES, OF COURSE.
HENRI TRIED HIS BEST, BUT--
HMM.
CLEVER...
MONSIEUR AXE.
THERE'S NO REAL LABELLE, IS THERE?
- WHY YOU ASKING QUESTIONS ABOUT MIKE?
WHO THE HELL ARE YOU, PAL?
- I'M THE MAN WITH A KNIFE TO YOUR FEMORAL ARTERY.
LET ME GO...
OR YOUR GIRLFRIEND'S BEAUTIFUL PLACE WILL GET VERY BLOODY.
THANK YOU FOR YOUR TIME, MONSIEUR AXE.
AU REVOIR.
- JESSE! HEY, JESSE. - SAM?
I'M SORRY I DIDN'T CALL YOU BACK.
I'M A TERRIBLE FRIEND. - YEAH, YOU ARE.
- I OWE YOU 1/2 JILLION MOJITOS. - YEAH, YOU DO.
- BUT THIS IS THE WORST TIME EVER.
- THIS CAN'T WAIT.
- SAM, I CAN'T DO THIS RIGHT NOW, OKAY?
OUR SYSTEM WAS HACKED TODAY.
- RIGHT, AND I'M SURE THIS FINE YOUNG MAN
CAN HELP YOU FIX IT LATER.
WE GOTTA TALK. - NO, NO, NO.
NICK. - COME ON, EGG MAN.
- NICK, YOU STAY RIGHT THERE. - NICK--
- NICK, STAY. - NICK, IT'S OKAY, BUDDY.
TIME FOR A TEN-MINUTE BREAK.
THANK YOU, SIR.
- WHAT?
- I'M AFRAID MIKE'S IN TROUBLE.
- YOU HEARD FROM MIKE?
- NO, BUT A GUY TRIED TO STAB ME
WHO CAME OVER ASKING QUESTIONS ABOUT HIM.
- ASKING QUESTIONS--
AUSTRALIAN GUY? GLASSES?
- WELL, HE HAD GLASSES, BUT THIS GUY SAID
HE WAS WITH FRENCH INTELLIGENCE.
- DID HE? - YEAH.
- MY GUY SAID HE WAS IN THE DIAMOND BUSINESS.
SAID HE WAS LOOKING FOR A BODYGUARD WITH SKILLS.
HE ASKED ME IF I STILL WORKED WITH MIKE.
- WELL, THEN IT'S THE SAME GUY, JUST A DIFFERENT COVER I.D.
- THINGS ARE STARTING TO MAKE A LITTLE MORE SENSE NOW.
OUR SYSTEM WENT DOWN LIKE FIVE MINUTES
AFTER THAT GUY LEFT THE BUILDING.
- WAIT, ARE YOU SAYING THAT GUY'S YOUR HACKER?
- HE'S GOTTA BE.
ONLY QUESTION IS, WHAT THE HELL DOES HE WANT WITH MIKE?
- I DON'T KNOW, BUT IT'S TIME TO CIRCLE THE WAGONS.
[phone rings]
- I'M A LITTLE BUSY RIGHT NOW, SAM.
- YEAH, FI, LOOK, NO MATTER WHAT YOU'RE DOING,
I NEED YOU TO PUT THAT ON HOLD FOR A SECOND, OKAY?
I NEED YOU TO MEET ME AND JESSE AT CARLITO'S AND--
- CAN'T PUT IT ON HOLD.
I'M ON A JOB.
I'M BRINGING IN A SKIP.
- CAN'T CARLOS HANDLE THIS HIMSELF?
- UH-UH.
THIS IS A SERIOUS SIX-FIGURE BAD GUY.
- YOU'RE GONNA WANNA STOP RUNNING RIGHT NOW!
I'M TELLING YOU, MAN! - I'M NOT GOIN' BACK TO JAIL!
- YOU'RE GONNA REGRET THAT IN ABOUT THREE SECONDS!
THREE!
- COME ON, CARLOS IS A BIG BOY, OKAY?
HE CAN HANDLE THIS SOLO. - TWO!
- GOTTA GO, SAM.
ONE. - [grunts]
YOU ***.
- AW, NOW, NOW.
IT'S JUST A BEANBAG ROUND.
AND THAT'S NO WAY TO TALK TO A LADY.
- STAY DOWN.
- ARE YOU OKAY?
- I'M BETTER.
[headset beeps] WHAT IS IT? WHAT'S UP?
- SAM KEEPS CALLING ME.
THIS BETTER BE IMPORTANT.
IF I HAD KNOWN THIS WAS ABOUT MICHAEL, I WOULDN'T HAVE COME.
I HAVEN'T SEEN HIM IN NINE MONTHS, NEITHER HAVE YOU.
I HAVE A LIFE NOW.
I HAVE A NEW HOUSE, A NEW BUSINESS, A NEW MAN.
- WE TOTALLY FEEL YOU, FI.
WE TOTALLY FEEL YOU.
SAM AND I ARE GONNA HANDLE IT.
WE'RE GONNA RUN THE MYSTERY GUY DOWN.
WE ALREADY GOT HIS PLATES FROM THE SECURITY CAMERAS AT WORK.
- ALL WE'RE ASKING IS FOR YOU TO JUST KEEP AN EYE ON MADDY.
THAT'S IT. - THAT'S IT.
- SHE HAS ENOUGH ON HER MIND RIGHT NOW.
CHARLIE'S CUSTODY HEARING IS TOMORROW.
- CHARLIE?
MADDY'S GETTING CUSTODY OF NATE'S KID?
DID I MISS SOMETHING?
YOU GUYS DON'T TELL ME ANYTHING, SERIOUSLY.
- RUTH FELL OFF THE WAGON.
SHE'S IN REHAB.
SHE'S NOT FIT TO BE A MOTHER.
- ALL THE MORE REASON TO FIGURE OUT WHO THIS GUY IS
AND WHAT HE WANTS, 'CAUSE LIKE IT OR NOT,
MIKE'S ENEMIES ARE OUR ENEMIES.
- FINE.
BUT I'M DOING THIS FOR MADELINE.
- THE CONCEPT OF ONLY SHARING INFORMATION
THAT OPERATIVES NEED TO KNOW
ISN'T JUST USED BY INTELLIGENCE AGENCIES.
TERRORISTS USE IT TOO FOR THE SAME REASONS.
IT'S A CHALLENGE WHEN YOU'RE INFILTRATING
A TERRORIST ORGANIZATION BECAUSE IT MEANS
YOU DON'T GET TO KNOW EXACTLY WHAT YOU'RE PART OF
UNTIL IT'S TOO LATE TO DO ANYTHING ABOUT IT.
THIS IS INSANE.
YOU WANT ME TO PLAN CHARGES IN A BUILDING
I'VE NEVER SEEN BEFORE.
- NOW YOU'VE SEEN IT.
- NO, WHAT I SEE IS A PLACE CRAWLING WITH SECURITY.
- THAT'S BECAUSE IT'S A SECURITY FIRM, MICHAEL.
DEFENSE CONTRACTOR TOO.
THINK OF IT AS A LATIN AMERICAN VERSION OF BLACKWATER.
- OH, BLACKWATER.
YEAH, AND WE'RE GONNA GO IN THERE ALONE.
THAT SOUNDS SAFE.
- THAT'S WHY HE'S HERE.
HE USED TO WORK WITH THEM.
HE KNOWS HIS WAY AROUND. HE'LL GET YOU IN.
- I DON'T SEE ANY GUARD LOGS, EMPLOYEE COUNTS,
NO POLICE RESPONSE TIMES.
I MEAN, IF YOU WANT THIS DONE RIGHT, I NEED MORE TIME.
- MICHAEL, CONSIDER THIS A TEST
OF YOUR ABILITY TO OPERATE UNDER CHALLENGING CONDITIONS.
NOW YOU TWO ARE GONNA ENTER THE BUILDING
AS WEEKEND PRACTITIONERS OF THE CUSTODIAL ARTS.
YOU'LL HAVE KEY CARDS THAT'LL GET YOU PAST THE GUARDS.
ONCE YOU'RE INSIDE, PABLO WILL DIRECT YOU
TO A HIGH SECURITY ROOM ON THE EAST END OF THE BUILDING.
- AND THAT'S WHERE WE PLANT THE CHARGES?
- EXACTLY.
FROM THERE, YOU'LL MAKE YOUR WAY OUT BACK.
THERE'LL BE A VEHICLE WAITING FOR YOU.
IF YOU HAVE ANY TROUBLE AT THAT POINT,
I'LL BE UP THERE TO COVER YOU.
- YEAH, YOU STILL HAVEN'T SAID ANYTHING
ABOUT WHAT THIS JOB IS.
WE'RE BLOWING SOMETHING UP, BUT WHAT IS THAT THING?
WHY ARE WE BLOWING IT UP? WHY CAN'T--
- YOU ASK TOO MANY QUESTIONS.
- AND MAYBE YOU DON'T ASK ENOUGH.
EITHER YOU'RE CRAZY OR YOU'RE TOO DUMB TO CARE.
- HEY! LISTEN TO ME.
THIS MAN IS ONE OF THE BRAVEST MEN I'VE EVER MET.
HE HAS RISKED HIS LIFE FOR ME MORE TIMES THAN I CAN COUNT.
YOU WILL TREAT HIM WITH THE RESPECT HE DESERVES.
I KNOW YOU HAVE QUESTIONS
AND YOU'LL GET YOUR ANSWERS EVENTUALLY.
BUT THAT TIME IS NOT NOW.
I BROUGHT MICHAEL ON FOR A REASON.
YOU ARE TO TREAT HIM LIKE A MEMBER OF THIS TEAM.
YOU UNDERSTAND?
GOOD.
WE'RE ON IN THREE HOURS.
- ONE, TWO, WE'RE UP, WE'RE UP.
CHARLIE WESTEN SLAMS ONE DOWN AND THE CROWD GOES WILD.
- FIONA, PUT THAT THING AWAY.
- MADELINE, I TOLD YOU WE HAVE A SITUATION.
- YOU'RE DAMN RIGHT WE HAVE A SITUATION.
CHILD SERVICES COULD MAKE A HOME VISIT AT ANY TIME.
FOR GOD'S SAKE, I QUIT SMOKING FOR THIS.
ONE GUN COULD RUIN EVERYTHING.
- IT'S JUST UNTIL SAM AND JESSE FIND THIS GUY.
- WHY DON'T WE JUST CALL THE POLICE?
- WE WILL TAKE CARE OF IT OURSELVES
JUST LIKE WE ALWAYS DO.
- THAT CHILD LOST BOTH HIS PARENTS.
I WILL NOT LET HIM LOSE ME.
- LET US WORRY ABOUT ANY DANGER.
YOU JUST WORRY ABOUT MAKING SURE YOU GET TO KEEP CHARLIE.
- THERE WE GO.
OH, OH, THERE HE GOES.
[phone rings]
- IT'S JESSE. I GOTTA TAKE IT.
- TELL HIM TO FIND THAT GUY ALREADY.
- ANY LUCK?
- OH, NO LUCK. ALL SKILL.
I RAN THE GUY'S PLATES.
HE WAS DRIVING A RENTAL.
NAME ON THE CREDIT CARD WAS JACK MARSDEN.
- WELL, THAT CAN'T BE HIS REAL NAME.
- WELL, OF COURSE NOT.
AND HE ONLY USED THE CARD ONCE.
BUT HERE'S WHY I'M A GENIUS.
I CHECKED ALL THE OTHER CARDS
ISSUED BY THAT COMPANY THE SAME DAY.
FOUND A J.P. MARSDEN WHO JUST USED A BRAND-NEW CARD
TO RENT A HOUSE IN COCONUT GROVE.
A-BAM.
- YOU THINK HE STILL LIVES THERE?
- SAM AND I ARE HEADING OVER THERE RIGHT NOW.
- SMUGGLING ANYTHING INTO A SECURE BUILDING
IS ALL ABOUT MISDIRECTION.
YOU CAN'T KEEP ALARMS FROM GOING OFF OR DOGS FROM BARKING,
BUT YOU CAN MASK WHY IT'S HAPPENING.
- [speaking Spanish]
- A METAL DETECTOR CAN'T DIFFERENTIATE
BETWEEN A SMITH & WESSON .45
AND A STEEL-SIDED FLOOR POLISHER...
[dog panting]
THE SAME WAY A BOMB-SNIFFING GERMAN SHEPHERD
DOESN'T KNOW THE DIFFERENCE BETWEEN THE SMELL OF C-4
AND NITROGEN-BASED FERTILIZERS.
[all speaking Spanish]
WE'RE AT THE DOOR.
- REAR EXIT'S CLEAR.
YOU'VE GOT THREE MINUTES
BEFORE THAT PATROL CAR CIRCLES AROUND AGAIN.
- COPY THAT.
[keypad beeps]
[error tone]
[keypad beeps]
DAMN IT. [error tone]
- DID YOU GET THE WRONG CODE?
- NO, THIS WAS RIGHT.
THEY MUST HAVE CHANGED IT.
- WHAT ARE YOU DOING?
- WE'LL HAVE TO TAKE A GUARD, GET IT FROM HIM.
- WE DON'T HAVE TIME FOR AN INTERROGATION.
WE'LL USE THE EXPLOSIVE.
WE'LL GET THROUGH THE DOOR WITH A CUTTING CHARGE.
- WE'VE ONLY GOT ONE DETONATOR.
- LET ME HANDLE THAT.
JUST COVER ME.
PABLO, PLEASE. WE DON'T HAVE TIME.
- FINE, BUT DO IT QUICKLY.
- C-4 IS THE MOST POPULAR MILITARY EXPLOSIVE
MAINLY BECAUSE IT'S EXTREMELY STABLE.
THAT'S GREAT IF SAFETY IS YOUR MAIN CONCERN,
BUT NOT SO GREAT IF YOU'RE SHORT A DETONATOR.
WHEN YOU HAVE TO IMPROVISE,
A PRIMARY EXPLOSIVE LIKE MERCURY FULMINATE
MIXED WITH GUNPOWDER CAN PROVIDE THE ENERGY NEEDED
TO SET OFF A CHUNK OF C-4,
PROVIDED YOU CAN GET THEM IN PLACE
WITHOUT BLOWING YOUR HAND OFF.
HERE.
BURKE, CHANGE OF PLANS.
WE'RE COMING OUT HOT.
- COPY THAT.
I'LL BE READY WHEN YOU DO.
[alarm blares]
- [yelling in Spanish]
[bomb beeps]
[yelling in Spanish]
- TIME TO GO!
- WE HAVE TO MOVE, NOW.
[grunts]
[bomb beeps]
- DAMN IT.
[bomb beeps]
[gunfire]
- GONNA MEET UP IN TWO HOURS.
CHANGE CLOTHES AND SWITCH CARS.
RADIO SILENCE UNTIL THEN.
[gunfire]
- THIS IS THE PLACE.
MATCHES THE ADDRESS ON THE RENTAL AGREEMENT.
- I DON'T SEE ANY CARS.
PLACE LOOKS EMPTY. - MAYBE, MAYBE NOT.
THERE'S THE BOX.
LET'S SEE IF HE'S HOME.
- AN EASY WAY TO TELL IF A HOUSE IS OCCUPIED
IS TO MONITOR THE ELECTRICITY USAGE
WITH A NON-CONTACT VOLTAGE METER.
YOU CAN DO A QUICK CHECK OF THE BREAKER BOX
AND SEE IF ANYONE'S GOT THE LIGHTS ON.
- EITHER HE LIKES TO SIT SILENTLY IN THE DARK
OR HE'S NOT IN THERE. - GOOD.
I'M LOOKING FORWARD TO SURPRISING THE SON OF A ***
WHEN HE GETS BACK HOME. - OH, BOY.
YOU'RE A LITTLE FIRED UP ABOUT THIS ONE, AREN'T YOU?
- HE HELD A SWITCHBLADE TO A VERY SENSITIVE REGION OF SAM AXE
THAT ONLY ELSA AND SANDINO GET TO TOUCH.
WHAT?
SANDINO'S MY MASSEUR.
- T.M.I., SAM. T.M.I.
- ONCE YOU'RE AT THE STRUCTURE THE NEXT STEP IS GETTING IN.
THE SAME PORTABLE VOLTAGE TESTER
YOU USED TO MEASURE ELECTRICAL USAGE
CAN ALSO DETECT ELECTRICAL CURRENTS.
WHICH MEANS, IF YOU CAN GET CLOSE
TO YOUR TARGET'S DOORS AND WINDOWS,
YOU CAN TELL IF HE'S GOT AN ACTIVE ALARM SYSTEM
WITH A WAVE OF YOUR HAND.
- OKAY, WE'RE IN.
- NICE.
[voltage meter beeps] WAIT, WAIT.
VOLT METER JUST SPIKED.
- I THOUGHT YOU SCANNED THE DOOR.
- I DID.
I THINK SOMETHING JUST TURNED ON.
- CAN YOU SEE WHAT IT IS?
- OF COURSE, JUST BECAUSE THEY DON'T HAVE AN ALARM SYSTEM
DOESN'T MEAN YOU DON'T HAVE TO WORRY
ABOUT LESS CONVENTIONAL FORMS OF SECURITY.
- SAM, DON'T MOVE.
DON'T MOVE. DON'T EVEN BREATHE.
- WHAT IS IT? - I SAID, "DON'T MOVE"!
- DO YOU SEE THE GUY?
- IT'S A PRETTY SAFE BET THAT HE'S NOT HOME.
PEOPLE DON'T USUALLY WIRE A CLAYMORE MINE
TO THEIR FRONT DOOR WHEN THEY'RE JUST CHILLING INSIDE.
- DID YOU SAY, "CLAYMORE"? - YEAH.
IT'S ON A REMOTE TRIGGER.
I THINK WE JUST ACTIVATED IT.
- WHAT? HOW? - STOP! DON'T--[grunts]
IT'S GOTTA BE SOMETHING IN THE LOCK.
IT'S PROBABLY SET TO GO OFF WHEN YOU TURN THE ***...
OR WHEN YOU LET IT GO.
- WAIT, WAIT, WAIT, WAIT.
WHEN I TURN THE *** OR LET IT GO?
WHICH IS IT? - I DON'T KNOW.
JUST DON'T MOVE, DON'T TWITCH,
DON'T BLINK, DON'T...THINK.
- EXCUSE ME.
I'M HERE FOR THE CHARLIE WESTEN CUSTODY CASE.
- RIGHT THIS WAY.
MR. EMORY IS WAITING FOR YOU IN THE CONFERENCE ROOM.
- I'M SORRY, I THOUGH I WAS MEETING WITH MR. COYER.
- ACTUALLY, NO.
A SUPERVISOR FROM THE STATE OFFICE
CAME EARLY THIS MORNING TO HANDLE YOUR CASE.
- WHY? IS SOMETHING WRONG?
- NO, NO, IT'S PROBABLY JUST THAT YOUR CASE IS SENSITIVE.
- AH, MRS. WESTEN.
HI, THERE. - HELLO.
- I'M WARREN EMORY.
SO GOOD TO MEET YOU.
- THANK YOU. - YOU'RE WELCOME.
- I MUST SAY, MRS. WESTEN,
BASED ON THE REPORTS THAT I'VE SEEN,
YOU'RE IN GOOD POSITION TO MOVE FORWARD IN YOUR EFFORTS
TO BECOME YOUR GRANDSON'S LEGAL GUARDIAN.
- [exhales] THANK YOU.
I'M SO RELIEVED.
- UNFORTUNATELY THERE IS AN ISSUE
THAT WE HAVEN'T COVERED
AND WE'RE CONCERNED IT MAY IMPACT
THE SUITABILITY OF THE HOME ENVIRONMENT FOR CHARLIE.
SPECIFICALLY YOUR SON MICHAEL.
- MICHAEL?
HE HASN'T--MICHAEL SHOULD NOT BE AN ISSUE.
I HAVE NO CONTACT WITH HIM. - HMM.
- I'M SORRY, YOU HAVE TO UNDERSTAND--
- NO, I UNDERSTAND. I REALLY DO.
BUT THE DEPARTMENT, I'M AFRAID THEY WON'T
WITHOUT SOME KIND OF AN IDEA ABOUT YOUR SON'S CURRENT STATUS.
- I'M NOT SUPPOSED TO TALK ABOUT MICHAEL.
- HMM. - THAT'S ALL I CAN SAY.
- THEN I'M AFRAID THERE'S NOTHING MORE
THAT WE CAN DO HERE.
I'M SURE WE CAN PLACE CHARLIE IN A FOSTER CARE--
- NO, PLEASE!
MICHAEL IS WORKING ON A GOVERNMENT ASSIGNMENT.
THAT'S ALL I CAN SAY.
- HMM.
IS THIS SOMETHING YOU CAN, UH, VERIFY?
- NOT EXACTLY, BUT YOU COULD LOOK UP
MY ARREST RECORDS FROM LAST YEAR
WHEN I TURNED MYSELF IN TO THE POLICE.
WE WERE ALL RELEASED--
PART OF A DEAL THAT MICHAEL HAD MADE WITH THE CIA.
- THAT'S EXCELLENT, MRS. WESTEN.
I'M GLAD THAT WE'RE MAKING PROGRESS.
NOW, TELL ME MORE ABOUT THIS DEAL.
- HOW YOU DOING THERE, JESSE?
GETTING A LITTLE WOBBLY HERE.
- NO. NO WOBBLING.
JUST GETTIN' A TOOL. HANG ON.
- YOU CALL THAT A TOOL?
WHAT THE HELL ARE YOU GONNA DO WITH THAT?
- I LEFT MY BOMB ROBOT AT HOME, SAM.
CAN'T DISARM THE THING.
I'M GONNA TRY TO CHANGE THE BLAST RADIUS.
[breathes heavily] OKAY.
CAN YOU GIVE ME SOME ROOM TO WORK HERE?
I'M A LITTLE CLOSE TO SANDINO TERRITORY.
- AS I RECALL, YOU TOLD ME NOT TO MOVE A MUSCLE.
I'M GONNA STICK WITH THAT.
- FAIR ENOUGH.
- CLAYMORE MINES ARE ONE OF THE MOST LETHAL
ANTI-PERSONNEL DEVICES IN EXISTENCE.
THE SHRAPNEL INSIDE CAN RIP THROUGH THE WALL OF A HOUSE
AND STILL BE DEADLY UP TO 200 METERS.
- OOH.
- BUT BECAUSE A CLAYMORE IS A DIRECTIONAL CHARGE,
MOST OF THE BLAST IS PROPELLED FORWARD,
WHICH MEANS IF DISARMING IT ISN'T AN OPTION,
BEING BEHIND IT WHEN IT GOES OFF IS THE NEXT BEST THING
AS LONG AS YOU HAVE ADEQUATE COVER.
- OKAY.
WE CAN'T RISK TIPPING IT OVER.
THAT'S AS FAR AS IT'S GONNA GO.
- IS THAT ENOUGH? - IT SHOULD BE.
- SHOULD BE?
IT SHOULD BE OR IT IS?
"SHOULD BE" IS HOW BOMB TECHS LOSE BODY PARTS.
- OKAY, THEN IT IS.
- ARE YOU LYING TO ME?
- MAYBE. I DON'T KNOW.
JUST JUMP THAT WAY, OKAY?
JUMP FAR. - OKAY, READY?
- NO, I'M NOT READY.
HOLD ON.
- WHERE ARE YOU GOING?
- HEY, SOMEBODY'S GOTTA TAKE YOU TO THE HOSPITAL
IF THIS THING GOES WRONG, RIGHT?
HOLD ON.
OKAY.
WHOO-HOO-HOO!
THAT WASN'T TOO BAD, HUH?
- [groans]
- YOU OKAY?
- YEAH.
NEXT TIME, YOU'RE ON LOCK DUTY.
- NEXT TIME. YEAH.
- LET'S SEE WHAT THIS GUY WAS SO ANXIOUS TO PROTECT.
- WELL, IT'S A HELL OF A WAY TO REDECORATE.
- NOTHING OUT THIS WAY.
YOU SEE ANYTHING?
- YEAH, CHECK THIS OUT.
LOOKS LIKE SOMEONE TURNED HIS KITCHEN
INTO A FAKE I.D. FACTORY.
- GUY MUST HAVE BEEN A BOY SCOUT.
LOOKS LIKE HE PREPPED EVERY KIND OF COVER I.D.
HE COULD POSSIBLY NEED.
- AIRPORT SECURITY, BUILDING INSPECTOR.
- HERE WE GO. HE'S EVEN WORKING ON--
- WHAT? WHAT IS IT?
- AW, JESUS.
- OH, MY GOD.
[phone beeps]
[phone rings]
- SAM, YOU FIND ANYTHING?
- FI, WHERE ARE YOU?
- WELL, I'M WAITING FOR MADELINE
TO FINISH HER CUSTODY MEETING. WHAT'S WRONG?
- WE JUST FOUND A DEPARTMENT OF CHILDREN AND FAMILIES I.D.
AT THE MYSTERY MAN'S HOUSE. - WHAT?
- HE'S IN THERE, FI!
HE'S IN THE SAME ROOM WITH MADDY RIGHT NOW!
GET OVER THERE!
- WHERE IS THE MADELINE WESTEN CUSTODY MEETING?
- THE EVALUATION IS-- - WHERE IS SHE?
- IN THE CONFERENCE ROOM AT THE END OF THE HALL.
- MADELINE.
- FIONA, WHAT ARE YOU DOING BACK HERE?
- WHERE IS THE MAN YOU WERE TALKING WITH?
- MR. EMORY?
HE LEFT FOR TALLAHASSEE. BUT IT'S GOOD NEWS.
HE'S GONNA RECOMMEND THAT I GET CUSTODY OF--
- DID HE ASK YOU ANYTHING ABOUT MICHAEL?
WHAT EXACTLY DID YOU TELL HIM?
- OH, MY GOD. NO.
- YOU COULDN'T STEAL A CAR THAT HAD AIR CONDITIONING?
- I CHOSE ONE THAT WOULDN'T STAND OUT.
YOU WANT COMFORT
OR YOU WANNA GET THROUGH THIS POLICE CHECKPOINT?
AND COVER YOUR LEG.
A NEW CAR WON'T DO US MUCH GOOD
IF THE COPS SEE FRESH BLOOD FROM A BULLET WOUND.
- HEY, YOU JUST WORRY ABOUT DRIVING, OKAY?
[phone rings]
BUENO?
YEAH, IT'S GOOD.
- IF YOU WORK IN COVERT OPERATIONS LONG ENOUGH,
YOU DEVELOP A SIXTH SENSE FOR WHEN YOUR COVER HAS BEEN BLOWN.
- NO, DON'T WORRY. I'LL TAKE CARE OF IT.
OKAY, I'LL TALK TO YOU SOON.
- WHO WAS THAT?
- IT'S BURKE...CHECKING IN.
- I THOUGHT WE WEREN'T SUPPOSED TO TALK UNTIL THE RENDEZVOUS.
- YEAH, WELL, I GUESS HE DECIDED TO CHANGE THE PLAN.
- WHEN YOU THINK YOU MIGHT HAVE BEEN COMPROMISED,
IT PAYS TO TRUST YOUR INSTINCTS.
AFTER ALL, THE ONLY WAY YOU KNOW FOR SURE
YOUR COVER HAS BEEN BLOWN
IS WHEN SOMEONE PUTS A BULLET IN THE BACK OF YOUR HEAD.
YOU SHOULD PROBABLY GIVE ME YOUR GUN.
IF THE COPS DON'T BUY OUR STORY,
I'M GONNA HAVE TO SHOOT OUR WAY OUT OF THIS.
- YOU HAVE A GUN.
- WHICH I'D LOVE TO USE, BUT I'M OUT OF AMMO.
REMEMBER? SAVING YOUR *** BACK THERE?
- LISTEN, IF WE RUN INTO TROUBLE, I'LL HANDLE IT, OKAY?
- YOU'RE INJURED. LOOK, THIS IS CRAZY.
- NO, WHAT'S CRAZY IS ME GIVING MY GUN TO A TRAITOR.
YEAH, THAT'S RIGHT. I KNOW THE TRUTH.
THAT CALL?
THAT WAS FROM A FRIEND OF MINE IN MIAMI.
HE JUST FOUND OUT YOU STILL WORK FOR THE CIA.
HANDS ON THE WHEEL, MICHAEL. - UM...
I DON'T KNOW WHO YOUR FRIEND IS, BUT THEY'VE GOT BAD INFORMATION.
- FROM YOUR OWN MOTHER, PENDEJO?
YOU TRY ANYTHING, YOU DIE.
- [speaking Spanish]
- UH, TURISTAS.
GOING TO BAHI BAY--BAYAHIBE.
IT'S FISHING. PESCADOS.
FISH, FISH.
- NAMES AND HOTEL WHERE YOU STAY.
[yelling in Spanish]
[gunfire]
- [grunts]
- [yells in Spanish]
- HOW DID IT HAPPEN?
- STOPPED AT A CHECKPOINT.
COP STARTED ASKING QUESTIONS.
PABLO, HE--HE PANICKED.
PULLED A GUN.
I TIRED TO GET US OUT OF THERE, BUT...
- DID HE SUFFER?
TELL ME THE TRUTH, MICHAEL.
- COPS FIRED AT THE CAR.
HEADSHOT. HE DIED INSTANTLY.
- YOU NEED TO KNOW WE LOST A HERO TODAY.
AND THIS MISSION CONTINUES ONLY BECAUSE OF WHAT HE DID.
YOU UNDERSTAND?
- I JUST WISH I COULD HAVE SAVED HIM.
- I'M SURE YOU DID ALL YOU COULD, MICHAEL.
I'M GONNA GO AWAY FOR A FEW DAYS.
I'LL BE IN TOUCH, BUT I WANT YOU TO KEEP A LOW PROFILE
UNTIL I GET BACK.
YOU STAY STRONG, MICHAEL.
AND BE READY.
[exotic music]
♪ ♪
- [speaking Spanish]
- SO YOU'VE BEEN A BUSY BOY.
APPARENTLY YOU BLEW UP ABOUT $20 MILLION
OF SATELLITE DECRYPTION EQUIPMENT YESTERDAY.
ANY IDEA WHY?
- NO, BUT IT'S PART OF SOMETHING BIGGER, A LOT BIGGER.
BURKE WAS CLEAR ABOUT THAT.
WHAT ABOUT MY COVER?
- WE HAVE A SERIOUS PROBLEM.
SOMEONE'S BEEN ASKING AROUND MIAMI ABOUT YOU.
YOU THINK BURKE KNOWS?
- NO, OR I'D BE DEAD.
PABLO SAID THE MIAMI CONTACT WAS HIS, NOT BURKE'S.
BUT WHOEVER HE IS, HE WON'T KEEP HIS SECRET FOREVER.
- WHICH IS WHY I'M HEADED STATESIDE TO CLEAN THIS UP.
WHEN'S BURKE SUPPOSED TO MAKE CONTACT AGAIN?
- NOT FOR AT LEAST ANOTHER 48 HOURS.
- THAT'S CUTTING IT CLOSE, BUT WE DON'T HAVE MUCH CHOICE.
I NEED SOMEONE IN MIAMI WHO CAN HIT THE GROUND RUNNING,
SO YOU'RE COMING WITH.
- I'LL NEED TO CONTACT SAM AND JESSE.
- DON'T CONTACT ANYBODY.
THIS ISN'T A CLASS REUNION.
YOU GET SEEN IN MIAMI, OUR WHOLE OP IS OVER.
WE GO IN, WE STAY IN THE SHADOWS.
NO ONE KNOWS WE'RE THERE.
WE FIND THIS SON OF A ***
AND WE PUT HIM IN THE GROUND.
YOU UNDERSTAND THE STAKES, RIGHT?
- I UNDERSTAND IT'S HIM OR ME.