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WHAT DO YOU THINK?
TELL YOU WHAT.
IF I'M GOING IN,
I GO WITH HIM.
OKAY.
DO IT.
WE'RE NOT REALLY GOING IN,
ARE WE?
NOT A CHANCE IN HELL.
[ ENGINE TURNS OVER ]
[ GUNSHOT ]
[ GUNSHOTS ]
STOP THE CAR NOW.
HOW MANY TIMES
DO I HAVE TO TELL YOU?
YOU SHOULD HAVE GONE
BEFORE WE LEFT.
GET OUT.
OKAY.
AH
THERE GOES OUR WITNESS.
KIRBY'S DEAD.
OKAY, LISTEN TO ME.
I'M GONNA SAY THIS ONCE.
THIS IS NOT YOUR FIGHT,
IT'S MINE.
ONCE THIS THING STARTS,
THERE IS NO TURNING BACK.
WHAT ABOUT YOU?
I CAN FALL BACK IN THE WEEDS.
I CAN FADE AWAY.
IF YOU WALK WITH ME,
IT IS GUILT BY ASSOCIATION.
SO I NEED TO HEAR FROM YOU
RIGHT HERE AND NOW --
ARE YOU IN
OR ARE YOU OUT?
LOOK, IF BARKER'S CLEAN,
YOU GOT NOTHING TO WORRY ABOUT.
BUT IF HE'S NOT, YOU'RE
EITHER GOING DOWN WITH HIM
OR YOU'RE GONNA END UP DEAD.
OF COURSE I'M IN.
OKAY.
THEN THERE'S SOME THINGS
WE GOT TO GET STRAIGHT.
YEAH.
ABOUT RED GAUNTLET.
ABOUT THE ASSASSINATION
ON THE AMBASSADOR.
RED GAUNTLET LOOKED LIKE
IT WAS JUST ANOTHER JOB.
IT WAS TOP-SECRET,
BUT IT WAS ORDERED UP
BY THE BUREAU JUS LIKE ANY OTHER JOB.
IT CAME THROUGH CHANNELS
LIKE ANY ASSIGNMENT I EVER GOT,
SO IT HAD TO HAVE A COVER,
A REGISTRY, A CHAIN OF COMMAND.
BUT THERE
HAD TO BE A FILE,
LIKE IT CAME FROM SOMEONE
INSIDE THE FBI --
WHICH IT DID.
YEAH, BUT WHO?
WHO ORDERED IT?
THINK ABOUT IT.
THE SAME PEOPLE THAT JUST KILLED
YOUR WITNESS, KIRBY.
NOW, THERE IS
NO NAME FOR THEM,
BUT SOMETIMES
THEY'RE CALLED "THE OUTFIT.
"
OTHERS, AROUND US, AMONG US.
THERE'S A NETWORK.
WHAT ARE YOU SAYING?
A CIRCLE OF FBI AGENTS
FOR WHOM THE JOB IS NOT ENOUGH.
OKAY.
WHAT'S OUR PLAN?
OUR PLAN?
YEAH.
[ CHUCKLES ]
OUR PLAN IS
I'M GOING AFTER THEM.
AND THE FIRS WAS GORDON FREED.
Todd:
HE WAS ONCE ONE OF US.
I KNOW.
I SEEN HIS CAR
[ EXPLOSION ]
OR WHAT'S LEFT OF IT.
HE WAS THE FIRST NAME ON
THIS LIST FROM EZEKIEL.
I'D ALSO ADVISE HIM
TO BE CAREFUL.
NOW THERE'S ONLY
TWO LEFT ALIVE.
FAMILIAR NAME.
YEAH, IT'S FAMILIAR.
WE GO FOR HIM FIRST,
AND HOPEFULLY
HE GIVES US THE LEADER.
ALL IT GIVES IS A CODE --
"VIPER.
"
THAT'S ALL EZEKIEL KNEW.
BUT VIPER
IS THE ONE I WANT.
OKAY.
WELL, LET'S GO GET HIM.
LET'S DO IT.
[ INDISTINCT CONVERSATIONS ]
BOSS WANTS AN UPDATE.
NOW.
ALL RIGHT.
[ CELLPHONE RINGS ]
YES
UH-HUH.
GO ON.
WELL,
IF YOU'RE CALLING ME
[ GUN *** ]
IT'S ALREADY REACHED
CRITICAL MASS.
"BY ANY MEANS NECESSARY.
"
I UNDERSTAND.
GOT IT.
[ CAR DOOR SHUTS ]
YOU WENT OUT KIND OF HOT.
YOU OKAY?
FOR NOW.
LISTEN, I NEED
EVERYTHING YOU CAN DIG UP
ON A POSSIBLE PLAYER,
CODE-NAMED VIPER.
FBI?
NOT SURE.
MY GUESS IS HE'S GOT A JOB
IN INTEL SOMEWHERE.
VIPER?
IS THAT ALL YOU GOT?
HE WAS POIN ON RED GAUNTLET.
RAN THE SHOW.
HE WAS THE LEADER.
I'LL SEE
WHAT I CAN DIG UP.
THANKS.
HEY, UH
YOU WATCH YOURSELF.
ALWAYS.
OKAY.
MY TURN TO COME CLEAN.
EIGHT MONTHS AGO,
THE BUREAU SENT RAYMOND BEAUMON TO SEE ME.
THEY WANTED SOMEONE CLOSE
TO WATCH YOU.
THEY PLAYED ME, TOO,
YOU KNOW.
YEAH.
SO?
THEN THEY SAID
THAT YOU MIGHT BE BENT.
GONE DARK.
I NEVER BELIEVED THEM.
IF THAT WERE TRUE, YOU WOULD
HAVE COME TO ME STRAIGHT OUT.
OKAY.
FAIR ENOUGH.
BUT THE WAY
YOU PLAY THINGS,
WRITE YOUR OWN RULES --
I HAD SOME DOUBTS.
WELL, DOUBT IS GOOD.
IT'S PART OF WHA KEEPS ME BREATHING.
SO YOU TAUGHT ME.
SO WHY DO YOU
TRUST THIS GUY?
IT'S NOT ABOUT TRUST.
GOING AFTER YOUR OWN
IS *** DETAIL.
I BELIEVE HIM BECAUSE HE DIDN' TAKE ANY PLEASURE IN IT.
HERE HE IS.
JUST BE NICE.
SO, WHAT'S YOUR STORY?
A WHILE BACK,
I CAME TO ELLIS --
I KNOW ALL THAT.
HOW DID YOU GET THE JOB?
THE JOB ON ME?
WAS ASSIGNED.
MY SUPERVISOR IN D.
C.
GAVE ME A CASE FILE ON YOU.
THE LEVEL OF SECRECY
WAS HIGH.
GO ON.
HE SAID THEY FIGURED YOU
FOR A MEMBER OF THE OUTFIT.
WANTED YOU CHECKED OUT.
SO WHO WAS YOUR SUPERVISOR?
ASSISTANT SECTION CHIEF
AGENT ROBICHEAUX.
WHO ELSE CROSSED PATHS WITH YOU
ON THIS CASE?
ANY PEOPLE
UP THE LADDER?
SPECIAL AGEN JONAH MICHAELS.
UGH!
YOU CRAZY
MICHAELS IS PAR OF THE OUTFIT.
I WANT TO KNOW WHO HIRED YOU,
AND I WANT THEIR NAMES.
SO CAN YOU GET TO HIM?
[ SIGHS ]
YEAH.
TELL YOU WHAT.
WHEN YOU FIND HIM,
YOU SET A MEET,
AND MAKE I SOMEWHERE CROWDED.
GOT IT?
THEY USED ME, YOU KNOW.
THE SAME WAY
THEY USED YOU.
WHATEVER YOU NEED,
YOU LET ME KNOW.
YOU BET.
SO, SINCE MICHAELS
IS EXPECTING RAY,
HE JUST MIGHT GET JUMPY.
Ellis: I'll keep the laser sight
right on his chest.
THAT OUGHT TO KEEP HIM
IN ONE PLACE.
Here we go.
He's coming up behind you,
NORTH SIDE.
GUN HOLSTERED.
Do not take
the green dot off of him.
GUESS WHO.
DO NOT REACH FOR THAT.
POINT IT AT ME,
AND I CAN GUARANTEE YOU
THERE'S A BULLET HOLE THE SIZE
OF GOLF BALL IN YOUR CHEST.
SO, YOUR AGENDA JUST CHANGED,
DID IT NOT?
YOU'RE CRAZY.
[ LAUGHS ]
WHAT DO YOU WANT FROM ME?
IT'S ABOUT RED GAUNTLET.
I WANT TO KNOW
WHO THE LEADER WAS -- VIPER.
I DIDN'T KNOW
WHO VIPER WAS THEN,
AND I DON'T KNOW NOW.
ALL RIGHT.
TAKE THE SHOT.
THERE'S SOMETHING ELSE
I CAN TELL YOU.
TELL ME.
MORTON'S 5-YEAR-OLD DAUGHTER,
WHO WAS IN THE CAR --
SHE'S DEAD.
NO.
OKAY, HOLD YOUR FIRE.
I'm listening.
I have her.
HERE IN CHICAGO.
I CAN SHOW HER TO YOU.
I WAS THERE.
SHE DIED IN THAT CAR.
SHE WAS THROWN CLEAR
BY THE EXPLOSION.
WE FOUND HER IN THE WOODS,
AND WE TOOK HER IN.
WE'RE NOT CRUEL.
SO, DOES THA GET YOU UP IN THE MORNING?
OKAY, I'LL BITE.
YOU KEPT HER HOW?
WE GAVE HER TO A WOMAN --
AN AGENT WHO WORKED WITH US.
SHE RAISED HER
AS HER OWN.
YOU WANT TO TALK DOWN
YOUR BACKUP NOW?
NO, SIR.
YOU'RE NO GONNA GET COMFORTABLE.
YOU'RE NOT WALKING OUT OF HERE
JUST YET.
I WANT THE GIRL.
I WANT GRACE MORTON.
AND WE WANT EVERY BIT OF HARD
EVIDENCE YOU'VE GOT AGAINST US.
WE GET IT, YOU TAKE THE GIRL
AND WALK AWAY.
IF YOU DON'T LIKE THE DEAL,
WE'LL KILL HER.
GET OUT OF THERE, MAN.
Someone's got you locked in.
I TELL YOU WHAT.
IT'S A DEAL.
SO MEET AT THE ZOO ENTRANCE
AT GRANT PARK.
He ain't giving up, man.
You got to skedaddle.
WHEN?
HOW YOU DOING, MAN?
DOING ALL RIGHT TODAY?
YOU MADE A DEAL?
Barker: One that I have
no intention of keeping,
any more than they have
of letting Grace Morton go.
SO?
We got to find her
before the exchange goes down.
I KNOW JUST THE GUY
TO FIND HER.
ROBICHEAUX.
LOOKS LIKE
YOU'RE STILL OPERATIONAL.
WE ARE.
BUT THERE'S EVIDENCE THAT CLEARS
BARKER OF THE ***.
ALL RIGHT.
W-WHAT DOES
"ALL RIGHT" MEAN?
IT MEANS
WE'VE MOVED ON.
DO YOU HAVE A REASON
TO BE HERE?
DO YOU?
I KNOW MY PAY GRADE,
BUT IT'S TIME YOU PACKED UP
AND HEADED BACK TO D.
C.
MY ORDERS
ARE TO TAKE DOWN THE OUTFIT.
THAT TAKES ME
RIGHT THROUGH BARKER.
HE'S THE CENTERPIECE.
WRONG.
BARKER ISN'T EVEN
A PART OF IT.
YOU'RE THE ONE
WHO'S WRONG.
THE GOOD WORK THIS BUREAU
DOES FOR THIS COUNTRY,
MEN AND WOMEN
SACRIFICE THEIR LIVES,
THE OUTFIT TEARS
ALL THAT DOWN.
IT DEMEANS ALL OF US.
I AM GOING TO TAKE THEM APAR ONE BY ONE,
STARTING
WITH YOUR FRIEND.
BARKER JUST TEXTED ELLIS DOVE.
HE WANTS HIM TO COME MEET.
DOVE IS ON HIS WAY.
DO WE HAVE EYES ON ELLIS?
YOU KNOW IT.
LET'S MOBILIZE!
WE ARE OUT OF HERE!
YOU SHOULD TAKE
A FEW SICK DAYS, CONRAD.
I'LL TAKE THEM
WHEN I'M SICK.
GO AHEAD,
BECOME PART OF THE PROBLEM.
SEE WHAT HAPPENS.
IT'S ROBICHEAUX.
WE'RE SITTING
ON BARKER'S PARTNER.
HE'S WAITING FOR A MEET.
ANY MOMENT NOW
I'LL BE LOOKING AT BARKER.
YES, WELL
YES, Y-YOU LET ME KNOW
WHEN YOU SEE HIM.
CHARLES.
SOMETIMES I WONDER
WHAT IT'D BE LIKE
IF YOU WEREN'T AROUND
TO KICK OUR WORLD TO PIECES.
BUT, THEN, IF YOU WEREN'T,
I WOULDN'T BE ALIVE TO FIND OUT.
BUT WE'RE NOT HERE
TO TALK ABOUT THAT, ARE WE?
NO.
OH, YOU'VE GOT MY MEN
JUMPING THROUGH HOOPS.
YEAH, WELL,
I'M SORRY ABOUT THAT.
AND I'M SORRY
FOR THE INTRUSION,
BUT I NEED YOUR HELP,
AND I DON'T HAVE MUCH TIME.
I'M LOOKING FOR
AN OLD OPERATIONAL
FILE -- RED GAUNTLET.
I'VE BEEN COLLECTING
EVIDENCE TO FIND THE
GUYS INSIDE THE BUREAU
THAT PUT RED GAUNTLE IN MOTION IN THE FIRST PLACE.
AND THERE WAS SOMEONE
CODE-NAMED VIPER.
"VIPER"?
LISTEN TO ME.
THEY KNOW I'M COMING.
THAT'S WHY
THEY TRIED TO FRAME ME --
SO I'D BE DISCREDITED
BEFORE I COME FORWARD
WITH ANY INFORMATION I'D FOUND.
AND WHAT HAVE YOU FOUND?
OKAY.
SO, YOU'VE HEARD ABOU A GROUP OF AGENTS
WORKING OUTSIDE THE BUREAU,
RIGHT?
THAT'S JUST RUMOR.
NO.
IT'S NOT JUST RUMORS.
WHAT MAKES YOU THINK
THEY'D RISK LEAVING
A PAPER TRAIL OR MAKING A FILE?
BECAUSE THIS
IS THE FIRST PAGE OF THAT FILE.
WHERE DID YOU --
WHAT I'M LOOKING FOR
IS THE ORIGINAL.
I KNOW
YOUR RANK IN CLASS.
I KNOW
THAT YOU CAN GET IT.
NOW, I HAVE TO BELIEVE
THAT YOU WANT TO HELP ME.
OTHERWISE,
THERE'S NOT MUCH TO BELIEVE IN
IF I DON'T BELIEVE THAT.
WHEN YOU HAVE IT,
IF YOU COULD GET IT TO CONRAD
[ DOOR OPENS ]
GO GET HIM.
GET OUT OF THE CAR!
Todd: WHOA, WHOA, WHOA.
A WHITE MAN DRIVES A CAR
FRESH OFF THE LOT IN CHICAGO,
AND ALL OF A SUDDEN
HE'S A CROOK?
THAT'S PROFILING,
IS WHAT THAT IS!
Man: You want us
to take him in?
FOR WHAT? LOITERING?
LET'S GO.
LET'S GO.
GO, GO, GO!
[ CHUCKLES ]
YOU HAVING FUN YET?
GETS BETTER EVERY DAY.
HEY, CAN I BORROW THIS CAR
FOR THE REST OF THE NIGHT?
UH, NO.
LOOK, I NEED YOU TO FIND
A GIRL FOR ME.
YOU NEED ME
TO FIND YOU A GIRL?
JUST WRITE THIS DOWN --
HER NAME'S GRACE MORTON.
AGE 20, MAYBE 21.
SHE LIVES HERE
IN CHICAGO.
IS THAT IT?
HER FATHER WAS THE AMBASSADOR
TO MACEDONIA A WHILE BACK,
EDWARD MORTON.
I'M NOT EVEN SURE
IF THAT'S HER NAME ANYMORE.
WAY TO KEEP IT SIMPLE.
I WOULDN'T NEED YOU
IF IT WAS SIMPLE.
GIVE ME YOUR PHONE.
WHAT'S WRONG
WITH YOUR PHONE?
I DON'T WANT ANYONE TO GE A LOCATION LOCK ON MY PHONE.
GREAT, SO THEY
BLOW ME UP INSTEAD?
JUST GIVE ME YOUR PHONE.
[ BEEPS ]
YOU SURE ABOUT THIS?
YEP.
THIS GOES WRONG,
YOU'RE DONE AT THE BUREAU.
IS THAT WHAT YOU WANT?
NOT REALLY A CONCERN OF MINE
RIGHT NOW.
YOU KNOW THE TRUTH
DOESN'T MATTER.
WHAT MATTERS
IS HOW THEY'LL SEE IT
HOW THEY'LL
CHOOSE TO SEE IT.
HOW WILL YOU SEE IT?
WHAT, YOU WANT ME TO SAY
I'VE BEEN WRONG ABOUT BARKER
ALL THIS TIME?
I DON'T CARE.
ACTUALLY, YOU KNOW WHAT?
YEAH.
I'D LIKE TO HEAR YOU
SAY IT.
FINE.
I'VE BEEN WRONG ABOUT BARKER
ALL THIS TIME,
BUT I WAS LIED TO.
MAYBE THAT'S MY WAY
OF GETTING EVEN.
SEE YOU, RAYMOND.
YOU WATCH YOUR BACK, ELLIS.
WHAT ARE YOU,
TRYING TO GET YOURSELF KILLED?
HEY!
WHAT DID I SAY?
I TOLD YOU --
YOU GOT TO LEAVE TOWN.
YOU KNOW,
"HELLO" WORKS, TOO.
YOU GOT TO LEAVE TOWN.
WHAT?
IT'S FOR THE BEST.
WHY?
ANSWER ME! THIS IS MY LIFE
WE'RE TALKING ABOUT!
BECAUSE I'M ASKING YOU TO.
YOU KNOW, I'VE GOT CLASS.
I'VE GOT A MOCK TRIAL.
I CAN'T JUS PICK UP AND LEAVE.
IT'S JUST FOR A FEW DAYS.
I -- JUST TRUST ME.
TRUST YOU?
ALL YOU'VE DONE IS LIE TO ME
THIS WHOLE TIME.
HEY, LISTEN, JUST --
JUST GO TO YOUR PARENTS', OKAY?
ANYWHERE BUT HERE.
YOU KNOW WHAT?
THIS IS CRAZY.
I CAN'T JUST PACK UP AND LEAVE
BECAUSE YOU TELL ME TO.
IT'S NOT A JOKE.
YOU KNOW WHAT?
SCREW YOU!
DON'T COME NEAR ME.
HEY.
THIS IS MY FRIEND.
HEY.
HEY.
I'VE HEARD
A LOT ABOUT YOU.
SHUT UP.
WHAT? IT'S JUS A CONVERSATION STARTER.
TODD, DO YOU HAVE SOMETHING
OR NOT?
MAYBE.
JUST TALK.
SO I FOLLOWED UP ON THAT BI THAT ELLIS GAVE ME
ABOUT HER FATHER
BEING AN AMBASSADOR.
YEAH.
WHAT'D YOU FIND?
EDWARD MORTON HAD A KNACK
FOR BEING ASSIGNED
TO HOT SPOTS, DANGER ZONES.
I KNOW THIS.
COLOMBIA, LEBANON,
EL SALVADOR.
NOW, THERE WERE A SPATE OF
KIDNAPPINGS DURING THAT TIME.
I REMEMBER.
SO?
SO, CHILDREN OF THE AMERICAN
ESTABLISHMENT LIKE GRACE MORTON
WERE FAVORITE TARGETS.
THAT'S WHY STATE STARTED
A PROGRAM, A PILOT PROGRAM,
INSTALLING LITTLE GPS CHIP SETS
JUST UNDER THE SKIN,
SAY AROUND THE ANKLE,
SO THEY COULD TRACK THEM
IF THEY WERE TAKEN.
I HOPE THIS IS GOING
WHERE I THINK IT IS.
WAIT.
SO THE FIRST ONES WERE
PRIMITIVE, BUT THEY WORKED.
TELL ME HERS
IS STILL WORKING.
[ SIGHS ] NO.
IT STOPPED WORKING 12 YEARS AGO.
BUT THE WAY
THESE BABIES WORKED,
JUST BEFORE
THE BATTERY WENT OUT,
THEY WOULD SEND OU ONE LAST REGISTER,
WITH A TIME STAMP
AND LOCATION.
THAT LOCATION
WAS RIGHT HERE IN CHICAGO.
IN CHICAGO?
THAT'S IT.
YOU'RE AN ANIMAL.
NOW, REMEMBER,
THAT'S 12 YEARS OLD,
SO I HAVE NO IDEA
IF THE YOUNG WOMAN
WHO'S LIVING THERE NOW
IS THE SAME ONE --
WAIT, SHE'S --
SHE'S LIVING THERE NOW?
I'M SAYING SOMEBODY IS.
NAME IS,
UH, JANE ROSS.
NO REASON TO BELIEVE
IT'S THE SAME PERSON.
BUT THAT'S
HER UNIVERSITY I.
D.
PHOTO.
THAT'S HER.
YEAH?
YEP, THAT'S HER.
THEN LET'S GO GET HER.
[ SILENCED GUNSHOTS ]
[ SILENCED GUNSHOTS ]
GRACE.
WHO ARE YOU?
I'M CHARLES BARKER.
I WAS A FRIEND
OF YOUR FATHER'S.
MY
WHAT ARE YOU DOING HERE?
YOUR LIFE IS IN DANGER,
AND YOU'VE GOT TO COME WITH ME
RIGHT NOW.
I DON'T THINK
I WANT TO DO THAT.
I'VE GOT TO TALK FAST.
THERE WAS A BIRTHDAY PARTY
FOR YOU AT THE CONSULATE.
IT WAS YOUR 5th BIRTHDAY.
I DON'T REMEMBER.
I WILL REMEMBER FOR YOU.
THE PARTY WAS THE DAY BEFORE
YOUR FATHER DIED.
YOUR DAD SET UP A MINI-CARNIVAL
ON THE GROUNDS.
YOU COULD HAVE HEARD THA FROM ANYONE.
BUT I DIDN'T.
I WAS THERE.
THERE WAS A PETTING ZOO WITH ALL
THESE RABBITS RUNNING AROUND.
BUT YOU, YOU WERE PLAYING
WITH THE RUNT --
THE ONLY BLACK ONE.
AND YOU WOULDN' PUT IT DOWN.
NOW DO YOU REMEMBER?
I THOUGHT YOU DIED
IN THAT CAR WITH HIM.
I THOUGHT THA FOR A LOT OF YEARS.
BUT, PLEASE, YOU GOT TO
COME WITH ME RIGHT NOW.
ELLIS, DOOR.
GET YOUR THINGS.
WE GOT TO GO FAST.
GO.
OKAY
WE CAN'T BE HERE
FOR LONG.
I'M AWARE.
I HAVE A COUPLE OF THINGS
TO UNDO FIRST.
I'LL, UH, KEEP WATCH.
I'M SORRY, BUT I DO NO EVEN KNOW WHERE TO START.
I CAN IMAGINE
WHAT YOU MUST BE FEELING.
CHARLES BARKER.
YES.
I'VE HEARD YOUR NAME
SO OFTEN.
THE MAN
WHO KILLED MY FATHER.
THEY SAID HE TRUSTED YOU,
AND YOU USED THA TO GET MY FATHER IN THE CAR.
AND WHO TOLD YOU
THESE STORIES?
THE PEOPLE
WHO SAVED MY LIFE.
THAT IS NO WHO THEY ARE, GRACE.
THEY ARE THE VERY PEOPLE
THAT KILLED YOUR FATHER.
NOW, I'M NOT DENYING
MY PART.
THEY TOLD ME YOUR FATHER
WAS PUTTING INNOCENT PEOPLE'S
LIVES IN JEORDY.
AND I BELIEVED THEM.
AND BY THE TIME I FIGURED OUT --
THEY SAID THAT IT WAS YOU,
AND THAT YOU WOULD BE BACK
TO HURT ME.
TO HURT YOU?
WHY SHOULD I BELIEVE YOU?
BECAUSE YOUR FATHER
WAS MY FRIEND.
I DON'T BELIEVE YOU.
THE TRUTH IS ALL I'VE GOT.
PULL THE TRIGGER.
SO, UH
LET'S STAR WITH WHAT YOU REMEMBER.
UH
I DON'T KNOW WHAT'S A MEMORY
AND WHAT THEY TOLD ME.
I REMEMBER
COMING BACK FROM GREECE
WALKING THROUGH
THE AIRPORT.
I THOUGH I KEPT SEEING MY FATHER.
WHO WERE YOU WITH?
I-I DIDN'T
I DON'T KNOW.
I DIDN'T KNOW HIM.
I WAS AFRAID.
DO YOU KNOW HIM NOW?
I MEAN,
HAVE YOU SEEN HIM SINCE?
NO.
HE BROUGHT ME HERE
TO A WOMAN -- HANNAH.
WHO IS SHE?
WAS.
SHE DIED TWO YEARS AGO.
AND I DON'T REALLY KNOW
WHO SHE WAS.
SHE WAS GOOD TO ME.
MY DAD
MY MOM WHEN I WAS 2
HANNAH.
PEOPLE I LOVE DIE.
THAT'S JUST THE WAY IT IS.
I WILL TELL YOU SOMETHING
ABOUT YOUR DAD.
EVERY CONVERSATION
I EVER HAD WITH THE MAN
STARTED WITH A STORY
ABOUT YOU.
HE TOLD ME ABOU WHEN YOU WERE 2
AND MOVED IN THE HOUSE
IN MENABE
THAT YOU TRIED TO DRINK
THE POOL THROUGH A STRAW.
[ LAUGHS ]
HEY,
WE SHOULD MOVE.
Barker: YEAH.
SO THEY WARNED YOU
I WAS COMING, RIGHT?
YEAH.
WHAT DID THEY WANT YOU TO DO
IF I EVER SHOWED UP?
WERE YOU SUPPOSED TO DO
SOMETHING OR CALL SOMEONE?
UH, UM, I WAS SUPPOSED TO CALL
A MAN NAMED JONAH MICHAELS.
WHAT CAN I DO?
I GUESS IT'S TIME
TO MAKE THAT CALL.
[ CELLPHONE BEEPING ]
[ CELLPHONE RINGS ]
IT'S BEEN A WHILE.
WHAT HAPPENED?
They came to my home --
TWO MEN.
THERE WAS GUNFIRE
OUT FRONT,
and this man dragged me
into his car.
WHAT MAN?
HE SAID HIS NAME
WAS BARKER.
AND HE STARTED DRIVING,
AND THEN HE PULLED INTO
THIS UNDERGROUND WAREHOUSE.
BUT HE'S DEAD NOW.
THERE'S BLOOD EVERYWHERE.
WHERE ARE YOU?
AN INDUSTRIAL PLAN ON CENTRAL AND ROOSEVELT.
I'll be there
as fast as I can.
[ ENGINE TURNS OVER ]
GOOD GIRL.
GOOD GL.
[ SIGHS ] OKAY.
WAS MICHAELS
ONE OF THE MEN?
ONE OF THE MEN
THAT KILLED YOUR FATHER?
YES, HE WAS.
WHERE ARE THEY?
TAKE OUT YOUR GUN
AND TOSS IT TOWARDS ME.
YOU LET MY WHOLE LIFE
BE A LIE.
I THOUGHT YOU
WERE SMARTER THAN THIS.
I'M SMART ENOUGH
TO STOP BELIEVING YOU.
UGH!
THERE'S A VERY GOOD CHANCE
YOU'LL DIE TONIGHT.
GO TO HELL.
VIPER? WHO IS HE?
NO ONE KNEW.
TELL ME WHO VIPER IS.
THE GOOD OLD DAYS,
BARKER.
ALL WE KNEW
WAS WHAT WE NEEDED TO KNOW.
YOU ARE NO SAYING ANYTHING.
NEVER.
[ GUNSHOT ]
[ BREATHING HEAVILY ]
DID HE GIVE UP VIPER?
NO.
HE DIDN'T KNOW.
IF HE DID,
HE TOOK IT TO THE GRAVE.
SO YOU KILLED HIM?
HE KNEW GRACE.
THAT MADE HER VULNERABLE.
NOW HE DOESN'T KNOW
GRACE ANYMORE.
NOW WHAT?
TAKE GRACE TO THAT ADDRESS.
SHE'LL BE SAFE.
AND THEN?
THEN WE FIND VIPER.
EVERY BODEGA SECURITY CAMERA
WITHIN FIVE BLOCKS.
GET ALL OF I AND GET IT NOW.
WHAT IS GOING ON?
I SAID -- I SAID
WHAT THE HELL IS GOING ON HERE?
JONAH MICHAELS WAS FOUND DEAD
IN SOME METAL FACTORY.
WAS BARKER INVOLVED?
I SAID,
"WAS BARKER INVOLVED?"
I DON'T KNOW.
BUT WHAT DO YOU THINK?
[ CELLPHONE RINGS ]
[ BEEPS ]
I GOT YOUR TEXT.
WHAT'S UP?
OUR FRIEND.
CAN YOU GIVE THIS
TO HIM?
IF I ACCEPT THAT,
I'M SAYING I CAN CONTACT HIM.
YOU'RE NOT SAYING
ANYTHING.
NOT TO ME.
YOU SURE ABOUT THIS?
JUST SEE
THAT HE GETS IT.
SOON.
PAULSON ASKED ME
TO GIVE THIS TO YOU.
WHAT IS IT?
THE HOLY GRAIL.
VIPER'S IDENTITY?
SHOULD HAVE KNOWN.
IT'S THE ORIGINAL FILE.
IT'S ALL HERE.
MICHAELS,
GORDON FREED
ENOUGH TO PU THOSE GUYS AWAY.
IF THEY WERE STILL ALIVE.
WELL, HOW DO YOU WANT ME
TO HANDLE THIS?
[ GUNSHOT ]
UGH!
WHERE IS HE?
HELL WITH IT.
DID THEY HIT MY CAR?
WHAT?
MY VW CC.
DID THEY HIT THE CAR?
I DON'T KNOW!
I JUST GOT THAT CAR!
I LOVE THAT CAR!
SHUT UP, CONRAD!
[ TIRES REECH ]
DID YOU HIT ANYTHING?
[ INDISTINCT CONVERSATIONS ]
CHIEF ROBICHEAUX.
CHIEF ROBICHEAUX.
IT'S BARKER!
[ CONVERSATIONS STOP ]
IT'S FOR YOU, SIR.
READY TO STOP
PLAYING THESE GAMES?
YOU ARE THE LAST ONE.
WHAT ARE YOU TALKING ABOUT?
THE LAST WHAT?
We do things in life.
AND THERE'S ALWAYS A COST --
TO OURSELVES,
TO THOSE AROUND US.
We just never know
how much or when
we're gonna have to pay up.
WHAT ARE YOU
GOING ON ABOUT?
TODAY IS PAYDAY.
[ FAX MACHINE RINGS, WHIRS ]
[ ALL FAX MACHINES RING, WHIR ]
WHAT THE HELL'S
GOING ON?
THE U.
S.
ATTORNEY IS GETTING
THE SAME FAX YOU'RE GETTING
AS WE SPEAK.
YOU'RE UNDER ARREST, ALAN.
I KNEW MY INSTINCTS
WERE GOOD.
I WAS RIGHT ABOUT YOU
FROM DAY ONE.
SURE WOULD HAVE BEEN FUN
TRYING TO ARREST YOU, THOUGH.
I WOULDN'T GET COCKY.
YOU STILL GOT A LOT TO LEARN.
NOW, WHY YOU GOT TO GO
AND RUIN THE MOMENT LIKE THAT?
YOU CALL THIS A MOMENT?
YEAH.
HEY.
SO, WHAT
DOES IT HURT?
A LITTLE BIT.
ROBICHEAUX'S
BEING BROUGHT UP ON CHARGES
FOR THE AMBASSADOR'S ***,
ALONG WITH CHARGES
FOR CONSPIRACY, TREASON --
I COULD KEEP GOING
IF YOU WANT.
YOU'VE CREATED QUITE A STIR
INSIDE THE BUREAU.
OH, I BET.
PAULSON'S LAUNCHING
A FULL INVESTIGATION
INTO THE OUTFIT.
NOW, THAT IS A JOKE.
YOU THINK THERE'S GONNA BE
ANY KIND OF REAL INVESTIGATION?
THEY ARE IN
COVER-YOUR-*** MODE, CONRAD.
NO, NOT -- NOT HER.
NOT PAULSON.
I SAT DOWN WITH HER,
FACE-TO-FACE.
OH, YOU DID?
WELL, WE'LL SEE.
PAULSON AND I
WANT YOU TO COME IN.
CLEAR YOUR NAME
OF ANY CONNECTION
WITH THE RED GAUNTLET.
[ SCOFFS ]
YOU KNOW ME
BETTER THAN THAT, CONRAD.
I THOUGHT I'D TAKE
A STAB AT IT.
SO I'LL BE IN TOUCH.
HEY.
IT'S COLD OUT THERE.
COME ON.
I DON'T KNOW.
OKAY.
YOU DON'T KNOW
WHERE HE IS?
HE'S YOUR PARTNER.
HE DIDN' TELL YOU ANYTHING?
NO, MA'AM.
BARKER'S GONNA HAVE TO ANSWER
FOR HIS ROLE IN RED GAUNTLET.
IT'S NOT JUS GONNA GO AWAY.
THERE'S A PRICE
TO BE PAID.
YEAH, WELL,
I THINK HE PAID THE PRICE.
READ THE PAPERS
TOMORROW.
MR.
DOVE,
YOU'RE SUSPENDED INDEFINITELY.
Conrad: I
I-I DON'T THINK
THAT'S NECESSARY.
AGENT DOVE HASN'T DONE ANYTHING
TO WARRANT THAT.
CONRAD, DON'T GE IN THE MIDDLE OF THIS.
WELL, HE'S MY AGENT.
AND HE'S TOO GOOD
TO GET PUSHED TO THE SIDE.
AND -- AND HE
STAYS ON THE JOB
BECAUSE I SAY
HE STAYS ON THE JOB.
ELLIS, UH, GO HOME
AND GET SOME REST, ALL RIGHT?
BUT IF HE DOES
CONTACT YOU,
YOU'LL NOTIFY US
IMMEDIATELY.
I'LL BE SURE
TO DO THAT.
RIGHT.
[ KNOCK ON DOOR ]
[ CLEARS THROAT ]
HI.
IT'S ME.
I, UM
JUST WANTED TO MAKE SURE
THAT YOU'RE OKAY.
"OKAY" IS RELATIVE.
[ CHUCKLES ]
I'M SURE.
HERE.
WHAT'S THIS?
JUST A LITTLE SOMETHING
IN CASE OF EMERGENCY.
I JUST WOULDN'T FEEL RIGH UNLESS I DID IT,
SO I WANTED YOU
TO HAVE IT.
ALL RIGHT.
OKAY.
DO YOU WANT TO COME IN?
NO.
UM, BUT I WILL BE IN TOUCH
WITH A WAY TO REACH ME.
YOU'RE NOT GONNA DISAPPEAR
LIKE EVERYONE ELSE
NO.
YOU HAVE MY WORD.
OKAY.
THANK YOU
FOR THE TRUTH.
I'LL SEE YOU.
SEE YOU.
HEY.
HEY.
DID YOU MAKE SURE
YOU WEREN'T FOLLOWED?
AH, IT'S GOOD TO SEE
THINGS HAVEN'T CHANGED.
OF COURSE
I WASN'T FOLLOWED.
YOU DUMPED THE CADDY.
YEAH, IT'S BETTER
TO NOT STAND OUT RIGHT NOW.
SO, HOW'D IT GO?
MAN, YOU SHOULD'VE
SEEN PAULSON.
SHE PUT ON
A HELL OF A SHOW,
THREATENED TO SUSPEND ME.
AND THEN CONRAD SHOWED
SOME STONES.
IT WAS CLASSIC.
SO, CONRAD SAID SHE'S HEADING UP
THE INVESTIGATION OF THE OUTFIT.
SO THAT MEANS
WE HAVE TO TRUST HER.
YOU CONTACT HER?
JUST SET A MEET WITH HER.
MIDNIGHT TONIGHT,
LAKESIDE PARK.
NICE.
NOW, LOOK, I'M GOING TO PUT SOME
DISTANCE BETWEEN YOU AND ME,
BUT NOT FOR LONG, SO I WANT YOU
TO REMEMBER SOMETHING.
WHAT?
WHAT THE HELL IS THAT?
WHEN THE TIME COMES,
YOU'LL KNOW.
FOR THE BATTLE
I'VE GOT TO FIGHT,
I'VE GOT TO BE ALONE.
I NEED SOME FREEDOM
TO MOVE FAST.
SO IF YOU DON'T HEAR FROM ME
A WHILE, DON'T WORRY ABOUT IT.
SO REPEAT THE NUMBER.
PERFECT.
NOW GET OUT.
I WILL BE IN TOUCH.
OKAY, GO.
SEE YOU.