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- My new drum.
- DW.
- We’re solving global scale problems – how to change sample rate.
- There's no other way.
- God of this studio, Aleksey Ratsen. Please welcome!
- Though, only bits of it will be used in the track.
- We need to record a couple of ‘throughout’ type beats for Du Hast, like…
and just make up some ideas for fill-ins.
- Let’s roll!
- It would be cool to record hi-hat into this.
- Look, and could you play like this - we've just made up a cool one,
we could do the pickup from the pit like that...
- Vova, look, everything’s great. Can you play a roll in eights there?
- Nice one!
- Well, I could play variations for that.
- Or we can break it and do, like…
- Yeah, we could do that.
- A fill-in performed by Alexey
- Didn't work out.
- We’re recording drums for another track.
This is going to be our remix for multinational project from Europe called N.O.H.A.,
for a track that is getting acclaimed now around the world and particularly in Russia.
It’s called 'Tu Café'.
- That’s what music really looks like.
- We should make it more latino. Just like
- I’ll just play
- So don’t think that we just draw samples from libraries.
- We have our own sample packs. Here they are.
- We’ve gonna get a custom timbales now.
-Vova, what are you doing now?
-I’m turning a snare into a timbales. Tightening all screws to the limit.
- That’s how latino is made in Russia.
- Alright, let’s roll!
- F#&k, come on. This is a *** pattern.
- One more time.
- Are you happy with what you hear?
- Yeah sure, sounds cool!
- Can I hit it a little?
- Sure thing, Vanya!
- Now you’re gonna hear real soul.
- I’m all strained.
- That’s it, my mission is accomplished.