Trial by Jersey

>> WE'RE DOING A RUNWAY COLLECTION AT NEW YORK FASHION WEEK. WHERE ARE THESE CLOTHES? >> INDIA? >> I LIKE DEPTH. I LIKE VULNERABILITY. YOU KNOW, ALL THAT STUFF. >> I WAS ABLE TO GET SUPERMODEL JESSICA WHITE TO CLOSE THE SHOW. DID YOU GUYS SEE JESSICA? I WALK BACKSTAGE, AND JESSICA WHITE IS PACKING. I JUST WANTED TO MAKE SURE YOU WEREN'T LEAVING. >> NO. I AM -- I'M GONNA WALK AWAY. >> ♪ BIG CITY ♪ ♪ OH ♪ ♪ UH ♪ ♪ THEY STAYING HERE OR THERE ♪ ♪ DON'T THINK YOU WILL SEE ME LATER ♪ ♪ THEY STAYING HERE OR THERE ♪ ♪ DON'T THINK YOU WILL SEE ME LATER ♪ ♪ 'CAUSE I'M THAT ♪ >> COME ON IN. >> ♪ I GOT TO GO GET IT ♪ >> LET ME GET SAVIL AND STACY. >> OKAY. >> AND WE'LL TALK ABOUT THE SHOW. >> [ CHUCKLES ] MARK HAD ME DESIGN 15 LOOKS THAT WOULD BLOW HIM AWAY SO HE COULD GET ME INTO FASHION WEEK. SHOWING AT FASHION WEEK HAS ALWAYS MY DREAM, AND I'M SO CLOSE. I'VE BEEN WORKING MY *** OFF, AND IT'S FINALLY PAID OFF. >> WE'VE MADE A SHOW BINDER THAT GIVES, LIKE, ALL THE DIFFERENT OPTIONS FOR WHAT WE'RE GONNA DO. >> MARK HAS SECURED ME A SPACE AT FASHION WEEK, WHICH IS AMAZING, BUT IT'S ONLY TWO WEEKS AWAY. >> A BIG QUESTION, I THINK, IS DO WE WANT TO DO A RUNWAY SHOW OR A PRESENTATION? WHAT ARE YOU THINKING? >> I'VE ONLY EVER DONE PRESENTATIONS. THEY'RE CHEAPER AND EASIER, BUT I'D RATHER HAVE A RUNWAY SHOW, HONESTLY. >> THE ADVANTAGE TO A RUNWAY IS YOU HAVE THE DRAMA. YOU HAVE THE CLOTHES MOVING, YOU KNOW -- EVERYTHING. AND WE'RE TRYING TO GET MORE PEOPLE WHO HAVEN'T SEEN THE COLLECTION TO COME. >> RIGHT. >> A CATWALK IS MORE EXCITING. >> RUNWAY IS, LIKE, WHY YOU BECOME A DESIGNER. >> MM-HMM. >> "RUNWAY." THERE IS SO MUCH ON THE LINE WITH THIS FASHION SHOW. THIS IS LITERALLY THE LAST CHANCE I HAVE TO PROVE THAT I'M SOMEBODY IN THIS INDUSTRY. >> REALLY, THOUGH, FOR US TO CAST PROPERLY, WE NEED TO SEE SOME CLOTHES. >> I'M GONNA SHOW THE PRINTS. MY INSPIRATION FOR THIS COLLECTION IS '70s EROTICA. IT'S REALLY SOFT AND SENSUAL, BUT IT'S ALSO GOT AN EDGE TO IT. SEE, THIS IS HER HEAD. THIS IS HER BUTT. I THINK I ABSTRACTED IT TOO MUCH. I WENT TOO CLASSY ON THIS ONE. >> [ CHUCKLES ] OKAY. >> WHERE -- DO YOU SEE A HEAD... OR A ***? >> [ LAUGHS ] >> I DON'T -- YOU KNOW WHAT I DON'T SEE? >> IT'S TOO SHEER. >> I DON'T SEE A DRESS. >> I START BY DESIGNING PRINTS. I DESIGN THEM MYSELF. I COMBINE WORKING ON THE COMPUTER AND HAND-PAINTING AND DRAWING AND PHOTOGRAPHY, AND ONCE I HAVE THEM HOW I WANT THEM, I GET THEM PRINTED IN NEW YORK. BUT, LIKE, I'M GONNA TINT IT, AND THEN I'M GONNA, LIKE, EMBROIDER THIS WHOLE THING. >> I LOVE THE PRINTS. THEY'RE FAR MORE ELEGANT THAN I EXPECTED. THE FABRIC IS REALLY, REALLY BEAUTIFUL. THE THING THAT WORRIES ME -- YOU KNOW, WE'RE GETTING CLOSE TO DEADLINE -- REALLY, REALLY SOON. WE NEED TO SEE THE ENTIRE COLLECTION. WHERE ARE THESE CLOTHES? >> INDIA. >> INDIA? >> THAT WORRIES ME. >> WHEN ARE THEY COMING? >> HOPEFULLY, NEXT WEEK. >> WE HAVE TO HAVE THESE CLOTHES. WE NEED THESE CLOTHES FOR FITTINGS AND FOR PRE-STYLING. >> I SEND THE PRINTS TO INDIA TO GET EMBELLISHED. THEY GET HAND-BEADED, EMBROIDERED. MOST OF MY "WOW" PIECES ARE STILL IN INDIA. EVERY DAY, I TALK TO THE FACTORY AND ASK THEM WHERE THEY ARE. THEY'RE REALLY, REALLY LATE, BUT MARK REALLY NEEDS TO SEE STUFF 'CAUSE HE NEEDS TO CAST THE SHOW WITH MODELS. >> AND IT'S GETTING REALLY, REALLY TIGHT. I WANT YOU TO TAKE THIS SERIOUSLY. THIS IS VERY BIG CRUNCH-TIME. LET'S GET THESE CLOTHES. >> MM-HMM. >> I'M A LITTLE CONCERNED. >> MARK IS, OF COURSE, CONCERNED THAT HE HASN'T SEEN ANYTHING FROM THE COLLECTION, AND IT'S COMPLETELY VALID. I'VE NEVER DONE A SHOW AT FASHION WEEK. THIS IS THE REAL DEAL. THIS COULD MAKE OR BREAK ME. IT'LL BE OKAY. IT'LL BE GOOD. >> YOU KNOW, WE'RE UNDER THE GUN. >> I CAN'T LET MARK DOWN AGAIN. IF THIS SHOW IS A FLOP, IT'LL BE THE END OF MY CAREER AS A DESIGNER. >> SO, WE'LL SEE YOU NEXT WEEK, AND YOU'LL HAVE CLOTHES. >> I WANT TO KNOW EVERYTHING ABOUT YOU. WHERE IS THIS BOY FROM? YOU GREW UP IN KENTUCKY. >> BORN AND RAISED. >> BORN AND RAISED. ON A FARM, OR... >> I WAS A COWBOY, I GUESS YOU COULD SAY. NOTHING BUT CATTLE ON THE FARM. >> SO, I MET SOMEONE -- SOME LOVELY COUNTRY BOY. I WOULD LOVE TO VISIT KENTUCKY. >> NEVER BEEN? >> I'VE NEVER BEEN TO KENTUCKY. >> NOWHERE? >> I FEEL LIKE I HAVE A LOT OF COUNTRY IN ME. >> YOU'RE DEFINITELY A SOUTHERN BELLE... IN THE BIG CITY. IT MEANS "SUPER SWEETHEART." >> THANK YOU. >> I THINK THAT'S VERY UNCOMMON IN THE CITY. >> THANK YOU. SO, TO BRENT... AND LEILA, OF COURSE. >> BOTH. >> THEY'RE SO SWEET. >> THE LOVELY COUPLE. >> SHE SAID TO ME, SHE SAID, "RAINA, I HAVE A GREAT GUY FOR YOU." AND I SAID TO HER, I SAID, "SEND A PICTURE." YOU SENT -- SHE SENT A PICTURE? >> SHE SENT A PICTURE OF YOU. >> OH, YEAH? ALL RIGHT, SO, LET ME TELL YOU A STORY ABOUT THE PICTURE. SO, WHEN LEILA ASKED FOR THE PICTURE, ME AND BRENT WERE LITERALLY SITTING SIDE BY SIDE. >> SO, YOU KNEW I ASKED FOR A PICTURE. >> I KNEW YOU ASKED FOR A PICTURE. >> HE'S SUPER CUTE AND SO SWEET AND NICE AND FUNNY AND TALL AND HANDSOME. COME NEXT TO ME. COME. AND I'M THINKING, "I CAN DEFINITELY SEE MYSELF WITH A GUY LIKE THIS." SO, HAVE YOU BEEN IN LOVE BEFORE? >> ONCE. I MET A GIRL IN COLLEGE. >> BUT IT DIDN'T WORK? >> NO, IT DIDN'T WORK, AND, YOU KNOW, IT'S -- SHE WAS DEAD SET ON LIVING IN NORTHERN KENTUCKY. YOU KNOW, I WANTED MORE -- WANTED TO GET OUT. I WANTED TO TRAVEL. I WANTED TO DO WHAT I'M DOING. >> I FEEL LIKE THERE'S A LOT IN HERE, IN YOUR HEART. >> YOU SAY THAT? >> I DO. I BELIEVE IT. >> YEAH? >> THAT'S WHAT I LIKE. I LIKE HONESTY. I LIKE VULNERABILITY. YOU KNOW, ALL THAT STUFF. 'CAUSE AT THE END OF THE DAY, IT'S, LIKE, IT'S ALL ABOUT CHARACTER AND THE CONNECTION. IF YOU DON'T HAVE THAT, THEN WHAT DO YOU HAVE? MATERIAL THINGS? REALLY? >> I AGREE COMPLETELY. >> AND I'VE BEEN LOOKING FOR LOVE FOR SO LONG, AND THEN YOU JUST GET TO A POINT WHERE YOU'RE LIKE, "IS THIS REALLY GONNA HAPPEN, OR SHOULD I JUST GIVE UP ALTOGETHER?" AND THEN, I MET PACE, AND HE SORT OF REIGNITED MY FAITH THAT I CAN FIND SOMEBODY OUT THERE. >> [ CHUCKLES ] >> ME JUST JUMPING YOUR BONES. >> LET'S GET OUT OF HERE. >> OKAY. YOU'RE THE BEST. >> THIS IS PIER 59 STUDIOS. FOR FASHION WEEK, WHAT WE DO IS WE OPEN UP AN AIR WALL IN BETWEEN STUDIO 9 AND 10. AND IT CREATES A REALLY BEAUTIFUL, STREAMLINED SPACE. >> TO HAVE MY OWN FASHION LINE AND HAVE IT BE SUCCESSFUL IS ALL I'VE EVER WANTED. SO, THE OPPORTUNITY TO DO A SHOW AT FASHION WEEK IS BY FAR THE BIGGEST THING THAT'S HAPPENED TO MY LINE. >> SO, THIS IS STUDIO 9. >> OOH. SO PRETTY. >> IT'S REALLY, REALLY CLEAN. IT'S REALLY FRESH, AND IT'S A SPACE THAT YOU CAN REALLY MAKE YOUR OWN. >> SO, WHAT WE WERE THINKING IS THAT YOU'D HAVE THE MODELS COME OUT, DO A FULL WALK -- LIKE, EVERY SINGLE ONE COMES OUT AND GOES BACK -- HAVE WHOEVER IT IS CLOSE THE SHOW. THEN THEY'LL COME OUT AND STAND. IF YOU HAVE THE ADVANTAGE OF SOMETHING THAT LOOKS SO BUILT-OUT IN RUNWAY... YOU MIGHT AS WELL GIVE IT. >> IT'S LIT FROM THE BACK. IT'S LIT FROM THE FRONT. THE CLOTHING IS GOING TO LOOK BEAUTIFUL. >> THIS IS SOMETHING I'VE ALWAYS WANTED MY WHOLE CAREER, AND IT'S ACTUALLY HAPPENING, AND I CAN'T LET ANYTHING GO WRONG. MARK IS HELPING ME WITH THE VENUE AND THE MODELS, BUT EVERYTHING ELSE IS OUT OF MY POCKETS. I AM SPENDING EVERY LAST DIME I HAVE ON THIS. >> HISTORICALLY, RACHEL COMEY SHOWS HERE, AND VPL IS SHOWING HERE, TOO. >> THIS IS, LIKE, SO BIG-TIME. IT'S SO EXCITING. THE SECOND THEY STARTED TALKING ABOUT THE OTHER DESIGNERS THAT ARE SHOWING THERE, I WAS LIKE, "OH, MY GOD." IT WAS, LIKE, ALL AMAZING. THIS IS WHAT I WANT TO BE. LIKE, I WANT TO BE, LIKE, AS BIG AS THOSE PEOPLE. >> THIS IS THE NEXT LEVEL, GIRL. >> [ SQUEALS ] THANK YOU. >> I'M IN A FOG. I AM MOVING INTO A HOUSE. IN MY HEAD, I'M GOING TO MOVE INTO THIS HOUSE, AND THEN I JUST HAVE TO SLOWLY SITUATE AND GET MY STUFF IN ORDER, AND I'M GONNA MAKE IT INTO THE, LIKE, GRANDDADDY BEST WEEKEND HOUSE ANYONE COULD EVER HAVE. >> I'M SO EXCITED. >> IT'S A GOOD MOVE, RIGHT? >> I THINK YOU'RE GONNA BE HAPPY. I THINK TO NOT BE ON TOP OF EACH OTHER -- I MEAN, I KNOW THAT YOU GUYS LIKE TO BE ON TOP OF EACH OTHER, BUT... >> YEAH, NO -- TO NOT BE ON TOP OF EACH OTHER -- YEAH. I THINK WHEN WE FIGHT, WE FIGHT, BUT WE KNOW, IN THE END, WE'RE MAKING OUR LITTLE LIFE TOGETHER, SO, IT'S, LIKE, I THINK IT'S PRETTY UNCONDITIONAL, WHICH KIND OF FEELS NICE. >> MAYBE IT'LL BE GOOD FOR YOU GUYS. >> THERE'S NOT MUCH CHOICE. [ CHUCKLES ] >> MOVING TO NEW JERSEY IS SCARY TO ME BECAUSE I FEEL LIKE I'LL BE LOSING ALL THAT EXTRA TIME WITH MY FRIENDS. THEY'RE NOT GOING TO BE RIGHT THERE, AND IT'S SCARY, BUT THEY'RE REALLY BEING SUPER SUPPORTIVE, WHICH IS GREAT. I AM SO EXCITED FOR YOUR SHOW. I CANNOT BELIEVE IT. I BET YOU I CRY. >> I'M EXCITED, TOO. >> I'LL CRY. WILL YOU CRY? DO YOU THINK THAT IF YOU WALK -- >> I'VE BEEN CRYING EVERY NIGHT ABOUT IT. >> MARK ACTUALLY TOOK ME TO A COUPLE DIFFERENT VENUES. WE GO TO THIS PLACE THAT'S, LIKE, A HUGE AIRPLANE HANGAR, BASICALLY. >> THAT'S AWESOME. >> LIKE, IT HAS, LIKE, GIANT GARAGE DOORS. >> THAT'S AWESOME. >> IT'S JUST GONNA BE MAJOR. THE SHOW IS ONE WEEK AWAY. MARK HAS GOTTEN A GREAT SPACE. NOW IT'S REALLY UP TO ME TO TAKE IT OVER THE TOP, MAKE IT INCREDIBLE. I'M SPENDING EVERY LAST DIME I HAVE ON THIS SHOW. IF IT DOESN'T WORK OUT, I AM COMPLETELY SCREWED. >> ARE YOU NERVOUS? >> I'M ACTUALLY PARALYZED WITH FEAR. >> OKAY, DON'T -- YOU HAVE TO -- YOU DON'T HAVE TIME FOR THAT. >> LIKE, I JUST WANT IT TO BE GOOD SO BAD. I DON'T HAVE ANY CLOTHES RIGHT NOW, THOUGH. >> OH, REALLY? SO, WHAT DOES IT TAKE TO GET IT BACK? >> IT'S GONNA COME. LIKE, I DON'T KNOW IF IT'S GOOD OR NOT. >> CAN'T THEY SEND YOU PICTURES? >> IT'S NOT READY YET. I'VE NEVER FELT COMFORTABLE ASKING MY FRIENDS FOR HELP, BUT RIGHT NOW, I REALLY NEED THEM. YOU'RE DOING THE HAIR AND MAKEUP, RIGHT? WE DON'T GET THAT MUCH TIME. >> WE DON'T NEED THAT MUCH TIME. I LOVE DOING FAVORS FOR MY FRIENDS, SO LOUIS LICARI SALON WILL BE DOING HAIR AND MAKEUP FOR LEILA'S FASHION SHOW. AND YOU'RE SO CLOSE TO YOUR GOAL. ALL THIS STRESS AND ALL THIS WORK AND ALL THIS HARD STUFF AND THE FACTORY AND CALLING INDIA AND ALL THIS CRAP -- THAT'S ABOUT TO BE SO IN THE PAST. >> THAT'S WHAT I KEEP SAYING. I'M, LIKE, "I GOT TO JUST FOCUS." >> THE COOLEST PEOPLE ARE GONNA BE THERE. IT'S REALLY SOMETHING, DUDE. I JUST GOT GOOSE BUMPS. IT'S, LIKE, "OH, MY GOD. I CAN'T BELIEVE THAT I AM WALKING OUT -- ALL MY CLOTHES AND MODELS BEHIND ME. THERE ARE MY GIRLS. THERE'S BRENT." >> I WANT TO CRY. >> I COULD CRY TALKING ABOUT IT. >> IF IT ACTUALLY HAPPENS... >> IT'S GOING TO COME VERY SOON. >> IT'S HARD TO SEE, RIGHT NOW. >> NOT FOR ME. FOR YOU, IT IS. IF I COULD ACTUALLY ROLL IT UP, I'D SHOW YOU THE GOOSE BUMPS. [ CHUCKLES ] >> [ CHUCKLES ] >> SEE THE HAIRS ON THE BACK OF MY NECK? >> [ CHUCKLES ] >> SO, I WENT OUT WITH THIS GUY ON SATURDAY. HE IS SO YOUR TYPE. >> 24 IS YOUR TYPE. >> [ CHUCKLES ] NO, HE'S OLDER. I'M MOVING UP. >> IT'S A START. ATHLETE? >> OF COURSE. HE WAS JUST SO CUTE. BUT IT WAS LOVELY -- A LOVELY CONVERSATION. SO, THAT WAS GOOD. >> RAINA'S SO INTO PACE. I'VE NEVER SEEN HER LIKE THIS WITH A GUY, BUT THEN AGAIN, IT IS RAINA, SO YOU NEVER KNOW. >> OH, MY GOODNESS. LORD HAVE MERCY ON MY SOUL. >> WHAT'D YOU DO? >> I WALK IN, AND I WAS JUST -- >> SLEPT WITH HIM SOBER OR... >> STOP IT! YOU'RE CRAZY. >> WOW. OH, MY GOD. OKAY. SO, THERE GOES THAT, RIGHT? THE DAY OF THE MOVE WAS VERY STRESSFUL. BOXES, MOVERS -- IT WAS JUST HECTIC. LET'S GO. COME ON. COME ON, BLUE. WHAT THE [BLEEP] IS CHRIS DOING? [ INDISTINCT TALKING ] OH, MOTHER [BLEEP] [ GROWLS ] CHRIS, WHERE DID YOU GO? >> I BOUGHT THEM A CASE OF WATER. >> CAN YOU TELL ME NEXT TIME -- >> I SAID, "I'M GOING TO GET WATER." YOU DIDN'T HEAR ME. >> NO, YOU DIDN'T. I DID NOT ANTICIPATE HOW STRESSFUL THIS MOVE WOULD BE. [ BOWL CLATTERS ] >> DON'T PLAY WITH DADDY. >> YAY, DADDY. >> CRAP. >> ARE YOU FREAKED OUT? >> NO. NOT AT ALL. >> WE HAVE TO GO TO A PLACE NOW AND STAY THERE NOW? >> YEAH, A MUCH NICER PLACE. >> WE'RE GONNA GO THERE. IT DIDN'T EVEN GET CLEANED YET, CHRIS. >> PLEASE. STOP. [ DISHES CLANK, RATTLE ] >> I MEAN, YOU'RE BRINGING EVERYTHING? >> YEAH, IT'S THE EASIEST WAY. CHRIS WAS SO STRESSED DURING THAT MOVE. IT WAS LIKE HE MADE COFFEE NERVOUS. >> YOU'RE NOT HELPING. >> I KNOW. I'VE BEEN STANDING -- >> YOU'RE NOT HELPING BY STRESSING OUT, FREAKING OUT. >> CHRIS IS PACKING EVERYTHING. HE'S MOVING SO FAST, IT, LIKE, PARALYZED ME. I COULDN'T EVEN THINK. >> YOU COULD DO WHAT I JUST DID -- TVs AND PACK EVERYTHING THAT QUICK. >> ARE YOU KIDDING ME? I WANTED TO PUNCH HIM IN HIS FACE. CHRIS, THE WASHER/DRYER. >> WHAT? YEAH. NO [BLEEP] THE WASHER AND DRYER HAS TO GO. OKAY. SERIOUSLY. >> OH, I CAN'T TAKE THIS ANYMORE. [ BOX THUDS ] >> [BLEEP] >> SO, FILL ME IN. HOW'S EVERYTHING GOING? >> WELL, SO, LIKE, I'VE BEEN, LIKE, A PANIC ABOUT EVERYTHING. LIKE, I'M HAVING ALL THESE PROBLEMS WITH MY FACTORY. SOMETHING HAPPENED TO THE PRINTER. THE SHOW IS ONLY A WEEK AWAY, AND I STILL DON'T HAVE SOME OF THE MAIN PIECES. AND IF THE CLOTHES DON'T SHOW UP, THIS WHOLE OPPORTUNITY WILL BE RUINED. AND SHE'S, LIKE, "OH, WE'RE WORKING ON STUFF FOR SO MANY OTHER PEOPLE." I'M LIKE, "WHAT? WHAT?" >> YOU PAY THESE PEOPLE. >> YEAH. IT'S MY FACTORY. ONLY ME WOULD HAVE A FACTORY THAT'S JUST LIKE ME. >> YEAH. >> THEY'RE ASSEMBLY LINES. AND, LIKE, NO, THEY'RE JUST, LIKE, A BUNCH OF, LIKE, RANDOM PEOPLE SITTING ON THE FLOOR, LIKE, BEADING STUFF. AND THEY'RE, LIKE, "AH, SORRY. NOT GONNA GET TO IT." >> THAT'S A PROBLEM. LEILA IS REALLY STRESSED, SO IF I CAN HELP HER, I'D LOVE TO BECAUSE I'M ALWAYS TRYING TO HELP MY FRIENDS. WE NEED TO JUST KIND OF FIGURE OUT WHAT YOU NEED AND HOW WE CAN HELP, BECAUSE WE ALL WANT TO SEE YOU DO IT RIGHT. >> BECAUSE I'M NOT, LIKE, A BIG DESIGNER, IT'S SUCH A SMALL WINDOW OF TIME. IDEALLY, I'D HAVE ALL THE CLOTHES READY. I'D HAVE ALL THE MODELS FIT, LIKE, A WEEK OR TWO BEFORE THE SHOW, BUT I HAVE A FEELING THIS IS GONNA COME DOWN TO THE LAST MINUTE. HONESTLY, LIKE, IF YOU CAN GET ME, LIKE, GOOD GIRLS -- >> I'D L-- I MEAN, 'CAUSE THEY'RE ALL, LIKE, BIG MODELS. >> WELL, THAT'S WHAT I'M SAYING. >> I REPRESENT THE BIGGEST SUPERMODELS IN THE BUSINESS. SO, I WAS HAPPY TO HELP LEILA WITH HER SHOW AND ASK ONE OF MY CLIENTS. I CAN HAVE, LIKE, ONE OF THE GIRLS, LIKE, MAYBE CLOSE IT. AND IT'LL BE DRAMATIC AND BIG, AND IT'LL BE, LIKE, A BIG DEAL. IT'S BASICALLY MAKE-OR-BREAK TIME. SHE'S BEEN PUTTING IN SO MUCH MONEY AND SO MUCH TIME. THE GIRL DOESN'T SLEEP. AND I THINK IF SHE DOESN'T MAKE IT THIS FASHION WEEK, SHE MAY GIVE UP, AND THAT'S THE LAST THING ANY OF US WANT. SO, LET'S DO A SHOW! [ CHUCKLES ] >> REAL SHOW. >> YEAH. >> ON THE RIDE TO NEW JERSEY, I'M, LIKE, "WHOA, DUDE. WE'RE GOING TO NEW JERSEY FOREVER." >> THAT GOES IN THE MASTER BEDROOM DOWNSTAIRS -- THAT, UH -- THAT MATTRESS PAD. >> THIS IS CRAZY. WANT TO GO HOME NOW? [ CHUCKLES ] CHRIS WAS RUNNING ALL OVER THE HOUSE. HE'S, LIKE, ALL OVER THE PLACE, AND I JUST NEEDED TO, LIKE, WALK AROUND THE HOUSE BY MYSELF, TAKE IT ALL IN. WE HAVE TO RIP THIS CAR-- [ GASPS ] UGH. THE [BLEEP] IS THAT? THERE'S A HOLE. OH, J---- SO, WE GOT THIS HOUSE ON A SHORT SALE, AND JUDGING BY THE WAY THE PREVIOUS OWNERS HAD LEFT THE HOUSE, IT LOOKS LIKE THEY PACKED UP AND RAN. SO, NOW I HAVE THIS TO CLEAN UP, AND I HAVE TO MOVE ALL THIS STUFF IN. THIS PLACE WAS INSANE. WHY DID THIS PERSON LEAVE ALL THIS CRAP HERE? UGH, THAT'S, LIKE, SERIAL KILLER. THE BOOGEYMAN'S IN THERE. DON'T OPEN THAT. I START TO, LIKE, SWEAT, AND I'M, LIKE, "OHH, THERE'S AN ALARM, RIGHT? WE'RE NOT GONNA PUT ROME IN A ROOM TONIGHT 'CAUSE SOMEONE COULD CLIMB RIGHT THROUGH THE WINDOW." [ SIGHS ] OH, GOD. THIS IS CRAZY. >> WHOSE MATTRESS IS THAT? AND THAT COULD GO IN THAT ONE. LET ME GET A BABY ROOM, ACTUALLY, PLEASE. >> AS SOON AS I LET CHRIS RUN INTO THIS HOUSE, HE WAS LIKE A TOTALLY DIFFERENT PERSON. >> PUT THAT IN THE SECOND BEDROOM, THEN -- UP TOP. UPSTAIRS, FIRST BEDROOM, PLEASE. UH, RIGHT BEHIND ME. >> AND CHRIS, TO MY SURPRISE, STARTS DIRECTING THE WHOLE THING, AND I'M, LIKE, "WHOA." AND THEN I WAS, LIKE, "THAT'S KIND OF HOT." YOU KNOW? THAT'S THAT GUY THAT I WAS SO INTO HIM. LIKE, OH, MY GOD -- I'M GETTING THAT GUY BACK. I CAN'T BELIEVE YOU DID THIS. AND IT WAS, LIKE, "I DEFINITELY MADE THE RIGHT DECISION." THERE'S THE POOL. WHEN YOU WANT TO SNEAK OUT OF THE HOUSE, I GUARANTEE YOU YOU'RE GONNA GO RIGHT ON THERE AND JUMP RIGHT DOWN, RIGHT? AND THEN WHEN YOU'RE A WISE GUY WITH YOUR FRIENDS, I BET YOU JUMP OFF THE ROOF INTO THE POOL? I KNOW YOU'RE GONNA DO IT. WE'RE GOING TO MAKE A MAJOR LIFE FOR OURSELVES HERE. [ KNOCK ON DOOR ] OH, WE DON'T HAVE TO KNOCK ON THE DOOR ANY MORE. >> NO, WE OWN THIS PIECE OF [BLEEP] [ LAUGHTER ] >> HI, BOOGIE. YAY! >> IS SHE WEARING TWO LOOKS? >> WELL, I JUST WANT HER TO TRY BOTH OF THESE. >> SHE COULD WEAR TWO. >> AND I HAVE ONE MORE COMING THAT WOULD BE MORE OF, LIKE, A BEGINNING LOOK IF WE DID WANT TO DO TWO, BUT... THEN YOU WOULD DO THE FIRST... >> ...AND THE LAST. I LIKE THE FIRST AND LAST. ♪ FIRST AND LAST ♪ WHAT I WAS ABLE TO PULL OFF FOR LEILA WAS TO GET ONE OF MY CLIENTS -- A CELEBRITY MODEL -- JESSICA WHITE -- TO CLOSE THE SHOW. SHE IS A REAL SUPERMODEL. SHE'S BEEN MODELING SINCE SHE WAS 16. SHE'S THE FACE OF MAYBELLINE. IT'S, LIKE, AN OKAY LOOK, BUT IT'S NOT, LIKE, A FINAL LOOK. KELLY HAD SAID THAT SHE WOULD GET ME ONE OF HER GIRLS, AND KELLY'S GIRLS DO VICTORIA'S SECRET, SPORTS ILLUSTRATED, YOU KNOW -- THEY'RE LIKE THAT LEVEL, AND JESSICA'S PERFECT. HER *** LOOK GOOD, THOUGH. >> YEAH, THE *** DO LOOK GOOD. >> YOUR *** LOOK LIKE... LET'S SEE A WALK. YEAH. AH, SUCH A GOOD WALK. I DON'T KNOW. WHAT DO YOU THINK? >> I LIKE IT. >> DO YOU LIKE IT? >> YEAH, I LOVE IT. I LOVE THE LOOK. >> AH, NO. I WANT YOU TO GET THE BEST ONE. >> THE BEST LOOK? I WANT JESSICA IN THE MOST EYE-CATCHING STUFF FOR THE BIG FINALE, BUT MY FEW "WOW" PIECES, THE THINGS THAT ARE REALLY EMBELLISHED AND SPARKLY AND WHAT I KIND OF CONSIDER MY TRADEMARK -- THEY'RE STILL IN INDIA. SO, I DECIDED TO FIT JESSICA WITH ONE OF THE PIECES I DO HAVE. >> WHAT'S THE DRESS THAT'S COMING, THAT WE'RE WAITING FOR? >> UM, IT'S, LIKE, SEQUINS, AND IT'S, LIKE, TO THE KNEE. >> IS IT REALLY COMING? >> LET'S PUT THIS ON, AND I'LL CALL AND SEE WHERE IT... >> OH, MY GOD. SO, CHRIS TELLS ME HE'S GOT A SURPRISE. WE OPEN THE DOOR TO THE MOST BEAUTIFUL PENTHOUSE I HAVE EVER SEEN IN MY LIFE. [ GASPS ] CHRIS. AW. [ GIGGLES ] AW, LOOK! >> WE'VE BEEN GOING THROUGH SO MUCH CRAZY STUFF LATELY. YOU KNOW, YOUR SISTER HAS THE BABY TONIGHT, AND SO I FIGURED, LET'S GET OUT. LET'S TAKE A BREAK. >> WHEN DID YOU DO THIS? >> LAST NIGHT. >> THERE'S ROSE PETALS LEADING US... THERE'S A BIG ROSE-PETAL HEART ON THE BED. BABY. >> YEAH, WE'VE BEEN GOING THROUGH SO MUCH STUFF. >> OH, MY GOD. OH, I'M BLUSHING. I WAS, LIKE, "WOW." HOLY CRAP, THERE IS A PIANO! WE ARE GONNA DRINK AND MAKE OUT ALL NIGHT. OH, MY GOD. [ CORK POPS ] WHOO! HERE, I'LL FEED YOU. THESE ARE REALLY GOOD. I LOVE YOU. >> I LOVE YOU, TOO. >> CHRIS AND I JUST HAD THIS BIG MOVE, AND IT WAS SO STRESSFUL ON BOTH OF US. >> AWESOME. GIRL, I GOT OUR FAVORITE. >> IT'S EXACTLY WHAT WE NEEDED TO REKINDLE. IT JUST MADE EVERYTHING RIGHT. IT FEELS LIKE WE'RE ON OUR HONEYMOON. >> YEAH, IT'S COOL. >> I WANTED TO TAKE A BREAK AND RELAX. WE'RE GOING THROUGH CRAZY STUFF RIGHT NOW. >> AMAZING. >> CHRIS. >> OH, THIS IS AWESOME. >> THIS IS LIKE THE NIGHT WE MET. I REMEMBERED YOUR FIRST NAME. I COULD NOT GET YOUR LAST NAME DOWN, BUT I REMEMBER THE FIRST TIME I HEARD IT -- I WAS, LIKE, "GOD," AND I REMEMBER THINKING -- YOU KNOW WHAT GIRLS DO, RIGHT? EVERY TIME THEY HEAR A GUY'S LAST NAME, THEY PUT THEIR NAME ON IT. SO, I DID IT, LIKE, A HUNDRED TIMES. AND THEN I REMEMBER POPPING CHAMPAGNE, JUMPING UP AND DOWN ON THE BED -- >> YOU SAID, "LET'S WRECK THIS HOTEL LIKE A ROCK STAR." YOU TOOK SHAMPOO, AND YOU WERE THROWING IT ALL OVER THE PLACE. >> NO, AND THEN I REMEMBER I WOKE UP IN THE MORNING. YEAH, YOU PUT YOUR HANDS UP ON THE CAB, AND THAT'S EXACTLY WHEN I KNEW WE WERE GONNA BE TOGETHER FOREVER. I WAS SO INTO YOU. OH, MY GOD. >> FELL INTO YOU. >> MAN, WE FELL HARD, RIGHT? >> YEAH. >> IT WAS THE SEXIEST, MOST ROMANTIC THING THIS GUY'S EVER DONE. I LOOK AT CHRIS, AND I'M, LIKE, "I AM SO IN LOVE WITH YOU. YOU ARE SO FOR ME." >> IT'S GETTING HOT IN HERE. >> WHAT ARE YOU DOING? AH, DON'T EVEN. YOU LOOK SO HOT, IT'S CRAZY. CHRIS, YOU LOOK SO HOT. MAN, MOMENTS LIKE THAT, I LOOK AT THIS GUY -- I'M LIKE, "OH, MY GOD." YOU WANT TO EAT ANY MORE? ♪ FOLLOW THE LITTLE PETAL ROAD ♪ [ GIGGLES ] >> JUMPING ON THE BED! >> [ LAUGHS ] I WAS, LIKE, "WHEW, WHEW. BOW CHICKA WOW WOW." [ LAUGHS ] >> [ LAUGHS ] >> WE NEED A BROWN BELT. YOU KNOW WHAT? IT'S TOO, LIKE, "MEH," ON HER. >> I FEEL LIKE HER *** ARE JUST SO SQUISHED IN. IT'S TURNING INTO A UNI-***. >> ARE WE GONNA KEEP THIS? >> DO YOU WANT TO TRY THAT OVER IT? THE SHOW'S TOMORROW, AND FINALLY, MY PIECES FROM INDIA SHOW UP IN THE MIDDLE OF THE NIGHT RIGHT BEFORE THE SHOW. >> I THINK SHE LOOKS GREAT IN THAT, BUT WE SHOULD TRY THIS. I WANT TO SEE DIFFERENT OPTIONS. >> YEAH, AND WE'RE GONNA BLING IT OUT MORE SO IT'LL BE MORE DRAMATIC. IT'S NOT, LIKE, TWINKLING ENOUGH. THINGS ARE REALLY HECTIC. WE'RE FITTING MODELS. WE'RE MAKING LAST-MINUTE ALTERATIONS. IT'S COMPLETELY NUTS. >> WE'LL TRY THIS, AND THEN WE'LL PUT THIS UNDERNEATH. >> THE LOOKS ARE NOT AS CONSISTENT AS THEY SHOULD BE. SO I WANT THE GIRLS TO BE AS CONSISTENT AS THEY CAN BE. DO YOU KNOW WHAT I MEAN? >> HEY, LEILA. >> HI. OH, MY GOD. >> CAN I SEE THE CLOTHES? THIS IS MY FIRST TIME EVEN SEEING THE CLOTHES. >> MARK IS ABOUT TO SEE THE CLOTHES FOR THE FIRST TIME. IF HE DOESN'T LIKE THEM, I'M COMPLETELY SCREWED 'CAUSE THE SHOW IS TOMORROW. UH... MARK WENT OUT ON A REALLY BIG LIMB, TAKING ME BACK AS A CLIENT, AND IF HE DOESN'T LIKE THE CLOTHES, I GUESS HE COULD PULL THE PLUG ON IT. >> OKAY. WOW, THIS IS REALLY PRETTY. >> HE LOOKS BEAUTIFUL ON, TOO. WE'RE ACTUALLY MAKING THIS A PEPLUM IN A SKIRT. >> MM-HMM. CAN YOU DO THAT BY TOMORROW? >> YEAH. >> OKAY. >> THIS IS BEAUTIFUL ON. >> MM-HMM. >> AND THIS IS A WOMAN, LIKE, BENDING OVER, AND YOU CAN'T SEE HER AT ALL. ACTUALLY, YOU REALLY DON'T SEE ANY OF THE NAKED LADIES, WHICH IS PROBABLY A GOOD THING. >> FROM A COLLECTION STANDPOINT... >> MM-HMM. >> ...I THINK THAT THIS IS STRONG. >> AND THAT'S WHY I WANT, LIKE, AS MANY, LIKE, HARNESSES AS WE CAN DO, 'CAUSE THAT'LL MAKE IT MORE CONSISTENT, TOO. >> THAT'S CUTE LIKE THAT. LIKE, MAKES EVERYTHING LOOK CUTE. HARNESSES MAKE EVERYTHING LOOK BETTER. >> WELL, THAT'S WHAT I TELL MY STAFF. >> [ LAUGHS ] >> SO, WE'RE IN THE HOME STRETCH, AND I JUST WANT TO, LIKE, GO OVER TOMORROW AND JUST FOCUS YOU A LITTLE BIT. I'VE REALLY PUSHED MY TEAM TO PRODUCE THIS AND GO THERE FOR YOU. >> YEAH. >> WE HAVE AN INCREDIBLE PRESS ATTENDANCE. >> VERY INTIMIDATING, BUT IT'S AMAZING. I MEAN, I COMPLETELY FEEL LIKE THIS IS, LIKE... >> RIGHT. >> ...WAY BIGGER THAN ANYTHING I WOULD HAVE EVER DONE AND I'VE EVER DONE BEFORE. >> YOU'VE GIVEN A LOT OF ENERGY TO THIS. WE HAVE GIVEN A LOT OF ENERGY TO THIS. >> I ACTUALLY AM PROUD OF THIS. >> YOU ARE? >> YEAH, AND I'M PROUD OF THE VENUE, AND I'M PROUD OF THE MODELS. I MEAN, IT'S VERY HIGH-END, AND I FEEL LIKE I'VE ALWAYS BEEN MEDIOCRE. SO, I THINK IT IS A GIANT OPPORTUNITY. >> IF IT DOESN'T GO WELL, IT CAN ALSO BE A MAJOR SETBACK. I THINK YOU HAVE A BEAUTIFUL COLLECTION HERE. LET'S MAKE THIS HOME STRETCH REALLY COUNT. LET'S DELIVER ORGANIZED, PERFECT LOOKS, BE IN COMPLETE GOOD FORM TOMORROW, BUT LET'S MAKE THIS THE MAKE-IT AND NOT THE BREAK-IT SHOW. >> THAT'S WHAT -- MY PARANOIA'S, LIKE, STARTING LATE. LIKE, I COULD JUST SEE IT. I KEEP PICTURING IT, AND YOU KNOW, LIKE, THEY SAY, IF YOU, LIKE, PICTURE IT, IT'S ACTUALLY GONNA HAPPEN. >> PICTURE IT -- >> GOT TO PICTURE IT AS GOOD, GOOD, GOOD. LIKE, PICTURE IT STARTING ON TIME, EVERYTHING BEING PERFECT. >> PICTURE THIS. IT STARTS 20 MINUTES AFTER THE HOUR. THE GIRLS WALK OUT LOOKING BEAUTIFUL. YOU ARE EXCITED, RATHER THAN HYSTERICAL AND PANICKED. THIS LAST PART IS REALLY ALL ABOUT YOU. >> THANK YOU FOR EVERYTHING. >> LET'S MAKE IT INCREDIBLE. >> WE WILL. >> WE'RE ALMOST THERE. >> OKAY. I DO LOVE YOU. I'M REALLY, REALLY, REALLY EXCITED ABOUT THIS. >> IT'LL BE GOOD. IT'LL BE GOOD. >> OKAY. BYE. >> WHAT HAPPENED WITH SHMARK -- MARK -- MARKY MARK? >> HE'S, LIKE, "THIS IS HUGE -- LIKE, HUGE OPPORTUNITY. DON'T [BLEEP] IT UP." >> MARK SILVER HAS A POINT. LIKE, THIS REALLY IS YOUR SHOT. THIS IS -- I MEAN, YOU'RE GOING TO FASHION WEEK. THIS IS IT. THIS IS THE MOMENT YOU'VE BEEN WAITING FOR. >> I KNOW. >> PUSH THROUGH. WHATEVER YOU HAVE TO DO, YOU GOT TO DO IT. >> LIKE, I BEGGED MARIANNE, BEGGED MARK TO TAKE ME BACK, AND I WAS, LIKE, [BLEEP] WHAT HAVE I DONE?" LIKE, NOW ALL THESE PEOPLE ARE PULLING ALL THESE FAVORS FOR ME, AND I'M NOT GONNA DELIVER. LIKE, KELLY'S HAVING JESSICA -- LIKE, JESSICA HART'S COMING. JESSICA WHITE'S WALKING IN THE SHOW. >> WE'RE DOING FREE HAIR, FREE MAKEUP FROM LOUIS LICARI. LIKE, THAT'S THE WAY IT WORKS. YOU SHOULD KNOW THAT. EVERYBODY PULLS IN FAVORS. YOUR FRIENDS ARE HERE TO TAKE CARE OF YOU. FIRST OF ALL, YOU HAVE GOT TO KEEP IT TOGETHER. YOU HAVE TO KEEP IT TOGETHER. YOU CAN'T FALL APART, 'CAUSE YOU HAVE NO CHOICE. YOU GOT TO KEEP GOING FORWARD. >> I HAVE TO GET A [BLEEP] -- I HAVE A FASHION SHOW. LIKE, BLAH, BLAH, BLAH. >> I WAS, LIKE, "PICK IT UP, LADY. LET'S GO. PULL EVERYTHING TOGETHER NOW 'CAUSE YOU HAVE A SHOW TOMORROW." YOU PUT A LOT INTO THIS, AND NOW IT'S YOUR TIME TO SHOW EVERYONE IT'S GONNA BE GREAT. >> ♪ BABY, SHOW ME HOW YOU WORK IT ♪ ♪ WORK IT ♪ ♪ WORK IT ♪ ♪ WORK IT ♪ ♪ WORK IT ♪ ♪ WORK IT ♪ ♪ WORK IT ♪ ♪ BABY, SHOW ME HOW YOU WORK IT ♪ ♪ WORK IT ♪ ♪ WORK IT ♪ ♪ WORK IT ♪ ♪ WORK IT ♪ ♪ WORK IT ♪ >> IT'S THE DAY OF THE SHOW. IT'S REALLY FRANTIC. I HAVEN'T SLEPT IN A WEEK. I'M THINKING, "IS THIS REALLY GONNA HAPPEN?" >> IS PACE COMING? >> HE'S AT WORK. HE SAID THAT HE'S COMING NOW. [ INDISTINCT TALKING ] BUT I HAVE IT -- HE SAID THAT -- >> HI. >> HI. >> OOH. >> ARE YOU SO PROUD? >> I'M SO PROUD. >> I'M SO PROUD, TOO. >> OH, YOU ARE? >> IT LOOKS GOOD. >> ARE YOU HAPPY WITH THE END RESULT? >> YES. >> THAT WAS A PAUSE. >> WELL, YOU HAVE TO ASK ME AFTER THE SHOW. >> [ CHUCKLES ] >> I WAS MORE THAN HAPPY TO HELP LEILA WITH HER SHOW AND ASK ONE OF MY CLIENTS, ONE OF THE BIGGEST SUPERMODELS IN THE BUSINESS, JESSICA WHITE, TO OPEN AND CLOSE HER SHOW. >> RAI, CAN YOU GO OVER THERE? CAN YOU -- CAN WE GET BOTH THESE GOING? [ INDISTINCT CONVERSATION ] >> IT'S TWO HOURS BEFORE THE SHOW, AND WE'RE STILL GETTING STUFF TOGETHER. >> THOSE ARE TOO SMALL FOR YOU? SO, I WALK BACKSTAGE, AND JESSICA WHITE IS PACKING HER BAG AND ABOUT READY TO WALK OUT. JESSICA, IT'S ME. WHAT ARE YOU -- SO, OKAY. SO. >> THE MAKEUP ARTIST REFUSED TO TOUCH ME. LIKE, WHAT WORLD ARE WE LIVING IN RIGHT NOW? >> JESSICA WAS SAT IN A CHAIR TO GET HER MAKEUP DONE, BUT THE PERSON WHO WAS DOING HER MAKEUP WAS A HAIR STYLIST. WHOEVER WAS RUNNING THE MODELS SHOULD HAVE KNOWN TO PUT JESSICA WHITE IN THE MAKEUP CHAIR -- NOT THE HAIR GUY DOING MAKEUP. I FIND IT REALLY HARD TO BELIEVE THAT A MAKEUP ARTIST, LIKE, WOULDN'T WANT TO TOUCH YOU, SO...UM... >> WELL, YOU WANT -- ARE YOU CALLING ME A LIAR? >> THAT'S WHY I WANT TO GO TALK TO HER AND FIND OUT, LIKE, WHY. >> WHY ARE YOU TALKING TO ME? >> I JUST WANTED TO MAKE SURE YOU WEREN'T LEAVING. >> NO. I AM -- I'M GONNA WALK AWAY. >> I WENT INTO FREAK-OUT PANIC MODE. THIS IS DEFINITELY NOT GOOD. EXCUSE ME. >> WAIT, SO THAT GIRL NEVER SHOWED? >> WHERE IS SHE? >> THE SECOND LOOK -- WHO'S WEARING THE SECOND LOOK? THIS WHITE -- THE WHITE DRESS. >> SHE DIDN'T SHOW UP? AAH! WE'RE STILL MISSING A MODEL, AND SHE WAS A GREAT MODEL, AND SHE LOOKED AMAZING IN HER OUTFITS, SO I'LL BE REALLY UPSET IF SHE DOESN'T SHOW. >> WHAT HAPPENED WITH THE MAKEUP? IF JESSICA WHITE WALKED OUT, BAD PRESS FOR HER THAT I COULDN'T CONTROL, BAD FOR LEILA BECAUSE LEILA WAS DEPENDING ON IT FOR SO MUCH. I MEAN, IN MY HEAD, IT WAS JUST, LIKE, OKAY, CRISIS MANAGEMENT. IT'S TIME TO FIGURE OUT HOW TO FIX THIS PROBLEM. YOU'RE THE MAKEUP ARTIST? >> YEAH, WHY? WHAT HAPPENED? HE DOES HAIR AND MAKEUP. >> UNFORTUNATELY, HE TOLD HER THAT HE DOESN'T DO MAKEUP -- HE'S THE HAIR GUY. SHE WANTS THE MAKEUP ARTIST TO DO IT. >> THIS IS HER LINE. >> WHAT? NO. SHE JUST SAT THERE FIRST, AND RAI STARTED DOING IT. IT WASN'T THAT DRAMATIC. TELL HER TO COME SIT HERE. AND ENID'O HAS HER OWN LINE. >> CAN YOU COME WITH ME? >> DURING FASHION WEEK, THE HAIR PEOPLE DO HAIR AND MAKEUP. KELLY COMES OVER TO ME. SHE'S, LIKE, "YOU GOT TO HELP ME." HOW FAR? HOW FAR ARE WE GOING? >> I DON'T KNOW. >> THIS IS WHAT YOU DO ALL THE TIME. IT'S INSANE. >> FIGURE SOMETHING OUT FOR HER FOOTWEAR. LEAVE HER. SHE'S GOOD. >> DID YOU GUYS SEE JESSICA? >> SHE DIDN'T. >> I SAW HER WALK THIS WAY. >> SHE PROBABLY RAN OUT OF HERE. >> NO. >> HEY, DID YOU GUYS SEE JESSICA DOWN THERE? >> SHE LEFT THAT WAY. >> KATIE. >> SHE'S NOT HERE, EITHER. >> WE'RE MISSING A -- YEAH. >> OH, THE GIRL NEVER SHOWED UP. >> YEAH. YEAH. >> [BLEEP] >> DID YOU SEE A REALLY TALL, GORGEOUS GIRL WALK THROUGH HERE? SHE LOOKS A LITTLE LIKE YOU. >> SHE SAT THERE, KNOWING THAT THIS MAN DID NOT KNOW HOW TO DO MY MAKEUP. >> NO, HE JUST GOT HYPER EXCITED 'CAUSE YOU'RE SO HOPPIN'. ENID'O, WHO HAS HER OWN MAKEUP. >> HE DIDN'T KNOW HOW TO DO ME AT ALL. >> HE GETS NERVOUS AND TALKS TOO MUCH. YOU WANT ME TO PUNCH HIM? >> HE GRABBED ME. >> YEAH -- >> HE SHOULDN'T HAVE GRABBED HER. >> HE'S A [BLEEP] EVERYONE IS. >> HE'S A [BLEEP] >> [BLEEP] LOVES IT. HE PROBABLY REALLY WANTED TO DO YOUR MAKEUP. >> HE'S, LIKE, "I'M GONNA PUT BURGUNDY ON YOUR EYES." NO, YOU'RE NOT. I'M BLACK. YOU'RE NOT GONNA PUT BURGUNDY ON MY EYES. >> LEIGH IS THE BEST KISS-ASSER ON THE PLANET. SHE TALKED OUT OF HER *** LIKE ONLY SHE KNOWS HOW TO DO. >> "SO, YOU DON'T HAVE EYELINER?" "NO, I DON'T HAVE EYELINER." >> THAT WAS THE PROBLEM. SHE SHOULD HAVE BEEN RIGHT INTO ENID'S CHAIR. >> LET'S -- LET'S -- LET'S TAKE CARE OF BUSINESS, FIRST. ONE BABY ONE WON'T HURT ANYONE. WE TOOK SHOTS, AND JESSICA WAS FINE, BUT, MAN, SHE IS -- WHOO, THAT IS ONE FIRECRACKER. >> SO, ME AND YOU WILL SHARE A SHOT. >> OH, COME ON. >> OKAY, LEIGH. >> AH! IT'S OKAY. JUST CHANGE. >> I'M BRENT. HI, HOW ARE YOU? IT'S A PLEASURE TO MEET YOU. >> SHE CHANGES HER MIND. >> IT'S A HALF AN HOUR BEFORE THE SHOW, AND THINGS ACTUALLY SEEM TO BE FALLING INTO PLACE. THERE'S NO TURNING BACK NOW. I JUST REALLY HOPE PEOPLE LOVE THE CLOTHES. >> IT'S BEEN CHALLENGING. >> WHAT, WORKING WITH HER? >> IT'S BEEN EXACTLY LIKE I TOLD YOU IN MY KITCHEN. I SAW THE CLOTHES BEFORE THE SHOW. AND I JUST WANT IT TO BE GOOD. LIKE, I'M REALLY... >> DO YOU -- IS IT JUST NERVES, OR DO YOU THINK IT'S GOOD? >> I'M NERVOUS. >> I MEAN, THIS SHOW IS "DO OR DIE" FOR LEILA SHAMS, THE LINE, AND IF IT'S GOOD, SHE'S GOOD TO GO. IF SHE DISAPPOINTS MARK, SHE'S BASICALLY DONE. >> WHAT WILL MAKE THIS MOST SUCCESSFUL IS GOOD REVIEWS AND THEN, REALLY, CELEBRITIES WEARING THE CLOTHES. I MEAN, WELL, OF COURSE, WE HAVE IN TOUCH. IT'S GONNA BE BEAUTIFUL. >> I THINK IT LOOKS GREAT. >> SO, FINGERS CROSSED. THE SHOW'S ABOUT TO START. [ INDISTINCT CONVERSATIONS ] >> THIS IS SUCH A HUGE OPPORTUNITY, BUT I'M SO INCREDIBLY SCARED. I FEEL LIKE EVERYONE'S WATCHING. I WANT TO SUCCEED SO BAD, BUT I COULD REALLY, REALLY FAIL. FIRST. SHE WAS ORIGINALLY SUPPOSED TO BE THIRD. SHE NEEDS IT FOR HER LAST OUTFIT. EVERYONE READY? >> SO, JUST WEAR THE... >> WE CAN PUT HER IN THESE. >> ARE YOU SURE YOU WANT HER IN BLACK SHOES? [ INDISTINCT TALKING ] AND THEN SHE WON'T HAVE TO CHANGE WHEN SHE COMES BACK. YEAH, THAT'S BETTER. >> YEAH. >> THE SHOW'S ABOUT TO HAPPEN, AND I'M STILL REALLY NERVOUS. I'M REALLY [BLEEP] SCARED THAT THEY'RE GONNA [BLEEP] UP. LIKE, WE DIDN'T HAVE TIME TO PRACTICE, LIKE, THE WALK OUT AND THEN THE WALK ON THE THING. LIKE, I STILL THINK IT'S GONNA GO WRONG. >> LEILA IS AN AMAZING DESIGNER, AND SHE'S NEVER HAD A PROPER RUNWAY SHOW, AND TO FINALLY SEE HER HAVE IT -- IT JUST BROUGHT TEARS TO MY EYES BECAUSE I WAS SO PROUD OF HER. [ CHEERS AND APPLAUSE ] >> ♪ YOU, YOU MAKE ME SO HOT ♪ ♪ WHAT IS IT YOU, YOU'VE GOT? ♪ >> THIS IS COOL. THE WHOLE THING'S COOL. ♪ YOU MAKE ME SO HOT ♪ >> MODELS START COMING OUT. I'M WATCHING ON THE MONITOR, AND IT, LIKE, LOOKS LIKE AN ACTUAL FASHION SHOW. >> OH, MY GOD -- LOOK AT THE PURPLE. >> I LOVE THIS LOOK. >> ♪ YOU, YOU, YOU ♪ ♪ M-M-M-M-MAKE ♪ ♪ YOU MAKE ME SO HOT ♪ ♪ YOU, YOU, YOU, YOU, YOU ♪ ♪ M-M-M-M-MAKE ♪ ♪ YOU MAKE ME SO HOT ♪ >> LOOKS HOT! ♪ I JUST CAN'T WAIT ♪ ♪ I NEED ♪ >> I COULDN'T BELIEVE WATCHING IT THAT IT WAS ME, THAT IT WAS MY SHOW. IT WAS AN AMAZING, AMAZING FEELING. >> ♪ YOU GET ME SO HOT ♪ [ APPLAUSE ] >> DO YOU LOVE THAT? >> ♪ HOT ♪ [ TECHNO MUSIC PLAYS ] [ CHEERS AND APPLAUSE ] >> I THOUGHT LEILA'S SHOW WAS OFF THE HOOK. I COULDN'T BELIEVE IT. I GOT THE CHILLS. I MEAN, THAT GIRL PULLED IT OFF. [ CHEERS AND APPLAUSE ] >> YEAH! ♪ SO, TEXT ME ♪ >> I'M GONNA CRY. >> ♪ I DON'T KNOW JUST WHAT TO DO SOMETIMES ♪ ♪ WHEN TWO PSYCHICS TRY TO READ YOUR MIND ♪ >> AND I WENT OUT AND HUGGED JESSICA. IT WAS, LIKE, BY FAR, THE BIGGEST MOMENT OF MY CAREER. AW. THANK YOU SO, SO, SO MUCH. >> I'M REALLY, REALLY PROUD OF YOU. THIS TURNED OUT TO BE BEAUTIFUL. >> AH, THANK YOU. IN THE END, MARK WAS LIKE, "I MEAN, IT ALWAYS WORKS OUT." I'M LIKE, "YOU'RE SUCH A ***." >> LEILA, THIS IS JUNE AMBROSE. >> OH, THANK YOU. THANK YOU. >> I LOVE YOUR WORK. >> NO, SERIOUSLY? >> I'M FLATTERED YOU'RE HERE. >> I LOVE THAT YOU TOOK, LIKE, THIS REALLY FEMININE APPROACH AND GOT REALLY TOUGH WITH IT. IT WAS VERY ROGUE OF YOU. >> THANK YOU. THANK YOU. THAT WAS MY WHOLE THING. LIKE, MY WHOLE THING WAS, LIKE, '70s ***. >> IT'S VERY COMPETITIVE. YOU'RE IN THE GAME. 'CAUSE I'VE BEEN TO SHOWS ALL WEEK. THIS WAS A NICE SURPRISE. I'M HAPPY FOR YOU. >> THANK YOU SO MUCH. I WANT TO CRY. THERE WERE SOME REALLY IMPORTANT FASHION PEOPLE THERE, AND THEY ALL REALLY HAD A POSITIVE RESPONSE. >> THIS IS AIMEE SONG. SHE'S ONE OF THE MOST INFLUENTIAL FASHION BLOGGERS. >> I LOVE YOUR BLOG. >> THANK YOU SO MUCH. WELL, I LOVE ALL THE LEATHER HARNESSES. >> OH, THANKS. >> HOW PRETTY IS THAT? ISN'T THAT GORGEOUS? AND LOOK WHAT IT SAYS -- IT SAYS, "GOD BLESS THIS HO AND ALL WHO ENTER IT." ISN'T THAT HILARIOUS? >> NICE TO MEET YOU. I WAS VERY PROUD TO BE CLOSE TO SOMEONE WHO IS, LIKE, SO ARTISTIC AND SO COOL. LEILA! >> THANK YOU. >> [ SMOOCHES ] THAT WAS AMAZING. WE'RE ALL CRYING. >> THAT GIRL PULLS IT OFF. >> LEILA! THAT WAS THE SICKEST THING I'VE EVER SEEN IN MY LIFE. >> IT WAS AMAZING. AND THEN I KNEW MARK WOULD BE HAPPY, SO IT WAS LIKE, "WHEW." >> I AM SO DARN PROUD OF YOU. >> AWW, YOU GUYS. THANK YOU. >> PACE IS SWEATING THROUGH HIS SHIRT, BUT HE'S HERE TO SUPPORT YOU. >> OH, THANK YOU. >> THE SHOW WAS REALLY AMAZING. >> THANK YOU SO MUCH. I LOVE THE -- OH, I LOVE THAT. >> [ LAUGHS ] >> THANK YOU. THANKS FOR COMING. OH, DID YOU LIKE IT? >> OH, LEILA, LEILA, LEILA, LEILA. LEILA, LAST NIGHT, I THOUGHT, "YOU ARE DEAD," BUT YOU WEREN'T. >> SHE'S GONNA MAKE MILLIONS AND TAKE US ALL AWAY ON VACATION. >> YEAH, MY MOM'S FIRST IN LINE. >> YOU'LL COME ON THE TRIP. SHE'S GONNA MAKE ALL THAT MONEY AND TAKE US. >> THANKS FOR COMING, DAD. OHHH! HAVING A SUCCESSFUL SHOW THAT EVERYBODY IS WRITING ABOUT AND LOOKING AT AND LOVING -- LIKE, GETTING THERE ALLOWS ME TO GET ON WITH MY LIFE. >> IT LOOKED SO GOOD. OH, MY GOD, BABY. I WAS SO HAPPY. >> THANKS, BABY. >> THE WAY IT LOOKED WAS AMAZING. >> I CAN GET MARRIED. I CAN HAVE A KID. YOU KNOW, LIKE, I'VE PUT THIS IN FRONT OF EVERYTHING, AND NOW I FEEL LIKE I CAN START TO MOVE ON AND MY CAREER WILL KEEP GOING. I DON'T HAVE TO BABYSIT IT LIKE I USED TO. >> OOH! >> Together: WHOO! >> TO LEILA SHAMS. >> TO LEILA SHAMS. >> GREAT JOB. I'M SO HAPPY. >> DRINK UP TO YOU AND YOUR... >> NOT TOO SHABBY. >> NOT TOO SHAMMY, SHABBY. >> I ACTUALLY -- I CAN'T BELIEVE HOW WELL IT WENT. >> IT WAS AMAZING. SO, AFTER LEILA'S FASHION SHOW, WE ALL WENT OUT TO CELEBRATE SUCH A SUCCESS. >> THIS IS MY FAVORITE SPOT IN THE WORLD. DO YOU GUYS NOT SEE THE GENIUS OF THIS SPOT, LIKE YES, NO? YOU'RE LIKE, "I WANT A GAVEL." TWO! >> HERE'S MARIANNE TALKING TO STRANGERS ON THE STREET WHILE WE ALL SIT THERE. >> HERE WE GO. HERE WE GO. THAT'S RIGHT. WORK IT. THAT'S RIGHT. OH, THEY'RE TWO DIFFERENT SNEAKERS! DON'T THINK I DIDN'T NOTICE! >> [ LAUGHS ] >> ARE YOU KIDDING ME? LOOK AT THIS GUY! >> I REALLY HOPE MARIANNE CAN BE A STAND-UP COMEDIAN. SHE'S JUST CALLING IT HOW SHE SEES IT. >> SO, LET'S HEAR ABOUT THE HOUSE. I THINK THAT CHRIS AND I HAVE A SHOT. >> DID WE NOT ALL SAY THAT? GET OUT OF THAT [BLEEP] TINY [BLEEP] APARTMENT AND LET HIM ROAM FREE. >> ALL OF A SUDDEN, CHRIS IS LIKE, "I'LL DO THAT." >> WELL, LEIGH, WE'RE NEVER GONNA SEE AGAIN BECAUSE LEIGH WENT TO THE SUBURBS. SHE'LL RAISE ROME OUT THERE -- GET, LIKE, A BIG S.U.V. SHE'LL BE A SOCCER MOM. >> I REALLY LOVE THIS -- >> CAN WE TALK ABOUT WHERE RAINA IS? DID ANYONE CALL HER, ACTUALLY? SHE'S NOT PICKING UP. >> YEAH, LIKE, RAINA'S SUPER, SUPER-DUPER LATE. >> GREAT! GOOD FOR HER. 'CAUSE WHEN YOU'RE FIRST IN LOVE, YOU'RE LIKE, "I'LL CALL IN SICK." >> THEY WANT TO LAY IN BED. >> AWW, I LOVE THEM TOGETHER. THEY REALLY ARE TWO PEAS IN A POD. >> HE LIKES HIGH-MAINTENANCE GIRLS. >> KNOW WHAT I SAID TO RAINA? I SAID... "PACE YOURSELF." [ LAUGHTER ] RAINA! >> HEY, MAMA. >> YOU WENT HOME AND -- YEAH. >> OH, MY GOD. I WAS, LIKE -- HI. >> RAINA SHOWS UP. HER HAIR IS KIND OF LIKE, THERE'S A PIECE STICKING UP HERE. OH, MY GOD. [ CHUCKLES ] I CAN ACTUALLY STILL SMELL SEX ON YOU. >> HE'S SO WONDERFUL. I LITERALLY THANK LEILA AND BRENT EVERY DAY. I WAS LIKE, "THERE'S JUST THIS, LIKE, CONNECTION THAT'S..." >> OH, CRISIS -- CRISIS AVERTED. I MISSED A HUGE CRISIS. LOOKIT -- 20 TEXT MESSAGES! 21. >> KELLY WILL CONTINUE TO COLLECT SUPERMODELS, FIGHT FOR THEIR CAUSES, AND BE ON HER BlackBerry. >> ARE YOU GONNA STOP WORKING AND HANG OUT WITH US, OR WHAT? >> IT'S NOT LIKE I'M ALWAYS LIKE THIS. >> NO, YOU'RE NORMALLY COMPLETELY FOCUSED ON OTHER PEOPLE. >> [ LAUGHS ] >> HOW DARE YOU! >> LEILA, I'M SO PROUD OF YOU. CHEERS TO LEILA SHAMS. >> THAT WAS OFF THE HOOK. >> HEY, IT REALLY DID END UP LOOKING GOOD, LIKE A HIGH-END SITUATION. I WAS ALWAYS SCARED TO ASK FOR FAVORS BEFORE, AND NOW I REALIZE, LIKE, WHEN PEOPLE REALLY LOVE YOU, THEY'LL HELP YOU OUT. GUYS, THANK YOU SO MUCH. THANK YOU FOR ALL OF YOUR HELP. THANK YOU, THANK YOU, THANK YOU. I CAN'T THANK YOU GUYS ENOUGH. >> IT WAS A WONDERFUL SHOW. IT WAS REALLY, REALLY GOOD. >> THANK YOU. >> IT WAS REALLY WONDERFUL! >> IT WAS AMAZING. >> WE'RE ALL PROUD! >> [ Crying ] IT WAS AMAZING. LIKE, I COULDN'T HAVE DONE IT WITHOUT THEM. >> TODAY WAS A REALLY HECTIC, CRAZY DAY. >> YEAH, LET'S GO. >> GIRLFRIENDS ARE REALLY IMPORTANT IN YOUR SUCCESS. THERE'S ALWAYS SOMEONE THERE TO RELATE AND SHARE THAT EXPERIENCE WITH YOU AND PICK YOU BACK UP AND KEEP YOU GOING. WE REALLY ARE TRULY FRIENDS THAT SUPPORT EACH OTHER. [ INDISTINCT CONVERSATION ]