Tip:
Highlight text to annotate it
X
RYAN LARSON: So now we're going over 16th rests, and we're in measures 17 and 18, and
again, remember we counted 16th, one-eeh-and-a two-eeh-and-a, so we're going to rest on--we've
got "one," "eeh," "and," "a." So, we rest on "one" and "a." So, we have one-eeh-and
a, one-eeh-and-a, one-eeh-and-a, paba, paba, paba, paba. So as we play this measure, it
goes by pretty quick. And notice how we just used two chords right there, two easy chords,
and we just played the rhythm, one-eeh-and-a, two-eeh-and-a, three-eeh-and-a, four-eeh-and-a,
one-eeh-and-a, two-eeh-and-a, three-eeh-and-a, four-eeh-and-a. We'll go real slow one-eeh-and-a,
two-eeh-and-a, three-eeh-and-a, four-eeh-and-a, one-eeh-and-a, two-eeh-and-a, three-eeh-and-a
four. And again, those 16th-note rests look like this like a--you got a 7 there, but it
has the two lines in it so it looks like this, a 7 with the two lines there. Those are 18th--or
16th notes rests right there. You can kinda see it here, it's a little cluttered there,
so that's the 16th note rest and it gets 1/16th of a beat.